final thesis book_jiaqi zhou
DESCRIPTION
This is a final thesis project designed for an IT company.TRANSCRIPT
J IAQI ZHOU 034 8524 8 I AC ADEMY OF ART UNIVERS I T Y GR ADUATE SCHOOL INTER IOR ARCHITEC TURE & DES IGN
F INAL THES IS PRESENTAT ION I DECEMBER 9, 2014
TAOBAO HEADQUARTERS
TABLE OF CONTENTS
144 36
THESIS SUMMARY ANALYSIS PRECEDENT STUDIES
ABSTRACT
INSPIRATION
DESIGN CONCEPT
SITE INTRODUCTION
CLIMATE
TRANSPORTATION
BUILDING LOCATION
NEIGHBOURHOODS
BUILDING EXISTING CONDITIONS
CLIENT
USER PROFILE
D' ESPRESSO
SKYPE HQ
SINGTEL CALL CENTER
44 80 136
DESIGN DEVELOPMENT FOCUS SPACES ABOUT
CONCEPT DEVELOPMENT
PROGRAMMING
LANDSCAPE DESIGN
FLOOR PLAN
PUBLIC AREA - 1ST FLOOR
CAFÉ - 2ND FLOOR
OFFICE FLOOR - 3RD FLOOR
AUTOBIOGRAPHY
RESUME
BIBLIOGRAPHY
THESIS SUMMARY
CHAPTER 1 I THESIS SUMMARY
ABSTRACT
Nowadays, most of us work in standard and conventional workspaces. The
traditional white or beige-colored work environment with its predictable
decoration is boring, unexciting and, even more importantly, uninspiring.
Based on the concept of “Inverted Perspective and Perception”, this
project focuses on working environments with more collaborative and
communicative spaces, and utilizes interesting visual perspectives and
sensuous perception as a design strategy.
The main goal of this project is to create a new commercial office
space that enhances the culture of a company, improves the performance
of people who have highly inventive minds and inspirs users to live and
rethink things in different ways.
Abstract Head Illusion
06 07
CHAPTER 1 I THESIS SUMMARY
INSPIRATION
Handstands
The CEO of the Alibaba Group - Ma Yun, he established Taobao and
changed the way for Chinese people to shop from onsite to online.
Ma Yun is always asking his employees to do handstands everyday if
they could, because he believes to do handstands would help people
to develop new ideas of thinking when they get chanllenges during the
work, and to exercise bodies for health.
Ma Yun would like to use the way to tell all the employees who are
working in Taobao that everything will be different if you see the world
upside down.
CHAPTER 1 I THESIS SUMMARY
Inception
I saw Inception about two years ago and felt incredibly stunning after all
the hype, about the architecture. Four characters in the film are architects,
physics doesn't exist and the best Nolan who is the director of the movie
could come up with was Paris bending back in on itself. Everything you
saw in the film is flipped and inverted. You would never think that buildings
are on the top of your head and the roads are connected to the sky. The
visual effects are really stunning and amazing. It inspired me with a lot of
ideas about interior design.
Artist
A Taiwanese performance artist Huang Ming-cheng who spent the past
years triped around the world and took pictures of himself when he doing
handstands. Every location on which Huang did handstands carried a
degree of physical risk — whether it was on a cliff, a rock in the middle of
the ocean, the back of an old scooter, and the ridgepole of a steel roof.
Huang named his travel picture series, “Mr. Candle,” because he once
drew the outline of a person doing a handstand. He thought people will
see a lot things when they do handstands.7
1. Scene of Movie INCEPTION2. Poster of Movie INCEPTION
3. Photo#1 of Ming4. Photo#2 of Ming
10 11
1 3
2 4
DESIGN CONCEPT
CHAPTER 1 I THESIS SUMMARY
The concept for the commercial office design is “Inverted Perspective &
Perception", and I was inspired by the culture of the Taobao company.
Ma Yun, the main founder of the Taobao Company, always encourages
people who are working in his company to do handstands, because he
believes everything will be changed if they use another perspective to
view the world and rethink things. Today he is one of the most successful
people in China, but he has experienced failure in the past. He was full
of confidence and ability to start a business, but, his first attempt was
ultimately frustrating. At that time, he tried to do handstands when his
brain was not working well and he saw things completely differently than
usual. In this way, he refreshed his ways of thinking and got many new
ideas to develop his business which brought him his first success. From
then on, Mr. Ma has believed doing handstands is the best way to look for
new ideas, and he has made it part of the culture of the Taobao Company
to encourage employees.
I would like to utilize the concept of “Inverted Perspective and Perception”
from the culture of the company to design the office spaces. This concept
will be realized using specific strategies including: horizontal and vertical
views through structure at random angles, materials and colors that have
strong contrasts, and interesting, forced and illusionary perspectives in
order to challenge people’s eyes and senses. This approach will provide
fresh and unique perspectives for the users working in the environment.
The purpose of this project is to encourage and inspire people to
rethink ideas and to spark their creativity and see things from another
perspective. Looking at the world from an inverted point of view is not flips
objects and your body 180 degrees, but it also puts yourself in a situation
that you are not used to living and working in.
12 13
The Quiet Mind #3, Photoed By: Kamin Jaroensuk
ANALYSIS
SITE INTRODUCTION
CHAPTER 2 I ANALYSIS
Hangzhou is located on the southeast coast of China. It is the capital of
Zhejiang Province, and it is the political, economic, scientific, educational,
and cultural center of the province. The total area of the city covers
16,596 Km2 with a population of 6,776,400. Hangzhou is a historical
city and is a key center of tourism in China. It is known as “Paradise on
Earth”, “the Center of Culture”, “the Home of Silk”, “the Capital of Tea”,
and “the Town of Fish and Rice”.
Hangzhou has eight districts within it including Shangcheng, Xiacheng,
Gongshu, Xihu, Jianggan, Binjiang, Xiaoshan, and Yuhang, and five
counties surrounding it including Fuyang, Lin’an, Jiande, Tonglu, and
Chun’an. All of these countries are under the governance of the city of
Hangzhou.
16 17
1. Map of China2. Outline Map of Zhejiang Province
3. Outline Map of Hangzhou with Main Districts4. Map of Hangzhou with All Districts
1 2 3
4
CLIMATE
CHAPTER 2 I ANALYSIS
Hangzhou has a subtropical monsoon climate with four distinct seasons.
It is warm and humid with sufficient sunshine and plentiful rainfall. The
spring starts from late March to middle June. It is warm and moist in
the spring, when green willows and pink peach blossoms appear around
West Lake. Spring is one of the best seasons for people go on walking
tours. Summer is very hot and wet. Hangzhou has typhoons which bring
heavy wind and rains. Fall runs from October to early December, during
which time the temperature is really comfortable, and this is the second
best time to visit the city after the spring. This is a great time to admire the
beautiful maples in the scenic areas of the city. The winter in Hangzhou
is the coldest period of the year. It snows occasionally at this time and
people enjoy celebrating the New Year’s Festival. The spring and fall
are short, and the winter and summer are long. The average annual
temperature is 18.0 degree celsius, so the city is good for people to live
comfortably.
1/2/3/4: Spring/Summer/Fall/Winter of Hangzhou5. Average Temperature of Hangzhou
6. Average Rainfall of Hangzhou
18 19
1 2 3 4
5 6
TRANSPORTATION
CHAPTER 2 I ANALYSIS
Hangzhou has an efficient public transportation network consisting of a
bus and metro system and many taxis. The city is known for its extensive
Bus Rapid Transit network expanding from downtown to many suburban
areas through dedicated bus lanes on some of the busiest streets in the
city. It helps a lot in daily transportation during the traffic jam. Additionally,
Hangzhou has an extensive free public bike rental system that have rental
centers convenient to bus stations in the city and in the suburbs. This
enables people to rent a bike and travel everywhere. Moreover, the first
metro line opened in 2012, and it connects downtown with suburban
areas of the city from Xianghu to Wenze Road. The other 8 lines are still
under construction, and they will be expected to be completed in a few
years.
1/2/3. Bus/Rental Bike/Metro System in Hangzhou4/5/6. Bus/ Rental Bike/ Metro Map of Hangzhou
20 21
1
4
2 3
5 6
BUILDING LOCATION
CHAPTER 2 I ANALYSIS
Male - 60%
District Demographics: 51,000 People
Gender
Female - 40%
Xintiandi Innovation & Entrepreneurial Core Area
Northern Sport Park Ecological Leisure Circles
Wulin CBD Core Area
North & South Trde & BusinessLandscape Zone
Stone Bridge Trde & BusinessEconomics Circles
Municipal Goverment
Provincial Goverment
Grand Canal Leisure Landscape
Zone
Peace Conference & Exhibitions
Business Circles
DistrictGovermentThe Dong Xin Rd is located in north of downtown, which is in Xia-cheng
District. This area has been become a haven for innovative and developing
business, and also is a new seat of a high-tech industrial base of the city.
The size of this area is 18.8 square miles. Following a sounder economic
policy, the Xia-cheng District has imported advanced technology,
strengthening the research and development sector, manpower training,
and pollution control, and reinforcement of economic development.
Age Monthly Incoming Level of Educaiton
No colloge - 24% $250 - $550 - 19% 0 - 18 - 15%
$551 - $1000 - 42% 19 - 30 - 35%
$1001 - $1500 - 25% 31 - 55 - 36%
$1501 - $2000 - 14% 56 - 90 - 14%
College - 39%
High School- 13%
Grad School - 24%
Site
1/2/3/4. Charts of Demographics5. Zoning Map of Xiacheng District
6. Building Loacation Map
1 2
5
3
6
4
22 23
NEIBOURHOODS
Si te
River
Educat ion
Business & Commercial
CHAPTER 2 I ANALYSIS
The Xia-cheng District is a residential neighborhood conveniently located
nearly colleges of institute, medical care centers, shopping malls,
restaurants and banks. This area enjoys a superb geographic location,
with a flow of 46,000 people visiting the area every day. People who live
here are middle class and foreign people who are working here. There
are many corporations and shopping malls there as well as residential
buildings.
24 25
BUILDING EXISTING CONDITIONS
CHAPTER 2 I ANALYSIS
Location: 462 Dongxin Rd, Hangzhou, Zhejiang, China
Total Square Footage: 100,440 sq. ft
Building Size: 18,892 sq. ft (1-2 Level), 12,470 sq. ft (3-8 Level)
Building Height: 124 ft 81/16in
Story: 9 Stories
Building Construction: Reinforced Concrete
This building is located on Dongxin Road in Xia-cheng District. This
area of Hangzhou is gradually changing from a manufacturing zone to
a center of the information-based economy. The building used to be a
hotel, but it has been abandoned for 10 years. In 2004, the owner of this
building wanted to redesign the hotel, but the project was suspended due
to some internal factors.
1. West Direction of the Building2. South Direction of the Building
3. East Direction of the Building4. Part B, 2 Story - Building
12 3
4
26 27
CHAPTER 2 I ANALYSIS
Parking Area
The building is located at the bend of a river. A bridge connects the
building to an open space on the other side of the river. This open area
used to be a parking lot for the hotel. The Desheng Expressway runs
along the south side of the site, and a major city street runs under the
expressway, and serves as a convenient transportation connection.
1. Parking Area of the The Map2. Desheng Expressway
3. River 4. Parking Area
1
3
2
4
28 29
CHAPTER 2 I ANALYSIS
Building Plans
The building has 9 stories including a penthouse, and totals 100,440
sq.ft. It is composed of two parts. Part A is the main 9-story building and
Part B is a 2-story building which is extended from the main building.
There is a garden in front of the building, but it has been neglected and is
currently covered by long grass and overgrown trees. From the third floor
to eighth floor, a rectangular mass extends from the main building. This
building offers a lot of design potential.
1. 1st & 2nd Floor Plan2. Typical Floor Plan
3. Elevation Plan
1
3
2
30 31
CLIENT
CHAPTER 2 I ANALYSIS
Taobao is an IT Company that is one of the largest (c2c) multinational
internet electronic commerce companies in China, and it has been
headquartered in Hangzhou since its founding in 2003.
Taobao manages an online auction and shopping website, and
provides a platform to people and businesses to buy and sell a broad
variety of goods and services nationwide. According to the Alexa.com,
Taobao was the third most visited website in China in October 2013.
1. Logo of Taobao Mobile App2. Logo of Taobao Website
3. Enterprise Image of Taobao4. Poster of Taobao
1
2
3
4
32 33
USER PROFILE
CHAPTER 2 I ANALYSIS
The main target users are 275 employees who are working in the Taobao
Company. The employees are classified by four levels. First, Middle-
aged employees, they are older than 45 years old, occupied 18% of
all staffs. They are working for management in the company. Employees
are range from 30-40 years old, occupied 40% of all staffs. They are
working for technological development. Employees are range from 25-
30 years old, occupied 28% of all staffs. They are working for creative
development. Trainee are younger than 25 years old, occupied 14% of all
staffs. They are working for both technological development and creative
development.
45% of the employees are foreign people and students who are moving
from other cities from China.
Ma Yun is a Chinese Internet entrepreneur. He
is an executive Chairman of Alibaba Group,
a family of highly successful Internet-based
businesses. He founded Taobao.com in May
2003 based on the investment of the Alibaba
Group.
Ma Yun
CEO of Alibaba Group
Founder of Taobao Company
Zhang Yong
CEO of Alibaba Group
Founder of Taobao Company
Qiu Changheng
CEO of Alibaba Group
Founder of Taobao Company
Zhang Yong is currently the chief operating
officer of Alibaba Group and the vice CEO &
CFO of Taobao. Basically, after T-Mall (Taobao
Mall) was independented from Taobao in June
2011, he was appointed as the CEO of T-Mall.
Qiu Changheng is currently the manager of
Taobao Wireless Business and the vice CEO of
Alipay. He manages the development of mobile
terminal, which is create apps for people who
could buy and sell things by smart phones.
34 35
PRECEDENT STUDIES
CHAPTER 3 I PRECEDENT STUDIES
D'ESPRESSO
Designer took the idea of a library and flipped the usual space. Making
good business sense and just might become a recognizable branding
signature in that area.
The "books" are actually tiles printed with photos of bookshelves at a
local travel bookstore that around the room, including the floor, walls and
ceiling. It makes you feel like standing on books. It gives an an amazing
visual impact to custom-ers. The "floor" is the left-hand wall with a dark
hardwood flooring. The ban-quette almost looks like a couch that could
be resting on that floor.
When you look to the right, you'll see the globe lighting is actually came
out horizontally, looking as if gravity is having its way with the room. The
glowing glass panels were looks as the ceiling. It makes people feel like
one gets after one too many espressos on an empty stomach.
Category: Food Retailer Location: NY, USA
38 39
CHAPTER 3 I PRECEDENT STUDIES
SKYPE HQ
Skype’s main goal was to design a world-class office that would different
from companies of Bay Area. Their new space not only had to be a design
statement that reflected their modern but fun personality, but it also had
to meet very specific acoustic requirements to support the company’s
extensive use. All of the casual meeting areas are unique, and there are
three distinct phone booth types: light and bright for active thought;
medium col-ored for meditative thought; and dark cave-like rooms for
introspective thought.
Skype needed three distinct types of spaces: collaboration,
contemplation and concentration spaces. Designer believes that
people, not conference rooms, deserve natural light, the archi-tects took
advantage of the exterior windows and located all workstations at the
concentration space. Meeting rooms and phone booths were priori-tized
as no member of staff had a private office (an open floor plan with a
benching workstation system was implemented). Contemplation spaces
were interspersed in the form of over-lapping casual lounges.
Category: Office Location: Palo Alto, USA
40 41
CHAPTER 3 I PRECEDENT STUDIES
S INGTEL CALL CENTER
In redesigning SingTel’s existing call centre in Singapore, SCA Design
have gone well out of the box to create multiple ways for staff to
collaborate, and unwind. With this project, SCA Design (a member of the
ONG&ONG Group) have deliberately eschewed all traditional notions
of what a call centre should look like, while seamlessly integrating the
concept of communication – SingTel’s core business – into both the
functional and aesthetic aspects of the design.
Given the challenges typically faced by call centre employees, the
design team wanted to create a workspace where excellent customer
service could be delivered, and where the wellbeing of all staff was
considered. With that in mind, the design incorporates huddle areas
following the themes of Park and Playground, Home, Sports and Beach –
which were chosen to convey the message that SingTel is an indispensible
part of the lives of Singaporeans; these huddle areas serve as places for
collaboration and special events, as well as for rest and relaxation.
Category: Office Location: Singapore
42 43
DESIGNDEVELOPMENT
CONCEPT DEVELOPMENT
CHAPTER 4 I DESIGN DEVELOPMENT
When we talk about “Inverted Perspective”, we would imagine everything
upside down in the brain, because this is the most directly way to think
about the inverted views. However, “Inverted” is not represents to put
something upside down, it also stands for transposing position, order and
arrangement.
By reading the explanation of “Inverted”, I developed this concept as
six elements including: solids and voids, scale and proportion, rhythm
& chaos, flatness and irregularity, light and shade and color and white
and black. To sum up these six elements, then to design the project
with specific strategies including: horizontal and vertical views through
structure at random angles (solids and voids, rhythm & chaos), materials
and colors that have strong contrasts (flatness and irregularrity, color
& white and black), and interesting, forced and illusionary perspectives
(scales and proportions, light and shade) in order to challenge people’s
eyes and senses.
1. Solids & Voids2. Scale &Proportion3. Rhythm & Chaos
4. Flatness & Irregularity5. Light & Shade
6. Color & White and Black
1
4
2
5
3
6
46 47
CHAPTER 4 I DESIGN DEVELOPMENT
Concept Sketches
Based on the six elements including: solids and voids, scale and
proportion, rhythm and chaos, flatness and irregularity, light and shade
and color and white and black, I transformed the original ideas to some
sketches that would represent my concept into the project clearly.
1. Strategy#1: Structure at Random Angles2. Strategy#2: Strong Contrast
3. Strategy#3: Forced and Illusionary Perspectives1 2 3
48 49
PROGRAMMING
CHAPTER 4 I DESIGN DEVELOPMENT
The 9-story building is in a unique location at the bend of a river, with
a bridge connecting the building to a parking area on the other side of
the river. Therefore, I designed two different entrances for the building,
visitors and will come from the main entrance, and employees will come
from the other one, and I separated the first floor into a public zone and
a private zone. The public zone includes a reception area, a gift shop,
a small gallery and a waiting area. These functional spaces have to be
easily accessible and also have nice views, so I located the main entrance
where it would be face to the main road and open to the courtyard. The
main entrance serves the public who use the outdoor spaces or visit the
indoor public spaces, and also those employees who come to work by
public transportation. The private zone includes a secondary reception
area, a yoga room and a child care center. The private entrance provides
convenient access for employees who come to work by car. It helps to
separate the flow of people during office hours and ensures the security of
the building. I divided this project into five parts: A Landscape area at the
front side of the building, lobby area (1st Floor), café (2nd Floor), offices
(3rd-8th Floor) and penthouse. All but the penthouse are my design.
ELEVATOROPENKITCHEN
CAFE
RESTROOMKITCHEN
&STORAGE
GYM&
THEATER
ELEVATOR
ELEVATOR
CAUSUALMEETING
ROOM
OPEN OFFCE
BRAINSTORMINGROOM
OFFICE
MEETINGROOM
RESTROOM&
STORAGE
ELEVATOR
OPEN OFFCE
LANDSCAPE
COURTYARD
LANDSCAPERECEPTION
AREA
SECONDRECEPTION
AREA
GALLERY
MAIN ENTRANCE
SECONDARY ENTRANCE
BACK OF HOUSE
PARKING
ELEVATOR
ELEVATOR
OFFICE
GIFTSHOP
WAITINGAREA
YOGAROOM
CHILD CARECENTER
LOBBY
Level 1
Level 2
Level 3-8
BACK OF HOUSE
BACK OF HOUSE
EMPLOYEES' ELEVATOR EMPLOYEES' ROUTE
FUNCTIONAL SPACES
BRIDGE
RIVER
GUESTS' ROUTE
OFFICE FLOOR
GYM
PENTHOUSE (NO DESIGN)
YOGA ROOMV
LOBBY & WAITING AREA
CAFÉ
CHILD CARE CENTER
50 51
LANDSCAPE DESIGN
CHAPTER 4 I DESIGN DEVELOPMENT
MAIN ENTRANCE
GATHERING SPACE
SEMI-PRIVATE SPACE
COURTYARD
PRIVATE SPACE
PARKING SPACE
REFLECTING POOL
FOLLY
Following the concept of “Inverted Perspective and Perception”, I designed
the landscape zone with a series pf structured elements of different heights
representing mountains to create various layers to provide for privacy
and to frame views. These “mountains” will block some of the views
where privacy is needed, but they will still provide great perspectives from
specific points of views.
The landscape is be separated into three parts, including a gathering
space, a semi-public space and a private space. Based on the functions
of the first floor, I placed the gathering space near the small gallery,
so people can have a rest after touring the gallery. A reflecting pool is
placed at the front of the building in order to let people see the inverted
perspectives from the reflection in the water. Then I extended the water
element to the courtyard, so people can both see and hear the water. It
gives a unique experience for the users. At the same time, people can see
these design elements when they sit in the waiting area.
In the semi-public area, I put a pergola upon one of the “mountains”
near the child care center. It offers a good place for children and child
care workers to have some activities in the shades. Some osmenthus
fragrance trees and ginko tress are planted in the courtyard because
these kinds of trees show different colors and flowers during the four
seasons, and they will provide a changing view of nature. The private
area is designed as a low-lying bowl at the private side of the building,
and the height becomes gradually higher as it extends from the building
to the river. A water feature will flow from the edge of the bowl into the
river and a wood deck will face it and will be used for outdoor exercise.
This landscape design not only provides a relaxing atmosphere, and also
provides several different perspectives to the users including views of the
river as well as a folly which will be built at the parking area.
0' -
1"
251' - 9"
47' -
8"
5' -
5 3/
4"
1
1
2
3
4
5
6
7
8
2
3
4 57
0' -
6"
52 53
68
12 3
4 5
6
7
8
DIAGRAMS
CHAPTER 4 I DESIGN DEVELOPMENT
LAWN
HIGH STRUCTURE4'
CONCRETE
RIVER ROCKS
The semi-public landscape is composed of different heights of “mountains”
structures. Each “mountain” is made of three materials including
concrete, grass, and river rocks that cover the different sides, ensuring a
differently appearance from each direction. The process diagram shows
the situation of the site, the plantings, water and materials. It represents
all functions and elements in the landscape clearly and arrangement.
1
2
3
4
4’ HIGH STUCTURE
LAWN
CONCRETE
RIVER ROCKS
1
2
3
3
4
SITE
PLANTING
WATER
MATERIAL
CONCRETE FROUND
PERGOLA
RIVER ROCKS
UNDERGROUNDPOND
RIVER
PARKINGBRIDGE FOLLY
DOCK
ENTRANCEGATHERING SPACE
LAWN
TRESS
WOOD DOCK
1. Detail Diagram of Mountain Structure2. Process Diagram of The Landscape Design1 2
54 55
Wild Specturum & Planting Pallete
CHAPTER 4 I DESIGN DEVELOPMENT
The two diagrams represent the wild specturum and plantings in the
landscape design. Several kinds of plantings give different perpectives of
nature in this area of four distinct seasons.
FAUNALIGHTINNG BUG
SWALLOWS OWLS
YOGAJOGGING WALKING FITNESS COURSE PLAYING DATING
DOVES
CICADAS DRAGONFLIES
SOCIALACTIVITIES
MOSQUITO BUTTERFLIES BEE
PASSER MONTANUS TURDUS MERULA PYCNONOTUS SINENSIS
56 57
SEASON
GINKO GROVE
HONEY LOCUST
OSMANTHUS FRANGRANS
WIILLOW
LOTUS
WILDGRASS
SPRING SUMMER AUTUMN WINTER
J A N F E B M A R A P R M A Y J U N J U L A U G S E P O C T N O V D E C
SOUTH SECTION
CHAPTER 4 I DESIGN DEVELOPMENT
WILD GRASS
3’ HIGHLAWN
GINKO GROVE
The south section shows the structures of the "mountains" and several
kinds of trees.
WILD GRASS
GINKO GROVE
HIGH LAWN3'
HONEY LOCUST
WILLOW FOLLY
OSMANTHUS FRAGRANCEOSMANTHUS FRANGRANCE TREES
HONEY LOCUST
WILLOW TREES
FOLLY
58 59
EAST SECTION
CHAPTER 4 I DESIGN DEVELOPMENT
The east section shows the seating area of the "mountain" and pergola
near the child care center.
HIGH LAWN1' 6"
HIGH LAWN4'
PERGOLA
LIGHTING POSTSTAIRS
POOL
HIGH LAWN4'
60 61
EAST SECTION
CHAPTER 4 I DESIGN DEVELOPMENT
The east section shows the views of the employees' entrance and the
outside space of the yoga room.
HONEY LOCUST TREES
WILLOW TRESS
RIVER
YOGA DECK
LOTUS
FLUSH BOWL LAWN
WATERFALL
POOL
62 63
FLOOR PLAN
CHAPTER 4 I DESIGN DEVELOPMENT
Focus Areas
1st Floor 10,719 sf
Reception Area 1,090 sf
Gift Shop 871 sf
Guest Waiting Area 900 sf
1 Entry
2 Lobby 830 sf
3 Reception Area 1,090 sf
4 Gift Shop 871 sf
5 Guest Waiting Area 900 sf
6 Gallery 1,686 sf
7 Office 1,403 sf
8 Elevator 240 sf
9 Yoga Room 611 sf
10 Child Care Center 1,685 sf
11 Men's Restroom 187 sf
12 Women's Restroom 184 sf
13 Locker Room 81 sf
14 Restroom 121 sf
15 Shower Room 60 sf
16 Storage 80 sf
17 Mechanical Room 150 sf
18 Service Elevator 80 sf
19 Stairway 410 sf
20 Janitor's Room 50 sf
6
18
19
7
16 17
7 7
ELV
64 65
UP
1 1
1
2
2
9
10
13
14
1415 15
7 88
11
20
1219
19
7
3
3
4 55
1
ELV ELVELV
0 1 2 4 8 16
CHAPTER 4 I DESIGN DEVELOPMENT
Café 1,790 sf
Focus Areas
2nd Floor 9,150 sf
1 Open Kitchen Queue Area 720 sf
2 Café 1,790 sf
3 Gym 790 sf
4 Theater 2,030 sf
5 Outdoor Deck 720 sf
6 Open Kitchen 700 sf
7 Kitchen (Storage Included) 1,000 sf
8 Elevator 240 sf
9 Women's Restroom 177 sf
10 Men's Restroom 210 sf
11 Mechanical Room 126 sf
12 Restroom 72 sf
13 Service Elevator 80 sf
14 Stairway 455 sf
15 Janitor's Room 40 sf
13
OPEN TO BELOW
14 11
7
ELV
DN
3
4
5 12
8
OPEN TO BELOW
89 10
1415
14
6 1
2
ELV ELVELV
0 1 2 4 8 16
66 67
CHAPTER 4 I DESIGN DEVELOPMENT
Communication Stairways 1,000 sf
Open Office 2,566 sf
Perspective Hall 1,060 sf
Corridor 615 sf
Casual Meeting Room 400 sf
Reception Area 151sf
Focus Areas
3rd Floor 10,206 sf
1 Reception Desk 151 sf
2 Casual Meeting Room 400 sf
3 Open Office 2,566 sf
4 Perspective Hall 1,060 sf
5 Communication Stairway 1,000 sf
6 Multi-Media Meeting Room 375 sf
7 Office 1,360 sf
8 Pantry 450 sf
9 Meeting Room 320 sf
10 Entertainment Room 330 sf
11 Fitness Room 230 sf
12 Men's Restroom 212 sf
13 Women's Restroom 212 sf
14 Elevator 240 sf
15 Stairway 455 sf
16 Service Elevator 80 sf
17 Mechanical Room 150 sf
18 Janitor's Room 100 sf
19 Corridor 615 sf
45
6
12 13
16
17 1815
3
ELV
OPEN TO BELOW
68 69
0 1 2 4 8 16
1
2
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19
7 7 7 7 78
9
10
14
15
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ELV ELVELV
OPEN TO BELOW
CHAPTER 4 I DESIGN DEVELOPMENT
Perspective Hall 1,060 sf
Brainstorming Room 450 sf
Focus Areas
4th Floor 8,152 sf
1 Reception Desk 151sf
2 Casual Meeting Room 400 sf
3 Open Office 1,650 sf
4 Perspective Hall 1,060 sf
5 Brainstorming Room 450 sf
6 Data Room 507 sf
7 Office 1,120 sf
8 Pantry 450 sf
9 Corridor 615 sf
10 Meeting Room 360 sf
11 Men's Restroom 212 sf
12 Women's Restroom 212 sf
13 Elevator 240 sf
14 Stairway 455 sf
15 Service Elevator 80 sf
16 Janitor's Room 90 sf
17 Mechanical Room 100 sf
83
4
10
11 12
15
ELV 17 1614
OPEN TO BELOW
70 71
1
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CHAPTER 4 I DESIGN DEVELOPMENT
Perspective Hall 1,060sf
Focus Areas
5th Floor 8,355 sf
1 Reception Desk 151 sf
2 Casual Meeting Room 400 sf
3 Open Office 2,566 sf
4 Perspective Hall 1,060 sf
5 Communication Stairway 1,000 sf
6 Multimedia Meeting Room 375 sf
7 Office 1,360 sf
8 Pantry 450 sf
9 Corridor 615 sf
10 Entertainment Room 330 sf
11 Fitness Room 230 sf
12 Men's Restroom 212 sf
13 Women's Restroom 212 sf
14 Mechanical Room 150 sf
15 Stairway 455 sf
16 Service Elevator 80 sf
17 Janitor's Room 100 sf
4
5
6
12 13
16
14 1715
3
ELV
OPEN TO BELOW
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1
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0 1 2 4 8 16
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CHAPTER 4 I DESIGN DEVELOPMENT
Perspective Hall 1,060 sf
Focus Areas
6th Floor 8,585 sf
1 Reception Desk 151 sf
2 Casual Meeting Room 400 sf
3 Open Office 2,120 sf
4 Perspective Hall 1,060 sf
5 Brainstorming Room 420 sf
6 Data Room 500 sf
7 Office 1,120 sf
8 Pantry 450 sf
9 Corridor 615 sf
10 Meeting Room 360 sf
11 Women's Restroom 212 sf
12 Men's Restroom 212 sf
13 Elevator 240 sf
14 Stairway 455 sf
15 Service Elevator 80 sf
16 Janitor's Room 90 sf
17 Mechanical Room 100 sf
83
OPEN TO BELOW
ELV
4
10
12 11
15
17 1614
74 75
0 1 2 4 8 16
ELV ELVELV
1
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14
13
CHAPTER 4 I DESIGN DEVELOPMENT
Perspective Hall 1,060 sf
Focus Areas
7th Floor 10,296 sf
1 Reception Desk 151 sf
2 Casual Meeting Room 400 sf
3 Open Office 2,566 sf
4 Perspective Hall 1,060 sf
5 Communication Stairway 1,000 sf
6 Multimedia Meeting Room 375 sf
7 Office 1,360 sf
8 Pantry 450 sf
9 Corridor 615 sf
10 Meeting Room 320 sf
11 Entertainment Room 330 sf
12 Storage 230 sf
13 Men's Restroom 212 sf
14 Women's Restroom 212 sf
15 Elevator 240 sf
16 Stairway 455 sf
17 Service Elevator 80 sf
18 Mechanical Room 150 sf
19 Janitor's Room 90 sf
OPEN TO BELOW
45
6
13 14
17
18 1916
3
ELV
OPEN TO BELOW
1
2
33
9
7 7 7 7 78
10
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16
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0 1 2 4 8 16
76 77
CHAPTER 4 I DESIGN DEVELOPMENT
Perspective Hall 1,060 sf
Focus Areas
8th Floor 8,467 sf
1 Reception Desk 151 sf
2 Casual Meeting Room 400 sf
3 Open Office 2,032 sf
4 Perspective Hall 1,060 sf
5 Brainstorming Room 390 sf
6 Data Room 500 sf
7 Office 1,120 sf
8 Pantry 450 sf
9 Corridor 615 sf
10 Meeting Room 360 sf
11 Women's Restroom 212 sf
12 Men's Restroom 212 sf
13 Elevator 240 sf
14 Stairway 455 sf
15 Service Elevator 80 sf
16 Janitor's Room 90 sf
17 Mechanical Room 100 sf
83
OPEN TO BELOW4
10
12 11
15
17 1614 ELV
0 1 2 4 8 16
1
2
33
3
6
9
5
77 7 78 13
14
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ELVELVELV
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FOCUSSPACES
PUBLIC AREA - 1ST FLOOR
CHAPTER 5 I FOCUS SPACES
The public area includes lobby, reception area, gift shop, guest waiting
area and gallery.
The office lobby is the first area to represent the concept to users.
The strategy that is utilized in the space is “Structure at random angles”,
and two design elements “flatness and irregularity” and “scales and
proportions” are used to represent the strategy. The ceiling is composed
of series of triangular masses with outlined LED lighting, and this structure
enriches the plain ceiling by adding many layers. In addition, the structure
of the reception area plays a key role in separating the gallery and guest
waiting area, and it has been transformed from a rectangular box to an
irregular mass which changes in form when viewed from different angles.
In order to give contrast, two kinds of wood are used in this area, which
contrast in pattern and color. The reception desk is painted with high gloss
paint, and this reflective quality creates contrast with the wood surfaces
even they have a similar color range. The reception area plays with scale
and proportion and flatness and irregularity through the use of material
and patterns.
The gift shop and guest waiting area are designed with the same
strategy as the lobby/reception area including the use of the same. Wood
is also the primary material in this area, because these two areas are
close to the reception area, and this use of the same material could make
some connections between the spaces. In order to make strong contrast,
the colors and patterns of the wood will be different from the lobby ceiling
and reception structure.
1. Strategy#1: Structure at Random Angles2. Element#4: Flatness & Irregularity
3. Element#2: Scale & Proportion1
2
3
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CHAPTER 5 I FOCUS SPACES
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CHAPTER 5 I FOCUS SPACES
F lat Sur faces
Irregular Structure
The Quiet Mind #3, Photoed By: Kamin Jaroensuk
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CHAPTER 5 I FOCUS SPACES
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CHAPTER 5 I FOCUS SPACES
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CHAPTER 5 I FOCUS SPACES
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CHAPTER 5 I FOCUS SPACES
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CAFÉ - 2ND FLOOR
CHAPTER 5 I FOCUS SPACES
The café is located on the second floor and is only open for employees.
The strategy that is applied in the space is “Structure at random angles”,
and two design elements “solids and voids” and “rhythm and chaos”
are used to represent the strategy. The café is divided into two sections
including a recessed seating area and a long table area. The structure
of the recessed seating area was designed with the element of “solids
and voids”, and each room shows the rhythm of the structure. However,
each room is still different in terms of the use of material. Every other
room has a triangular opening in the wall intergrade with LED lighting,
with an additional pendant light hanging from the ceiling. The alternating
rooms are designed with a living wall and with the pendant light extended
from the living wall. Each room highlights different design elements. The
columns of the recessed seating area represent the design element of
rhythm, and it gives strong contrast with the ceiling upon the long table
area.
The ceiling on the long table area uses faceted and triangular masses to
design the structure to represent chaos. The long table can be separated
to allow for multiple seating configurations. The floor is covered with an
organic shaped pattern, and it contrasts with the white chairs. The café
shows contrasting colors, structures and materials, but these elements
combined perfectly and harmoniously.
1. Element#4 Flatness & Irregularity2. Element#1: Solids & Voids
3. Element#3: Rhythm & Chaos1 2 3
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CHAPTER 5 I FOCUS SPACES
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CHAPTER 5 I FOCUS SPACES
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CHAPTER 5 I FOCUS SPACES
The typical office floor includes several collaborative and communicative
spaces which are Casual Meeting Room, Communication Stairway and
Perpectvie Hall. The purpose of this design is trying to let employees to live
and think in a fresh office space.
OFFICE FLOOR - 3RD FLOOR
1. Strategy#3: Foced Illusionary Perspective2. Element#2: Color & White and Black
3. Element#3: Light & Shade1 2 3
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CHAPTER 5 I FOCUS SPACES
The structure of the reception area on the third level is similar to the
lobby ceiling on the first floor but at a smaller scale and using different
materials and lighting. In this way, it shows some connection with the main
entrance. Black high gloss painted panels are chosen for the structure in
order to make a faceted structure with various reflections. The reflections
show inverted views of the reception area and create many angled views.
RECEPTION AREA
CORRIDOR
CHAPTER 5 I FOCUS SPACES
The corridor is designed like a tunnel covered with dark wood panels and
lit with artificial lighting. The doors of the managers’ offices are hidden by
the wood panels. The LED light strips show the outline of the location of
doors, and the big numbers represent the room numbers of each office.
Moreover, the placement of the LED lighting strips create illusionary
perspectives in the corridor.
CHAPTER 5 I FOCUS SPACES
CORRIDOR
The strategies that are utilized in open office are “material & colors
with strong contrasts” and “forced & illusionary perpectives”, and three
elements are used which are “light and shade”, “color and black and
white” and “solids and voids” to represent these strategies. The open
office is parallel to the corridor, and this area is full of natural light.
Compared with the corridor, these two areas represent the elements of
“light and shade”.
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CHAPTER 5 I FOCUS SPACES
112 113
PERSPECTIVE HALL
CHAPTER 5 I FOCUS SPACES
The Perspective Hall is the most important area to show the concept of
“Inverted Perspectives and Perceptions” completely on the office floors,
and it is open from the third level to the top. At each level the location
of the staircase staggered to ensure that people will view different
perspectives when they walk up and down on the stairs.
CHAPTER 5 I FOCUS SPACES
The surfaces on the bottom of the staircase repeat the design of the
“structures at random angles”, but these surfaces are less fractured and
faceted than those in the lobby. The black high gloss material painted
on the structure reflect the open office area and outside views. The
staircase is like a huge and beautiful sculpture standing in the center of
the Perspective Hall to show off its beauty.
CHAPTER 5 I FOCUS SPACES
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OPEN OFFICE
CHAPTER 5 I FOCUS SPACES
This open office is serving for another department. Bright colors are used
in this space to represent the element of "color".
CHAPTER 5 I FOCUS SPACES
Then open office separates the Communication Stairway and Perspective
Hall.
COMMUNICATION STAIRWAY
CHAPTER 5 I FOCUS SPACES
The Communication Stairway is one of the communicative and
collaborative areas. It is designed for users who would like to relax. The
staircase is composed of bookshelves, so it is like a small library.
CHAPTER 5 I FOCUS SPACES
In this area, employees can enjoy sunshine to lie on the wide staircase,
and chat with peers. In addition, people can peruse books when they
want to relax or research a topic. The living wall is a good elements for
office people to relax their eyes. In addition, sky planters hang from the
ceiling represent the inverted views in this area.
CHAPTER 5 I FOCUS SPACES
CASUSAL MEETING ROOM
The strategies that are utilized in open office are “material & colors
with strong contrasts” and “forced & illusionary perpectives”, and three
elements are used which are “light and shade”, “color and black and
white” and “solids and voids” to represent these strategies. The open
office is parallel to the corridor, and this area is full of natural light.
Compared with the corridor, these two areas represent the elements of
“light and shade”.
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CHAPTER 5 I FOCUS SPACES
130 131
CHAPTER 5 I FOCUS SPACES
BRAINSTORMING ROOM
The strategies that are utilized in open office are “material & colors
with strong contrasts” and “forced & illusionary perpectives”, and three
elements are used which are “light and shade”, “color and black and
white” and “solids and voids” to represent these strategies. The open
office is parallel to the corridor, and this area is full of natural light.
Compared with the corridor, these two areas represent the elements of
“light and shade”.
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CHAPTER 5 I FOCUS SPACES
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ABOUT
CHAPTER 6 I ABOUT
I was raised in Hangzhou, in the eastern part of China. Hangzhou is a city
full of outstanding natural beauty and valuable art. I am really honored
to be influenced by these treasures. However, I never touched art before
studying in high school, because my father thought I was just looking for
excuses to escape from studying. It took a long time to persuade my father
to let me start art in my last year of high school, but finally he gave in.
I entered the University of Technology where is in Hangzhou in 2007,
majoring in Interior Design. During the first two years of my undergraduate
study, I participated in lots of activities through the student union. Because
of my experiences there, I had the opportunity to get involved in a variety
of design projects for my school department. In the last two years of
university, I had an internship to work in the field. I got a large amount of
practical experience during that time. In 2011, I obtained a BFA degree
in Interior Design from the university.
In the Fall of 2011, all alone, I stepped foot on the land of my dreams,
the United States of America. San Francisco has become the place where
I am continuing to grow up. Because of the language problems, my first
semester at AAU was challenging, but over time I have overcome a lot of
my difficulties. In my third semester, I had a class in sustainable design.
This class really opened my eyes, and I got lots of interests from there.
At the same time, I began talking with my former classmate who is
still studying in China, and is also interested in sustainable design. We
worked together by phone and email on the proposal and concept for a
sustainable project for her MFA final review. I researched many successful
projects for her, and helped her to improve her concept.
This summer I helped her final design process in her design group in
China. Currently, her final essay and project have been approved and
have received good feedback. Because I helped her, I feel this shows I
have potential in this area, and that I can be successful too. I would like
to learn more about sustainable design and give the best of what I learn
through my experience at AAU to the people who need my advice.
In the future, I hope to be an Interior Designer and work in San
Francisco. No matter where I am, I will appreciate the valuable experience
that I received at AAU.
AUTOBIOGRAPHY
JIAQI ZHOU
500 King Dr. Apt 515, Daly City, CA 94015 I I C: 415-794-9334 E: [email protected]
Summary
Education
Experience
Highlights
Skills
Languages
Master of Fine Arts, Interior Architecture & Design 2011 - 2014
Academy of Art University - San Francisco, CA, United States
[3.5]GPA
Bachelor of Arts, Interior Design 2008 - 2011
Zhejiang University of Technology - Hangzhou, Zhejiang, China
[3.3]GPA
Volunteering
Cornerstone Church Children’s Ministry 2012 - 2014
Participating to look after children each two weeks in the children’s ministry. Teaching and
leading children to experience an exciting and active environment filled with songs, games, and
activities that teach Godly values.
Internship
Sen Zhao Design Studio - Hangzhou, Zhejiang Winter 2010
Visited clients’ home sites when necessary to assess and fulfill their needs. Programmed
clients’needs from schematic design to the construction document phases and installation.
Internship
Shengdu Decoration Company - Hangzhou, Zhejiang Summer 2010
Designed floor plans, elevations, and perspective views for clients. Participated in furniture
selection and documentation of the specifications. Developed interior design concepts and
prepared interior systems and finishes.
Designer’s successful at listening to the needs of the clients and collaborating on a creative
vision. Brings a diverse knowledge base of design styles and techniques. My goal is to design
creative and satisfying spaces for the people who needs me.
Freshmen Scolarship, Zhejiang University of Technology 2008
Excellent Student Cadre, Propaganda Department of Student Union 2009
Excellent Student Cadre, Students’ Psychological Association 2009
Autodesk Revit (BIM)
Adobe Photoshop
Adobe Illustrator
English
Adobe Indesign
Autodesk 3ds Max
Hand Drawing/ Drafting
Chinese Mandarine
MS Office·· ·
·
·· ·
·
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CHAPTER 6 I ABOUT
WEBSITES
BOOK
MAGAZINE
http://www.archdaily.com/497617/american-standard-space/
http://interiordesignclass101.blogspot.com/2011/08/interior-design-concept-development.html
http://gazette-ic.com/post/35194123141/gilbertgarcin
http://www.wepik.com/detalle_nota.aspx?id=193
http://www.pinterest.com/pin/337910778264635367/
http://www.pinterest.com/pin/337910778264426865/
http://www.pinterest.com/pin/337910778264445412/
http://www.usatoday.com/story/tech/2014/09/17/alibaba-jack-ma-profile/15406641/
http://taobaofocus.com/
Program Diagrams
Process
Space 2014.2
Space 2013.11
BIBLIOGRAPHY
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