filmforum/2010 · tuesday, march 16, 15.00-19.00 parallel session a – canon: theoretical issues/1...

filmforum/2010Udine/Gorizia

16-24 marzo/March 16 -24

XVII convegno internazionale di studi sul cinema

XVII international film studies conferenceil canone cinematografico

the film canon

Palazzo Antonini, via T. Petracco 8, UdinePalazzo Caiselli, vicolo Florio 2, Udine

Palazzo Florio, via Palladio 8, UdineVisionario, via Asquini 33, Udine

16-18 marzo 2010/March 16-18, 2010

Tuesday, March 16, 9.30-13.00Plenary Session

Università degli Studi di Udine, Sala Convegni, Palazzo Antonini

Interventi di saluto/GreetingsCristiana Compagno, Magnifico Rettore dell’Università degli Studi di Udine

Andrea Tabarroni, Preside della Facoltà di Lettere e FilosofiaNeil Harris, Direttore del Dipartimento di Storia e Tutela dei Beni Culturali

Roberto Molinaro, Assessore regionale all’Istruzione, Formazione e CulturaLuigi Reitani, Assessore al Turismo e alla Cultura del Comune di Udine

Roberto Calabretto, Presidente del Corso di Laurea Dams, Università degli Studi di Udine

Leonardo Quaresima, Università di UdinePresentazione/Introduction

André Gaudreault (Université de Montréal) Philippe Gauthier (Université de Lausanne/Université de Montréal)

Le Discours historique de Jacobs/Sadoul/Mitry comme “canon” de l’“historiographie traditionnelle” du cinéma

Neil Harris (Università di Udine)Now You See It, Now You Don’t. The History of the Concept of Canon

Jean-Loup Bourget (École Normale Supérieure, Paris) The Lang Canons

Discussione/DiscussionPausa/Break

Inaugurazione della mostra “Sedicimani”, realizzata nell’ambito del corso di “Fumetto e grafica contemporanea” tenuto da Stefano Ricci – DAMS Gorizia

Opening of the exhibition “Sedicimani”, organized within the class of “Comics and ContemporaryGraphics” taught by Stefano Ricci – DAMS Gorizia

Maria Tortajada (Université de Lausanne) Représenter le mouvement autour de 1900: les canons, “l’image multiple” et l’émergence du cinéma

Frank Kessler (Universiteit van Utrecht), Sabine Lenk (Instituut voor Beeld en Geluid, Hilversum) La Canonisation des films des premiers temps

Marc Vernet (Université Paris Diderot – Paris 7)La Triangle Film Corporation comme tentative de canonisation de Birth of a Nation

Discussione/DiscussionPresiede/Chair: Leonardo Quaresima

progetto/projectAlice Autelitano, Pietro Bianchi, Enrico Biasin, Giulio Bursi,

Mariapia Comand, Roy Menarini, Francesco Pitassio, Leonardo Quaresima, Valentina Re, Cosetta Saba,

Simone Venturini, Federico Zecca

organizzazione/organisationFranca Caufin, Lidia Calligaris, Centro Convegni e Accoglienza, Università degli Studi di Udine

Mauro Maran, Centro Polifunzionale, GoriziaSandra Mulloni, Dipartimento Storia e Tutela dei Beni CulturaliAlice Autelitano, Pietro Bianchi, Enrico Biasin, Elena Biserna,

Alessandro Bordina, Alberto Brodesco, Giulio Bursi, Sonia Campanini, Alessandro Coco, Mariapia Comand, Marco Comar, Claudia D’Alonzo,

Francesca Esposito, Livio Gervasio, Federico Giordano, Stefania Giovenco, Andrea Lissoni, Sara Martin, Enrico Maso, Roy Menarini, Francesco Pitassio,

Martina Pizzamiglio, Leonardo Quaresima, Valentina Re, Marcella Rosi, Cosetta Saba, Laura Ester Sangalli, Mirco Santi,

Gianandrea Sasso, Simone Venturini, Federico Zecca

ufficio stampa/pressVolpe & Sain Comunicazione

sito internet/websiteMarco Comar

assistenza tecnica/technical assistantsGianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia

Simone Venturini, LA CAMERA OTTICA, Film and Video Restoration, GoriziaMarco Comar, CINEMANTICA, Udine

CLAV, UdineUniversità degli Studi di Udine

disegni e progetto grafico/graphicsStefano Ricci

impaginazione/layoutMarco De Anna

I lavori del XVII Convegno Internazionale di Studi sul Cinema e della VIII MAGIS –International Film Studies Spring School si avvalgono inoltre

dell’apporto di studiosi, esperti e dottorandi (in particolare del Dottorato Internazionale in StudiAudiovisivi: Cinema, Musica, Comunicazione) invitati a partecipare alla manifestazione.

Tuesday, March 16, 15.00-19.00Parallel Session A – Canon: Theoretical Issues/1

Sala Tiepolo, Palazzo Caiselli

François de la Bretèque (Université Paul Valéry Montpellier 3)Henri Agel et la constitution d’un canon dans le cadre

de l’institution éducative en France; ses suites jusqu’à nos jours

Tom Paulus, Vito Adriansens (Universiteit Antwerpen)Jean Epstein’s Canon of Moments

Giusy Pisano (Université de Lille 3)Style et matière du septième art: du commentaire oral d’un simple spectateur au texte canonique


Antonio Somaini (Università di Genova) Cinématisme. Cinema and the Search for the Pre-Cinematic Canon

Marco Senaldi (Università di Milano Bicocca) Rear Projection. Mark Lewis and the Canon of the Canon

Benoît Turquety (Université de Lausanne)Portrait de l’artiste en fabricant de canons (le cas Kubelka)

Discussione/DiscussionPresiede/Chair: Maria Tortajada

Tuesday, March 16, 15.00-19.00Parallel Session B – Canon: Origins and Crisis

Sala Riunioni, Palazzo Caiselli

Emmanuel Plasseraud (Université de Lille 3)Esperanto visuel. Naissance, consécration et disparition d’une formule canonique

Dunja Dogo (Università di Siena)The Canon of Ejzenstejn Versus the Canon of the Soviet System.

Reflections on the Censorship Case of Bezhin Meadow (1936-1937)

Orsola Silvestrini (Università di Padova)Un altro tempo è venuto: Guido Aristarco, la question de la couleur et le refus des canons dominants


Gabriele Jutz (Universität für Angewandte Kunst, Wien) A “Purist” Avant-Garde Canon?

Claudio Bisoni (Università di Bologna) The Canon and the Aesthetic Norm: from Poetics of Realism

to the Realistic Canon in Italian Film Culture of the Forties and Fifties

Alessandro Cadoni (Università di Sassari)Barthelémy Amengual. Traces de réalisme pour la constitution d’un canon

Discussione/DiscussionPresiede/Chair: Frank Kessler

Tuesday, March 16, 15.00-19.00Parallel Session C – Canon/Criticism

Sala Florio, Palazzo Florio

Adriano Aprà (Università di Roma Tor Vergata)Pétite histoire du canon

Marco Grosoli (Università di Bologna)A Certain Tendency to Misread the Politique des auteurs. The Author Canon and Contradiction

Francesca Piredda (Università di Bologna)The Good, the Bad and the Ugly: Catholic Film Criticism and the Question of Canon


Anna Sofia Rossholm (Vaxjo University)Canonization of Swedish Cinema in the 1910s and Early 1920s

Pierre-Emmanuel Jaques (Université de Lausanne)Imposer un canon ou comment asseoir sa position dans

le champ cinématographique local (Genève, années 1920)

Achilleas Ntellis (University of Aegean)Film Criticism and Canon: the Greek Case

Discussione/DiscussionPresiede/Chair: Jean-Loup Bourget

Wednesday, March 17, 9.30-13.00Parallel Session A – Interculturality/National Heritage


Chris Berry (Goldsmiths University of London) The Chinese Perspective: Making Sense of Cinema in China

Jason McGrath (University of Minnesota) Film Theory and Dramatic Traditions in Non-Western Perspective

Kim Soyoung (Korean National University of the Arts) Pre-Colonial Pre-Cinema: Photographer/Assassin/Kino-Drama


Vinzenz Hediger (Ruhr – Universität Bochum), Alexandra Schneider (Universiteit van Amsterdam) To Shift and to Drift. Hindi Films and Utility Films as Cinematic Objects of Knowledge

Beyond the Canonical/Non-Canonical Divide

Amy Sargeant (University of Warwick) Genre, Nation and Ghastly Good Taste

Nevena Dakovic (Universitet Umetnosti u Beogradu)Post-Socialist, Yugoslav, Modern-Post Film Canon

Discussione/DiscussionPresiede/Chair: Pierre Sorlin

Wednesday, March 17, 15.00-19.00Parallel Session A – Canon: Form and Style


Pierre Sorlin (Université Paris 3 – Sorbonne Nouvelle)Antonioni in the Light of the Canon, Yes but… Which Canon?

Emiliano Morreale (Università di Cassino)A Country Without Nouvelle Vague? Some Reflections on Italian Cinema in the Early Sixties

Francesco Di Chiara (Università di Ferrara) Lacrime italiane: Catene as the Canon of Post-World War II Italian Melodrama


Emilio Audissino (Università di Pisa)John Williams, Star Wars and the Canonization of Hollywood Film Music

Ilario Meandri (Università di Torino) Trailer Music as a Medium for Film Music Canon Synthesis/Film Music as a Medium for Film Genre

Canonization

Discussione/DiscussionPresiede/Chair: Christa Blümlinger

Wednesday, March 17, 15.00-19.00Parallel Session B – Canon/Historiography


Silvio Alovisio (Università di Torino), Luca Mazzei (Università di Roma Tor Vergata) “The Star That Never Sets”. The Historiographic Canonization of Silent Italian Cinema

Elena Ezechielli (Università di Bologna) Postcards and Diva’s Canon in the Italian Silent Film

Valentine Robert (Université de Lausanne) Les Passions filmées des premiers temps: forger un canon par appropriation


Irini Stathi (University of Aegean) Criteria for the Formation of Film Canons in National Film Historiographies

Laurent Le Forestier, Guillaume Vernet (Université de Haute Bretagne Rennes 2) La “Qualité française”: archéologie d’un canon critique

Livia Giunti (Università di Pisa)In Search of a Documentary Canon

Discussione/DiscussionPresiede/Chair: Amy Sargeant

Wednesday, March 17, 9.30-13.00Parallel Session B – Intertextuality, Intermediality


Glenda Franchin (Università Cattolica del Sacro Cuore, Milano)Numbering Faces. “Col tempo. The W. Project” and the Ways of Pre-Vision

Gloria Lauri-Lucente, Ivan Callus (University of Malta) Canons and Illusions: Parables of Cultural Reputation in Paul Auster’s Work on Cinema


Marta Boni (Université Paris 3 – Sorbonne Nouvelle/Università Cattolica del Sacro Cuore, Milano) Comment célébrer en trahissant? Récits canoniques et récits apocryphes sur le web

Erwin Feyersinger (Universität Innsbruck)A Canon of Animated Films in Light of the Emergence of Animation Studies

Eleonora Benecchi, Chwen Chwen Chen, Vincenzo De Masi (Università di Lugano) Animated Canons. The Canons of Animation between the East and the West

Discussione/DiscussionPresiede/Chair: Ruggero Eugeni

Wednesday, March 17, 9.30-13.00Parallel Session C – Canon/Archive/Memory/Heritage


Sergio Toffetti (Archivio nazionale del cinema d’impresa, Ivrea)La Lune et le caniveau. Le canon à l’epreuve des fonds d’archive

Günter Krenn, Thomas Ballhausen (Filmarchiv Austria, Wien) In the Public’s Secret Service. Redefining the Canon from the Archive’s View

Annemone Ligensa (Universität Siegen)A People’s Canon? Popularity as the Basis of Research Samples in Film Studies


Alice Cati (Università Cattolica del Sacro Cuore, Milano) Video-genealogies: Testimonies, Descents, Audiovisual Archives

Klaas de Zwaan (Universiteit van Utrecht)Canonizing Film Heritage in The Netherlands:

The Dutch Central Film Archive ( Nederlandsch Centraal Film-archief, 1919)

Simone Venturini (Università di Udine)The Cabinet of Dr. Chiarini. Notes on the Birth of an Academic Canon

Discussione/DiscussionPresiede/Chair: Marc Vernet

Wednesday, March 17, 15.00-19.00Parallel Session C – Canon: Theoretical Issues/2


Augusto Sainati, Massimiliano Gaudiosi (Università Suor Orsola Benincasa, Napoli)Re-écrire la tradition: canon et anticanon dans les Histoire(s) du cinéma de Godard

Gabriele Biotti (Université de Lille 3/Università di Siena) Devant l’archive des images. Pour une révision des concepts canoniques de “regard” et “connaissance” dans

le cinéma (à partir de Jean-Luc Godard et Chris Marker)

Christian Quendler (Universität Innsbruck)Musing by Numbers: Rewriting the Canon of the Arts in the Age of Film


Christopher Pavsek (Simon Fraser University) Alexander Kluge and the Invention of a New Tradition

Jana Zilová (Karlova Univerzita, Praha/Université Paris 3 – Sorbonne Nouvelle)The Role of the Figural in Film Canonization

Discussione/DiscussionPresiede/Chair: Raymond Bellour

Thursday, March 18, 9.30-13.00Plenary Session

Raymond Bellour (Centre National de la Recherche Scientifique, Paris)Le Spectateur canon

Livio Belloï (Fonds National de la Recherche Scientifique, Université de Liège)Regards décalés. Canon et cinéma de found footage

Christa Blümlinger (Université Paris 3 – Sorbonne Nouvelle)La Canonisation contrariée: le film d’avant-garde à l’âge de sa muséalisation

Presentazione del n. 19 della rivista “Cinergie. Il cinema e le altre arti”Presentation of the issue no. 19 of the film journal “Cinergie. Il cinema e le altre arti”


Assegnazione dell’VIII Premio “Limina” per libri di cinema italiani e internazionali pubblicati nel 2009Awarding assignment of the VIII “Limina” Award of Italian and international film studies books published in 2009

Ruggero Eugeni (Università Cattolica del Sacro Cuore, Milano)The Canon Experience. Cinema, Emotion and the End of the Film System

Dick Tomasovic (Université de Liège) Stratégies d’auto-canonistation: Le Cas Walt Disney

Discussione/DiscussionPresiede/Chair: Vinzenz Hediger

Proiezioni/ScreeningsCinema Visionario, via Asquini 33, Udine

Tuesday, March 16, 21.00

Verlogene Moral (Torgus) (Hanns Kobe, 1920-1921, 58’)Accompagnamento al piano di Carlo Moser/Piano accompaniment by Carlo Moser

Juha (Aki Kaurismaki, 1999, 78’)

Wednesday, March 17, 21.00

La bella addormentata (Luigi Chiarini, 1942, 84’)

Traviata ’53 (Vittorio Cottafavi, 1953, 97’)

Mostra/ExibitionPalazzo Antonini, via Petracco 8, Udine

SedicimaniDisegni degli studenti del corso Fumetto e Grafica Contemporanea

tenuto da Stefano Ricci (DAMS Gorizia)Students’ drawings from the class “Comics and Contemporary Graphics”

held by Stefano Ricci (DAMS Gorizia)

Cinema and Contemporary Visual Arts/5Cinema/Comics/Animation

Filming the Game/Playing the FilmThe Film Heritage: The Birth of an Heritage

Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual

DAMS Cinema, Palazzo del Cinema/Hisa Filma, piazza Vittoria 41, GoriziaKinemax Gorizia, Palazzo del Cinema/Hisa Filma, piazza Vittoria 4, Gorizia

Fondazione Cassa di Risparmio di Gorizia, via Carducci 2, GoriziaKulturni Dom, via Italico Brass, 20, Gorizia

19-24 marzo 2010/March 19-24, 2010

VIII magis/international film studies spring school

audiovisual geographies. cinema and visual arts across performance,

installation, architecture, public space

Friday, March 19, 9.30-13.00Sala della Torre, Fondazione Cassa di Risparmio di Gorizia

GreetingsCristiana Compagno, Magnifico Rettore dell’Università di Udine

Antonio Devetag, Assessore al Parco Culturale, Comune di GoriziaRoberta Demartin, Assessore alla Cultura, Provincia di Gorizia

Mauro Pascolini, Direttore Centro Polifunzionale di GoriziaEnrico Agostinis, Presidente Consorzio Universitario di Gorizia

Franco Obizzi, Presidente Fondazione Cassa di Risparmio di Gorizia

Leonardo Quaresima, Università di UdineIntroduction

Lucy Bullivant (Architectural Curator and Critic)Softspace: the Emergence of Interactive Architecture

Curator Talk

DiscussionBreak

The Film Heritage: The Birth of an HeritageHans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek, Berlin),

Jan Distelmeyer (Fachhochschule Potsdam/Universität Potsdam)Film Heritage I. An Introduction

Vinzenz Hediger (Ruhr-Universität Bochum)An Offer We Could Not Refuse: Film Heritage and the Concept of Inheritance

Friday, March 19, 15.00-18.00Sala della Torre, Fondazione Cassa di Risparmio di Gorizia

Economies, Politics, Discoursivities of Contemporary Pornographic AudiovisualGiovanna Maina (Università di Pisa), Enrico Biasin, Federico Zecca (Università di Udine)

Introduction

Mario Perniola (Università di Roma Tor Vergata) Sarah Maclaren (Loyola University of Chicago-Rome Center)

The Political Meaning of the Pornographic Turn

DiscussionBreak

Cinema/Comics/AnimationPhilippe Marion (Université Catholique de Louvain)

Introduction

Jan Baetens (Katholieke Universiteit Leuven)“Texte” ou “Récit”: quel objet pour la “lecture” de la bande dessinée?

Stephane Tralongo (Université Lumière-Lyon 2/Université de Montréal)Cultiver le secret ou encourager la divulgation?

Les discours de vulgarisation des trucs du cinématographe dans la presse parisienne

Discussion

progetto/projectAlice Autelitano, Enrico Biasin, Elena Biserna, Alessandro Bordina, Giulio Bursi, Mariapia Comand, Sergio Fant,

Federico Giordano, Stefania Giovenco, Andrea Lissoni, Sara Martin, Roy Menarini, Francesco Pitassio,Leonardo Quaresima, Valentina Re, Marcella Rosi, Cosetta Saba, Mirco Santi, Simone Venturini, Federico Zecca

con/with

Cinema and Contemporary Visual Art: Philippe Dubois (Université Paris 3 – Sorbonne Nouvelle)Cinema/Comics/Animation, Filming the Game/Playing the Film: Pierre Chemartin, André Gaudreault,

Philippe Marion, Bernard Perron (GRAFICS, Université de Montréal)Economies, Politics, Discoursivities of Contemporary Pornographic Audiovisual:

Giovanna Maina (Università di Pisa)The Film Heritage: The Birth of an Heritage: Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper

(Deutsche Kinemathek, Berlin), Jan Distelmeyer (Fachhochschule Potsdam/Universität Potsdam)

MAGIS –International Film Studies Spring School is promoted by Università degli Studi di Udine andUniversité Paris 3 – Sorbonne Nouvelle, in collaboration with: Universiteit van Amsterdam,

Ruhr-Universität Bochum, Università Cattolica del Sacro Cuore di Milano, Università degli Studi di Pisa,Univerzita Karlova Praha, Universitat de València, CineGraph, Hamburg, Cineteca del Friuli,

Cineteca del Comune di Bologna. MAGIS is focused on the development of the themes investigated at theUdine International Film Studies Conference, as well as an occasion to develop a training

for Ph.D. candidates, MA students, and young researchers in general. MAGIS is part of the activity of the International Ph.D. Program in Audiovisual Studies: Cinema, Musicand Communication (Dottorato Internazionale di Studi Audiovisivi: Cinema, Musica, Comunicazione),

established by the Université Paris 3 – Sorbonne Nouvelle in cooperation with Università di Udine,Università Cattolica del Sacro Cuore di Milano and Università degli Studi di Pisa, and of the European

Project IPPCVA (Ideation, Presentation, Preservation of Contemporary Visual Arts) in collaboration with MACRO (Media Art Centre of Research and Observatory).

The IPPCVA Project has been funded with support from the European Lifelong Learning Programme.Artist and curator talks are promoted and organized by the European Project IPPCVA

(Ideation, Presentation, Preservation of Contemporary Visual Arts)

PRIN I processi di rinnovamento dei “quadri” nel cinema italiano/The Professional Renewal in ItalianContemporary Cinema

organizzazione/organisationAlice Autelitano, Pietro Bianchi, Enrico Biasin, Elena Biserna, Alessandro Bordina, Alberto Brodesco,

Giulio Bursi, Sonia Campanini, Alessandro Coco, Mariapia Comand, Marco Comar, Claudia D’Alonzo,Francesca Esposito, Livio Gervasio, Federico Giordano, Stefania Giovenco, Sara Martin, Enrico Maso,

Roy Menarini, Francesco Pitassio, Martina Pizzamiglio, Leonardo Quaresima, Valentina Re, Marcella Rosi,Cosetta Saba, Laura Ester Sangalli, Mirco Santi, Gianandrea Sasso, Simone Venturini, Federico Zecca

proiezioni e performance/screenings and performancesElena Biserna, Sergio Fant, Andrea Lissoni

ufficio stampa/pressVolpe & Sain Comunicazione

sito internet/websiteMarco Comar

assistenza tecnica/technical assistantsGianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia

Simone Venturini, LA CAMERA OTTICA, Film and Video Restoration, GoriziaTransmedia Spa

disegni e progetto grafico/graphicsStefano Ricci

I lavori del XVII Convegno Internazionale di Studi sul Cinema e della VIII MAGIS – International Film StudiesSpring School si avvalgono inoltre dell’apporto di studiosi, esperti e dottorandi (in particolare del Dottorato

Internazionale in Studi Audiovisivi: Cinema, Musica, Comunicazione) invitati a partecipare alla manifestazione.

Saturday, March 20, 9.30-13.00Sala della Torre, Fondazione Cassa di Risparmio di Gorizia

Cinema and Contemporary Visual ArtsPhilippe Dubois (Université Paris 3 – Sorbonne Nouvelle)

Paolo Gioli et l’esthétique du sténopé

Cinema/Comics/AnimationDick Tomasovic (Université de Liège)

Images dessinées/images animées. Stratégies et convergences de la firme Marvel

DiscussionBreak

The Film Heritage: The Birth of an HeritageRainer Rother (Deutsche Kinemathek, Berlin)

Archives in Transition

Economies, Politics, Discoursivities of Contemporary Pornographic AudiovisualPeter Lehman (Arizona State University)

How Do You Simulate a Caress? The Difference between Hard-core and Soft-core Porn, and Why It Matters

Discussion

Saturday, March 20, 15.00-18.00Workshops

Cinema and Contemporary Visual ArtsSala della Torre, Fondazione Cassa di Risparmio di GoriziaRe–constituted Cinema. Discourses on Film in the Postmedial Age

Coordinated by Francesco Casetti

Francesco Casetti (Università Cattolica del Sacro Cuore, Milano)Introduction

Cristina Tosatto (Università Cattolica del Sacro Cuore, Milano)Architectures of Time: The Lost of Dimensions in Bourne’s World

Marzia Morteo (Università Cattolica del Sacro Cuore, Milano)Augmented Reality and iPhone Applications: Narration, Mobile Devices and Urban Space

Elisabetta Locatelli, Sara Sampietro (Università Cattolica del Sacro Cuore, Milano)Social Networks: New Places for Film Experience

Mauro Buzzi (Università Cattolica del Sacro Cuore, Milano)Datamatics [2.0]. Ryoji Ikeda and the Spectator’s Audio-Visual Immersion in the Abstract Reality of Code

Miriam De Rosa (Università Cattolica del Sacro Cuore, Milano)David Rockwell’s Hall of Fragments. Looking for Film’s Genius as a Medium Through Audiovisual Geographies

Filming the Game/Playing the FilmDAMS Cinema, Palazzo del Cinema

Coordinated by Bernard Perron

Bernard Perron (Université de Montréal), Dominic Arsenault (Université de Montréal)Pour une approche des effets génériques de l’horreur dans le jeu vidéo

Espen Aarseth (IT University of Copenaghen)A Narrative Theory of Games

Riccardo Fassone (Università di Torino)There’s an Alien in my PS3 - Genre Films/Videogames. Forms of an Intermedial Dialogue

The Film Heritage: The Birth of an HeritageDAMS Cinema, Palazzo del Cinema

Coordinated by Hans-Michael Bock, Jürgen Keiper, Jan Distelmeyer

Jan Distelmeyer (Fachhochschule Potsdam/Universität Potsdam)The Order of Selection: Availability and Digital Media/Part 1

Discussants: Robert Fischer (Criterion), Rainer Rother (Deutsche Kinemathek, Berlin)

Economies, Politics, Discoursivities of Contemporary Pornographic AudiovisualDAMS Cinema, Palazzo del Cinema

Pornography and WebCoordinated by Enrico Menduni

Marcello Monaldi (Università di Trieste)Spectatorial Pleasures in the Web Porn

John Mercer (Birmingham City University)Gay for Pay: the Internet and the Economics of Homosexual Desire

Sanna Härmä (University of Turku)Same as It Ever Was? Queer Eye, Porn and the Trouble with Taste

Saturday, March 20, 18.30Presentazione del libro/Book launch

Gipi, Verticali, Coconino Press, 2009

Saturday, March 20, 21.00Live performance

Kulturni Dom via Italico Brass, 20, Gorizia

Gipi, LMVDM – Lo spettacoloReading and live performance from Gipi’s LMVDM – La mia vita disegnata male graphic novel

Sunday, March 21, 9.30-13.00Sala della Torre, Fondazione Cassa di Risparmio di Gorizia

Cinema/Comics/AnimationAnimism, Virtualism, Digitalism

Coordinated by Wanda Strauven

Edwin Carels (Universiteit Gent)Ken Jacobs: Reanimating Tom Tom

Alla Gadassik (Northwestern University Chicago/Evanston)The Live-Action Animator: Pierre Hebért’s Animation in the Digital Circuit

Joana Pimenta (Universidade Nova de Lisboa)A Cinematic Path Through the Virtual World.

Exploring the Ouvroir, Chris Marker’s Museum on Second Life

Wanda Strauven (Universiteit van Amsterdam)On the Graphic Mode of Cinema: From Marey to MoCap

DiscussionBreak

Cinema and Contemporary Visual ArtsBarbara Le Maître (Université Paris 3 – Sorbonne Nouvelle)

Pierre Perrault ou l’écomusée filmique

Discussion

Sunday, March 21, 15.00-18.00Workshops

Cinema and Contemporary Visual ArtsSala della Torre, Fondazione Cassa di Risparmio di Gorizia

European Project IPPCVA (Ideation, Presentation, Preservation of Contemporary Visual Arts)Presentation

Coordinated by Wanda Strauven

Alessandro Bordina (Università di Udine)Introduction

Senta Siewert (Ruhr-Universität Bochum)The Restoration and Reproduction of Media Art Installations in the Rhein/Ruhr Area

Rossella Catanese (Sapienza, Università di Roma) The Recreated Space. Digital Restoration and Video Medium

Filming the Game/Playing the FilmDAMS Cinema, Palazzo del Cinema

Coordinated by Bernard Perron

Michael Liebe (Universität Potsdam/Digital Games Research Centre)Categorization of the Medium of the Computer Game

Andrea Fornasiero (Università Cattolica del Sacro Cuore, Milano)Open Games, Closed Intellectual Properties.

Forms of Censorship (and Lack of ) in Neverwinter Nights and in Its Community

Dennis Mathei (Ruhr-Universität Bochum)Couleur locale in Game Soundtracks

Cinema/Comics/AnimationDAMS Cinema, Palazzo del Cinema

Coordinated by Philippe MarionPierre Chemartin (Université de Montréal), Philippe Marion (Université Catholique de Louvain)

La Poétique du gag dans les arts graphiques II: la bande dessinée d’humour comme série culturelle



Marcello Seregni (Università di Udine/Université Paris 3 – Sorbonne Nouvelle), Giulia Barini (Università di Udine)Une autre Histoire: definition du Film Heritage à travers la stabilization des formats cinématographiques

Jan Distelmeyer (Fachhochschule Potsdam/Universität Potsdam)The Order of Selection: Availability and Digital Media/Part 2

Discussants: Robert Fischer (Criterion), Rainer Rother (Deutsche Kinemathek, Berlin)


Pornography and Mainstream CultureCoordinated by Peter Lehman

Peppino Ortoleva (Università di Torino)The Liberalization of Pornography as a Historical Problem

Enrico Menduni (Università di Roma Tre)Second Life: a Posthuman Visual Sexuality

Sara Martin (Università di Udine)SuXXXbad. The Representation of Pornography in Contemporary American Comedy

Barbara Laborde (Université Paris 3 – Sorbonne Nouvelle)Désir de fiction et désir sexuel: la réception de 9 songs de Michael Winterbottom

Sunday, March 21, 18.30Presentazione del libro/Book launch

Enrico Menduni, Televisioni, Mulino, 2009

Sunday, March 21, 21.00Proiezioni/Screenings

Fondazione Cassa di Risparmio di Gorizia, via Carducci 2, Gorizia, 21.00

Visions ExtensionKaspar Astrup Schröder, My Playground, 2009, 4’08’’ / Kyong Park, The Slide. Halle Neustadt, 2003, 3’27’

Eva Sommeregger, palimpsest, 2008, 3’50’’ / Monika Koeck, Left Behind, 2009, 2’20’’ / Plasmatic Concepts (SarahLorenzen, David Hartwell), Peripheral Landscapes, 2007, 3’14’’ / 2A+P/A (Gianfranco Bombaci,

Matteo Costanzo) and Angelo Grasso, Castrum, 2009, 6’30’’ / Emanuela Ascari, Habitat, 2009, 8’44’’Mansilla+Tuñón Arquitectos, Place des Cercles, 2007, 2’30’’ / Langarita Navarro Arquitectos, Langarita-Navarro, the movie, 2008, 5’24’’ / Squint/Opera, Team NEXT-GENE, 2008, 3’20’’

Simone Muscolino (Id-Lab), MongoPalace, 2008, 7’10’’

Curated and presented by Marco Brizzi (Beyond Media)In collaboration with Beyond Media 2009 - Visions, 9th International Festival for Architecture and Media, Firenze.

Courtesy of Image ARCHIVE, Firenze (Italy)

Sun Xun/Animation FilmsLie of Magician, 2005, 4’14” / Shock of Time, 2006, 5’29” / Lie, 2006, 7’20” / Mythos, 2006, 7’15”

Requiem, 2007, 7’21” / Heroes No Longer, 2008, 9’04” / Coal Spell, 2008, 7’56” / People Republic of Zoo, 2009, 7’49’’

Curated and presented by Sergio Fant In collaboration with BilBOlBul – International Comic Festival, Bologna (Italy)



Silvia Casagrande (Università di Udine/Université Paris 3 – Sorbonne Nouvelle)Paolo Caneppele (Österreichisches Filmmuseum)The Lost View. Images and Imagination of a Voyeur

Jürgen Keiper (Deutsche Kinemathek, Berlin), Elaine BurrowsBuilding the Heritage/Building the Future: Film Archives Histories and Policies/1

Discussants: Ilaria Ferretti, Karianne Fiorini, Claudio Giapponesi Paolo Simoni (Associazione Home Movies-Archivio Nazionale dei Film di Famiglia)

Irini Stathi (University of Aegean)


Pornography and SocietyCoordinated by Mariagrazia Fanchi

Laurent Jullier (Université Nancy II/Paris 3 – Sorbonne Nouvelle)“Prohibited but not Censored”: the Politics of Ratings in the Régie du Cinéma (Québec)

Evangelos Tziallas (Concordia University Montreal) Pornography in the Digital Era: Amateur Sex, Self-Surveillance and the Archive

Alberto Brodesco (Università di Udine)Naked Moments. Telephone Interactions between Soft-core Stars and Television Spectators

Monday, March 22, 19.00Presentazione del libro/Book launch

Matteo Bonazzi e Francesco Cappa (a cura di)POP Porn. L’immaginario contemporaneo del porno, Et Al, 2010

Monday, March 22, 21.00Proiezioni/Screenings

Kinemax Gorizia, piazza Vittoria 41, Gorizia

Gustav Deutsch, FILM IST. a girl & a gun, 2009, 93’

Presented by Gustav Deutsch

Monday, March 22, 9.30-13.00Sala della Torre, Fondazione Cassa di Risparmio di Gorizia

The Film Heritage: The Birth of an HeritagePaolo Caneppele (Österreichisches Filmmuseum)

Archival Policies in the Early Film Archives: 1895-1920. Notes about an Unborn Canon

Marco BrizziVideo and the Architectural Discourse

Curator Talk

DiscussionBreak

Cinema/Comics/AnimationAnn Miller (University of Leicester)

Places, Non-Places and Counter-spaces in bande dessinée

Discussion

Monday, March 22, 15.00-18.00Workshops


Urban Spaces In/Through AudiovisualityCoordinated by David Lieberman

Marcos Pablo Centeno Martín (Universitat de València)Views of Modern and Postmodern Tokyo: Dehumanization, Urban, Social and Body Changes

Martina Caruso (Milano Film Festival)Movi(e)ng Cities

Claudio Musso (Università di Bologna)Techno-Graffiti. From the Permanence of Spray to the Evanescence of Light


Coordinated by Pierre Chemartin

Bernard Perron (Université de Montréal)Les Traits et tracés des zombies bédéiques

Pierre Chemartin (Université de Montréal), Julie Delporte (Université de Montréal)De l’autofiction à la “bédé-réalité”: la bande dessinée indépendante à l’heure d’Internet

Sandro Faes (Université Catholique de Louvain)Le Retour du BD-reportage dans la presse périodique



Jürgen Keiper (Deutsche Kinemathek, Berlin), Elaine BurrowsBuilding the Heritage/Building the Future: Film Archives Histories and Policies/2

Discussants: Ilaria Ferretti, Karianne Fiorini, Claudio Giapponesi Paolo Simoni (Associazione Home Movies-Archivio Nazionale dei Film di Famiglia)

Irini Stathi (University of Aegean)


Pornography and Representation/1Coordinated by Laurent Jullier

Giacomo Manzoli (Università di Bologna)Rocco & Elio, Italian Pop Icons in a Baffling Buddy Movie

Stephen Maddison (University of East London)Pornographic Mythologies and the Limits of Pleasure: Max Hardcore and Extreme Porn

Manuel Billi (Università di Pisa)The Affirmative Porn NarrActions. Les Enjeux identitaires et politiques du “corps imposé”, de Taxi zum Klo à Otto

Nieves Moreno, Laura Montero (Universidad Autónoma de Madrid)Perverse Imaginary in Japanese Pornographic Anime

Tuesday, March 23, 18.30Presentazione del libro/Book launch

Mario Gerosa, Rinascimento virtuale: convergenza, comunità e terza dimensione, Meltemi, 2008

Nel corso della presentazione saranno presentati 10’ del primo film girato in Second Life, Vola Vola (2009) diBerardo Carboni, sceneggiato da Mario Gerosa / 10 minutes of the first movie shot in Second Life - Vola Vola

(2009) directed by Berardo Carboni and written by Mario Gerosa - will be screened during the intervention

Presentazione della rivista/Presentation of the journalBianco & Nero, “Filming the Game/Playing the Film. L’immagine videoludica: narrazione e crossmedialità”,

a cura di Patrick Coppock, Federico Giordano e Marcella Rosi, n. 564, 2009

Tuesday, March 23, 21.00Proiezioni/Screenings

Kinemax Gorizia, piazza Vittoria 41, Gorizia

Barcelona Creative Post-porn Feminism Community

A special selection curated and presented by Alex Brahim

Found FootagePaul Sharits Piece Mandala/End War, 1966, 4’48’’ / Anita Thacher Permanent Wave, 1966, 3’

Peggy Ahwesh, The Color of Love, 1994, 9’29’’ / Naomi Uman Removed, 1999, 6’36’Mark Street Blue Movie, 1994, 5’28’’/Maurice Lemaître, Des scènes d’amour très réalistes, avec force details et

gros plans, 1978, 15’37’’ / Metamkine, AcidFilmDa, 1992, 4’ / Jerry Tartaglia, Ecce Homo, 1989, 6’33’ Michael Brynntrup, All You Can Eat, 1993, 4’ / Johannes Hammel, Die Liebenden, 2004, 7’

Yves-Marie Mahé, Va te faire..., 1998, 10’ / Pierfrancesco Bargellini, Trasferimento di modulazione, 1969, 7’48’’

Curated and presented by Federico Rossin

Tuesday, March 23, 9.30-13.00Sala della Torre, Fondazione Cassa di Risparmio di Gorizia

The Film Heritage: The Birth of an HeritageVicente Sánchez-Biosca (Universitat de València)

Images d’archive et canon de la mémoire. Usages actuels de la guerre d’Espagne

Gustav DeutschArtist Talk

DiscussionBreak

Cinema and Contemporary Visual ArtsDavid Lieberman (University of Toronto)

the SPACE between NOTES

Discussion

Tuesday, March 23, 15.00-18.00Workshops


Architecture of/in Audiovisual InstallationsCoordinated by David Lieberman

Stefano Jacoviello (Università di Siena)In Memory of Me. Time, Space and Witness in Peter Greenaway’s Leonardo’s Last Supper

Raquel Schefer (Université Paris 3 – Sorbonne Nouvelle)Space, Time and Archive in Eija-Liisa Ahtila’s Installation Where is Where? (2008)

Jorge Flores Velasco (Université Paris 3 – Sorbonne Nouvelle)Sound in Tridimensional Spaces. Op-era (2001-2005), by Daniela Kutschat and Rejane Cantoni


Coordinated by Pierre Chemartin/Ann Miller

Federico Pagello (Università di Bologna)Space and History. Watchmen and the Urban Imagery of Superhero Comics

Caroline Renouard (Université Paris Est-Marne La Vallée)Incrustation et hybridation, quand le cinéma numérique adapte picturalement la bande dessinée

Melanie Letschnig (Universität Wien)Welcome to the Dollhouse: on the Attempt to Read Jerry Lewis’ The Ladies Man as Comic



Final Discussion


Pornography and Representation/2Coordinated by Giacomo Manzoli

Pietro Bianchi (Università di Udine), Matteo Bonazzi, Francesco Cappa, Daniele Tonazzo (Università di Milano Bicocca)

POP PORN: Contemporary Porn Imaginary

Clarissa Smith (University of Sunderland)The Properties of Pornographic Performance

Andrea Bellavita (Università di Trento)Re-formatted Porn: le discours de l’imaginerie pornographique dans les formats de la nouvelle télévision

Wednesday, March 24, 9.30-13.00Sala della Torre, Fondazione Cassa di Risparmio di Gorizia

Filming the Game/Playing the FilmMario Gerosa (Politecnico di Milano)

Writing Stories on Water: the Uneasy Presence of Liquid Spaces in Videogames

Alex BrahimCurator Talk

DiscussionBreak

The Film Heritage: The Birth of an HeritageSimona Monizza (eye Film Institute Netherland), Gert Hoogeveen (Stedelijk Museum)

When Visual Arts Meet Cinema: the Reconstruction of “Project I-‘90” of Peter Struycken, a Case Study

Discussion

Wednesday, March 24, 15.00-18.00Workshops


Curating or Programming? An Open QuestionCoordinated by Andrea Lissoni

Alex Brahim (Indipendent curator, Antigua Casa Haiku, Barcelona)Sergio Fant (Mostra internazionale d’arte cinematografica, La Biennale di Venezia)

Andrea Lissoni (Università di Udine)Federico Rossin (Indipendent curator, Film Critic)

Round Table

Discussion


Coordinated by Pierre Chemartin

Pierre Chemartin (Université de Montréal)Dominique Noujeim (Université de Montréal)

L’Emergence d’une industrie: de l’animation au dessin animé

Lucie Merijeau (Université Paris 3 – Sorbonne Nouvelle)Quelles modifications la 3D relief apporte-t-elle au cinéma d’animation?

Le cas de Coraline d’Henry Selick

Dominik Schrey (Karlsruhe Institute of Technology, KIT) Sampling Film History: Database Aesthetics and the “Animation” of the Archive

Alexander Zons (Universität Konstanz)Projecting the Title

Proiezioni/Screenings

Sunday, March 21, 21.00Fondazione Cassa di Risparmio di Gorizia, via Carducci 2, Gorizia

Visions ExtensionKaspar Astrup Schröder, My Playground, 2009, 4’08’’ / Kyong Park, The Slide. Halle Neustadt, 2003, 3’27’’

Eva Sommeregger, palimpsest, 2008, 3’50’’ / Monika Koeck, Left Behind, 2009, 2’20’’ Plasmatic Concepts (Sarah Lorenzen, David Hartwell), Peripheral Landscapes, 2007, 3’14’’

2A+P/A (Gianfranco Bombaci, Matteo Costanzo) and Angelo Grasso, Castrum, 2009, 6’30’’Emanuela Ascari, Habitat, 2009, 8’44’’ / Mansilla+Tuñón Arquitectos, Place des Cercles, 2007, 2’30’’

Langarita Navarro Arquitectos, Langarita-Navarro, the movie, 2008, 5’24’’ Squint/Opera, Team NEXT-GENE, 2008, 3’20’’ / Simone Muscolino (Id-Lab), MongoPalace, 2008, 7’10’’

Curated and presented by Marco Brizzi (Beyond Media)In collaboration with Beyond Media 2009 – Visions, 9th International Festival

for Architecture and Media, Firenze. Courtesy of Image ARCHIVE, Firenze (Italy)

Sun Xun/Animation FilmsLie of Magician, 2005, 4’14” / Shock of Time, 2006, 5’29” / Lie, 2006, 7’20” / Mythos, 2006, 7’15”

Requiem, 2007, 7’21” / Heroes No Longer, 2008, 9’04” / Coal Spell, 2008, 7’56” People Republic of Zoo, 2009, 7’49’’

Curated and presented by Sergio Fant In collaboration with BilBOlBul – International Comic Festival, Bologna (Italy)

Monday, March 22, 21.00Kinemax Gorizia, piazza Vittoria 41, Gorizia

Gustav Deutsch, FILM IST. a girl & a gun, 2009, 93’

Presented by Gustav Deutsch

Tuesday, March 23, 21.00Kinemax Gorizia, piazza Vittoria 41, Gorizia

Barcelona Creative Post-porn Feminism Community

A special selection curated and presented by Alex Brahim

Found FootagePaul Sharits Piece Mandala/End War, 1966, 4’48’’ / Anita Thacher Permanent Wave, 1966, 3’

Peggy Ahwesh, The Color of Love, 1994, 9’29’’Naomi Uman Removed, 1999, 6’36’ / Mark Street Blue Movie, 1994, 5’28’’

Maurice Lemaître, Des scènes d’amour très réalistes, avec force details et gros plans, 1978, 15’37’’Metamkine, AcidFilmDa, 1992, 4’ / Jerry Tartaglia, Ecce Homo, 1989, 6’33’

Michael Brynntrup, All You Can Eat, 1993, 4’ / Johannes Hammel, Die Liebenden, 2004, 7’Yves-Marie Mahé, Va te faire..., 1998, 10’ / Pierfrancesco Bargellini, Trasferimento di modulazione, 1969, 7’48’’

Curated and presented by Federico Rossin

Incontri con gli autori/Meetings with the authors20-23 marzo 2010/March 20-23, 2010

Gorizia

In collaborazione con/In collaboration withMediateca.GO “Ugo Casiraghi”

Mediateca Provinciale di Gorizia – Goriska pokrajinska mediateka

Saturday, March 20, 18.30Presentazione del libro/Book launchGipi, Verticali, Coconino Press, 2009

Sunday, March 21, 18.30Presentazione del libro/Book launch

Enrico Menduni, Televisioni, Mulino, 2009

Monday, March 22, 18.30Presentazione del libro/Book launch

Matteo Bonazzi e Francesco Cappa (a cura di),POP Porn. L’immaginario contemporaneo del porno, Et Al, 2010

Tuesday, March 23, 18.30Presentazione del libro/Book launch

Mario Gerosa, Rinascimento virtuale: convergenza, comunità e terza dimensione, Meltemi, 2008

Nel corso della presentazione saranno presentati 10’ del primo film girato in Second Life, Vola Vola (2009) di Berardo Carboni, sceneggiato da Mario Gerosa

10 minutes of the first movie shot in Second Life – Vola Vola (2009) directed by Berardo Carboni and written by Mario Gerosa – will be screened during the intervention

Presentazione della rivista/Journal lauchBianco & Nero, “Filming the Game/Playing the Film. L’immagine videoludica: narrazione

e crossmedialità”, a cura di Patrick Coppock, Federico Giordano e Marcella Rosi, n. 564, 2009

Tutti gli incontri avverranno alla presenza degli autori/All the events will feature the books’ writers

Live performance

Saturday, March 20, 21.00Kulturni Dom via Italico Brass, 20, Gorizia

Gipi, LMVDM – Lo spettacoloReading and live performance from Gipi’s LMVDM – La mia vita disegnata male graphic novel

FILM FORUM 2010XVII International Film Studies Conference

VIII MAGIS – International Film Studies Spring School

Università degli Studi di Udine Facoltà di Lettere e Filosofia

Facoltà di Lingue e Letterature StraniereUniversité Paris 3 – Sorbonne Nouvelle, UFR Cinéma

Associazione Culturale Maié, UdineGRAFICS, Groupe de recherche sur l’avènement et la formation des institutions

cinématographique et scénique, Université de Montréal CineGraph, Hamburg

Mediateca.GO “Ugo Casiraghi” Mediateca Provinciale di Gorizia – Goriska pokrajinska mediatekaUniversità degli Studi di Urbino “Carlo Bo” Facoltà di Sociologia

Associazione Home Movies – Archivio Nazionale del Film di Famiglia

PRIN I processi di rinnovamento dei “quadri” nel cinema italiano/The Professional Renewal in Italian Contemporary Cinema

IPPCVA (Ideation, Preservation, Presentation of Contemporary Visual Arts)

Dottorato Internazionale in Studi Audiovisivi: Cinema, Musica, ComunicazioneLaurea Magistrale Congiunta in Discipline del Cinema/Études Cinématographiques et Audiovisuelles

Dipartimento di Storia e Tutela dei Beni CulturaliDipartimento di Lingue e Civiltà dell’Europa Centro-orientale

Corso di Laurea DAMS, GoriziaCorso di Laurea in Mediazione culturale – Lingue dell’Europa centrale e orientale

Corso di Laurea in Relazioni Pubbliche, GoriziaCentro Polifunzionale di Gorizia

Scuola di Specializzazione in Storia dell’Arte, UdineCorso di Laurea in Scienze e Tecnologie Multimediali, Pordenone

Dipartimento di Storia delle Arti e Conservazione dei beni artistici “G. Mazzariol”, Università Ca’ Foscari, VeneziaMACRO (Media Art Centre of Research and Observatory)

Centro Studi di Ricerche sulla Sceneggiatura, “Sergio Amidei”, GoriziaCINEMANTICA, Laboratorio Cinema e Multimedia, Udine

LA CAMERA OTTICA, Film and Video Restoration, GoriziaCREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia

Direzione Generale per il Cinema – Ministero per i Beni e le Attività Culturali Consorzio per lo Sviluppo del Polo Universitario di Gorizia

Provincia di Gorizia

Comune di UdineProvincia di Udine

Comune di Gorizia

Cineteca del Comune di Bologna / Laboratorio “L’immagine ritrovata”, Bologna CEC, Centro Espressioni Cinematografiche, Udine / La Cineteca del Friuli, Gemona / Transmedia, Gorizia

Premio “Sergio Amidei”, Gorizia/ Le Giornate del Cinema Muto, Pordenone / Cinemazero, Pordenone

Cineteca Nazionale / Lab80 / Image ARCHIVE / Lightcone

In collaborazione con le riviste:CINÉMA & Cie e Cinergie. Il cinema e le altre arti

E con il sostegno al Premio Limina di:Primosic

http://filmforum.uniud.it

filmforum/2010 · tuesday, march 16, 15.00-19.00 parallel session a – canon: theoretical issues/1...

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