film and literature

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Film and Literature Techniques and Terms

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Film and Literature. Techniques and Terms. Compare/contrast these two screen shots. What emotions does each cre ate for you? How does the camerawork contribute to the mood ? ...to the way you perceive each character ?. - PowerPoint PPT Presentation

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Page 1: Film and Literature

Film and LiteratureTechniques and Terms

Page 2: Film and Literature

Compare/contrast these two screen shots.

What emotions does each create for you?

How does the camerawork contribute to the mood? ...to the way you perceive each character?

Page 3: Film and Literature

EQ: How can studying film techniques help us understand literary development?

Consider…

-Mood: How do film techniques develop the overall feeling a emotions of a work?

-Plot: How do film techniques develop the story / confict?

-Characterization: How do film techniques develop characters?

-Theme: What specific techniques develop the motifs and themes?

Page 4: Film and Literature

Mise-en-scene: everything that is “put into a scene”

-setting & props

-costumes & make up

-acting (body language, facial expressions, etc)

-lighting and color

Page 5: Film and Literature

Lighting

High-key lighting: A lighting scheme with very few shadows.

Low-key lighting: A lighting scheme with very strong contrasts between the brightest and darkest parts of an image.

Page 6: Film and Literature

Effect on mood? on your impression of the characters / setting / situation?

Page 7: Film and Literature

Camera Shots: the Building Blocks

Shot: Part of a film presented without any editing, as seen from a single camera's perspective

Aspects of a Shot:

-Framing: how a shot is framed (think picture frame)

-Angle: low angle, eye-level, high angle...

-Movement: the way the camera moves during a shot

-Establishes OUR point of view (1st person, 3rd person)

-Directs our attention to specific literary elements

Page 8: Film and Literature

Long Shot: Shows background, establishes where you are, full body is shown. Can show isolation or vulnerability of

character.

Page 9: Film and Literature

Medium Shot: Shows torso and some background. Most common shot (used for story development). Often highlights body language.

Page 10: Film and Literature

Close up: shot of head and shoulders, usually used to show emotion. Draws attention to face or object

Page 11: Film and Literature

Shots establishing Point of View

Point of View Shot: we see where the characters eyes would be (1st person Point of View)

Over-the-Shoulder (aka 3rd Person) Shot: We see from behind the character’s back (like an outside observer)

Page 12: Film and Literature

Who do you identify with?

Page 13: Film and Literature

Eye-Level Shot: taken from a normal height (the character’s eye level). Most common, most natural angle

Page 14: Film and Literature

High Angle Shot: camera looks down on person/object, making them look vulnerable

Page 15: Film and Literature

Low Angle Shot: camera looks up at someone/thing, making them appear powerful

Page 16: Film and Literature

Camera Movement

Panning Shot:shot in which the camera moves slowly across from side to side from a fixed axis

Tracking Shot: shot in which the camera follows the action, moving along tracks laid for that purpose, often pulling backwards from a scene. (uses a track or a dolly)

Page 17: Film and Literature

Editing: the process of how shots are put together

Dissolve: A transition between two shots during which the first image gradually disappears while the second image gradually appears; for a moment the two images blend in superimposition.

Jump Cut: splicing together two shots without any apparent match between them.

Match Cut: splicing together two shots with an object or idea that illustrates the connection

Page 18: Film and Literature

Sound

-Dialogue: All speech (Monologue, Dialogue, Soliloquies, Asides)

-Music: Can be diegetic (heard by characters) or non-diegetic (heard only by audience)

-Sound Effects: a screeching owl, a knocking at the door, an explosion

Page 19: Film and Literature

With a Partner… (on a blank sheet)

-Identify as many specific techniques used in each clip (use terms guide for support)

-Consider: How do the director’s choices contribute to mood, plot, characterization, and themes?

Page 20: Film and Literature

Clip # 1

from the film “Junkie”

Page 21: Film and Literature

Clip #2

From “Citizen Kane”

Page 23: Film and Literature

Analyze Orson Welles’ opening scene (1948)

Page 24: Film and Literature

Now, Analyze Polanski’s Adaptation

Page 25: Film and Literature

Opening Macbeth

Consider the 2 directors’ choices for Act I, scene i

-What do the 2 adaptations of this scene have in common?

-How do they differ?

How do these choices affect your understanding of Macbeth?