-Best of them all THE BRADFORD TELE-

GRAPH RECENTLY

SURVEYED BRITAIN'S MUSIC MAGA ZINES IN A SPECIAL ARTICLE

AFTER REVIEWING ALL THE WEEKLY MUSIC NEWSPAPERS, THE WRI­TER OF THE ARTICLE, DAN HEWITT. COM­MENTED

If that seems a dull pic­ture of the magazines let

me recommend Melody

Maker. Best of them all. Written with accuracy and

authority and laid out well

one can have faith in its

news and admire the way it

covers so many fields of

music without many gim­

micks and with plenty of

facts .

It stands hr away above

the rest of the pop music

magazines.

e Mr Hewitt <ummcd up

For people who want to

know about music from

pops to jau there is noth­

ing better than ...

Melody Maker

MELODY MAKER-first with the news

ERIC CLA PTON: flooded with offers after MM statement

Featuring Clapton, Baker Winwood, Grech BL!~~h:~1[:e ~:; ~~="c~:;:;, Winwood, Baker Supergroup (re­ports Chris Welch). The title was given exclusively to Melody Maker by the Robert Stlgwood Organisa­tion in New York at the weekend.

It was chosen by the group at Steve Winwood's Berkshire cot• tage last wttk and telephoned to managers Chris Blackwell and Robert Stigwood who are In America finalising details of theJr tour.

SESSION BLIND FAITH are due to start their

American tour on Julv t I. They make their first ever appearance In London's Hyde Park at • free concert on June 7, followed bv a tour or "c .. ndmavla.

Bassist Ric Grech or the Famllv has been cho!len as the group's fourth member and is replaced in Familv by John Welder, who has been \\Otklna as a session musician on America's West Coast.

After Eric Clapton ~lated In the M:\1 that they needed • bass1 t, the aroup were flooded with hun­dreds. or offers from player\ all ove-r thl• country and abroad

TALENT fhe i:tOUp rl"presenti

a m,rier or ,om, ol Britain's finfSt )('luns musical t.ah:nl lru: Clapton and C,inatr Baker ot th( "°" delunct Cream ,iroup and St,-u \\:in,..ood of thr derunct Traffic an­stal"'ar1 ol the s«-nt

FAME 0. May 12 It 1,

Sttvle' 21st blrthda) He came to rame a the tHnaaNI ~in1u, aultar· b,t and or,:anlst \lolth the Speneer o .. I• Group of tht mkt-~h:­lln.

Hendrix: heroin charge in Canada REBIRTH OF THE WHO

' , ,ORONl 0, Monday - Jlml flendrh: wH arrnted In Canada on Saturday and

rharaed "Ith P0S\f~iina heroin. Ht was, arrntNI at TorontfJ Alrpor1 shnnly

after arrlv lna w it h t he- E-.cperlenct- to appear 11 the ell)'•, Maple U'af Gardens. He wa, tabn to • police station by Royal Canadlan Mountrd Pulice and ch• raH.

After beln1 charaed. he WU ......... Oft 10,00I dollon ball and wa able to perfWD1 hla concert In ·roron&o.

Tllo followina day, he new to NIW Yan to lpp,Mr al • concert ln Yl'IICIIN, and Ulen

~~= :.JO:.-:.":.:'~~ .:r.:: T,1al Ian N .. hHd te, I•- 19

Page 5

PJ.t::t' -f\.1Hll0\ MAk.fR. Mai) 10, 191.i!I

1 11 I GET BACK Beatles, Apple 2 12) GOODBYE .. ...... ........ ..... Mary Hopkin , Apple

! \~II ~?N":i~~t~t\:ANR~ SHAKE ME Clod.agh.Ro~:~\~~~

5 13) ISRAELITES Desmond Dekker, Pyramid 6 (6) CUPID . .. .. .. .. Johnny Nash, Ma1or Minor 7 (8) HARLEM SHUFFLE ... .. . ... Bob and Earl, Island 8 (20) MY SENTIMENTAL FRIEND Herman's Hermits , Columbia 9 (131 MY WAY .. .. ...... . .. Frank Sinatra, Reprise

10 (7) GENTLE ON MY MINO ... .... . . . .. . Dean Marton, Reprise 11 I 12) ROAD RUNNER Jnr Walker and the All Stars Tamla Motown 12 1101 WINDMILLS OF YOUR MINO ..... .. Noel Hamson. Reprose 13 I I 91 MAN OF THE WORLD .. . . . . . . . . Fleetwood Mac Immediate 14 123) BEHIND A PAINTED SMILE ... Isley Brothers Ta,;,la Motown 15 19) I HEARD IT THROUGH THE GRAPEVINE .

16 I 14) 17 (11 I 18 (-) 19 I 18) 20 (17) 2 1 121 I

I DON'T KNOW WHY .. BOOM BANC-A-BANC BOXER .. .. .......... . GAMES PEOPLE PLAY I CAN HEAR MUSIC PASSING STRANGERS

Marvin Gaye, Tamla Motown Stevie Wonder, Tamla Motown

Lulu . Columbia Simon and Garfunkel, CBS

Joe South, Capitol Beach Boys, Capitol

22 I 15) 23 (-) 24 I 16) 25 (301 26 (29) 27 122) 28 1-1 29 1-1 30 1-1

IN THE Sarah Vaughan and Billy Eckstine , Mercury BAO OLD DAYS . . . . . . . . . . . . . . . . . . . Foundations, Pye

DIZZY . . .. . .. Tommy Roe, Stateside SORRY SUZANNE ........................ Hollies , Parlophone AQUARIUS/LET THE SUN SHINE IN Fifth Dimension , Liberty BADGE .. ......... ........ ...... .. . . . ... . . Cream, Polydor MICHAEL ANO THE SLIPPER TREE .. Equals , President COLOUR OF MY LOVE . . . . Jefferson , Pye RAGAMUFFIN MAN .. Manfred Mann , Fontana l'M LIVING IN SHAME

Diana Ross and the Suoremes, T amla Motown

POP 30 PUBLISHERS

u.s. top ten A, l11t rd by B,Uboord

1 , I AQUARIUS/ LET TH( SUNSHINE IN 5th O,nl('n~Ol'I. Soul (,1,

{!I HAIR Cows,lls. MGM IT"S YOUR THING

Isley Brotl'-er), T Ne,k 1 HAWAII F/V( -0 Venlu,c,. L•~rlor

1 ll YOU'V( MAD( ME 50 VERY HAPPY ~ od Swl'OI ond Teo• Co1umb•o

top twenty albums 'f BUT OF TH[ S[(l<ERS

Se-eke,. Colun1b,o l \II ON THE THRUHOLD OF A DREAM

'-'oodv BluH, Derom J 111 GOODBYE Cream, Polydor 4 I I 7 J SONGS FROM A ROOM

Leonard Cohcin, CBS S ! IQI ELVIS PRE5LH /NBC TV SP(CIALJ

il•,•J Prts!e~. KCA 131 HAIR Lr1ndnn Co~ t . PoJvdor

,i THE SOUND Of MIJSIC so...,ndlfack. RCA

,-11 OLIVER S>lmdlrock, RCA 91 G[MTLE ON MY MINO

l.>,;,on M<11tm, Rer,r,v 10 ! 11 t LID Z[PPELIN lrd Z,-op..-lm, A!lonf,c

Corlm. 11 (hoppt'II, ltl Pol!C'tn, 19 Lowe1 v1Chop pell, 10 Lieber Slotler, 21 Fronc,s Doy ond Hunter 2J Sthroeder1 Welbcck . 23 8MI, 24 S,hr°"drr, 25 Un1tltd Arli~h. 26 Oratleof 1 Apri!e, 21 GLH, 28 Speo,, 29 Mann 30 Jo~te:Carhn

C. lo/ TIME IS TIGHT BOQke1 l ond the MGs, 51011

1 Iii SWUT CHERRY WIN( Tommy Jome,. cu1d the Shond..-11\, RQOlelle

8 (qJ THE 80XlR S1mo,i ond Gorlunkel, Columbia

9 t-1 ATLANTIS Dol'\Ovon, Ep, 10 t- ·I GET BACK Beolles, Appl('

11 161 SCOTT i Scoll Wolk<'r, Ph1lop1 I Z lti• 20/ . .rn Beach Sor~. Cop,tol 1l no, POH CARD MCJ•f Hopk,n, Apple 14 !12J ROCK MACHIN( I LOVE YOU

Various A,,t,sh, CBS IS tl]J THE WORLD Of VAL DOON ICAN

Vol Doonl(on, Decca 16 (18) YOU CAN ALL JO IN IN

Voriov~ Arl1~h, Island 17 (151 WOR LD OF IILU(S POWER

Voroou\ Arl•~h. Dcct;o 18 1-1 SOUND OF MUSIC Andy W1thom1, CBS 19 ( ) THIS IS DESMOND DEKKER

0 mond DC"kk11r, Tro1on 20 , l•t ENG£L8ERT

Engelbl!'•t Humpcrdmck., Oecco

RCA

lbum oflheyear

wins6 Oscar awards OLIVER

Original Sou~dtrack recording

STEREO SB8777 MONO RBl777

New drummer joins Gun 1 f II Gun's Paul Curtis told 1\11\1; "We,'\'e '--

A NEW drummer h11s replaC'ed Lou e arre a re" minor di,;a~reem,nt\ over tht i:11 with Gun. The new man is Peter Dunton. couple ol months on i~oup polkv. Tht~t

who has plaved "ilh a varietv of groups ~~ i~e!,:<'~~!u;.~ we wish Lou1t luck M-lth here and on the Continent. On Tuesday (13), Gun start a 13 dii'- c

Louie Farrell has lerc Gun to rorm his cert tour of Holland, Belgium and tra on.

A., .... ,M ..... E ... N cownogrouRP, a foNur piEcce bRand called FFasholon, R :;:,~v :~~~7 t~~.~~~::

promn11onal vmt h

fa;rhi~~i:1:;, 1!::Wit~•1~1:~

MAJOR Fl LM ROLE ~~~~{~l;;do~~~•/ JOHNNY NASH, still high in

lhe _MM', Pop 30 WL!h '•Cupid," r_eturn!l to Londnn at the ~gmn1ng of Junt to record and di!lCUS!I .• TV spectarnlar fur lhl BB<.

AMEN CORNER have been signed for their first major film appearance - in a horror film .

The group are to have a featured part in in a new horror film starring Peter Cushing, Vincent Price and Christopher Lee titled Scream And Scream Again, to be filmed in London this s umme r.

Amen Corner appear as themselves in the film which is set in the pop world. They will also sing a song speci­ally written for the Rim by Ken Howard and Alan Bla1k­ley.

The group start filming on June 5 and the film is ex­pected to go out on genera I rt:lease in the autumn

J.J. JACKSON SINGLE J. J. JACKSON'S first single with the Greatest Little Soul Band In The Land - which reatures tenorist Dick Morr is­sey a_nd guitari~t Te1ry Smith - is "Tenement Hall s," released on May 16

The B s ide is " Fat Black And Together," an orijtinal by Jackson

The hand's fi rst alhum will be released in June

Tomorro"' (Fnday), they play the Teachers Training College, Hull and double the Rugby Cluh , Burton-on-Trent and 1he Catacomb Club, Wolverhampton, on Saturday (IO) On Sunday (11) they are at USAF Bentwa1ers

NEW KINKS DISC THE KINKS -ere lo release a new s1nglr later thil month ll will br a track from their forthcoming album "Arthur."

ha~8~~c:

8ron~tt;~~5$ ~•e~~~~~

releases 1n the past and have decided to issue sing les ra1rl y regularly In the future" Th e album ;, expected to be comple ted next week

LIBERTY SOUL LPs

AMEN CORNER : first major film appearance

From The Ghetto - The Music Of Revolutionary Black America."

The :,]bums, which are a,med at the British Under­ground market, are: Horace Silver's " Strenade To A Soul Sister," Donald Byrd's ·• Slow Darag ", Eddie Gale's "Ghetto Music;· Lou Donaldson's "Say II Loud," Blue M1t• chell's "Collision In Black" and the Thre<! Snunds' "Elegant Soul"

ELECTRONIC MUSIC MUS I C A ELECTRONICA Viva, an Jtahan Electronic group, are to play London's Hampstead Cou ntry Club on May 16 and also give a free concert at Parliament Hill Fields, tomorrov. (Friday) at I pm

Among the equ ipment used by the group are a Moog syn th es i so r Brainwave ~~i!'~~fien and II photo-cell

as ~~~ludT~:cj~~~- ~~~k, ;i,~!i1~ tive and oriental music, classi­cal music and verbal and organic sound~

ISABEL FOR FESTIVAL GLASGO\\.''S ISABfL Bond has been chosen to reDre-.ent

~~~:i~e~~i~~j i~0J~1;a~?,~~~

June 25 to 29 All the Festival songs are

specially written by East European composers and the

HOLLIER IN CONCERT TIM HOLLIER and Amory Kane are to share a concert at London's Wii,tmore Hall, on May 22 The show is being promoted b)' Double R Pro­ductions

Tim and Amory will appear both snln and together and a back1n1t E:;roup ,s being lined up comprising nute, organ, bass guitar and drums

The concert will be recorded tor a llve alhum

MAHALIA'S CBS ALBUM CBS REC..:OROS this week releastd a Mahalia Jackson

~~~ "~:t~1~~eJ1'~;

0~ nss'"ti

Dr Marlin Luther King." to tie m with the Gospel singer's BntLsh vi•ut

This will h~ M1<is Jackson's first Bnt1.sh visit for four years and she will give O!llY ant" conctrt - at the Royal Alhert Hall on May 18

HEW EMI LABEL EMl 's NEW label Harvest 1s bein& launched on Junl' 6 managed by Malcolm Jones Artbts on the lahel will ,ncludt' Pt:le Bro"'n and h,s Batfered Ornamcn\S. Edgar Broughtnn. Third Ear Band ond Shirley and Dollie Collins

PET'S SOLO DATE o ne chosen for Isabel wtll PETULA CLARK is to appea r have English lyri cs writte n by In a solo conce rt at London's Hal Shaper Royal Albert Hal l in the

During th e next two week-., au1umn It will he her first Isabe l goes into the stud ios to British concert for si>, yea rs

LIBERTY-UNITED Artists ~~Ji1 °Mi~~~ ~~h~1i: f~r t~: Oc~~~er"'i~ h?I~ \~e t~~~~~I ~~ :~;~~dt~on!f\u:~v

1;0a si! 8~~! ~~~lat6id ., Muon song, film a colour TV spectacular

~~treke~:~~m~e:;hi~~e~hetn~;~ r----==-------'o_'..,:_'h:.:,e_;B:,:B:,:C:_· ------the genml heading "so,] 0

EMERSON

EMERSON MEETS JOE EGER NEW YO RK, . Monday Nice's Keith t.:.mer-.un met Joe l::aer, conductor or the New York Symphonv Orche5 lra th i!I "eek tu di~­CUS!I plans ror the ~roup to Join force"' with thr orch t • tTa in concnl, report,, Hc,1

GTeutt

lht pl.an, took a Jong step for\\-ard \!dlh thr meet• J~c and prelimlnar)' dh,cu~­s ion.., an• about a concrrt at Nt•w York', famt'd C• rnt•gle lliill In mid,St-pltmber 1 hPr .. h• a lr.11 t h,. DO!\\lh lllt ,.' ot thr Nie~ Joinlna in i,e\eral fonllnental tonc-,,t.1 ~:in~~!~~d. ta•, J, 11h eady

After the mte11111, r.m son u&d• ,, Man. u,• .,.. I pal

WILLIE MITCHELL

0 SHU 8388 0 HAU 8388

Johnn} 1s lr,okin" for 1 permanenl home in Lund,)n and intend!l to SPtnd muc-h 0 r his time here in lht rutu~

MaJor Minor Rerords art tt1 release two alhurns fr1,m Nash's JAD label this mnnth One featurts Na.sh and Kun

~ :s tg~h e ~ i n ,;~ ~u r~'!&e j ::. 1 :;.:

Byron Ltt' and thl" Dr• •t,n .i1res

NOTTS CONCERT PETER BURMAN'S Jan ht~ A Tete. m a-.s0("1at1on wllh the Ronnie Scott <:luh. S11111e1 a conrerl at Nottingham Plavhouse on June 2k stamn& Barney Kessel, the Ronni" Scott Band and the· Roy Budd Trio

Burman has also lmtd-&1p an autumn tour lnr lht

~~f:":;:ge~irJ~fe°nna f~~,}:~ Mark Murphy

Dates set sn far 1ndud Sunderland (Novemhcr I.J). Bir mingham (10), Rrist"l (I It Hastings (I 2) and Darl,nR,t •n (15)

ROBIN GIBB SOLO BEE GEE Robin G1ht- 1\

planning to release a snl,

~1;t.~ }1~~ed 11,;~:avh~~., ~1re!~~ been re<"Orded bul n<1 rele•~ .. date ha~ bet'n fixed

Robin. v. hn fan'!> tJ H1~h Courr ac11nn t<1r allt'ft"d breach of contrac1 rollnwmit his decis10n to leave the Hee Gees, was quoted m • national n"'wspaper \his w ek as saymg

" 1 have no mlt'nlmn or returning to tht' group I would rather sweep rnad~ r l.iy carpet-. than JtO hl'lcl,, · them

·• I want 1<1 'llnll: "n "' own. write m) own niw.11

create my own l!lllt· scene The Robert Sligwood Orgi

nisation . whith m• n.llR'"" lhir group and brought the 1r1,or against Robm, r~,u~ed t commen t on the ,uflu1t1on as we went to prt<s,

BLUEBEAT HOT 10

MH .OUY MAKFR . May 10, l!J(,9-Pa,:e 1

BUDDY GUY DUE

FOR BRITISH TRIP NEXT MONTH

MARY HOPKIN FLIES TO RLUf~ STAR Buddy Guy, wht1 >was tn Britain a fev. weeks •1:.0 for • TV !!.uperst:u1on with Roland Kirk .!ind Enc

MARY HOPKIN flies to New York next week to start a month of promotion and cabaret and concer t U.S. NEXT WEEK TR EMELOES

to tour C1naida

Cl::f:0!!,·,1:" ~iin•tPh~=r f~~l 8~~1:t ,~t:~~1:~~

1tom June 17 to

21 Venues havt' s1,11 to be .-innounccd Buddy will he featur1ni his brother Ph1\ilp nn rhythm guitar and J1mm) Rtt<t's brother A C. Reed on ten'lr saxophone

De~~~,~~~~-, 15c~h~re.~tl~r !~:~::f,o~!'~~~r/:!~~r ~:Y s~:,i

t.Omt' In Bntain from Afrn~•

A SINGLE by 1he Pentangle 11 to he rush-rdeascd on May 16. Tltle 1s "Onc-t I Had A Sweetheart., with "I Sow An

An.fh:s·• 1~5

~~jy Bt~;d~roup·s second smglt' although they have had thre-e albu rn~ releasc.d Managn Joe Lustig told MM "We never intended to release .a single. but this one turned nut so well m the stud1:)5 that we felt u would be a ROOd singlr- rt'll'aSf' "

JON HISEMAN'S Colosseum have heen boOked for the Monireux Jan FHt1val The,; >w1JI appea r at lhe festival on June 22

su~~~0~1J~~d <[;~d~fi!·y t~~v~"i!na~,~~~~~ ~n to:~ ~f H~'i

11~~rd

l11er 1n thi.: yl!ar On S.aturd11y (10), tht'y are at Sheffield University and

nn Sund.1y fl!), the) appcnr at the Rritannia Rowin~ Cluh, Nottm,:h11:m

STEPPENWULF, Amt>rican under~round group, arrive 1n Britain th1,- week for t1ve and tclev1s1on appearances during a Furo~e.in tour

The ,:ruup. whose !'lnf!le " Born To Be Wild" and album "Al Ynur Birthday Party•· have been released m Britain, appear on Top Of The Pops on Thursday (May 15)

Date<; for 1he ~me11can ~roup 1ncludt. lieat Club, Ger• many (May I•), Top 01 The Pops {15). Joe Brown TV and Marquee, Lond<:in I JG), '.'.1:inchester Un,v1::rsity (17), Mother's, Birm1n~hom (IR), Ba\· Hotl!I. Sunderland (19), Uenmark (20). Sweden t21), Denmark {22), Denmark and 72tf~~d <t;!·e~~lato~d';~\ro)lland (25), Top Of The Pops

appearances. She spends IO days

in New York doing TV and press interviews and on May 26 she o p e n s a w e e k at T o r o n t o ' s O'Keefe Centre with Engelbert Humperdinck. On June 2, she returns to New York to start a two week cabaret season at the American Hotel.

She then 0ies to South America for 10 days of con­cert appearances before re turning to London

DUSTY JOINS CHARLES DUSTY SPRINGFIELD is to co-star with France's Charles Aznavour in a h1g colour-TV spectacular for world-wide distribution Dusty flies to Cannes 10 spend a week on the show from July 6

NegotiatiOn!i have already opened for BBC-TV to screen the show ,;ome time before Dust y's new BBC-TV series s tarts on SerHcmber 30

Work on the new series 5tarts rcxt month

Dusty. currenlly on an eleven-day conc-crt tour of the States, goes to New York on May 15 for ten days of

MARY: fli es to South Am erica for concerts

rtcordmg in the Allantic studies. She then flies to th e West c0ast for two TV dates

She will return to the States in lute August for two months of college dates and recording, followed by three weeks at New York's Copaca­bana

Ncgotidtions arc also under way for her to return ll> Australia early next year for a second season at Sydney's Chevron Ho1el

ALAN'S NEXT DISC ALAN PR ICE'S next single will bt' the old Marlene

Dietrich song, " Falling In Love Again," released hy

De~~• hoand ~:rg i~~lly intended releasing "Tnmdon Grange Explosion," lhe story of a mining disaster, but. decided that after a year without a 111ngle, " Falling In Love Agaii:, " was _a more com­mercial propos1t1on

No release date has yel been se1 for Alon's new album

LOVE AFFAIR DATE

Richie Havens booked for Albert Hall LOVE AFFAIR will top tht' bill for a charity show for Oxfam at the Empire Pool, Wembley, on July 13.

In late August, they are to make a 12-day jet-stop tour of Europe for TV and radio. visiting Austria. Hollond, Bel­gium, Germany, Italy, Lux­embourg, Sweden and, pos­sibly, Denmark.

UNDERGROUND s t o r Richie Havens is to appear at London's Royal Albert Hall next month.

Havens 0ies to Britain at the end of this month and will appear at the Albert Hall on June 5, supponed by Caravan and Poet and

the One Man Band. He will also do three TV

appearances and several radio shows, although de­tails of these have not yet been announced. It 1s a lso hoped that he ma y make a number of London club ap­pearances, but will not ap­pear outside London

On June 7, he leaves for a three week European tou r visiting France, Germany, Holland and Sweden

MGM Records are re leas­ini a double album, "Rich· ard P. Havens 1983," on Verve Forecast to coincide with the trip,

HAVENS r~d io shows

The ir new single will he recorded next week. The A side will be one of two Phihp Goodhand-Tait compositions, "No-one But You" and " Bring On Back The Good

Times" It will ~e released early in June by CBS

On May 27. the jtr0UP flies to Germany for TV in

Frankfurt

MACAULAY FOR U.S. RECORD PRODUCER~.song­writer Tony Macaulay n1es to Ameri ca on May 20 for three days in. Detroit recording the Foundatwns and two pro· ducing a new sinale for the Everly Brothers

The new tracks the Founda­tions record will be " Here Comes The Wind Of Change_" and "Take Away The Empti­ness," both Macaulay. John McLeod songs It will be released in mid-June

Macaulay and McLeod also have a song of theirs, " Baby Make It Soon," being con• sidered as a single re lease for the Marmalade

PINK FLOYD CONCERTS PINK FLOYD'S concert tour opens at Leeds on May 16 and finishes with 11 special show at London's Royal Albert Hall on June 26 with add1t1onal "hap­penings "

Featured throughopt will be the Azimuth Co-ordinato r with 360 degree full stereo­phonic sound featu red hy _the group at t heir Roya l Festival Hall concert last month

The Floyd w,11 be us ing five tons of equipment including 25 speakers. and one and a half miles of cable.

Dates are Leeds Town Hall (May 16), City hall, Sheffield (24), Fairfield Hall, Croydon (30), Red Cinema, Cambridge (June 8), Ulster Hall, Belfast (10), Colston Ha ll , Bristol

g;t ci'o~~hal~ r ig~~ci~smcrJ~ Town Hall , Birmi ngham (20), Royal Philh armonic. Liverpoo l (21), Freed Trade Ha ll , Man­chester (22), Royal Albert Hall, London (26)

Tremeloes offered New Zealand trip THE TREMELOES, Marma­lade and 1he Move have bten offered a three week tour of New Zeala nd

The trip would be at the end or 1his year or early in 1970 said Brian Longley, pub­licist· for all three groups, this week

" S!arllte have had the offer from a New Zealand promot­er and we are nego11atmg the tour at present "

The Tremeloes are also 10 tour Canada for the whole o f September, playing club. col­lege and concert dates

On June 20, they do a spec ial guest spot at the Bratislava Pop Festival m Czechoslovakia which will ~ televised throughout Eastern bloc countries

Marma lade were in the

;~r1~~s u1;

1~o w~e~h~~~~h~:n5b~

La-Da," their number one hit

LOVE SCULPTURE LP LOVE SCULPTURE are the first British artisls to have an album released on thr- Tamla Motown label m the States Tam la will put out their "Blues Helping" LP in Ame­rica on May 17.

As a result the group has signed fo r a six-week tou r of American colleges sta rt ing on Ju ly I .

Th is week, the group are m the studios wo rki ng on n new LP a nd a single which will be released some time in June

i'tEl2CIJl2f l~TEl<~ATIO~AL

Saxophones Various Artists SMWL21026

Juhan ·cannonball' Adderley Cannonball Sharpshooters SMWL21027

Red Rodney : Lennie Tnstano Bebop

SMWL 21028

JAZZ SEl<IES

Melody Maker Jazz LP of the Month

The Al Cohn - Zoot Sims Quintet You 'N Me SMWL 21030

The Earl Hines Trio: Roy Eldridge: Coleman Hawkins Hines + Eldridge \k>l.1 SMWL 21031 Paul Bley Mr.Joy SMWL21050

THE BEST IN JAZZ AT ONLY 2PJ7 PER RECORD

t"a,w:l" 4- Mf I ODY MAK I R. May UJ, 1()611

DUKE AND MILES BOOKED FOR BERLIN FESTIVAL

KENTON ALSO NAMED wh11 h w.,. won hy Mar r Al1bt rt·s Tnn from P im , so Bnu,h h:1 nd 'I wo n two o u t of l WtJ

Rf' ln rt' ht> ]ell, I ane I01d MM "Wt'"vt• been Roma 20 y,•an a nd 1h1s IS lhc hrlit outright wm wr' vt- had Thf' 11.Uif'nCt'S werl' marve llo us ."

Cope nhagen a t the moment wuh his ha nceee but will rtturn to holl Radio One·, "My Kind Of Folk" pro­RI ammt' rm May 14

o n Junt> 11 and 12 a, part of the Newport On The Rnad scri!!S Ten Ye-ars Aftrr al o;n a ppta r at the Newport J a n Fl'i.t1val t"O rher in July They a ls.o appPa r 1n th f' Texas Jan Fe'l t1 val o n Jul ',,' l k, 19 a nd 20 .

The1r appcara nte al th e Miami Jan Ff'sl1val mt•ans lhat Jethro Tull will no t now he appearm~ al 1h1• Ba1h fesuval wh 1t"h is o n th e s ame date>

Duke Ellington and President Nixon

fhe fes tiva l li ne-u p so fa r is: Davr Pik e Qu.m et , M,k,• Dav is Quintet and S ta n Ken­ton a n d thr Hcrlin Dre.1mhand (November 7) Duk <' Ell ington Or­chestra and the New ­port All S ta rs featuring Ta I Farlow, Ba rn ey Kessel and Red Norvo (8) a nd Ten Ye a r s Aft e r, S,irah Vaugh,1n and L1on t_) I Hampton 's Inner Circle (9)

Th{' fcel ina uf the 81 :-d ­{ ur11, Quinte l wert s ummed up by John Cu r lis "We arl' ahsolutely t' latt'd and plt'ased th nt t'Ulh a IUC'l.e'li.fu l fost1vo l ,'e~~~d sn w1•II fo r thf' Qu in•

Thi'I wi ll ht' Sa rs1edt's fi rsl s hnw on Rad io One His 1u1e\ll on the p rogramme will be Th i• Johnston,; who w il l he s ing mg ()JlC o r his snnis. "My Huus<-.'"

GENO LEAVES GUNNEU GENO W AS HI NGTON ond lhe Ram Jam Band have left agenl Rik Gu nne l ond joi ned S t arll! e Art1!lt s fo r agPncy nnd manageme nt

Apple Records start THE DUKE

new label MEETS THE nf Gord on Smith , head o r programme pu rchasing of BBC-T V c nte r p r rses On,· a~.nn. the MM w ill he

ru nnmJ.( .i spec ial lnp to th<• lt!.l 1va l Full dltn1\s nex t wee k

BRITISH VICTORY flRll lS H BANDS srur l'd a , 1,: na l Vlllury a l Ounke rqul• 's ln trrna t1una l Ja71 r est,vo. l ...,h il h f1n1~hed o n Sunda y Stevr L an<'' I Southrrn Sto m• pe r lli ...,. ,10 lhr contes t for 1rad11ional !lt)'le hands o n F nday hy • ,hor1 htad fr o m r.,•neva ·~ Old School B11nd And on Sunday the B1rd­C Ur\l\ Qu1nlt-l wo n fi rst p lace hy a '1111,thll y lor~cr margin

w:;,a(' ~ n~r~~e p\~;:o~farr~go l ranrs a nd u ch appea red at o !iuhst'qurnt cnnc:ert The Snu,, lhcrn Stompers had IO r!!lurn tn flrilam on Sunday, there rn rt mlS!, ln,t'. tht• c- los mg e vt'n l The ir plnre was tak ~n by the Old S r honl Band. There was nr1 entrv fro m Bnlain for Sa turda~ ·s m1ddlf'-JUZ cnnt es t

BOB AND EARL DISC BO B AN D Earl. mnv m g up t he MM Po p :10 ..., Ith ., Ha rl e m S huffle:· have a new s ingle re leased 'lho rlly hy B& l Rt"co rds ll 'i 1itled " Oa ncm ' Fvt rywht• re ."

An a lbum of t nrly Bob and Earl recordings 1s be mg rus h. released hy th t sam e com ­pan y The a lbu m fea turl!s the duo togethe r on four tra ck'> a nd a lso s mging md iv 1dua ll y Amo ng th e so lo tracks 1s Earl 's ·· The Duck " w hi ch was a b1i hi t for h,m in t he S tat es when hf' was kn 11wn as Ja ckie Lee

SARSTEDT'S NEXT PETER SARSTEOT follo ws up h is chart -t opping hit " Wh ere Do Yo u Go To My Lovely?" with a nother o f his o wn songs " Fro1.en Orange Jui ce " to he released o n May 30

Sarstedt is ho lda ying m

Lulu offered cabaret season in Las Vegas

S tarllt e's Peier Wa lsh IS LO fl y to New York nex t week to a rra nge a to u r o f the States lor Ge no and th e ba nd Ge no IS l O !JO 1nlO the s t ud1 05 to CUI m111 ni a l rrom which to ('.hoos e

a T~d·o:1rr~e~rsday), the hand

fl ew lo Madrid , Spa in, for a TV appca ran c<'

MARVIN JOINS TAMMI MARV IN GA YE, who hll th e numbe r onr spo t this yea r with " I Heard It th rough Th e Grape vme ," teams up wllh Tammi Terrell agam on " Good Lo vin ' Ain' t £35y To Come By " re leased tomorr:.iw (Frida y)

The To mla Motown duct had a t-11 with their last release togethe r at the begin • nlng of the yea r lilied " You Ain't L1vmg Uni il You're Loving"

J oe South lolluws up his " Games Peo pl e Play •· hit with "Lenning On You " r e­leased o n Fndny by Capitol Othe r re cords scheduled for relea!lt' o n Friday include " Ynur Loving Eyes Are Bhnd ·· 1,y Mc rril lee Ru s h on Be ll and " Proud Mary" by So lomon Burke on Be ll

JETHRO FESTIVAL TEN YEARS After and J ethro Tull will appear o n Jan fes 11 vals prom o ted through out t he summer ln Ameri ca by 1mpressano Georgl' Wein

Jethro Tull wll l be the o nly rock g ro11p to oppear on the Mim1a J a7.7. Festival on J une 28. Duke Elli ngt on and Dl"Z7.Y Gilles p ie are also on the hill.

Toge th er with Ttn Yea rs Afte r, they appear in resuval s al Balt imore and Washington

¢ ROY AL FESTIVAL HALL (,~r,c,ral \fan~i:~• lnhn IN"nl\nn ( H •

GERALDO and S A GORLINSKY present

FRIDAY, HAY 9th, at 8 p.m.

GERALDO IN

CONCERT with

CAROLE CARR

CLIVE L YTHGOE

MALCOLM ROBERTS

:ind the CONCERT and DANCE ORCHESTRAS (80 Pl A\FRS I

~----- feawring t/1(' music of--------.

u :ORCa: GERSHWIN and COLE PORTER

TICKln 21 11 . IS 10 • 16

APPi t- RECORDS have star ted t hei r second label -nomed Za pplc, wh ich _w dl i!i5UE' LPs a t th ree prices Th ree a lbums are scheduled fo r th e la bt"I a t p resent

They a re John Le nn on a nd Yo ko Ono's "Unfi n is he d Music- No 2," Gffir)!e Ha rri• son's " [fcctronic Sounds ·• a nd " LisleninJ.: T,, Ri cha rd Brauti gan ·•

A spokes man to r App le sa id a t press t1mc tha t there was no furth er ne ws o n the Bea tles' counter-bid 10 o htam contro l of No rlhe rn So nRs, the co m­pany which pubhs he" the ir mu s ic. ATV have mnde a bid for co ntro l a nd the BeR tles hove mod e a count er-h id be• li eved to he 1n the rei:: 100 of Cl I m1Jho n

An America n Emhassy o ffi ­cial on Monda y co nfirmed a re­port lro m New Yo rk tha t the State Departme nt had revoked Jo hn Lenno n 's U.S. visa The o llic,e l in Londo n told MM " fl was automnt 1cnll y revoked las! December after Le nn o n wa s convi cted o f a drug o f. fen ce The re has been no ap• plicatmn fro m him .!' in ce th en There is machinery fo r wai v• mg ba ns lik e this, hut each case is cons1dtrE'd o n its merit "

An Apple s pokes man s1ud they kne w nothin .i:: o f th e visa be inx re vo ked

MORE FREE CONCERT THREE FREE conc-erts fl'atur•

~~I ~~P he~;doe/ ~h~u~~nf:t:~~s Parliament Hil l Fields: Lond on during May

co~~e~ ~ rro;a/tndi,> tt!m~~s~ Borough Fr inge F!!St1val will run from 10 pm to 3 om wrth Pmk Floyd , Pretty Thing!'.> Roy Harpt' r , Pete Brown and

JAZZ NEWS K Jo1.1man to rec~~vl:'e; ~ Arts Council a wa rd for writ­ing. Th e resultin g work will be premiered during this y~11r 's Barry Summer Sc hool. Tippett Is recordlnR a BBC Jnzz _Works hop prog ramml' for ainna on May 21.

FollowinR the s uccess of Maynard Fergu son'!! recent date at Nottingham Palais Woody . He rman to ps a four~ ba nd hill , at the Pa lais on May 15. Also !o tnrring are the l~-pl<-ce Nottingh am Jan Or. chestra, directed by Tony Haynes, the l:.ddie Gray Ba nd and the Mt"I Thorpe Quartel .

wh~BC pr:;:uc:~s:ng!~t~:a":~! NollinAham Jazz Orches tra also directs the Ken J ez~ Orchestra, whi ch will bt fea tured In a concert at ~if!e~ G. House, Broml t> y, on

The Mike Wes tbrook Con• cert Bond vis it" th , Van Dike

~l~~~sday).ly~z ul~Ob\l l't:nigo~1

lnstow (tomorrow) and lh~ Cyder Pres !o, Dartln~ton, near Totnes on Saturday (10). Westbrook will . be lt>admg

i~~~ie5~~~~;• n~~k~l~>;bz~~~ mo re (sn:Ps), Oave Holds worth (tot), Ma lcolm Griffiths and Paul Rutherford (lmbs), llarry Miller (ban) and l ony l.<"v1n (dn).

Alo Wel\h ha been elt'cted thl' ne~ Pruldf'nt of New ca ule 's l'lt'"" Orlt-an\ Jan

~.~~~•xe "°t!!~~lnttlh;he w~::: 8 • nd havp • n•w album rrlu ,,•ct h)' Columbia in .lunP

I\ """" n11nt aardl" tlub as npc-n•d nn Suf\da • at lhe

,~:et~:!!•, ~Hto• tr••t,

R""••• are ttlu U 1.•re Trio lad 8eb ~ ulir

IOOK NOW from ao,al Fdtinl Hall 80J1 Office 101 -fJI )lfl) an .. uwal a1ent1 Mulfc IUbl 1M• °t" L----------------------------P..::; ... c..-,

HARRISON two Z~pple LPs

hi s Ba ttered Ornam ents, Jody Gri nd a nd Mu sic• Elect ro n1ca Viva

On Su nday May 18 from 2 pm t o 8 1•m th e gro ups wi ll be P rocol Ha rum , Soft Ma chine, John Fa hey, Th ird Ea r Ba nd , Blossom Toes, Fo res t and poss ibly Fa1rpo rl Conventio n.

On May 30 from 10 pm to 3 am they w ill be Fl eet wood Mac. Gro up Therapy, Edga r Bro ughton Band , S ponta neous Mus ic Ensemble, Dus te: Bt"n ­nett and Br idge t St J o hn

me~~s th

! i1~11

b:ig=~:~:ail~fr ~s:d 1tghtmg provid ed All t he n ro up!I will be play mg free and th ere w ill be no cha rge to r adm iss ion

ELVIS SHOW JINXED THE LONG-awaited Elvis Pre• sley Chris tmas TV show ho s again been b it hy last-mi nu te legal d1ffi cult1es

The show was cleared for a Bnt1sh s creening as long ago as March 29 - when the MM exclusivel y frontpaged the story. All that remained was for the 5how to be sold t ithe to ITV or to the BBC -which had already e xpress ed a keen interest .

Aft_er vario_us delays , a pr int ha\ s ince arrived at the offices

writin g award

Bu t O spokesma n w ld the MM on Mo nday : " Mr Sm ith has seen it. hut the re 1s reason 10 s uppose t he ~,ghts o re no t hn m ed1ate ly ava ilable as previo us ly th ought•·

· Commented Peter Ma rrmtt, director of Euro pea n ope ra• !Io ns fo r N BC ln t e rn at1onal, whi ch is ha ndlin g t he Elv is film : " Mr. S m ith hkes t he fi lm very mu ch . But we now find th e re a re com p\lcat,ons whic h ha ve to be c ltia red up ."

FLEETWOOD MAC DATE FLEETWOOD M AC' S o nl y Lo ndo n appearance during May will be at W ood G ree n J az.z Club o n May 13 w hen th ey p la y o ppOSlle Unio n Blues

O thl"r Tuesd ay boo kings al the club include Am e ri ca n b lues ma n Lo w e ll Fulsom with Steve Mille r 's Delive r a nd th e a ll -girl gro up Girl Ta lk An o ther Am e ri can . Howlin' Wolf. pla ys the club o n May 27 with J o hn Dumme r's Blues Band and To ny Mc Phee and th e Gro undhogs.

Sunday jan hookin ~ at W ood Gre<-n are A lex Wal.\h (1 1), Alan Elsd o n with Geo rgl' Mell y (HI) and Steve Lane's S o uthern Sto mpe,-s (27).

OHIO EXPRESS VISIT OHIO EXPRESS, Amenca's kings o f Bubblegum music, are to to u r Br itai n nexl month

The v fl y m for concerts and TV dates fo r ten {,r 12 days starting on June 12

The 1tmerary has yet to he settled and the tour hM heen set hecaus e their c-u rren t ~

11~~1~

0" ~ere-~?" Bis begm-

blo ws with the rc .'> ident Four• te e n Foot Band at the Fox And Hounds. Ha)wards Hea th Sus 'iU, on Sunday (11) ro1: lowe d hy Georg<• Chisholm (18~ and Ronnie Ross (25).

l ~e Gre_a1 West e rn Music Society, with the Jazz Root s as re,;1dent band, will be open at the Railway Hotel, Pen. zance, every night and Sunday lunchtimes throughout th~ summer, Fe a tured singer with Jan Rnots Is Kris Gayle.

PRESIDENT .. THE ONLY pl•u I Un

think or th•t I' d rather be rig ht now Is In my mothtr's 11rms," 1,1id Duk , Ellington

The sce ne was the S~t.­Dinlng Room •t the Whitt House. A moment Hrlie, th e Presi de nt or the Unu,d States. Hh'1ing Ellington on hl1- 70th birthday, had

111/d : " l"vo hfted m)' gl~ss he re to empuor1-, Kina s and Prime N I,_._ ters, but never before has a Duk e bee n toaued. I ull you all to Join me in raisln1 our glasses to tl\e 1reate1t Duk e or them ~u. "

This w,u one of many 1mo­tlonal moments durlnt th1 most prostlgiou1 eYen,nt 1n th e history of jau (reports Leonard Feather). Duke and his 1-lster, 11:uth Ellington Joined Presid ent and M,; Nixon to greet th e line or guests •t dinner - Ua President seeming b•mund as the Duke. greets each guest with two kisses on either cheek.

Arter dinner there was a concert •nd before it bet•n Mr Ni•on presented Dulle with the l're1lde11tlal N•d•I of Freedom, Utl' "illtHt civilian award

The first performer at the concert wu, th e Pre1\ denl himseH who played p\,11110 whil e the audience Hng .. Happy • irthday." The overwhelming 1uccess of the concert th•t followed could be credited to the Elllnaton and Billy Str•yhorn piecn selected; Willis Conover who ac~d as NC; and the •II• st,11,r ten-piece band or Clark Terry and • Illy Berry (tpts), J . J Joh nson and Urble Creen (tmbs) , P,1ul Du· mond and Cerry Mull11•tt (sa,:u), Hank Jo11n (pne). Jim Hall {gtr). Milt Hinton (bus) and Louie Selhon {drs) . A highs pot wH • set featuring E;arl Hines. At Mr Nlxon '1 req uest Dulle ell• joined the band

llenny Coodman, Cab Call•· w•y •nd M•h•II• JHlhett preferred lo Jodilllse rether than t~lle p•rt in thl jam session. Louis lhwh, Jee WIiiiams and Billy Ecllsun, sang a three•w•y bh1n backed by D,:uy C11!e1p11 Another sllltr•in w•, Leo­nard Carment, ont·llfflt Woody Herman s•x11t who became Mr MIKon'1 law hr'" P•rtner . WIiiie " The Lion Sm1tt1 . Mar1•n Ncl'•rtl•nd . Ceorge Wt1n. • Ill)' TaJlor and even Leon,1rd Featlltr were among those who tooli possession of the p1a1110 during the Jammin• an• dancing which vunt on 11nl1I Z.15 ,1,m

Brian Francis Presents

Tlte World's most exdff•g SN•d

The Fabulous

MAYNARD FERGUSON BIG BAND

In cance rt

Friday, May 9th Kenwood Hall, Sheffield, at I p.m.

Friday, May 30th Gnat Northent llolll, l.Ntls,at Ip.&

NOW JETHRO TULL AIM FOR THE

~ POP THIRTY UNDERGROUND groups as think. I collapsed a

a rule aren't concerned couple of times and we about the singles charts. missed the last gig In the

The Top 30 holds no States because I ,-.,as bad. lnteresi to those groups " It happened again in the who pack them in al TV studios In Paris. 1 colleges and clubs thought I'd got lung throughout the country cancer and TB, but it was without ever having a hll. just exhaustion."

Jethro Tull are such a Was It due to the hectic group on the unde r- io~? of the American

~fi:!,~ sce;im":h0~ffe~us! " No, It wasn't all that

highly successful Ameri- hectic really. We had a can tour. couple or days off and

They have a new single out :o~eorh::1,11;"~,~~-~~':!

this month to be followed involved in the groupie by an album in June • . . thing. and they're hoping for a " 1 like playing In the chart hit. States but I'd hate to

"The chart scene Is really play there all the time. important," said Jethro's They seem more grateful Ian Anderson, "you and they show it more. mustn't just bow out of It. " Everyone goes down a

" I used to think it dkln't bomb in America. If matter about the rubbish you're an English group In the charts but it's not and you don't get a the fault of the kids who standing ovation there, buy the records. If some- you won't get one any-one brings out a good where. single, it will get the "The American groups plays and the kids will seem very much into buy It. saying a lot about noth-

" Okay, so you have to Ing and conversely saying compromise, but it'.!. nothing about a lot or going to do some good in things." the long run. Eventually The group has been Invited it will get the under- to play at the Newport ground on TV. Festival. Are they looking

•• It will need a difference in forward to it? "I'm a bit attitude but if groups of worried about it, I'm not sufficient name and really sure what they're standing put out good trying to do. U will be singles it will work. very good, but I don·t

" I'd like to see people like think you can mix it that the Family, the Nice and far. John Peel ..• Peel could "Seeing us might upset the do a lot. people who've come for

'' Our new album comes out Roland and Woody

;::~d otb:i!e. th~e be._!~~~ ~;;:a~hean:eo1:i!y w'::!'~! PETE TOWNSHEND'S

supposed to finish it off come for us and the other triumph! last night, but we only groups. That's the verdict after a did two songs. "H's good to bring old hair-raising curtain-raiser to

" I wrote quite a Jot while music and new music the Who's long awaited we were in the States. II together, but I am a bit opera " Tommy'' last week was that and Jack or worried about it all." - For lwo years Townshend sleep which made me ill, I ROYSTON ELDRIDGE. has been toying, planning ana

-------------------- ;~~mil lll~~t1thha:'b~i~!1c~~:

Gl.bson set ~/~~-;;: In the ro,m of a do,bie And m a generous, un­

precedented hour long sh04.Y for the press and pop industry

th dard held at London's Ronnie Scott

tan c .tub, the Who gained an Cl( •

e S uted reaction from critics.

The group played selections from the,, eontmve,s;,1 opm, which ha o. heen branded a-.

' wlu hall

" sick" 111 some quarter.!o Ai enormous :o;peaker c-ah1

Or C oets wm poled h;•h ,ion• the wall,; of the cluh am.I hum­m"d nm1nouslv at the a,;

h . i,embled 1hrong, Pete drily

Ot ers StrrVie exp,lf!•~•~~~t •:o'/;.,;;"';,ho " born normal , just like you and me . Then he witnesses a mur-der and becomes deaf, dumb and blind "

l:.vl:"r) '° olt_en cralt,man,hip achieve.._ a s~andard of pt'rlcction agam,t v. h1ch all other uaft,mamlup 1,; me.uurt"d In the makin~ of l;Uttars the name ofth,tt craftsmanship is Gibson.

•· He 1s later raped by his uncle and gets turned on to LSD as h8'1 heen explained in varioui. m-deplh interviews.

" It's not sick - contrary to wh.lt one hears on Aunty I think Aunty IS the sickest thing rn this country" (Applause).

Pete went on to explain the boy develops t1 taJenl for playing pinball, 1s healed and becomes the hero of the younger J:Cnera11on

A lot of the story line es• capes the memory owing to the Who's partially successful attempt to make the audience deaf, dumh and blind

In the conhned space of Ronn1e'11, n venue u11ed to thl· rehned rhythms of 1azz, th"

~~-h~~h~~~/~:m~nn~e;~~{L ~:o~~i ot peopk lltl·rall\ deal

I----------------- - ---I 1-'lea"f.• sr,nd dr,tail, of G1h&un (,uitars

Some twenty hours after the event, mv ears were still singmJ: and_ I t-,vas harel_y able tn sleep without a vision of Keith Moon thrashing like a dt-mon swimmrn~ hcfore me

Despite the d1sC'omfort of 1ho!u· nt:.in•o.t the speaker.'>, nobody wanted to m1c;s ;1 min­ute of llw group's rivetin~ rave-up, wh1< h mdudcd their cl.t~SlC' VN',lllllS of .• Shakin' All (h·t>r" and "Summcrllm., Blues"

I N.tmt'

I Add"' I I \1 \ usual ~dm<-r deal<-r IS

\\-oolp,u:k ) ,orn<­Hrarn, rt"t·, L.w-, ! l8tmer

L--~-------------------J

And tht• (lPt'T/1: underhned Pt'lt''l> n,ur !or lllV{'ll\lY~· lynr, and or1,einal rumpost lion, not fotg1,1tm,.: th,· S(•fl~••

or humc,ur Jnd lil"l1Sl' nl tht <lrnm;1t1< .tl~u~~ l'\;l1.kn1 in

h1~ \\"rk fl111~1~1l w,, .. r,1 1111·1r

MELODV MAKFR, M•y 10, 1969-,P•ge 5

ROGER DAL TREY : 1 We've calmed down a lot as people ... our act hasn ' t '

f~tbe~tch:~~g5;111~~15t~:es~~ r-----------------------------­~~\ch1h!rn ~~eke p~~~io/ d~b{; album real value for money, unlike many recent double'!

As a playing group the Who seem to ho! at their best ever with a sudden spurt or acli· v1ty 111 recent months almost amounting to n Renaissance.

Said Roger Daltrey later . " Wc'rP reall y pleased nbout everythmK at the moment. I think Pele's opera i!! incred­ible

" it 's bt:en a long t1me com-111~ it's true, but the actual ~tud10 time was only about e1ghl weeks

"Of course, we're knocked out with the single. It's about lhe most commercial song on the album I suppose it's about our biggest s1t smce

' ~~rpha!:~~/ ::~i)y ll;o, into !lmgmi it Vl'l Some of the .. song-i on thC album are bloody hard They take a Jot of con• rentratinn to remember, with all the kn changes and hreak'I

" I can't say I enjoy singing 'em yet'

" Pl.'1.C's lyrics are really gettmg ridiculous. Some or the things he's doing are un­hehevable

"In the last six months it's been like the rebirth of the Who. I suppose in the early dnys we were too far ahead of the time and now audiences Dre catchm~ up

"We've calmed down a Jot Our act hasn't calmed down at all I mean, we have changed as people. That's ;:;J ... makes everything so

Even if the Who hav e calmed down, lhey can still c;car, yc,u

Thcri• were moments durml!. ' Tommy " when I had to clutch the table for support I felt my stomach contract• mg ,111d ht>.td spinninJ? But we wanted more

It was thrillmg to watch Petl' leAp and twist around with hi~ guitar, Roger hurlin~ and sprn111ng his microphone like a rodeo sta r, and Keith wr1gglmg around on his drum stnnl, '!i0me! imef. disappl'arin,; mto a hlur nr sticks an<! grim OCC!>

Some mq,1ht <all Keith"s playing d<·strun1vc and ta'tll•· less and tht',r volume cnp. piing dnd <rud

Hr,th arl' \'Ital 1n11.re<l1t-nt, 10 'he Who, 8 r,rnup who muo.1 ~ur,+.,. hr hatttd as cme ,,r tht' m111n-,;ti.y ~ "' Bnti~h pop

Thi·~ mn bt lovcd c,r halt'd W, r1n·t dt1 \.\1thnu1 'tm

CHRIS WELCH

~ New from CBS New Singles

• 4224 Tony Bennett Play,lt Again , San. 4177 Jocelyne Jocya I Have Loved Me A Man 4190 Shy Limbs Reputation 4209 Tim Rose Roanoke

r::;:;, 4210 Kim Davis Are You Ready For Love .!.~ 56-4211 Davy Clinton Walk Away ~ 58-4212 Udell T. Anderson Love Ain't Love

New Albums

(S)63565 Ray Conniff I Love How You Love Me

(SJ63588 Hoyt Axton My Griffin b Gone

iSi63611 Steam hammer Ste ;.1n1l1 :1 1111i1t•r

It's a road I manager's ·· nightmare! "1 HAT sounds like a road manager's night­mare \-.,ill be travelling the ro.ads of Britain m a double-decker Lon­don bus from this \\eekend.

11 ·., tht• bra111ch1ld of Onn Partridge \\ ho. ;1fhn l h , tll(.l •:lo nf his Rnv,t l Alb, n H.11\ busk~·rs con l I t 1n h •bru 1r, , h ,l S dt' 1 d , h t ki th~ ,h11Y. on lllllf

Ale n.,:. \\Ith Dtn \.I.Ill h t Ul I , rnuha r Lo ndon la n<l •

r ~ .. fl·,, Road 'itar,;, \lt>fe \lhman, , . .,, 1poh •>t• ~t Juhnn) Laglt>, N~1 "',ch.af­ft-r. Jumping Jack, Rhi<'ra ~111, Lordon Giltrap, "iu,an Kl.'ele~, Banjo 1-\nd Spoon .. , lk t• C.oodwood ,md Al;1n Young. ·1 hi: ~lrt t ts of L<in l11r, \A. tll ht hlllh qu ,e t ;1m.J mpt

Chains f,plti111C; Oun fl.1~ JC'l

t11 , ,n t ia!II {1.,\\ n m t·abarct .,c, I di·t·1d1.d Lo bonk somt> h.111 lor m, S(·lf ,met lrv und 1,1.d s01111 ffil•Ot'\ bt~l,IUSl'

Im hroht• fh.-n I thc,ught wh\ not ha\ e th.- hu-.kt>rs IS Yvl.'11

Jht> tour opens 1n Cam• hruJg,. ,md RPJdin~ th1c;; .._undth (11 ), hut re tll~ ( 1kl!', i:o the rr>,1t1 at Lc .. dc; f20J going on to Mancht's lt'r 121), Sheffit>ld (22), (hfurd (2J), Glasgo" (24), -\bndl'en (26) . Edmburgh (2Hl. Birmingham (2q). Dublin (30) and Bt'lfi.u,t (.ll)

!--v 11 , ou s£-~ a double­deckn . parkE'd nuts1tlE' }our houst· \V1th a ~uy "r,11pp1>d m chnins, hair .t '101:t•n tap dancers and a mub uf s1ngt-rs don't phnm• th1 pc,lit:t'

Ldicar Broughton group , kn,,t:k•out on Top Gear

Fleet"'ood /\lac prt'• s~·nll'd B. B. King, Sonny Terr}' untl Brownie l\lc­Ghet" with c;;1J\'E'r tJnkard~ on rht laSI night nf thc•1r tou •

Ooh 0\lan curr~nth n n "iih Johnn~ L1!.h

Ra-,c.a ls tot lht·tr hfth ~• lrf nlhum with " Fre d, m "-.u1k 1:rlc Bur­don sin;c1ng-in "1th •\ml'r ,o ~ Blues Image.

801,k-. that ,~111 r,t>\.L·r

J.!t'I puhhshL'd 1 ht· Mam<1 C.1.,-. G u1dc To Shm m 1ng. Fi fi\ Hut Licks For Sou! S1nJ,?e ri. h , Dona ld Peers, Hov. Tn Be A Good Lo-.n b, Ra} antl Dave Davies, Th£· Fdd1c Roge rs Gu1dt­To Uncte q~rou nd Mus ic Thr Ro nnie Stott Hook or \\'mners . W hithe r Jan b y 1.i ck L. H1~g 1n,. -

Bush Time Box tht1u~bt Dr

\\hu ha d ca ught up with !hem m No rf o lk la !o t wt-~k Thl'~ " t- rl· 1dhn~ a loni,.: when para'-hutists <; ta rt ed <lropp1ng round lht'm dnd .-.rmcd Gl°s ,lPPCMt'<l frnm l.'Ve r~ bus h The y'd go t m1xtd up m :i 11111,iar~ t.' X· t: rc1St' Fo r a momt·nt tht'y tho ught th ey·d hn•n mi s• 1,1ken for tht' \ 1etn mg

Sm1ste r noi e Lim er Gant!") h.ts bnui,.:ht two pin(!) of blood for uncx • plamed re.tsnn., lht .\udlence - J group . not the patro ns - soundinl! good at the Speakeasy

Major Minor's Frances Baars claims sh e heard this on Magic Roundabout Dougal. ·• I do \ov~ you Florence." Florence "' I do 10,c you Dougal" 7ehE'­dt'l' ' T1mt' for bed'""

Cricket A drunk drove off thC'

Web'.!i wagon while they were loadin~ it in Bm~ley last week and did CIOO worth of tlamage Jan Jelfs. of Circus, used to play cricket for Surrey

Ne" drummer Peter Duntor, went .i storm with Gun at Plymouth Ancl 1he Hollies' colour TV show drew a lot of rave reviews

MM's Roys ton Eldridge spent most of th~ week booking dra~ acts for his Rug:bv club Louis Armstrong manaJ,:er Joe Glaser still senousl} 111 m Nev. York

Ray mond Frogett has written tht:" new Cliff Rich­an! single, "81~ Ship," n•l,,a-;cd May 23 Viv Prince r.; ali\"t~ and well

.<1llU drummm1,; with gr<.>up callt·d Kate Clodag h Rogers wants to kl't'P the J1mml Thompson l8rtoon nf hl'r m this Wl!P1''!o Bltnd D.1tr

Pop comes to tht' a id

I-1\rer's WEEKLY TONIC

of th e cla ss 1v,-Manfred's Klau,; Voorman 1,:; pro mo• ting a pmno rec1t<1 l at the Queen Fli1.aht> th Hall to• ni ght (Thur sday) b , Michael Deichmann p lay mg Bach , Bee thove n, Chopin a nd Lisz t

Boo: no J8 Zl on this year 's Bath Festi val Roge r Moore a nd Ron Moody will ac t as hosts lo a lon~ llsl of showbiz .star s ar 1hc Varu: ty· Club Of Great Bnlam's Gal a a t the Battt'rsea Festi va l GJrdt· ns th i.. Sa tu rda y (10)

Afan Walc;h golll· o ff b1rd3 - th t:' ft-athercd -.o rt - after a din,•1,;1 hit on his flash new Jac ket

Souety Wedding or Thr Year Collt•t1's Record Shop manager and drum­mer Ra ymond Hunler ­Smllh to Mlss \\1t'nd y Jon es, on M.i, 2.l .

Isn 't Lt quiet v. 1lh ROI.I Harrod in the Stales? l\1ax Jones presumably still rowing bac.:k from the: Dunkirk Jaz.., Festival Have you ever seen a tee­total darts pla}er''

On his 70th b1rthdav Duke Ellington got a w1r'e from Jack Benny: " Wel­come to the 39 club •· Tht' Arrival worth catch­ing Ill the pop roClm at Ronnie Scott's

1ohnny Nash sull plan­ning to buy a flat 1n Lon­don but having trouble finding one Record producer Dave Bernstein, who had hJts on Red Bird m the States, has JOmed Major Mmor

Publicists on the move - Liberty's Vivienne Hol­gate to Island end Verve's Des Brown to the new Repnse-Warner set-up . Bob Houston convert ed to Keith Moon's drumming arter hearing the Who &t

a reception in Ronnie's.

Soft Machine'!, Mike Ratledge caught playing M1lhaud and Hart nk violin sonatas rearrnnKed fo r clarinet Mixed re-action m MM to BBC-2's Dukp Ellington tributt·

Bob Houston and Sun dav Times' Derck Jewell m · BBC Ovf'rst'as Serv1re verbal punch up on

.:=.====e==E:::::::::::::P::==R===E~c~==,=:s~E~~!====i) ~~~te,~ j;~i ;h::; ~;~\ \Veb suy thP up,~nmg

uf the Rt·\.olut1on m Rru!'.­,;el~ wa~ rt-alh \\ aid

ASK FOR And ,1 (;od· h.,d meant us to n~ he d h,t\t' g1Hn us t1r kets'

HAMILTON CAPO~

THE

~~ HAM l TC,N rONCESSLONAIRES

PAGE 11

BASIE: piece work for the swing shift

Overtime for Basie AFTEIII c ompleting their dates .,,,Jth Tony Dennett thl! Count BHI C! band clock ed In for a 1po1 of ov11rttm o al the Factory in • ,rmlngham on Sunday . The band rolled up their s leeves to give th11 pad1ed audience .a r eal J.in bonus under the direction of the most diplomatic foreman In the big band buslnen

It wa1 .an exhllar11tlng swing s hift from 1t11rt to finish .is lhe indu1tr!ous •a,le trow ne1rly lilted th t roof olT the tiny Factory , ,111 t<xt•n11on of tht'

~:r.~!~'; w~:~k th~~~b~a:~ .~;: slow" suth as Sonny Cohn's I Cl n s I I I ., I " I Romomb er Cllfford" trumpet solo beuuso the band .,,,a1 alway, re.idy to strike again

Harold Jonu generate d tre • mendous drive al lhe drums .,,,Ith Marshall liloyal , Bobby Pl,1ter and Eddie "LockjH," Oav11 COf\tdbut,ng .,,,orthwh1te

r. lec11 work In tht' form of n1pir11d 1olos

This was an oct.aslon on which th e Basia boys rully earned their pay packets. Cer­tainly th e f.ins 1treamt<d out or th11 gates hoping It WIii be ill long time yet before the Count starts to draw hl1 pon,,on O',HIS OETHERIOCE

JOHN SURMAN THE RICH 1011 of the Hike Westbrook band h.i1 nurlured u.,eral startling ollshoots, .ind the John Surman Octet . .,,,hlch playttd on , of lh too r<Ht' 919~ .al London's 100 Club on Mon­day , proved toncluslvely that the futurt< of British jau Is Silft' In lh• hand!, or th•s nucl11us of musicians

Surman wa1 1tupendou1 on b1nton11 and upetlally npr•no, and Al1n Skidmore {tnr), HIii Beckett (nugel} , Mike Osborne {,1110) , Ind tohltolm Crlffoth1 (tmb) m.idt< a miln,ellotn m1neJ no,u wht<n the occa­,ion demanded . and m11ny slntng solo moments, loo, The Westbrook • house" rhythn1 section ol Alan Jackson (du) and Harry Mlllt<r {brus) .,,,Ith the 11dd1tlon or p1an1s1 John T11ylor , chopped and th.inged the pulse or Surman's lmprts• ""• 1rranQmrn11 wuh gre.il sympo11hy A gre,111 band which should be heard f11r more oftrn ·-,, • OB HOUSTON

BARRON KNIGHTS

How ntlsfylng to s11e perfecl mike techn ique nawle n ly worked out and the c1e.,er U H of 11thou and oth er e ff ects don e wilh taste llnd dlscrlmlna• lion .

Their Impersonations of people hke Ou O•Connor, the 5tonH and Shirley Baney were hllarlou1 a1 usual and on their most serious momenll, " Lillie Gree n Apple1," for ex.ample, their group soun;t was eJttellent . It was gre.il also to He th ei r mustl.ins' sense or humour getti11g l.augh1 - " we h.ad some Arter Eight, w e h.ad somt' more 11fter nine " A .,e,y good act - JACK HUTTON .

B.B. KING THERE Will no proud er man In Brlt.aln la1t Wet<k than Peter Green wha n 11 .B. King . on the nnal night of hi s concert tour l.n M•nthnter, a1ked Peter to Jam with him on stage at the Free Trllde Hillll

It was the first time they had ever play11d together and t hough obviously ncrvou1 .at hnt, Peter rose to the occasion magnlflcenlly. ll w.is the most exciting moment or the night as Peter .and B 8 . bridqed the g~a";i~•;lon gep with some great

The audience gav11 King and his b.and and Peter, joined by

A heaven

Danny Kirw.in, Jeremy Spencer and Mick Flt<elwood , I st.indlng ovation .ind would h•v e been happy to listen all nigh, long. Unfortunately , there was tlma for only one number despite the audiences yells ror more .

Cert.ainly It pro.,lded • fitting nnlsh to B. B.'1 r1rst tour and a1 8 B . pointed out to his .iudie nco , " th,s Is a piece of blues history ." TONY WILSON .

INDO-JAZZ FUSIONS COMPARISONS are not so muth odious as lmpoulbl e . Unllke the employment or Orienta! Instru­ments In recent pop music as " attr.itth•e sounds.'• lndo Jan. Fusions hills .ichleved 11s com-

f~e::ln~d b~:nb~il~g th~1

mC.,"o"rl: 11!~ forms of Indian music and western j.iu

This me11ns th.it ,1 perform­ante like thH given by th, Jot H.arr1ott / John M.ayer double quintet in the Stoke on Trent Arts Feni.,at wa, a .,ery com-ph1x one . Eschewing their rc,cent elaborately arranged long P•ttl!s like '"Elude," John Mayer directed. In his Imagina­tive and e•tlted fillshlon, five relatlve1y short raga ,1rrangc­m1:i:9ts and the finalt (at thtc ~=~~ndnlng!) with obvious Joy all

The lntegr11llon or the 1roup was remark•ble The ba1u or the sound wa1 the umplu th.itterlng rhythm1 ot the l1bl1 illround Coleridge Goode's stron1 walking ban . The 11r.r (• stand•tn who earned his utra r.pund ol aopl.iusc) Ch,11 Tayl3r ' s br11hant nui.., •r Mayer', own .,,olln sl.attd 11'•: simple hypnotic r,191 no I ro., which gradually bullt up to .I" often enormously powerful wan of sound, constal'llly 1hlftlnt lU Intricate te•ture .a1 the dynlffl· ic1 were boosted or lell .1\ John Marshall n11iled •nd cal l.apsed .iround his drum ltll

Solo span was not 1ar111 ltut was neatly hand ltd Tw• nrJ crisp 10101 by Pal Smythe •••• the piano•, only role, a,1d oitlJ occasion.ally did the flnt II.It clllo phrasts of ~tan Weed's trumpet break Its sm"II' i111tOt with the nute n,, tll"1•• el each ptete. how,ver. wat- Jae Harriott He ••• a lttd• 111• dued but his Is ,1 11n11111t a•• powerful voice

v,su11lly, the evenlnt ,.., H u1tillng a, lht' mullt. O•e could see each man rtlltllnt LO the playlng of ltlt ottien 11

:1~1!ctl~1n. M•i:~•i :~:::Ill~!

encore John Manh •II in1•a1c4 to 1m111h the slul'I •f hit ,nart llnd te11r it O\ll In time \I IIM mus1e. - GEOFF w1an1•

called Towersey

The days of pop tours are over for Herman HERMAN'S HERMITS

have had it too easy over the past five years.

They never really had to work for success. It jusl happen~. They never took It seriously and wasted a lot or time.

This Is the considered opinion of Mr Peter Blair Noone. who Is of course Herman, delivered to me In his dressing room at the BBCs Goklers Green studios last week when the group were on a children's TV programme.

" It all Just happened for us. Seventeen hits in a row without really ever having to sweat. We used to mess about with re­cording without taking things too seriously," said Peter as he held hands with his attractive wife Mireille. "We have changed that now. We are prepared to work hard In the future."

Scripts

Bu~f ::;s~r:e!~~ m~:af~~ the Hermits are OUT.

" We can never do another pop tour. We've learned our lesson there. We're not a pop act any more, we can't go back five years and do a 20 minute spat on a tour. We're too good for that now, and so

are the fans . And we know now that we can't do another film, either. I may be able to do one on my own, but the group ... No. There just Isn't a film you can make with a group. I've seen all the scripts and they're ridiculous."

Cabaret

What then Is the Cuturc of the Hermits? I inquired. "In the recording side and in cabaret," replied Peter, who Is stlll only 21 despite fh•c ~ood years in the pop business.

"The group Is bigger round the world than it has ever been. Now people want to see the Hermits all over the place and not just in America. In the future, we will be con­centrating on good caba­ret work In the top places. What I'd like to do is spend six months a year working at places like Miami and Las Vegas and Australia - where the sun Is. We plan to follow the sunspots around and spend our time working and having holidays at the same time.

"The money doesn't

BY ALAN WALSH matter. Money never has mattered to me. I Just spend it anyway. It's only Important if you haven't got enough to do the things you want lo do."

The group are about to embark on a summer of cabaret appearances.

"We are doing a couple or weeks in Manchester and Sheffield as sort of re­hearSals and then we are going off to Israel and then to Hong Kong, the Philippines, Australia where we are doing three weeks at Chequers in Sydney and then to Mexico for cabaret in Mexico City and on to America for a few con­certs and TV shows. We've always done work abroad In the summer and this will be the pattern or the group in the future."

Policy

Peter believes that his policy of combining work and play is one that could effectively be adopted by people like Elvls Presley and the Beatles.

"The Beatles should pick some work they want to do and do it., while they

still can otherwise they'll get to 30 and won't be able to. 1 think they think that appearances now would be the same as they were when It was all Beatlemania. But it wouldn't. They could play the things they wanted to play and people would listen, I'm sure they would. I think the days or the screamers are over.

Danger

" It's the same with Elvis. He probably thinks that If he did a few shows, it'd be all down to the way It was 10 years ago. But. today he'd be more of a Frank Sinatra-type artisL He could play really nice places ... the Free Trade HaU, and Royal Albert Hall.

"The danger for people like the Beatles and Elvis is that not working makes you old."

And Peter echoed the senti­ments or millions of fans when he said earnestly: "l'd go and sec them, wouldn't you?"

I asked Peter about the group's new hit, "My Sentimental Friend," cur­rently following the

group's 16 previous smashes up the Pop 30.

·• It's a Geoff Stephen song. We were working in Switzerland when he played it to us. To be honest, I wasn't excited by It at first. but we recorded It. I didn ' t like It the way we did it at first. It should have been an Engelbert Hum­perdlnck number really, but we changed the whole idea or It and did it again and it grew on me and we finally got it nice.

" I'm pleased with the way It's moving, though." I asked if the group - or Peter - ever got the urge to record a single completely different to anything they've done before.

Fatal

" I've never claimed to be a good singer. I can only sing certain things and there's a lot I can't do. I know the group's limita­tions and we won't try and step beyond them.

" Mickie Most claims I once said to him that we should record • In The Midnight Hour' but I never did, It was the Animals, I think, who said thaL

" For a group like the Hermits doing something like that would be fatal."

MELODY MAKER, Ma)' IO, JY69-Pa1,1e 7

NIRVANA lDi00#

'Oh What ~'t.\.B's

9\'0~ ~'t.\.v5t.

·BlODWYN PIG

'Dear Jill' cw'Sweet Caroline'

WIP _6059

a Performance' c;w Darling Darlclne'

WIP6057

ISLANO RECOROS LIMTEO 155·1570XFORD Si REE, L0NOCJN W-. EN0LAND

WIP 6061

t • 1, "' - MF I u u , MAKE M, Ma~ HI, 1%"1

A red-barrelled British victory 1n Dunkirk THE. PORT or Dunkirk 1s by no mean-. an obvious thmn.· of \ocdt1on ror a four-da} Ja27 festival

But II ha5 JUSI compleled one - 1ls first ever - and lhe alfa1r can ht' accounted a ~un ">> nn art15,11c 1f nnt on hnannal arounds

Dunl<1rk'i; Ft 11 t1vat lnter-n<1t1onal dt' Jan WO'> lrul)' rnttrnlllumal, and II wa5 a r1wpt-r ft:st1val ,n the sense that II uffe"d mon: than a 1t>r,es 11f s1m11ar concerts 1n ont- hall In fact four differ tnl Vt'nllt"S V, "e u-:t·d tor tht mu-.a

Artists and h1rnds came to tht northt'rn port from olher p,Hls cif Franct' and from Belgium, Britain. Sw1t:zer1and, ~s~and. German) and the

Tht> Amt'm:an

BILL COLEMAN in US con t ingen t

cun11n~1mt. thou~h !!tome- art' F.uro11to.n hxturt'S, RBVC the MAX JONES pr(Jlt:edings the llt'CC.!,,s&ry !llrllnR-J877 fill\'Our Bill Cuh:man M i I t Hulkni!r, Jo Jones, T Bone Walkt"r,

reports from the Dunkirk Festival

Phil Wood~ - all or them made- pnwe-rful personal im­pri;:ssion!'i

And so did Stephane Grap­Jlt'lh, the Frenlh-born viohn-1.,t v. 1th an international repu-1atwn, whn has latelv reverled IU lhl" original spelllns: or his namt' and rt'nounced the final .. ., ..

What happened at the fesu­v:111 was this Thursda)' saw tin open1n1,: concer t at the Theatre de Dunkerque given h)' L'En,;:emblt' De Jazz Du C('RD, a lii:htwt'1ght quintet, then the polished Dan) Doru. Quartet and the a~ele!ls Stephane Grappelh This tnok plo.n at fl 45 until midnight

CJn Frida) atte-rnoon, at 5 JO, the ehm1natin..: hout of tht• 1r11d111onal hand contest tcu •k place nt Rost:ndael

In the C inc>ma Re-1,:t"nt there, lhest: four bands did battle .Stt'Ye Lane'• Southern Stomp­e-r1 (LondunJ, New Era JaZ7 B:1nd {Lond1>n) M1m1 Wash­hoard Band (Brussels), and f JIU School Band (Geneva).

lh,• IWO lront-runnl•rs -SllUlh<-rn .Stompers and Old Sthrn,I Band - then npene-d that t:"cning•~ concert al the !hf"aUe Tht' rt:"'>t of the con• t l'rl was devoted to trom honi!!il Rc1}morid Fonseque·s 1e-v,·n pint· hotnd and Bill ( vlcman pl.a,·1ni.: trumpet and IIUKCI

S!Hurd.,~ Rt•l 111v.-av ca~ly 10 c1 J rm cnntt-st ror the m1ddlf' J8l1 1t\lt: ut thl"St' group!!> I lry,an 'J111 Group (Av1on),

~,:P?~1uJa~:3rrQu~~1't~;rt (~~~•it Qu1nlt'lte Du Hoi t lub _De Rnllerdam • nd HCI Swani,t ~elHt'I (Ge-rm,m~·J Tht• Allbert Tr,o cana firsL

\(,Un, leadt-rs ol this and !ht: 1rad111nn.1t compd1tmn ap. JJC•""d that night - _this ume • 1 tht> Bal Du tut,val held 11 tht: ( a~mt Mato at Malo• l.f" Bains Hen· thl' big attrac­tion werf' urgani!">t l\-1llt Buck: ner and drummer Jo Jones mnl<ml( up a powi-rhousP duu

Bui carlln, and ,,,.,cr lapp1nr 11~ Middle•Jau contHI. there h.id ht"en an en!erta1nmenl 81 R Knd.tl' l ':1 Rejlf'nl called a Jam 5es.si,rn M1-.ai;krne

"'"'., I wa, une tJt tht

;~11:',r• ~t .. tf~ h;~nt;u51~;t~~e

mod Jam. However, I heard the bands next da)' when the)' assembled m the Dunkirk thetllre at 5.30 for their epreuve

The winner of this. Bird­Curtis Qu1nte-t, went on to the festival's closing concert, • long with the other victors of the middle-road tourna­ment and the Old School Band

The e-vent ended on a h1~h­sw1n~ing note at the Dunkirk theatre with Phil Woods and his European Rhythm Machine - the group which recent!) accompanied him at Ronnie Scott's - giving • nd clearly deriving kicks

And for the second half, Milt Buckner and Jo Jones .:cnerated a mass ive swing which deh~hted a near capa­city crowd T-Bonc joined them for the final st:!.

To return to the con1esl fur a moment all three sections were Judged by the same­pane1. which required a cer­tain flexihil1ty to cope with the joh of assessing the­artistic merits or romhos as disparate as Beliuum's M1m1 Washboard Band (wi1h lht> leading lad)' blow1n,11 amph­f1ed ka1no) and Bntam's B1rd­Curt1!'i Quintel

Th1'1 JUT)'. like the event itself, had an mternational complexion 81:111dei; myself (GB), 11 5portcd Flenri,t Qu{'T• sm of Belgium (former musi­cian and n1dn1 producer), Jacques Rosut ,sw1t1erl11nd), bandleader Raymond fom1eque (France} and from Dunkirk. Andre Devynk anrl Bernard Dupuis .

Summrng up 1mpress1ons, the fesl1va1 wa'I an experience Dunkirk nc~dt!d, and It looks l1ke-ly tu he- rel)f'aled Organi s:Hlon seemPd casual bu! wu effective, lhou1:h cnncert11 r11n on too Ion,; becausl' 5el~

we;~lt'~Vf·'(h~0

nfart'welJ concut I celehrated the t~land'll VIC· tory wrth John Curtis. Ian Bird and band at a caft: across the road which had phpnn­menal weekend bu inrs~ 11'1 Ste-Ila .A r to11 and British bit te-r SomCQne remarked that 11 had bePn no1 only a double barrelled hut • lsu a Rcrl Bar­rt' Jl td win for Britain

JOHN CAIITlll • nd aot W IUON

NOTTINGHAM 'p~{LAJS DE DANSE

WOODY HERMAN AND HIS ORCHESTRA

LIC. IAH

JAZZ ON TWO FLOORS THREE SUPPORTING aANDS

·u:•<t·, Cl 0

Compare these 196:t \lf'n1011"'

IN A WAY. il 's too ~i1h" ~~~eo1~s•-~~ia1~!f:,cf.in easy to start forming ;nf" 1e;~~ Mi;,~ Dt~~" L:; a Second Opinion exhausti-vt" exploration flf about Sonny Rollins a reas which prevwusl~· had

because his career So~? p1,u;~1:e!h0°Ph;:: ~:ur conveniently falls into heard him "live" may have a First Period and ~l seen Rollins do tht nm,

Second Period . ~~:::h w~~ t~il~2)~0~. ~~ This article was parll y in- G(le-s Tn Collt"ge" two

~pired b y re -re ading so m e year~ ain (and all th<-'St' Jau magaz.mes from BBC-2 ja:z.7 ,hows could be 1955-6 (during th e First re-run On BBC-I 1( so~. Period) and seeing the re- Bu~n~J~

11~~0;~ei~~;':,',~e°'in

cord reviewers gradually the audience will know th&i coming to term s with what should have been th, Rollins's growing stature play-off theme went c,n for

I don't like Lhe idea o r bas m11. another 20 minutes' medlt", my re-assessment mainly on of srx or se-ven d1ffer .. n1 recording,;, because the)' tunes. which wa, luper,.or can he so unrepresentative to the main set But an art1C'le ran ne-ver bt On this evid('nce, Rolhn~ ha\ like a conver~a l1on (" Do been playin~ hetttr than )'Ou rememher th e fourth e-ver m the 1960s, hut hrs phrase in Sonn y's third h1,.torical position has been number on the se-cond night overshadowed hy tht' late o r his firs t 11 pell at John Collrane Rnnnie's?") and ther e- are so greater tonal variety And or the great trio of Parlltr man )' great Rnllm s records BY BRIAN PRIESTLEY tt,15 increased freedom ~a '> to\l owen, he i!I perhap, lets

~~s'::~~ ~~~~t:d ws~~c:y'ea lly ~t't~l:ddr«:::i:e~/;:~rc'~~~~ ?{:~~~:~ Ct~1!"ma/ra~:1 n';

Lt~o~he T';;ri1;.i~;· "r!~j y~~ Pian is t P r ie stl e y , a contributor to Bri t ish De::t~ol~b~~u.~ Fi~~!!•(}~ii~; ~sd~:ro~~ig mli~I ;~!;~ti',~~: ~~=rtsTh!10:1~u's a i.:.,roiklow~ ja zz publications, contin ues the MM "Now·s The Time," RCA) as or the Parker style tnl

~i:re fir:tr;~:0~flh each~~f~ se ri es with a r ea pprais a l of the work o f ~~~mE~~r•11r o~~~~~d, ~~~: H1!

0 ~~h~1:~c:' ~i:) OY.h: J~s

wh, ch is more confident, t e nori s t Sonn y Rollins. You" {un1ssued in UK) is wide than Colt"man's or more varied and more rhythmically o r ientated and Cohrane's, but he ha"' a fragmented "Brownskin Gal" (from profound effect on impmtanr

The -very personal sense of deleted) and also inspired us, and m any cast that's "What's New," RCA) 1s playt'n like Archie Shepp time and phrasing shown his most un1nhib1ted work ten )'ears ago now, but tonally oriented and Roland Kirk - evtn here 1s paralle-led In Monk'!> on the "Sonny Bo)'" album there has been a lot or Unfortunately, some listeners Al he-rt A)'ler And, m 1h15 "Frida)' the 13th" (1rom (XTRA) mis understand•nit of Rolhns' lake his harmon,c explor country, his harmonic and the- same LP, "Work" on Historically, this is Rolhns' work since- then a11on seriously, hut rt'Ject rhythmrc approach C'Bn be Transallantic) b} h1s frel! most prophetic re-cord - on For ins tance-, Benny Green, his rhythmic and tonal t"'<· sten, respecli\.'ely, 1n the-harmonic approach the ridiculous!)' 1ast "B who 1n 1962 said "The ercises a~ sardonic humour work of Tubby Hayes 1i1nd rather likt- a dehberale Quick " and " 8. Swift.'' answer to the question run riot Robb) Wellins exaggeration or Parker Roach 1s the only one 'What's new,' IJ 'Not His _m~st challenging album. And )'et, incredibly, n's threr

"~:1:t}:tet~e f~;l~-~·n:-~p~";ie~!: ':;~he~~mw~~d. c~~ t~:e~lu~~ :;1puh~~ -~a~~! t~~cfhr~~~wl~ ~~

11~~'.~enit:llr. Our ~~~rdr~ r::;:d :~~ceit./!1re~:t\w~

has v1rtuf\ no hhord- ~-r!~~a~~ a ~:nu;notd~alo~~! ~iu~i:-~l!s a~~o~=1

~ 0~d f~~a.~ ~h~!,."if ~~~tiher! wo3n5e~~;n years -:mce he pl3)'t>d in !~~:cet:~:) a~o ~°onfnsoruf; with the tenor player Rollins m the S1xt,es has Jn parlicular, the first seven M;ynhglaa:,ld I f h forced to balance- his chord• Asou~o;f~etf:~!e~!~c.~ rh~-;1t

1~ become- the complete soloist, minutes of the 25-minute sin:'"

1tht~:a~h ir ~:,:il,1,;;_

orie-nted style witb scale 50 much that we haven' t able to carr)' an entire "Oleo" is a s tunning Rolllns has won thl" M\t

e:~sal~esm!~: ~~uss~6 1h~~rg bun able to do because =~~~P t~n t~ct~~~ul!e1~ho~~ ~~:~~

st';ji

0Jt0lfm1s~e :~f~! :;:

1~t'r~· and Critics' Pnlls

Rh1:rhe~~~;l l~t a!lnd ha :;,~~e .8'::J~me~av~~~ !~ He

0n\as ach ieved greater :~it1o~h:rit'r

1fhe ad r~~nlro:l~~ O r mayhe it was )uSt a

ca lly, tht most obv10i;ir:~: play correclly with us" rhythmic vanety, greater where h is rhythm ic JUgKlmg ~o~ea~nel concl us lOn. I c:m·t

~~~~n~!nti~~al-us(rorof t~~~ W~~~nf T~~s r;aes~onnsd r~~r \~d~ ~~~1:1bl~~in;arie~Lh ~nnd, t~t leads him mto a slow hlue!I p:r~ple e\~"J, l~!~n t~le~p~~~ pe-riod) and the unexpected, reti re-ment needn't concern normal range of the tenor, ::m~o quarter or th e ha.sic on Snnn) Rollms f,,r II

!!1nsii~1 h~

0~~~~e~n:lr1)'}~! r.~==-----==========----------:..... ________ _:':::0

",'.!•:_ _____ _ eve-rythrng he does

The humour, m fact, wa!<

~e~hc ~~~~~\r8~it~194g9 !!~~

on "Wail" (" Amaiing Bud Powell, Vol l ," Blue Note) is amusing and startling from a musician one month short of his 20th birthday.

The-se- three interlinked a~pects wcrr fully devt"lnped for the first time nn record in "Swmgin' for Bumsy," a~a1n from the mid-S0s (" Jan Classic~." Trans­allanlic).

Rollm1 gives the impression of hein~ m complete con• trol. )'et pushing himself a:, hard as he can At the e-nd of the fourth chorus, he gels into a -ve-ry Involved 1cale passagf', which :'lma1mgl)' lurns into a quotation from " Wail," until he literally runs out of hreath

And at the end Df the fifth chorus, h, bows out by

~~~/1~~ t~=I' hlu~~mfr~m ~~~ other side of the record

Tht're are other btller-knnwn Rollins solos from the late-r 50s , "No Line " from u Milts Davis .. C'ollt"ctors' Items" (TraMatlant ic) or " I Know That You Know ·• from Dizzy Gillesp1e·s VSP do_uble alhum, and every­thing from hi!"> own "Vil• !age Vanguard" Sf't (Blue Note) with Elvm Jrme,; on drums

Thtre- 1s the- Fontana LP •· Blow," whose co01-parat1velv s1mplt version'­of standartl" make a good mlroducltlr)' item. l1kr lhf' lain "Stand.,nd Sonny Rollin ". which Sonny named his fttvour11t' nf hh own album,;

But 1t l'eems to n,e, that hi!!i be,, rf'('lltd• lik.- Monk's dt'le!Pd "Rnlhant ( nrneo (wht'rt' hr prnvt'd him!lt:lf the i;:rratt'lil tnt rpreter J Mnnk cnmpn"1tions) o r hi\

,n .. Thne G1Jnls Tr:tnutl1nlif (whert h(' romplrlf'I~ ri.rvf'd ( l11furd Unlwn) h.tvt' •lv.-1}'1 had "1a • R( :irh On drum•

11 ~.l'i Rath l'.h t1mu l trd hi!'> mm,! hril h1111 ll } Otl(.t

n1H'd af)!Os suc h u " Hlu,.. 1" nr "The t rt-edutr. Sui 11, (rn. ,th unf, r1un a1ely

Here is the ideal instrument for you. ARIA. A fine classical gwtar to ~mt the most discriminating player. Made with perfection m mmd, each instrument is a collector's "t · ·

. • 1 =mm own n ght. Naturally It has the fine quality of tone to match!

Model 1695 £49. o.od Model 1675 [J2.10.od Model 1679 £.10.15.od Model 168o (.26. 5.od Model 1676 £35. o.od Model 1674 l,26. 5.od

(RccC'lmmendC'd retail price-.)

Hose-1lforris SPON ', ORED IN"T RUM f Nrc,

Now graduate to finger style with ARIA ....

BOB (S)63601

AVAILABLE NOW 1st NEW SINGLE FORTWO YEARS

from Nashville Skyline Album ITHREWITALLAWAY

4219 OTHER BOB DYLAN ALBUMS AVAILABLE ON CBS -~--

Ml:.100); MAK!-R. \.111\- 10. 1%9-Pa,;~ 'I

John Wesley Harding Greatest Hits Highway 61 Revisited Blonde On Blonde Bringing It All Back Tlle FrwwhNlin' IN (S)63252 (S)62847 (S)62572 (S)6601 2 Hom, (S)62515 D,tan (S)82193

1,1 CBS Records 28/30 Theobalde Road London WC1

THEDLDES PAGE

\ ~ ----THE MEN WHO MAKE THE BLUES JIMMY RUSHING, th e on • f• n•I · Mr Five by Five,' i" one of the shoutinc btue, singers whose med iu m of e•pren,on is t•SJ: or R&B r•thcr than the folk-blues 1d1om1. He is, in fact, .a 1,u t. 51nger and thoroughly ,, t hom e in tho m,ddle of a bi &, swinging ju,: band us in g standards and suit­.-b1e popula r songs. But he has bee n closely identified with blues since the be ­ttr nning of h1.5 career, and he ltsts among h is influ­ences Bessie Smith . Mamie Sm,th ,1nd his uncle, W e.­Icy ~bnn ing , a sporting­house pi,n o pl;,yer , " I got .a lot of my blue, from him , " uys Rushrng of h is

uncle . Benie, Mami e and other " dnsic blues " sing­ers of the era he listened to on records, .ind in the thc ,1, tre whe n they c.ame to Oklahoma City uo11nd 1923 . e Some write rs re­fer to his ,tyle u Kansu City or We1te rn bh,es , and he certainly belongs lo the jn:1- bl11 e1 tr,dition which includes those large Yoice d the.1t,ical ladies s11ch as the Smith 1 and Ma Ra iney. One of Jimmy 's LPs , ·• The Smith's a nd Ma R,1iney." Now d ele ted. fe.1t11red son.,:; associated with Bessie, Clara, M.1 mie and Trixie Smith . 8111, Paul Oliver has pointed out 1n a note to Fontana 's " listen To The

Bl11es. " Rushing is diHe r­ent from them in one essentia l respect : " He does not perform as iii

singer iill ccompiillnied by an orch estriill nor does he fill in the odd chor11s of vocal re­frains-he is himself a part of the jazz orchestra . " This ability to hurl-out rift-like phrases which lift and inspire and round out a hard - hitting Kaycee ­type biill nd is beautiflllly to the fore on the Fontana album already cited. Since few examples of his splen­didly vi~orous , high - voiced singing remain in the c11r­rent lists , I recommend this without reservation . •little Jimmy, as h11 is sometimes

driver's seat

feature ld,e nrw Evcrplay head~ ne"' f1t11no"I and new ar ce sories have hetµerl to 1rpprove even th1 fab11lo1,s aound you lwws roukl gel !,om Premier outl,t

WI •ts 01 JI/ lh SI f'I wthng a, notJU t g mm i. They ·re rer1I 1mprovemenu answering the genuine need'l /O U drummers have \i\e t t. rl th"m t ~1th

some of the world·s top drumme, s. like Kenny Clarke

So we know you·u hlcf' what we've done Drop ,n 10 Y0tl! dealer ,1nd ~t' lor yourself S-0 ,0,. f~[f colo..t- btvd,.,,. w 21 "'Jta,,,p1 kK lull cofoioo,,. fo "-",e,-Or\/m,D.ptMMll 81 .t..,.1 St,..l, tondo,i Wll 1Hf

Premier I iii~ FIRST IN TH[ WORLD ~ OF FINE PEACUIIION !_

BY MAX JONES known , born Ja mes Andre w Rushing in A11g:ust , 1903 . He st,1rted out in music playing piano .1nd si nging to his own a ccom ­pa niment. He recorded , ,n ' 56 , an interesting t,1fk in;; blues at the keyboard. " Tricks Ain't Walkinl\'. No More," 3nd this ,1ppured on his " Jau Odyney " ii11lb11m which is, .>l.1s , no longer av,1ilable. The whole series of these US Columbia LP1 au'.! ripe for reiuue by CBS Realm over here . It was with Waite, Page's Blue Devils that he made his real s tart, recording a " Blue Devil Blues " which hu gone into the histories a, a rare blues d.usic . In '29 he wH working with Bennie Moten 's band , and his re cords from that tir11e reveal that the R11shing sound .,nd technique were then •lmost fully developed . e With Count Buie, with whom he featured on re­cords regul.arly from '36 until '50, little J immy be­came internationally known to jan collectors , And with this band , perfectly suited to his driving ,1nd pene ­trating way of preaching • blues, he did a great dc;,l to popularise the music. Working . as John Ham­mond has noted, " in an atmosphere beset with com­mercial pressures, Basie succeeded in milking record ahc, record which broke with the form11lu of song arriillngement and song plug ­ging a nd were from be,i:in­ning to end infused with the spirit of the blues ," You can confirm this 1udge­ment with the help of 12 title, on " Blues I Lo,e To Sing " (Ace Of Hearts ). S,nce leaving Buie , Jimmy has been his own boss. e He e njoy ed a reVTul of popularity in the mid ­Fiftie1, and considerably in ­creased his following when he brought his ample trame and talents to Brit;un in '57 ,nd again in '58, when he impr<!ned everyone h<! met with h,s likeable, easy-10,ng disposition , fervent Singing, •nd 11tte, profes­sionalism hom th.it t,me, too, he began to win top placings ,n 1ua: poll, here ,nd ,n the SI.lites. It rs H.U ­

pris,ng that he is not better represented ,n the c.il•­logues, but appre<i•ton can hear more of his rob11sf gener_ally good - humoured ,oulmng on five 'Sl-'52 recordings o,i .. Two Sh•des Ot Bl11e " 1 ErnbcrJ. •lso _

~t1:.1 ;;:,t~.i~~.:"te!:c~~ Soul " on Coltlen CutnH G~LOU4, • ren,tt del• hOfl

i!~~ •,-:.:~• 1helN1 •f ••-

what may, keeping

Come Aynsley's the soun~ A y~it~~:' ~~:ir~~!t . 1'nn~ po"'c rfo l d ru mme r Ye l m th t

~~::pp~:~ti~!h ~~d h~·~~)' 1!"t:.

,;lric;~~ lt~ Dun ba r'<;; Re l:11:~ i lon is • blut's band . An

: :e~~dnd 10

bl~~!> b~~ds1 a5r1~;i~: =• ~~~)ach i: :shion ..• pr:;,~~~,:~ bruu .. could result in s lern no te,; 10 th e ra n club .'il'4'.:lt' ·

heavy

u r!{~" eH r s/ ncf' Ay n ,; le) • ., ti rs l tr in 10 Am eri ca he t>a, bee n a lve n th e confid en ce lo widen hi s aroup•~ s«>Pt', t-l_e ci.: plai ned 1hls week aboul . ht ~ cha nged ideas and Impress ions

of_,t ~,\ St~~~~: ha rd comtnx .,_:D:_:U:::_:N~B,:_A.:_R.:_' ___ :_-::;=:=:;;;---------ba ck here becaus e !l 's a ll hap• penlng over there. We wer e !here fo r s h weeks on our ftrsl vi sit and we're going, bnek later !his yea r. \Ye. e n• Joyed ii tremendou sly. Th1n~s wPre ha.slcally as I upce ted from chil ls wilh nlh er Jtroups before we we nt.

"There " ·ere no di ,;appoint · mt'nls apart rro m San fr,m­clsco wh en tht' re was • dis• ma l fe t' ling a l the FIiimo re We<,t Tht' crowd were vt' r)' b lase and bored with every­body including Chuck Berry and Country Joe.

,. We playt'd o ne concert whh Cannonball Adderley . l-lis band was really very good and he seemed knocked oul with us. I think they saw us as a proareuive blues band.

" Fans think a ll blues

r:ndir:~~aln f~•/lm:~~ stt;~::

!h:;;yrt;,;~~:ns~~~IJ~~sN~!arn I~ jan sense. but In • mixture ol rock, blue.s and soul. There's more or a jazz. feel• Ing without being jnz..

"The a udiences don'I dig you If you go on smiling a nd waving. They come to hear musi c. There's was a lot of Jamming going on, Buddy Miles sa t In with John May• a ll on bass with m, on c:l rum.s . Buddy turned up every­where we went!

ro:· !ot:;'!o b!:;;:rl~~~ 1'd01~e: to live there myse lf. We'll have spent six months the re this year. Getting !he visas Is the hardest. Once you've got them you're fixed . I haven 't heard or any moves to stop so many Engll!oh

rh~~:swo~?,1":.; ...:"that' w:~r:

be a drag." The Retu llatlon eonslsl of

John Morshead (lead guitar), Alex Dmochowskl (bau), Vic­tor Brox (vocals a nd trum• pet) and Mike Weaver (organ).

I 10Jd Aynsley I had been a bit disappointed with th ei r !Liest albums.

•• Both albums are selling well '' said Aynsley res train . Ing himself from pouring beer over my head. ·• But the next one will be more advanced. ll's a struggle because in En,cland the blues fans ei.:pec t you to just bang away, or It's not blues. In America you'vt' got lo be advanced. Perhaps the rans here wll! like It more In Che end. W e just haven't had a cha nce to re• hearse anything, bu1 if w e get three days off we will."

What does Ayn~lcy think or ju.z today?

" I find that peopl e like Horace Sih·er a nd Cannon. balJ Adderley are playing more progressive blues with drummers playl n~ strong r~y1hm,, which Is quite ama-7ing. A 101 of jau drummers have been fiddling about so much. I tailed off jazz when It became too advanced and dldn'I swing. There dldn'1 seem •n) thing substantial to listen to. I don't dig a dead stralghl off-beat a ll the time but lht' thing Is to ph1y mor~ rhylhmic patterns. It makes 1hlngs more colourCul. There should be chains of rh-,1hms to keep pt"Ople Interested."

A) nsley started his road 10 fame with John May.all. Did ~~nd alwa~s want his own

" l'i:n 23 now and I've been pro since _ I Wl"I U. When I v.as work1nll for John I dldn'I :~enn h~~!;~. about havlna m1,

lo;•!?_ .:~d • ::~~ 1{0~•~~-n•~

knov. 1f voo •re going to eam

ir"1h~0.::!ic~~n~•1,.~1~)' _1:~• I~~

~~~d. ~1hl~n::i..~ ~=ra:;~ 1n1, I ha"t' th• Hy Jt•s a

Vt~ I ,nJ:;:..~•":.,!;, ':ht,•:.:. ':;" ... : '::.!:' = .. .

PyeRecords Producer Of The Month

John Schroeder

TheM<N>

In 1965 John Joined Pye as A & R Manager of the Piccadilly label . He had three hita inthefirat thru months. with the Rockin' Berries, " He's In Town" ; The Ivy league, •· Funny How Love Can Be"; and Sounds Orcheatral, " Cast Your Fate To The Wind" . Incidentally, Sounds Orchestral was originally called the John Schroeder Orchestra, and " Cast Your Fate To The Wind " became • top ten hit in every country in the world. including the States, followed by the album. which had equal success. John won a silver disc. and was awarded tha M / M Award in the National and Inter­national section•. presented at th11 Savoy Hotel for the best in­strumental record of the year This firmly established the Orch~ estra, who have nine albums to their credit.

John then signed Geno Washington and The Ram Jam Band, with whom he made a ' hve· album called " Handclappin'. Fo~tstompin ', Funkey Butt Live". which became Pve·a biggest HIier for thru years The Rockin · ~•rries an~ the Ivy League con­tinued their success with "Poor

Man 's Son" and "Tassin' and Turning" respectively

Clinton Ford joined tha label and achieved chart IUCctoM with "Dandy", his first single, and this was Jollowed by "llun To The Door", his b1ggnt 11ngle to data . David Gamck. who Is very big in Germany, had two No 1 records ova, there, ..,hng more than a million copies betwun them : the first wu " lady Jane", followed by "Dear Mrs. Applebee", both of whteh made the cherts hera

After two years, the Status Quo came through with one of John's biggnt record• to date, " Picturn Of Matchstick Men'· which achieved No. 10 position in the States and wonagoldd11e for over a m1lhon cop1 .. sofd

John has recentlyembarbd on something new 1n thegu,1• of 'City Of Westminster String Band ' (a new orchestral sound! whose f1rat album called ··• Touch Of Velvet And A Stu,o Of Brass" was released I Ht Sapttm· ber. The second album, a la11n l. P .• is et the moment m the studios.

........

MF! fl{)'r MA KfR. M111r 10, 19fiCJ.-.-Pa1tt- 11

What turns THE NEW DYLAN on, you baby ...

BOB Dylan, wl lh 'ihorl hai rcut and dress ed <'a'iua ll} in jacl..et and slacks, strolled into the drt3slng room with his t, le ~nd daughtt' r ror a I: ~ir nnd a chat a rter a rccl' nt ccncerl by the Cla ncy Broth ers and

JOE KENNEDY reports from New York ciatlor ., they hnd had m Greenwich Village at the height of the i\mcrica11 rotk boom live years ago.

wa., ralher ,;:clf-e llac-in~ and dressed quit e nor• ma lly, I suppo-.e you would say.

" Hc to ld me the creative Oo" was going ve ry strong for him at the moment and he appears to be far mo re intcrc~ted in getling back to lhe ha.sic hon­esty cf foJk tradilion.

' TU•N-ON " Is • 1• •r•1 otd Ja:u: • • pru slon p robabl y In "'• sine• • uddy • olden d••· fUlt'd lht lnh•bnanh or N1w Orl•• 111 (h1 was th • trumpet player •ho could b• hurd 11 mile.. •w•y on a ,111, night - HYen mllH In fC>t)

T1,1rnl"I on m•ans an hHre ­ductlon to new dell9hls . One can be turned onto drugs, ch1c1r1 or 1ound1 Ind ead, can be dHcdb•d 11 a u,rn-on 1n itself.

Fot'ipp~~•~r~:ret~~~•-:~!'d• [~~~ on ro'" 1ome. so •re • rlgltt• • ardot 11nd llaquel Wl'lch and the sound of Paul Simon Ind Art C1rru,t111I.

4 lurn-on for ton" Is a h11n9-up for others. HlpplH would say u,, ma" who hkH Guards Ivy 811!nson and tha Sound oi Music was hun1-up

Str.;1119ht1 wo1.1/d regard the man who dlfs c:annlbal s' raisins, Janis Joplln and Hair as ••meon• who 1hould b• stru .. g-up .

Anybody lffllho lllcu or ,It lt'Ut lnvHtlg•tu • •Ide r•nao or mu1lc ¥1'111 cl•lrn • r,w u1perle nc;t" s In rnus 1c lhu reall\' turns him on

In •n era whe n Eddie Fisher sln9lng .. Cindy Oh Cindy" •nd Ella, and h is Zig Zag Jlv, Flutu wer• considered the mon momt'ntous sounds of !he day . I allt' ndt"d ii Clnt"ma performanci: of the motion plc;ture, Tho Benny Coodman Story

Tht mm W,11 • nt"ted by c,ltlu with s corn. and ,n the hair empty Caumont , Catford, now replaced by the ugllut shop •nd office development In the Nothern H1ml1phtrt', I over• heU' d •n elderly te,n•;or ~~U

0tJ~•n :: .• don't 111cc Benny

Shoclun; a s the remark ,e,med, h did not stem my 11n­thu1l11m for the warm illnd nost•t11lc aounds of the s wing era, considere d old even In 1956.

Within days I WillS scouring Junk shops for old swing records •nd on lirav1n11 school the Jors l we ek ' s wag111 or tJ 4s

:~rn\ Sp~~~ OnCa~~:;r, C~~~j Concert Volurne On • . t \' e n as my mue, we r e 11roov1ng to U,e sound or Eddll! Cochran

Latirr th• whol t J•:u thin; was discovered In full , advandn9 tnLo bebop. then back to New Orleans , finally c,1tc.hln11 up to •bo11t nve yc•rs behind cur­rent events, • 11,tcnl ng ll*P which rem•lns In force tod•y.

Thuc •ndent sounds or J•:u

;~~ s::~11~~~ g~::'J;t s!~rnioenn10 Krup• l1lllng In with bre•ks on cowbell and snare drum on "Sing Sing Sing ."

Thirre •re the l•Uer d•y turn. on,, Clngcr B•ker pl•yln9 better than he civer did with Cream with the Cr•h•m Bond Orga,..JnUon, Love playi ng " •evel•Uon .. and Blood, Swe•t • TeillrJ playing •ny­lhlng .

And to complete the whole 1ord1d MM own-up here •re opinions frvm the 11t•N

JACK HUTTON : "Wltd 8111 D•vlson, i:•rl:, Louis Arm­s trong MIies and Diny a nd P ee W• e Aun•II ."

BO• HOUSTON : " CU Ev,1n1 doing his thing, Johnn y C.uh , th e Who ., Sai:t• " b y MH es Davl1 , Jim B• 11te r , W. C. Flelds • nd any1h1ng e Js, th•t sound1 good whcin you' re

:f.h;~~g •I r .l!:n ." lhe record

Bill WALKE• : " Roland Kirk on Nut,. Judy Collins illnd John C•lt,an,' s ' C1•n1 St•p, · "

TONY WILSON " Proc;ol Har11m '1 · Shine On Brightly ' •lbum. Judy C.Slln1 , good blu t gr,1u bends , Doc W•tson. Django o, course llloed Swe•t & Te•rs and tht

El t ctrlc Flag . Hot forg ettln9 the D11bllnus •nd Cu,nneu."

ROY ELDfUDCE " Th a IJDUnds produccid by lht Moody Sluts with thci lr use or Mci llotron •nd \'Deal controf •nd powu, Percy Sledge •ln11ing ' Try A l.lUJe Tendunen , •nd 0111 ll t"ddin9's ' Oti s Blue.' '•

AL AM WALSH : •• Woody Herman after his recent s how. th t Ike & Tin• Turntr revu , illnd •n:, Mu11g1y Spanier record ."

108 DAWBARH ; "•oaring big b•nds ; illny J•u which maltes me feel • l•nc:y playing It lh•t way, but it Is really the only w•y '; pa oplc,, who Hy ' H•ven ' t you loll wcilghl '; Jilek Hutton ' s trumpet pl•y­lng ; C•ry Sobers in fi,11

~!~ht_; a~i. ~o~h!~:~;•ti'~!k w:~ Old es tflat ."-CHAIS WELCH .

Tommy Mak cm in Whit e Pla' n'i, New York.

It wa!, one or th e group's Ja <i t public ap• pearaflces in America . As already ann ounced in the \11\1, Tommy Makem has le ft the group to go solo.

Liam Cl.ancy told me how surprised they were to see Dylan again, that he had re• memhered th e old asso-

Said LfRm in his brcther To;n·s apar l· men ! in Brook lyn Heights:

"Bobby made the two-a nd•a-half hour ca r Jc .uney from Wood­stc::.k and eve n pa id for .. :.:; t cket.

0 We had no idea he wa1 th<'re· until after the ~he-,•; when some• enc c1me to the dress• lw~ room and said he wanted t ~ sec us. He

" I was surprised he ~till had the interest in th ~ old associations we had buill up yurs •go. When he had made h is rock and roll albums I l·ad tcld him I thought ,t was rt gre-.t m istake for hi m as a po! t, prI­ma ril y, to drown out h '_; lyr ics wilh electr i­fied mus ic.

" Backstage at White Pla in e;, he was quiet a nd seems to have un· dergone some change:•

JEREMY SPENCER . the Fleetwood Mac's slide guitarist and pianist, is a bit reluctant about naming his earliest influences. Most people who have heard Jeremy would immediately guess the late Elmore James. In fact, Jeremy names Buddy Holly, Fabian and C1;11 R;chard.

How the rockin'

EMY:

"Like lhe res t or us , I guess he may be ge t• ting consen a ti ve, rea· Hs ing th a t th ou~h change ha~ rts va lues, ch11 nges in basic con• cep ts are re lative ly s low.

" Three • week pop innovations a re not go­Ing to have any las ting effect on music!'

This may come as something of a su r pri~e to th e Mac 's followers. but Jeremy is s incere and hones t about who he likes Elmore James ca me later, ror primarily Jeremy is a rocker ralhe r than an out -and• ou t blu~ man

Jeremy's hesitancy as understandable because th<:' more dyed-i n-the-wool blues fans in Britain would probably expec t a list of names that read like a blues Who's Who rat her than early rocl: idols. and pos­s ibly make it a point of unfair c ritic ism.

wi:•~ ah~~~k ao: e1~o~~JI~ •1 ~~~ s:nblr~e; h~~~

Mr Spenc·er ing.' Tha t was th e fi rs t lime I hea rd Elmore James. It was t he onl y track or him on the LP,· reca lls th t- dmunut ,ve. c;oft -$.poken Spencer turned to blues

DYLAN p,1id for flcket

onl v way is lo send it up anci gt:-1 1l accepteJ b) a lot of th e people we play to ...

The Mac's :..ma sh hit •·Albatross" ha lt m ean t t hat tht ~roup now i et th e cha nce to play to o ther types of aud1encl's bt:s ides blues ra ns

" But it isn't th (' kmd of things you play. Good a ud1 ~ ences will li.sten to anythin~ you do if they like it And that 's up to them

" But there are some places where we play where if it isn ' t blut , they' ll shout a l you

" But there are thin gs. like rock and roll , that we can't do even if W t' wan! f'd to because of the audiences.

"They say it's o ld hat or out of date. But there are too many labels in music anywa y

" I was never a blues fan but that particular sound, and the vocal as well,

" But having the hit with ~et for critici!>m comments Jeremy " All I 'Alhatrosc; · hasn't made

This, of course, meant want to do now is Just be any re11I cJifJ'erences to JEtemy, and although they humorous where we play. started it. Before then I wa!>

Just playing rock and roll ." Then followed a period or

tria l and error for Jeremy in mastenng the style or slide guitar.

don't play so much of that "The only way I can do "Where il has made the 'I also found that the Critics of lht· Fleetwood kind of material, it is still the kind of music I like is difference is in lhe peop le

action had to be high and Mac hav~ tended to pick on a sensitive spot by sending it up. If I want who come to hc·ar us that heavy-gauge strings, the Elmore Janies aspect of ·· Criticism can make you to do a Buddy Holly or Which has done us some

" I read somewhere you could use a piece of metal , 10 I fixed a piece or metal lo my fing~r but that didn't work . Then I used a glass, but I couldn ' t use my fing ers "

Jeremy learned about the Hawaiian guitar tuning to an open chord, and t.he niethod or using a steel Eventuall y he found rhat a piece of brass or copper tubing on the little fi nge r of the left hand allowed use of the oth er fint? r· rs as well as bemg able lo appl y the slide ted1n1qu"

RADIO JAZZ FRIDAY (9)

with a heavy steel wound the band's mu~ic as a tar- feel like giving it all up," Fabian number on stage, the good obviously." third (G ) string were best." r----------------------------------------With three guitarists in the group - the other two are Peter Green and Danny Kirwan - th e Job of lead­ing a number has been spread more and the El­more James-type numbers take a little less prominence, and Jeremy UM~s the slide guitar mainly on his own numbers now.

"At the time we did the · Mr Wonderful · album, there was a lot of Elmore James, hut I wanted the chance 10 clear it all out or my system on record. whic-h I have - almost." says Jerem}

SOUND BARRIER GOODBYE!

r--------let 4 10 am J · AU Th•I Ju:z S . .lO

pm BJ : Juz In Pc.-r1pect111e (Chillrle, Fox) 6 JO T : As for 11 JO pm D,111:,, ,xcept Sunday 7.10 H2 Juz Rtdn11ous 1.0 H2 Jan 12J Al : A and B {Da.lly, ucept Sundilly). 9.0 111 , Ja,u On Onir {i,rltr Cl•yton Eddie MIiier , Dc.-rirk J,well} . 9 20 E ; Swing . 9.lS U: Franlt SI• n.11r•, Sammy DillYis Jnr. U . .lO T; Art11 Shaw r•crralc.-1 h,~ 1931 band w(Ch Willlt Lt:11lntky on clarinet 12 O T- Modern Ju, Quarter

R11shlng (HuguH PanHs1t). 12 O T, Hew J•:u Record1. 12 .5 •m M· Jan Corner

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SATURDAY (10) 2 S am J Jarz UnlumtC!:d. 4.5

J· Finch lillndwagon. 12 O noon 8J : J,111 Record lttquuu (Stevl' Aillct) , 20 pm E: .J-.u 24.5 H2 R•dlo Jan Magu1n, • 32 81 Jnz Club (Hury South Big B•nd c;"or111e f•me Terry Smith Outnll!l) 7 lG M. Pop illnd Jau 10 a Al Canonball Adder• t,y 10 JO O Pop •nd .Jur 11 U A2 Jazz from B•lg-1um ,nd Holland 11.l() T · Woody Hermilln Orlt (Llghl My Fire) 12.0 T, B11ht Hollld•y U 10 •'" E. Ch•rl•• Mrngu~ Oon l:!lu.

'" SUMOAY (U) 12 5 pm J · Finch • .1ndwillgon

II .\0 Hl hu 10.0 • 1 M,kci A•"f n ll O Ill •nd 2 · • ut or Ju1. (Humph) 11 SI E fr.lnk Stn,llr• U O T N,w4 York Htw Yo,k ccu .. h Inc Shlrlc.-y • H1' 1 C.uy • drlOn Curb, :uan, 41

NOMOAY (12) 4 1D •n .J J•u Uotl1m1ted

(Mo,.,.Ttour•) 1 ilfS, pm • 1 Jutl J n I J'lhfl D n,I) 'n I Ju, W ,.thop II O 11) ''" JHZ 11 JO T ..... 1 D ,mootd (51111 mtrt ... , U 4$ AJ Ji"'"''

TUESDAY (ll) S O.m J : Bobby Troup Show.

5 .0 pm H2 a,g B•nd Be.ll (Tht Skym•stors) . S.2S H2; Juz Spectacle S 4S BJ ; Jnz Today (Chillrlu Fox) 7 .lO E: (1) Aotr Kuhn Combo (2) Poland's H,1gaw Band (l) NDR Ork, H•rry Arnold. Don lly•s, Hirrb Cell•r (4) Ken Colyer', Jan­men T.lO q; (4) DorHy, Yin Al111•nd1r. Gregcir, Buie •nd Huth Bands 10 30 V Jau Corner 10.JO O J•u Journ •I

WEDNESDAY (14) I.SO pm H2: Stork Town Dix,.,

Kld1. 'i.lJ Bl· Jan Workshop ( M I C h ill e I C.ilrr,ck s •• t,t Norm,1n W1ns1on11. Oerok J1we ll ) • 45" E C•nnonb•II Adderley Ouin1,t JO JO O P ee Wee lluss•II 11 30 T· Pop and liitl 12 ll T Hc.-rb c .. 11 .. , (1911,9) Cto,,, L,w11 o•w) 12 lJ am E .J•n

THURSDAY (15) T.O pm IJ J•n In Per•

11pecllve (Ct.arln Fo11). T •s u C•nnonb•II Addirrlry Ion• 11:10 lt'lllll!t , ti E F".u.,. C1or1, Cornbo 11 \Q T· Atrrncn of Note (US Air Foru D,1nu Ork). 12 o T P.it Mart,,-o (• ,1Hy1rt•) Prot,•mrnH ~WbJl!CI to ct,a,..,, kEY TO STATIONS ANO

WIEVfLENCTHS IH METltES A RTF l=r•nc, 1.11,19 2 5a

J.'41 • • BC l•dl. l-HOG VHF l 4U lM1l .. YNF P HDII H•mburo JOI 1" N· H1lv.,1hu"" I 40l. 2 1'a J• AF• S4T MIi l7l M \a,1rllr1111ck•11 lll O •• "'""•th JJS 117 0 HR f1i11l'lclu"1 SO• T VOA 111 U •.111110 • rlf,..,n lJl ¥ ll•d•• Er u," $JO

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H1~1g1~'o (1,~~M;fl ,~~r/,~Da h,.1ut1lul re1mtJ Oti, R1•tJrlmg had 1111 mtrt>d1hll' 11ll ol hnna1nJ( dl"~p dr11mat1r rnn l!"nt tu hr, pl'rtorman(e~ 11 1, c-m11t1r>r1-f1l11•d 1,'0l("t' unlt!'l'l .. h•·d ""a\f'\ i I t'neqt, m h i!> ,111dwn1t'~ .tnd ,ou (.!Ill 11lm1hl put , •ur .lrms round tht v1hratmn!> What :a dri?adl'ul los~ hl' "a 10 th~ "'nrld ol Jhlp Th._ ,S & muM 11h11n1 I I Reddin!-? Ian~ Th(' ti tl e-. incluth l'v{• B<'en l cw1ng Y,1u Too Lnng,' ·• Tr} A l.1 tlll• Tendern ess.·· " Pam In M) Heart" a n tl 'Sa t1s lac 11 un "

ON STAGE LIVE: "Otis Redding, Sam a nd Dave, Booker T. and the "1Gs, Eddie FI0)1d, Carla Thomas t he Markeys" (Alco). Thi s rav e­up l ou r o n ou r lnll e i1land "' as rnrtun a te ly recorded a nd ht" re 1s tht' wild result It '~ great , ,troovy, go rgeou~ -a nd it 's a douhll' a lhum There's marve lln us momen ts from a ll t he pt>- rform ers but Otis Reddmg's ha ndling o f the t1 ud1e nrf' 1s simply beauufu t His " I've Bee n LovmJ Yo u Tr,o Lnn ,t .. 1s e lt'c triry in~ W ond e rful value

T EMPTATI ONS: "Live At 1 he Copa " (Tam)a Ho town). Th e Tempt'alinns seem tn h., :) h1 1 nervnus 3t the 'i tarl 0 1 this hve .!le<i.-.mn But they hit form n~ ht in the middl e on " Yo u'rl" Mv Every thin~ " a nd ho ld 11 all the wa y "For Onct• In My Lift'·· 1s super Other title~ mclude "I W1 .-. h I t W o uld Rain ," "The fm oos ~1hle Dn·am ·

J ULI E LONDON (S unset). June a1 her most silky. She gt'I~ a In t o f atmosphl're into her s ingm~ but the siren bit 1s ra rher dllled 1hese da ys A~

Feel those Redding vibrations

always the songs are nice a nd ihc lude " Lau ra," " In The Middle or A Ki ss,'" .. Tha t Old Feelin g "

JULIE LONDON: "Yummy, Yummy, Yummy" (Libe rty), Jul ie sings some of th e be st of a recen t cro p o r pop hit s and s in~s th em ra the r well S he s till smo uld ers a bat does Miss Lond on In the lin e-up a re "Lig h t M y Fire," " M1~hty Qu inn, " " And I Love H1m," a nd "Come To M e Slowly '•

AL MARTI NO: " W a ke Me Up Gentle" (Capito l), Al doesn ' t e xa ctly s et the record p la yer . alight . He sings quite we ll , his vo ice is p leasant , hut there 's a lack or e xc iteme nt througho ut the e lhum Title s include " Didn ' t We ," " H Yo u Are But A Dream ," " Th e lmpossrble Dream ," " The Look or Lo ve."

TH E VERSATI LE FRANK POU RCEL (Columbia), Lo ve ly o rchestral so und in stereo, with s weeping s trings, on snngs hke "Thost'- W e re Th e Days,' ' " Hey Jud e," " Tns­tess e '•

BIG BEN HAWAIIAN BAND: " Hawaiian Hit Parad e " (Coll!mbia). If you haven ' t hea rd a Ha wa11a n hand play in,z " Ob-La-O1 , Ob­La- Da," you a in 't hea rd no t ~­ing Tha t epic performa nce 1s here al0 nA With h1ls lik e " On e Two Three O' Leary," ' LilllE" Arrows" and " Lily The Pmk"

FELIX SLATKIN: "Love S t ri ngs " (Sunse t). Lu sh s tring ve rs ions o r love songs hk e " Laura," "Love ls A Many Splendoure d Th ing,'' and " Lo ve Le ll e rs "

RONN IE ALDRICII AND HIS TWO PIA NOS WITH TH E LON DON FE..''fflV AL ORCHESTRA (Decca). Greal for expe rlme ntina with your s te reo set up . Beautifully recorded In ph ase four st ett'O a nd smoothly played For romanti cs o n ly. Songs include " Hey Jucle," "Light My fire,' " " Sca rhorough Fa ir,' ' a nd " L,ule Gree n Apples."

WARR EN KIM E AND HIS BRASS IMPACT (Comma nd). Impact is certa inly the word to descriht' thi s h rass-and -

vo ices record of songs hke " The Japa nese Sandman,'' "Volare,'' "Tequila," and " Go in' Someplace ·, Lus ty

D. D. DENN IS , PAT RHODEN a nd BROTH ER LLOYD'S ALL-STARS (Fo n• tana Special), Some nice soulful so und~ o n some of

t e 8 .ig ci1; ~~ 1~f : :isen;o;:;~;h\~5g /.

go in g o n "Cupid ." Other utles include " Ho ld Me Tight," " Pl ace In The S un,'' a nd " Ro ugh Rider ."

HUGO W INTERHALTER AND HIS WORLD FAMOUS O RCH ESTRA: "The Big The mes" (Co lumbia). Ont'- n f the bes t of th e big orche stra l type o rchestra s if you wa nt to hear famo us th eme! in all the ir g lory Thi s 1s ex­ceptiona lly we ll don e. Tith.>:s include "Theme fro m Exedous," "Bo rn Free," " Neve r On Sunday,"' " Alfie," " Fo r Love or Ivy."

B R I T I S H MOTO WN CHARTBUS TERS (Tam la

I

I

I /

Simply good music fr om Richie

Motown). He rc's good value for Motown fan s - ten differen t artists and sixteen ! racks. Among the m are S tevie Wonde r (" Blowin ' In Th e Wtnd "). lhc Supremes (' ' Yo u Kee p Me Han~in ' On " } Four Tops (" Standing In The Shado ws or Lo ve "}, Martha and The Vande llas (" Jimmy Mack ")

Rl~:lsE B~ A::v~ ! ~ •; : ~;~:

(M G M-V e rv e Forecast) Richi e Have ns' progress has bee n a a le• dy o ne through from conte mpo ra ry fo lk mus ic Int o a m o re " po p " o riented fi e ld , But here the th e word " po p " Is used only 10 enable ca t egorisa­t ion. On th is double a lbum, Havf'ns is backed by var io us co mbinatio ns o n a contrast ­Ing select ion of songs. His

! ~ t h! rd~s b~t a l~!;! s~~j~~~ a nd assured. His choice Is

Country Blues IAN ANDERSON BLUESBAND new album Stereo Death Breakdown LBS83242

inte rest ing a nd ra nges fro m Leona rd Cohen 's " Priests " a nd Donovan 's " Wear Your Lo ve Like Heave n " t o h is fi ne singing of Dylan's " I Pity Th e Poor Immi gra nt " a nd se veral Le nnon­McCa rtney co mpos itions, These Include "Stra wberry fie lds f ore ve r," "Lady Ma­do nna" a nd a happy s ing• a long version o r " A Little He lp Fro m My Friends," record ed li ve. befo re a n a udie nce who Have ns quick­ly gets join ing In, mak ing th li,; o ne of t he best t racks on the a lbum wit h It s nlef'

a tmos phere. His son& writing ability is above avera ge and he uses lyrics e ffec tively, combl ned with good me­lodies. AmonK the o uts tand ­ing ones on thi s a lbum arf' " For Have ns' Sake ," " Jus t

~~~d~, r.:xd ~ .o~nbli a nHo~~~s: Ma n."' Ha ve ns Is d mpty good music a nd as this a lbum Ind ica tes draws his m a te ria l fro m a ny source t hat will s uit h is partic ula r approach , S uffi ce to say this is a great a lbum, easy to get in to 11 nd worth p laying oft e n.

H E LM U T Z ACHARI AS AND HI S ORCHESTRA: " Zacha r ias Plays The Hits" (Columbia). Helmut's unusual violm supported by a p leasant c rchestra on h its like '' 8 r ow n-eyed Woman ,"' "Reac h Out For Me," "Light My Fire ," "Baby Lo ve," " Satis ra ctio n "

TH E MOTOW N SOUND VOL 7 (" A Co Uection or Or ig in a l Bi g Hits " ). Th e title sa )'S It :i ll Le t's JUSI add the hits includt' Temptations' ·• I Golla Find A Way," Diana Ross and th l' S up re mt' o:' " I'm

Living' In Shame," Edwin Starr's "25 Mil es, " Marvin Ga ye's " Chained " and the Is ley Bro thers' " All Because I Lo ve You."

TAMMI TERR ELL: " Irresis­tible " ffamla Motown). Ta mm i was the girl who gavt! thrse ta ntalis ing re plies to Marvin Gaye. Now she' s o n he r own and look o ut• Here' s a b1~ talent o n the wa y. That Motown sound has conqu e red again. She gets a lo t o f the Ditinn Ross sexc item e nt intn her voice on numher-. like "That' s What Boys Are Ma de Fo r ,' ' " Come On And St· t• Mc ." " Tear$ /H Th e .End o r A Lo ve Affair ,'' " I (" an'! Go On Witho ut Ynu

DR BY RDS ANO MR HYOE (CBS). Yes. thi s l'i a good o nf" 1 he Byrd:.. 1n co nt raslin ~ .. ty les with a b it of Dy la n, a lot o f countrifi e d snunds a nd some me i:n1fo:enl p1a ~ ing Th e ha,s lin t' all th l'. way throuRh 1!t s uper It 's to !he c red it o f t he l!-roup tha t th ey ca n s w1t ch st vles and soun d so mu s ic-al m eat:h o nt• The ir VO IC' t•S a rl'. a lW8) S ph·as-a nt a nd th e ,r harmo nil.'s e >. l"e ll f"n t The onlv fau lt w ith th r a lhum ic; the lack o f a not e An explanation of tht' gro up· .. 1hinking o n the album w ou ld have added immensely to th e en1oy ment of il. Tracks in ­c lude "This Wheel's On Fi re_," "Your Ge n tle Wey o r Loving Me," "Ch ild Of The Universe," "Nashvi lle West" "Orug Stnre T ruck Dnv1~ • Man," and "Candy."

A GIRL CALLED BERNA• DETT E (Philips). A p leasant vorced Scots las<. who s ta r ted on ac; 11 fo lk s inge r but whu 1s mnre lik ely lo ma kf> a nam ,• .11,; a pop s inge r S tra 11thl1 sh voice hut very easy to li~te n to. T itJes inc lude "Smg Me S un .-.htn e," " Eve r ywh e rt'" " I'm Fl y in~ High," "K1~.-. Anrl Run Away."

WILLIE MITCHE.LL: " On Top" (London). Trumpe 1e r Mit che ll ha.-. a g roovv lllt lt­Rroup whn have n '! rea ll )· rect>1v1•d the kind c,! a ll t' nl m n th e~· de sn ve 1n t hi s rounl r)' Ad m,uedly 1t !m und1 th" kmd of fl:rnup that would he a JH Ill a cluh with lh SIil , lrumi, et gullarc;, oraan and rhy thm line -up But lht'y do we ll o n rt'l·ord as well • ynu 'II find ou1 hy 1pinmn1 th, T1llu tncludr T• lleo ftve ,' ' .. (. a n1d1an Sunset," .. I W1$h It Would R11n ' and

Sun!.h1nc: Of Yl"IUr love

from bt-~ innmK t o e nd S o will yuu Titles in c lud e "La Bamba .'" "The Foo l O n Th e H11I ,'' " Ma n a Elen n,' a nd " La Rtisitd "

GRADY TATE,: "Windmill!!; Of My mind" (Fontana). Grad) 1s pro ha bh th P he -.t St!s~ ion drumm•• r m Ne w York lJut hert· h l' 1:-. uut r'ront !tJng1n~ and the- rt·s ultc; arc­sensah o nal Ba ckt•rl b} Ne\\ Yo rk ·s to p Janer, a nd St•s ~in­nee rs he put!> lln a kn ockou1 P,e rfor manct.: on songs like

And I Love Hitr," .. All Arou nd Thl' World ·• " Sack Fu ll Of Dre11ms," and "Wou ld You Be li eve " Look out for Grady Tate . the s inJter

MART't' ROBlll!'IIS: ' ' I Wallo. Alone'' (CBS). Mart)' pl.a. pian o on r,, ,,rd (pr th fir t1 m t· hert- and 11 • und-. P ' good dt'~pllt h1, l·lt-eff.a I I: remark His vowr 1s .1~ J ii!> CVt•r - <Hlf" ,ij tht- tnfl d1~t1ntl lV(' in lh! tOUn field T itles 1nclud,: l \lol Alonr· · ·· I Ca n 'l Ht lp II " Let Me l 1vl In Y(• Wo rld "

BING CROSBY· .. Ht)' Jude/H e y Bin&" (London). You'v!' go l to ha nd 11 tn the O ld Groann for a ma n wti s t arte-d mak ina rec rd• 1P

~;;~elf h t· ut•~~l "'dat1t !~

m odt' rn m us ic trend~ Here hi' sin11:s t h t' Hn tle s "Hey Jude' with h1,; r1"'n easy ,tylt and • fe w o the r sonas tno - hll;e

:: %:~~~~ Gwe~ Aft,~ ~::d Sounds ftnt' , too

WILLIAM BELL; .. A Tri­buteo To A Kins.. (Atce). What little- cha.nit you c-an r m1 on 1h11: U.S. 101,11 m1&11f formula (llb 1t1 bluN deriVI UY~ a fairly ll&hlly ct.ened

t~t'°') .::• :aukneo•, b{M Wi= ba<'klna down •ad ft,l'I h

~r.h lt.~d n:::" ;: ~u,.:: • oMII Cllnd - •••-lflll alft bu 1J1e r1Y«M .. - O!Oftt.Tt,o ... ,~

BOB DYLAN: "I Threw It All

Away" (CBS). Dylan"s latest album is a suc­cess and this track from " Nashville Sky· line " is one of the bes t songs.

Has vn ice has changed yet ;"tgam, but of course hP is getti ng older and he sounds a fa r cry from the chuc kli ng youth of yester • yea r

Th ere 1s much sadn ess in his freq uently out of tune dtspera tion and often st ra ngkd mtona tion.

Superb COLOSSEUM: " Walking

In The Park ., (Fontana). It seems odd people should ask " Where is the excitement in today 's scen e?" when Jon Hise­man is m our midst.

His s uperb bantl in a few months have become th e rage of the co llege and c lub circuit and their first a \bum is one of the best buys on th e market.

This tremendous, towering t our de force is a t rack from " Those About To Die" and should be a monste r hit - if those dee jays woul d do their job.

SANDIE SHAW: "Think It All Over" (Pye). A mus t for the South London weddm g reception c ircuit and hot competition for such old fa vourites as " Kn ees Up M o I h e r

MELODY M A KER. M ay 10, 1969-PaJt 13

Out of tune sadness from Dylan

Brown " anti " March Of The Mods."

A Ge rman brass band bea t, Sandie in chee rrul mood on a bright Chris An­drews' song mus t mea n success .

I forsee stout , rea -faced women indulging in mass ga llumping to this with the kind of determined

!i~ilhe~~~! Pofts a~f8 ; i}r!~ musi cians with delica te a r t i st i c temperaments fo rced by circumstances to play at the bawdy feasts that rage from Peckham to Camberwe ll of a Sa tu rday night.

JOSE FELICIANO: "Mar­ley Purt Drive" (RCA Victor) . A song written by the Bee Gees from the ir album, and with inte rest• ing lyrics and a solid beat sounds an obv ious chart entry.

VELVET OPERA: " Anna Dance Square " (CBS). A bright, ente rLa ining square dan ce, much in the mood of a Dave Maso n compos ition Traffic used to play.

Nice guitars and a compul­sive dance beat.

BLUE CHEER: "West Coast Child or Sun· shine" (Phillips). Widely slagged off by other bands, Blue Cheer aren't so bad really and were saddled with that unfort­unate bit about being " the loudest band in the world ."

They can' t be anyway, the Who are still the loud­est!

JACQUES LOUSSIER, " Themf: From Tu Seras Terrlblement Gentille" (Decca). Gentle froggy

..

.,. .,

SANDIE SHAW

pm no and strin...:s that has me reaching for the Vin Ordinaire. Not good. you un<lerstanrl , hul not bad

A hit? Who knows mes brnve.s-These things a rc -how you say-inexplic­able?

Plagued

SOLOMON BURKE: " Proud Mary •· (Bell). Solomon is a fine a r tist and a lo t bet • ter than ma ny in the sou l idiom. (God, nea rly said bag. did n't I?).

Th is 1s slow- paced a nd rocki n~ withou t being s ta rt lingly or igi na l. For some odd reason Solomon s tops s ing ing complete ly ha lf way through and noth ing e lse happens.

Pe rhaps they fo rgot t o mix the iuita r solo?

R O G E R WHITT AKER, ., Mistra l " (Columbia). A fr iend claims he is plagued by a wh istling postman and ~ as co_n­s idermg reporting him ei ther to the public hea lth authorities or Op­portunity Knocks.

It is debatable if t he post ­man can be as ta lented as Roger whose abi lity with the old pursed lips gea r is a byword in wh istli ng circles. As a member of the British Whis tle rs and Hummers League I wish I had his tone, t echn ique and attack.

My sli ghtly off-pitch ver­sion of Lionel Hampton's " Fly ing Home " only scraped by w ith a si lver medallion a t the las t con­vention. Roger does more singing than wh istlinJZ; here, a nd I'm afraid this will ha ve to be reported to th e committee.

PAUL KORDA, "Seagull" (Parlophone). Pa ul is to be admired for Ms multi ­talents and is remem­bered for his part in Hair. This is a delicate ballad and is not in tune with current trends I fear .

THIS IS THE ORIGINAL U.S.A. NUMBER ONE HIT l

JOHNNY WI NTER: " Rol­lin' And Tumblin' .. (Lib­erty). Amer ican t,:u11arist who kicks up a s torm on the old favourit e. Over to my underground rock mus ic expert Dean Ga ll s tone· ·· Well , damn a nd blast, we've got to kick out lamentable straight s hke you to get rock rea l apprecia tion, bother and drat But as you asked. Johnn y 1s too much , da rn and shoot."

MISUNDERSTOOD: .. You're Tuff Enough ., (Fontana). Not a pa rticula rly good record. More important is t he a rriva l on the scene of Glenn " Ferna ndo" Campbe ll a nd S I e ve Hoa rd , two young Amer i­cans who ha ve a ll t he potent ia I to set t he scene a lig ht

This 1s the ir first release backed by Eng lish musi­cians including David O'List who was with the Nice. The band have only been together a s hor t while a nd lack rehea rsal. ll was impo rtant to gel someth ing out in a hurry a nd t his blues rave up with guita ris t Ch r is Mercer wailing a nd some marvellous s teel gu ita r from Glenn serves as a nice introduction a nd dis­cotheq ue mate r ia l

Bette r things w ill be forth ­coming. In t he meant ime watch out for Steve a nd Glenn.

Strange

JETHRO TULL: " Living ln The Past•· (Island). St range but interesting sound from the Jethros in five four time and with more of Ian Anderson's fine fluting.

This is the most musical release of the week along with Jon Hiseman's offer­Ing and proves our bands are still t he best around, he said getting patriotic .

H 'It It •ll'I \.1AKH< \.\ ,1\ I Li l'I• I

WOULD YOU BELIEVE ·~ CREEDENCE CLEARWATER? C R I 1-UI N(I Clt>ar·\\ater

Rt> , i\:il 1, hard I} ;1 name t h nt t rip, lii.,:hll ) oil th C' lip,;; ol t:'\ery hou,c•h o ld \\ Ith a ~r.1mopho n l' In Br1t,1in ,

Rut , o u'd b..•lt r r ~tart "rup• pin l,'. \Our mOllr.\ round H bcc~u ,r, if tht"rt''i an, tU'>l ice, the, ,in• ,:toln R 10 bt: 11 \ t>r) hiJ( na me In lln l,dn 1ndl•cd .

I he \ h .11 , c .tlrca dy had a numhe r on f' in thl' "i ta le 'i "1lh " l'ro111I ,1 a n ·" "'h1<'h ha, l'te t"n relra\rd in Rnt.,ln lhi, ,, e k b) I 1hnl\ l hdr tint nr,t • lhum. ,;1m11I\ ca ll rd ·• Crr,•<h-nc" CI.-Jry, a ter Ru 1,;il," h <lul' :o r rt ­lra,;e htrt' In J un e. \ nd l hf' l r rn:-tJ(nlftte n t \rcond • l~um, "' Hii)'OU ~ount ry, " "'111 h1• ou t 1n Jul}.

In addifion th.,re is ta lk nr !ht m m.t kln(.: 11 Br1ll•h lo ur ,n Juh

l hr} a l-.o hnp r , Tl 10 bl• th l' mo,;1 r,rit1nJ,t n ey, itroup l ' n • hl'a rd In ~ Ul l i' r ,.., h ilt•

J 1kt' 'iO lllU l h n l 1hr best mu,, t cun t"nll ~ co m in ~ fro m \nw ru:,1•., \Ve,;t Coa\ l, lhe-~ a re almn<, t im ­po, .. ,ihl c 111 flt in to a n ~ of th1• •'Ill\\ p ljt l'OnhOlr.\. I he ir ll'a d r r, Jnhn f ngrrt: pla !,,-. ,e u1ta r, rnn ut h ha rp a nd "ll n l!s w it h nb,·iou.; blue " in \ pira llo n'i.

But lhi\ i,; n o t a blu e, ~roup. Aloni.: with hi!i broth l.' r Tom (rhythm gtr), Siu Cook \ba\'J 1-, tr} and Dou~ C lifford (d r!>) the, mnke, .i'ilOnhhi ngl) pow e- r ­fu l musk which see m:,; to combi ne e leme nts or b lue<;, e a rl} roc k, progrl'Ss i\.·t> pop ~nd Jatz.

The ir h luo ry wou ld hard l~ pre-parl' }OU for lhl' mutur. it) or thr l r musk. In 1959, J oh n 1- ogerl). Lh en n plnn is t , form ed a Mrouo with t,, o of hi!; s choo l­ma tes In Be rke! ey. Cali­fo rn ia - Includ ing Dou~ Clifford . .S t u Cook, a friend of Doug's ,.., as ro""ed In on bus.

" WP ""Nl' p lll)' in 1,1 b lut'S, not rock-and-rll ll.' ' rcca' ls John tu~e rl ), "Bu t mos l o/ the p<>op lr didn ' t under­sund "hat we 14-ere ta lk­In g about mu!iica lh The\ didn ' t knoy, the dif­ference ."

l hf' grouri C'all r d thl•m, e lvc, the Blue Vt' lve t, a nd , 111 1!160, backr-d J IOcal R& ff ~in l\ l'r , Jam es Poy, ell, o n D r l!'.::ord t hnt went 10 number nn t' in th <" .',o n J- rnnri'- l'O a rl'a .

1 het a l\n wo rkl'd " i I h !.m..:rr\ lik e J ohnn y full l' r , Jol Simon 11nd J lmn1 \ McC rack li n . J ohn 's b ro th er Tom Ol'cas lon a ll 1r u t In and .al,o ,; tarted writ1n1t fo r th e ~roup. 1 he group "11!> ,; i1,:n ed b) J- antu) Ret'ord"i but Jo hn was the n c.1 lle l'! up for the \ rm) .

He "as d emobbed In Jun e, 1967, a nd he. Tom, Stu a nd Onu,e pool('d t hri r to t a l rl' ,;ou r<' \''i , about 2,500 do lb ri. , 10 n ·-lnunc h th l' ..: ro up r'ln a ·• nrnkl' i i or fn r)le t it " campaign.

I he) go t th l'lll'i'.l' lv~,; a man­age r w ho, in the "' n) \ or some or th a t ilk, t h:l nKt:d theif' nnme 10 thr (i o lll ­"'OJ:S an d d rckl'd the~n o ut in fun n \ hrit'i .

" T hl' Go lliW OJ.!<, .m ,t I un f\) h a. t i. soo n " on• out and so did th e d ~t es," rrca ll s J ohn .

The) d ecld ec.l lh<" \ had to llnd a nt' "' n ame ,llld came u p ,.., It h Crel'de nce Clea r­water Re,·h ·a l.

"Crl'Nll'nce " as 1he n nmt­of 3 h il'nd of ours , be­Jie , e ii or no t," l"1'. pla ln 'i'. J o hn ... o\nd it a lso me.a ns to be lieve In , Clear woter I got fro m ,,at<:h ln)( • bec:r commerc ia l "hich shows th e bea utiful cll'a r " atcr they U'i'.fti for t he bee r.

' Th e idu really appea led tu ui. beca use i t Sff mcd to symbolise the pu rit>• that we think is part or It a ll. With Reviva l, we feel thr1 e's 01cih'men1 a r,d fe r• vour in lhl• wholl' though t.''

Undr r their new 11a n1c, th e i;roup star ted wor k early in 1968 with J ohn , a nd to a lt>'i'.<;cr ex tent, Tom writi ng a g reat dea l of new ma terial. They re • cord l'd th eir firs t a lbu m a nd fwn of the tracks, .. Susle-Q " and the old Scr-eami n' J a ~ llawkln~ number, " I Put A Spell On You " - t ho! B s id e or lhei r Br itish sin!'le -we re 11ut ou t as sl ngll''i a nd created conslderablr impact.-BOB DA WBA RN.

B. B. KING

8111is£ TH~OUGHOUT HIS SUCCESSFUL

81iis£ 3 New Compton Street, W.C.2

(01) 836-0374 (01) 240-0668

" I.~ 1 d a!<o ~in Ra nd?" a!>k ed the di rn d l-dad la d'.\ a t th e .,ouHml r., count e r a t Vie n ­na'\ .!,chwec hat Alrpo rl ,

Dir H;ind" ...,a, 1hi lr,m rl ,r, ,,t ;inolhtr nf thf'lf Kl<1h1·t1111tini: lrl/J'• - 1h1,; t1n1P '" th1• Au 1n11n I tplldl I r t"' d-1~ tn m• kt· a Jut. I

a,~f~' •~;\'"~h::~ lht , nunlr) ·, p, p !,l:lf•Urh fr,im Utitdlll

IIH ,.,1111 a rant\ rn 1h1• land ,,r 51,11u.,., \\alt11•.... lt"der h< '!.Cn and Hlilm litkes, !.Cl llliln\ la hl'atl lhlkf-'tl rnund 15 tht Tr~rm•l!>t'!,. dls<endcd ! rum lht· Au~tr111n A1rw .. ys Cara­V\'II, that had t.-.rrird thf'rn the•r urbu1t• puhhc 1st Bnan l1mi,:lt}- and mystll frc,m ton t.11,n that lll{HIHI\~

HcildS had turnt d p!Cll) \hOrl'll't m lnnd11n. lOO, hut lnr d1tft.:rcnt reai.ons Alan Blakt•I). Len "Chip" Hawke!-. ancJ D.111t• Munden wer,• !>E'en llff b\ their rPSpeC.U\'1,; lian• CPU. thru slunmnj!:ly prClt\ J,! lr l .. LO mtUO•SklrlS and da rk 1.:la<,st'\ "'hu matched the Trt'm\ lnr frwndlinl'~l> and .etm:ral JOit' d{' 111'•re m the Ian· 1,f ~rt'\ Lond1,n !ikies

lhc IWIJ hour fhg ht lo \' 1enn~ "'3S une\/f'ntfu l. yt-1 UllU'i'.U/1 1 lhc 'iUhJl'lt ... of {()Tl

\'\' r~a t1nn for pop 1,ttllups n n tht- movP usuo lh veNs frnm b ird\ to boo.tl· t n ba nd ~ o th er than tht u ow n

Bu t t he ta lk wnh the Trem• 1· loc!> l hroutthnut th e fl1~hl-1ndet>d thro u~ho ut most of

'.1~ ~ t~\ai rn~: ~·rt1r-th·c~ ~i;:~~u1~~ TREMELOES:' is t das ei n Ba nd ? -

~!i::.:¥i:l~~~~i , , m 111 w 11)1um111 ;M ~, •1i!M •~1•1i ii: ,d

R11ua Vr st as 1he fo r ward ca me ra~ a nd reco · Austri a n~ ca lled in i: eq uipme nt

him) d1 <;cus~cd the T I f d The set fo r Spotllg hl was

~1~at~~~ ~~1t;ro~~ a e s O e r ~~a ri:atnih:)~e <'~~l~C l~~ lw:~~;

:;f'\~rl~~r• : c~J~ fae t~;°~~; ~~nC( ~~e t ~e~:o:~

;~~ lu;;~~~~Puc.~~rn ~;k/:id 10 be d o ne in o ne

SIYlf!~ eltex.~l•in,ed B a n d a n d th e s ,:r~e~ t~!,~ ' t:'eh e: i. ni1ahc~ _r:c~ the reason We re tween the direc to r a w1ry-all m~v •ntt. to Sur - h ll rl'd yo un r, ma n who r:iced rey I ve bough! a up and d o wn w ith wo rds

~~ur~~ a~~ s::'i~~ • d ~~~~h1'nFn eG:::;:~ !~~~h h~~ ~~~ a~~e Da1:·,~k~~~ V e n n a Wo O s see med to expl'Ct the group

=:it ,::· ::.0: : I :~~;;~¥il:tr~~•<!,:~~"·.~:r: elocs will probab ly two numbers .. I S hall Be he marrted "1th in Re leased " a nd " He ll o the year and they a re lnves1- ATV's Golde n Shot It wa s a LU ne o f one of those n nky- World," and t he fi rs t ta ke w as ink some <i i the ir considerab le be:i uufu l s tx bedrooml'd house d in ky Aus tria n fo lk wa ltzes a d1 ~ast e r

s~rr~~;ks c~::in,~rt~~er~{ lt~n ~~~ ic~e~t~ n:ardne/ eVt' tll l acres of }~~~ ~~~ r~a d1:1.~~t~ : ~na~~~ ut:sh erro': r~ ti°e" :~:r~t !~dm•;y exa mp le , Alon 's has se1 him " We used to hkl' to chat by Hors t Bic hl er, the p ro mo- t he ti me the came ras s wu~g ba C" k aro und £,rn,ooo and he's the bi rds a t o ne lim e," said tion man fot C BS ,n Vienna 1owards the m, th P st ud 10 having a to! of redecrirat1 on Dave Munden, p uffing a dUI) .. T h is way to 1he ca r," he dan cers, recruited from II loca l done free la!\ "Now we spend sa id a f ter mtroductrnns, a nd d 1'1co th eque were in lh t-

Aa t he a ircraf t bumped most ol ou r time l' llh er a r,:u • led t he way th rough gaping wrong place , t he d irector w as lhro ugh !he clou ds hi gh over '" J.! ahout ho uses o r looking crowds a cross the airport re- scrt-am ,ng 1n exas perat io n a nd Fra nce. Len pa ssed me a cot- .irou od fu rnitu re s tores'" cepllo n area toward s an o pu- th e com pe re seemed be-o ur pho to~ raph o f his new We la nd ed ,n Vienn a - 10 lent Mercedes sa loon , stand • w 1lde re d

roov~i~ ' Ckae:;,, by D1~~5orf : .nce~i ~~~~~~r!u ~n ath~ ; o~h ~hetol~h ; ~~!t;rex~a~o a n o rd ina ry nm e- T r!~~ 1~:~e ;::l~t'~to ~i::,~n/h:

ALSO USING

Humble Pie • Fleetwood Moc• John Mayall• Desmond Dekker • Freddie King & Steomhommer • Alan Price Emperor Ro5ko•Vuriotion (Top French Group) • Candy Choir • Bc.lond Arcodium • Sound Trekkers• Block Cot Bones • Consortium • Happy Mogozine•Mondroke Paddle Steamer Geno • Jody Grind • Mr. Ch

Tht- Tremeloes nodded e n- screen as the T V s t aff a r~ued thu s iast,ca lly at the Mer- among.,t t h e mse lve'i'. cedes, h ut Hors t op t'ned t he Dave Mu n den sa t at the van door a nd to ld u :o: to pile dr ums. no d d ing o ff pe rrepll b ly,

m "Some counlne~ :i,iou win ~ c1us1: ~~l~i~;~~n,. ~~Z;•c:~~ (_'~7; .ri ~kt;in 't ,"

t'hipped 1n OVt' r aga in T hat JU !'ol a bo ut

T he van took a <' in uito us -.ummed •l up rou te 1hrou ~h V1enrta's s uh - In a ll, it too k a bou t s ix urbs 10 o ur ho te l nea r t ht In es, euh s ta rt1n ~ n ~ht 81 farn uu<; S chOnhrunn Pal a C"e the beJ,: innmg of th e s h o w ,

T he ho te l wa s large, rom- before the d1re rto r wa s s at1s -to r1able - and full of the ex- hed And eve n then thl' cam-pt•C"t ed gaper !'., t hi s l1mt: eras wer~ o n th e wron g per-Ame rican a nd Frent"h a s well son th roughout th e numhe ri. as Au~tnan When C h , p wa s s ing in~ . the

Th e C BS man a s ked if lh e cumt•~ao; d Wf' ll lovingl y u n Tremeloes wo uld mmd a tt end DII Vt: s drum s!Jc ks and whe n mg a pres,; recepti o n that Dave too k over 1he vncal s,

~v~~'.niu~1 !it~:1s~15

~~:h~?r~~ ~~t R!': ~ .e ~ ! stt!~e~~? I r~;~~ man ," said Alan · t' r, Hi c k, Wei.l' s ve 'i'. t

Tht:' res ult was th a t the hnal tak e looked a bo ut a!> ham. hand l"d a,; the fi rst But hon. o ur had been satis fied For th!! dlrt'c tor had finall y i o t

~~e th';r~~~~s t,i,t~epot~fgnhs:~.t•~~

t ~,l~·en:c~:ef~e: 5¥~~~g~~e~~d

lt1 'iR l i,; fy him and he lhankcd ~~:nn:mup for comtnK lo

Ther~ was u ndt.>rsta nda.blc

~~rl!i w~h:; ~~~ r mo,r·T ~~•i. 1!i llmt• "(' did T V h e rl'" uid pavr h 1~ lh t- v~n hca d e'd bal k l)r l t: City " 1t Wll!o. winter

~v,.,t~e~·r : lr : ~~e~\ CJU l ri f dno n1

ha::clui;\n 1\~e- h~:Utt~is 1~k1

~~~ert it•.bsh n ' l)r,n't u nder.

1r}h~~t ~~~u ~ 111I: :~':' l~f1

a 11•rt lr um • h r t IJ!h~1! : In,: w-.1i.. ~ f ti! I\ wa U me- l o Pl ut •a•in h r l h t: l trport

C I. H:)',''d ~ ld o ri t nl moV:~e

Wh• r h a ll w 1 '> Ha odl ' lhe.,, c lher hirni ur tho n T ll nham C rt R d?"

Then the, ware 1b II h th ~:t..;~~ ft • and ff

"' I ... d • "II Id

M OTHER­TO-BE MARY COMES BACK MA R Y Wl=. I.L'i, onp lime Bea tl es' fa vo urltt a nd m ill io n · c; e 11 er <; Inger , Is back In Bri ta in l o p ro v e \ hC'' !i s till o n e o f th e world ', m osl ta le nted fema)t, voca li o; l o;

Mo the r-to-~ Ma ry, v1r, tua lly d1uppH rtd f r i,,n 1h l" char t ~ whe n "E M left Tam i• , 101o"' n lhf' p •ar, •Ko aftt' r hf'r m aul~, h it " 'h (; u \ " On thi, .. 1dt of !hf' .\fl ant lc h"r r eC't nt rt>curd\ haYe .11 11 fa il l'd 10 ma"-e a n) lrn­prf'o;s io n

It i, benuu ,tw- left r a mla~ " f\o, I don't thlnl.. ,w," sa id l\1a l') at h e r I o ndo n ho t•I

" Hu ,lca lll it h :i. \ a k> t to d o w ifh ~1u,;h. Tht malNia l I've bt'eo drilng h a,; been good c_, n ough but ;1 n e r-d1 a Int or pu,; h be hind.

" L very r<"Co rd I had wi th Mot m vn w a<; pu shed ve r} hard . Ru t I had 1 record o ut re<'<'nll) t it led ' T h" Doc to r ' wh iC'h did very well In th r Stat l"S, My vo ice h u J eye lopNt mo r e nve r the l,n t r.-w years .

" I h ope to have • nl"Y, si n g le o ut both hu e and In th e Sta t u b1· thf' m iddle o r Ju ly. We''ie 1 01 s om e n umbe rs to choos. from, It's just a matt, .. or plckin~ t he be,; t one, It will b e- a n up-tempo t}pt> or ballad .

MARY f is h a nd chip~

"The R a nd B and soul market ls ge tt ing blgittr an d b igge r in th e States It's bigger I h a n the unde rg ro und. I th ink my type or singi ng !>la nds a eood c hance in your c ha rts t oo."

Mar) a nd he r hus band · Cec il W om mac k are t1:·

pectl n g their ,econd ch ild. W as n't Mary wor­r ied abou t a ll the travel­ling and t h e c rowded c lubs?

" No, before ,, ur son was t>orn, Cecil wa~ trea tin g me 11s 1r I wa, a n in va lid - yo u know h e lping m e o fT the pav,,. m en t - but th e doctor sa id a~ I w a , used to all t he trave llinit and every thin g it would he all Tigh L

be:n1

1~;~\n"t T0~!1;/~;

appl!'a rinit in l:.n1land a gain . The la,; 1 tour I did w a, very iood , I hope th is on t> ~o•s as we ll.

" You kno14 , I lo•e you r F nRli,;h ft1 h and <'hip$, e-,.pe<"lal\)' that ftah in ba tier. In N•• York the- r e•,; 1n t n1ll•h rf't. • h 1urant called lhf. HIY· marke t which dOft flth in the F:n1 ll1h way,

.. Tha t·~ Ont or lhl' thlnu l'vl!' IOI a faacf ror. h lhc-rt • plac~ you can ic-t ll from n .. , ht!:re~ ..

Mary and hr h..-lNmd Cttil, "ho la • 1u1Larbl and s in14"r with , ... Va l• nt1n°' who bad a Ml hit ,..Uh the ortatul ...,. tilon o1 " II'• II o.tr No•;• hav• dltlr OWII

pu~•;:~~11 CG~S::!w IA· lftllmt'fttal au ..... ,,.. the YalhtlnOI ... a •u•ber frellt WU.­Plc-ketc coallnl -' •Mllwel'l(ltlck-1

°"i!:..r:1/ic:;\~ ~ bock Mary .. 111o -=-. =-i-:=-~..: r=.: :-a.: - -­..

* l'j,; ~t;e7ted; 7;;~'dlike 7a kn~w,

1 where my nearest stockist is. Also, could you please let me know what you'll be up I to next before you get up to it. I

Name

Address

I I I

. .. .. . . ... I I ...................... I

.. . 1 Send this coupon to JACK OLIVER : (ZAPPLE) APPLE RECORDS f

L3!~~E_!~W_:. ~~~'!_ W.1~-"!"""!'~:.~

Pa,:~ 16-MlLOD'I' MAKER, May 10, 1969

Clodagh Rodgers listens to some recent records

BLIND DATE

FRANKI E VA U G -HAN: " The Same

Old Way " (Columbia). It's Frankie yaughan

The opening 1s better than the actual song. I don't think the punch­line is very strong. Frankie is very good and he has a big following, but I doubt ir this v..ill be a hit - altlaiourh with people hke Donald Peers getting back m the ch&.rt I don't really know.

THE HERD: "The Game" (Fontana).

I don't know wh".l this is. Again, the openinJ i;; better than the rest of it. I don't think tht produc­tion is very good \Vho is it? The Herd - I'd never ha ve guessed I have got all their records and like them, but this seems to be a messy production Nothing is clear and pre:-­cise and you can't hear the lyrics I liked it at the beginning, but then that middle-eight put me right off it.

EMPEROR ROSKO: "The Opposite

Lock " (Polydor). It's terrible. l don't

know why he bothered to go into a studio and make It. That's the worst record I've heard this yt>ar. And J thought those backing wa-oos went out ten years ago. If he was a good singer it might have been worth doing, but the whole thing is awful Who is it? Rosko?

Oh well, he didn"t play my record on his show, anyway.

pAUL JONES: "It's Getting Better "

(Parlophone). Paul Jones. No, l don't

like it. I'm sure I've heard this song before. That little catch line about " It's Getting Better " is the best part of the

WOODY HERMAN: " Light My Fire "

(from the Cadet album " Light M y Fire " CRLS 4544) .

It's great. Fantastic! This must please all the big band fans and I shall just have to go out and buy the album, It's great and there's nothing more to be said.

}~~!~ I i:~~i~ri:0~:.~~ SHIRLEY BASSEY:

to find it so hard to find II

Doesn't Anybody the right material He Miss Me" (United was great with Manfred Artists). because they did such It's Shirley Bassey and commercial songs. It's a she seemed to be flat at pity, because Paul is such the beginning. I can't a good artist. This is just stand her voice. I think an average song and an she has passed her peak. average arrangement. She was really great

-------------------- about six years ago but I

IJo,._.ft Prod•ctlons ,resant

TIM. HOLLIER AMORY KANE

WifmortKall 5i WigfflOl'I St London WI

TNndlJ May 11 no 11'& "651

1G1 D!fice 111 9351141 orl!l 730911

don't like this at all.

A ND y WILLIAMS: " Happy Heart "

(CBS). Oh, wonderful! I'm in

love with Andy Williams. My whole ambition is to appear on the Andy Wil­liams Show. He can do no wrong as far as I am concerned. He could sing " Baa Baa Black Sheep " and I would think it was greal. This is just beauti­ful. I wouldn't be a bit surprise? if it was a big chart hit for him, too, though Pet Clark has got the same record out and I like her as well. J ;;;~~have to buy both of

CREEDENCE CLEARWATER

R E V I V A L: " Proud Mary " (Liberty).

It's just not my kind of record I can't think of anything to say about it because 1t•~ just not the sort of record I listen to.

CHUCK BERRY: "No Particular Place

To Go •· (f r o m the

Chess LP " Chuck Berry's Greatest Hits " CRL 4548).

Chuck Berry. I like him. That is a very good LP and I'm sure it will be a big seller. A lot of people are really going for that kind of stuff again now.

SPINNERS: "When The Old Dun Cow

Caught Fire " (F o n • tana).

Oh God, it's terrible! Take it off. Who was it? The Spinners? I know they have quite a follow• ing but I don't like that kind of music.

GORDON WALLER: "I Was A Boy

When You Needed A Man" (Bell).

It'~ not a ve!Y strong openmg. Who 1s it? He was much better when he was with Peter Asher. This is definitely not a hit. He is in the same bag as Paul Jones but I think the Paul Jones record stands a better chance of making it.

BETTY EVERETT· " I Can't Say N~

To You" (MCA). It sounded a little bit

like Aretha Franklin at the beginning. Could 11 be Betty Everett? She is very good but has never been able to get a follow­up to her big hit. This isn't_ a very good song and 1t won't be a hit

KENNY BALL: "The Night They Raided

Minsky's" (Fontana). Kenny Ball. No, de­

fini,tely not a hit. There isn t an opening for this kmd of music now in tht" chart at all I don·t know whether it will ever come back - it probably will m about ten years So hang about Ken. '

Bob and Earl mystery is solved

Right time

" We've always been toaether except when I had a 1ln,cle out as Jackie Lee and I did club engaaement:r for a yur. Apart rrom 1hat we've always concenlraled on workln1 and wrtlln& together.

"Before we came over here we heard that there wa, another Bob and Earl In Britain. This sorl of lhina happens In the Statu.

•• When my record • The Dud • wu doing well back home there were about six other Jacki e Leei. goln1 around. I was playing In one town when I read that Jackie Lee was appearing al another 1own 300 miles away the same night.

' ' II lookl as H we've come over here al the rlahl time. We were doing a recordln,t session when we heard that • Harlem Shuffle ' was In you1 c-harl. H's really an unupeeled thlnJ( bu1 we're verv happv about II.

New single

" Bob 1,nd I wrott: • Harlem Shuffle ' after seeln11: ~ome kids dandnJi on TV. The d1once Itself was a big hit In lhe Suites but I don't think It happened here. Anyway we'll be !lhowing the kids on the lour ho~ h's don~.

"We plan to bring a new single out here and In the Stale'> late In May. There will definitely be an album arter the single ~~~n';l~;e t~~Y~~!re°•~• whal label }'et. The alngle's titled

What sort of ac:t will we be seeing from Bob and Earl on th e tour? Can we expec1 .somelhln1,: on the lines of America's Sam and Dave ror instance?

"We inspired them a.s we started the trend of the duet singers

~~I t~hec S~~~~th~:~:~~ ~lttt'u:u:!t 7:k~~ !i":ar~n Jha:~!"! part and then we come in In harmony . '

"I was !old by P~il Soector that we lnnuenced lhe Rlghteou.!I ~!~~h~r:wtob!.° ~t!~a~~~Ri/he)' have more money than we

'' ~~; ~~~:e;~:t c~l'• ,.'!!~ f~~~~~~tea s~~ger would have to be called Little Willie John. Aretha ls ~ Rf«:!o!:res singer }ir:~e: ;r,.dat~=~tlng away from R&B I Ilk/ Nancy ~f1s!~'".~~

1 Overall trend

JN Octobtr 1251 yeJr. the Moc<'1 Blues,

whose fortuw had fluctuated cons d Jbly since ach1evm0 sta• tus with .. Go 0111 ' m 1964, found thtmJrlves back m the St,• on a two mon h tour

"' And,• ,ayt Gaeme Edge, " 1t wu ,-t 1bout the sadde t eJ;prnet"e of my life w~ wm twring all over the StaUt end we encountered the groupie scent "erywhere -but not • 1111P per­son to whom Wt could talk mtelhgto~•

.. We really ht-and hop,d - tlll "•"d ""'et peopl• who • on t~ same wt• .....,, as oursel¥ea But '"• met were groupi,I daim­ing to be Ille ex­peru oa tho 1a1'tl pilL and a lot of .-i::i bigo«s wllD;::.,,.. e the ,,,..a-

·1 -•-- ... prollallly - • .......,, ----

. ·-• -,•- --~ - ---

•

raving When the had to stop The second

remarkable

interview

with Graeme

Edge of the

Moody Blues

by Jean

Elliott

significance of \\ t1linK 11n lai.-ator) wa ll • They )U-.1 dr,n't havt!" th ings in pt r•

Pt!C IVC'

"111 a l ,·ay1 defend the right of an ) ho<l y to 10,1k h,w ht v.a nu nnd lo dr !I

a hr wa nls Bui whrn krJ~ (f)P W sh1nx thl'.'m l\oCI

th1, t:iec ,mt- n nt1r<>I)' negative and pumtlrs1 thmg

" I'd always seen Ame­rica as the place where people went to escape from b1~otry a nd pe rsecution, and to build a new lire. But look what they've built! First or a ll they have the W(irdest class system -sta rting at the top w ith the whitE' a nglo-saxons a nd then goi ng down through the Poles to t he Puerto Rica ns and then to the Neiroes

"The middle class Amen • cans a re so inflex 1hll' tha t you can und r rs ta nd why the revolutionanes go to such ex tremes to shock and ou1rage them. Rut there are l\\ o ways o r fightin g the esta hllshment - h), pro· claiming positive, relormi.-.t 1d1:a s in t he face 01 rl&C 11ona r >· complacenc y, or by makm_g the cstahhshmenl l f' lh C' with angt r JUSI for

the h, 11 of 1t

" Th,- younjl Am t" r1can l! ft t'ern I(• have d,o$en lht' '-t"COnd '-'.& > - and II'! h;t"f n, p("\rntlc,s and palh • t'(I(:

" In Ur1tn1n ,r you have: 1,,n~ hair and namt>oyant clolht" and you walk pa5t a

bu dd ing si te, the men will make a crack about your be ing effeminate, and you 'll make a crack back a nd everyone will laugh. It 's all cool

" But m America 1t gets rea ll y vicious. They rea ll y mea n It whe n they say they'd like to th row you dow n, pu t their knee m you r chest a nd shave your ha ir on The gf'nera tion gap is fill ed with hatt"."

Ed,:: c k els that perhaps som(• a lluwa nccs s hou Id be made for th e n1ghtmart> state or America becausE' in

:,ome wa y the country has been let down by Europe "Wt• drt:\\ them into tY.u wars he fort: thty 'd really built up the ir country . Tht>y shouldn't havf' heen defend ers or European civi\J51111on, thev should hove: been getiin,g thei r own thin)! together

Guns

" Nnw the} art' on top of I ht- y. urld and the-Ir estab h!ihml'nt 1s o ranauca lly Victo rian Pf'rhaps t h~re 11 a fon nec lion with the V1ctor1an pf riod In Britain, becausf that'• wh~n Brita in was on lop o f thP world

But Britain wa s never qu ite as sick socially as America is today.

"When we went from Chicago to New York via Pennsy lvania, we were knocked out by the scenery, the beautiful co lours or the leaves a nd the hills . It was unforgettable. But then we got to t he city and passed a shop selling bazookas, shot gun ; and hand g renades . And we read advertise ­ments m the magazines which said 'Protect your children with this mach ine gun·"

Changed And, once again, the

Moody Blurs met the p,roup1es - and they had n't changed a bit

" But u.-,, had,'' says F.dge "We found 1l 111 pretty dtp re-ssmg In New York you get the plam st r• IJthl­forwan:I •crubbers, m Cali fo rnia and the -west t hey are a b it more genr lt-. Somt'ti mea they ar• aor 1eou1 look Ina 11rl1 and af th•y rH lly playl!d hud to set may be you'd M more lnteresttd

" But you 1•1 the feelina lhl l you -~ belna marked

down 1n a little notebook -ten points for a Beatie, nine points for a Rollin~ Stone, five points for a Moody .

The best indication of the sexual evolution of Graeme Edge is the stor~ of the group's meetin~ with a girl in Los Angeles.

"She was rathe r plump and plain, but she was very fr iendly and she invited us all back to dinner - a knock-out meal or roast beer and roast potatoes. Engli sh sty le. She was a divorcee with two lovely kids a nd she was hung up on En~lish ba nds.

" We vis ited her all the t ime we were in Los Angeles and she was great company. She showed us the beach and it was Jus t a completely innocent , friend­ly relationship. But it mea nt more to us than all the sex­obsessed scrubbers in the world.

"Any British group which has been away from ho me ro r a long period and has been repeatedly torpe­doed in the stomach by hambu rge rs, will jump at t he offer of a home-cooked English-sty le meal."

Grubby Because of the giggle-

provoking association hetween sC:x and hot di nners, it ,nay seem laugh­ably naivr: that Edge finds significance in t hat fact t hat a good hot d inne r took precedence over all kinds of sexua l invitations.

But he sees it as a

MEWDY MAKER. May 10, 1969--Page 17

measure of his reah1at1on rhat the time had come when the raving had to stop, of his awareness that gratuitous and rather grubby sex ultimately becomes as appetising as the 150th hamburger

'' I sometimes think that if I could meet myself as I was five years ago I'd think lhal J was II riitht berk. But it 1s a sta~e you have to go through. Some of those g roupies in the old days we re really beauti ful g irl s a nd a little fat ha iry s lob like me had never had a chance to sleep w ith birds hke that."

Revolt

What depresses Edge about t he American groupies today is tha t t heir drea ry promiscu ity has become some sort o f symbol of revolt. " As if all you needed to put the world right was to tear you r clothes off and s leep arou nd. I can' t condemn them on moral g rounds, but I'm distressed to thi nk that so many of · them con ruse free love with free copula­tion.

" Everyone expects the younger generation to moan and rebel and to be non­conformist, but it's no good replacing one set or pre­judices with another.

"If you are a gi rl brought up by parents who say you must neve r s leep with a man, and you react by sleeping with every man in sight, you a re being just as bigoted a nd fanatical as your parents.

" The ta lk in the States is

all so negative Theo younge r generation should be working posit1\.ely to put thi ngs right - but the:,. JUSI don't know what to do. So they settle aimlessly fo r caus ing gner to the older generation by smoking pot , us ing fou r leuer words and p retending that sex 1s love

Sad " I f the American rebr-ls

won their fight agamst the establishment, they'd be in exactly tht same pr~ ica­men t as the French stu ­dents were last summer They just would n 't know what to do. That's what's so !ad "

It could be a rgued that Gra eme Edge, hav ing had his sexua l fling among th l"' groupies, is now adopt ing a hypocrit ical " Ho lier-than• thou " attitude a bout the scrubber morality.

But he insists: "I'm not being p r im about sex - I'm just sick of the lud ic rous importance which is at­tached to it and I also feel it's a great pity that most people don't have the op• portunity I had to discover the phoniness of the sexual dream as fostered by the communications industry.

Love

" I've been th rough it and now. for the firs t t ime, I'm finding out w hat love is; but an aw rul lot of people will n ever find it because they 've been corrupted by those fantasies. It's t he saddest and most devastat­ing confidence trick in t he world." THE END

,IIIE l~lll lll Leanin On y OU

Roger Whittaker

Mistral

Cashman Pistilli & W~st

MerrillO Rush

l"'--'1fll11), ._,AKf-11: '1a\ IU l •t,'f

r Island , _.MM l&_(!liS AT THE WORLD OF SONG PUBLISHING

MELODY MAKER

SONG PUBLISHING

SPECIAL

Music& Blue

Mountain Music

S ONGWRITING " a prolific. profession

for the .1ccomplished composer who can write hits.

A ,;,,nJ! v.hach top!!I lht­chart!I 1!!1 worth at least CIO,IIOO A m1ll1on-1tllmg

So you think you

are proud to /Je associated with:-

STEVIE WINWO OD JIM CAPAL DI DAVE MASO N CHRIS WOOD

iu1t.J disc Jl,Sthe rs £5,000 in

r~cord royallws alont A world hit with conatant ~~l~~n eventually produce

But conlrary lo popular br 1ef, few "<-nRwruerJ run • lhrtunr '1051 of them do II rn 1h,.1r spare umie and their mrr,'T\e avera,tf'"i £.300-10() pa But they go nn writin& wuh u n d Im In is he d nptimi1m, h11p1nJ IQ hit the Jackpot

can write a hit • • •

I SPO OKYTOOTH

GARY WRIGHT MIKE HARRISON

MIKE KELLIE LUTHER GROSVENOR

NIRVANA

PATRICK CAMPBELL L VONS

ALEX SPYROPOULOS

FREE

ANDY FRASER PAUL RODGERS

JI MMY MILLER WYNDER K. FROG .

Lionel Conway · Island Music \55 Oxford St· London Wj

Every da) JOO new M>nR"> are add,ed to the Rianl mechan15ed mdu mstall,.d by the Performi ng Right Society

When you've written a ,ong 1t au1omat1cally becom,•s your Cf'PYrl&ht, undn th• COp)­n ~hl Act f'f 1953, wh ich means tha t y<>u have the occlusive nR.ht to ceprod uce, pub lish. perform or makie an adapta tion of 1t

You need no other pru­ll!Ct ion, but you should kee p :, da ted copy or the song m a safe piaC'e m cue you need to ta ke lc~ al actmn 11 gn1n , t &n}nne for inrnngiement of copyright.

Yo_u can deposit tt with a solicitor or bank manager, or you can post 1t lo yourself in an official reJ?,istered t' nve• lope Do not open it when it arnves, but atta ch the posting receipt to 1t

All these method s ar,e adequa1e, but 1f 1t makes you fee l more contented you can register your song for Cl Os 6d at Stationers Hall , Lud1a1e Hill, London, EC4, who will send details fr ee

It is •mwise to send your songs to artists or their managemenlS, unless t.hey 0 11,n or a re closely associated v.ith mu~ic puhlishmg com· pan1es. because (a) they seldom bothe r to look at th em (b) th ey sometimes lose them (c) they mvar iably reJecl them (d) they re ly on mus ic publishers to fi nd songs fo r them.

You can send songs to ind ependent record produ cers, or even record1nR comp1n1'!">,

provided you addrt"Ss them 1rr,onally to ~n 11.rtlllts-and• rl'cordinr manaAer

But tht hes! cnur~e 1s to ,end )l,Uf !!Ong, Ill m1,,;"1(" publishers, wht, have the necl!S~ary ie:itperitnce and con­tacts to handle them ~atisfac• torlly .i nd know wh ich artists t hey a re lik~ly to suit. They Jc,ok afte r everything, indud• in,-; copyr ir ht

If 1he mus ic publlsht: r likes your song and 1s wil hng to publish I(, he WIii BSk yo u HJ

ass ign the co pyri ght to him Befo re doing so, m:ike sure that he Is Wt! ll-es tabh shed and reputable, prefe rably a mem be r of the co ntrollJOg body, the Music Pu hlishers Auoc1a t1 on

lan ore an yone whu asks for a reie to publish or promote your sona Th e bona fid e pubhaher pays all expens~,. If you don't kn ow how to JOlerpre t or aueu a contrac t Join the Soni-writers Guild or Great Brita in .

:e'::~ssa;' \ui~!:~e you the What does th,e pub lisher

want when you submit a sonx' I asked veteran publi­sher Roy Berry, director of Campbell Connelly and Co Lid

He told me: " If tht! song 1s a s tra ightrorward ballad, re­quiring !10 a rra~glng 1dt!H, a man uscri pt K1v1 ng top lme, chord symbol!. and lyric 1s s ufficien t But if 1l is n group• type numhe r, a de mo tape or disc 1~ recomme nded to convey th e composer's con­cept ion of a rrangement

" Send your ma nu_script, ta pe or disc by registe red

WE WISH TO THANK OUR WRITERS FOR THE PAST INCREDIBLY SUCCESSFUL YEAR

ABIGAIL MUSIC (LONDON) LIMITED BARRY, ROBIN & MAURICE GIBB

DRA TLEAF LIMITED ERIC CLAPTON, JACK BRUCE, GINGER BAKER

ST. GEORGE MUSIC LIMITED GEORGIE FAME, JOHN MAYALL, CLIFF BENNETT, etc.

SAHARET MUSIC LIMITED JACKIE EDWARDS, RONNIE SEBASTIAN, PAUL NICHOLAS, etc.

MOGGIE MUSIC JIMMY CAMPBELL

BARNES MUSIC BILL SHEPHERD

67 Brook Street, London, W.1 Tel. No. 629-91 21

Cables: Abisong/London W.1. Telex 264267

po!.I , with a s a .e. Ir you'rt' !lubm1ll1ng a d1sc or tape without a manuscript. pleuf' ,enclose thie lyric

" If we accept the sona, wt offe r the writer a standard aareement guaranteemg 10 per cent of l hc sheet mu11c sales, 50 per cent of mechanica ls - records, sound ~ dio a~dd ~eJevl~~~n rc,eec:(di~, per fo rmin g royalties - pe r­sona l appearances, juke boxes, rad10, telev ision, etc."

What ca n the songwritier corr. 10.- ht!! work?

" lt 1s d1fh cult lo rl'du ce the whole thin g to 1pr-c1Rc Rgu res,

~h1~t

1~h~s ; ~~t~re~~~t . ;~r;!(.

ma tely :.! Ss every ti me ha s

t~nfo: s e~;i:dltJ\ej:::d,u~~fd and 34d per copy on sheet music sales ll is lmpou1ble to es timate th e proceeds of live perrormances due to the varying ci rcums tan ces. "

What tips does Roy offer to songwriters with stars In their eye,,

" Study the hit pa rade, hsten to records , radi o and televi s ion. Writ e to sui t the s tyle of artis ts who are currentl y acceptable. Th e melody should be easi ly remembered a nd 1he words should tell a story. "

Amateur ,;oni:wr 11 er<1 arc inclined to th ink that music publishing Is a closed shop and tha t no one wil l listen to thei r song s. But music pub li• shers emphasise tha t they will ronseder Any song wri tten by anyon e, and If It Is what they are lookin ~ fo r , they wi ll pubhsh 1t.

re~~n: ~r:. tt~t~ r,eo~~t io~~: to reiect o song likiely to earn them mon ,ey!

But amat eur songwrite rs must realise lhat a song which they th ink IS a knock• out is not necessanly goin• to be a commerc ial propos it ion The ma1ority of song!!I writt en by amateu rs are quite useless, for o ne rea<e<>n or another, chiefly because the wri ter has not 1ufficien tl v s tudied the market ·

Lyrics a lone are no use whatever an d you mus t ho ve them se t to mu sic. Unless you kn ow a mu sician who will do it, you will have lo employ th e se rvices of a musica l colla bora to r, wh o would be en11tled to hall your share or the roya ll1f''I 1f 1he song is pu b1shed

Muslcnl co ll aburntors will a lso trans c.r1 ht' from vo ice or tape, write compl ctt- a rrange­men ts. and eve n suppl y modes! and t'CO nomlca l demo tapes o r discs.

If you'd 1tke a more­amhn aous recording, contac t one ol the s tudios adverti '> lng ,n the Melody Maker or amtiated to the A'l!lOClli llOn ol Pr of e s s 1 o n a I Rt'COrdmg Stud ios

Their prict:11 rangt- from £.5 to C6 fis ;m hou r for th ! hire 0I lht s t udio and 20,:, lo J0s fo r an aceta tt" A s1ud111 can hire music111 n~ fnr you, hu t 1he rntes are orf' ll y t.X pens ivc and the minim um co,;t of a dt:mo done by a , m~ier anC: one ms1rumtmlal1s t would be £1 8, so 11 1s bes t 1f you can brin g your own perf ormers

JI you pos se!.S first class ta pe -reco rding equipment and con s ing or plo y an Jmnru ­menl compl'tr-ntl ~ you can make yo ur ow n lap~, but dun'! do !IO 11 1t is .c;o lng to sound crud.- hc,;a ust' 1l could rum th e C'han ce§ of your sonjil, You can jet lhe tape trans­terred to di ~, ror 20 J0i.

Snngv.rite r\ ond pubhsh,er" iould nul pos...1hl,· rnd1v1duall y COllt•l I all lht' rnyaHh·\ due fo r pnffl rm.in n,,., ol their work all 11v('r tht· world t,1·1thcr l'"nuld the u~t> c1,n !ac t ct,p~·rieh1 nv. nt'r in evNv C'1untr y lO dear the pier ­lnrmma flJilhh and pa•, 'l'.'Pa ra teh fnr u~m, tht- w,lrk

Every country ther,•fore hDI a natinnal societ y which

r.~:~~es '"a~~1hor1~~:~

5 t:~~nki1~

perform m public or broadcast any work in the repertoire o f 1he n1tlonal society or affiliated societies 10 other countries, vlrtually providln&

~a1't'o~~~-;~~Tet;0

~:ratt~ ~,e~~ form ln& RiRhl Soc1ely

Wha t does the PRS ticencr cost?

The tarifh, havt! to bt! ext remely nex1hle . hut he re nre II few examp les For a c-ommerc1al dance ha ll the , a1e1 I.~ twu oer cen t o1 th e esli mated takin gs or 1.5 per ct' nt of the actual receipts

For a bmgn hal l seal ing 400 with 300 ses11, ions a yea r and •5 minu tes of recorded mus ic l' t l!ach session, t he an nua l roya lty is abou t £45

For a •d or 6d Juke bo x th e annual fee is 13 guineu for an unlimited number of per­fo rmances. with discoun l.J for mulliple operators . For con­certs of popular musi c the rate 11 two per ce nt of th e actual box-offi c,e takin1t,s or I j pe r cent of t he mont>tar) ca pacity of th e house

Reprcse nl in ~ 175,000 <'0py­right owners In 40 countries , the PRS logs over 20 million performances a year and has an mdex covermg between 1.6 i- nd I 7 mill ion t1tlt-s

Royalties due to sonl[• wri te rs an d publishers for record ings or thei r work are coll ected by the Mechanical Copyri ght Protect ion Society , which grant!! blanket licences to those who ma ke recordings of any ki nd , rangi ng from 1he domes ti c owner <>f a tap,e r,ecorder 10 radio and tele­vision networks

The statutory royalt y pay­able hy producers of gramo­phone reco rds fo r retail salt' is 6f pier ce nl of the retail sellJOg pn ce aftt-r dedu<'l ion of purcha se ta x

Through its contac ts a ll over th e wor ld, the -vtt: PS represe nts about 12,000 cnp)• right own ers and has a n Index of over a mill mn t itles, with every conceivabl e det ai l

_R e co rd i n g . comp.a ni es arti sts and mus1c 1ans rece iv e proper riemune ra t1on JO cor­rect proportion lo th e rel a ti ve 1•opulari1 y of thei r Wor k to r broadcas tin~ and puhlic pe r­forman ce

Thi s val uable task 1s ea rn ed

~~~e by Lr~.nn~,;~~h ic1s:~;~nrt cences covering th e- use uf reco rds broad cas t or pl ayed m publi c, ,md collects roya lties on a s lidJO g sca le, accordin g 10 th e amount of uc;e

To htdp mus ic puhhs hcu neR0li a te_ satisfact ory a~ret'­ments w ith 88(. lTA . Radio E1reann and 0th er contraC't0rs all nver th e wo rld therl• is a tr&de organ isa1 10n call t<d th e Mu s ic Pub lishers Associatwn

!I s pro fi t ahle achi eve ments

~r::gi~;ci~:r~~m: ~1 !~~~s~~~ BB(.. on behal f of popular p~h ll shers and a bette r mus ic h1re contra c t with the BBL to the advanta~e ot ,; ta ndard pubhshers

Every ~ongw r iter, "hether a ma te ur o r pr ofessional s~ould belong 10 the Song: "tite rs Guild or Great Britain It o_ffers considerable hl'.'lp and advi ce tr, members on C'OP\I·

~ir~;)O;:drit:~; a~L~~i~~~;la~~I~ presses !or _ mnr" exten'\.iYt• use ol Bnt 1sh mttterial in t'Ve ry hranch nl enl e rtaJO. men!

II takt>s up all cases 01 '"JUSll<e to nn:mhen hu de -.. 1sed a mmamum '-itandard rontran whi ch 15 a ccepted b)' man y mu~1l puhllsht-r anti ~h,1,e~~s war r.n hn, 11 ., puhh

lOITfO AND COMPILED BY LAURIE HENS HAW iiiiii

- ort int l'-t 11 thr'-e d.,ys for_ a Kro uµ t11 HOW unp d . ublish their own ma te ri a l? Holh r$' wnti' an p hJlf of the group·s son~wr1t1n tt

Allan Clarke. odne~hy they entered the w riting tram, expld1nt" . .ind puhlishing busi~e~S- r·sp,•cialh frc,in a hn mn~I

· 11·1 very tmpor 'i° ~ruup:. don·t know how much puint of \ 11 w_ A lot f~om th< ir svn~wnt1ng We_·ve h1 l·n mr,n('y lht\ <<1n u~nw, first started b11ck in l9fi~. TC111 wr1t1n~ sonjlS ha~;t ou/ own comp.in:,- cnll(-(1 Alto MusJC HKks and I hree y~ars ago. which we !!!tarted ,abou td~ 15 very importa n t The p lug~er

"The p u blishing 51 d our materi al. Ou r vmgs are c.an find a r tists to recor Ja~es. Profits from t he songs publ1111~ed through bO,ck en the pub li sher, write r and ure d1vidt:ci up ctwc arra n~•.er."

Snn,ii:wr1t1n,1t ts • very lucrat1vt' ailde of tht' hus1ntss for Allen and To nv Niearly all the S00,lll the', WTltt' th~y use them• selves on sln,tlH and LPs, but what the)' don'I use are made ,nto demo

Looking after your best di~f~ wish we'd

know n about !he writing an d pub• llsh inR pa rt o f t he • t t bu,me" be fo,e,'" I n ere s s sard Al lan "It's wo rt h ir"

Stream ll nmR 1s the keynote of Jm­presorin Robe rt Stl,ii:wood's publi sh­in g activities Four of hi s co mpanies -Abiga ll . Dratl ea f, Sahare t and St Geo rge - spec, fk ­a lly look after th e songs of Indiv idual St igwood and Rik Gunnell artis ts Thua, t hese to p art is ts have one compa ny to pro­mo te them exc lu ­s ive lv

Abi R.a 1J Music CLARKE

r1~~1:tv,;;~teria t u: ~ import.ant

CLAPTON Cre.1 m t ea m

the Ber- Geies, Drut -leaf handles compos itions hy L11tl t' Ri cha rd a nd Sonny Bo no 1he Cream tea m of J ac k (of So nn y and C ht- r) through Bru Le, Ginger Baker and Veni ce Mu sic Eric Clapton: Saha ret dea l<e with mate ria l hy writer and singer Jackie Edwards a nd Paul Beusell nck, who .s ings under the na me of Paul Nicho­las; Rory Ga ll aghe r, lead gui­tarist with the Tas te; J ,mi Horowitz, 21-yea r-old MD fo r the Marbles .and a lso MD fo r BIii Oddie'i, sinRle , "We love Jim my You ng " and folk 1inger Jimmy Campbell

S1 Geo rge deals wit h the works of John Mayall , Georgie Famt and Cl iff Benn ett

St1g wood also handl es Ma r­mal.1 de Mu sic on behalf of t he Bri an Auger Trinity, Ju lie Driscoll and Blo!lsom Toes

He a l.so represe nts t he JO• te rests of Larry Willl ams.

His new company. Barnes Music, publishes 1:ompos itions by Bill Shepherd, MD and a t range r for all thi- Be,e Get!:. mater ial

Robert St1a wond fet• I,; tha1 clo!le liai son be twee n puhlisht't and art i1>t re.suits in a bl"ttt'r understandinR of an ar11~1·s riequ irl'mf'nts: thal 11 1<;, m,)rt' satisfac1or\ to have Ont' co m pony dealmg wnh one t\pl' ot mater ial rath er than havm~ one large companv handlma a va ri ety or artist11, nnd son,ii:s His policv ha,; certainlv paid off

SONGS SUNG BY

DANNY LA RUE an album contoiniog

ON MOTHER KELL Y'S DOORSTEP AFTER THE BALL · LILY OF LAGUNA - JOSH-UAH

OHi OHi ANTONIO • SHE WAS ONE OF THE EARL y BIRDS · THE GALLOPING MAJOR - AND OTHERS

flWII )'O!Jr locatmutoe tell., a,

FRANCIS DAY & HUNTER LIMITED 13~140 Chori"I C,-. load, London, WC 2

f ull words mu$,c c:1 nd chor d $ >fflboli

,,1c• 5 /-{b y pa11 .S I .5 )

d\(!t)~ For top quality AP'Ri SOUND RECORDING dJ ....__l,/ .ico 10 one, of lhc _150 m~mber studio, f, 411:) Wrnc foi- hst 10 S(-uctan

.t.W.D:[~oC:c.~;~ONAl AP.R.~.(M) 47 \\ attcndon Rd., Kenlr~. !\ul'ffy

THI SONOWlmu• OUII.D Of GIIAT aRITAIN Chc:1.,no" Davd ....._,

Yu -chc:1""'llfl ·- W,1.., Oerc:1,I, ol me .... ~,p .,_ 1111 GINIIAL IICl.ftAltT • ............. ................... 11 ......... -, a ....... ......._ w.,

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London. W.1 01-499 4677

SlUDIO SOUND (IIJCllli) IIKOIDM D'UIIDl WI-YOU ... LAINf ___ _ ----THI SOUND YOU WM'f -----------~-

I\

" I\

DICK JAMES: ·· maybe it"s because I'm a bit of a squa re and love ballads "

M t- I PP'r ""1~k l H. , M ,l\ 111 111f,ll J•.1,-, 1'1

Where are the Cole Porters of today?

asks Jimmy Phillips "' l'HE A~e of the Amat e ur " i,; how top

music publishe r Jimmy Phi(liP~ "'ould cat egonse toda y 's crop or sonf!."'nters In Jimmy 's view, thty don 't come a!I s:, reat as th

;~ t~· .. qualit y ',Onl,!'- " went OUI with lh f' advent or' rock and roll , Prt•!i le}, t111:ht tr<,u !'.er, .

an~ .X,~er~m~~:s ,~h; n R1~io.:is"u:~/ft~~r:!~I C~I~

Po rlt' rs and Oscar HammNSlt'in s of today asks J immy. " These men wro u· mu,;1c and

:~;:~:. ~ou~~131

ftn~ua: ~tli 1~! rn~~r ~.;:zr:f! their

S() ..S~~~u ~ l8) mt' any h i\ of wday, and I llet

I' ll,, ~h~r!0

~r~1

~~~~1....,~~~r: u~r;:~; \~, 1~ili•t' thl'

sta nd a rd Mt'n h kt' Burl Barha r ai.. h and Jim Webh But therl'·s even a tiamey quahty allout so ma ny sOnj!:!i hy f'Yt" n thf' hest compo'll"f!'.

ar~~~1~ ~~=~s~ay~ •~os tnlg i<' yea·rn m~ fo r Good Old Days that never we re' Nol 1n J immy Ph1l1Jp5' CU I:' He speaks with _ lhe a uthor •!) of a ma n who ha<: see n the mus ic b us iness -1n hHi o wn wo rd!> - "go 1he full c1 rcl, ." .

As ex-chai rman o r t he influ ent ia l Music Pubhs hers Associatio n (he JS now a com m1ttf'e member) and _ma na~in ~. d1rectcJr of !he .KPM

i~~~~p5°r ha:uh~nS1~~11 5a

1~~ri~~m~f n'!~rl~

1mh7'!

sine• he workf"d a<1 a t1ongplugge r with La w­re nce Wnghl

So ngs he has bee n assoc ia ted with include " Peanut Ve ndor" "Siar Dus t ," ·: stormy Wea ther ·• " Sun~v S ide or Th(' Street,"

PHILLIPS sou, R'. rapes. ?

.. But tht f=.UltaT had h \ come Somrthing had 111 tllkf' the p l.ice of the p1an,1 ..

J immv·~ main qua ru:1, h 11w ever 1~ w ith the lyno nf

}~s?•~hy~;!,~, he .. ~0ys m:i~h

thf' intl"ns1t', of A man wb, h as sca nned a mil hon lvr1.s 1n his 1tfe t1 mf' u a ,nn 111 pull

f RO:an::~~ d~~~:~r ~~ ;:1 music publishing com ­pany vc1\ued around th e £10,000,000 m a rk - th a t's the success story or Dick James, manag ing direc to r of Northern Songs, the

' " Exactl y Li ke Yem" - a ll

£ 10 m ·111 ·1 o n wo rt h ::~: .. ~:~:E:,~:~:::~i~~f,'h so ngs as " Is le Of Ca pn ," " Red Sa ils Jn The S uns et," " So uth Of The Border " and " My Prayer"

hs~e,\e troub le 1t1," ht add , •· rve ryune t h anftS h f" ca n poun l a p1c1ur(" o r w n tl" A SOTIR And most people curt p:11nt and write songs Hut yl)u have o nly w look a t • pi;turf' ll' kno ..., wh e rh , r it' s • mash'r piece Th e sa m, wh('n you lis t t'n to II SOnJt n f rf'• I qu a lit y"

im~~:1~;s a:~1~:rd

~t/k"~us~~ srene is rockdo mtnated Fo r

~he J}.fi'Jr ci~~Jt,r\, 0 ~ ~~1;k~ " But thl' scene has

lirm tha t puhlis hes the Beatles songs.

Dic k started singin11: as a 1•mi-prn at I b. Two vears lat r . hf' san g w ith Hf'n f) llall, thf'n . after u•rv1ce 1n the Arm y, a ppt'a rt-d wi th a st ring

~~r:: ;,~s, •~~~: ld1~~em t;':r, Of Beatles Songs ~1r;ti~flt~{~f.\{~Ji1

people wr1te to 11:u1tar chords They think In terms of 11u11ar chords. Even the Beatles keep getling hack 10 the

of is merely th e c rudities of early rai;tt1mc rr pceting Hst"lf in today's mu"IC .

Until music and ly m 's a t tam the soph1,111:at1o n or 1h11 inter-war \"ears - alhell 1n an up-to-date form - thtn pop music- will really b~ marchm~ at the halt

Staple ton a nd 1hr BB( Show Uand Stanlry Black and (;('NRt' Shea ring

Dick ga ve up '!i lO I IO& full · t1ml' to t urn mu sic p uhhsher with Sydnry Bro n - fa t hrr o r actress Eleanor Bron -in 1953 . Then, m 1961 , he left Sydney Bron to laun ch OU! With hi s own puhl1s h1ng

Ht~ vnic• 15 also known 10 mllhnM thrt•uJh t hf' mf'd 1um ,f th l" Rohm Hood thrme of th r- TV ,prie., ol t hat namf".

One of the fore most publishers of

BRITIS H HITS!

SOUTHERN MUSIC

Group of Companies

Incorporating

SPARK RECORDS TEL: 836-4524

8 Denmark St., London, W.C.2 ---- - - -

LYNN MUSIC LTD. 142 CHARING CROSS ROAD

LONDON, w .c .2 TIM 0827/1

Maroog•l'IQ D,rector HA~OLD GELLER

-- -- ---1949 1969 1949 1969

EARN MONEY SONGWRITING Amoz,r,g Fr•• Sook t•lls how

Ls s 10-11 M, O,yd en Chambers, 1 19 O xfo rd Strnt, London. W 1 -4d Stomp

guitar

company, Dick James Music ---------------------------------------­" I knew it would be a hard s ing at first," he says " But that 's true or any businus-parlicularly mus1, publlshin ,i;

Jusl how well he would ber o me es1abhshed even Dick w as una¥oarc of at 1ha1 lime

But h is big break-not only 1 1urnmR point for Dick but a h1!1tor1<' event 1n the world of post -war puhhshing-camt­wh en he met Beatles boH 13r,an Ep!ltc1n towards the end or 1962

" Brian g!IVt' me ' Please Pll'a <i C' Me ' I published that, and I've had nothing but numher Ont'' hit s since," says Dick

Undcrstandably, Dick looks upon lh1s s.oni as tht- h1gh­l1Rhl or hi s career - even though hf' would he hard put to nam e h1§ favour1tc Beatles 'long

He does conft-ss a particu-lar liking however, for "Yesterday ."

"Maybe it's becau\e rm a bit o f a squar e and love bal­lads," hr IIURh ... "I used to s mg a Jo t of ballads in lhe •• rly days I always had morr· o r a Jea nin/i! toward -. 1he­mr lod1c type of song."

Ask Di ck James if the re co uld eve r be- a reput success ~tory to match th, Beatles· North ern Songs saga , and he say ~ "Well, 30 years ago, Rin& Crot1 by was a phen11• mf'nnn. Rut he sang other pe<iplt-'~ ~flngs

"Thl'n in the hilt Thirlle!> and foori1cs, Smntr.t proved an,1thtr phr-nnmf'min But ht', w o . sun, 11unjil~ by varmu~ t<lmpns1•r._

Then Elv1~ Pres.le~ camte alnn.: Thrre haYt' always ken the,t• phrn omena rif hnw l>u\10t'~\ Bui you'd

havc fr, ¥o31! a lnng timP for any•>nr to comt- along l<J matrh lh<! Beath~s and their ,1wn 1oni;!wr1tin,:; lalent

"Whtthf'r the B'°a!le, whuld hav,• h1•tn SUI h I ••wrldw1d,: sucreH w1th11ut 1h,•1r sontc'l •~ a n10Dl poml 11·, iilif'" i~kmtc ¥oh1th c1mr ftrst. 1hi· ch..-kt"n (>r tht 1.'lUl

Whalrvrr !ht prns and ,r, , rhu l"•IOL lhl"f • no

,lriuht 1h,1 alt thn l 0 ,1111, alhi-d ru th, Hl-llll"t l,iil .. ,,i~

~,J1n~:~"'1~"Jd ~~~ 1 ; :'';~ •. J~~

tul r ,. ,IJ, n nt : •·~&"

LAURIE HENSHAW

SUNBURY MUSIC IMMEDIATE LINE-UP

SANDIE SHAW'S "THINK IT ALL OVER" on Pye Records

CHRIS ANDREWS' "PRETTY BELINDA" on Pye Records

MICROBE'S "GROOVY BABY" on CBS Records

" THE PUPPY SONG" recorded by SUZIE on EMI Records and SUSAN SHORT on MCA Records

4 great tracks from TOMMY REILL Y'S album on Polydor "PAPER HEARTED FRIEND" "IF IT'S AGAIN" " CAN'T

MAKE UP MY MIND'' - "COLOURS OF MY LIFE"

THIS IS FOR STARTERS

JACK HEATH DEREK GREEN ALAN BUCI c,t

50 CURZON STREET, LONDON, W.1, Tel: 01-4" ~ t

r1 .10- 1\-H: Ull}Y ~1A KFR . May JO IQ{.9

JO"') I' ll ~H NRll L._ I~ ltt1' wnl( • '-l'f"•·• ¥>ho authorn l t h1' 1>• 11\ 1\1411 Book 01 (.O ldl'n Oh<""•-·· lh • lohlr) o f , , " ' millu-n ~t> ll1nll d hc ln 1h, 'o' l"lrld !i inC' t" 1903 ," Ht> rl'". In hh or- lnlo .. . 1or • 1h,• ll' II .a ll l llnf' 10 1, mnn.,., •p lnn tl"•

• \\11111 OU..hll\l\": ( )\ t \(Jl.1 d1-.\ \'t r~ 1ons ,ud 11, ,·r ti~, m1 l lttin s,,1,~,.. ,n U'.'-'\ .md C.m11J.\ plu,; ,ti llHlll\'ll [111 r: 1;:n ._,l it 'i

I nlit1 'l , mdlttl!l UmJ..' (. f l! ,h, " \1·r,1un arn1un t, It r <ti m1ll1un 01 lh l' L1SA ,rnd t .m 111.1 ~ ,('.., \\ ri t lt· n 11' lr,1 n1 Ht- ri m ,n l llU

• ltll>OIPII llU- RI0-1\O'1:ll H.I JI\IOH: lt An ulh, 1 Chri '!. tm•s sonR. o r 1114q , 1nt ;1 •t Wutt" n h, h hni" M trk "- So ld !'H m il h <•ii 1n llSI\ a nd L Ana d:11 .lti n11lhon fu rc: ii: n

t, "- Tola I ~ {I m •lltun

• .s1.\ROt1,r. Comrum ·d h, llu., lo! , Carmu:h,ll'I anJ \1i1th1 II l'an,.h m l!l'.!7 llht \OC41 ver:.1on C.lOll U\11 m l 91CI) Ahllut l ,Ornl lilffl'rt·nt disc \ 'N ~1c>n3 n1adl' riunn,-: )ll\St 40 'n \15 ll oai.:.:-- Carm ,chncl ~r11 n,nund 15-20,ll00 dollar~ ~ \t"llr rrom ic

• H A FOR TWO. Frc.11t1 No. Nu, Na nc:Ut· >ho w o r 19 :;> 1 l ompoSl·d h \' \'1n <' llll You man, ,rnd In. in~

Cl t'!>ar Ano thn p u 1-lthrnllv r1·n>rdt'<1 son i.:,

e W I N I"! k WONU!-H • L\ '\Jl>. \n'lth1 r Chr M ma!. -.on~-- frnm 19:i-l (onlJHJ.:,,t•d h:,. ni ck Snu th and Ft- h x lkrn m.l So ld nvt" r 12 m1ll 1011 dt>t,

e !\·TOOi\ HI\ l- 1{. From l !)t; J Rri·nk ra~ , Al 111 fan\ 's 111m 5 I ,1 r r In )( \ udrt'\ Ht"phurn Com•

po. tr<::. l h-nr, Mo.m: in 1 a nd Juh nn) Merc,•r Over 500 d1!Tt"n·nt n rn rd mtt" and hail t•.Hn1•d .tn t'Sll ·

matt·J h.ilf.milllon dollars so fa r

• NIGHT \ND DAY. From Tht~ Ga, O1vorct'. 1932, sta rrm~ FrcJ A.sta1re Co mpo,;;e r C:oly Po rt t' r Gn·at fn\' OUrl k \\<Ith J8 L7• nun as "l'll as an t'Stah lished l wr).trl' l'n

D ESPITE the competition of the giant_s, anyone could set up a successfu l music

publishing company in two years - pro':td· ing they have good songs, says songwriter and publisher Les Reed .

Les, one of the most prolific .:rnd suc c_essful wriler~ / producers / MDs/ singers/ publl~hers 1_n th_e business, is the head of Donna Music, which is part of the Francis, Day and H unter comple_x. Donna , named afler h1:r; y oung daught er , also has Kevin Music (named after his son). Chap­ter One Music and Les Reed Music, as sub­sidi aries

Ht;< also con-t ro ls Chap tt' r One, Re,co rds :ind owns Wes~ex Sound S1ud1os, one of th e, bus ies t s tudios opcr.1.1 m g m London

Les 1s of cou rs~ a very wealthy man ns a result

Les's one man

• BEGIN THE Bl:GUINI · ~~bli;~i~;~ so~;~ Anothl'r Coh- Porter to m• like "The Last pos1110n, from 195:i sh0\\ WaltL " and " Dl'· Jub1lt't" Hut real\)' mat.fr lilahn He first 1t h1~ \\h,~n h11,.:· bund vc r work ed with Rob-s10n maJe m lnt .t Th1rt;l's bins Mu s ,c as a

• Sl. t Olli' HIUE:-,. Writ - hy Arti e Shaw sonp.\~nter where h.n hy W C. Hard), the he fo rmed Donna

band f11lh1•r of th" bh.1es , in • OL' M.\N RI VER, from Music. He later 19I~ Thou!-.:lnd._ (1f d1f 1927 sho" Sho 1,•,boat moved Donna to Francis, compa ny f1.re,nt 1,h!>c \'t!'rs1ons but Composed by Jl'rome Day a nd Hunter a nd s igned That was 1n 1964 and the l)r) r<l\.'.lh1t>, ficur,• a\.all · Ke,rn and Oscar Hammt" r himself as a w rite r to the ~~~~e:~1~~c~~-:sft~a;~athr;:

;:::•;hi~=·=======::::'::"::'":::::':::' ===============,1 t predicts that the co_mpany

WAS IT YESTERDAY

Recorded by

DONALD PEERS

DECCA F 1 2922

IG

may have to go public next yea r in order to expand even more

" It certain ly may hap• pen," sa id Les "We have had a nu mber o f ve ry sue• cessful yea rs a nd this cou ld be a log ica l move.

WANE "I think that p~ople

would be more prepared to invest in copy riR.hls which provide almos1 guara nteed incomes rather than, say, s ta rs whose popularity a nd fortunes can wane .

"Thal's why, in this res• pect , we are probably _i~ a mo re advantageous pos1t1on than entertainers."

Donna Music publishes about 100 songs a yea r "Roughly two a week . And about 80 per cen t is my own mater ial - o r th ings I have written with Ba rry Mason

"This is a situation I am trying to change I am ex• panding the international side nnd w e are publishing things from a r tists like James Lost, in Germany and other Continental writers to which I or Barry or Jackie Ra e or Johnny Worth can put English lyrics ."

One sont: thPy hav i: Just published 15 a Jaml's Last compo,;it1on t·alled "Happy Heart"

LOSER Les startt'd life as a mus1•

cu:m and 1umed to wrnin!,! 'longs later Ht- realtscd early that tht· \1,-r!ler 1s oflen lhe lose r in tht' lucrntive world of puhl1sh1ng

"Wrltt•rs often sta r t off on a bad foot The-y arc often out-of-pocket so rt of peop le whn sign up with the hrst puhl1c,li~r thev m,·u and nr:vt-r renli~t' lht'1t full Pa rnmi; po!enttal

" It took nlt' a couplt" of vt•a rs tn n·,1li<-,t· !ht!-. und Whf"n I d,d, I forrnrd m, ()W n compan" ·•

Lt·s a~n·e.., lh.it lhe puh l1shf-r of a h11 -.nn1-• c.1n

DON'T GM IN TO HIM THE (DI~Q~!!~PUR Recorded by

GUY l'UCIITT AND THI UNION GAi' r.ecorded in Eng lish by

LENNY IUHI onC&S•t22 on Ph1l,ps I F 17n

THE BURLINGTON PALACE MUSIC R UP, ert Embankment, London, S.E.1. REUance

LES REED :·• usually, the fi rs t four ba rs a re e nough "

make "a he ll of a lot more tha n the writ er"

But to do this, the pub· lisher has to be realty Or• ga nised, pa rticula r ly when 1t comes to the fo re ign ma r­kel

CONTROL He has to keep close con­

trol of the roya lt ies from other cou n t r ies because some publ ishers, he sa_ys, fi nd a lo t of ways o f us ing royal ti ~ for the "food" of the pu blishe r o r wr1ler. ra­ther than sending them back

For this reason, Les finds it bene ficia l to be con nected with an internationa l o r• ga n isation like FDH.

"Because 1f a nyth mg does go w ro ng, I am in the same office nncl I ca n at least raise hell about it"

Publishin g 1s, says Les, p robably the most lucrat1ve­se2ment of the popula r music indust ry.

"The publisher has to work very hard, bu1 1f he ha'i a succes,;;ful formula nothing is mo re lu<'rnt 1ve "

How important is the sheet music sale!> to Donna Music?

"Ver} 1mpor1ant On 'last Waltz,' for example, we h.ive sold over 100,000

.. Every o n<'. Usually, the first four bars are enough. If 1t hasn't g rabhed me by then, forget 1t.

·• Bu• I do listen to every one because a few yea rs ago I was away a nd some-

one else m the office turned a song down w ithour mv hearing 1l.

" When I got back, they told me about it That SOOJ.:_ tu rned out to be a top thrt:-c hit here and in the Statt"s"

MELODY MAKER YEAR BOOK 1969

Your instant guide to the production, technical and business sides of light music. Now 228 pages w ith updated and more comprehensive ,nformat,on covering agents, record ing companies. managements, producers, publishers, in­strument manufacturers, d ealers and so on - all li sted fully w ith names. add­resses and other details. A section for artists, too, and for ballrooms. clubs, photographers and others who have in­terests in entertainment and light music

W ith the Melody Maker Year Book on your desk you are in constant touch with the ever-growing and varied world of Pop, Jazz. Folk and Blues

USE THE COUPON NOW ---------------~~~~:~e 0 ~1t

1h!o~~si~rodu~~ I

~heel sales of 30,000 lo I ,o.ooo. I

To: MELODY MAKER YEAR BOOK IN I Sales Department I

PRINT " We p rin t up eve ry th ing

that i~ recon.il'd; nm n y puh llshc: rs don'! do this - a nd fi nd tht:-mselvl'!I m I mess when tht' re<'ord", a h it U

And fi na lly, did Le!> listen sOllj :1t1hm11tt>d lo

I I I I I I

161 -166 Fleet Street , London, E.C.4 I I enclose cheque / P.O. for £1 . 1.0 . Please I send the Melody Maker Year Book to. I

Name ....... .......... . ... .. ......... ... .. ....... ..

Address ...................... ....... .

' L I

I

M H ODY ~AK FR . M a~ 10. 1969- P•J~ 21

The beginnings of bop • Scott band LP debut

Early shots from Cannonball Adderley REVIEWERS: BOB DAWBARN, BOB HOUSTON, JACK HOTTON, MAX JONES

JAMES MOODY

JAMU MOODY • G(OI.GE WAlL1NGTON "Th1t l1t9l"nl"II

AOttt bd: .t •• ,.N ~

i~1~~ J: · J~~t~l~ JbJo i::, M,.,;,.1nmoµh(,l01 !OJ, MOOdl''\ 1\11 lronl o( (hi . fw,l1vOI 1<1

1 ht' 11rrml~(·n1t.•nt !I for this hand wt'rt' hv G,1 Fullt.-1 and

!~('yth~nv~a:J~~: ~r 11~~~r w2~

ye:.rs. ,t, like mmi,1 of the penonncl. wu, 11 that time, nswcuued with th1• Glllesr,ie hi~ hand

A s Pt'lf' Weldin1t'' slCt!Vl' note puint 11 out, lhe 1948 bop was harsh And onau lar, if ohen exciting But 19.54, when thr W.ilhnawn tracks were re corded, the mutic hnd become rt:spl'C.tnblr and highly 1nphls1lc11ll•d, The rhy thm .-~1,on nnd the • rrnngem<> nts -hy WolhnAton and Qu incy Jonc!l-are smooth and the 1oloi1ts slightly l<'H In the debt of Parker and Gille1p1e

A llltlc of the cxclt~ment ha, 11onc too, hut this 11 com•

~;~11~irk rc~r hfiur~s~ Pi!:!~

on llus LP While it mav nm he th<' IOU per cent knock out thot we had the riaht to expect, It s tlll pack!> cnou~h impact to impress

While the material which make, up th11 art was s till fresh-as it certaintv wu when thl!'I WU made-the wilder soirlt.s were still find 1nA 1t sufficiently sustaining

John Surman, for example, pours out an energetic sop­rano aolo on "King Pete " and Kenny Wheeler's exquis­ite llugclhorn 11 11 de hght on Donovan's " Reedy Ri11e r "­Hymie Donovan, as lhe leader l ikes to point out

111,~

1,•,~r:;i;n\ ) ;le I Bob~r(IL~~~ld ~~f

tlh1• No l• 86S0J •. tol-JOMH Moody And HI•

Mo-deornl,h Moody ltnr), Dov1t

nnd Ch!vcland Pt"lt1fnrd and Clarke Cl' r toln ly kl'Pl lhiogs cookinR

~ mos t mtercst mg set for senous coll ectors. Younger jou fans m11y find it a \lttl<' old hat - 'B ,D.

Everybody haa a sav, and allhouAh the 1t11ndard of solo work is high somehow there'!! still something lackinR For a 11arictv or reasons-recordm~ cou ld be better for one-the sheer enthus iasm for the Band Itself which so marked the early sessions ha5n't bceo captured

Minor cr iticisms reallv for those who have enioycd Ron­nie's band will certain lv find little to comp lain ohout It's just that, for me. the band was-and ~till ts-a glorwus development and opportunilv which hasn't been fullv re­alised.-8.H.

Ronnie Scott by H umph-flom the cover of the Band' s new CBS LP ' Live At Ronnie Scott's.'

~.~~~•· ~!:;," ~~.~,~~ ''E!!li '"""" {t"UJ), Jomn Formo" u,,,..,I N1th- loyd lho"'I. TC'ddy $1•.,.ort td"I, 11MI

IM-01 (o) lt\<ff>I A, t ,~ ... ,, ldr\) lf'PIOC rs Str-•rt Ai.W Chono Poi• ltiongo,)

I• I Ct1or91 Wellington "nd

:!1w- ~:~!, n~~',''~111~:',, ~~o~~~ '-" d {lmb). Fronlll ruta, llrv), Otcor PeltUord lho") IC,nny Clorlll• !di') 1Q')4

B_l ~l~~~~!,c~~:~,:;1~:1::~~

srr1<'• undt·r the ltl'nnnl head• 1n1 or .. Ju& Clan,cs." Th,, ,,,.rlio1lar ut Is pos.s1hly mort-1n\rrl'1.hn,t hlttorlcally thnn rnu,1c-ally - cv<>ryonf' con <Nnc-d aport fr om Moody, rf'tlilnrd, Clt1rkc i nd Ulakey ..., 111 prnhably ii.n down ,n

~~~n'"r/;i"";i~s~buci'1~~~rJ~~~~l7i nn•on 1hnr 11m't niuc h to en 111v in the mu11c u wrll

l'h(' J\10()d\ .!iC t rrom 1941'1, wh•~h take'l up s1dt on,,

1~~w11~'n~c:~~erv0jd1nfh';~j~;, ruker and D1z.n G1\k r,1 t' at lh:tl llnw All thn•t.• 54). aulm•l'l, ,tnd lht 1rumpeh, Mmnd rOrnPl<'lt.- 1)· under thei r 11p,•II ll'M•u,h Moudy h,miwlf p I"\· t> d w11h rrm-trkahh• .1ulh1•nl\ nnd :tJ:tn, 1or1

RONNIE SCOTT

RO NNI E SCOTT A NO TNE RA MO : " Llvci A t Ra nn lci Scott•t." R1<.0ldCI ~. King 1>rtC!, s«ond QVC!~"""· Morm

r!/g• o~00n,,;0 ''RCC!~~ i.~~~:

Mocumbo (C8S Rc<olmio u. 52661) .

Scort llnr ). Kc"n r WhH IC' r (lPI llugl"I/, Ch rh Poyne (lmbl,

:::m:'norl~~. lo~;•) ,lll)Ga~: :: Deck (pno), Ro" Mo lfhe1w1on lbo~,1. K•n n r Clorr, Ta n r Olt• ler ldr,! Ronno(' ~OIi Club, London Oc tol>C', J'), 16. 1968

fHE :~~ah~:t7,:n~a°r:d R;;; oni: of the happiest events of '6k If a hit ur perwnol d1!,• ilum.mmcnt al th<> dirt-ctton 1hr hand took crept m latn, there arc i.1ill man, happy memnril'S ol some tr<>mt>ndous ~c t, at th<' club

Snml' nr them arc captun·d

NEW ORLEANS OWLS

N A PPY LAMARE

TH[ NEW ORLEANS OWLS Stomp 011. Let's Go lol, Oh Me' Oh My' fol lh,e Ow1n· Hool (al, P1ccod1ll'r lb!, Tom l)N'kOt' {bl. Oynom,lt' tbl. Ptl"IIV Bobl' lb), Wc\l End Romp tb); Btow1n' Of I Steom (c). Wh,lc GN,I Shiver~ ltj Ttw N1ghlmo1t" tr) B1olh.•rly Lovt- ftl (VJ M VLP 21.1

TH[ NEW ORLE ANS OWLS/ TH E HA LF WAY HOUSE OR -

JOHN PEEL

CHUTRA • Eccentroc (t). Thof's "- Plenly !c:J, Meat On The! Tobie (ti; The New Tw,s· tor (di, Goose Pimple, Id) Th,ow,n' The Horns (d,, Won't You Be My Lovin' Boby le); I Doti'! Wont To Remember {cl, l Hole Myk'lf For Lovin' You (ti, LIU Vour Lips Touch My Lips (IJ, I'll Go Bock To Tho! Dcor Old Pol (f); Wl'he >wenue Blue, HI \ VJM VLP22 .)

(ol - BIii Padron tent), Ben/I• Whlh (tit, ol t o), Lu hr Sm ith ttnrl. Maso Farror (pnol,

:ronn•c ?,0~~, .. bl~·., o~~~•m;0 ,d.~t

1925 lbl - o~ fol plus Fro"k

Ne tta (tmbJ ond Pinky Vido • cc,vUch fell. ollo) 1926

ft) - os lb) but Slgro Chr l1 te n1on tpno) reploc:cs fa!for . 19 26 ond 1927 ,

(d) - 0~ (bj but Noppr

~:;;i reo~~ ••Re~10,B:;~;;01~~~~ veil oddcd 1927

(el - A1bc rl 6runlu (en!). Charl ie Cordollo fe ll ), Red Lo"g /pno, vc:I) Ange l Pol-mh o"" fbio). Chink Mortin Clubo, bo1 ! Emme tt Rogers ld•~I JQ27

Ill -- os lt'l C'>tCCPI Sidney Arodjn ult. "'"' wh•~ttc) re· place Cardello, Joe Layocona ! ,!IOI oddlt'd 192ti

ff ANDS up all those who'_11e heud of BenJ ie While

or BIil Padron Tht-)' were, m

writes about underground centres OUT­SI DE London in today's issue of Disc. The music for which John carries a torch is generally [)Ssociated with London, but if you read his column, you'll find that good sounds can be found in the provinces, too. John Peel, uncrowned king of the under­ground, writes his own column in Disc.

It's in Britain 's best-selling colour pap weekly.

GET

DISC and MUSIC ECHO

OUT NOW

fact, the leading musical lights of White's New Or leans Owls who were resident between 1925 and 1927 and the Hotel Roosevelt in the Crescent City.

The majority of these t racks have never been re­leased here before and they a1 least prove that the Owls' obscurity 1s largely unde­se rved Though a band which played for hotel dancers, its repe r toire was most certainly a jan one and only on the tracks with a second cornet do the arrangements really get m the way of their J81.t. inclinDIJOnS,

The interest maintatned is largely due to Padron's cornet p layi ng whi ch is a little rem ini scent of Joe Oliver and mo re of Pau l Mares. White, too, avoided the excesses of most or the wh ite cla ri nettists of the era The band, as a whole, produ ced a good. rough swing

T he s ix tracks on VLP22 by Alber t Brun ies' Half Way House Orchestra also feature some pleasa nt trumpet from the lea der , th is lim e more in the Bi x-Red Nicho ls mould And on the least fou r t rack'­there is the considcrahlc attrac11on of Sidney Arod io's liquid chmnet - ih1s 3lbum would be worth the trauhle tor the chance to add to che ll'w examples of Arodtn alone

The!,e are not for the casual Jan buyt!r But lht' Jed1rated collector will find himo;rlf tewarded a, much hy tht" muo;,c a!> for thr c;hann· to hl'Jr snmf' rarr, early, wh1tc N~·w Or leans J377 - B.D.

OSCAR PETERSON

CANNONBALL ADDERLEY

J ULI A N " CAN NO N BALL " ADDERLEY ; " Co""o" boll

~h;r,s;~!!"·'~ul~t Bo~"~!'~: Jub1lot1on; Stoy On If , If I

~~vC~(:~tnsJ~tf~Jz7 ~ Chaser Add ci rl ey toltol, Mot Ad der·

loy \tpl), J11niar Man ce (pnol, $om Jo nos (bo$SJ, Ji mm y Cobb ld1s) New York. Morch • ond 6, 1958

T HISd;;~e'w~:n b~caknntini:,~ did the best Parker imperson ­ation this side of Birdland. Brother Nat did a fair Miles Davis at the time as well­still does, come to think of it

However, the Adderlevs can always be relied on for mus ic which lays the empha­s is on swing, and the boppish ed~e to this 1958 group, nicelv flavoured bv Junior Mance's percussive and very bluesy piano, is Quite pleas-

'"• Both brothers are verv eclectic players and he re it even stretches lo the arrange• ments. " If I Love ARain " is a ri nger for the Clifford Brown-Max Rouch vers1on of a few yea rs ea rli er

Far from ind ispensable, but ,r you fa ncy good, bright 1958 11er5ions o f what was happen • inJ! tn 1948, th is 1s r iRhl u p yo ur street.-B.H.

FREEMAN/ MILLER

Bud 's tenor 1s lively, me Jod1ous and precise in thf' familiar Frttm•n fashion -commandm& at all timH and heated 1n one way, tranqutl in another

The ballads are pretty and warmly sensual but always on the safe side of scnumental-1ty, and the same 1s true of Eddie Mille r (" Hour Of Par~­ing," "Yesterdays") on hl5 half

The up tunes swing in a sharp, authoritati"'.e manner and Freeman's stylised 1mpro­v1sations are admirably sup­ported Barnes hios several very clever solos and Cary·s piano 1s pleasantly _spa re. 1t may seem old-fashioned to say 1t, hul the tunes arc good. too

Eddie M 11ler has al"" • )'S been a sort or quiet favour11e of min e - o n tenor, which he plays after Bud but more fluid in the New Orleans. way. and

~~oi~•;ine~r uh;; h:~~ to 1i; clarint'I

Flavour

Here, he wo rks with a 14• piecer on the rour ·44 tracks. "Monday Date" _(n1.ce Stan Wrightsman, the p1an1st m1ss -1ng from the sleeve deta1ls_l. " Yesterdays." " Stomp \,r Hen ry Lee " (more wild piano and solid tenor) and the moody "Partmg." Overall, these have a pronounced Bob Crosby Oavour

"Muskrat ," hy a more Orleans-orientaled a nd smal•

~~n~~~urtpl)~\r~~~~~et'1~~t'\ and such Crosby colleagues as Ray Bauduc (d rsl. \'t atty .\t a tl ock (cit) and "'l appy Lama re (gt r l This one s teams a hit

Finally to an unusual Quin• tet ve rsion of "Cajun" which has Ve rret domg the patois vocal, \1 1ller o n ciannct - tn spite of the !lleevc - and Ba uduc, Lamnre and the !11th fu l \Vrightsman. - M .J.

SLIDES~sn It's simple wh1n you UH TrombotlfMI for Trombone alldea (obv10Ully) and TfUnlllllllnli for Trumpet valv• (naturalty) ,., ,.... Wlrlll th•o lubricanto ha .. - - IMI W '111> p,o'"'-eJ mlllH:I.._ T....,•a quality (-1) 11 undtanflll. Oill --T~.W forvour"""-"'""-~h.it_ .....

p •i,tt :?.'- 'v1£ I OD'r \ 1A Kf R Ma} 10, 196H

Mouth harp the easy way AN'r d<1ubt , ahout v.het her

th.: harmonica wu • mu11k•I lns trumo,n t were d\,;. pr ll l'd w h,n Larr y Ad lt!r bunc on the in ternational sc,n,. Tomm)· R,illy furth, r pro \ ed over the )-t'an th at, In th, haods or I master, tht- harmonica <'.a n be made 10 produce a n u ton h:hln R rlnRe, ur musica l ,ounds.

II Is mt-n like Adle r ' a nd R•ill\· v.ho real!,· put the harmoni<'a on the map a!I• a solo ln i. lruml'11t.

Today, of cou rs e, ha rmon• icas arl' n regular part or the rhythm 'n ' blue'i and fo lk s<'. l' nr. And anyone who aspire,;; tn master the In• 1truml'nt c-ould not do better than to la~ out fi~·'" guineas for thl' Tomm) Rt'lll) Har• monk,1 Coutu published b)" M Hohnl'.'r ltd

TEXT 1 hr cnune, de\li<Jt'd and

writtt'n b) 1 omm, Reilly an d olan lst•arransr.er J ame" Moody, con1hts or two LPs and II co mprl'hensivt- lns truc• l ion h1•<1k.

Thl" lt>Jtt and musical if. lustratlon!i are complrmen• tary· In the recordlna,. The student is take n throu1,:h thr bu ic !.ler,1 of playing and mu1";1rn\ notation.

T hf' coursr Is, In fact, a most t·onc\,;;e and c:leu•cut ei,.planu1inn of evt'rylhlng nn.- would ""ant If aspi ring to bttome another Rrlllv.

SOUND SENSE SOUND SCENE

COMPILE D ~y CHRIS HAYES

Reverb/echo unit-Hank:s only recording accessoraes

W':ta!k f\~:~rnm:: whd~~ he recorded such tunes as " FBI " nnd " Shadoogie " and what docs he use now? Wns his amplifier and re• verb/echo unit specially made for him and we re the sounds studio produced? -1\. Danahe r, Arundel.

Mv ampli fier ~n d revcrh/ echo· unit u re ,;ta nda rd mnke and the nnlv eq uipmen t I use when rcco rdmg I used to use a Vox Twm 30 am• plificr and u Vox rn pe echo with a Fendcr Stratocas te r guitar. Now I use a Vox Twm and a Rinson ech o unit . Since 1964 I have played a Bums Marv in gu i• tar. So, as you can sec, theoreticall y, 1f you use th e same equipment you should be able to get the sa rnc sound . - H ANK l\1A RVI N

HOW ton g docs It take to make a demo disc and

what does It cost? - Mis! I. Coope r, lligh W ycombe.

l' rnv1dt'd Ull lll ts are 1hor• nu):hl y rehearott'd whr n they a rrrvc at thr 10udHl, n i,1nJ!t'r wirh a pi11n1~t or II gu1tar1s1 r an rt'cnrd twn tllll'~ IO hair

~;~hnru:t:n~;rl t! n1:rf1~rct r1:n~~ hnur 1ncludmJ ha1a nr 1• and plu~;-'hark lo:r.t~ v :H ), hut o ur <·h11rJtes 11re CG a n ho ur for tht' hire of tht: stud111 and £\ fnr U !l lnJ?.ll· 'lidt'd and ;H)5 fo r a rh,uhlt"•Sltlcd rt•tord We l"an c;uppl y mu~1ctan!I. but d

~~t n,~dpr~irJ!! t~~,:rn~~t ~: stss1on mus1<'.1ans art- \'er)' expcn!i1ve .- Rl:.G£NT SOUND t TD, 4 Denm ark Street, Lon• do n. W.C.2.

W tan':!jut~~~~~ W8ha~~o

O

r~

THE IDLE RACE

HOW does the lead guitarist with the Idle Race manage to get a violin sound out of

his old Fender Esquire, apparent ly without any special equipment, and how does the group get the phasing effect in " Born To Be Wild "? -Roger Ba ll , Syden ham . ,

<lttcllttl"!; * l>cll"J:c1i11!; or spoons do we rt'qulre and ho w are the)· pl ayed? - 8. Thompson, Weymouth.

We ha ,.. ,- two !l poons pla y• ers, ftr!>tl y tht; incrt'd1ble Sam Spoons, who pllay" vanous ,;17e-., most!~ hi1;: ones, as 1hey make the most nmse, and John ·· G1eVl'I'" Watson. who plap tea-~ponM beCIU'lt"

The violin sound is my own method, which l hit upon quite by chance while experimenting Pluck the string wh ile the guitar is of! and after you've done so, t urn the guitar on and tremolo the string To a certain extent the sound t:a n be attributed lo my amplifier, which was the firs t Mars hall ever made. To 1:et the phasi ng effect, put your fin ger lightl y on the s tring and pluck it very fast, moving the finger up the neck . - JEFFRY LYNNE, lead guitarist with the Idle Race.

For expert advice on purchasing and playing-see your local dealer

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~~~~ I '°~~e e:e5/!in b~h::rr~~~

bo th self.tau(!ht and recom• mend thal you gel tY.o spoons

~:o~~~:~d sizfCJrpre~:~~e~ly ~~~~-Standmi; with the lt11s s light· ly apart. and crouching slight.

:~ ti;~~;~i tf~~de (l~hl~h~~~~~ ed, read backwards). W n h lhe bowls or t he spoons facin1e outwa rdJ. p loce between the 1st nnd 2nd and Jrd and 4th fin~ers Wtth the concavt"

~;i: ~~u~h~ig~'~:m t~~~h;~J~ the left kn~, ot the same time, place lefl hand about four mche~ above the -.poons Proceed to move your ri 11ht .irm up and down. The re a re nc, bookc; on thl' suhJect, .so you mui;t t!X()l' r1ment and pratt1ce h nrd - 808 KFRR. leader of Bob Kerr•,. Whoo pee Ba nd

P\E~:.! i~~~~;• be~'!.e!:)~;: a nd £30. - W . Tho ro ugh • aood, 1-'.allnR .

We stock a l11rge sclcct1on of folk guita r,, mc lud in ll t h t" follnw1n1? 1n your pru r rani:e· ~k" Rancht'rr- ((ls 1~ fid) R

• • •

and M (£26 16s), Eko (£29), Hawk (£30 4s. wuh cover). O twin (33 12!') We shnll be pleased ro give eve ry oss1Jt­anc:c 1n decidlnf.: w h ich one

SC1X~TJultLi~~ ~;SI. C ~ rl~~ Cross Road, London, W .C.2.

FEATURED WHO are th e mus icians

featur•d on the C h a• qullo re<'.o rds ? - Ala n Daw. !IO n , Bo w,

Spuce lim1lat1un prPvent u,. from naming thtm .. 11. but tho~t' employed mu~t frequent I\· hovt.' het.'n Peti: W1n1h,w Alhl'rt Hal l, Ra'!- Davit! fdd1~ Rliur. Bt!rt Eznml {tpts), [)nn Lu!!her. J ohnny F.dwards Maurie Pratt, Ken Goldi~ {lmh~), Barry Morgan, OtrllH!> I oprl .Slt'""art G1,rf1nn (l A

• mt-nl .ri t a u thtlr larsMt stores.

ARTISTS. fumlture and dress dellpera, mu&l­

d •ns •nd other who eon­lrlbuted to tho IIY "J\ven. IIH wlll bo repruenttd In • The Jou Ase, n Entw laln,,_t," whleh wlD i,. ta1ed at Brlshton rt Gal,

lory and Mu- m -• aa 15. Tho dacGr wtD N 11M :::'.!. o:i.,=.,.U:.,1t..~ artolH la ol the ,..... wlll ... , .. , ......

M H OD Y M Ak H< , M ay 10, 1%1J-Pa .. ,: 21

WOODY Hm n ,>n h.lS conclu­,1\'l'I) provt'd t h J. t n o t o nl y is

,narriagt bt•l WC't.'n ja1 z, and t:onl1.'mpor,1 ry pop a possi ­hihl~ - 11 is now. an ind1s­put.1bl< .ind es tJbhshcd fac t.

This ach1~vt•mt·nt has twc n in ­pirf'd and camec.l to 11s \og1ca l

~~~.~~~;:~n ~ ~{ ~~~:~:mt1~~~ wa~h,n~ton M ti)·nard Ferguson and Liontl Ham pton bus1s t. Rtrhard Eva n11

Adjustment And l.'qua ll y enthusias tic about

Lhe project . 1s h1 t,:h-not, trumpel spec1ahst 811\ Chase, who spent stven )1en rs with the Herd up to J9bfi and ret urned only n few wetkc. a~o ah er s pendinK two-and­a-ha lf yea rs leading his own band in Las Ve~as

La ter 1h1s yea r, Chase intends ~.\:~~)nta~i: own band-with a

" It has required a lot of ad­Ju stm ent to return to th e Herd ," says 81II . " It b entire l)1 different from what I have bee.n doing for nearl y three yea rs in Vegas

Gospel groups and high-note trumpet

BILL CHA SE : • jazzmen can get across to the youth of today •

" There. 1 "as leading a nine-piece band ~t the Dunes Hotel backing the Viva Les Girl s show - a typical girlie- revue with no star names

" And the fights started almost immediately . I opened at the Dunes with the big sound of the Herd still ringing in my ears .

" Although my band was small by comparison, I wanted to create as big a sound as possible. The only answer was amplifi ca ­tion, but 1 was most un­happy about the house equipment

Audible · J starl~d to experiment

with electronic instruments and eventually finished with my own equipment -balancetl to our particular requirements - amplifying bass, p,ano and saxes.

"J am awa re that a Jot of people, particularly m the jan. world, a re anti el ec­tronic sounds and I prefer the pure sound of acoustic bus myselr-but l can re­member so many concerts when bass and piano might Just as well not have been there.

" In a big, swinging band one can possibly l!et away

~~h ~~!~• ~~i/~~~oth~sd b~~ bow to thf" inevitable 1f my band was to be heard

" I'm all right - on trum­pet J can make myself audible bu1 the balance wouldn 't be nthl

" My spell m Vegac; taught me a lot and I know Just which way J am. going I mtend to stav with the Herd for tht• surrimer and in the autumn plan to form a band of piano, drums, elec · tronic bas~ and guitar-and four trumpets.

Rocking " I visua li se a rocking

rhythm section with a front­line of Jazzmen. and al ready I have written a number of charts. I hope that " hat I have to olTl'r will be accept­able for conrerts end club dates - and Wt' shall try to sell r«ords by I?ettmg ac ross to youn~ people

" Woody has proved that. by cardul adaptation. J8Z7.· men un get acrou to the vouth of today-and I've en )t,ytd domg it with him

• rv"" hurc.1 rock group-. l 1hmk I know what the)

BY JERRY DAWSON

are attempting, and I've even enjoyed sitting-in with them.

"It's funny reall y how, way back, the Four Fresh­men and particularly the Hi ­Los used voices as intru­ments.

" What l would like to do is us~ instruments in the manner that groups like the 5th Dimension use their voices.

" I'm very happy indeed in the way music is moving. One can play much more freely today than ever be­fore.

" New sounds no longer sound unfamiliar - they a re evident even in the simplest of television commercials. Listeners are being brought up on them - they a re n_o longer strange on their ea rs.

Change "Rock, beat, pop-call it

wh3t you will - has made people acce_pt change-new sounds particularly-as they would not have accepted them a decade ago IL is up to we Jazzmen to takt every advantage of this situation.

·• Music is progressing harmonically and . the 5th Dimension a re domg with the the music of today what the Hi-Los did in thei r era-

?~r\ht:;y ba;e s~~~~.,y:~gev~~ and getti ng it into t he listeners' ea rs.

"And you can relate a lot of what th ey are doing to Gospel music.

"I did a lot of resea rch mto Gospel music when I was last with Woody Her­man It was my mttntion 10 do a lot of writmf,! m th• ~ idiom - but I neve r got a round to it I shall certainly use the 1dr>a in my own hand.

" Gospel rt:-.11\y geh thl' message across stroni;i an_d swin~ing I shall re111m this ~ddin~ a Intl_. murt­harmonically."

The return of Victor Feldman NEXT WEEK IN M£LODY MAKER

MELODY MAKER and BRITISH MONOMARKS

announce a special postal service for

MUSICIANS WHO TRAVEL GROUPS, FAN-CLUBS

YOU CAN HAVE YOUR OWN PERMANENT

PRIVATE POST BOX AND TELEPHONE MESSAGE SERVICE

Your MAIL foiwarded to you DAILY- mail also forwarded to meet you as you travel within the U.K, and abroad. Note : You can change your forwarding mstruct1ons as often a_s you require , notifying us by telephone, letter or cable . TELEPHONE MESSAGES and TELEGRAMS will be phoned or cabled to you ,f urgent .

i.e by using this special post and message service you will not have to keep everyone advised of your movements but they will still be oble to contact you quickly via the British Monomark post office . Mail ond messages can alsn he telephoned for at the Monomark offices in High Holborn, London, W .C.1.

ANNUAL SUBSCRIPTION to a Box Number: £5 .5.0 for Personal use (this works out at only 2 /- per week) £15 15 O for Groups or Companies. (Postages and telephone costs are invoiced penodtcally at 1 d per item collected ; 2d per item forwarded; Telephone messages 6d )

------------------------------------------APPLICATION FORM FOR A PRIVATE BOX

Th11 lorm 11 obsolulely conf,den1,al The addreuof e Box Holder 1s never reve~'led w,1hou1 h11 pr10< permission

NAME ............... .

Present ADDRESS .... .... .... .

......................... Phone No (Remember. y,;,u can change your IONll'arding m1ouc:t1on1 at ohe<1 u 'l'OU requ,,.,

At present, should we FORWARD or HOLD your mat!? ..

At present, should messages and telegrams be ' phoned, cabled or posted to you. or will you telephone u, for mesugNl

Poat your apphcation form and remittance to· PRIVATE BOX APPLICATIONS. MELODY MAKER / MONOMARKS. 161 FLEET STREET, LONDON. E C.4

Cheq.,.. • "II P,09U1 Osden nude p,,y,elll• IO ~RODY MAKEII

Immediately your apphcat,on form II rece,ved, Brltl1h Monomarka win und you your REGtSTRA'tlON CARQ antll ti...._ phone number to use for messages You c•n commence uan,g the MNtce immed,etely yau .,. giWn YoUT 1M,....... you are travelling at the moment then you can telephone for confinn• t1011 of your Box Number

TWO-PAGE FOCUS ON FOLK SPECIAL

Cliff takes his first step • 1n CLIFF AUNGIER sings the Bee Gees on h!s

fi rst album due out at the end of this month. But Cliff isn't jumping two-footed into the pop world. . , , . ,,

"There are a lot of styles on Jt, says Chff, al­though I don't know if this is a good thing or not. There are two instrumentals, and hair the album is my own material. The two Bee Gees songs are• Words' and • Morning Of My Life'."

;:::.========:;t Al~~r~~n•!he ~l~h~ lsJ~; We don t wish to talk Came From Baltimore,"

about this record - n speri ks which is the title track, for itself and a JuK band number

FESTIVAL AT TOWERSEY

THE YETTIES BRIAN PERRETT

BOB GRANT & JOHN GRAHAM JENNIE MANNERS

JOHN KIRKPATRICK THE VALLEY FOLK From Denrs Manners Long Odds. Towersey

Thame. Okon 31 /6 (inc. post)

"Wild About My Loving,'' which contrast with the backing on some tracks provided by the New Workl Symphon} Orchestra.

Prior to th e a lbum release, by Polydor Records, there is a single, "The Lady Came From Baltimore," scheduled for May 16, which coincides nicely with Cliff's stint on Radio One's Night Ride pro­gramme starting on May 18.

"If anything, I'm moving on to contemporary things, possibly a little more commercial although 1 still include one or two blues songs In my act."

pop BY TONY WILSON

Cliff began his sbtging career with blues, Includ­ing a partnership with harmonica player Royd Rivers. Cliff took over from Gerry Lockran bul later went solo. Up until just over a year ago Cliff was semi-professional, re­taining his job with the FJectrfcity Board as a research worker.

But increased demands for Cliff's services In folk clubs brought him to the conclusion that he would have to choose between the two - and folk­singing won.

In 1966 Oiff got a good break when he was asked to compare A Cellar Full Of Folk, the predecessor to Country Meets Folk, on which he has since made regular broadcasts.

His approach to music has gradually broadened and one of the reasons for

OUT TODAY

Oil! the gteat

NEW ~OCC8t W88kly! ,; It "GOAL

* WHO IS MR. X?

* Whot 1s the identity of football's mystery man?

* He's m glorious colour!

* Get GOAL and see who it is

----

.. ,,. - I - :·-:-- , i I I

•, . '

' . 'ii

.. • • , . ..

t •

this ls that despite the biginterest in blues, the Broonzy-Brownie McGhee styles of blues played by people like Cliff and Gerry Lockran are not so popular as the country blues of si ngers like. Blind Boy Fuller, Robert Johnson and Blind Lemon Jefferson, as played by Mike Cooper for instance.

A trio defying neat labelling and convenient categorisation

With his change in reper­toire Cllff is setting his sights outside the folk club circuits. " I like to dabble in pop but I'd like to try and take my style into the pop world. In about three months time I'd like to try and start lo move Into other things but that depends on the success of the single, I think.

"I'd like to go into cabaret ir I could get away from my usuaJ kind of music. In thfl last five years, we've had a large percent­age of traditional singers but now you've got to be an Instrumentalist or scene. That's the way It songwriter on the ro1k is now. The copyists are getting left behind.

"The folk scene has become settled, stagnant. You get a good atmos­phere In clubs outside London, but the ones In London are not very good."

ROY Harper. Pat Sky and Leonard Cohen all

form part or the . musical batlenng-rarn that ,s pro­gressively pushmg down the barriers of songwriting, de fying neat labelling and con­venie nt categorisation. Harp­er's th1nl album, "Folk­Jokeopus ·• (Liberty L8S83231) was a long time coming but was worth the wait. Roy's writing 1s a kind of pop poetry, sat1r1cal, 1ron1c, funny and individual. His sense of lyrics is excellent and can be as clever and imaginative as it can be sim ple and effective. On this new album there is included some of hi s best songs to date. Particutarty cuts tonding are " McGoohan's Blues" and "She's The One," Also included "Exercising Some Control," a good ex­ample of the Harper wit, "Manano" and, his tribute to San Francisco's famous pot­smoking pohceman, " Sergeant Sunshine,'· who turn!.d on the steps of the town hall. A very good album by any standards - TW

A ~r~t1e~A~t s~;~~v;r

5:c~~-recenlly, is heard on "Rtallty Is Bad Enough" (MGM Verve

FOLK BOOKS THE VIETNAM SONG•

BOOK compiled and edited by Rarhar:i Dane and Irwin Silber (Guard­ian / Monthl} Review Pres,;, 33s). No conflict in recent times ha-, caused more protest than the Vietnam war. All over the world people. have \poken out against thl' war and sonJwriters have madt­lheir objections known ;hrough the medium of ,ong. Barbara Dane and Jrwln S 11 b er have ~•Uhered C0KClher OVff 100 M>ng'i from the USA, Canada, Au tralia, New Zealand, Cuba, En1land, Grrmany, Holland. Italy, Japan, llru1u1ay and Viet­nam.

Not IUrprlstnaly, the l•f'lftl ... lloo, lo Ille ODIINClail of contrn...ci.,. '""" Amor­lca Ollll c....,_...,. - ..... 1'1111 ..... Soeatr, ,_

Donald of Country Joe and the Fish fame, Tom Paxton, Len Chandler, Julius Lester, Nina Simone, the late Richard Farina and Fug Tull Kup­rerberg.

The British section int'ludes TOO}' McCarthy's .. All The War·-, Ewan M11c­Coll's "Ballad 01 Ho Chi Minh •• and "The Fleldl or Vietnam", and John Brunnen' "Feat Of Clay."

rhls Is a formidable coltee-­lion of sona, and 1how1 that, althouah •he ,..,. protest ..,.y be deemed dalecl by some and a n011-U 1ena to - In ,.. latlon to •on~ folk -., Iha I- cit Dllllieal ,._ a ::"'·:t.-··-

FOLK ALBUMS

ROY HARPER / LEONARD COHEN/PAT SKY

SVLP60J3), with a set of his own songs This is a very pleasant hstenable album. Sky writes well and uses words with care and alttntlon. He 1s not with out touches of humour, as in "Modern MaJor General," or "Silly Song." One or the best songs on the album 1s "Jimmy Clay" a subtle protest against war. An interesting, varitd record from a talentt-d art1M. -T.W

LI ~~d ~~h:~~: s:~~:~-.. ~~=~ rsro~t:bl~o::; }~r

8~h:3::n~s

lhan the singing Cohen has a superb sense of lyrics and the son~s on this n~ alhum make compelllna ll1ttnin1 The atmospht-re throu&huut th, aJbum II aubdued, the songs simply an-anaed and prestnled so rhat focal po1nt L!I the word < hen m fact seem-. tu have taken ov r frorn Dylan IOm"-'hlt In this arr f I nprtt.1n1 Hard IQ PtCk out notablr tracks a

ll-f"1~~ .. ~11 .. ~ &"J R::i: lion," "The Bird On TM Wire ' and " Ladr Mid• laflt arr worth ment '-I M tra"kl to lt1ten ~ YI

this 1s, in fact. his •iahth album. Fahey's ,tuitar play1n1: 1s immaculate and unique in style, hein,i: an 1mal1am ol many Slvles, absorbed and presented a h1,i:h de,trtt of skill and musicianship. Fahev writes all his own material, and apart from .. March For Martin Luther Kina" and " Dance Of The lnhabiUn!I Of The lnvistble City of Blad eosbur1,t," ls 111 solo lnMH· ious. tuneful. Fahev's m•1c

:ri~y l~~-~e::tsq~•~~:J~f:•

' re .. ~~ f

I TWO-PAGE FOCUS ON FOLK SPECIAL

Busy week for the Spinners THI- fro;pll~~:;: rC('~~\~;n~:

follow up • bus)' 1chedul, of appuran<",s and broadcuts 1his w,,k.

Today {Thursday) lh,y ,nord two ,pols for ATV's Today proeramm, In Binning. ham and the ,ame evenlna appur In cabaret at the Place, ~=1~t·e r~~~!l~rr:,wthef~j~~:!~

:~:f/"• -~ .~~dm Ou~,~:~•" J~t:: folk," which Fontana will probably ttleast In tht summer. Also tomorrow they wlll bt Sll't'n on BBC-TV's How Lat, II Iii.

On Saturday they pl•)'

--

THE SPINNERS : Solo concert at Newcastle another t'Oncll'rt In lhtlr pruen1 Brlllsh series. This ont Is at Birmingham Town H•I~ tollowlna a Uve broad­cast from London on Country Mttb Folk.

lh~na~~::~n th!~o~~ si~1d~~

ARTISTS NAMED FOR Shot, from ATV in Blrmlng. ham and In the evenln a: they stari a Wttk's cabartl at Bob Monkhouse's Chanae Is chili In Newcastlt.

May 16 finds them at the City Hall, Newcaslle tor anOCht r solo concert and the samr evenlna their new tele• vision strlts, which will Jut slJr: wffks, begins on BBC-I. Tilled simply Tht Spinners, it hu. been recorded at the Octa1on Theatre, Bolton .

CAMBRIDGE FESTIVAL A LEX CAMPBELL, the Young Tradition, Dave

and Toni Arthur, Ralph McTell, Al Stewart, the Johnstons, Derek Brimstone, Noel Murphy and Shaggis, the New Deal String Band, Bob Davenport and the Marsden Rattlers, the Glen­side Ceilidhe Band, the Famous Jug Band and comperes Shelagh MacDonald, Coli n Scott,

Their forthcoming album, "Not Quite Folk" futures a

f~~::de:ec!!tonr:r 5

~1

•• ab! Johnny Handle.

WALTHAM FOREST TECHNICAL COLLEGE FOREST ROAD, E.17 (Victoria Line)

FRIDAY, MAY 16th IN CONCERT 8.00 p.m.

ROY HARPER DAVYGRAHAM

YOUNG TRADITION ADMISSION JO • SA E for tickets from SU

JOE LUSTIG PRESENTS AN EVENING WITH

THE PENTANGLE Terry Cox Bert Joruc:h Jacqui McShee

John Renboum Danny Thomp,on

PHILHARMONIC HALL LIVERPOOL

on Friday, 16th Moy, 1969, at 7.30 p.m. Tkk•hr 15/ · , 1:2/6, 10/-, 7 / 6, 5/-

Alex Atterson, and D a v e Caulderhead are likely to appear at the Cambridge f o I k fesliva l th is year, which as usual, is being he I d at Cherry Hinton Hall from August I to 3.

Organiser Ken Woollard is hoping l o include Pat Sky and Sonny Terry and Bro" nle McGhee on the bill as well Negotiations are untler way for these artists but adds Ken, " I've hall a hell of a job booking Stateside artists this year, for some rea son•·

Producer Bill Bebb replaces Ian Grant on Country Meets Folk As announced last week Ian leaves on May .11 to join RCA Re-cords as UK artist and rtpertrnrc manager. An· other departure from CMF is compert' Wally Why­ton, who h'<Wes in June for fl holiday and appear­anct's at the La Fiesta club, Stockton and the T,voh Garden,; Copen­hagen

CMF, now on At I pm on Saturda} - not an advan ­ta~N•US t1m1: for out of town v1s1tors to the show - is not, apparently , reachini( places like Scot­land, Ireland and the West Country because

~::-:-:::-::-;;:;:-;;:-;;;;;;;;;;=-;=-;;;=-=-=-;;~• 1 ie~~;~·ta~~~utle~~e~H:r

r protest mi~h1 change that

ROYAL FESTIVAL HALL

ROY GUEST AND VIC LfWl5 ,uH.NT IN ASSOCIATION WITH Jot LUSTIG

SATURDAY, 24th MAY, 1969, at 8.00

PENTAN G LE (&UT JANSCH, JOHN lfNSOUlN, RHY COX, JACQUI MdHll

DANNY Tt+OMl"SON ,........,.,.,....,..,,_ 21 0 161 ,o...:i lnt,,a

•-~ Y..AT If! aM -1 :,v.nt..,

4™ CAMBRIDGE FOLK FESTIVAL

CHERRY HINTON HALL, CAMBRIDGE

1st-3rd AUGUST, 1969

Shea Healey, ont= of Ire-land's IC'.ad1np folk club artists. folk Y.nll'r for the ma~annl· Spotltght and compl n: of Irish televi • :cion's Rallad Sheet p ro• gramme, v1s1ti London this we kc.-nd. app~ann~ at the Ptdt:n, Cluh, KmJ,ts Stores, W,d,. Gare Street 81~hop3g 1ti £Cl llavmk 'iCf'n ~hf•a m att1on 11 will he an enl1 rl,11nio~ t·ven lnJ!

Thi: llUC.: folk duh pn !ients d Pnp, f <llk 11nd th1: Danct< l<"Clun hy Ron Smedley al th<' Uwi,.:hnm, Lan~ham Plau: m Ma\o 1• and a u,m, 1111 H i,l !ht• MAr• •~Ut nf < lannt.ir(j, S,1uth"1tk ,._Irr l W2, un May 1q

J·olk V , t ( unlr\ Mu

~1~g1~

1-i ~~;n tf~~i'~n•~~•

Jl F ,gh1 hour f uuntr

:n°d 1.11

1 ai~:';: ttr r' ~!'": b1a J1n.- u p of •rt11ts In dudmf( Dau Tnvl, ,

RALPH McTELL a C1mbridge possi bl e

FOLK NEWS

Little GIMy, Brian Chalker, O range Blossom Sound, Geoff Greenwood, Southern Rambler s and the Big Tim e r s. Tickets are 7s bd from Jim Mar­shall, 3 Chester Terr ace, Brighton 6, Sussex or I Os on the door

On Ma) IO. Nigel Denver attempts to set up the world record for non-stop folksinging! He begins at 12 n oo n at the Lampglass Club, Ash1ngton, North• umberland, and this is one of the events m Ashing• Lon Arts Festival On May q Johnny Handle sin~s at the Lamp1,:lass cluL and the next night , at the Hirsl Welfart Hall. there is a blues concert

The Lampglass club has bluesman Alexis Korner as its gue~t on May 16 and Gerry Lotkran on May 30.

The Famous Jug B_and, re . cently blowing its way round East Anglia , will he resident at the Railway Hotel , Penz.rnce, Corn• wall, durin~ the summer whl're there will be seven­nights-a-week folk and Jaz, sessions Four nights of folk and blues will he h1•ld a l tht Cottage, Mit­chell, thr,1ughout the sum­mer St'a~on. The g r oup have their first album out on Libtrty Reco rds soon

The Ian Campbell Group ap• pea r at Cmnon Hill Park R1rmm~hum, On May 10 and on Mc1y 14 record a programme for the My K mtl or Folk ser1e,s on Had111 4 Tht· ir guf!,l will he Harvey A n drtws, who rNurns to the• cr-ne after 4n 18 mon1h ab-;enn Harvt-\1 1 now resident at lhl Ju O Punch tnd 15 husy wnt1n, mart of h1r-. v ry 11:o•od Onll'mpnrar,

m Harv,: is .a.b,o pre-p.rm m torr,al for an a l bum

On M I~ th Campbella ppe,a r at Culham Collea,t

Abtngd m Anyone w 1ah

~~ ,~lac L!!~ tt.= al 01 EAS 184.1

Mf.l ODY M,\Kf..K, Ma)' 10, 19fii~-Pall' :.t5

't::10Dil!!':''fii>RU'M"' l 111111 ii Iii i I j j ffl I jj j I 1·1 ii j j j 111 ii j j 111 ii j 111 UI 11111111111111111111111 U1111111111111111 11

THURSDAY AT DOGHOU SE l,r, vh.,,111,I

'"

11sH11frfy •·cOLLINS ~ 1, I'm \\urk•h"P •I 7 II• fl n

SATURDAY cont.

AL ·sTEWART HEDY WEST

AT FO X. I SLINGTON GAN SING A LONGWITH

DUNEDANE 21 • Ntxl w eek CAREY

DEN OF INIQUITY H l A P.C HI GH ST. SOUTH GATE, N l 4

TiCKETS 10s .d ,i n d 12s ftd FROM LIN PEAR SON , PAUL TIERNEY

OR CHRI S SURRID GE.

BUCK BULL, 11 1,i.:h R11.1d JUG 'fRUST! ! TEARY K I DD

OENNIS O' BRIEN

F OLK CE;.,:RE, HAMMERSMITH

IAN STEWART SHAY HEALY

Your hosl ROD HA MI L TON . WI T H 0000, DON SHEPHERD, JILL DA RBY l'Tllll(' or w., h i. u,.1111111 Ruad . :Z mlnul,·, Rnv~•ns court Pnrk 'ruin• Sn• Tuf',d (n n,lum11

MALCOLM PRICE CROWN FOLK . Ho,, & C'rnv.n

.-uh llford lltlt 12 mm, lllord

MARIA GREV COLLEGE JOO ST MAR GARET"S ROA D, ISLEWORTH

COME ALL YE PHIL SWEENEY

\t>U,irk Hutel . Selkirk Ro.id. 'foul m..: Bruadwar

WHITE BEAR KlnJC\k\ R••~d HOUNSLOW

ALEX CAMPBELL STRAWBS CHAS UPTON ALAN HOWARD ,ind RESIDENTS

FRIDAY AT COUNTRY CLUB. 210A

H .n(•fst(>cl,, 11 111 IOU y;ird' Nnrlh ll,•1,11,, TUb1· MURRAY KASH mlrndu• , . .,

THE SOUTHERN RA MBL ERS

JllUs ,:Ul'S l\ \ pm lllt•n,t·d bat to \f1d1111!hl

AT COUSINS, 49 Grc-ek SI. 7.30·11

TIM WALKER GILBERT BIBARIAN

t:xc, pt1unally tinl' Clus1c.il Gun.ir Ouu Adllll'i!.1on 55

BOB BLA IR, FJ1:hl1n1. C'ud:,,. LotuJnn Ruad Kmgi.tun

GEN ERAL HAVELOCK, IL FORO

A . L. LLOYD HOME BREW

IT 'S WORL D T HAT MAKES T HE LOVE GO ROU ND Con hffiJlnr.iry w1•rd, and mu,11 w1ch L EON ROSS ELS ON , KE IT H TIP­i"ETT GROU P, BREAKTH RU POETS, 7.30. Comuy H illl Lon. don WCI Adm 5\ 1~ lld l(>, 6d

PEDRO WILLIAM I V, IA ylon

ALEX CAMPBELL

SATURDAY A NGLERS, TE DD I N GTO N

ROGER SUTCLIFFE THE GIHGER B L U ES

AT THE CELLAR. Cc•ul Sh.H I• lluu,1· <:.11nd1·n Tov. n N W 1 IRISH COUN TRY FOUR, v.i1ti nun D, &rit

11COUSIN'~k !>.L 7 111

DAVY GRAHAM Al l-n1ghler, 12•7

l'Ju s M;rnv Cuc,t,

RALPH McTELL ANDY FERNBACH

JOHN JAM ES MARK BRIERLY

PEAN UTS, ii.mi;:• Atm- 213 B1shup~11:ah

MARK SMITH

ROYHARPER Al>"toi.:1•' '" Jn)um \I '111 \!lfnt·d ur, ll1 C.imhnd c .... ,11 Ir\ '" m ~k · II In l:~ "uu "on ·

TH E CR~ THEATRE F OLIC CLUa. Tiu {;h,uu ,t, r Kiri. "11\1.,111 WIik '- t Jn

a o • AXFORO PETE .JOSHUA

~ 11 m Pl•··•, iomt c-,,,1,

THE LCS pn•,fnl.. THE SINGER S' CLUB MIKE HERRING M. BOB THOMPSON ..... ,, oul !>tand 1n ,;: m1 .. rpr,•t•r" 11r F.ut

:;1t1:~.d ~U~l-~;n u~r'r~~t Tt.~nEd~~· \\ C 1 7 45 V n,

THE PEELER S. ·r 11, KtnJ:", Sturr, W1dq:,11l· ~tr1·t"I off M1ddl1•:,,t'\ Mn·f"I. Nr.ir l.1vc•rpnol Sl1 "~' I Slal1on

A Star Wl l h hh 11wn T<•l~Yl'>Wn ~ht•\\ in Tn·l.ond

SHEY HEALEY ,\hu J OE PALMER , MICK D EA.VEN .ind Surpr jse Gu•slS

TROUBAD OUR, 10 30. 211'• Old nrumr,l••n Rn,1d

Ai.!:X CAMPBELL YOUNG TRADITION

OEN OF INIOUITY HICH ST, SOUTHGATE (BEHIND FIRE STN)

7.30 P.m .

SU~JD AY

BOUNDS GREEN FOLK CLUB. Sprln,rfield Puk Tavt:rn Rriund .. Grcl'n Roitd . Nil

GERRY LOCKRAN FOLIC COURIERS

NAG"S HEAD. 205 \'1•rk Jti,.,tl B.1tu·r~•a

ROGER EVANS 'r"uur Hu-.t .JOHN TIMPANY

S1ngt-r~ Wl'ltom, H bu ffum London Bndgt'

RA.ILWAY HOTEL. DARTFORD

THE GREHANS ResrdC'nl!. CRAYFOLk

THE ENTERPRISE, H 1mps(tad MART IN WINSOR plu" Re~1denl<i The Folk Enterprnu•. T<•rry Gould Opposite C'hatk Farm Slal1on. 7 30 pm

THE CROVE, Abbt') Grnve Abbt') Wond SE 2 JOHN T OWN SEND KE IT H CLARK. re~, dt•nl C'hff Wt dJ;! l'bu r~

TOWER HOTEL. uppm<ilt· Wal lham,;1uv. Ct•nt1,1I !-it.111110. Hot·

' iii,sH couNTR y FOUR TROUBA DO U R, u""'io SHELAGH McDONALD

MONDAY AT CATFOR D RIS I NG SUN

IR IS H COUNTRY 4 AY HAN~, Tht> Vino

,Jcrd, Rllhmund !I pm

JOHN MARTYN PJu.., rl'\ldvnl'-

ENFI ELD FOLK CLUB Tlw liop-pu lf'\ nJkr, C.1Tll

J.:nfh1d

JEREMY TA YLOR JIM CAMP BELL

" CEORCE--;;BEV:-•• ("n ~i'.:~••r· Ho.id. ,-·•n•t.ur f>Jrk !.t

JOHN JAMES!• H•· .1 DE N NIS O'BR I EN

JUGULAR VEIN t\1~~~!~ Nat,:• llt"iUl North s,

WALTON~s OP E N INC NIGHT l I) Cliurd ',t. 'i p.m ST A N ARN OL D pnsents

ALEX CAMPBELL

TUESDAY

AT FOX , I SL INCTON C.IIN N l

THE PEG CLIFF AUNGIER

THE Jifo .,TRUST I \!:1•"!':'°t~~• 0l It, ~h t •tPfrr

TUESDAY cont. LU \I E H•OLK { OXFA M ) k ll

\4 Pl •Tit

SUMMER COMEALL YE FO L K AT THE CROWN T h• ,,.wn, Rich m on d Ad Tw 1cl1e"h • m

JOHNNY SILVO

1rivtaiNaow HOST ROD HAM ILTON ANDY ANDREWS M IKE STI MSOM Thf' ,._,.n, off •ul~•"" 8 d ..;1.,t1on

LIVE IIII POOLUNl;;-RSIT Y. ~IU d r nl llnu,n

MIK E ABSA LOM THREE HORSE SH OE S FOLK

CLUB lh•,tlh C,1 ... r H..imr, ,,. "' Tub, • pn ,,·nh

CORDON CILTRAP LIZ MACKINLAY

BOWIE •nd \hUT ho t~ Th• Einlet

WEDNESDAY BALTA• AAIN DOWNHAMWAY

p,,v,nhJ.m Art•ml••\ Ki nl DAVE & TONI ARTHUR

Lh l.111, Ill 611'- AHO

BLUES IL 1h\' /lrut ,, 11uu Bur"U h R•l,HI. S.t; I

KING BISCUIT

KINGS HEAD. ' ppN .'-tr, 1 l J.1,]mgl .. n .JOHN FOREMAN \I, ,-k rni15 Tumm~ Mel r1h1 8• bb) C.a.,.,·) Ted Fr..inklm

NEW RIVER ARMS F C Turn rorct. lh'r t•

DAVE & DAVE SURBITON, A i>-"'l' IRbh RnC\m

DEREK SARGEANT FOLK TRIO JOHN FRASER, .JON !SHERWOOD

THE HOLY GROUND, " Ii. "l"" Pl,Ht' (!.i\..,,-.1h'r RO:". l CAJR""'tH·t,. mlr1•du

MIKE MILNER CLAIRE HART

Rt•:,,ldtn t JIN '1CC'ANN

WESTMINSTER HOSPITAL Fnlk Club Boh Pcndlf' l tm

MUSICAL SERVICES J/ 4. per word

AdHrlh1ements under this h cadm)t a.re NOT accepled

WU.h • o x N O'S.

HOTRS //4--

STON• HALL NOUI• NOTaL •JO rnlnutt-s WP11 End> nnt-<I ... n " '" and b~a1r; r,u1 h ,,., T•rnu f rum tf• Id dally. Hot and rold ruu, (",rntuU, hute(I all 1'00m • Sh"wtn ba th tn<- IU•IY(' TV 'Rad&. louni;re. AA RAC' t ll'tommttn ded -37 WHt cu m bC" Parlt Jload • lad h u lh Lftndnn ~•:r u1-en 11H

\coin, price blin' round~

:/.% ~,.. -

CLASSIFIED ADVERTISEMENT DEPARTMENT "MELODY MAKER", 161-166 FLFET STREET, LONDON, E.C.4

l:nquities, 01 -353 5011 , Ext. 171 , 176 & 234

PRESS DATES. Every e ffort will be mode to mclode cla .. sified advert isements received ofter 10 a.m. on the Friday previous to week of publication.

CLASSIFl ~D ADVERTISEMENTS BROUGHT INTO THE OFFICE WILL BE ACCEPl!:D UP TO AND NO LATER THAN S p.m. ON THE MONDAY PREVIOUS TO DAY OF PUBLICATION

ALL CLASSIFIED ADVERTISING MUST BE PREPAID

VOCALISTS WANTED ATTaAC~1vf"r ~'o

0~1 LIST

1, 11n duo n1 ..• ~ "I'+>• aLUES CROU~. ,, rtll r,r,, W11 1

11- tll•I ' ., .. , .. ,,.ur, \ll(11h,1 .. ,It .. t11n1, Ill \!,r, -..in

~~r:~"~ 1 ''R:-;,:1~~ "'~\~~':,~ m•lt '!'' ,!,,· \.n .. d .:••r • mu,, ,1

, ~,1, "4 ,f,,r tJe prn 1111, t,,,,

GIRL SUotCEIJI want, d t,,r 4 Ph• ~,, • .,,.o,r, "' '1'1 ~ ,,r~• 111~oHE;~ nT~t ~~!,."· :~~:;h~ P~ ~•-· • .,,.,,_ ,,,.,flu .. , - 'A • tt .. ,

CONTINENTAL FEMALE SOUL SINGER

' '°4"'"od, Clbo...l )0 .,.,," vi age fa., r('l, ... n, y ~ CJI) p.., pt.,1 •ood<cu11 •Ing 769 1931 b•tw-n 11~1'l noon only.

VOCALISTS J per \!.-Ord

Clll'rSTAL VELVET" '" l t'I" m ,1 h rr, i,, ·nd h r uk, · l . ,,n don - ri u:1 •.l \ ·1

EXPEIUENCEO FEMALE ! · ·~

~ ~•:;, , l~~-:10 1; :•~I ~~d· ~\•:C-~f; \111: IOI ~•t J lfH ~

EXPERIENCED VOCALIST ~,•, · I<~ ~f,'!' ,,,.11.,I ""'"' - rho,,, . !1711

GIIIOOVY YOUNC, A,tr, ,, 1wt·d ••I", tt r, , , ,1, ''"""' J, ., ndun t!I,. l<p, .. ,J Ptt,or,1 W("lb,•d, ,.:tnt

YOUNG. ATTUCTIVE jt: lrl ~•ro1w r . r •1• b,1ll.1d•. ,tJnd.ird ~ "' " r tJwr .u,d t, ruot d t· u-.l1n,-; ,., I' r, , .,,_. " 1 k• r.· 1dr n1, 1n u r '" H I ""d"tl """d rt· .. drr - Ill 7 • . , 11,,14 ,, " ' 11101{'

YOU NC ClflL ''" .,11 ~1 n u1h 1,-11<>1 ,, ,., ,. r ,1 , d. ~,,.1,,- rt·•1 thn,, u r r, J,. ut ·,, ""'"' 1-• n1i:llt

,,i ,1 - 1111 •1

!:'":.~'~'.}~~l~ET . Sl.lfDr lEAHtU "'

::.~ .. ~~~~~, ,' /· il"l • •RI .... R If!" I "'"OUS•,j•- t

~;.:•r :".'! ~~~•~• , tlJ 1••· ,,,.,,, ... ,01 ot, ,.,. .,.,t,tppyo,,11,

~';;~•:~:· \ , .. ,. •• . ~h>

Ill Wft~[Nt,tt Nu d1 .., _ 0,,1 •' .,., 1,,n.. s.,,... .,,.,_ "",j p,,.....,, • ,.,._ WBlDINfR JA(J(fT . ~-.:~~¥

C.,h ~• tlJJO

p & p 5'6 ..... "'''' 60! U.p .,,.,; 6 .,..,..M, Pr'• .,f ff/I I(, p,~• ti• 110! AIMIAMIOO,No •" S,..,.a.., ,. abo••· 1,.,, '" S .. •d• ~t ...... tl l l.6.P4P'16 ... •"1fro<<IOf • O.r .,,,;,-t+,.1,i,,y· Jlll!C•~<• l•l1••1

I'-~•,."''" II. nv,, lro refui• or w,r•od'lrw <Jd,,,wfu-h o1 lfN (i <,.,_, A/~h p.wy -• • hi,l,e,, Ila v-otd"" tolM. ~r ora ftOf , • .-po,,i.tw ,a,.- ,i.rt.;iJ or,,.,,.,,_ 1 ~

MUSICIANS WANTED 1/- per word A eAND , • c.,.l r )' Band Th•

B:.nd " ' Uh •th ll!lh Rn_ll•I Lllll Ct r , h:"" ,1,·ann'"• l"r a ll .,.,1t1d wind Pl•)'er\ Ottw r 1n~lrUll\l'nh c-un~1d1·tt·d t:1f1t·rh nud and bt «inn,·rs pka•· apply In Kind m,nltr. 11th 17th fl<>) .11 l.•nel'f\ t"•U,·rlc-1< ("arnp Vurl.i.

A GOOO ALL ROUND PIANIST WANTED FOR ENGLISH PU • IN TENERIFE, CANARY ISLANDS Su, fflQt'l\h CMllract 11 U I l)\r lft"tlt IU. lru. plu, 1ratulUU II P"!l~lhlt' "1lh nwn I) thn, b•1K -Tt·l•r,hnnr for 1ppntn1 m tn l Mr Ch, n•.,rth~ 551 21112

ALCIDE ,nd .. ~ .. r,n,·,· H''11Jlf••d l•• r ~ u b,rnd -· r h ,,n, Mnl< 'i"4 ,. l ,

ALL INSTRUMENTS t ;otor S l rM't t;~mnd\l Uffl. nt·.1r Y,·d t h 1u1, Od , 11 n Sa t urd .. y, 2 3n R,•h ,-., r ,a l h.t nd

BAND LEADERS JI )<IU lll't·d mu !i.C1,1 n i, ,.r11r to Mu ,1 , 1., 0 , o r 8r11,Ull Mr N A C' lo-11 u•n h 37 Wcmdburv Si n d Lnnd un . s W 17

• ANJO/ • ASS , dn1n,., lu r N11 rl h l.111d 1•n )Ml b~ !ld - 1\••~ ~]!l'f

• ARN RESTAURANT Hohd ,I) r, ·lu·f , n ·q ul rt·d n .. ~.. i:u n wro ,t, J 11 n t" 22. .1u1 _11 ». d r ummu ~r ple mbo:-r IS St pl, mhc- r 21, t1 .1mm ,,nd nrg.m h l , ii n ,- r11 rtnt ,t h1 J uly AU)e'U!< I Vut .t h ,1 , p rt• rl'f r , d Rr1rid 1·:c p1·r ll' n <·• ,.,, ,·nt1a l - T l'" I Sr .. 111l rtt· 1;)15

BASS/ BASS GUITAR, f,. r r t1 1 J,n , \ Ul .1 1 h Al tnOUY ITI II Mu•I rt .. d, y,, u ni: i. t'1;0 mU.)ICo.1 11 , t•Jt· pt·rknu· nul ,• .. 1..-n\1 ,1 1 ' Plmnt· u r • ·rott 8 :i rr \ Tlw mp~u n ','/t- lhn ~ 1,,n Tht>,. lh Clu b llull l5:!7!1

BASS, c&w MAIOENH,CAO 21671

BASS C.UITAIII CIH 51C.ill\ lr1 m'"d , nd drumni.-r - Aoi,. N o 11310

BASS GUil AR/VOCALS M .. ,1 her,• ob,1,tr la ,IOd fo., Col»••• and bl obi• ta '"'11 harmony and lead Tap m"ucic,r,1 oolr need qpply

Pi-M (Otlt.d •• Oougl .. Tricorn Club, Por'tt,movth or pl,on,e Sou1hamplan "6585

OIIIC:AN / aASS, drum, w.inwd for nc:w prugn.-~,lvi- pup, bl u1·~ lt'.roup. N. l.undun prdurcd -11 1-407 7571< td.11 I, Mr S lroud 01 ,50 02\R hvo·nlnlf• we,1,,,·ndi Wr Wo lkf'r

ORGANIST f..OA f'rtl\dhn group t-,li a,n

OIIICAMIST a. • ASS . Dur ham -Rux 113'i7

OflC:ANIST , BASS jt'.UH<1rh1. Altu 11nd 1,·nor "~""~ with 11:oud •quip m,n t. r,·qu1 r ,·d fnr n ro,mln,:: wul li.,rid Rnb. , ll'mnt~. (IJ-1Q{) !ll]"I

ORGANIST f1t1 •1·mt PM. wurk 111 ft, r,•,urdmi,: 1rou p. T\1,-1lkcnh11m ba~,-d Rnan Sh•IIJ,!h 2, e~ 1

ORGANIST f t1 r #orkln ~ icrou p 1151t-0l<l "

ORGANIST / VOCALS, PAO RE• CORDING CROUP' - Ol-S114 1511

ORGANIST (VOCALS) tu CO nl · plt"lr i: ruu p ltruirdlnl' f)rt •~pC'rt, MEN 110~7

P'IANIST / OIIICANIST • nd bH• a u11 a r l1l .,. ant ed 10 rl'form p up : J.1u tri o nn ~hip . voca l, ;i n I U<'I , ..,nthu•l•~m n•rn\1 1\ -C: toff Gnrdo n 301 W1 1erl nn Ru• d , l'ht'1°lhd 11t, Mll n l ht•, t c r M1<7 ttll

PIANIST/ ORGANIST ut i<'n t ly r.·qu1n·d by hn u 11• ba nd 1 1 M!ddlrd1rnu11h nl 11 hl c lub back Ing lup -ftl ,ti: h~ t l ha rt't A pp l, t ;HI\S mu ~, ht· icond r e .. d i· r ,, top pm 11u n a l,. h i \'1• a ,rnnd rrt' I fo r brll a nd '-0111 Hll mmond C l suppll,•d - Tf"l r pho nl' Br1dhn 1-lo n 61JS

PIANISTS, ORUMMEflS, ORGAN­ISTS, TR IOS, ETC ., 'il'('o•ke nd lounKt' w o rk. Lond,m 11 n •;i. -

B•ndw111111n . 41'2 MMI or C72 .... P'IANISTS, DUOS, lrln~ a nd 11, 1\

othu types of a rth, ll-1 a n • ur f:t'ntly r1·qultt•d for nur mu~1ral ~upply l<CfYICt' W'I' h1\·e well p:ud Job, O\·t' r one tho u u nd \·enm·~ supplkd each we,•k, nnl\ fir,-t rla~~ mu:uclan, nec-d apph -723 H •O 14 hour !il'fVlcl·

PIA NIIT'I POR S OUT H LONDON .... trod 1wn1• work. Top n,tu - Cla)"IJ"l1n'1, 81S "'31 (dPJ) .

P tANlsn. START WO IUt T HI S COM ING wm•No Wide choler of 1oun1• 'lfOl'I:, 1-6 iilahtl WH I IY All ar•P P. N• w, increaHd r-a l tl

SASS GUITARIST with r,1u1p ia:R;:::;•:.:::::•;nl; q::: nnn t. '" ' t· r CJyd un ~ruup - 6~6 mul11purpn.' t' grn up . p r.- f<'nbl )'

U~rARINET PLAYERS rt'IIUITl'.'d ;\",."nm~:n tr ,m~porl - 88&·SU 8

: ;~.~ 'te~~g t:"~r~~n$t'~~~ol ~(':x~~:, cit~,! i::u.:1~ :s~ RECORD INC caret•f - Dt· ta 11J Imm RA.MC' THE CRAOUATFS rt•q111r.- i;ood Stan R•nd A,h Vale. 1t.lderi1hut rhyt11m J;UH .. ,1~1 fr,, :.h.1dnw,

DO 'rOU pl:.a .v ;my or lh, mu,H - 8A1 57311 . G p 111 7 JO fullowme 1n!'trnm1·11h . ftut, p . 111 nnl~· Hro:in nbtot dar111c-\, turnd 1r11111p.-t or ,--===-----~~~wy~:~"':,_~1~~ 1~~\.,:~, .. ~~•r ~; 61 ~1~~ Urgent Ill Experienced

ft.',~[ ~~:.a~~ m~~~l~;~m':.'~1_th

~ 1.~:~:... ORGANIST ':.'~:: ;~; :~;,';,"~'-:., ~;:,:·.:·;-,' AND VOCALIST l,l,1r,stit•ld ('amp Ulktl.-Jd (Pop Soog1 and SlaodordJ Sun<·x, who will bt· pk;,1wd h1 ,;.,••ni;ht r11idency Had,n•y are-a furwo1rd dct:ul, 111 )UU Fnrn1er Henla;e and lul,e 1uppl,ed. mt·tnb<.·r,. of H M P'nrt:,·'- wnh

PUIIUC NOTICES I ,f per ',!,(ml ENGAGEMENTS WANTED

COOO SWING ING drnmm tr 11• 11

:.,::~~!l~~,::.in~R, ';,t:,•~~~ld t?~'_' Rd per wonJ

Minimum 2/8d : :..-1 1.1~:·nror if~~:p.~;t'd~ c; ~~~~~ ~-~•tk1; or p~-~~ ';~b~;r. I ~ ~ ,,~·~~~~:

NOTIC• ts llrr, bt II•\• II Lh ,! fr ,nk \hi.um • I l D)'k R, d H,, ... Sll'~t• ,1rHi (.arr1 mll' 1,,n a bu~1n"" undc>r the n•m• W:,11,:u1rr Manai,::rm"nt llltrnd~ I<> "l"P I) 1 !ht· E.asl ~u •·• Cou,.t'il fnr frfl n r ;iitu,n u nd1· 1 th.- T iu o11rtr-a l 1 11'1 pluyo;or Ac-I 192~ l•Jtt !Dl lt'd lhn JUI M nh 1%•J

AN A• LE IC(o m pl ,~h,·d .anord ton ,~•- - ,i7g.ou

~~;~dlt" R1 urd11 tHTII II I' 01 12(1 Wt~! •:·n d Lu odon -'Plwn .. rd arl GUITARIST, BASS OR LEAD 01--4511- 4157, H·vrnin,t .. ~nd Wt'f·k

AN ABLE 1n.vm p ll~ht"d pllO I I - 8714547

SFEKS WORKING P'RO-BAND l'nd 1) 01•20)- 41!02 FULLY EXP'ERIENCEO , PREFER• VERSATILE TIIUO plu, Jt m .1h-A• LY" BLUES • UT WILL CON - voc• I ('Ompl'rt li'"Cli: rt'<1di·ncy

~::~fl ANYTHING Sl'I-J754 ANT· Lo~!t"NG- i:L2111

,5:r-111l~ I ma ll'

ACE GUITARIST, 21 , SEEKS GUITARIST. Tt- lC'Cll~kr \"1rshall t ,·no r sax. m 11r r1 t d . <,u· lt s rt•<.!

ACCOflDION/ 'rRUM,ET - S'12 ..,, BANDS INTELLICENT ESTA• LISHEO 'rOP requlrt" workt ng ,: roup-t; IJ\ o r d t:n cy or r e i;u lar '-' Orio. 1 4 m_i::hls NAME GROUP . - 42.2 5111 . rt ~ldtlll''.' Putlrrs Rar 56'52 --01-571t- 1MW

ALTO , Jul n sr Ra n <J N u,ndon GUITARIST / VOCALIST, U· WANTED : hlut·.• ~ r11u p 1. w lltl

Rt:~~~;E-;;o!o:y~~=bJt' _ WAC rc-e;~t':~~l~Al~~?,S e:H~ a r~o;r.,:~ ~ r t•~h: ,~p~~~ b~ln ~:·!,u::~ ~ .. \·~ ~

HS5 g.c~; 2• _ ~~~~~o 1:ni;:r~~~d u;'°t~dPI~:«

ALTO/TENOR CLAR c 1. 14 ,c 11 r~.~~~~~~~4T~ ~OCALIST 5tU:S si!t=~~:~:: v::~INTo:cL:~: JO~~tT•~r~~SnT ~~>m , wl~~~t~en~~ __ S_fT_U_A_T_I_ON_S_ V_A_C_A_N_T_ WORK, HOME 0111 AlilROAO. prdn rt·d w,11 pl t)' r1 n y th tn c -

:~i~c,,.~~T ~,RE\c;rE0111~~~~~~NG!~l 1,';:.' .::":;.' _H•:.:,'s:.;"E~MA-N_C_LA_s_s _ __, STYLES . - • ox llSl.

JI. per word FOUR MONTHS In S p .a m fn r

;11ny11n (" 'kith (l ltl"TI o, , , ,.,,h,•qu t• Mid -Jun!" tn ~,· p h- mb,•r Jqgq Ba r · 01 •roth1•qu1· . 3{1 mll• ·!'i rr11ni Ba rn•lnn a un lUiUI JO pm In 2 il m FrN bo• rd 11nd h1d g ln,r rrce drink !> phi , Wt•lkl)' p .ay Gn•.i l uppurtun Jly - Rln,t J t> nTI J 0/l v(' r F'LA lillk l U· Vt"nmg ~). KNI 1J55 ld.1y)

AVAILABLE PIANIST-E nt r r DRUMMER l utn ,•r ilct·om pa n1q , 8("COrd111n MD. r,-ti t i. Ro li1n,· ,n. 27~ 26~1 ~~A~l~~i~:~.::' a:::,::: ~ 1•~:

1 22, Ludwig;.~:ansport,

12: ' ARITONE , t .-nnr , .1lto ,.,,.0

, Se•ks interesting offer d;,r , ftul l·, youn.i:: t' XPd 111 .tnd DARTFORD 24449 d 1 n n·. l\"•11 .i bl l' ln r fl('a~n n " ' r u -r, 1 l'Wlt44 5 it~5 1

• ASS/ • ASS 1u it.a r , \ t-r~a l 1ll' KIK I - ij4 5- 1)61j$

BASS/ • ASS 11 urn,r1~1 ,1 \·,1 II Abli rtad . bu • k -7b4 -57112

BASS/ UOUBLE, a mµl lhod -57• J I il

BASS tdnu bl t• J "• prrirnc-rd r N ::I hu , t.. -f~~.;~ ~,c

BASS. rx -Pl ,1y bt1~ C lub, p 11, • port Bill P o ll'n 1t ll . 4!15 071;

BASS GIGS, v,·r ll atllt- f,l b~-•n MH"h " II -TrC'\· ~12 !;l70

BASS CUITAR/ CUITAR, p.-rl .·nn·d - Lill 2lM'

BASS C.UITAR, S1 111 , Mun TU I'!!; -John, Swan 2211 Ol lr!

BASS GUITARIST, pro . ('quip mtnl to I UII 1111)' 11"1 up Good mn"k ror 11:ood mNwy - ~s:t-349.5

BASS GU ITARIST, 50m,· voca l" "Kp1•r1t:nn·d, !iC'tlti. ,umbu (ur luung,· "'"rk, ell tn ,•n~I or north e11i.t Luudun 1-'hnnr 1,r1o,r 7 pm John, fllll~6-\'l51

BASS G UITAR IST, )Cl')IIJr t'l ptrl, nt·t•d pro r.-qolrt•~ )li>nd wurl11n1t ~ruu p '1 '1 7 61<.1>1

BASS GU ITARIST, ?l, lot"l"k' pru fl' •11;wnal wc.r l. . L.ond ,111 ,ire .a R('adt hu,k ~. 1-1011 1r,1n~p<1 rt -Spent.- 764 -5 ~110

BASS /HEAVY}, M·t·k, i:n,1d, wurkmg , Jem1-pr11 ,:ruup &:;; 11n (alter •1,.)

• ASSIST-J OIN SO UL/ TAHLA i,:ruup I< Ith ,.ork - C'hrh. ICON 7116. ,•n-nlni;:.~

t)U~tssy11~!~:N1~ih·~.r;~~~~- ~~ .. ,1 ne". 922 1111116, llutnf' ICSII 5411C.

8ASS {11) .,. 1,11..-, J<Hn, furin, blu1·, progn•ut\.t" wnm11. <;,1ulh Londuri N11 p1·anu1 H ~oul plt'lllt' -lluit k27$

CON GA / • ON C OS / DRUM S 242 5115~

DRUMM E R . .11l1 ~1_111•·"· ,,5:, lb

INTERNATIONAL DJ ~H• ll s wurk ;i n rw h r rt 1n C. B - ic ll"phu n" )'r,r t 713111

JAZZ/ OANCE (W IIMl• I - GLA J711

JEFF ' N" JIH . Pn, , drum \ "UC M C' t luM J11 ur11,!1· - -c,i.J-,)175 t\rnl n i.;, o n ly

JOSE , t la r111et, J"olll, H·nt1r »Jiu - T t" I 2116 Ul1

LEAO , t:Kpl n c- nl• d pru ., .tp JllJT,l ll fl", Ja u, blut•, . prn1r,:,•~1we t ic -on2-u 1u 11--7 pm

LEAD GUITAR / FLUTE / ALTO / WIIIITER IP t o 20, See k, Balto:rl u" l)'p t' 1 roup l.rivu thf bluoe1 bul will comprn mln -lltddrteh 6627~

LEAD GUITARIST, P"endo:r ''""' n,cks wurking harmnnt cn,up Own tra11,purt - 44<1 7506

L £AO GUITARIST / LEAD VOCALIST s,:elt• pro group - 700 20117

LEA D / RHY TH M GU ITA II IST SEEKS P'OSI TI ON wllh • LUES­l)'P" group - I. I:\' 51141 urom,n

LOWREY" ORGAN lOr) TRIO :itl' Uo1fld l<

FREELANCE REP'S 12) n ·qu1n·ll rn r a11•T\l'.Y s Lu nd11r1 Cn min, ~ 1r, l11n n nly, but H ·ry h lJ,: h p,·n..-nt J.i,: t• or 1ru~• n fh·n ·d fur d y n • nll l y,101111: m t· n ;i. bk tu nt·l( 11 li"' " , t l tl p h •wl'I ,r nn·d b, · - hl -407 7571'1 fu r ;,ppn!nlm,·nl ld ~y ) , Ill 850 021M fn,·n1n.ii: ~. w t·ud., I. Mr W.1lkc r

INTELLIGENT YOUNG m 11 n. ll 16, w.inh-d by !ltlu~ld a nd . 4.t Kl· r wkk Str,-,..1 W I ldu" I b1· wtl\1ng tu 1<url. h11rd

MAKE THI! SCENI!, bout. our 11rll11, In )'our arc;,, and ,·arn l"flmmlulon - Ul'l•II• R1u: 71114

WEST E ND , hnwr.,um n :quin,. orJ(.1n 1111lc•mo1n mu,t bt· kt·en S&l,1. l'll:pt'rlt-nl,· &n 11dv;1nlu!!t" but n ... t t , nll.ll - Au:1 Nu 11276

BALANCE ENGINEER

111qu1te<I for Wr1t End Sqund Re cording Studio SeniOf poiil,on offe,-ed Apply Boi 8328, c/o Melod)' Maker. 161-166 Fleet St londori. EC A

MALE VOCALISl a, , ks i;:uod !> UUI T a mlJ g roup Onl(1n;ol mat1t1.1I prtp .o n ·d 1" .,.,rk hard

-:~~.:~ilT u•n H~mmond OUR BUSINESS c;.~~~1~·:.i·:i;~~,L~~:1~~~,~ ":::: IS :111~-~rt,~i""~~,,~~/:';.~'.

1·~·r~ •• r;'q~~~- YOUR BUSINESS

!:,P ,;:~.:~~~,::-~•~~g:111/ H•n•.u 1' In our e•p1roenc. th••• a,e hundrech

ORGAN IST , youn~. l'SP ,n·k• of la1•nT•d ;toup•, ach, etc, Ii...,.,; e~l.<bll•h1•a Kroup 11111 ,,1011 1n l"'P•"•rt1h1d ab1currty. WHY? L1>ndun bi1Hd -lJ1•21i! 10~1 M11111ana;em1nl, alma,, c••ta1n11. u

:~~:~~;e1~} p:~;:~~~::~.,~~::,:':il~ r.~:,•:.~,~"i::~:.~ ::~::ur ,c-,

1/· per word A Am.E •(t"nm p h "h"d b~r,d

.. ~·•lb ble - 1171 0 42 AL• ANY" JAZZMEN . f'v r h ,t pp\

JAU - P ht•n, 111 -en ·!11 1 AN A• LE .ig,•nfy f,,r Tnp

Grou p,, DJ , Rf'.-. 11n • blt · prlna T t' I 0 1 ,qt,5 2tdC 2tr<I I

AaOVT 100 1<1p 1ru up1 and d a nc-o;o b:ind, 1mmr c:t11ttly .1wa1t ,lJlc- Travrl anywhn, .Rtuon

;.';: <' Hr::~t<~ir;;/1i 1r'":ian ¢!il"n:r..._

SSJ I (10 11 m -6 ,m, ALEX PAGE TRIO itlfh ANNA

ICING, ~o u t< Td ll')J !11]1 A WEDDING a: r• IUP - ELI

21191 BAND / GROUP, 11 n _11 l1m, an

wh,· rt · - EMERGENCY SERVICE fi P3 75~3

• OB .... TER ORCHESTRA. Wllh Julll!' Steun1 OJ-:lt:1 ,.,,

CARRINGTON-SHARP ASSO CIA TES LTD Cr,,up, Ban· D1Jl· Jotkl')'t . ('aba,C'\ - OJ ~• 0951 011!,.$ on • m to 0, pm l

DUO, TRIO. - Ill '7f'I Hn CRO_UP AVAILA• LE. Tul'9d<I)

:;,~ ~d~~~~ .. J .. ~ f•~;- n",;,t,.A1t 11

HOWARD • AK • II Band, Cl bar('!, anywhi>rt: - Ii Gltnwe1.r,t Cardt"T\~ lllurd 0J-S50 4043

LES FLA MIIEAUX Brll.aln' , ~lrt•I b.ind m,w .av.ill.,blt t ,·r bnvklng.; - To'I i, ... , ~271

LO U PREAGER'S Pll• Sli NTA T IONS. B:11nd1 .and C1bar1 1-•• Ol•nwoo4 Odn,. Jlrtl r d 0l•H0 4 04!

L OWR E Y O RCA N (or) TR IO l);inu• Jan pup Ph.,l'f,· , 1, '1~

ORGAN 1'1111 0 prur,·~•hlll,11. '" tludini,: Vlll "•I~. p1,p, and Jlt;;nd .. rd,, ft'(IUlr• rt·•ld,·nt)' - UJ 111 ICIIJJI

OR GA N TRIO Gl,td~tvnt 119k0

(}U.il l l'i -

O RGAN/TRIO , qu.trh'l - Rum f.,rd lllj~ II

ORGAN TR IO, \'nt·1\• ll.1•.,id,·111Y rr.-t,·rn·d - 5~0 51,W»

QUARTET -71t< e!l.114 fl~o~:~ EN GI N E - Tl'il'phnlh'

SA NTAC RUZ -HA VANA \tdJurt - L" Mal,·11111 7:)3 J'lflO

SK IN D EEP. P"'&'T t\, hlut· Anywh,·r, .,1n1,m, - Ill HII 1<31!

ST EEL BA N OS, xr,,ui,11 11 .... , ~~n

3_;;•\'~~~111• Prudul"llun A11rn,7

TON Y" D E NN IS 8,111(1 - (,JI~ HIii I Mr . I .uh ,tlh·r,. p"' )

VERSA TILE lrt" 11uo1rh I \'t1t<1I, - IJl-2',4 fUIC7

WA LE', Top 1.ruup• - Mru,d .. a, f:nh·rl,1111111,·nt lh Wu,li,:,1h

mu,1(-al ,•xp.-ri,•nr" un· .1hu In 915 09']9 oft .. 7 p.m

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w1•1l knull'n pr" 1:rouµ -Du:i: 1'172

T~ RJ~':fjp rr~•o, l~!t~d bu,,.l,. _ !>hone 0 1-719 1031 af -•le to.

::1~~•~~-~~:1?. 1s~ ~1h::;:c "3~,f C:~!~~::~~EN St Cardiff Tt·I :!:7H,

to P'IE CE h"1ut W<inl •·A-..in cdrnp,, ,,hip "'h<1I l1,1,, t·" H,a Nur11t, r,; .. r11t W,• •Id ',j•l

OflUM MER ORGANIST n ·qulrt'd for "'"rk1n,:- .:ruup -01 1.S'i -2fl2<1

DRU MMER P ROFESSIO NAL IMAGE OR IG IN AL PROGRESS IVE H'<md1ni.; i:ruup •lll CONT IN ENT.

SONGWRITER •"ol/., G,ev~ with ••i• L11•I -•a.I l<><.....,P<<>ifl1W1lhMo...,ge--,1Co

TALENT ,,nd DED ICATION ,·\'-I' ll l'te.,,e .. hd lull <1e1.,,1, wllh <I•"'" ,:1,.c ,I t1nl ~Vil/.: wr,11111: prd,•r,1bh pombltt{,epl,., 11 ,,..,.,n!ud) ta k• '36', fl'l'Hll!l4 c/• M•IMy Mffr,, l '1-1'6 P'IMI s-

ORU MMER •~• mi-pr") w.mh·d l. ...... , (C4 '

~~~;•~ 11~~n~T~~I l~tf~:~btl~;ansp,1r1 '=========:: DRUMMER WANTED f<1r pru

l(H~"\•· 1:ruup prnl,·~.i,111.,l """ .j~J!I

DRUMMER WANTED, Jllurd Wat1.,lt',1d .1r1 a. ;o1.:1•d 7~- ?l'l . tu <"mpl, lo UfJ!• II lfi<I pld Vlllj.' d .:auu· . J.i11. . pup Mu•• h,1\ t· th·.in dtl\"Jng ll t l' lll t: Phunt l"\111

In~• 'U4 361$ GLENN MILLER tvk lund

s,•m1 pro tn nl n·hv . .r,-;,11) r,•qulrt'~ mort· br.1•" -UI ltll?-3>1\7

GRE NADIER GUARDS BA N D """" hd\ v;n· neu-~ lor 1·tp1 rl c-nt·,•d fl inc,",n . S:\xophnn,· and t 11rm·I ph\l< 1 ~ .itl"l l11ghly comp'"l+"OI puinlll - Apply 01· r_.,t.,r ol Mu-.1'- Grenadh·r Cu;,1rd, R1rdc:111• Wa1II!. Lnndon !', Yt".l

GU ITAR/ VOCA LI ST .md BASS GUI TAR Mu-.l bt· J;!1>•1d , .. ·,1drr• hu•~• r~ Rt·~•d•·nl bll( IJ,,nd -Bnl.,by Juh11tm1. Go1y l11.,.1·r H,111 room. J;cli:b:i,h•n R1rmlni:11,11,1. ur Slnurbrldi:t 4~01

GUITAR IST ,HHI r,q,1,1111-t, ~tml J,TU ,Lt~J n~~ lH'I_ 1·11·111111(

GUITAR IST fur 111,h -,t,.t10IITt1UJl 1i! !Ult

GU ITAR IST / HAR M O N Y VOCALS Pup L;1Un Atu•·rlt .1 11 (unl1n,n1 .. 1, h.1d ,md rlivthru I< r "'dJ , ,t ,blhh• d \"' .,I 11.-lru ,11, nt ,t i:noup 1 .. ,,..,.,,, 11•,1(1,n1,· _,, .. ,d h .. ur l\t lh·nl 11,11r1,•v

""' •H'• IF YOU ,.,, • v1,u11~1,h p1,11u,1 ,or,: ,n,,I .,nd ,,r, • ,r,.,,d ,..,.,d, r 1, .. ,, pl• • '"I ,J1,r•• 111 .. n ,, j{IICld , .,, .,nd 4 f, • l fut 1,.,,,1 .1nJ \lo JIii , 1,·,1d,·n,, on " 1.1u,,rt.1 1n \lliddl\ l,ruuxh hlChl < l1J\1 I,~, k

ARTISTS WANTED JI. per word

A ~AIIITNERS H IP vlh-rt•d lo girl "1th 1'111 Ill'• E,:p1:r1"nct m ,h.,I\ busmn1 nol ,ol!'nUJl but mujt bf' "11111111 IO d,:dlcale With Act and pncllct for ru1ure prt> mollon1 F"11 t month~ ...-urk •1th 1100d C1TC\U 111·.allabh, no...- and club work lo folln~ Would suit ic1rl of !>mall build - Wrtlt' •·1th photu \Ir T Sandi,w l Hen,all A\1•nue , llt'hln,:I"" w,rr .. 1 Cht'• ~hlrt'

GO CO C l flL S ,.· Im -"ill b,: 111 It r,•,1t·d tu w1•rlt vn th,· Contlu,•u! In 51 ,mdll1.l\ 1a G1•rm 111\'. ll;o.ly .ind Sp.iln rur i:w•d flll•lll )' 111· C'h101ni: .1c-rummnd,111"n 1<twuld ;ippl) lo N1.-J~ W1·11k,•n~. Eor" p1a11 HrmklnK ,\11;1111:,1·. t,nltrt,1111 n1,·nl IIOu'-1· M~·tdu ti Co11nl,l•rt,y, Surr1\

CR OUPS, DANCERS, m.ih·, h•m,dt· 1>1•11,wn otrld ,,th, r ;,.-i, \\Jllt<·d fnr IOurk h,>mf· ~nd 11Urn.,d - Ph'IIH" 316 Jtlfll

IN DE P E NDE NT p,,.rt111\111n \lltnl•'ln\ e, Ii., L;,h nl - :wttd d1·l111I•. pll••l"i.!f•flh• .lnll 1 .. p, \o, H"1, llllll

MANAGE ME NT A II E Jl't'IJ,itf'll f'ln•nc• pror11,,c, nrit < lf,1• 1'"1,·n11 .. 11 • rtu11-~ II ' """' et< lh•t.:111~ pbul,,~ JU - lu·r,m•lh \:.1uxh;,1n 14; Tht c .. rn ,\ 1·h.1n~" M"n,h,,1,·r ,

ARTISTS 1" ,41,,.,,•1 1 .. d ""'" 1 "'111, / pf'r word

:,•~:,"·:··:d ~.~~ ... ,r~•'·'tt•~;• ~,i~~:.: ,n ~~"r, "'-~l~A Sfn,i:, ,.''".~,d r1.: .. :',Pr•

INE XP ERIE NCE D Ci l B'i,O N \••• and ,,1h,1 • I Av,11l"r,·, 1n,,,.. ,1,1H1r, 11 ,1k ,1, 11 v.,1>, 1., r, ,m d1•!dv ,,, .i.,: h,11'1- ,u.j-!>"l'I

LEAD 111:u11,11 ~n•I b~ r .. 1 111,11

DR UMMER AVAI LA BL E ,n n1rn1t·, pru, ~l'Ci.!' re<ordtnt,; i:ruup 111th luturr - Ttl 01 HO 41711

DRUMM E R AVAILA BL E. rx Pl"fil"llCl!'d - !11• 57'11, $7Q fJ(12

DRUMM ER AVAI LA BLE !',!HI $21' 7.\11·9442

l'VD~~:,:.E~~t~~ l~l;~m~I ~r~~~~~n;i' \\urklni: 1:r,.up J,1,11J...-1i: gnu(! 1mall'.l' p•s,pnrl Tl!'ll!'phc,nr 1121l7J 2t,fl-'

DRU MM E R, EXPFAIENCEO. 11wd1·rn ti.:• -lnJ,:n·h •urn\· fi":tl

DRU MMER EX PERI E N CED, r, 11,thh· ~Ii! rt•ldenr~ 5•7 116Jl

ORUMMEfl , 1111:ll 1uung,• -136 2,111

DRUMMER , i:1w, lvun1,:,·.-lll-7il'( 1'1S H~tUMMEfl , GIGS - Sun .. n. lb\l

DRUMM ER PRO ur1,•nll\' tt,,•k 1:,ond •nrktnjl «ruup, got\d )Ct·.1r PJ-'JlUrl - Downland )!iSMU

DR UMMER, PRO , t1 Ludw1,-t,~li ~6J\ 361 9452

DRUMMER, VE RSATILE. , :to.pt'T, enct•d trani,µorl -5'1t ~Jbl

DRUMMEII , younJ:; r.u;1 - i-58 HIS

DRUMMIR - Ol•lll HU DRUMMER 12\ll tu IOIII li,1~~

p1.uu1 or or~an a11fl i:111l,H j,,u \t:mcl,1rth. liomr pup, 1.nndcon dfl'"d ... , , k,·nd~ -i'!dfl 47 1". 0.1n

D RUM S. Gnnd J.li-!' ph-J.,, -(:LA O\~>t Tnnt Ohv,·1

DRUM S John St .. ln,·_\ li',11 i!ihl EN GAGEMENTS n,·,·di·d r,,r

~•1n11nir •II cotour,·11 l,and rrt•t fu1 11111' "I Tt'Mdl ncv - 9!H Ht'.

E X- NAMF '11lK• r dru.,,'1,. r .ind h.:o•, ,l('Ull,lrt!'il •N~ i:""d 1111 J,fl £ruup -1,•I . I\ 11-"4

E X,ERIENCED ,,1!11111,·d Orun, nur ,·,·I;. 1(1.i,:, "r .,.-.1.,r, ~••rli. -T.-1, pl1Un1· 411] li9W/ .<flt, ; p nl

EX , E RIEN CEO GIIOUPIF . .!l 1t.1r, i,ld, ',·k~ p•·•lll• n Ill rs1.ibl!'lud ~t",111 1»•·· turmun1 i:r"UI' H•·•lo•)'h, .i1h Prr, Pl,n, i:•HIJr anuhl ... <or111,n ,inti ~••tJI~ 11.,n lr;or,,p .. ri .,114 ,qu,pm,·nl 11.l,plwm ttl ·'16 41f1•1 11<l,1,,-n A;

E XP'EIIIIEN CEO VO CALIST ond

~\?,;!{:·if ;::\\·::./~;S

14:iZ!t 14 Deodar ••od, ,u1n1y, Lo ndo n PIANI ST and OflUMM Efl VMill S, W 15

1~);;,£i;f ~tf~~:~~l:~,.,d:~:~,,~ I r=,ad=,=,.=a=d,=a,=,=,=,,=,d=,a=.=,=,.=,=,=a,=. U hi,: 11r V.-111:hl - Tl•I M,,nk, ~·ro~~ u.pao d,n; a l end of the year w,th 511 r.~ .. fi;ur• capital 1-• kt lop

P IA NI ST / OR GANI ST SEEl(S SEAS ON - P!J,.nt· h·lt (;~11 h"rliun K,·nl. f>lt141

PI A NI ST / OR GAN ltll,ol~ .,II lhlr,- l'ir\l clll" - 1104 .t1'17

PI A NI S T, PR O - !1711 4?11~ P'IANI ST . - RE<> 2040 n:i~~:sT, Rt~ld\·lllY li!IK

PIA NIST, S UMME R SEAS ON U1·5~b-lll?P

l;IUAL IFIIEO PIANI ST/ ORGANI ST •t•l'k~ nmt;,cl~ Onf'·llml" llnl·m• puinht t·,h•mf url"·r ~oull rt<ad.-r. "'"h,.,. Jum """t'mblt• d.int., nr.-hc\lra. or1..in rnlt~l!st Cl,1"1c-al. mud,:rn lap, rtcnrd •nits. rt'lnrd" A\1,11\able Jud1l1un :t~$~,~~{-; ,u,,1n. rl'ht'~r-t• _

SEMI -PRO OJ Int cluh. _puh Wl"ddln.i,:. p11rh. r,,ml,t-,,.nul. ~~-~;· ·ablt· ft'l', ow,, tr11n,pun Ho

S UM MEIi SEASON , l.,r\lhanl

t\',~!~'r I ~lir. t:~-~~k\< ,;.~;~n~~ co;H l nl ruun - 01-~bO 413 1

TENOR-•AIIIITONE un1t ~l"lnl pri, r"uk1ng for ,:-ruup 11{,,rtl flre-n111rood arta Own tr,tr'l11.purl - llrt·ntwnud lfl"l4

T IE NOR duuhlm~ \lht·~. •.r1\t,tl• ~•11111).: J1:11<1d r,·otd1•r 400 hu,l ::~•x,· ~7t~q•l.itn,t..1d, T, I Hu)

TENDfl , FLUTE , AL TO. yo,un,-t> '' ,n rr,, ,,p,,11111, t, J"''' ~~•:1: 1,11, up •n1w.1 .. r, , I,,,

TENOR . FLUTE : YOCALS . ,. .,d J.111 , It • JIii• , •<•I ,r •ti• r

I\,, •1\ TENOlt SAX I 1t d"<ll• 1,1np

H, 11u1r, 11 .. r), 1t1th , 1Ab]1 h ll

r~::~ti ~•~ ,:•~.:~~" l,,r n ,u,1 m"

;~ ~.E~~~ ' s,~~ r1o ,11: d' ,., ,\'i"'t:;~ TENOR . YOUNc; , pr, • I • IH·

,·y~.tt~:••1. ~ _.~IL1 ~ TGP P•D dr urn nu 1. TV I il d lil

BANOS WANTED

TRIO REOUIIIED Bon, Orv"' , Q, 90., _ Guo,Ofto 1eed constant employmenl in coba, , 1 Reid 1eqwrred to bodt lop girl 11nger. 01 •9:IS 2111

WANTID NIW IACICINO G110W PGaYOUNO-

u • ...=':;,-C:. .... ---, ..... ...,._ ... ............................... M ,. o•d•r o• u,11 D lowl, ltd fDopl M M 1'1. 12-4 Gt ,o,rlOfld S1 , LONDO N, WU,, 2Dl ~ bo<~ 9·, .. Collofl olso;o wolrom, a• 124 f,:l9b•u•o1'1 c;1 lull 11:,ng Cenlro o"CI a .. tl ""'" M~t . $101114.t, tlltMINGHAM, obo <1 ! 176 Tho M-,StiHfl£tD

.,,,,up ._c ,n 7 l .jl,III d,~ FLAT TO LET ~r;:.'t ,~~ 4~1

I HI/ d, llr. t 1tC14'

CIIIL VOCALIST/J(IH\<1 11,1 o2 1J ;:~til ~:,~:; 11~:~!ld~~=~I I fl, :l fl~::• ~ 11m , 1

LFAD CUITARI ST , 1,r ,lllh d<,uliltnj: V0to11' \Rr 1,112

MU SICIANS y,,,ml!·d fur " nm, C11 11 '""'"' Phu11t 11 1 711 4~' 1

I 4 per word LARGE FURNISNED H.11 4

p ,·n p h 1.,111,·,·n ~ 1',1rk l ll:tl!; rl1u, lln• I fl~ Lh Il l NU1 IIH I

~::,~\: ~''."r~r.:•::~: ~/''"~~' ~, rn~~:1~11 C.UITA.IST lnhn • \ll I IT

Pn h· ,r ed - ll 111 r; 1· ,~.-nlr) 71"6

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PERSONAL I 4 1wr worJ

OATELIN• COMPUTER DATING ROMANCE OR PlNf ftllNDS -TNIIE NlfW WAY TO MAKE NEW >ni.t.•1111 11 ,., d ·11, 1 11rl ul FR IENDS - • I d 1, r, rn, rnh,·1 ll• 1111 \\ •rlll ,1 fl n, 11 1,11h,r, FREE fn,tiJ,.h,p •-ul<!Jll , \l • li

1 '., r \'>llh -1,1 ,, ,J. 1, \l"hur,t \' uJ.. "lj Iii

~, Ttf, DAi~~:IN~ ,nit.''' \\\I r~' ,.,!"/LIN UO k tin 1,,1

I •1 ' UNDER 21' I'• n1• 11 -'ll\\lh r EUROPEAN FRIIIENDSHI" :,CC I JI, I 111 /1, lo -11 ,._, I 1,.1,

ETV. • URNLIIE'I' l•nl11,,,,J .111 • lt•>1 1 11,,.,., 11111111•• •• ,H t ,uni 11, '"' ., .i, UNUSUAL PEN FRIENDS' t,

1,r r,,. J,1111 ,,HIILh r1,,r,,,11, 1111•11 ,11,,11,I FRENCH JHll(r11m till.,,.;, m,mlu1•lt1p .ill•~ .._,n,I • ,c·

fl U1 l :'.'I. -,11d ._ ' ' 1,,r 11,, · ,fr111 -\II Jiur..,u llrl!,11111.,, ]~ d •~lh \ni.:h• trtluh ~-., 11 , ~;,":~11"I• t:ru\,· !111,:h, \\ H

~,'i';?i1,1~•• t'tuh Ltlt1111 11,,11,., :-AHBOL~-~ OF'

GIRLS WANTED' .., \ t l.,, d, WORLDWIDE CONTACTS' 1 ,, , HI• j•.,,1.,J l'r11fr1• 11•1 ti, I ,11, plu, l•h•• l ,o•. fl 't ; 1 ,.,,,,,, 1

r,1, 1 -un ft,,,,,! 1,,n11,11 \\• Arr.rni.:,·111,111_ \hmctuu 1 11 lln GROOVY POI" FANS r, •~11ll<tl 1,, ,H G, flll,llf\

, rr, 1••11r1 ••(thtr,~, 1,1,,,,1 ·11<1 YOUNG MAH ''~- HI IIHIH '"~"'"' 'Jllllll.tllul,u x11, 11,d,n flll>tlll•

,J ,l, h"m .,\l ,..,, t 1h, ""'IJ YOUNG MAN 2,, LATIN TYPE - lhll•I ,.-no~ ,I\}_ "''' ''" mJ WISHES TO MEET BEAUTIFUL I• ,-.,u1 lkpl A lql f"u1p.,r;1t1 ,11 BLONDE C.IRL FOR ONE WEEK ..:1rt-, t 81rm1n1,:h ,m HOLIDAY IN SUNNY SPA IN

INTRODUCTIONS 11> Ill'.,... lrlt nd-. \\rill tu \ ht•'" II lhu• ,fl., f thl upp,,.!11· ,•( _.rr,in.,;rd lo\ '1,·nd,,1,. \l-,1!111<1 'J•.t1h

P,'•I !ihmh,r• •i.•·d lit up .. ,,,t1 MADDOX PEN CL UB Ill< \ ' ,-1rn1'hl'1t Yt'rih• h•r dtl:i\l l,,1 Brin,:- ru1t,·11,,111 n,11 .11 ... ,,11..: J~•, lt!~\f,1\r l•!1r11du111,n, t1·r,· I'" ,,,ur Ilk '.,d ,1:.m11 I l ,p .. p.irtrn,·111 u, foll Nl"JI Mn·• I frt·(• dt·la\l, YR. "in M,,d1l,1, SI l!\ndan W(2 l.nr;do11, WI

INTRODUCTIONS A.HD FRIEND• -------SHIP \ •IIH'1 Tt. st'T\ Ht 'A rll• t,1 MARV BARTON DOGPOLE TRANSPORT ;1?.~ .. ~-E SHREWSBURY ~M J 14 per word

fr~~,:~ ~~~~It'll~~~ ,t~;:,~~:~:• ~~rl~~;~t~~~ T,,,~;;;ui• ~ri"'\;:t ~~::, wi}~ 1~1Wt~'r1,\. " 0f11

11~i~~~ih:~, FREELANCE TRANSPORT

Jal',:- Scutt ~n. fU Maddox Sin,, TRAN S ITS ANO DRIVERS l'hil

L•::i~nE \\~IEW FRIENDS ol rh~ '\\:".tf~:t.;. \~t~h,i:~,,rr~'c;ADIE

11pf",.llt "\ HI LIH· rn11u rt l1.1hh-111

i't2~' ~ •. ~::'.t' .i:~.};t· ;.~t· hlr, .. nd 1111'\p,·n .. 1\L 1',l\ ;11,11\.lhh H.\\. 11.1-.. ~·tt1· Lh-louh - ~ J \1 12•• 1 -- - --Rr,11·m,,1 lluu,, · 0Ut'I H•- )l.,,,d

H•·~~1;!·A'~•·r:;GLFSTONE . pl, , , TRANSPORT , nl.HI K•hm l-'lwn,· \\1H ',.J!i AGGRAVATIONS? .. ::~:R'.~~.~S ";;., l'lr~lllr~l t ',

1S! Fo, o g,or .. r,teed ca1uol or pe•· \,\[ fn,nd• (11r All 1',IM) 1u, monenllr0Mpa,11yden,phane 1'h~t.,11-, rlh R•llrt. l."ndun '\ V. l

PEN PALS tllr1t.1111 ~\11111" AXLE Ou 1~ro1~1. lllu,lrah d hruc hur, (,I 97-31046

CLASSIFIED ADS

MELODY MAKER 161-166 Fleet St, E.C.4

FLE. SOB

EXT. 1711176 & 234

RECORDS FOR SALE I • pn worrl

AMERICAN LP J. \ t h.,11 11! lt1,1u• ~r,tJ \lo-1 1 , ,,,, ' ,111 \' ,p l! 1',H h l'I, ud lld v· I 11 11r1h-r I, 1 11•1 P JENN& Y, !" R1p,,n lln,, IU h\' l, h •

BLUES ""l J•J. ,,nd f,.lk , t, C.r,1\h r,dm•d pn1, ~,, .. ,,,1 - (, 111111 R• 111rd~ . . ,:, W}m,·1 II\~ \1.111,11111• \l,lld,o \',11, I 1111 dun \\ II

DELETIONS < ,ul R&li .. ,,·r 111,IOJIIJ •IIIKh 111 ,1ud, o,;,-nd h I' Cl fur 1.,1,· t 11~1> le• - II 111111 \ II I l " , d , I Tu <Id Str,,, t I orymrJlh•n 'i1r,1f \I.ill ch,-~11·r. 'IJ I N~

DJ SALE Uldh, Tl r1·111 hi!, :,, ,, \' 11~1, - k \h,,. ,p,1r~ 01·.11 f;l,1 ,.:u1' '- \\ ~

DO YOU hYl' 111 SWEDEN, NORWAY , FINLAND , DENMARI< , ~t::.~~~'.11 ~l~~-~A~r~ • TA1°o':/?5 f,1111!1\I• nl,111 o r (h't ••'l;f)ll[I .. ,-nlll' ,ontl 111'1 ,111 \our rt·rurd" 1111h ~h .,ud d11 ,1pl)- - J><-1,111~ ,u,d In, liq, 111 1111' r,h.1.,,, fl,,m -TANDY~ tt,I), 211 W,ol\l·1h,u11ph•1, Roud. \',.1rlt \·, \\11n,•,t,•r~h11 ,

FANTASTIC AUCTION ,,,ul t,Ju,·~ roe~ .,nd 11•11 ,ind pop \l.,n\ ,on lht· .-\nwr11,111 1,,ht•I., -..,, nd 1.ir 't ,., t" P . JENNEY . 2• RIPON DR IVE BLABV , LE ICS

RECORD BAZAAll , 10 OOU frmu lr,·1 -H,rm,~. Rtrlln 11 n .. , i; m. L, rman~ -------

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-MA--G-IC_P_H_O_N_O_G_RA--PH- 1 POSTERS k~n.0 'e,r;'i11 ~

1 !c1:.t' ,'.t,;,.\l l'ti~ 1 per word 1.P, :11 r1•a,n 11 .lhh· 1•r1c,,.. ....:

Mail Order Service Send HENDRIX MAYALL , n., 111 ,. 11 ~':i':•:;~d nkt:.,111

Road 1-•·•Jl h \,,n

SAE lo, lists of 1mp.>rted ~:i·:~d:"u(".~1•,:;,•1~-~/r~~1• ,1° : .. ,~;1-

and new releoses 2u, ,..,,,., I n 1· cwo H-,dl:• \l.t\nJrd \I \I 11.!. ll•·t·lo.rnh.tm RECORDS WANTED

4 Soho St , London, W 1 R" 1d Jlt·tk,•nll.im J..,·nl

Tel 437 1604 FOR HIRE

J - pc>r wore/

JI. per worJ I B UY ,·nur un1t11111,·d r.-curd"

~,nd d<'1;t1I, ,ind• o11 t 1u ,\11d\'.,; Crn,11•1 liuad f,,ti,,l.,ltl' :-uno,lk

MAR IA N NE FAITHF UL L nn: Pop Pro motion at TH E BEST MOB ILE D IS• ~hi4 (; .. A\IU_I t ·rn m ,1_1 "'"rid u ll .-r, lo Gurdon 1110 Spmn,·,· !1111 HH,ld, :-.onh;amp1,orl Albert Hall

Anyone w11h,ng lo combine ,n r.non• ,;.,.J co-operotion, pleau wrote 1mmed11:,tely. Genu,ne offeu only w,11 be held ,n llroct confidence

COTHEQUE &QU IPME NT fur h ,rf UT purc·h11<.,• frflnl N &WH AH AUDIO . - SH 11111,t WA NTED F OR pt1l L·.i~h I P11, 45

n·cnrd, Rrt,,rd pl,1}~,~- r adw, t· 1t Arr<1nj.!i: U11·nt, 11, call d.i\' ur t\l'lllnJ.: -Tt'I Morrl'll, ARC :21-1 1

•o• Ne . 1361 , c, e Melody Mok.,, 161-166 fleet Street, l . C 4

" Now I wl•h ffi•r I •-loll loowo rt,!. , ...... AMII •ot • •"-• to loy '"Y i..,rc­

<llow.., Woll , It'• nel lh<o 11'-.Ple I ..,1n4, n.. ,,_ ..... !ho ..,i.. ..... ""·

Afl<II II'• ,.., • ,._!I_ ef lo•• that 'oll"'eJ'l ... on..,ymlM Dirt •" y..,, h•Mio, <lllrt ,,. y..,r .,_,,

w ................. _ ..... o11

TUXE SPECIAL NOTICES

JACKETS 1/4 per word

4cu. NYLON l 11

::::-:~-::::..': If

MOUTHPIECES T'- h-•• ••• 1-•, llur tho .... ~-.,., .... ,

....,.,tl'Og,o ..... ~1, _....., C,;~1

.;., .... llolo•- .. tc,yo1 ... l,~,o'

Co'"' ~ ,.J~

-- , ... , c .. , ... Cl>MI o.u• ~ .. ro "llliilM-./. J/. per word Worlt h • fo.,., lo.,_, w..-4."

IU, SUIU GlO.Gl· a.. h61 Co Molo<lly Moloo,, 161-IM Fl­StNot, LonH.,, l .C.4 .

WANTEO Ott" l,mk h-nor

:~:~~:.~plr;r~•, t ;~~t;~l ,.:t~:lll jl\~l•~ Ill !<!11\ 6~116

MELODY MAKER CLASSIFIED ADVERTISEMENTS

I~ r runt

I, I

UNDER FOLK FORUM & CLUB CALENDAR HEADINGS SAMPLE OF COST AND TYPE SIZES AVAILABLE

PLEASE NOTF. : \11 ~d1,·111,,·111tnl• ""h1 Hut DISPLAY OR CLA .. 51 FIED 1111"1 ll1 prrp,41<1 t'h,·14,11" ;, 1111 p O , •!11,uld 1, , m,,d, uul I« MELODY MAKIER. ]ft1-1flh tin! ,1r,·, I l .nnd,111 F ( 4

RA ILWAY H OT F L DARTFORD

PANAMA LTD.

JOHNNY SILVO

HARRY BOARDMAN }

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MIKE CHAPMAN }

JACKSON C.

FLAMINGO

1 4 pN word Any wo,d'> re-1.1u•tt'd 1n bl.tck. cap"> a,e char8ed al 1 1 0 pt-r word ~xccp1 hr '> I 1wo wh,ch ,tart th•• advert

6 !'l pN l,nt- rh 1., appl•t'\ tf w01th art- cenlnd 1n rhf

coturnn Appwx 24 lf.'f/l'ri and <,p .lCl·~

10 1h,, l1n1>

I 3 4 p r line Appro,; 17 lt- llC!T'> and <,pace~ 10 1h1 l,n,,.

17 6 pt'T lont' AppHH< 18 let1+r and !'>pdCt•

tr: I~ 1,n~

Appr x 16 ltsttr-r .. .l"d ,pact:

th /1ni-!OOpn1nf"

Aoproi< 12 11111, and I arr t• •hr l,n

>nd r, ,

''"'

·" I I" '" I 1 rt l

BRITAIN'S MOST EXCITING GROUPS

THE THE ART ORANGE

MOVEMENT BICYCLE St,ir attr;ic.t1on'> JI records 1.•d10 and 1elev1s1on

Enqwnes to ACUFF ROSE MUSIC LIMITED 15 St. Geo,ge Street. London, W 1 01 629 0392

Mick Abraham's BLODWIN PIG

a nd FREE at BEDFORD COLLEGE

lnr,er Circle, Regent's Park, N. W.1 (Boker Street Tube)

6 / 6 advance, 8/ 6 at door Enquir;e, 935 5867

FRIDAY, MAY 9th at 7.30

Sot., MAY 10th

J. J. JACKSON Ip"" to 1 o""

SAT., MAY 17th

OSCAR TONEY JUNR . 8 pm lo1 OM

DISCOTHEQUE GRE.llfST R & 8 SOUNDS

IN THE MIDLANDS

\il:.I oDY \iAKf.R , Mi.', 10 I C.'f-Pal'!,t' 27

FESTIVAL IN MAY N London Coll•ges Arts f•stivol, at Enft•ld College of

T•chnology

MAY 11-17th SUNDAY, 11th Jon lndo-jozz fusions, Don R•ndeltlkJn

Corr, 7.30.12 m1dn1g.,,. 12/6. 15/ on door MONDAY, 12th I TUESDAY, 13th: Drama. '81ock

Comedy", 'The Redun", 8 p.m.-10 pm 3 / WEDNESDAY, 14th: International Music: 8oluloika. 111<.,r,

Flamenco guitar Diseuse, 8 p.m. 10 pm . 5 ·, 6 1-on doo1

THURSDAY, 15th: Classical. r.oyol Colleg• of M u$1c Trio 8 p.m.-10 pm. 5/

FRIDA'(, 16th: Goodtime Night lo-ann Kelly, Rolph Mcfell, The Jug Trust, Brett Marvin and 1he Thvnder­bolh plus Star Guests, 7.J0.1 030 p .m 6'·

SATURDAY, 17th: FESTIVAL BALL. John H1s•mon's ColOl seum, Fire, Blossom Toes D11co, Light Show 8 pm 2 o.m. 12 / 6, 15/- on door

WEDNESDAY AFTERNOON, STAR APPEARANCE Ron Geesin in Concert, 2.30 pm. to A 30 p.m 31-.

Lote-n1te films, poetry, JOU, experimental dromo Tickets ond informc,tion from , Arts Festival (box offic•l. Enfield College of Technolog), Oueen,woy Enfield, M1dd• Ring : SOA 8131 , ext 110, I0o .m.-6 p.m. weekdays

BIRMINGHAM TOWN HALL FRIDAY, MAY 30th PreMnted by ' Mother1 ~ Birmingham

at 7.30 p.m. and 9.45 p .m.

MOTHERS OF INVENTION

S.011 ot 10 '6 1216_ 15r-, 20 '25 30 now fro"' 8 ,rmirlghom Tow" Holl Bo• Office . Porod,ie Sirffl_ 8 ·m' 1/-.o"' 1

IF YOU FIX UP A £60 DATE (wh,ch we are able to do)

JUNIOR'S EYES + C.A.S.T. WE Will GIVE ANYONE £10

We ure UTTERFUGBUNKMEANTST AN LEY who together made the L.P. FROM GENESIS to REVELATION on DECCA Phone: Chobhom 888A (Peter Gabriel)

M A Y 9th 6 / 6

HIGH WYCOM9E COU£GE

EAST OF EDEN COMMERCIAL ENTERTAINMENTS

Agency: J. P. SCHOFIELD, 01-836 2899

HEAR ON MAY 9th Privat• Po rty

lOth1 MARGATE 111hj lJ!ij BURY ST. EDS. 15th BARNHAM SMOKE

SOLE REP. BURY THEATRICAL AGENCY 0284/ 5066

MANDRAKE PADDLE STEAMER Agency: J. P. SCHOFIELD, 01-836 2899

STRAWBERRY JAM

all enquire$ Anne

FOSTERS AGENCY REG. 1141

'OLD JOE' North Devon'• Progreulve

Three Piece l!eod the "l!over" lo!ely f

Wr,tie

37 TRINJTY STRUT IARNSTAPU, N. DEYON

or Tel.: 2562

SATURDAY, 10th MAY 8.0-11.0 p.m. IMPERIAL COLLEGE

JUNIORS EYES + HARD MEAT

Ticke ts 6 / • in odvc,nce Tube South Ken ,

Bus Albert Holl

Discoth• que : 3 &ors Supporting Group Men nHd S.U. cords

proudly announce

The return of Jamaica 's top ska arti st)

THE ETHIOPIANS June uly Few do tes now 0¥01loble

TEL: 01-836 2726/7 (Dick Mms)

I SMURDAYS 71 ; I ; at U.C.l. 1 ;; GOWfRST.,W.C.I I ; SPICE ~'::; I ~YES :.::: 1 1 BLOSSOM TOES :.::: I I 8.00 5. U. Card . I

1.

L.------J

lTT: COUIGESANDQIJIS 3 Top Pragrehi-.e

Harmony Group• avalloble NOW I

MYSTERIOUS BABIES SPIRIT GlASS JON PLUMB

MACKAT•MONION , •QMOTIOIU 01-6" 2667 / 01 -437 &HJ

LONDON JAZZ CENTRE SOCIETY

p reunh

Gola Charity P,•mier• Mike WHtbrook's

METROPOLIS Th• Conc•rt loncl M• rmaid Theatr•

Sunday, 11th Moy, 1969 7 15 p m.

l>< h "l.5• .lh .,...,,_,.....,>o. Collol O....,Woa.,c1,P,.,,11CS t ~~~~• Hov .. 116 S~tt•Ji, , ""• ._ ________ _,

,...,...,.. .... Go-.., alC....,... 061·2211451 -. ...

LP.• ­...,_

MAY 31st ISSUE Owing to Whitsun press arrangements

copy for the above issue is required by

Thursday, May 22nd

r ia •t ,.' -;-MELODY M AKfR. \\1y IO. 196'1

Oo~~ 6" ~ fi,J ~ @fe oo

~~ ~~~~~

~~~~=;~~~ (;_~ FRIDAY, MAY 9th {@)

fH UUDAY, MAY Ith

MANDRAKE GROUNDHOGS PADDLE STEAMER plus STRAY

HEAVY SOUNDS flOM GREAT CIRCLE fHtur ing AND Y DUNKLEY AJ'HlOOITU RAINBOW LIGHT SHOW

JC SAVOY BROWN )C ___ _ _ >o)' JUNIORS EYES TURNSTYLE 'to~

1 Slh MAY: UNION BlUES 181hMAY: UFHARllfY

Cj SPECIAL GUESTS f G MIMI LESANDRE with FOREST J f'° RETURN VISIT BY SPECIAL REQUEST 0~~ ~~ KING CRIMSON ~/,.

AMOEBA LIGHT SHOW D.J. ANDY DUNKLEY 0 ------- - 0

1"1u, , pe,c,al f;lm c1,p, o l ST EVIE WINWOOD. BRIAN AUGER C\f' TRINITY . MANFRED MA N N, MOODY SLUES, JULIE DRISCot.L, ·v cl\) LONG JOHN 8AlDRY, aoa STEW A~T. YA R081RDS GEORGIE C/l, Q __ FAME. G RAHAM &ONO, • l e.. 0

~ ADMISSION 15 ' - ~

'-;;; , ; Ad,anc• ,.,h· , ., • .,Jabl• h- G<and C,ntrDl l"a11fl1. 100 (f>c,.,ng C,oo •aod, \\~ /~'>-,. WC 2 !;.,....,... !>1olol,, 297 Po,1obell11 •ood, W 10 lye...,..., !,!n:w,d, W C l. ),:,.

0 £,,q_,., "-o .. ""'Qo1n• 1"6b

~r.,---=--."-" 0 <;..;, o~u.,.2,~ ~A~ Ao

JOHNNY HOWARD BAND

LAURA LEE e DANNY STREET • TONY STEVEN

THE VILLAGE BLUES CLUB Adlo ln ing Roundhou1e Public HouH

LODGE AV ENUE, BECONTREE DAGENHAM

FREE TRANSPORT FROM UPNEY STA., DISTRICT LINE

LICENSED BAR

SATURDAY, MAY 10th. Doon open 7 p .m.

CHICKEN SHACK +

SUPPORT GROUP

Saturday, May 17th

FAIRPORT CONVENTION

KING'S HEAD BLUES CLUB MARKET PLACE, ROMFORD

Monday, May 12th

TEN YEARS AFTER

IT'S A DRAG COVENTRY COLLEGE OF ARY MAY BALL

PINK FLOYD • SPOOKY TOOTH WELLINGTON KITCH

LOCARNO BALLROOM, 9 p.m,e2 o .m. Td • h frGffl l.oc'O• n<J ,_,.~,,..1 1._ Coli.ga al An

f'- ,Ji,11,ngi T-.,1y tl,0 11 "'9•.,., nogkl DIIAG n.ll.lS

! CITY UNIVERSITY PRESENTS! FRIDAY, MAY 9th 8--+ LATE

MUSIC EVERY NIGHT and Sunday Lunchtime. 1 '2 -2 p .m.

Adm,n1•n Ir•• ••opt Solurdoy ol

THE KENSINGTON RU!:iSHl GARDEt.lS, HOUANO ROAD

KENSINGTON, WU 8u1H 27, 73. JI , 9 (01ymp,a)

""""irAN GRIIG auARm Fr ida- 1-llpm

TID WOOD JAZZBAND So!\/rdayl-11 pm - ...... .,..-,...,,

BILL GREENOW

Sundoy brMhr,ma 1:1-2 pm

Bill Nlll'S GOODTIMI BAND s..,ndoy night 1-1030 p m

FAT JOHN COX BOSSA4 fao1.,.,ng Voailn t JUDY HILL

Special AttroctkNI May 19th

THI AlAN HAVEN TRIO Wad Judd PRO CTO R (Gv,1or), aaiih UMON (~ iono), KfNNY NAPPH {Bou) . PHIL SlAMIN (Orum,, )

a II pm

Adm.u,an fr•• oll Hnioni ot

THE TALLY HO! FORTfSS IOAD. KENTISH iOWN

NW> euuu 63. 134,131.214 or

~,,.,.T'own TvbP TINr5dof. f.11 p.m

BRIAN GREEN ••NO fridoy lSolvrcloy. t- 11 pm

BRIAN LEMON TRIO Sundoy LvftC.htuna 12 2 Pm and Sundof N,gkt , 1-10 JO p.m

TALLY HO! BIG BAND Mondor- 1-11 P m

JOHNNIE RICHARDSON EH XIElAND BAND

T"9tOCIY. l- ll plft.

DENNY OGDEN'S OCTET Witd,,..doy, 8 11 p m

ALAN LITTLEJOHN/ TONY MILLINER SEPTET

1st WARWICKSHIRE BAR B-O FESTIVAL Warwickshire Equestrian Centre

Balsall Common, nr. Coventry WHIT SAT., MAY 24, 3 p.m.-midnight

AMEN CORNER JETHRO TULL BOB & EARL (Hodem Shuffle!

plus 10 SUPPORT BANDS Top D.J.s including Radio 1

Late licensed bars Ample parking

ADVANCE TICKETS only 20 / • or poy on doy 25 / · * Speciol rotes for cooch purties Cail, wrl~ .,. p,h-•• 1.C.A.. Lt•., M) Slw'etforol ..... , tlrmln•h•'"' 11

, • • , 021-772 4 7)1

.... ::c c..:> z .... ::c .... z 0

:~;~:~ SMOKEY RICE + MA GRINDERS BLUES M ISSION

PEACEFUL MUSIC CONCERT

JOHN FAHEY plus AMALGAM

Brya n M orrl1011 A gency presents •• •

The Masse d Gadgets of Auximenies Some Musical Callisthenics

from

THE

PINK FLOYD

Featuring

The AZIMUTH CO-ORDINATOR May 16 May 24 May 30 June 8 June 10 June 14 June 15 Jun• 16 June 20 June 21 June 22

Town Hall, LEEDS City Hall, SHEFFIELD Falrfoeld Hall, CROYOON Rex Cinema, CAMBRIDGE Ulster Hall, BELFAST Colston Holl, BRISTOL Guildhall, PORTSMOUTH Th• Dome, BRIGHTON lawn Hall, BIRMINGHAM Royal Philharmonic, LIVERPOOL Fr•• Trade Hall, MANCHESTER

ood

THE FINAL LUNACY

June 26, ROYAL ALBERT HALL, LONDON (Bo x O ffice opens Mond ay, M o y 12)

(Concerh in 360" stereo)

SKEGNESS ~:i.~~!L5~~cs.J Skegness Town Football Ground

SPRING BANK HOU DAY MONDAY MAY 26 {2.30 p.m. afternoon lo 10.30 p.m.)

AMEN CORNER INEZ & CHARLIE FOXX FANTASTICS

JIMMY JAMCS and the Vagabonds GENO WASHINGTON and the Ram Jam Band

Guest appearances of TOP DEE JAYS (TURNSTILES and GROUND SECURITY by

PONCHILLA GUARD DOGS) Advance Tickets only £1 , or pay on day 2S/­

Send s.o.e. and Postal O rder to: RIVONIA PROMOTIONS, 2 CONERY GARDENS, WHATTON, NOTTS

CAMDEN FESTIVAL 1969 May 3 - June 1

Ca l'-910'-o Th•• ""-• Gordo n Straet, W.C.1. Wednffday1, at 7.30 . .," THE GRAHAM COLLIER SEXTET

h oo;i ....,._ ,nd ..... ,r.,.,_,• ,.._., Wo,I bin..:! on old """°"" "'"' .,., "'•y 21 May 21

STAN TRA CEY QUARTET M ARIAN MONTGOMERY Lo'>d•W,. •.....d

andotl,e , ..,.u_.h

fc\•1>1S

wt.-,-beco-aw,,.,...., · .. ,,,. t11a Loo• • Ho!l•••••r c..,.,,,.,

r .. 11 ... .i .,_...,,.. ofMI tk"•'- •-11.JNa lrom th. &o• Offlt•, T•wn H.rl, ·-- aaM, N.W.I fOl.271 44M, ••t. 211 , or 01-271 2060), •IC. .... _

LlloNriM fMo,, •• Fl"f., 10--6, Saf,, 10-12j ........ . .... A•-l'a

HEAVEN (SPARK)

SA Pll.AfO iTHrf, PADDINGTON. W .2 TU. PAO 1274

• ;.~;; : Th~:.;.;; ..•.•.•...••

COUNT SUCKLE SOUND SYSTEM

WITH IAND Loto1t recard1 from U.S A. end JA.

frhloy , Moy 9th

RED BEANS & RICE 0 ;::u•,~;;:~; 01;,;;, •• • 0 0

•

0 0

• • •

,,_, Am• rho

BOB & EARL (Latnt hit r•cord " Herlern Shuftle '"

·························· Sundoy, May 11th

LEE HAWKINS BAND ... E;;;.; s~~:. ·;.;~.:; y;.;,;,: ...

LADIES' FRIE NIGHT •••

000iv._~y·w;d~~·J.;y ..... GENT'S FIEE NIGHT ·························· Club apen 7 l11ghb a WHk

• ;i;a~~-~;;ir" ;;; ~~b~;h1~· UcenMd Bar

············••"c••······••.•· Coming att,octlont ftom Ame,lco n••• we•k :

Thur, ., Moy 15th: From Jomolco, DUUUCI( MOIGAN Sot., Moy 17th: From America, THE IANDWAGON Sun. , May I Ith from Americo, MISS MARY WELLS

LSE Houghton St WC2 Holborn -& Temple

AYNSUY DUNBAR RETALIATION CHAMPION JACK DUPREE

BlACK SABBATH Sot ., Moy 10th , I p . m . 10:.

PLEASE NOTE COPY SHOULD A RRIVE

NOT LAT U THA N FRIDAY BEFORE THE WEE K OF

PUILICATION

POSTAL ORDERS AND CHEQUES

t.howld bf' tn,1de p,1y;able to MELODY MAKER

CLASSIFIED ADS. DEPT. MELODY MAKER

161 166 Fleet Street London E.C.4

CHAMPION JACK DUPREE

JOHN DUMMER Blues Band

JO- ANN KELLY & BOB HALL

MAY 15th, 7,30, 10/­CCa The atre

Gordon Street, W .C.1

U..l.,."lty Coli.e- I N- h,c .

St\ldenh o n4 ~ ta enly

lUCAS •• • tit , MIKE COTTON SOUND lt,1,,, Mer I SOUTHSlA ,..,,..,,., .... ,..,

Mar 9 MANCHUT1I v-1 , a , s.c-ici...

5111 ""°" 10 IIUUNCif,IAM 1,1o1 .. _.,.,._

PLEASANT STREET Sunday, May 18th, 8 .00 p .m ,

COLLEGIATE THEATRE, GORDON ST., W .C,1 Tlch~I 10 /· from CHAND CfNTaA L POSH•s. 100 Chain9 CP"I Rd, PHONE GOSPORT 81867 / 85385

l ,L.-~~~~~~~~~~~~~~~~~~~~~~::::---'1 ~:-=--------_-:_-_-_-_-_-_-_-----ll SJ" """) 11 CAILISU. c .. - Cl• • Mon Mo,, I 2 STOOl'Ol"I - ~ W • d Mo1 I.& ... OO' NAIU

MAGIC EXPLODING RA INBOW LIGHTS

ST. JOHN STREET, E.C. 1 ADM. 4/-

" REPUTATION" on CBS releasctd 9th May

SHY LIMBS Tube: ANGEL Men mu,I have S.U. Cords 0202 77354

OPEN EVERY NIGHT

WHISKY~ GO GO E.H.T.c . s~~E~:~:s UNION BOURNEMOUTH RITZ

CHICKEN SHACK Saturday,MaylOth

~.;t. MOUSE&CATSYMPHONY: ECLECTION DESMOND ~

0

~,~h GINGERMAN I AND * DEKKER * ~;;":(, SPIRIT Of JOHN MORGAN I YELLOW DOG Cont,octedby 10/- and12 / 6

11

:._ ':'.h JEROME ARNOLD : ~~~N~:C,~~~~l '!:.!~ Al,o~:A:~:TEAITISTS •'~:::Oww LICENSED BAR , LIGH T SHOW

41 ...... Al'"'-'• Slnat. l•"'-•· VI I ......... 14:116

NATIONAL BLUES

FEDERATION has now moved to

5 EGMONr HOUSE 116SIWIESIUIYAW.

lONDCIN,W.I 1Bz81-43791U

AIIYOUA-Yffl

1-3_3-3_7 WARDOUR STREET, W.1 01 -437 76761 1,~ ___ a_•_6_1N_A:_DY...;A.:;_N:_:C:_:E__:_• _:l ::_0_;_·· _:::O::_:N:_:N:::;l:;:G:H.:_T ___ _J MARYWEUS TIMIOSI

- ... 10,.1.&;,;E;;..;Al;;;L;... ____ ,:.1011N::;;;::;:,:m:=,:H0011;:;:;::;•~-,ll~-~~..,.---r!\:..:..J

CLUBS '""'"''aoa'KERR's FLAMINGO

WHOOPEE BAND AT 33-37 WAAOOUR STRE£T . W 1

F,~,, M,o9<" ~.••M":.1,,t•,•::•,•!': KfN COLVER'S JAZZMEN ~~•i•~s ~L~s~"'~o,"Jt, :•i S.1u"1•v M .. v 10th ~AR~~D T~:/1\E r~~1 -THE COM£

ALEX WELSH I GREATlST SHOW Bill NILE'S GOODTIME BAND ON EARTH ~·········· THE GRtATEST SHOW ON EARTH

i S\lflOIV Mav , 1th !: r;-1~ ~om T~~d \H~u: !H~~1i ~I

CHRIS BARBER'S * ~o:'r"';:-,11'C,H~~TION SHOW -JAZZBAND ., ~fl~T ri~ 10

tHYE ~tA\ ~7.;H ,~~ ::::::M~,•,-.,_;:nnnn BANDWAGON Al.lnd.:in J•uCenire Even,ng *************** GRAHAM COUIER :~~iA~~~ 1:t~· :1tEm AR! ~:, SEXTET GROU P YOU ' VE ASKED TO HEU

THE COOL COMBINATION

:KlN'tiv···e ALL ! .................... ,.,,.U UCINSlO I.Al -.1 IUTAUIANt uouc:m UTU JOI SnJO(HT MlMH ..

fo,lr ... , ......... ,,..,_ ..., s.cr.iu,y 100(1,,,b IOO('l, i.,,;1s.-1 W I

ci., .. T• ... he- N • : MUS..,m MJJ

STUDIO 51 KEN COL YER CLUB

I 0 /1 1 OT, NIW,-01.T STIHT NEA• UICUTt• SOUAU

s.twMy, • ., 10th, 7.30 .......

GOTHIC JAZZBAND S--r , Mar 1 lfh, A.,,..__ J-4' ,-.-.

JELLY ROLL CHICAGO 8LUES BAND

... KIN COLYER;s0

illZMEN

THAMES HOTEL Hom,-10" Court , M illdlu ..

Fr.:loy. Mcty91h

AIAH !ISDOH'S JAZZBAND

CY LAUIUl 'S JAZZBAND S..l!doy Moy l l!h

BIUAN GRIIN'S JAZZBAND

TONI ROCKET DISCTET ••••••••••••••• WED . MA Y 141 h , 8 p m • 1 • m

MEN ! THER E ARE G IRL S GALORE EVEflY W EEK BEC AUSE All G IRLS ARE ADM ITTED FREE AND THIS IS DATE-M AK ING NIGHT SO COM E EARL Y ANO ENJOY YOURS EL VES AND DANCE TO

TOMI ROCKET Dlscm *'**************

THURSDAY

BREWERY TAP E.17 THE ORIGINAL EAST

SI DE STOMPERS FREE ADMISSION

GREYHOUND HOTEL , HIGH RO ., CHADWELL HEATH

SAM APPLE PIE CRO MI T LICHT SHOW

MAY 15 , ZE-US

JAZZ AT THE

TORRINGTON HIGH ROAD , NORTH FINCHLEY

THE TUBBY HA YES BIC BAND

F lr 1t co m e I 15 F ir s t se r ved

JAZZ AT Th,· TtU•l'I Wr,t rnm , h•r Bndi: t• Ru,,d, . "'tth Tht Alban)' J il nmen .

MIKE WESTBROOK CONCERT BAND, ', ,. n 01k1 ( lu ll, Plymmllh

MUSICA ETERNA RUt"l)Ul k

Roa d WI

THREE TUNS , lh-d,,•nt1~tn NORMA WINSTONE Wllh JOHN

·- TAYLOR TRIO

WOOD GREEN 1,, • ....,_ .. ,., Sund• )' Ar .... )

AlEX WELSH!! T-401

FLEETWOOD MAC!! plut UNION al.UES

"' WHITTINGTON " PINN Eii; KEN COLYER

FRIDAY ASC.ARD , n .. 11 ..... i, T .n,-rn Ani: , I

I .,n r. ~lr., t f.,n1

HARD MEAT .. n d GROMIT hi,:l•h

STOHl"ER S, BLACKBOTTOM

r--===--,----,---, i B1rhu l. 1·,.11,i,:,

THE kENSl,.JGTON BlAISES, QUEEN SGATE I USSfll GARDENS. W 14 KENSINC.TON

l ,,.u 49 . Y. 73 SATURDAY, MAt 1 .. 11t

BILL GREENOW

SHADES BLUES LOFT. fll J h \\ n ·,1 m1,,

Mc KENNA MENOOLSON MAINLINE

GOTHIC JAZZBANO , l,;1ul to f -----! ~ ~ndw,c-h

IT'S WORLD THAT MAKES THE LOVE CO ROUND Cnnll·m p1•r ,H , wo rd .. . incl mu, 1t KEITH Tll"l'ETT GROUP , LEON ROSSEL SON BREAKTHRU P'DETS l .)O

FRIDAY cont. ROYAL F REE F OLK ANO JAZZ

~ lhmh- 1 Sin·, 1, ~ C- I '

DENNY OGDEN'S OCTET ,rnd R1·•,1d•·11t, !1-1 I p ni

ROYAL OAK , M J s (lub fouln :-.trtll Sf. l P HI L SEA MEN. DAVE GOL DBERG , TEll:RY S HAN NON , RE C P ETTIT

TH E NA~ BUJE! N;i~, il l·1d York Ruud ll,1tl<-r11,·a

BUDD-LIPSPRINCER I, BUBBLE C UM OJ S HOW

SATURDAY

BLUES CENE C ROWN TWICKEN .

~~~E::IE~g:"'llN WDLF/ P A Ul

JEROME ARNOLD

PLU S LEVE E CAMfl MOAN

COMMIT CLUB BEA

COLIN SYMONS BAND

DANCE

UNION BLUES LONDON BlUFS ORCHESTRA

FREE CHURCH HALL NORTHWAY N.W.11.

(NR COLDFR S GAFEN) BUS 102 TONIC.HT NAY 10 S orry, lhh ad 1n a d vt'r t r n11,, 1 ppf'a r e d too 1o n n In l hl' April 26th is~Ul'

HORNSE~LL, C'ruue h E nd Lu ndu n . Nii DISCO-DAN CE And F'm1 J~ n f Gn.•a 1f' r Londm1 MU!ill ll ] T ah•n\ Comprllt1o n .

~~~11 r dLlc('~~.~ 1tl1~r S Jtd~t•s.111

. ~1

<:tud i• Radio I DI~!." Jn1'kl•)· Ed Sh•w,. rt , Cyril S lapll'lnn Adn11 1-"l" n ; , lid

SUNDAY cont.

GROOVESVILLE WAKE ARM S {AU) . EPPING

THE TASTE

M,•m, 7 6 C:111- I, l'i II TVIU l>.:1r~ N EXT S UNDAY

JD N HISEMANS COLD SSE UM

H IC: H CURLY ST OMPEAS al lhl' ,uav,, CambndKr 11 11\el, Carn herll') IA30 J. ja:n (or H1tt"nln1 a n ti tlanl'lllK m uldt worldt.' m11ma l l' atmo1plh•rl' S pm

IT 'S Al l hll lllltnllll: at NI'"' 11 11 ~1, Uub Wlw1t l~h,•1t f Pub, Kt'ntun S t W (' I Ru•~rll Sq T u bt> BU B OOWN S'S O P EN MUS IC, pit" Nrw i.t usH Tr," Wnrd~ phi ~ Srmnt" t ,

JAZZ AT TH E

TORRINGTON HICH ROAD , NORTH FINCHLEY

FRANK RICOTTI QUARTET

LEVEE CAMP MOAN

lORO NAPIEA , Thu rn lu n ll e<1lh BIii nrm,~k111 , .Jan nwn

SKIN EXPOSE THE PIED BULL I

L 1,·e rpuol Rd . An"t·l. l ~lmi;:fo n S und •y •••·t"nln Jl~ fr o m M;iy 11th

ST AL• ANS, Go11t Inn . Sop wl'II l,lln l' 12 noon . Dal't' .l mws Quar tc l plUI JI U("!lJ .

TOBY JUG . Tolwo rlll , S 11rrf') MIKE WESTBAOOK CO NCERT t'd • ar fl rnu¥h lun

~,~,~~~ Cyd l' r Prru, Dil rUns turi ,

ROYAL . OAK , M.J S Club Tooky S lrl't•I. S F. 1 PHIL SEANEN TRIO p lu ) GUESTS

SPICE UNIVERSITY COLLEC:E

TOWN N~ W YCOM IIE

JODY GRIND ANDBLACK SUN LICHT

SHOW ALSO MUSIC BY

SIMON 'S STABLE DIET

SUNDAY

AT THE CLERKE NWELL TAVERN , I pm THE NEW JAZZ REUNION

&EXLEY , KENTni.1rk />tint, Jl<>ll'I

THE TOAST

BILLBOARD DIXIELANOERS flr, ·w, n · T ,,p. W11 ll h.1111~MVI '

BILL CREENOW'~ STRONG JAZZ

ll •1 pm Pr 1nt1· (If W,llt·~ . o.-1J 1ni; Rd' ll a m mN~ n11111 . fH·Xt Hi,\t"n, u ,urt f' ., rl. t uh,·

l!llACKBDTTOM STDMPE AS <irt•• n M,1n Rl~lkht ,tl/1 '

808 HARLEY 'S l)lx1,·l ,m d ("t

MONDAY

ALAN HAVEN TRIO KENSINGTON , MA"< l"' AON . lOs.

BEXLEY, KENT. RJ111 c k Pri n C't' llott'I. Terry L11h1ro,,1

JAZZ AT THE S&S

TUBBY HAYES QUARTET

ANG LER S BROOM ROAD, TED· OINGTON

(udJ Thamn TY) Fn·,· m1•mbt·r,]up l!n ll(hl

READING , " S HIP ." BOTTDM ST OHPERS

• ronn1e scott's Until May 31st

BARNEY KESSEL JON HENDRICKS

MONDAY cont. THE MAG ' S HE AD York Ad , Ua lterte•

SHAKEY VICK B lues Ba nd

THE RESURRECTION

NOW MOVED TO THE WARWICK

EAST BARNET ROAD ( NEAR ALE XANDEA PUB }

NEW BA ANET

THE EXCEPTION

TUESDAY Bll"DFOR D COl Lll"CII"

R,•,icrnl,., 1'11 r k

MUSICA ETERNA " C:EORCE " MDAOEN ALEX

WE LS H , L• l r ba r u: lf" n li' IOn

SOUL NIGHT ill THE WHITE HART, Afton Hlth Rna d THE BODGALOOS phi ~ i.t11 r fiUl'S ts

WORKHOUSE

PIED BULL l LIVERPOD L RDAO ANGEL, ISLINGTON

THE AX THE WORK 100 CLUB , OXFORD STREET, WEST COAST BLUES G IANT

LOWELL FULSOM ,-lUS STEVE MILLER BAND COMPERE , MIKE RAVEN

WEDNESDAY ALPERTDN JAZZ CLUB, ,evl' r y

Wl•dnl•~d.iy OAWSON•CRICHTDN JUMP BAND, Alpl' rlo n P11rk llult' I. Wl'mblty

BLACkBDTTOM STOMPERS, Grl'en )h n . Bla('ll: h e a th

BLUES EVERY WEDNESDAY

T h t' Crown. Crown S t Reading

LEVEE CAMP MOAN BLUES LOFT NAG ' S HEAD , HIGH WYCOMBE (O N A.40)

RECON SIDER BABY AND CATCH .

LOWELL FULSOM ANO STEVE MILLEA

FELTHAM, " CRICKETERS." TERRY LIGHTFOOT

GOTHIC JAZZBANO , Earl o f s .. nd .... teh

Nl':W Sl':OALIA . Ho llo way Ca s llt" ! u pp H111Jo wa1 Prl s11 n)

Tony Hayes Balfode Group of Companies 061-2211451

R:1l1asadot1 LP. on Stobie

1orly June

10 fAULTUSS MODERN JAlJ: '-OOUCTION ASSOCIAns

Dl-427 9100

CONWAY HAll , 1.undun WCI Adm S 7• 11 HI 1. 12·1 pm UI lht· Alhmn tra m

m , r~n111h Ro.1d W, + ""···- · ''""'""' LEVEE CAMP MOAN

NEW FRIDAY J.C. MIDLAND ARM S. HENDON

FRIDAY . MAY •th

KATHY STOBART JOHN PETTIFER TAIO

BOTTlEN~ES CLUB , R.11] .... ; I\ T ll\'t• r n AnJ,(t ] J.~ n ,- t. Vi

KILLING FLOOR PLUS PALE GAEEN LIMOUSINE

COOKS, CHINCFORD RDYAL FOREST HOTEL

Quer n I Lu.,hrtt, d cp 1 h tr1 EA IC S ilk ST HN JAZZBANO

CORNER HOUSE. 1:0GWARE

COLIN SYMONS BAND DENNIS FIELD. 11, h t111 ,

1,n \.l~n f'Jum t , ,d

IERIC SILK fl.. , ,·i,,,, f, rt1

EAST OF EDEN l'fu, DA DA LIVfS

D J J ... ,)f f._y,. M--." l,,e"' M111 ti'""- lwwkk SI Hea, Mffy kflTN ltlll IOIAIUANCI

PETER KING QUARTETI !-':~'~• "°"= ' ·='"'::::''='"::' •~"="'°=~I June 2nd for 2 weelu

KENNY BURREL! QUARID

MAYNARD FERGUSON BIG BAND

MIKI LENNOX

BULL'S HEAD HAl,tF.~ •~ .4 ...... ,, ...

JCINY LIi ,an .-..a JONYAICNH ,........,w~wn....,.~ ......,,.,.........,,

1114 U IAN Yl:IO

,,'· -~ .... • - .~ .. ... , ci t - ~ i

PfTE KING

TONT UE 1'1110 STAN ROIINSON

~~;O~D ,;;_;; • .-• ... ,. ALAN HAVEN

- ---= -

MELODY MAKE.R, May IO, 1969-P•JCP 21J

mannuee London W.1

Thundoy May 8th (1 30 l I 001 Monday Moy 111k l7 JI) 10 lOJ

•TERRY REID • ~~~~!t0~~!~!!1' • THE GRAIL occ•pt 011y ""°"'• • ppllc•ri-f•odo}. Mot 91h 17 JI) 1J OOJ ....... 1, Mrm)

•BAKERLOO ~~( ~ 1!':!:~~ ~ NN • 2001 MAaQUH DHUT

Solurdoy May10!h(l 0011JI)) • EMANON • PROCESSION • MANDRAKE PADDLE

STEAMER Svndoy Ma)' lllh (7.30-1100)

•f:i:: LOWELL

• CIRCUS WHMtdat M,yl..,k(l~1100J

• YES ! • PITER COOPER frodoy. Moy 161h [7 JO 11 OOJ

FULSON •STEPPEN WOLF • STEVE MILLER'S DELIVERY ADVANCE TICKns NOW

• SAM APPLE PIE AVAIi.MU

maRquee Sfudlos 4 ,_. • ·- • M- • I«-• 10 lidunan4 Maw&. W 1 Ol-43717JI

BLUESVIUE '69 Club's "THE CHERRY TREE" ~.!!_ W.!.!'!_ GARDIN CIT_!

si\ioY'irfOWN ALL INQ.: 01 ->41 292J

SAVOY ( w~,~:;:;:;o, ) (ATfORD SATURDAY, MAY 10th

THE GREATEST SHOW ON EARTH

STEVf MAfrED SHOW

KING'S HALL ROMFORO MARKET

Mo"day May 11th

TEN YEARS AFTER

·l·H &·Pi A!·

COUNTRY CLUB SO rc,,d1le l1,ltf'or\ J1,1bo NW]

DISCOTHEQUE Every Saturday Nl9ht

WHERE YOUR BRfAD GOES FURTHER I

,. ... , FAIRPORT ... ,,. CONVENTION +ECLECTION

5o,..,du, .....,,n"' TYRANNOSAURUS REX S..ndo, ""°' 11,t, r..,,. u w .. 1 c_.

STEPPEN WOLF

ROUNDHOUSE LODGE AV£ DAGENHAM

~ot ... ,doy Ma1 l01t,

CHICKEN SHACK

hii Hi-I fl

* RAILWAY * WEAIDSTONI* Th" Svnduy - fROM u SA 1

'Harle-m Shufflr-

808 & EARL + MILWAUKEE COASTCRS

Pa~, .111-Mf. l IJOY M A K l- K. Ma.. JO. I9b"I

llLL

Lcwington LIM I ,ro

14>4 ~ ••• • WCl 1.i o, : .. oon ..

H ••OSlo.1.1 5.t.f

AlTO SAll. 01"'40 NU SflM(.M K vt,.,. ,. ( 1 .. IO(SCHll400. ,-, .. , [110 CONN UNOUSlUNG .., _ _..,_ [ TS

CO NN l.A•Ot lOlC ea<.ii.,., UO aA.lMl na, . . ..... u,

TI NOl SAXOl'HONU UlMU MIC VI ,..... 014 CON N IO M , yp••b tUO SRMU Ml( VI, . ...... uio

SOUND CITY SPRING SALE

HUNDREDS OF BARGAINS

::::::?;!:- e "" ftHACMOIII .. MN I ¥ 0. A.(.1,0 Ml_ D,._ C_ • l-4• 1-C-,,..• U eU M1"0

DRUMS 1 . 1wr wonl

AFRI CAN TJU, 111 ll r om l1AT

' ' ALL o • UH S .;tld ,n' ' J •ti pur1h 1 J 11 1 ~ ·-1 ~1

ALL COOO q u ~l JI ~ dru m • .1• 1 ,r11 111, rrh.1.,,·d for 1 ., , 11 \\1 ,,It or .in ll •', Il l 1dll lt1H

ARE YOU lun l-. 1111; lo t • b.u g.1111 t' hn n1 hi ~Jw 4WJ.I imnn d 1.11t h r·art l'" h .. n~~ , ,.,·,·ph d

BLUE P EA RL drum IC11. full ,u,- .in d 1·).t r a~ 1,111 ntl t·.,11<11 t 11u1 ( ~o u nu - UI .r,11 Q ·uun

CY MBALS, AL L t11 J l.1•,. h ,1t

SHMU; SUl'l l AC TI O N, pe,fec1 [110 HlMU M~ Vl I•" '•"•• ,<,p..t, [2\0

rlllTU

DIH ON ll ..... f4 •­,.,..J.llllU. 1o l1 .. ~ ,-un1-0,w .. ,,.. ..... c _ _

U U f CAIIIH11 eALUJotl.UI IJ,.__ .,.,._ U TtfTU

~ .. ~n~uM8

~TT t ~1! 11 prl t't·, llt-111r,

dl.' c id1n1: plmm !J i -:l2!! •~\ :I an v tl m l'

u. ORUM ICITS , c l(' llf llll t~ pr \CI'" u, a\J(I rym b11 I~. :ill m akt'~ . acn·~

U6 :i; ~!•,:,~;~~~~::~r, ~•;f~~ ~~e~.~~~ OIMUNHAl Dt , ()pen l'l ol e ,..,.. 11:141 NO.UT. n• w C1 4 YAMA HA.,.,.,. ••..,pi.+• £46 GlAHI, ~.,.. IC42 MOORHl , Spl,l f , G ·••..i ,.... U l

POii n. ,ian TIMI IN UnAl'I flfG-INAU)UU ...,.,._._~~ ....

Ylf.m.-•• - .... ,..-,.,911~ ...... .-SeN ,., ,,_~ CLAIINflS

I U,,CT ,.... U ,O COU£S NO N , _ . ,..,_ ,·lot• t7S NOIL rT, ... ., u, NO.MANDT, ,..,. U I M0 Dll 4 l , ,.. .. , <Offlf>lete U6

-• o .. n 11

•o• A.C.le

0 -- ... - , .....

..u.lS MANY. MA.NT OTHIH JOO NUMHOUS lO MfNlK>N IUY flOM l HI P•OFUSIOHAU' SHOP W ITH THI ,111NDLY AlMOSl"H(H

VAU IANOI o, ACCUSOl11$

SOUND CITY • 124 SHAFTESBURY AVE. LONDON, W. 1 • PHONE: 01 -437 7486

HIRE PURCHASE TEAMS· PART EXCHANGES· PURCHASES· ACasSORIES

YAMAHA c. .. ,.:~u;:1..... U T I I~='""'================~

t~~fH.::;;~·:.~: .. .,... m 1r- - ALLQUAUTY-MusicAT1NSrauirnrs - ,.

YA MAHA, ••d b,a .. . n•w uu,,plei. U.9

CONNIIH,l:~~:~~u~ ~~ 01 0 I G1b1o n, f ender. ":'~~T ~ p~ p~2e~ ~K~ G UITARS and I YAMAHA,,.... [19

~t~::1°6~~1n~~ ~=-:... g; I :~s G:~~:A!!· ~~r\h~~~1~1E

5:~~

6lu;:~der;,::oer."~

1:;: I

MOBILE DISCOTHEQUES 114 per w ord

JJ:co~ ~~N DISCOT HEQUES - 01

9£ SURE 111 ~UHl'., ., for )'O UT llub d a n('I· p ,1rt, by lM•nk1r11,i THE CHANNEL ONE S OU ND HACH· INE - n1 -Un ~;15 ll"ll'll'nJO,.. , )

CA.,1RINGTON •S NARP ASS Q. CIA.TES LTD DJ's fut a ll ~(>I. l•I funtlll•u-. - flt -437 nut n,,~ t l fl .am 111 s pm 1

CRISPIAN -ST-.J OHN l ll' X·plrah-0 ,1 I for yuur danc<' ur pa r f.Y top ... ,u nd, p tr.o ll· 11ound1, e tc -("unl.il' r nn \· Wl'lch 1M.1na~ l' r) . P11 ll (' r k;ir ~ II~ ~ ~

EASY HONEY, l nlruduce hU 51 n l'~\ l <>r ou r m ubllf' dl,co\h equl' u n, ti,. b) act 111 11: H ace n u (; f'nt·rnu~ 1,;nm m1 "s1un n ll'I 4 1111 u lh f'r PHI\ lii:'f YI CU ca n br pru, 1d l.' d , - De-r;uh rrum Thl' Pl••du rt· M•chlnl'. 181 Wr~tbou rnc C r m .. Lnn 1h ,n, Wll 01·22ll•93011

" FREEWHIEELIN DISC O-T HEQUES . Rt h abl,:, ~1t• hllP. .lii:~ r • ,·It,• - II J .3711 nn ceYr~)

CIET THE GREAT CIRCLE SOUND '" yuur1cH THE pro.

f:'.:~~;1~~1~11~"z~~;·it~~~~j~ ·~;r;;r MOBILE OISCOTHEQUES f, ,r ,. 1

~:~·~:r,.''."·•• •M - 111, ·ti 113~

TAAIC MOBILE dtHulht qu,· for .. u 1,,ur •11.iJ func l 1nn~ Rca~o n

~~:: ph,~~:_'' ,.n:;~:~w h1thl~~ It\~ 1tn1n1 TREMENDOUS SOUNOS WITH

PENNY 'S AND ICATHY 'S M11b1h 1),, ... ,1,"" ~:t~ ; , ,

I G retsch , Slingerland. O lympi c. DRUM OUTFITS I I ~~le:°~~, :~.~;:~::~: T~~:~::•o!°r~ll~:o~;~n~:::~~1 I I Will CALL AND COLLECT ANYTIME, ANYWHERE I I Telep h o na

01d::;; : / ~3~

0~C:rn:rfo:v

0•;~:~o ~~n- 907 0653 I

I TAKE FIVE MUSICAL INSTRUMENT co. I L. - - .!.O~t:::.u. A_;:n=, ~"=•.:·!.. - - .I

TUITION 114 per word A BALLAD slnJi n K caree r CLARI NET / SAXOPHON E ;

Metru School o r S in g ing tra m ~ FLUTE t ult :on, bt'glnners, a d v:m ­you for pro lession3 l wor k on T V. c,:,d, Jau. improvisation . - Tel record ~ and clubs Many fo r mer Wlns tvn, l nirram , 01-4511 21543 s ludc n1 s no w s111 r ~ o n TV and ln1tru m cnt1 ~up pl ll'd r1•1nr cl~ -Tl'] RIV 9228 for VOlll' COMPLETELY OVE RCOM E A LL CUI to as, l'lil you r poknU.il ORUMMINC P ROBLEMS AT

A BRAND NEW ~u ll ar stud10 ROCiE R KE RR'S DRUM STUD IO ~~-~sl~;:::enor ~:J•:;~•" "Jr0:;;

11 ~~~ft - POL 8324. cial\y , - Modern Sound . l2M E LECTRON IC ORCiAN J,ssun~ Ch :ar1ng e ras, Road. wc2 CO\" f rom u~ Prlvu t e / g roups, R&B , 1167 mr1d,·rn o r ~an , plano, H a mm ond,

bt!~ICN~::~~~rGED .SAXe:;~,;,-:~~ ~~~l.'~);d~~i:~~;;'Ju~;s,f ~n6 3~~~ rly CLA RI NET p rh·a t , Jcuons Be5ttn ER IC GILDER SCHOOL OF ners ad, ·•nc,·d A DVICE ! l wst MUSI C ro r a ll vc,cal a nd 1ns tru ~t'lrct INSTRU MENTS . Ali;n postal ml.'nL:r. l lulll on Wc,!a•End S tUdlOI>. t"OUr"$l'S 1uop honl' . - u:SLIE R.c,1:. Oft\ t'C . 48 T h ~ Gla de, Croy EVANS, :!i5 Cotney Ha tch Lant• tJo n . CRO iQD , Surn•y. 1el . OJ '.ll:JJ ENTt•r pns,• 4l3i 654 47711

ALL STYLES POP SINCING GUITA R, BAN.JO , BASS , a ll MAURICE BURMAN SCHOOL. Pl'r ~ly J,:>!,, tMM 1!133 '3{ lnd1V1d ), -~email or pos t a l tuHJun, beJ::n'lrrs f'r.·d Gt.uon. 111-743 8 127 ·ncou r .tgl'd .-l]; 81c k1·nha l '. Man· CUITAR TUITIO N - Bl•g mnu -d,,m, . B;,i k.r Strei.'! . Londnn WI 1u Adum td TUL 112i5 t'hunt' 01-486 24!8fl LE NNIE FELIX, privalt C\lath

AU II RE'r FllANIC SAXOPHONE In!( In jllll ruann - PhOfll :!Kl> CLARINET TUITI ON. Ht'ilnnc r • 4903 lt1 adn nct'd . - 112 T h e While MICICY GREEVE. Spet'lalh1 ffoutl' N w I El!S l:!00 ext It? Jrum tulllon. - i611 2702

BBC/ EMI rt'l"rdinJ; pl .1 n1 ,t ORGAN TUITION FOR BEGIN -ur,: .lOl$I .JULES RUBFN ~p t•~ tJ \ NEAS . l\ t> 'II br,•,1kthruugh Ln f'<II•~· 1w, In ll'ol ~hm i,: J ,IU IIOJ) ffl ~t~ II Cl rjtan mrthnd Pl ii "\- and re.id twn S t udcnh a 1 .,n JcH: lt mu,l c p r nft·\~lona ll y In m111ut,•~ ilt'l't"Pttd Po~lll\ a nd t .1 p1· rnurM•~ Thr . Ch•i r d _"Andet TUlll'' i!o')'\ <1\ allablt' - 201 02211 4 \1l'.tdn" km b v Jimm y Smllh Sl'nd 32s 6d Dru·t". ll l•n d nn . NW4 for cnm pl l' ll• mrthnd ! po,t.ig,·

NOW OPEN ,

GUITAR STUDIO

l rt•t'J or dl.' IJIL '< f rom An d l' rlons . S !itok1• f'lcld,. Gu1 ldlnrd T f'l MWi

PIANO . - R l'G 104 0 PROFESS IONAL C UIT AA tu 1L111 11

-.5z.- .4&~3 SINGING LESSONS , po p ,rnd

lla~filt'lll b l'i10 nl'r!> ,, ncl Jd \anrrd . \"t'fY ll li'ld l' :I~} lt•(' h -n1q u l.' - M,\l 374~

4!M Nrw O• fri rd Stn•rl, W C . I 01 $~0 8316 .

DRU MS FOR SALE S ll lltl' , rru m !b tymba l•. ~km~. ~land ,. l'H :t i\ 'fl'cnnd h,111d r:1vr .,111 ,y b.t r Ka tn 1, C"all Mkh iu •I. U l.t-n\l~h Town Ro ad GUI. Rll02

FIBRE CASES BAT 4f<il1 LUOWIG SUPER Scnu to•,,

Sna n · Dr um . £4 11 C.rel 'ft h Sn .ln· Oru m t:lO ; T r u:un Metal S na r l" Drum 120 P llrt ('•ch an~I' 11t· t ,plt'd BAT 4'ffl

LUDWIG J Dr u m ,. f f.I S Purl Ulhang, HAT 41113

l"REH IER DOUBLE k il . 1);1r g• m '85 P11 rt 1.'XlhJtnl:~ lll"u•ph·(l HAT 4>1 13

PRE MIER IC IT , 1u m ph•1t• . rn RA r 4!1 13

PREMIER, l ,udw l i;: n r s 1ml l11r drum ki t Wl! II\ Cd fo r ea11h -Ke n ny (d ay) RIV 21111 , (ov,n h11 • C"OP '1701

PR EMI E • LUDW IG ,'l ll\ll a r kl l , wa nl t• d Wil l Cllll t't' I - f U11yl ~U L 48311 t F. v r1 11 n ,:t1, H EN 4!iRtl

PREMIER 2SOS 11 11'11 Pt·dlll. t ~ Lut·k ·l us l <.. n ~n • Orum 1,1.t nd . t:4 to, Ro lh , t \ r\1' 11 :I m nn lh~ o ld K A1 4~1,

fCuf t/t1> out ro,. ru'tur• , .r.,.nce - "1 1 A Drum Special.s t Secondhand ao,. : : goin1 My norne" DENNIS CHAmU. ,

! ~~,;;:o::;: ;::1t~~t 0~";to~:~ : I C• rnboh, S1ond1, Coto, etc I con : : 011-0 lt e•i,.ort you, ,::,, &. la•• deciding I I g1"e me o ring P' / n chongeocc.pt.d : l .., Phone 01-2214113 !on1 llmel .J

ORGANS JI - peT word

ALL GOOD quality ri r ir• 1is pur c h:r.~c d fn r e:is h . w n call -Orange, 01·834! 0374

FOR LONC Jl1rc, llammn nd urg,m C3 with PR4n, Lt•l \l'y lf tl'QU lrt•d No i,:rou ps - F IN 4374!

HAM MON D, LOW REY AN D PH ILACOltDA ORCA NS. All 1nud <-l t Nt 11 a nd ,ccun dh .ind Put t•xchangH t: ur p :1y n1 ~n 11 Try Uli fl rs1, In d eal 111 WC ll f {' Ol d Sqllllrl.'I - S HARON OR';ANS L IMITED, 422 BrtJm ll'Y Road Do.,,nhnm, Br um lf'Y. Ke n t Teh · ph nn i:- Ol •HII 01115 .' 6

HAHMONO, LOW ltEY , l' IC N•.r. a nd ret"nndl! tuned C'a lt or writ ,• tu lh t" Prufl"\\ln n •I Oq:a n S peC! iol l l!< II for d1· 1a 11, o f la u ,1 1n stru m c na a 1n phf1ca l\hn p ar 1 l'1t t"h a n 1w :and ca ... - l1"nn 1 Or11a n , \ PILI fro m £511 - l' 1t 1· t:l t" t'lrunlc , Ltd ll rno1d-... a l k. P1 n n t> r Rn1d Nu rlh 11.utt>II :\11ddl l'Sf' ). 01 ·663· 1'1 41

SPLIT HAHMOHO L JIii.i . l' '­~t' lh-ul t·o11<1111 nn 11\lh unl'r, ., nd k1·~bu ,1rd c· m ·, r (551'1 u nu -!Jo\. l" J fl .i

VO)( BIRD , W11 t k1m. F11rf1~;1 o r ~111111.o>" OTl(lin\ wnn tcd fo r t'll~ l l - R F: C: 76~4

VO)( CONTI N E NTAL S PEC IAL !\IOI - D,tH•, 1114'5233?6 l'XI .1 \ 2

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------------

KING 202 KING STREET, HAMMERSMITH, W.6 l•••un• lh• co,.,.., ,,..,., l • wenK..,,.. "•"' UrMl•, .. ..,OMII, Dhtrlct ll,..I

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ST. MUSIC STORE OUITAltS

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*IVOR MA/RANTS* Brito,ns Leod,n Gu,tor Ex erl

thank, customers fw their ~•nc• In wottlng for the no•t dellvory of

THE MOST FANTASTK LOW PIKED NYLON GU/T AltS WEit PRESENTED ROD AND BOB BRADLEY'S

TOP GEAR HOfNH Ver,thln I••• OUTSCH H•II•"' l •tly HOfNH Clu~ ,o, ,n,p GUILD Dli•n• l44y, bo,90.., lkOIJ• 11,l1

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MUSICAL INSTRUMENTS

DANIUCTIO 6-11,ln1 boH OllfTliCH D• u~I• Annlu,...-, IUINS O.w~I• SI• Oultt, IICkfHI ACM(l Sheri Sc•~ COMMITTU lite , Gwh• r, Sl'ip HOfNH V• •lthh, .,,th l,9,by GUTSCH Sl"II• A,i,ilv••M'1' IUINS S,111 5-.,,,4 Gulla, HOfNH l'r• 114• nt

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KING Sur,20,.,1..,,,_1 us.,.. ®Jn MAS Y MAS Ml lO,1n1. M'l 12.J"••----- -HGINTab Clo,J,..t 19 .,. YOUI PATllNCE Will SOON II UWUDID lb ClAIJ NITJ fro., 1'.... ...,_,.h,a. .,, •• f-o, ""'°'' 10-

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5 DENMARK STREET, LONDON, WC 2 (Just off Choring Cro,s Rood} Phone 01 -240 211812347

OI-•- s--, "'""""'· ~ l17t Manh•H 100... l'.A., •• ,..,. '23, Ol~H" 330, ~•ti~~• UIO Menh• II 100"' Lo..i Sr.ck, ,..., l.> IS ,..,.., 5,..a1ocefl.,., ,..ftb.,,., l.O Menft•fl 4 al0 i> • .-. . Colo., •• ,.. .. 170 , .... , Jtttr!IK_r.,, bl<K• good HO Mer,holl 50... L .. ,I .. , , new UIO

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tl'IPHONE l,w•lil• u TAMAHA Ot-1en.11ew 2201"•

81 83 SHAFTESBURY AVE LONDON WI Tel GER,ard 2211

Open 9 30 d m 6 11 m • Hire Purchdse Facil111e<; Mo11 to Sat • Part hchanqe • Repa11s & Ove,hauls

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COMPLETE SETS

........ .,., blw ~• ,..., ~.,, lot. US ~; ~ !~~:• ~:! \JIii nvntllJ ; UNOI IANJO

CMISON, HNDllt , 111,HONI 11AO 011: IA5S OUITAH WANTED Ull:Gf,Y Ring 01--546 9100 ~~ ~: :: : ~;,.~. ;:::al S•o••'-11 1/2

WI WILL CALL TO COUECT ANO'"-" , o, C45H ,11cu for th, good thing, S'fRllJGS - Aln """ 11,.,1, •, .,,,., D,,t," tl'<'J"./iro ,

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AT LAST - A BREAKTHROUGH IN THE APPROACH TO A BEGINNER'S ORGAN METHOD -

The "CHORD-ANDER•TUNI" Syitem by JIMMY SMITH

LEARN JO PLAY o modern lune EASILY

LEARN TO READ MUSIC -- CONV~NTIONAUY

pLA Y THE ORGAN PROFESSl<lNALL •

All IN MINUTES 1

showroom ULDWIN O• OANI, COMac> 01:GANS, GUil AU, AMPU••s. MUPIICHORDI,

OlfflCH ounu.s, MUMS ANO ACCIIIO• IU .... ..... .. .. .... ,,_ .. .. .... .... ,._ .... , .... .... ..... ....

H-110.-··-211.-.... ·­.. ... ·­..... ... ... ... ... ·-..

-

r l'o:1 ,•-M~l f lUY MA KI R, M" 10 , 14b'I

8. 8. KING: ' words cannot really describe his power and magnificence •

B. B. MAKES A DREAM COME TRUE ON TUESDAY April 22 a dream of the last three years came true - seeing B. B. King live. We were not dis­appointed. Words cannot really describe his power and magnificence. Suffice to say he is the best. - PETE and SUE BOULTER, Watford.

UP HERE in Scotland we are starved of good blues tours. We would like to hear the 8. 8. King and Fleetwood Mac tour, but it's not coming north.

There is a vast untapped audience of blues followers to be reached, so pro­moters ple,,se note - we are not ail Ken neth McKeflar fans in Scotland. TOM PATERSON . Glasgow,

ROY.,.ORBISON MOIRA ANDERSON

AND SUPPORTING COMPANY

SUN., MAY 18 ~~m0~_!,,TH

MON., MAY 19 GLASGOW TUES., MAY 20 00£0N, 6.15 11.••

DESPITE THE current lack of good material played on Radio One, I think we ought to count ourselves lucky that there are three very r.,lented disc Jockeys oO Radio One - namely Pete Drummond, John Pee! and Mike Raven.

Thank heavens these deejays

for WED., MAY21

THURS., MAY 22

BIRMINGHAM ODEON, 6.30 & • p.m

CARDIFF

Th1•1r !>hOW!. pres~nl bril luinl -.ound~ . lht> rt'COrt.ls

are played all the way through without any fading and the shows do not relv

HAROLD DAVISON PRESENTS

THE FANTASTIC SOUND OF THE NEW SWINGING HERD

WOODY HERMAN AND HIS ORCHESTRA

THIS SUNDAY 11 MAY

VICTORIA· NEW VICTORIA THEATRE 6 DO & 8 30 pm

TICKETS· 8 / -. 1 D/6. 13/6, 16/6, 21 /­Avadable lrom Bo, Off,ce (VIC 5732)

;,r.d all usual ticket agents

ALSO AT

BIRMINGHAM· TOWN HALL

MANCHESTER· FREE TRADE HAU FRIDAY 16 MAY

CROYDON· FAIRFIELD HALL SUNDAY 18 MAY

on the feeble time-waslin~ aid of monotonous jingles.­NIGEL TAYLOR, Londo n SE21.

NOW THAT Chicken Shack has been deprived of the p rescience of Mrs McVie, one can only pray that it will remain the hest British blues ~roup

She ha"' In inncchhlc VOICt'" :and I'm 1mm,nsc:-ly relieved to set· that thrrl! art• plans for a "'oln alhum In 1h,• near future Lt't's hopr the blue~ will cnntmuc tr, 'iC1! Christine around for a lon11 t1me. -ROB •• HT W>\Tt:RSTON, Isle­worth, Mlddleso.

I WAS deli~hted lo read m MM that a British tour by Ritchie Havens is projected for the near future, since I helu ... ve he is the most dis­:mct1vl" Rnd talentrd artist to emcr~e recently in the mcdt:rn folk-blues field

A11ynnt: h$tenm.-; to h1!t Jlbumi; will h1 J!Tt'atlv re v.arded. - TIM SH>\RDLOW, Sidmnuth, Devon.

WHIU- JOHN Lt·nnon 1,:l1b!> from his hasic thmkmµ mat lrf''-< that "Hiller didn'l gt'l us he \\ould do wt>ll to apf'lrN 1al•· that this was be caust a Int of f'LHplc who

PETE DRUMMON D

JOHN PEEL

MIKE RAVlN

\,,,_,...,._.,..._~~~~~~~~-'-"":'~~~~~~ ~~c~h~~~n~:2kid:~\,i;~a~~ ,\,.,ul Duk l·ll1n I r,. I" r ind , n r11d v1,u,n pr,,11,r.imrn h1\ 7fllh t>irthll.1v TA,UIR, C11mhrld5tt

ir, our d tl"h

n ,,rk T. \\ , HE ~OME BRIGHTON~~;~~ l_l~

< TIT CONCERTS IN CO-OPERATION WITH THE SPIRITUAL REGENERATION MOVEMENT Of GREAT BRITAIN

DIRECT FROM U.S.A. · THE FABULOUS!

BEACH BOYS WITH THEI~ FRIENDS FROM HOU YWOOD

PAUL REVERE & The Raiders leoturong MARK LINDSAY

JOE HICKS

up a littl<· morf' thun one wt<'k or tht-1r hol1d.1y

Dupes th•, pruh.1hh w It' 11nd ,un l, rnr th,· !Hl''i.-nt crup ,,I m,1lnml,.nt, lh•·\ mu~I bt v. nndr nn, 1f ll \\ a f'V.:r "'' rth 11 - KP",/ WIIH·Lfl', Hndi:lf'}', l •<iUII:.

WI WOULD much ltko- to hl"in o B,trhara Wh1tehuc1 (M:t.dt~·•, April :!f,) h\ arrani:1n • !lntt"rt~ 1n IT IS • ,,j 111 1 mu1 h

GOODBYE TO THE SMALL FACES, A GREAT GROUP

I WOULD just like the Small Faces to know what a creat group thE:y've been - the best in the world -,1 nd how much h1ppine11 they've brought to me , my friends and many others. I wish them the best of luclr. in their future careers. Goodbye to • c••at croup, - PAT RICK TRAVIS, Capo Town. South Atrica.

CAPITOl,630&9pm

SUNDAY, MAY 18 ROYAL ALBERT HALL at 7.30 ONLY BRITISH APPEARANCE

th• North somilar to the MAHALIA JACKSON ones we do in Hyde Park

~~, .'~ :~"~~ b;0t~n';,"~'. [~; 11-_..:.TH:.:.E=-:.W:....O:....R..:.l..:.D:....'S_G_R..:.E:....A..:.T-=ES=-T:......:G.c:O.=S.:..P=-Uc...:.Sl:.:.Nc.cG:.cEccR_--1 northern authorities

Wt' f.•el that Barb.'.lrl Whrte­hcad ,-hould tind :.omc ener• l(etlc northi>rn nr~un,sation w1ll1n..: ln devnt,; the tlml' and ~Hun neceslil.'lry tr, arr.'.ln~ing 11 all - ANDREW KING, Rlackhlll ~nterprises, London w,.

JOHN MAYALL 1s the hearl of the expand ing blues \,\:Orld-so for blues' sake won't someone shout oul credit for John;s r:hoice of players-Pue Green and John McVie, now pnrt of Fleelwood Mac: Frie Clap­ton, E>x-Cream now Wm• wood Clapton, Baker

Keel Hanle, ha, no" '•nm<'d h1i; llwn -.et; An~·nsler Dunbar forml'd hi\-1 "" n hand •nd nov. thr mr u rer<"nt hand i\ fnl,1~\ um. 1hr1 ,, 0f whr,m -Dkk H1ckst.11l-Smitrl. Jon H1\crru,n .rnd Ton} H;e •~·t·~ -plaved on lhe Bart• Wirt'~ Ip JAML S I· Ll:.MING. Bootl,• Lane\.

HI Ol)V. YN 1•Jr, art' m 101 .1

trnm1td1 u"h ~UIC't slul lu turt 1 hr.\ art hrilt1.an1, llm 11,­,n~ <'lu 1tm,i: and r•~11l ,, and \1,c k Ahnh.im\ 1s a · .-ry nic• ' 11 \ :,p,1r1 rr,,m ht·m,.: an ex•

n·pr11,n11I l!<11t,1rt,i _ G \\ RIGIIT, London WC9. .

WH'r I:.. II that !hi!' l'.qu.il .u th, onl~ gr uµ ,urrt·nll)' in l~t' \1\1 Pn1, 10 who h,n- n t appeJn d on for 01 Th, l'lll' ') - \L '' Bf:RRY Lon<lon 1'13 '

11·-., .t.R(JUl llmt- Hix 1,, V. ilh.am .. "• llld this , 1ntn a,i:::un H, ... !ht· fft'JI I t l,1,, :u11\I m th,, v.11rlt1 Ju,;t 11.,1, !1

tt1 h1, lah• I i.P Hand \1t Ouv.n \h Clld WalkmJ,! \111 k 1n whh h h, 1ir, \t hf' 1~ lht \'lr\ll!•'l.!I uf lht u1t..r JOHN WILii.ON , Luton, Bedt..

MONDAY, JUNE 2 ROYAL FESTIVAL HALL at 8

Br.lTISH CONCERT DEBUT

GORDON LIGHTFOOT CANADA'S TOP CONTEMPORARY SINGER

LUTON COLUGE OF TECHNOLOGY STUDENTS' UNION l'Alk SQUAU, LUTON, IEDS.

SOUTH BEDS. BLUES FESTIVAL Sotu<VGy, lOthM,gy

MICK ABRAHAMS BLODWYN PIG SPIRIT OF JOHN MORGAN MECHANICAL BIRD of the College Studenh 6/. 8-12 Guests 8/-

Tu• ,doy, 13th Mo,

CHICKEN SHACK DOCTOR K's BLUES BAND DUSTER BENNffi at the California Ballroom, Oun,table 7.30.12 Stvdenh 10/­

Gue,ts 12

LICENSED BARS * LATE TRANSPORT Tidrets on sale at the Colle9e ond at the door

All GROUPS BOOKED THROUGH

SOU~BANK ARTISTES - 01-735 9894

!it-.o ... ,.._,~by !.IOI.IX 11:EO INOIAN ,1t:1NC£ HA.lOlD IUS :,1tH 7• 'Jhohotdaourr A.•t lol'dw, w 1 l • 01 4l1 S1l1 7S'l1