F a s h i o n A t e l i e r 2 0 1 3

F a s h i o n A t e l i e r

F o r e w o r d

H o l l i e A d a m s

P r o c e s s

G r a d u a t e s ’ W o r k

T e s s a A t k i n s

H e l e n J a n e B a r t o n

H o l l i e B e l l i s

M e g a n B r o p h y

P h o e b e C o n n e l l

H a n n a h C o o p e r

G r a c e D r i v e r

F i o n a H a r r i s o n

M a t t h e w K a r p

L a u r e n M c k a y

E m m a P a r k e - W o l f e

F r a n c e s c a P e r e z

V i n n i e R a t t a n

H a n n a h R o g b e e r

L u c j a

K a t i e T i m o t h y

G r a d u a t e s

H a n n a h W h i t e

C r e d i t s

C h a r l o t t e W r a y

0 9

3 6

1 1

3 4

3 8

4 0

4 2

4 4

4 6

4 8

5 0

5 2

5 4

5 6

5 8

6 0

6 2

6 4

6 6

6 8

7 5

7 0

7 9

7 2

C o n t e n t s

9

BA (Hons) Fashion Atelier was launched in 2008 by the University for the Creati ve

Arts. The course is dedicated to the importance of craft and heritage skills to the

design process. 2013 is the third year that we have a graduati on cohort and this

years graduates have produced some of the strongest work to date. Students

from Fashion Atelier have gone on to fi nd employment on Savile Row as well as

internati onally respected fashion houses such as Marc Jacobs and Celine. Industrial

work placements have also been far-reaching and with internati onal companies such

as Anne Demeulemeester, Viktor & Rolf and Rick Owens to name a few.

The Graduates of 2013 are a talented and dedicated group of individuals. They have

raised the majority of the funding for this publicati on themselves through a variety

of innovati ve ideas and events. I would like to thank them for their eff orts. I wish

to thank the fabric stores in New York such as B&J, Rosen and Chadick, Mood and

Elegant Fabrics who supported our students on their annual fabric-sourcing trip.

This publicati on is divided into two disti ncti ve secti ons. The fi rst secti on is dedicated

to the Process, the second secti on is dedicated to the Graduate’s fi nal work. The

Process secti on demonstrates many of the skills which are taught on the course

and can be over looked when seeing the fi nal products. Draping on the stand,

traditi onal bespoke tailoring methods as well as couture dress making methods are

coupled with illustrati on and development of creati ve design ideas. I would like to

congratulate the students for their dedicati on and innovati on. They conti nue to be a

source of inspirati on for the staff of Fashion Atelier.

Amer Kamal

Course LeaderBA (Hons) Fashion Atelier

F o r e w o r d

11

P r o c e s s

1212

P r o c e s s .

The process chapter is a collecti on of images

showing the graduates collecti ons in the making.

This secti on demonstrated the level of garment

constructi on skills produced on Fashion Atelier

from the inside out. This secti on celebrates the

level skill and hand craft smanship learned on

fashion atelier including draping on the stand,

creati ve patt ern cutti ng, bespoke tailoring tech-

niques and soft fabric manipulati on and fi nishing.

Highlighti ng the process of a creati ng a high end

collecti on that begins with a concept and seen

through via croquis, draping, experimentati on,

toiling, development, fabric sourcing and han-

dling to fi nal garments, fi nishings and illustrati on.

13

14

15

D e t a i l s

Hand f in ishings

Cork Fabr ic

Pleats

Wools

Canvases

Flat fe l led seams

16

17

B e s p o k e Ta i l o r i n g M e t h o d s

Pad st i tching

Bast ing

Fel l st i tching

Canvass ing

Hand st i tched l in ings

18

19

20

F a b r i c a t i o n

Hand f in ished double faced wool

21

22

23

24

25

Fold lineCB

CF

Fold line

CB

CF

26

57

Roll line

CB

Neck

Collar edge

Collar edge

Roll line

CB

Neck

Collar edgeCollar edge

Collar edge

27

M e t h o d s

Draping on the stand

Creat ive pattern cutt ing

Flat pattern manipulat ion

28

29

S o f t F a b r i c f i n i s h i n g s

Hand manipulated pleat ing

Beading

30

D e v e l o p m e n t

Concept

Croquis

Exper iment

I l lustrat ion

31

50

32

33

35

G r a d u a t e s ’ W o r k

36

37

H o l l y A d a m s‘D isarrayed geometry ’

hol ly.adams07@googlemai l .com

+44(0)7896894356

38

Te s s a A t k i n s‘ The en[able]d body ’

tessatk ins01@gmai l .com

+44(0)7588718313

www.tessaatk ins .co.uk

39

40

H e l e n J a n e B a r t o n‘A col l i s ion of mult ip les ’

helenjanebarton@hotmai l .com

+44(0)7545454978

41

42

43

H o l l i e B e l l i s‘A Diamond as B ig as the Ritz ’

Hol l ie .bel l i s@l ive.co.uk

+44(0)7581036007

44

45

M e g a n B r o p h y‘Ultrav io lence’

megan.brophy@hotmai l .co.uk

+44(0)7772516154

www.artsthread.com/p/mjbrophy

46

47

P h o e b e C o n n e l l‘D isagreeable Fami l iar i ty ’

connel lp@hotmai l .co.uk

+44(0)7847656944

www.artsthread.com/p/phoebeconnel l

48

49

H a n n a h C o o p e r‘Act ive/React ive’

hannahcooper5@hotmai l .co.uk

+44(0)7539216732

hannahfaycooper.tumblr.com

50

G r a c e D r i v e r‘Contemporary Ruins ’

gracedr iver@l ive.co.uk

+44(0)7926876944

51

G r a c e D r i v e r‘Contemporary Ruins ’

gracedr iver@l ive.co.uk

+44(0)7926876944

52

53

F i o n a H a r r i s o n‘ In the b l ink of an eye’

f ionaharr ison14@gmai l .com

+44(0)7523325948

f ionalouise-atel ier.tumblr.com

54

M a t t h e w K a r p‘Embark’

matthew.karp@hotmai l .com

+44(0)7412788822

matthewkarp.portfo l iobox.net

55

56

57

L a u r e n M c k a y‘Profound s impl ic i ty ’

x lauren4x@hotmai l .com

xlauren4x.wix .com/laurenkimber leymckay

58

E m m a P a r k e - W o l f e‘Beauty in 1 .618’

emmaparkewolfe@yahoo.co.uk

+44(0)7504320166

www.emmaparkewolfe.co.uk

59

60

F r a n c e s c a P e r e z‘Lux ’

f.a .perez@hotmai l .co.uk

+44(0)7563517804

61

62

63

V i n n i e R a t t a n‘Assembly Required’

v innie.rattan@hotmai l .co.uk

+44(0)7730413635

www.vinnier.co.uk

64

65

H a n n a h A b b i e R o g b e e rhannahrogbeer@hotmai l .co.uk

66

67

L u c j a S l i w i n s k a‘1984’

macrae. luc ja@gmai l .com

+44(0)7907903282

perfectpigeon.blogspot.co.uk

68

69

K a t i e T i m o t h y‘Homage to Fontana I I I ’

kat ie .t imothy@hotmai l .co.uk

+44(0)7760668517

70

H a n n a h W h i t e‘Pannier dress ’ ( r ight)

hannah-white@hotmai l .co.uk

+44(0)7817338848

71

72

C h a r l o t t e W r a y‘ The Rape of the Lock’

goodchar lotte_43@hotmai l .com

+44(0)7837528297

73

75

G r a d u a t e s

76

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78

79

T h e w o r k p r o d u c e d i n t h i s p u b l i c a t i o n w a s c r e a t e d b y t h e g r a d u a t e s o f B A ( H o n s ) F a s h i o n A t e l i e r 2 0 1 3 :

H o l l y A d a m s - T e s s a A t k i n s - H e l e n B a r t o n - H o l l y B e l l i s - M e g a n B r o p h y - P h o e b e C o n n e l l - H a n n a h C o o p e r - G r a c e D r i v e r - F i o n a H a r r i s o n - L a u r e n

M c k a y - M a t t h e w K a r p - E m m a P a r k e - W o l f e - F r a n c e s c a P e r e z - V i n n i e R a t t a n - H a n n a h R o g b e e r - L u c j a S l i w i n s k a - K a t i e T i m o t h y - H a n n a h W h i t e - C h a r l o t t e W r a y - L i b e r t y A l e x a n d e r - E m m a A p p l e b y - S i o b h a n D a v i t t - G r a c e H a n d -

J a c q u l i n e M i l e s - J o a n n e P r a g n e l l - O l i v i a R o n n i e - K a t y T s a n g - J o r d a n B a r r a t t - S a m a n t h a B e e s k i n - J a c q u e l i n e B r o o k - M e e - M e l a n i e B r y a n t - K a t i e F i t z g e r a l d

- R a n d a l T e n d o -

L e c t u r e r s a n d T e c h n i c a l S t a f f o f F a s h i o n A t e l i e rA m e r K a m a l - S u a r t M c M i l l a n - K o k i K a n g - T e e r a b u l S o n g v i c h - A n t o n i o C i u t t o

- A l a n N o r r i s - E v a B l o n s k a - M a n d y M i l l s - D a v i s L o n g s h a w - R o s e S m i t h - K a t e B r i g h t m a n - A n n e R e i m e r s - S a r a h L L o y d - S a r a h S t a c e y .

C o u r s e c o n t a c tA m e r K a m a l - a k a m a l @ u c r e a t i v e . a c . u k

E x t e r n a l E x a m i n e rA l a n C a n n o n - J o n e s

T h e s t a f f a n d S t u d e n t s o f F a s h i o n A t e l i e r w o u l d l i k e t o g i v e s p e c i a l t h a n k s t o :T h o m a s s A t k i n s o n - S t u a r t A i t k e n - K r i s M a r s h - A n n P r i c e - J a n i c e E a r l -

C a r o l y n P a y t e r a t P P G P r i n t

P h o t o g r a p h yO l i v e r S a v a g e - o l i v e r @ o l i v e r s a v a g e . c o m

C a t a l o g u e D e s i g nE m m a P a r k e - W o f l e - e m m a p a r k e w o l f e @ y a h o o . c o . u k

M o d e l sH e l e n a A s q u i t h

L u q B f h M e b a r a k R i p o l l

F o l l o w t h e c o u r s e a n d t h e s t u d e n t s o n F a c e b o o k : U C A F a s h i o n A t e l i e r

u c a f a s h i o n a t e l i e r . t u m b l r . c o mT w i t t e r : U C A f a s h _ a t e l i e r

H a s h t a g s : # u c a f a s h i o n a t e l i e r # f a s h i o n a t e l i e r

w w w . u c r e a t i v e . a c . u k

C r e d i t s

80

81