fall semester, 2019 › ... › catalogue.pdf · 2019-10-28 · the great pyramid of giza is one of...

C A T A L O G U E

Fall Semester, 2019

Barbara AdelhardtJudith Chapman

Dede ClineRoger Cline

George HaralampoudisRobert Riedy

Susan ShenkerAnne StokvisAnita Trost

A D V I S O R YB O A R D

The Frick Estate Lectures is a high-quality, year-round program of lectures presented in collaboration with and for the benefit of the Nassau County Museum of Art, located in Roslyn on Long Island, New York. The non-credit courses cover art, history, literature, philosophy, music and current affairs - broadly defined as the “cultural and liberal arts” - rather than “vocational” or “how-to” subjects. The program is designed to offer participants fulfillment through a rich and diverse learning experience.

The Nassau County Museum of Art, located at One Museum Drive in Roslyn Harbor, NY, is situated on 145 acres and occupies an elegant Georgian mansion. The venue abounds with unique experiences that only a museum of true grandeur could offer, including formal gardens, outdoor sculpture park, arboretum, rolling lawns, meadows, and ponds. Every change of season reinvents the atmosphere, culminating in a spectacular celebration of nature itself.

To register for courses at this time, please fill out the registration form in the back of this catalogue and mail to:

The Frick Estate LecturesP.O. Box 108

Greenvale, NY 11458

Registration will be available online at www.thefrickestatelectures.org by the end of June 2019. You may also contact us by leaving a detailed message with your inquiry at 516-415-1101 and a staff member will return your call. Please DO NOT attempt to contact the Nassau County Museum of Art regarding inquiries concerning The Frick Estate Lectures program.

I N T R O D U C I N GT H E F R I C K E S T A T E L E C T U R E Sa t T h e N a s s a u C o u n t y M u s e u m o f A r t

Katie Winkelstein-Duveneck

“Love does not begin and end the way we seem to think it does. Love is a battle, love is a war; love is a growing up.” - James Baldwin

Every writer has a unique voice, as distinctive as a fingerprint. In this course we will focus on finding, sharpening and shaping our writing voices. As we do so, we will read works of fiction and nonfiction by authors who write about relationships –family, romance, friendship, obsession, rivalry, and even some kinds of relationships that defy definition– with a particular focus on writings about very long and very short relationships. We will read a variety of authors including James Baldwin, Maya Angelou, Flannery O’Connor and Franz Kafka, paired with helpful essays on the craft of writing by Octavia Butler, Walter Mosley, John Gardner, and others. Experimental writing exercises will be inspired by our weekly readings. Workshops will focus on positive, helpful feedback. Open to all.

A B O U T T H E L E C T U R E R

Katie Winkelstein-Duveneck holds an MA in Creative Writing from Emerson College in Boston, as well as a BA in Theology and Creative Writing from Bard. She has taught writing and literature at the college level for a number of years, has created innovative course curricula, and has authored numerous scholarly publications. Among her students are newly published writers of fiction and non-fiction as well.

10:30 - 12:30 pm 8 SessionsThursdays, September 5 - October 24 Fee: $160

C R E A T I V E W R I T I N G a n d L I T E R A T U R E :A W o r k s h o p S e r i e s

0100.

Peter Josy�h

How to portray the life and work of a visual artist on screen has always been an exacting and elusive challenge for filmmakers. As a painter, writer, and award-winning filmmaker, Peter Josyph will lead an exploration into the most interesting films that have attempted this difficult task. Combining lesser-known works with award-winning classics, Part I of this course features David Hockney in Philip Haas’s seldom-seen A Day On The Grand Canal With The Emperor Of China; Martin Provost’s true story of Séraphine, a French orphan who became a domestic and a self-taught painter of exceptional vision and ability; painter-filmmaker Julian Schnabel’s recent tribute to the life of Vincent Van Gogh, At Eternity’s Gate; an intimate look at the daily life of a great Paris Museum in Nicholas Philibert’s beautiful Louvre City; Raymond Teller’s chronicle of inventor Tim Jenison’s attempt to duplicate a Vermeer in Tim’s Vermeer; and Christian Frei’s Oscar-nominated documentary about photographer James Nachtwey called War Photographer.


Peter Joseph is an author, actor, director, and filmmaker whose films include Liberty Street: Alive At Ground Zero and Acting Cormac McCarthy: The Making of Billy Bob Thorton’s All The Pretty Horses. He is also currently shooting Shakespeare In New York: The Sonnets and has recently completed a film about the early work of painter Jean-Michel Basquiat. His books include Adventures in Reading Cormac McCarthy, What One Man Said To Another: Talks With Richard Seltzer, and The Wounded River, which was chosen as a New York Times Notable Book. He also excels in literary and film criticism.

1:00 - 3:30 pm 6 SessionsThursdays, September 5 - October 10 Fee: $120

A R T I S T S O N F I L MP a r t I

0101.

Margaret Hallissy

On “first Fridays” of each month, Professor Hallissy will lead a group of devoted readers in an informed, guided discussion of one book which follows a selected thread chosen for these sessions. This Fall that common thread for all four books is ART, which should be especially appropos for the inaugural season of The Frick Estate Lectures:

Friday 9/6 The Blazing World by Siri Hustvedt (9781476747248), a tale of “art world gender bias,” according to New York Times reviewer Fernanda Eberstadt, is set in the late twentieth century and focuses on the aptly-named Harriet Burden, who bears the burden of being a woman in a man’s world. Friday 10/4 The Art Forger by Barbara Shapiro (9781616203160) is based on the famous theft of art works from the Isabella Stewart Gardner museum in Boston, a crime which is as yet unsolved. “An engaging tale about art, cupidity, and a Faustian bargain” (Boston Globe reviewer Kathryn Lang), the novel is a window into the world of valuable yet vulnerable art collections.

Friday 11/1 How to Be Both by Ali Smith (9780307275257) puts an innovative spin on historical fiction. According to Guardian reviewer Laura Miller, the novel consists of two parts, one set in fifteenth-century Italy, and one in the recent past; either part can be read first, and both focus on “the life of an itinerant painter of the early Renaissance,” Francesco del Cossa.

Friday 12/6 The Masterpiece by Fiona Davis (9781524742959), like the author’s earlier novels, centers on “the private lives of those who live and work in New York’s most intriguing buildings” (Kirkus Review), this time Grand Central Station, which once housed an art school. The protagonist, like the defunct art school and the terminal itself, has “seen better days” and needs restoration.


Margaret Hallissy is Professor of English with specialties in medieval literature, Irish literature, and the modern phenomenon of “book groups,” which have sprung up in communities throughout the nation. She has written numerous articles and scholarly books, including works on book group procedures and leadership as well as Irish and Irish-American fiction.

10:30 - 12:30 pm 4 SessionsFirst Fridays, September 6 – December 6 Fee: $100

L I T E R A R Y F I C T I O N a n d T H E V I S U A L A R T S :T H E M AT I C R E A D I N G S

0102.

D I C K E N S R E V I S I T E D :D a v i d C o p p e r f i e l d

John Lutz

Considered by many to be one of the great masterpieces written by Charles Dickens, David Copperfield traces the adventures of the titular character as he develops from an impoverished childhood to adulthood. Written in an autobiographical format, the novel treats the themes of memory and identity while also exploring important social questions of the time such as the exploitation of children, marriage, emigration to Australia, and class conflict. We will read the Penguin edition of the work.


John Lutz is Professor of English and oversees a university Division of Humanities, which houses English, Philosophy, and Foreign Language. In addition, he has led numerous initiatives such as College 101, Learning Communities, Freshman Orientation, Strategic Planning, and Outcomes Assessment. Dr. Lutz has also published numerous scholarly articles on both philosophy and literature and has won awards for his outstanding teaching.

10:30 - 12:30 pm 8 SessionsTuesdays, September 10 - November 19* Fee: $160

* No class on October 1, November 5, or November 12, due to holiday and Museum closure dates.

0103.

Christopher Par�ott

Despite centuries of constant change in the creation and appreciation of art, the aesthetic principles of Classical Greece have proven to be incredibly durable. From Imperial Rome to the Renaissance to French Neoclassicism to the present day, Classical methods and ideas have provided a common thread linking centuries of artistic endeavor. This series of slide-lectures will explore both celebrated and reviled Classical "rebirths," and will look at the various cultural and political contexts in which they developed.


Christopher Parrott is a Contemporary Realist painter whose work has been exhibited and collected internationally for over two decades, and featured in art publications such as Art Forum, Art Papers, and New American Paintings. Educated at Pratt Institute, he followed that degree with a post-college tenure at the Barnstone Studios, studying Classical design systems and Art History. Among numerous other locations, he has recently been featured in a gallery exhibition entitled Modern Masters in New York City, and has regularly participated in Basel art fairs both in Miami and Switzerland.

10:30 - 12:30 pm 3 SessionsFridays, September 13 – September 27 Fee: $90

C L A S S I C I S M T H R O U G H T H E A G E S0104.

Marc Cour�ade

This course will examine musicals by masters of the genre, Cole Porter, George and Ira Gershwin and Richard Rodgers and Lorenz Hart. The 1930s were still the era of Musical Comedy, with weak books and silly plots. Some shows, however, pushed boundaries and paved the way to Musical Theater. Many of them are no longer viable, or their books have been reworked for modern audiences. However, the craft of the music and lyrics has made the songs survive, preserving the legacy of these works.


Marc Courtade is Executive Director of the Huntington Arts Council, which promotes artists and the Arts throughout Long Island. He is a specialist in musical theatre and opera, as well as an avid performer who has appeared in numerous productions both locally and in the Tri-State Area. Professor Courtade has additionally served as an adjunct professor teaching Arts Management at the college level.

10:30 - 12:30 pm 3 SessionsMondays, September 23 - October 7 Fee: $120

M U S I C A L S O F T H E 1 9 3 0 s0105.

Bob Brier

The Great Pyramid of Giza is one of the unsolved mysteries of all time. Egyptologists simply do not know how ancient builders raised thousands of 2-ton blocks to the top of the 480-foot pyramid. This lecture presents a radical new theory and the recently discovered evidence concerning these questions.

For years, French architect, Jean-Pierre Houdin worked in isolation in a one-room flat in Paris with nothing but his computer and the most detailed blueprints of the Pyramid ever drawn. In 2003 he contacted Egyptologist Bob Brier and the two began working together to find evidence for his theory – that hidden inside the pyramid is a mile-long ramp that is still there, waiting to be discovered. In the course of their explorations in Egypt, they uncovered a room 275 feet up the pyramid, never mentioned in the Egyptological literature. Houdin, working with Dassault Systemes in Paris, was also able to demonstrate that the Great Pyramid cracked as it was being built, and to pinpoint precisely when and why.

This illustrated lecture presents the internal ramp theory and the evidence for it, including the first photographs of the room high up on the Pyramid’s northeastern corner. This research was the subject of a National Geographic Channel TV special. The lecture will update work on the theory, including the most recent 2018 examination of the Great Pyramid using cosmic rays.


Bob Brier is recognized as one of the world's foremost Egyptologists. As Senior Research Fellow at the Post Campus of Long Island University, he conducts pioneering research in mummification practices and has investigated some of the world’s most famous mummies, including King Tut, Vladimir Lenin, Ramses the Great, Eva Peron (Evita), Marquise Tai (Chinese noblewoman), and the Medici family of Renaissance Italy. In 1994 Dr. Brier became the first person in 2,000 years to mummify a human cadaver using the exact techniques of the ancient Egyptians. This research was the subject of a National Geographic TV special titled Mr. Mummy. He was the host of several award-winning television specials for TLC, including Pyramids, Mummies & Tombs and Mummy Detective. More recently, National Geographic TV presented his research in a documentary called “Secret of the Great Pyramid” discussing a new theory of how the Great Pyramid of Giza was built. Dr. Brier’s research has been featured in such media venues as CNN, 60 Minutes, and The New York Times. His most recent book is: Cleopatra’s Needles: The Lost Obelisks of Egypt. (Bloomsbury 2016)

1:30 - 2:30 pm 1 SessionTuesday, September 24 Fee: $30

S E C R E T O F T H E G R E A T P Y R A M I D :H o w O n e M a n’s O b s e s s i o n M a y H a v e L e d t o S o l v i n g

O n e o f t h e G r e a t e s t A r c h a e o l o g i c a l M y s t e r i e s o f O u r T i m e

0106.


In the culture wars of the 80s and 90s, protests against art tended to come from social conservatives and the religious right. In the first decades of the 21st Century, protests have increasingly come from the Progressive Left; museums and galleries have been targeted based on issues of gentrification, museum trustees, and gender representation in artworks. This slide-lecture course will explore the increasing politicization of art spaces and art discourse while considering the question: Is the advancement of Progressive politics always good for art?



10:30 - 12:30 pm 3 SessionsFridays, October 11 – October 25 Fee: $90

N E O P U R I T A N I S M :P o l i c i n g C u l t u r e i n t h e 2 1 s t C e n t u r y

0107.

Peter Josy�h

How to portray the life and work of a visual artist on screen has always been an exacting and elusive challenge for filmmakers. As a painter, writer, and award-winning filmmaker, Peter Josyph will lead an exploration into the most interesting films that have attempted this difficult task. Combining lesser-known works with award-winning classics, Part II of this two-part course features Picasso at work in Henri-Georges Clouzot’s The Mystery Of Picasso; David Hockney in Bruno Wollheim’s A Bigger Picture; painter-filmmaker Julian Schnabel’s tribute to Jean-Michel Basquiat called Basquiat; Peter Webber’s adaptation of Tracy Chevalier’s bestselling novel about Vermeer, Girl With A Pearl Earring; Michel Bouquet in Gilles Bourdos’ exquisite Renoir, about the great Pierre-Auguste Renoir and also about his son, the filmmaker Jean Renoir; and Stanley Tucci’s Final Portrait, an adaptation of James Lord’s A Giacometti Portrait.


Peter Joseph is an author, actor, director, and filmmaker whose films include Liberty Street: Alive At Ground Zero and Acting Cormac McCarthy: The Making of Billy Bob Thorton’s All The Pretty Horses. He is also currently shooting Shakespeare in New York: The Sonnets and has recently completed a film about the early work of painter Jean-Michel Basquiat. His books include Adventures in Reading Cormac McCarthy, What One Man Said To Another: Talks With Richard Seltzer, and The Wounded River, which was chosen as a New York Times Notable Book. He also excels in literary and film criticism.

1:00 - 3:30 pm 6 SessionsThursdays, October 17 - December 12* Fee: $120

* No class on November 7, 14, or 28, due to Museum closure dates.

A R T I S T S O N F I L MP a r t I I

0108.

Michael Soupios

This mini-course will begin to explore the major features of Friedrich Nietzsche’s thought including: his critique of Western morality and politics; his assessment of the human condition (i.e., the human dilemma); the nihilistic collapse associated with the death of God; the critical importance of aesthetic experience; plus, the will to power and its spiritualized personification, the Ubermensch. Special emphasis will be given to Nietzs-che’s prescription for managing the existential absurdities that plague our lives.


Michael Soupios is Professor of Political Science and author of articles and books on a variety of subjects, including The Ten Golden Rules of Leadership and The Greeks Who Made Us Who We Are. He holds several degrees, including a BA from St. Lawrence University; an MS, MA, and MA from LIU Post; an MA and D Min from Seminary of the Immaculate Conception; an EdD from Columbia University; a PhD from SUNY Buffalo; and a PhD from Fordham University. His areas of expertise are Political Philosophy, Ancient Greek Politics, History, Culture, plus American Government as well as Organizational Theory and Behavior.

1:30 - 3:30 pm 1 SessionMonday, October 21 Fee: $30

N I E T Z S C H EA P h i l o s o p h i c a l E p i t o m e

P a r t I

0109.

David Sprintzen

In exploring the question “What is Art?” this class provides an introduction to one of the most brilliant and insightful works ever written on the nature of art and its place in human experience. Our subject will be John Dewey’s Art as Experience, in which America’s greatest philosopher explores aesthetic experience, its relation to artistic creation, and the social, cultural, and personal significance of great works of art.


David Sprintzen is an Emeritus Professor of Philosophy and founder of the Long Island Progressive Coalition. He is also an officer with LI Jobs with Justice and Citizen Action of New York. Dr. Sprintzen has also authored books on Albert Camus and American Philosophy, as well as numerous articles on contemporary society.

1:30 - 3:30 pm 1 SessionWednesday, October 23 Fee: $30

W H A T I S A R T ? J o h n D e w e y ’s T h e o r y

o f A e s t h e t i c s i n A r t a s E x p e r i e n c e

0110.

Michael Soupios

This second session will delve deeper into the major features of Friedrich Nietzsche’s thought including: his critique of Western morality and politics; his assessment of the human condition (i.e., the human dilemma); the nihilistic collapse associated with the death of God; the critical importance of aesthetic experience; plus, the will to power and its spiritualized personification, the Ubermensch. Special emphasis will be given to Nietzsche’s prescription for managing the existential absurdities that plague our lives.


Michael Soupios is Professor of Political Science and author of articles and books on a variety of subjects, including The Ten Golden Rules of Leadership and The Greeks Who Made Us Who We Are. He holds several degrees, including a BA from St. Lawrence University; an MS, MA, and MA from LIU Post; an MA and D Min from Seminary of the Immaculate Conception; an EdD from Columbia University; a PhD from SUNY Buffalo; and a PhD from Fordham University. His areas of expertise are Political Philosophy, Ancient Greek Politics, History, Culture, plus American Government as well as Organizational Theory and Behavior.

1:30 - 3:30 pm 1 SessionMonday, October 28 Fee: $30

N I E T Z S C H EA P h i l o s o p h i c a l E p i t o m e

P a r t I I

0111.

Marc Cour�ade

Anna Netrebko is the most captivating opera singer of our time. She has been singing professionally for over 25 years, beginning with a light, lyric voice. Over the years her voice has matured and darkened, greatly expanding the repertoire that suits her. She is one of the few iconic opera stars, instantly recognizable by her vocal glamor, international telecasts, outlandish outfits and Instagram account. On stage she is a force of nature and a compelling actress. This course will showcase her talents with a series of examples from her early days at the Mariinsky Theatre to her most recent appearances as a star of the highest magnitude at every major opera house.


Marc Courtade is Executive Director of the Huntington Arts Council, which promotes artists and the Arts throughout Long Island. He is a specialist in musical theatre and opera, as well as an avid performer who has appeared in numerous productions both locally and in the Tri-State Area. Professor Courtade has additionally served as an adjunct professor teaching Arts Management at the college level.

10:30 - 12:30 pm 1 SessionMonday, November 18 Fee: $30

A N N A N E T R E B K O :A 2 1 S T C E N T U R Y D I V A

0112.

Ralph Buultjens

Global politics and economics are going through times of intense change — old power structures and alignments are eroding and a new kind of world is emerging. Unexpected developments in Asia, Latin America and Africa challenge traditional centers of global strength in America and Europe. The Middle East seems on the brink of increased conflict worsened by humanitarian tragedy. Can violence be contained? Trade wars and technology advances disrupt the old economic order. Now, the rise of China and the aggressive policies of Russia challenge the West - how will America, the European Union and their ally Japan react? How will disturbing situations like Iran, North Korea and Venezuela play into the emerging global balance of power? Will new regional imperatives affect Israel and its future? What is the impact on the non-Western world? As the Trump regime drastically reshapes foreign policy, can America maintain its global position? What new instruments and forces will underwrite the coming era in world affairs? Who will be winners and losers? This ALL NEW series of letures discusses these and other key questions in the context of current world affairs.


Ralph Buultjens is Senior Professor at NYU and former Nehru Professor at Cambridge University (UK). He is also the author of several books on international politics/history, and a regular commentator on television. In addition, he has received several awards (including the Toynbee Prize) and international honors for excellence in teaching and scholarship.

10:30 - 12 noon 3 SessionsWednesdays, November 20 – December 4 Fee: $140

W O R L D P O L I T I C S :A m e r i c a i n a N e w W o r l d

0113.

W H O I S T H E G R E A T E S T A R T I S TO F T H E 2 0 T H C E N T U R Y ?


The rapid evolution of Modernist art -which saw movements as varied as Fauvism, Cubism, Surrealism, Abstract Expressionism, and Pop Art- produced a wide array of towering artistic talents. For some critics, artists like Pablo Picasso, Georgia O'Keefe, Marcel Duchamp, Jackson Pollack, and Andy Warhol defined the 20th Century; for others, the greatest achievements of Modernism have yet to be fully appreciated, with artists such as Francis Bacon, Hilma af Klint, Jack Whitten, Robert Mapplethorpe, or Lee Krasner being seen as increasingly important. This course will explore a wide range of artistic achievements (both well-known and barely-known) in an effort to address a possibly unanswerable question: Who is the greatest 20th Century artist?



10:30 - 12:30 pm 3 SessionsFridays, November 22 – December 13* Fee: $90

* No class on November 29 due to holiday.

0114.

Z O R A N E A L E H U R S T O N ’ ST H E I R E Y E S W E R E W A T C H I N G G O D

John Lutz

Adapting the structure of the hero’s quest in her treatment of Janie Crawford, Zora Neale Hurston crafts one of the great masterpieces of twentieth-century African-American fiction. Innovative and ahead of its time for the way in which it positions a female character as the mythic hero, Hurston’s novel is considered one of the foundational texts for later writers such as Alice Walker and Toni Morrison. We will read the HarperPerennial edition of the work.


John Lutz is Professor of English and oversees a university Division of Humanities, which houses English, Philosophy, and Foreign Language. In addition, he has led numerous initiatives such as College 101, Learning Communities, Freshman Orientation, Strategic Planning, and Outcomes Assessment. Dr. Lutz has also published numerous scholarly articles on both philosophy and literature and has won awards for his outstanding teaching.

10:30 - 12:30 pm 4 SessionsTuesdays, November 26 – December 17 Fee: $120

0115.

Bob Brier

The Cheops Boat is the most complete, largest, and among the oldest boats excavated, but it has received surprisingly little study. Since its discovery in 1954, there has been speculation about its original design, means of propulsion, and its purpose, but as far as we know, there has been no experimentation to help answer these questions. In this lecture, Dr. Brier presents the results of the first tank testing of a model of the Cheops Boat and some preliminary conclusions about the design, propulsion and function of the original. Brier will also discuss his plans to build a full-scale replica and place it on the Nile.


Bob Brier is recognized as one of the world's foremost Egyptologists. As Senior Research Fellow at the Post Campus of Long Island University, he conducts pioneering research in mummification practices and has investigated some of the world’s most famous mummies, including King Tut, Vladimir Lenin, Ramses the Great, Eva Peron (Evita), Marquise Tai (Chinese noblewoman), and the Medici family of Renaissance Italy. In 1994 Dr. Brier became the first person in 2,000 years to mummify a human cadaver using the exact techniques of the ancient Egyptians. This research was the subject of a National Geographic TV special titled Mr. Mummy. He was the host of several award-winning television specials for TLC, including Pyramids, Mummies & Tombs and Mummy Detective. More recently, National Geographic TV presented his research in a documentary called “Secret of the Great Pyramid” discussing a new theory of how the Great Pyramid of Giza was built. Dr. Brier’s research has been featured in such media venues as CNN, 60 Minutes, and The New York Times. His most recent book is: Cleopatra’s Needles: The Lost Obelisks of Egypt. (Bloomsbury 2016)

1:30 - 2:30 pm 1 SessionTuesday, December 3 Fee: $30

T H E B O A T B E N E A T H T H E P Y R A M I D :T h e C h e o p s B o a t

0116.

Carol Tabler

Join us for an in-depth discussion of Van Gogh’s paintings of wheat fields, a motif he explored in 1890 while living in the town of Auvers during the last months of his life.

These paintings of nature, infused with a dynamic energy expressed through brilliant color and bold brush strokes, have the power to enthrall us with the same emotional resonance felt by the artist himself. They embody moments of epiphany at odds juxtaposed against the idea of the suicidal artist.


Carol Tabler holds a PhD from the Institute of Fine Arts at NYU and has served as curator for numerous galleries and museums. She has also presented at prestigious institutions such as the Frick, where she most recently spoke on Antoine Vollon.

Dr. Tabler, considered to be the preeminent Vollon scholar, is familiar with little-known aspects of the career of this nineteenth-century artist who was a still-life specialist with a passion for landscape. She is also widely published in the area of Art History.

10:30 - 12:30 pm 1 SessionMonday, December 16 Fee: $30

V A N G O G H ’ S W H E A T F I E L D S0117.

0100. Creative Writing and Literature0101. Artists on Film, Part I0102. Literary Fiction and the Visual Arts0103. Dickens Revisited: David Copperfield0104. Classicism through the Ages0105. Musicals of the 1930s0106. Secret of the Great Pyramid0107. Neo Puritanism: Policing Culture in the 21st Century0108. Artists on Film, Part II0109. Nietzsche: A Philosophical Epitome, Part I0110. What Is Art? John Dewey’s Theory of Aesthetics0111. Nietzsche: A Philosophical Epitome, Part II0112. Anna Netrebko: A 21st Century Diva0113. World Politics: America in a New World0114. Who Is the Greatest Artist of the 20th Century?0115. Zora Neale Hurston’s Their Eyes Were Watching God0116. The Boat Beneath the Pyramid: The Cheops Boat0117. Van Gogh’s Wheat Fields

TOTAL

Please circle your choices, total the fees, and fill out your payment information on reverse side of this form; when finished, tear out and mail to the indicated

address at bottom of that page.

16012010016090

1203090

12030303030

14090

1203030

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Greenvale, NY 11548

Note That All Classes Meet At The Nassau County Museum Of Art, 1 Museum Drive, Roslyn, NY.

R E G I S T R A T I O N F O R Mf o r

T H E F R I C K E S T A T E L E C T U R E S

Fall Semester, 2019

P l e a s e F i l l O u t O n e F o r mP e r R e g i s t r a n t( p h o t o c o p i e s a c c e p t e d )


Greenvale, NY 11458T. 516-415-1101

www.thefrickestatelectures.org

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