LORENZO LOTTO (VENICE c. 1480–1556 LORETO)

The Holy Family with Saint Catherine of Alexandriasigned ‘L. Lotus’ (lower center, on the ledge)oil on canvas33 3/4 x 43 5/8 in. (85.7 x 110.8 cm.)

$2,000,000–3,000,000HK$15,000,000–23,000,000

Lorenzo Lotto is one of greatest and most easily

recognisable masters of the Italian High Renaissance.

The present work, Holy Family with Saint Catherine

of Alexandria, displays the characteristics of Lotto’s

works which his contemporaries so admired: his

brilliant and high-keyed palette, the strong and

tender emotions conveyed by the figures, and his

unconventional approach to traditional Renaissance

subject matter. Signed ‘L.Lotus’, its simple, clear

colour scheme, reduction in detail, and broader

handling are characteristic of Lotto’s later works,

notably those produced in the 1540s.

洛倫佐．洛圖為意大利文藝復興高峰時期最傑出、最

為人所熟知的藝術大師之一。《聖家與亞歷山大的聖

凱瑟琳》展現出洛圖廣獲時人稱頌的繪畫風格：奪目

的鮮明用色、畫中人強烈而溫婉的情感描畫，以及洛

圖繪畫傳統文藝復興題材時採用的嶄新手法。此作附

「L. Lotus」簽名，其簡單而明亮的色彩、簡約的細節

描畫、較以往粗曠的筆觸，全為洛圖後期 (特別是作於

1540年代) 作品的特色。

JAN PROVOOST (BERGEN-MONS, HENEGOUWEN c. 1465–1529 BRUGES)

The Annunciationoil on panel26 3/8 x 24 3/4 in. (67 x 63 cm.)

$2,000,000–4,000,000HK$15,000,000–31,000,000

This tender representation of the Annunciation

is a rare, early painting by the South

Netherlandish master Jan Provoost. One of

the most popular themes of Renaissance

painting, this Annunciation scene is set within

a contemporary domestic interior. The courtly,

idealised figures are modelled with extraordinary

delicacy, reflecting the influence of Northern

French painters such as Simon Marmion, who

may have been Provoost’s teacher.

此作以溫婉畫風描繪「天使報喜」的經典題材，為南

荷蘭藝術大師揚．普羅福斯特的罕見早期作品。「天

使報喜」是文藝復興畫家最普遍的繪畫主題之一，普

羅福斯特以當代家居陳設為背景，襯托描繪細膩、氣

派高雅的人物，法國北部畫家 (如據考曾任普羅福斯

特導師的西蒙．馬米恩) 對普羅福斯特畫風的啟發於

此可見一斑。

洛倫佐．洛圖 (約1480生於威尼斯；1559年卒於洛雷托)

《聖家與亞歷山大的聖凱瑟琳》簽名：L. Lotus (畫架中下)

油彩 畫布

33 3/4 x 43 5/8英吋 (85.7 x 110.8公分)

美元2,000,000–3,000,000港元15,000,000–23,000,000

揚．普羅福斯特 (約1465年生；1529年卒於布魯日)

《天使報喜》油彩 木板26 3/8 x 24 3/4英吋 (67 x 63公分)

美元2,000,000–4,000,000港元15,000,000–31,000,000

InternationalHighlightsExhibition21–25 November 2013Hong Kong Convention and Exhibition Centre

全球拍賣精選2013年11月21至25日

香港會議展覽中心

ExhibitionHong Kong Convention and Exhibition Centre

Grand Hall and Hall 3BC1 Expo Drive, WanchaiHong Kong

21–23 November 201310.30am – 6pm

24–25 November 201310.30am – 6.30pm

International Auction Calendar3 December 2013Old Master & British Paintings, London

29 January 2014Renaissance, Part of Old Masters Week, New York

4 February 2014Impressionist and Modern Art Evening Sale, London

查詢

香港

+852 2521 5396

北京

+86 10 8572 7900

上海

+86 21 6279 8773

預展

香港灣仔博覽道1號

香港會議展覽中心

大會堂及展覽廳3BC

2013年11月21至23日

上午10:30-下午6:00

2013年11月24及25日

上午10:30-下午6:30

EnquiriesHong Kong+852 2521 5396

Beijing+86 10 8572 7900

Shanghai+86 21 6279 8773

全球拍賣日程

2013年12月3日

古典大師及英國繪畫拍賣．倫敦

2014年1月29日

古典大師藝術週：文藝復興特拍．紐約

2014年2月4日

印象派及現代藝術晚間拍賣．倫敦

InternationalHighlights Exhibition 全球拍賣精選

Renaissance Sale29 January 2014, New York

文藝復興特拍

2014年1月29日．紐約

THE ROTHSCHILD PRAYERBOOK c. 1505

Illuminated manuscript Book of Hours on vellum, Ghent or Bruges, c.1505 252 leaves, 228 x 160 mm.

$12,000,000–18,000,000HK$93,000,000–140,000,000

The Rothschild Prayerbook is a unique and

magnificent masterpiece of Renaissance art with

illustrious provenance and is the most famous

and valuable illuminated manuscript ever sold at

auction. With miniatures and borders on more

than 150 pages, this richly decorated manuscript

is one of the highest achievements of Flemish

Renaissance painting and includes illuminations

of unsurpassed beauty and refinement by Gerard

David, Simon Bening and Gerard Horenbout.

Made for a member of the imperial court in the

Netherlands it joined the fabled collections of

the Rothschild family in the 19th century and

achieved the highest price in the auction of their

treasures in 1999.

來源顯赫的「洛希爾祈禱書」是獨一無二的文藝復興

藝術珍品，亦是拍賣史上最著名、價值最高的裝飾

手稿。祈禱書中150 多頁皆以微繪圖案與精緻框紋裝

飾，華麗的裝飾風格令其成為法蘭德斯文藝復興繪畫

的登峰造極之作，其中傑拉德．大衛、西蒙．貝寧

與傑拉德．霍倫保特美不勝收的細膩彩飾尤其教人

神往。「洛希爾祈禱書」最初由荷蘭皇室成員委託製

作，十九世紀成為洛希爾家族珍藏，1999年創下拍賣

史上洛希爾家族珍藏的最高成交價。

洛希爾祈禱書

插圖手稿；羊皮紙

約1505年於根特或布魯日出版

252頁；22.8 x 16公分

美元12,000,000–18,000,000港元93,000,000–140,000,000

PROPERTY FROM THE COLLECTION OF LOUIS CARRE

FERNAND LÉGER (1881–1955)

Les cylindres coloréssigned ‘F.Léger’ (lower right); signed and dated ‘F.LÉGER 1–1918’ (on the reverse)oil on canvas21 1/4 x 19 3/4 in. (54.3 x 50.3 cm.)Painted in 1918

£5,000,000–7,000,000HK$62,000,000–86,000,000

PROPERTY FROM A PRIVATE EUROPEAN COLLECTION

HENRI MATISSE (1869–1954)

Promenade des olivierssigned ‘Henri.Matisse’ (upper left) oil on canvas18 1/4 x 22 in. (46.2 x 56 cm.)Painted in 1905

£2,000,000–3,000,000HK$25,000,000–37,000,000

路易．卡雷珍藏 費爾南．雷杰 (1881-1955)

《彩色圓筒》簽名與日期：F.Léger (右下)；F.LÉGER 1–1918 (背面)

油彩 畫布

21 1/4 x 19 3/4英吋 (54.3 x 50.3公分)1918年作

英鎊5,000,000–7,000,000港元62,000,000–86,000,000

歐洲私人珍藏 昂利．馬諦斯 (1869–1954)

《奧利維爾大道》簽名：Henri.Matisse (左上)

油彩 畫布

18 1/4 x 22英吋 (46.2 x 56公分)1905年作

英鎊2,000,000–3,000,000港元25,000,000–37,000,000

Impressionist and Modern Art Evening Sale4 February 2014, London

CHRISTOPH AMBERGER (AUGSBURG c. 1505–1561/1562)

Portrait of Barbara Schwarz, half-lengthdated ‘1501/ADI\.21:AVG:TO’ (upper right, in geometric diagram with symbols) and inscribed ‘TO/.XXI.AVG:M\.DXLII/.BARBARA./DIE MATHEVSIN SCHWERTZIN/.AE.KRAD.XXXV.IAR’ (upper right)oil on panel28 3/8 x 24 1/8 in. (72 x 61.2 cm.)

$4,000,000–6,000,000HK$31,000,000– 46,000,000

Painted in 1542, Christoph Amberger’s Portrait of

Barbara Schwarz depicts a woman of 35 years in

a lavish dress of black silk with minutely observed

folds almost filling the closely-cropped picture

rectangle. The quality of the fabric is rendered with

extraordinarily naturalistic fidelity to life; the sheen

of the silk cascades over the peaks and troughs of

the oversized crumpled sleeves. It is a study in blacks,

greys and silvered highlights, so detailed and complex

that it could almost be a Modernist abstract painting.

克里斯托夫．安伯格作於1542年的《芭芭拉．舒華

茲半身像》以一位身穿華麗黑絲裙的35歲女士為題，

衣服皺褶紋理的描畫一絲不茍，綢緞質感自然逼真，

隆起的特大手袖散發絲綢的光澤。雖然此習作只用上

黑、灰及銀色顏料，但畫工的細緻與複雜足堪媲美現

代抽象繪畫。

克里斯托夫．安伯格 (約1505年生於奧格斯堡；1561/1562年卒)

《芭芭拉．舒華茲半身像》日期與題識：1501/ADI\.21:AVG:TO (右上；與其他符號形成幾何圖案)；TO/.XXI.AVG:M\.DXLII/.BARBARA./DIE MATHEVSIN SCHWERTZIN/.AE.KRAD.XXXV.IAR (右上)油彩 木板28 3/8 x 24 1/8英吋 (72 x 61.2公分)

美元4,000,000–6,000,000港元31,000,000– 46,000,000

REMBRANDT HARMENSZ. VAN RIJN (LEIDEN 1606–1669 AMSTERDAM) AND STUDIO

Man with a Swordsigned and dated ‘Rembrandt ˚ 1644’ (lower right)oil on canvas40 1/4 x 35 in. (102.3 x 88.5 cm.)

£2,000,000–3,000,000HK$25,000,000–37,000,000

CLAUDE GELLÉE CALLED CLAUDE LORRAIN (CHAMAGNE 1600–1682 ROME)

A Mediterranean port at sunrise with the Embarkation of Saint Paula for Jerusalem inscribed ‘NOBMA. ROMANA ST PAVOLA IM-BARCHI PER GIERVSALEMME’ (lower centre)oil on canvas39 3/4 x 53 1/4 in. (100.9 x 135.2 cm.)

£3,000,000–5,000,000HK$37,000,000–62,000,000

Hidden from public view until recently, this

exquisite, luminous picture has now been fully

re-ascribed to the hand of one the greatest

and most influential landscape artists of 17th

century Europe. Commissioned in 1650

by the Roman Cardinal Domenico Cecchini

(1589–1656), the picture shows a touching

moment from the story of Saint Paula who is

about to embark on her journey to Jerusalem.

But, as so often with Claude, the real force

of the composition rests with his masterly

creation of atmosphere and light, the sun

bursting through the sky and illuminating

the shimmering crests of the waves. It is this

naturalistic depiction of sunlight and the notion

of an ideal landscape that has exerted such a

powerful influence on so many artists since.

這幅細緻明亮的畫作此前一直不為世人所知，最近由

專家考證為十七世紀歐洲最偉大、最具影響力的風

景畫家所作。《日出時聖保拉於地中海海港乘船前

往耶路撒冷》由羅馬教廷樞機主教多米尼科．舍契尼

(1589-1656) 委託創作，描繪聖保拉起程前往耶路撒

冷的故事。正如克勞德．洛蘭大部分作品一般，此作

構圖的精妙之處在於氛圍與光線的生動描畫，陽光自

天空瀉下，海面上浪尖閃爍生輝。正是洛蘭這種對陽

光與理想化風景的自然描繪手法，啟發了同期與後世

的無數藝術家。

Man with a Sword has been lauded for its

‘extraordinary power and depth of tone’ and is a

significant work, signed and dated by Rembrandt,

that sheds a fascinating new light on the greatest

of all Dutch artists and his studio practice. It

recently became the subject of a thorough

re-appraisal and scientific analysis revealing

that the painting began as a portrait, with the

head and hair of the sitter masterfully painted

by Rembrandt, and was later refashioned by his

studio into a historical portrait or tronie.

克勞德．洛蘭 (1600年生於沙馬涅；1682年卒於羅馬)

《日出時聖保拉於地中海海港乘船前往耶路撒冷》

題識： NOBMA. ROMANA ST PAVOLA IM- BARCHI PER GIERVSALEMME (中下)

油彩 畫布

39 3/4 x 53 1/4英吋 (100.9 x 135.2公分)

英鎊3,000,000–5,000,000港元37,000,000–62,000,000

林布蘭 (1606年生於萊登；1669年卒於阿姆斯特丹) 及其畫室

《持劍男人》簽名與日期：Rembrandt ˚ 1644 (右下)

油彩 畫布

40 1/4 x 35英吋 (102.3 x 88.5公分)

英鎊2,000,000–3,000,000港元25,000,000–37,000,000

《持劍男人》以其「超凡力量與深邃色調」備受推

崇，附林布蘭簽名與創作日期，揭示出這位頂尖荷蘭

藝術大師鮮為人知的一面與其畫室工作模式。根據最

近進行的嚴謹鑑定與科學分析，此作最初是林布蘭按

照模特兒繪畫的細緻頭部與頭髮肖像，其後由林布蘭

的畫室再行潤飾成為氣魄恢弘的歷史肖像。

Old Master & British Paintings Evening Sale3 December 2013, London

Léger’s canvas Les cylindres colorés was painted

in 1918, at one of the most important moments

in his career. The end of the First World War

brought a period of immense release for Léger,

reflected in the series of works that he created

during that time. Many are now in museums

throughout the world.

費爾南．雷杰的油畫作品《彩色圓筒》作於1918年，

當時第一次世界大戰剛完結，雷杰卻攀上了藝術生涯

的高峰，創意澎湃，接連創作了多個系列作品，其中

不少已成為世界各地博物館的重要館藏。

Promenade des oliviers is a rare and historic

painting by Henri Matisse dating from the pivotal

Summer in Collioure in 1905. The time spent in

Collioure marked the beginning of his Fauve period

and led to his becoming one of the prominent

leaders of the avant-garde of the 20th century.

昂利．馬諦斯作於1905年夏季的《奧利維爾大道》別

具歷史意義。當時馬諦斯於科利烏爾開始嘗試以野獸派

風格作畫，繼而成為二十世紀前衛藝術重要先驅人物。

© A

DA

GP,

Par

is a

nd D

AC

S, L

ondo

n 20

13.

© S

ucce

ssio

n H

. Mat

isse

/ D

AC

S 20

13.

古典大師及英國繪畫晚間拍賣

2013年12月3日．倫敦

印象派及現代藝術晚間拍賣

倫敦國王街．2014年2月4日

Renaissance Sale29 January 2014, New York

文藝復興特拍

2014年1月29日．紐約