exhibition archive

7/29/2019 Exhibition Archive

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Exhibition Archive

2010, Prattle , Kuandu Museum of Fine Arts, Taipei

2010, Video Acrobatics , Pingpong Art Space, Taipei (co-curated)

2011, Live Ammo , MOCA Taipei (co-curated)

2012, Post Office (I&II), Pingpong Art Space (co-curated)

2013, Collected Matters: Notes on Fuyuka Shindo , ICC, Sapporo

Prattle

On occasion of an art prize, Prattle was held at

Kuandu Museum, which is located in Taipei National

University of Arts, to investigate the institutional

relationship between art award, museum and the

university, as well as to reconsider their critical

agency. I first host several occasions for

conversations and discussions based on artist-research in whichlocal art scene were deliberately responded. The polished

transcripts of chat sessions (there was, amongst others, a

marathon discussion during a round trip from north end to south

end of Taiwan) then turned into a publication before the opening of

the exhibition. The figure of an analytical relationship between

artists’ works and their contexts has been portrayed within the

publication. Consequently, we took these elements and rendered

them as a way of exhibiting strategy to represent the dialogue

among artworks in Prattle .

Artists:

陳敬元 Chen Ching-Yuan, 劉玗 Liu Yu, 林欣琦 Lin Hsin-Chi, 蔡奕勳 Tsai Yi-Hsun,

吳其育 Wu Chi Yu, 吳思嶔 Wu Sih-Chin, 葉振宇 Yeh Chen-Yu

Video Acrobatics

Organized by Pingpong Art Space, Video Acrobatics is a

curatorial project with an intent to accelerate the performativity

that resides within the video works and to experiment with their

displaying condition, we arranged the exhibition as a video relay

to play 5 videos respectively in 5 weeks; and transformed 3

works among the show into 3 social activities that fixed with the

contexts of the original ones. As a result, we expanded more

possible environments for beholders as to increase their

involvement with artworks.

Artists: Eva Koch, Shota Gamisonia, Soyoung Kang,

Wayne Horse, 劉真辰 Zhenchen Liu

co-curated with: 蔡家臻 Tsai Jia-Zhen, 陳豪毅 Chen Haoyi

Printed matter

Installation view

Film still of The White Suit by Wayne Horse

Installation view



Live Ammo

Exhibited in Museum of Contemporary Art, Taipei, Live Ammo is

a curatorial investigation upon the intersection of social reality

and artistic practice with 26 artists’ contribution, either placing

arts in the social context, or putting outside reality into the white

cube. In order to destabilize the exhibition stereotype, the artistslaid equal stress on their performances and stationary works,

both of which referred to one another. With the objective to reflect

on contemporary society and humanity, Live Ammo has widely

stirred up the public feedbacks in its six-weeks exhibition period

in which some of the action-based artworks caused social

criticisms with moral concerns.

Artists:

大塚麻子 Asako Otsuka, Anaisa Franco, Bona Park, 張允菡 Chang Yun-Han, 張力山

Chang Li-Shan,陳萬仁

Chen Wan-Jen,鄭安齊

Cheng An-Chi,鄭詩雋

ChengShih-Chun, 周育正 Chou Yu-Cheng, 鬼丘鬼鏟 Ghost Mountain Ghost Shovel, Ella

Raidel, 方彥翔 Fang Yen-Hsiang, 謝牧岐 Hsieh Muchi, 許家維 Hsu Chia-Wei, 林厚成

Hoho Lin, 黃立慧 Huang Li-Hui, 黃世傑 Huang Shih-Chieh, 黃博志 Huang Po Chih,

李吉祥 Lee Chi-Hsiang, 李國民 Lee Kuo-Min, 程展緯 Luke Ching, 蘇匯宇 Su Hui-Yu,

應蔚民 Ying Wei-Ming, 伊百慧 Yi Bai Huei, 余政達 Yu Cheng-Ta, 徐建宇 Xu Jian-Yu

Co-curated with: Chen Haoyi, 林宏璋Lin Hongjohn, Tsai Jia Zhen, 楊雅苓Yang Yalin

Post Office (I&II)

Post Office is a year long, project-based curatorial series begins

with an idea to rethink the condition of art production in this

information age, in which contemporary arts making may seen as

part of the communication industry that is informationalized,

disposable even ephemeral. Accordingly, we transformed art

exhibitions into either a business meeting or an assemblage of

archives, and paid closer attention to artists’ immaterial production

base and their particular investigatory field in which they are

engaged. In this curatorial investigation, the artists are referred to

by their creative prototypes. Thus tentatively touching the front line

of artistic creation.

Artists:

張恩滿 Chang En Maan, 莊凱宇 Chuang Kai Yu, Ghost Mountain

Ghost Shovel, 黃華真 Huang Hua Chen, Huang Po Chih,

阮永翰 Juan Yung Han, Musquiqui

Co-curated with: Chen Haoyi, Fang Yen-Hsiang (first edition)

Wu Chi Yu, 張顥馨 Austin Chang (second edition)

Stilnox Strolling, an event hosted by Su

Hui-Yu, which based on his latest video

work TV, Drugs and Home Video in 2010.

Huang Li-Hui’s 15 Minutes of Marriage

invited audiences to marry and sleep with

her in the museum.

Installation view of second edition

In 30th March 2012, the first edition of

Post Office was launched in format of

business meeting. Turned artworks into

sheets of papers on office tables.



Collected Matters: notes on Fuyuka Shindo

Collected Matters: Notes on Fuyuka Shindo began with a conversation

with the artist in a Yakitori dinner. It was about the conceptual and aesthetic

relationship between artifacts and their materials, as well as how it could

reshape our idea of boundaries in terms of artistic practices and cultural

differences.

The practice of Fuyuka Shindo consists of serial combination of

various mediums that have originated from a long history loaded

with established technique, such as silk fabrics, sewing, and

embroidery works on animal skins. Referencing to the local artifacts,

which suggest Hokkaido and its neighborhood Tohoku and Sakhalin,

the work contains the cultural prestige from within, and much as the

oral tradition, these techniques are taught by the maternal side of

her family and some regional artisans. Shindo’s work bespeaks an

organic sense of space and time, interplaying between

remembering and forgetting in archiving the visual memory, be it

personal or collective.

Artist: 進藤冬華 Fuyuka Shindo

Installation view

exhibition archive

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