eq, tone, & frequency - collaborate worshipthe bass guitar from the acoustic guitar. or maybe i...

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© 2016, James Wasem. All rights reserved. GreatChurchSound.com LEARNING ABOUT FREQUENCIES The more you can learn about the frequency range of the sounds you are listening to, the more you will be able to effectively isolate and control those frequencies with your EQ. Besides actively practicing with the various EQ settings on your console or other hardware, it can be very helpful to have a fundamental knowledge and reference point for what sounds and instruments are in the various frequency ranges. For example, I may want to separate the sound of the bass guitar from the acoustic guitar. Or maybe I want the male vocalist to cut through the mix a little better. Knowing the fundamental frequency ranges that these audio sources operate in will help you know where to start adjusting the EQ to better fit them into your mix. Learning some of the tonal characteristics of various music instruments will also help clarify the overall sound and give each instrument its own space in the mix. EQ, Tone, & Frequency Great Church Sound

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© 2016, James Wasem. All rights reserved. GreatChurchSound.com

LEARNING ABOUT FREQUENCIES

The more you can learn about the frequency range of the sounds you are listening to, the more you will be able to e�ectively isolate and control those frequencies with your EQ. Besides actively practicing with the various EQ settings on your console or other hardware, it can be very helpful to have a fundamental knowledge and reference point for what sounds and instruments are in the various frequency ranges.

For example, I may want to separate the sound of the bass guitar from the acoustic guitar. Or maybe I want the male vocalist to cut through the mix a little better.

Knowing the fundamental frequency ranges that these audio sources operate in will help you know where to start adjusting the EQ to better �t them into your mix. Learning some of the tonal characteristics of various music instruments will also help clarify the overall sound and give each instrument its own space in the mix.

EQ, Tone, & FrequencyGreat Church Sound

© 2016, James Wasem. All rights reserved. GreatChurchSound.com

I’ve also included a master frequency chart here has been extremely bene�cial for me when assessing the various instruments and vocal sources I’m mixing. And it has helped me learn how to handle the tone pro�le of each source. I still refer back to this as often as needed to refresh my memory and keep training my ears.

Frequency Range Characteristics

20 – 40 Hz (1st Octave) Frequencies are more felt than heard

40 – 80 Hz (2nd Octave) Can add warmth or boom to music

80 – 160 Hz (3rd Octave) Thump, punchy attack

160 – 320 Hz (4th Octave) Upper bass, can cause muddy or thin sound

320 – 640 Hz (5th Octave) Midrange power, adds depth and body

640 – 1280 Hz (6th Octave) Tinny & hornlike sounds, nasal tones

1280 – 2560 Hz (7th Octave) Can cause listener fatigue, telephony sound

2560 – 5120 Hz (8th Octave) Presence, perceived loudness & projection

5120 – 10240 Hz (9th Octave) Bright & brilliant sound quality, sharpness

10240 – 20480 Hz (10th Octave) Sizzle, air or openness, hiss

TONE & FREQUENCY CHARACTERISTICS

© 2016, James Wasem. All rights reserved. GreatChurchSound.com

Octave

8Octave

Note

AB

CD

EF

GA

BC

DE

FG

AB

CD

EF

GA

BC

DE

FG

AB

CD

EF

GA

BC

DE

FG

AB

CD

EF

GA

BC

Note

Freq

uency

(Hertz)

27

31

33

37

41

44

49

55

62

65

73

82

87

98

110

123

131

147

165

175

196

220

247

262

294

330

349

392

440

494

523

587

659

698

784

880

988

1046

1175

1319

1397

1568

1760

1976

2093

2349

2647

2794

3136

3520

3951

4186

Freq

uency

(Hertz)

Freq

uency

(Hertz)

27

31

33

37

41

44

49

55

62

65

73

82

87

98

110

123

131

147

165

175

196

220

247

262

294

330

349

392

440

494

523

587

659

698

784

880

988

1046

1175

1319

1397

1568

1760

1976

2093

2349

2647

2794

3136

3520

3951

4186

Freq

uency

(Hertz)

Sopran

oAlto

Teno

rBa

ss

Flute

Clarinet

Cello

Guitar

Bass

Guitar

Congas

Cymba

ls

FemaleVo

cal

MaleVo

cal

Toms

Kick

Snare

www.GreatChurchSound.comCommon Instrument & Vocal Frequency Ranges

(fundamental range)

Octave7

0

www.GreatChurchSound.com

Violin

Trum

pet

Trom

bone

Tuba

Octave1

Octave2

Octave3

Octave4

Octave5

Octave6

CommonInstrument&VocalFrequencyRanges(fundamentalrange)

© 2016, James Wasem. All rights reserved. GreatChurchSound.com

Along with other books and tutorials, there are some new options out there to help you learn more about EQ and train your ears.

You may wish to check out a couple apps that are designed to help sound engineers, musicians, and other audio connoisseurs train their ears. They are especially useful for teaching you what to listen for and the e�ect that various EQ adjustments have on what you are hearing.

One app is HearEQ and is available for Apple iPhones and iPads. Check it out at www.hearEQ.com

Quiztones makes another app for iOS and Android devices, as well as a software option for Mac. You can �nd out more at www.quiztones.com

Another great website for helping train your ears is www.EasyEarTraining.com. Though primarily geared towards musicians, this website has some great interactive training modules, including free and paid courses and guides.

And of course, when you’re ready to start practicing your EQ and mixing skills, check out the Great Church Sound app. It’s the perfect companion to the book and it includes a multi-track digital practice mixer, frequency analyzer, and lots of tips to help you get great sound.

DOWNLOAD THE FREE GREAT CHURCH SOUND APP TODAY FOR ANDROID AND APPLE IOS