Franklin & Marshall CollegeP.O. Box 3003Lancaster, PA 17604-3003

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c o n t e n t sa r t

t h e a t r e & d a n c e

m u s i c

w r i t e r s h o u s e & e n g l i s h d e p t .

f i l m e v e n t s & s e r i e s

c o m m o n h o u r

l e c t u r e s

k l e h r c e n t e r r e a d i n g g r o u p

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Without tradition, art is a flock

of sheep without a shepherd.

Without innovation, it is a corpse. — WINSTON CHURCHILL

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Steinman College Center, 628 College Ave.

MUSEUM HOURS:TUESDAYS, WEDNESDAYS AND FRIDAYS: NOON–4 P.M.THURSDAYS: 2–6 P.M.SATURDAYS AND SUNDAYS: NOON–4 P.M.

THE MUSEUM WILL BE CLOSED FOR SPRING BREAK ON MARCH 8 AND WILL REOPEN ON MARCH 19.

THE EXHIBITION SEASON CLOSES ON APRIL 25 AND WILL REOPEN FOR COMMENCEMENT WEEKEND, MAY 11 AND 12.

JANUARY 24–APRIL 25Hostile Terrain by Lucy Cahill + Jason De León + Michael WellsDANA GALLERY

Hostile Terrain is a multimedia installation focused on different sensory engagements with the complex (and often ambiguous) world of clandestine migration. It builds on anthropological data collected by the Undocumented Migration Project, a decade-long research endeavor that uses archaeology, forensic science, ethnography, and visual anthropology to understand the violent social process of border crossing between Mexico and the United States. Highlighting the discomfort that comes with knowing that there is no easy resolution to our global humanitarian migration crisis, Hostile Terrain both translates and transforms anthropological data into a sensorial experience while challenging the viewer to avoid the overly simplified analogy of the heroic/tragic migrant.

R E L AT E D E V E N T: Common Hour talk by Jason De León, The Land of Open Graves: Understanding American Politics and U.S./Mexico Border Enforcement through the Lives and Deaths of Migrants, January 24, 11:30 a.m. in Franklin & Marshall College’s Mayser Gymnasium, followed by a reception at 1 p.m. at the Phillips Museum of Art.

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ABOUT THE ARTISTS:

Lucy Cahill is a Detroit-based visual artist whose curatorial practices investigate issues in the political landscape and bear witness to underrepresented populations.

Jason De León is an Arthur F. Thurnau Professor, an Associate Professor of Anthropology at the University of Michigan, the author of the award-winning book, The Land of Open Graves: Living and Dying on the Migrant Trail, a 2017 MacArthur Foundation Fellow, and directs the Undocumented Migration Project.

Michael Wells is the primary photographer for the Undocumented Migration Project and has created other photography projects on post-Katrina New Orleans, the physicality of the U.S. Mexico border in Arizona and California, and Latino communities in the American South.

Hostile Terrain by Lucy Cahill + Jason De León + Michael Wells is organized by the Phillips Museum of Art and proposed by Kostis Kourelis, Associate Professor of Art History and Department Chair of Art and Art History. Funding for the exhibition and its related programming has been supported in part by the Richard C. von Hess Foundation Collaborative Residency in Art History.

A R TBELOW: Michael WellsSouthern Arizona, 2010 (detail)PhotographCourtesy of the Artist

JANUARY 24–MARCH 8Looking Skyward: A Commemoration of Lunar Exploration

GIBSON GALLERY

The subject of myths, wonder and scientific thought for thousands of years, the moon has been a constant and steadfast witness to the human endeavor. The year 2019 marks the 50th anniversary of Apollo 9, the first Lunar Module test flight and the Apollo 11 momentous walk on the moon. Looking Skyward: A Commemoration of Lunar Exploration celebrates sky-gazing through the centuries. This exhibition features artwork by Lowell Nesbitt, the official NASA artist for missions Apollo 9 and 11, as well as film footage from space and selections from Franklin & Marshall’s Special Collections. Curated by Lindsay Marino, Assistant Director and Collections Manager of the Phillips Museum of Art.

R E L AT E D E V E N T S : February 7, 6 p.m.: Lunar Looking & Libations, Booth Ferris South at the Steinman College Center

Join the Phillips Museum and friends for a fun night of painting the moon and enjoying special beverages! For $30 per person, you will receive all the paint and materials you need to create a beautiful Lancaster-inspired night scene, as well as a complimentary glass of wine (21+) or mocktail.

February 28, 5:30 p.m.: Hidden Figures Film Screening and Curator Talk, Rothman Gallery Lobby, Steinman College Center

Based on the Margot Lee Shetterly book Hidden Figures, this film tells the incredible story of brilliant African American mathematicians Katherine Johnson, Dorothy Vaughan and Mary Jackson, who were integral to the NASA space launch of astronaut John Glenn. Lindsay Marino, curator of Looking Skyward, will give a brief gallery talk prior to the screening.

JANUARY 24–MARCH 8Geometric Aljamía: a Cultural Transliteration ROTHMAN GALLERY

Geometric Aljamía: a Cultural Transliteration explores geometry as a fundamental aspect of two-dimensional art and as a way to communicate ideas across cultures. Since ancient times, geometric perfection has been thought to convey sacred and universal truths by reflecting the fractal interconnections of the natural world. One finds these similarities across cultures embedded in many diverse ethnic patterns. Geometry, in this way, is much like aljamía, or the adaption of Arabic script to write in European languages. By understanding the visual arts as a transliteration of one form of thinking to another, this exhibition revisits the ongoing impact of Islamic art, science and philosophy throughout the world today. Geometric Aljamía includes work by Mohammad Saleh Amin, Jorge Benitez, Reni Gower, Hanane Korchi, Tamim Sahebzada and Julia Townsend. Their shared artistic and intellectual interests speak to the larger hybrid relationship that the West shares with the Middle East, and especially with the Golden Age of Islamic Civilization. Funding for Geometric Aljamía: a Cultural

Transliteration was made possible in part by Virginia Commonwealth University, VCUarts and VCUarts Department of Painting and Printmaking.

R E L AT E D E V E N T: Gallery Talk by Jorge Benitez and Reni Gower, Geometric Aljamía: a Cultural Transliteration: Examined through Sacred Geometry, Feb. 21, 5 p.m., Rothman Gallery at the Phillips Museum of Art

APRIL 16–25*F&M Senior Student Art and Film ExhibitionsROTHMAN GALLERY & GIBSON GALLERY

To close the spring season, the Phillips Museum of Art proudly presents works from our studio art and film studies students in its Senior Student Art and Film Exhibitions. This year’s shows include filmworks by Mike Korongy, Corey Kerkesner, Jack Argast, Emma Kapner and Rachel Heitman, as well as studio artworks by Emma Covert, Yue Gong, Xiuqi Li, Chen Qian, Valerie Zizik and Wenhe Zhou. These exhibitions reflect the students’ cumulative achievements in the visual arts during their tenure at F&M.

O P E N I N G R E C E P T I O N : April 16, 5 p.m., Rothman and Gibson Galleries *The exhibitions will reopen for Commencement Weekend, May 11 and 12.

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OPPOSITE PAGE, LEFT: Jorge BenitezCourtyard2013Graphite on Arches paper11” x 15”Courtesy of the artist

Jorge BenitezThe School of Social Engineering2014Illustration & Bristol board, Hydrocal, acrylic14” x 11” 14”Courtesy of the artist

Lowell Nesbitt (American, 1933-1993)Untitled, from the series Moon Shot, edition of 98, 1969Color lithograph22 x 29 ½

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Without writers, stories would not be

written,Without actors, stories could

not be brought to life.

— ANGIE-MARIE DELSANTE

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TICKETS (unless otherwise specified):

$10 ($5 for F&M faculty

and staff; $1 for students with ID).

Tickets are available through the

box office (717-358-7193 or

fandm.edu/box-office).

JANUARY 17–19, 7:30 P.M.; JANUARY 19, 2 P.M.Urinetown: The MusicalPresented by F&M Players Directed by Alec Hersh SCHNADER THEATRE, ROSCHEL PERFORMING ARTS CENTER

Urinetown: The Musical is a satirical comedy set in a dystopian future. A massive drought has rendered private restrooms impossible and citizens must pay to use public amenities or be sentenced to punishment in the mysterious Urinetown. When fees increase, a revolution erupts against the corporation responsible for it all.

Tickets: $10 ($7.50 for faculty and staff, $5 for students)

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THEATRE & DANCEFEBRUARY 14, 15, 16, 7:30 P.M.; FEBRUARY 17, 2 P.M.Kingdom CityDirected by Seth Duncan

GREEN ROOM THEATRE

When her husband, Daniel, is awarded a yearlong residency at small Missouri college, New York theatre director Miriam Bloom accompanies him and gets a freelance job directing The Crucible at Kingdom City High School. But when young, evangelical paramours Katie and Matt are cast as John and Elizabeth Proctor, their youth minister’s concerns cause the play to be shut down. Based on actual events that occurred in 2006, Sheri Wilner’s Kingdom City strives to present an even-handed examination of the fears and concerns that arise when the welfare of children is at stake. But overriding all political issues, the play’s main question is, how we can free ourselves from our fears and find our real place in the world? S P O N S O R : T H E AT R E , D A N C E & F I L M

APRIL 4–6, 7:30 P.M.; APRIL 7, 2 P.M.Anonymous Directed by Rachel Anderson-Rabern

SCHNADER THEATRE, ROSCHEL PERFORMING ARTS CENTER

Anonymous, by Naomi Iizuka, adapts Homer’s Odyssey into an immigrant story that begins on an American shore. Anon is a young refugee searching for his mother; he wanders through fragmented American ideals and identities represented by the people he meets along his journey. He encounters kindness, cruelty, beauty and monstrosity as he wanders through the landscape, sifting through chaotic pieces of America in search of home.

S P O N S O R : T H E AT R E , D A N C E & F I L M

APRIL 16, 17, 18, 7:30 P.M. Spring Dance ConcertSCHNADER THEATER, ROSCHEL PERFORMING ARTS CENTER

F&M’s student choreographers stage original dance works in Schnader Theatre with performances by members of the F&M Dance Company. This annual celebration of student choreography offers a rich array of styles and expression: from modern dance to hip-hop, from improvisation to tap and beyond—the energy and enthusiasm will inspire! With multiple programs, come more than once to see new dances in each concert.

S P O N S O R : T H E AT R E , D A N C E & F I L M

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Music is the mediator between the

spiritual and the sensual life.

— LUDWIG VAN BEETHOVEN

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Big Bad

DADDY

TICKET FOR THE SOUND HORIZONS CONCERT SERIES ARE AVAILABLE THROUGH THE ON-

LINE BOX OFFICE (FANDM.EDU/BOX-OFFICE) OR BY CALLING 717-358-4858. START TIMES

ARE DIFFERENT FOR EACH SHOW, BUT ALL PERFORMANCES ARE HELD IN THE BARSHINGER

CENTER FOR THE MUSICAL ARTS. PERFORMANCES ARE OPEN TO THE PUBLIC.

S O U N D H O R I Z O N S C O N C E R T S E R I E S

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FEBRUARY 9, 7 P.M.The Sixth Annual Faculty Recital (rescheduled from the Fall 2018 season) Once again, some of our wonderful music performance artists are offering a 70-minute program with no intermission. You will hear a program with the works of Bach, Charles, Gade, Brown, Mackey, Previn, Boyle and original jazz compositions. The concert is always a fabulous offering from our diverse faculty in the Department of Music.

Tickets: $10 ($5 for F&M faculty and staff; $1

for students with ID)

MARCH 30, 8 P.M. Big Bad Voodoo DaddyTogether for over 25 years, Big Bad Voodoo Daddy—famously named after an autograph by blues legend Albert Collins—has appeared in concert venues across the world, sold millions of records and had its music appear in hundreds of movies and television shows. With sold-out concerts from the Hollywood Bowl to Lincoln Center, appearances with many of the country’s finest symphony orchestras, and television appearances ranging from Dancing with the Stars

to Super Bowl XXXIII, Big Bad Voodoo Daddy continues its decades-long mission to celebrate and revitalize jazz and swing music—America’s original art form—and bring joy to audiences around the world.

SPECIAL TICKET PRICES: $25 ($10 for F&M faculty and staff; $5 for students with ID)

FA C U LT Y M U S I C I A N S

M U S I C

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E N S E M B L E C O N C E R T S

ALL F&M ENSEMBLE CONCERTS ARE HELD IN THE BARSHINGER CENTER FOR MUSICAL ARTS UNLESS NOTED. CONCERTS ARE FREE AND OPEN TO THE PUBLIC. TICKETS ARE NOT REQUIRED.

Chamber Music Coordinator: DORIS HALL-GULATI

African Drumming Ensemble Conductor: TAMMI HESSEN

Jazz Ensemble Conductor: JERRY LABORANTI JR.

Senior Director of Instrumental Music & Conducting Studies:BRIAN NORCROSS

Choral Conductor: WILLIAM WRIGHT

JANUARY 20, 7 P.M.Solo & Concerto CompetitionF&M students perform in a recital format to compete for the honor of soloing with the F&M Philharmonia.

FEBRUARY 2, 8 P.M.Super Bowl Cultural Warm UpF&M Symphonic Wind Ensemble When In Rome…Ottorino Respighi, Pines of Rome, Festivals of Rome, Fountains of Rome

MARCH 2, 8 P.M.Surprise! Going Solo! F&M PhilharmoniaWinners of the Solo & Concerto CompetitionFranz Joseph Haydn, Symphony No. 94 (“Surprise”)

MARCH 3, 3 P.M.A Touch of SpringF&M College Chorus and Chamber Singers

MARCH 29, 8 P.M.It’s Time F&M OrchestraAvshalomo, End Game; Galante, Rays of the Spirit; Brahms, Symphony No. 1

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The music program at Franklin

& Marshall is one of the most

active areas of the College.

All of our classes, studios and

ensembles are populated by

both music majors and students

majoring in other subjects.

MARCH 31, 8 P.M.Fate and ForcesF&M Symphonic Wind EnsembleReineke, Fate of the Gods; Ogren, Symphonies of Gaia; Grainger, Children’s March; Galante, Beyond the Horizon; Sparke, Earth, Water, Sun, Wind

APRIL 7, 3 P.M.F&M African Drumming Ensemble

APRIL 12, 8 P.M.F&M Jazz Ensemble Concert

APRIL 13, 3 P.M.An Afternoon of Chamber MusicF&M Chamber Music Ensembles

APRIL 14, 3 P.M.Spring Choral ConcertF&M College Chorus and Chamber Singers

APRIL 17, 8 P.M.Conductors ConcertF&M Orchestra and Symphonic Wind EnsembleConducting students of Brian Norcross

APRIL 25, 11:30 P.M.Common Hour ConcertMayser GymnasiumThe Conductors of F&MF&M Orchestra and Symphonic Wind EnsembleEncore performance of the conducting students of Brian Norcross

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A fter nourishment, shelter and

companionship, stories are the thing

we need most in the world.

— PHILIP PULLMAN

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JANUARY 31, 7:30 P.M.A Reading with Tyler Barton and Erin DorneyTYLER BARTON is the co-founder of Fear No Lit, the organization responsible for the 2017 Submerging Writer Fellowship. He is the author of the flash fiction chapbook, The Quiet Part Loud, which won the 2017 Turnbuckle Chapbook Contest and will be published this winter by Split Lip Press. This past fall, he attended the Anne LaBastille Writing Residency in the Adirondacks, where he finished his full-length story manuscript, Get Empty. Stories from that manuscript are forthcoming from Subtropics, The Iowa Review, Kenyon Review, Meridian and The Collagist.

ERIN DORNEY is the author of I Am Not Famous Anymore: Poems after Shia LaBeouf (Mason Jar Press, 2018). She is the recipient of a 2017 Artist Career Development Grant from the Prairie Lakes Regional Arts Council/McKnight Foundation; a 2017 Emerging Artist Residency at Tofte Lake Center; a 2016 Spruceton Inn Artist Residency; and was the first Modern Worker: Writer in Residence at Modern Art in Lancaster. Her recent projects include “Cento Box” for Container’s Multitudes series; “The Hidden Museum, 2018,” a collaborative conceptual art installation on display at the Susquehanna Art Museum; and “Dystopia Erased,” a literary erasure installation featured as part of Made Here: Future, an urban walking gallery in the West Downtown Minneapolis Cultural District. Erin is cofounder of Fear No Lit and volunteers with VIDA: Women in Literary Arts.

FEBRUARY 11, 7:30 P.M.Faculty Writer: A Reading with Padmini MongiaPadmini Mongia teaches literature in English at Franklin and Marshall College. She is a teacher and scholar, a writer and painter. Her book Pchak, Pchak: A Story of Crocodiles appeared in 2008 and Baby Looking Out and Other Stories was published last fall.

FEBRUARY 21Craft Talk and Reading with Amy Fusselman4:30 p.m.: Craft talk and Q&A7:30 p.m.: Reading, Q&A and book signing

Amy Fusselman is the author of four books of nonfiction. Publisher’s Weekly said of her latest, Idiophone, that “[Fusselman] has transformed the traditional essay into something far wilder and more alive.” Her writing has appeared in The Washington Post, ARTnews, Ms., The New York Times, Artnet, The Believer, McSweeney’s Internet Tendency and The Atlantic, among other places..S P O N S O R S : E N G L I S H A N D T H E P H I L A D E L P H I A A L U M N I W R I T E R S H O U S E

T H E P H I L A D E L P H I A A LU M N I T H E F R A N K L I N & M A R S H A L L C O L L E G E

WRITERS HOUSE & ENGLISH DEPT.

P H I L A D E L P H I A A L U M N I

All events will be held at the Philadelphia Alumni Writers House—633 College Ave., Lancaster, Pa.—unless otherwise noted.

A M Y F U S S E L M A N

C A R O LY N F E R R E L L

J A Q U E L I N E O S H E R O W

PAT R I C I A O ’ H A R A

FEBRUARY 27Craft Talk and Reading with Carolyn Ferrell, Bank Visiting Writer4:30 p.m.: Craft talk followed by Q&A8 p.m.: Reading, Q&A and book signing

The Jerome Irving Bank Memorial Short Story Prize was endowed by Lawrence H. Bank, Esq. ’65 to honor and preserve the memory of his late brother, Jerome Irving Bank, Esq. The Bank Visiting Writer judges the Jerome Irving Bank Memorial Short Story Prize and visits Franklin & Marshall College during the spring semester to meet the prize winner, lead an afternoon craft talk with students and offer an evening reading. This year’s Bank Visiting Writer is author Carolyn Ferrell. Ferrell is the author of the short-story collection, Don’t Erase Me, awarded the Art Seidenbaum Award of the Los Angeles Times Book Prize, John C. Zachiris Award given by Ploughshares, and the Quality Paperback Book Prize for First Fiction. Her stories have been anthologized in Best American Short Stories 2018; The Best American Short Stories of the Century; Giant Steps: The New Generation of African American Writers; Children of the Night: The Best Short Stories by Black Writers, 1967 to the Present; and Apple, Tree: Writers on Becoming Their Parents (forthcoming in 2019). Ferrell has received grants from the Fulbright Association, German Academic Exchange and the National Endowment for the Arts. She teaches at Sarah Lawrence College.

MARCH 6A Reading and Craft Talk with Jacqueline OsherowReading: 4:30 p.m., Philadelphia Alumni Writers House Talk: 7:30 p.m., Klehr Center for Jewish Life

Jacqueline Osherow is the author of several books of poetry, including Ultimatum from Paradise, Whitethorn and Looking for Angels in New York. Her

poems are known for their frequent exploration of Jewish tradition and their post-Holocaust consciousness. She has received the Witter Bynner Prize, as well as fellowships from the Guggenheim Foundation, the Ingram Merrill Foundation and the National Endowment for the Arts. She serves as a distinguished professor of English and creative writing at the University of Utah.

MARCH 28, 7:30 P.M.Faculty Writer: A Reading with Patricia O’HaraPatricia O’Hara is a writer and professor of English literature at Franklin & Marshall College, where she teaches all manner and forms of 19th-century British literature, creative writing, and a course that has proven to be perennially popular: Baseball in American Literature and Culture. Her play, Banned from Baseball, was recently produced at The Human Race Theatre Company.

THE PHILADELPHIA ALUMNI WRITERS

HOUSE WELCOMES, INSPIRES,

FEEDS, TEACHES, SHARES, LOVES.

AMONG PENS, COMPUTERS, DIRTY

DISHES, AND GOOD FOOD, MORE THAN

A COMMUNITY IS EVOKED. IT IS HERE

WHERE THE IMAGINATION HAS NO

LIMITS AND DREAMS MEET REALITY.

WE BELIEVE THAT ACADEMIC

AND ARTISTIC ENDEAVORS ARE

FUNDAMENTALLY CONNECTED TO

EVERYDAY LIFE. ALL ARE WELCOME

TO VISIT, LISTEN, CONTRIBUTE,

OR JUST STAY A WHILE.

D E R R I C K A U S T I N E L I Z A B E T H B Y R N E J E A N I E VA N A S C O T I L L I E W A L D E N W E I K E W A N G

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Emerging Writers Festival

Each spring, the Department of English hosts its annual Emerging Writers

Festival, dedicated to championing the work of writers early in their careers.

Since its inception in 2002, the festival has been a collaborative effort of students

and faculty, bringing people together across the campus community and beyond

for three days of readings, workshops, and the opportunity to mix, formally

and informally, with some of the country’s most exciting new literary talents.

Derrick Austin (poetry), Elizabeth Byrne ’07 (young adult fiction), Jeannie Vanasco (nonfiction), Tillie Walden (graphic novel) and Weike Wang (fiction).

T H I S Y E A R ’ S F E S T I VA L W I L L F E AT U R E :

APRIL 10-12

Sponsors: Edna Hausman P’85 and Richard D. Hausman ’50, P’85, Philadelphia Alumni Writers House, Office of the Provost

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We live in a box of space and time. Movies are windows in its walls.

They allow us to enter other minds, not simply in the sense of identifying

with the characters, although that is an important part of it, but by seeing

the world as another person sees it.

— ROGER EBERT

F I LM EVENTS& SER I ES

T H E S I G N F O R L O V E

S I G N G E N E

FEBRUARY 14, 6:30 P.M.The Sign for Love: A Film Screening and Q&A with the DirectorsBonchek Auditorium, Ann and Richard Barshinger Life Sciences & Philosophy Building

Iris Ben Moshe and Elad Cohen are the 2019 DeRoy Jewish Artists in Residence. During their two-day visit to the F&M campus, Cohen and Ben Moshe will meet with students to screen their award-winning film and answer questions from the audience. The Sign for Love has been recognized by the Sao Paolo International Film Festival, Sydney Film Festival, Pink Apple Film Festival, San Francisco Jewish Film Festival and Side by Side Film Festival, among others. About the film: When El-Ad was small, his mother told him: “Raising you is like raising three kids.” Ever since that moment, he felt guilty for being deaf, and tried extra hard to be like everyone else. He became even more alienated after the tragic death of his mother and the breakdown of his family. El-Ad later started a family of his own, becoming a father through a shared parenting arrangement with his friend Yaeli, who is also deaf, surrounded by their Deaf friends. The film is his first-person account of the life he created for himself, and his attempt to show viewers his version of family and parenthood.

S P O N S O R S : J U D A I C S T U D I E S ; K L E H R C E N T E R F O R J E W I S H L I F E ; W O M E N ’ S , G E N D E R A N D S E X U A L I T Y S T U D I E S ; I TA L I A N ; F I L M S T U D I E S ; A L I C E D R U M W O M E N ’ S C E N T E R ; S E X U A L I T Y A N D G E N D E R A L L I A N C E ; O F F I C E O F S T U D E N T A C C E S S I B I L I T Y S E R V I C E S

FEBRUARY 11, 7 P.M.Sign Gene (2017)Bonchek Auditorium, Ann and Richard Barshinger Life Sciences & Philosophy Building

Director: Emilio InsoleraA deaf agent from New York City is sent to Japan to investigate a series of crimes that are being committed by deaf mutants.

FEBRUARY 14, 7 P.MThe Sign for Love (2017)Bonchek Auditorium, Ann and Richard Barshinger Life Sciences & Philosophy Building

Directors: Elad Cohen, Iris Ben MosheYears after the death of his mother and the breakdown of his family, a deaf man becomes a father and shares with viewers his version of family and parenthood.

This screening and discussion are part of theDeaf CinemaSeries.

FEBRUARY 18, 6:30-8 P.M.Film Preview and Lecture: The Children of Noah: Birth of a New Judaic FaithStahr Auditorium, Stager Hall

What happens when an anthropologist of religion and cinematographer team up and attempt to capture the birth of a new religion on camera? F&M Religious Studies Professor Rachel Feldman and her cinematographer co-director, Lia Tarachansky, will share a preview of their forthcoming documentary film, The Children of Noah, taking the viewer inside their scholarly and artistic process. Feldman will share film clips and discuss her ongoing ethnographic fieldwork in the Philippines, where she is following the emergence of a new Judaic faith alongside a growing theocratic movement in Israel. Feldman and Tarachansky will problematize what it means to study and represent religious subjectivities on camera. A Q&A with the directors will follow.

S P O N S O R S : R E L I G I O U S S T U D I E S , J U D A I C S T U D I E S , T H E AT R E , D A N C E & F I L M , T H E H U M A N I T I E S I N I T I AT I V E A N D T H E H A R N I S H E N D O W M E N T F U N D

JANUARY 24A Sea Change (2009) A retired history teacher, Sven Huseby, is taken aback when he learns what ocean acidification is doing to our oceans. In his journey to discover more about this worldwide crisis, he travels to Alaska, California, Washington and Norway to interview oceanographers, marine biologists, climatologists, and artists. This is a must-see film if you want to learn more about ocean acidification and the dramatic implications it has not only for our oceans, but also for our culture and economy. This film won the FICA award for best documentary.

Director: Barbara Ettinger

This film series is sponsored by the

College's Center for the Sustainable

Environment. The theme of the film

series is OCEANS. All films are shown

from 7 to 8:30 p.m. in Stahr Auditorium (Stager Hall). Admission is free.

A S E A C H A N G E

T H E C H I L D R E N O F N O A H

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C H A S I N G C O R A L

FEBRUARY 7Chasing Coral (2017)In this documentary, a team of scientists, divers and photographers work together to uncover and document why coral reefs around the world are vanishing. The film is filled with suspense, emotion and spectacular photography and filming of the deep sea. This film was the winner of the Sundance Film Festival for best U.S. documentary.

Director: Jeff Orlowski

FEBRUARY 20A Plastic Ocean (2016)Stahr Auditorium, Stager Hall

This project began when journalist Craig Lesson was out at sea searching for blue whales, but instead found an ocean full of plastic. In this documentary, Craig works together with free diver Tanya Streeter and a team of scientists and researchers to explore plastic pollution in our oceans. Craig unveils the disturbing truths about the current state of our oceans, along with solutions that can be immediately put into effect.

Director: Craig Lesson

MARCH 6Albatross (2017)The seeds of this documentary were planted in 2008, when director Chris Jordan partnered with activist and photographer Manuel Maqueda to study the ever-growing problem of plastic pollution in our oceans. This film centers on Midway Island in the North Pacific, where tens of thousands of baby albatrosses are dying due to plastic waste. This nontraditional environmental documentary takes viewers on a visual journey, using stunning footage and powerful juxtapositions that will evoke inner reflection.

Director: Craig Lesson

M I S S I O N B L U E

A L B AT R O S S

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MARCH 28Sonic Sea (2016)This documentary explores the importance of sound in our oceans, particularly for whales and other marine animals, and highlights the devastating effects that human activity has had of this delicate acoustic habitat. Sonic Sea also offers solutions for a quieter ocean, hoping to contribute to the protection of ocean life. This is a multi-award-winning film, earning three Emmy Awards in 2017: best nature documentary, best music and sound, and best graphic design and art direction.

Directors: Michelle Dougherty and Daniel Hinerfeld

APRIL 11Mission Blue (2014)This documentary features Sylvia Earle—a legendary oceanographer, marine biologist, environmentalist and National Geographic Explorer-in-Residence—and her mission to create a global network of marine protected areas. Mission Blue hopes to inspire continued exploration and protection of our oceans. This Emmy Award-winning film features stunning underwater footage, as well as an inspiring story. Directed by Fisher Stevens and Bob Nixon.

F I LM EVENTS & SER I ES

Where wise actions are the fruit of life,

wise discourse is the pollination.

— BRYANT H. MCGILL

K Y L E C . K O P K O , P H . D

J A S O N D E L E Ó N

S T E V E N M . N O LT, P H . D

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C O M M O N H O U R

JANUARY 17Chasing the Amish Vote: Politics, Polarization, and the Old Order Community Kyle C. Kopko, Ph.D., Associate Professor of Political Science and Associate Dean of Institutional Effectiveness, Research, and Planning at Elizabethtown College, and Steven M. Nolt, Ph.D., Senior Scholar, Young Center for Anabaptist and Pietist Studies and Professor of History at Elizabethtown College

During the 2016 presidential election, Amish PAC, a new political action committee based in Arlington, Va., sought to mobilize Amish voters in Lancaster County. Elizabethtown College professors Steve Nolt and Kyle Kopko will describe the PAC’s efforts and the Amish response. They will review the history of Amish electoral involvement and non-involvement, report on research into Amish participation in the 2016 election and the possible impact of Amish PAC’s advertising on non-Amish voters, as well as what this episode may suggest about religion and politics in America today.

Sponsors: Anthropology, Floyd Institute for Public Policy

JANUARY 24The Land of Open Graves: Understanding American Politics and U.S./Mexico Border Enforcement through the Lives and Deaths of Migrants Jason de León, Director of The Undocumented Migration Project and Associate Professor of Anthropology at the University of Michigan

Since the mid-1990s, the federal government has relied on a border enforcement strategy known as “Prevention Through Deterrence.” This strategy funnels undocumented migrants toward remote and rugged terrain in the hope that natural obstacles will deter unauthorized entry. Hundreds of people die annually while undertaking this dangerous activity. Since 2009, the Undocumented Migration Project has used a combination of forensic, archaeological and ethnographic approaches to understand the various forms of violence that characterize the social process of clandestine migration. In this presentation, Professor de Leon will focus on what happens to the bodies of migrants who die in the desert. Sponsors: Art and Art History, Anthropology, International Studies, Latin American Studies, Earth and Environment, Richard C. Von Hess Foundation

JANUARY 31The Plight of the Palestinian PeopleBassem Eid, Palestinian Human Rights ActivisttBassem Eid is a Palestinian human rights activist. He grew up in the United Nations Relief and Works Agency refugee camp of Shuafat, rising to prominence in the first Palestinian uprising. He was a senior field researcher for B’Tselem and founded the Jerusalem-based Palestinian Human Rights Monitoring Group. He has spoken in front of Congress, the European Union, British Parliament and many human rights organizations. Eid calls himself “a proud Palestinian who grew up in a refugee camp and raised a large family.”Sponsors: Chabad, Klehr Center for Jewish Life

FEBRUARY 7 Playwriting in a Plotless WorldPaula Vogel, Pulitzer Prize-Winning PlaywrightPaula Vogel is the author of How I Learned to Drive (Pulitzer Prize, New York Drama Critics Award, Obie Award, Lucille Lortel, Drama Desk, Outer Critics Circle and many more). Her other plays include A Civil War Christmas, The Long Christmas Ride Home, The Baltimore Waltz and Desdemona, Her plays have been produced by Second Stage, New York Theatre Workshop, the Vineyard Theatre, Roundabout and Circle Repertory Company. Her plays have been produced regionally all over the country at the Center Stage, Intiman, Trinity Repertory, Woolly Mammoth, Huntington Theatre, Magic Theatre, The Goodman Theatre, American Repertory Theatre, Dallas Theatre Berkeley Repertory and Alley Theatres, to name a few.

Sponsor: Philadelphia Alumni Writers House

ALL COMMON HOUR EVENTS BEGIN AT 11:30 A.M. AND END AT 12:30 P.M. EVENTS ARE FREE AND HELD AT F&M’S MAYSER GYMNASIUM (UNLESS NOTED). PIZZA AND FRESH FRUIT ARE PROVIDED.

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B A S S E M E I D

PA U L A V O G E L

FEBRUARY 14Baseball as a Road to GodJohn Sexton, President Emeritus of New York University and Dean Emeritus of NYU School of Law, and Benjamin F. Butler Professor of Law

Can baseball be a road to God? Professor Sexton’s talk will explore how something seemingly secular, like baseball, might allow us to touch those ineffable dimensions of life. Recognizing that baseball is not “the” way to God, and for most of us not even “a” way to God, Sexton will use baseball as a way to demonstrate what it might mean to live a little slower, notice a little more and embrace life’s ineffable beauties.

Sponsor: Office of Faith and Meaning

FEBRUARY 21Disability as an Aspect of DiversityJeanne Kincaid, Attorney, Drummond Woodsum (Portland, Maine)

Kincaid is a nationally known disability lawyer and consultant, representing colleges and universities nationwide and public and independent schools regionally on a host of disability and special education issues, including the physical accessibility requirements imposed by the Americans with Disabilities Act and the Rehabilitation Act. She represents institutions of higher education before

the Office for Civil Rights and the U.S. Department of Justice. She has an active practice serving in a consulting capacity to the Office of General Counsel for numerous private universities throughout the country. Kincaid has shared her expertise in dynamic presentations on hundreds of campuses from coast to coast.

Sponsor: Office of Student Accessibility Services

FEBRUARY 28Voice from the Front Line: Documenting Marginalized Communities Around the WorldJosé Antonio Vargas, Founder & CEO of Define American, Pulitzer Prize-Winning Journalist, Emmy-Nominated Filmmaker and Author

Vargas is the author of Dear America: Notes of an Undocumented Citizen and is the founder and CEO of Define American, a nonprofit media organization focused on the power of storytelling to transcend politics and to fight anti-immigrant hate. When he was 12 years old, Vargas flew to San Francisco from the Philippines, unaware that his documents were fake. In June 2011, he disclosed his unlawful status in an essay in The New York Times Magazine. Vargas then produced and directed Documented, a documentary feature film on his undocumented experience. He also directed White People, an Emmy-nominated television

J E A N N E K I N C A I D

J O S É A N T O N I O VA R G A S

J O H N S E X T O N

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special about what it means to be young and white. His work has encompassed intersectionality and immigrant justice in an effort to promote dialogue in the U.S.

Sponsors: Define American, Mi Gente Latina, Government, Center for Liberal Arts & Society’s North Fund, Jerome Weinstein Memorial Lecture Fund

MARCH 7Writing Africa, Writing WomenTsitsi Dangarembga, Writer and Filmmaker

Tsitsi Dangarembga is a Zimbabwean author, filmmaker, and activist, whose work has been influential on a global scale. Her first novel, Nervous Conditions, explores the multifaceted impact of colonial rule on “native” subjects, especially women, and the ways in which they are caught in-between cultures, aspirations, and subject positions. Her latest novel, This Mournable Body, returns to some of these questions from a post-colonial perspective. As a filmmaker, she has produced documentaries on the effect of HIV/AIDS in postcolonial Africa, as well as a feature film exploring questions of gender relations within Zimbabwean society. In this talk, she will share her work as a woman writer from Zimbabwe, whose writing focuses on other women and their experiences in colonial and postcolonial Africa.

Sponsors: Philadelphia Alumni Writers House, Alice Drum Women’s Center, International Studies, Africana Studies, Psychology, Public Health, Faculty Diversity Initiatives, Office of Multicultural Affairs, Miller Humanities Speakers Fund

MARCH 21Now Hour (tba)

MARCH 28NASA: A New Mission Era Inspires a Culture of InnovationElizabeth Kolmstetter, Ph.D., Director of Talent Strategy and Engagement, Office of Human Capital Management, NASA (D.C.), and Nick Skytland, Talent and Technology Strategist, NASA, Johnson Space Flight Center (Houston)

In six decades, NASA has not only put astronauts on the moon, but fundamentally changed how we look at Earth and the cosmos, pushed the limits of technology and continued to improve aircraft and aviation. As the agency looks forward to such milestones as the launch of the James Webb Space Telescope, the Space Launch System and the Journey to Mars, it is also redefining how it accomplishes its mission in the new world of work. Kolmstetter and Skytland recently completed a Future of Work study and will share insights and examples of new programs that encourage innovation, new technologies that enable virtual collaboration and virtual work, and new career programs to enhance employee experiences at NASA.

Sponsors: Psychology, Fulton Bank

T S I T S I D A N G A R E M B G A

ELIZABETH KOLMSTETTER, PH.D.

N I C K S K Y T L A N D

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APRIL 4Plastic Oceans: The Science Behind an Environmental Crisis Kara Lavender Law, Ph.D., Research Professor of Oceanography at the Sea Education Association

Professor Law’s research interests include large-scale and mesoscale ocean circulation, intermediate and deep-water formation in the North Atlantic and its role in the meridional overturning circulation, the distribution of plastic marine debris driven by ocean physics, and the degradation and ultimate fate of plastics in the ocean. She testified before Congress in September 2018 on how to reduce the impact of marine debris on the environment, wildlife and human health. Sponsors: Center for the Sustainable Environment, Office of International Programs

APRIL 11 Is the Classroom Lecture Becoming Extinct or Simply Evolving? Catherine Drennan, HHMI Professor and Investigator and Professor of Chemistry and Biology, Massachusetts Institute of Technology

In the age of online learning, what is the future of the college classroom? Will students be watching taped lectures from their dorm room beds? Will residential campuses even exist in the future?

Professor Drennan has been creating and assessing resources for the large classroom lecture at the Massachusetts Institute of Technology (MIT) for the past seven years, and her findings suggest that many of the cons of the big lecture can be addressed through small innovations. In this talk, she will present data that show that the big classroom lecture format retains value in this online world; that the traditional lecture can be evolved to create a positive learning environment for a diverse group of students.

Sponsors: Jean Dreyfus Lectureship, Chemistry Department, Weis College House

APRIL 18Providing a “Leg Up”: Parental Involvement and Opportunity Hoarding In CollegeLaura Hamilton, Associate Professor of Sociology, University of California, MercedProfessor Hamilton will discuss the role parents play in producing divergent college experiences for students from different class backgrounds. Relying on interviews with 41 families, her research finds that affluent parents serve as a “college concierge,” using class resources to provide academic, social and career support and access to exclusive university infrastructure. Less affluent parents describe themselves as “outsiders” who want to be supportive, but feel unprepared to help their college-aspiring children

KARA LAVENDER LAW, PH.D.

C AT H E R I N E D R E N N A N

L A U R A H A M I LT O N

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and find universities to be unresponsive to their needs. These findings suggest that affluent parents work to distinguish their children’s college experiences from those of their peers, extending “effectively maintained inequality” beyond K-12 education.

Sponsors: Departments of Anthropology, Art and Art History, Classics; the Humanities Initiative; Philadelphia Alumni Writers House; and the programs in Comparative Literary Studies and Women’s, Gender and Sexuality Studies

APRIL 25The Conductors of F&MF&M Orchestra and F&M Symphonic Wind Ensemble

Sixteen conducting students of Brian Norcross will present an encore performance of their conducting work leading the F&M Orchestra and Symphonic Wind Ensemble.

Sponsor: Music

F & M O R C H E S T R A

Common Hour enables the entire

Franklin & Marshall College

community to gather for culturally

and academically enriching events

at midday each Thursday during the

academic year.

This opportunity to engage in a

campuswide dialogue originates

with Common Hour and then

extends beyond the confines of

11:30 a.m.–12:30 p.m. into

classrooms, house commons,

dining halls and beyond.

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Tell me and I forget. Teach me and I remember. Involve me and I learn.

— BENJAMIN FRANKLIN

FEBRUARY 21, 7 P.M.When Things Don’t Fall Apart: Global Financial Governance in the Age of Productive IncoherenceF&M Economics Department’s Annual Will Lyons Lecture by Ilene GrabelFor location, visit fandm.edu/economics

Ilene Grabel is Professor of International Finance and Co-director of the graduate program in Global Finance, Trade and Economic Integration at the Josef Korbel School of International Studies at the University of Denver. She serves as a standing member of the Intergovernmental Expert Group on Financing for Development at the United Nations Conference on Trade and Development (UNCTAD). She has worked as a consultant to the International Poverty Centre for Inclusive Growth of the UN Development Programme (UNDP), UNCTAD/G-24, UN University/World Institute for Development Economics Research, and UNDP’s Human Development Report Office. She has published widely on financial policy and crises, developmental financial architectures, international financial institutions, and global financial governance. Her 2004 book Reclaiming

Development (Zed Books, with Ha-Joon Chang), has been translated into seven languages. Her latest book, When Things Don’t Fall Apart: Global Financial Governance and Developmental Finance in an Age of Productive Incoherence (MIT Press, 2018) has been awarded the 2018 British International Studies Association International Political Economy Group Book Prize.

FEBRUARY 28, 5:30 P.M.Socially Engaged ArtAnnual Conrad Nelson Lecture by Pepón Osorio

STAHR AUDITORIUM, STAGER HALL

Pepón Osorio is best known for his provocative large-scale, multimedia installations that merge conceptual art and community dynamics. He emphasizes the exhibition space as an intermediary between the social architecture of communities and the mainstream art world and incorporates a multiplicity of objects to recreate fantasy-like quotidian environments—from barbershops to home interiors and taxis—that advance critical discussions. His work draws from his richly varied personal experience, nuanced observations of complicated human relationships, and the exploration of spatial relationships

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L ECTURES

P E P Ó N O S O R I O

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M O R I E L R O T H M A N

alongside the presence of human physicality and spirituality. Osorio has worked with well over 25 communities across the U.S. and internationally, creating installations based on the real-life experiences of those communities. He is the recipient of a MacArthur Fellowship and the Pennsylvania Governor’s Distinguished Arts award. In 2018, Osorio received a USA Knight Fellow awarded by United States Artists and the CAA’s Distinguished Artist Award for Lifetime Achievement. He is the Laura H. Carnell Professor at Temple University’s Tyler School of the Arts.

MARCH 26, 5:30 P.M.Hebrew, Sushi, and Bad TattoosNancy Berg, Washington University in St. Louis

KLEHR CENTER FOR JEWISH LIFE

Why Hebrew, here and now? What is its value for contemporary Americans? In this talk, Berg will explore a series of urgent questions that arise from the changing status of Hebrew in the United States, marvel over the revival story, illustrate the vibrancy of Hebrew literature, and present a plan for how Hebrew can save the humanities. Berg is a professor of Hebrew and comparative literature at Washington University and a past president of the National Association of Professors of Hebrew. She is

the author of Exile from Exile: Israeli Writers from Iraq (SUNY Press, 1996), More and More Equal: The Literary Works of Sami Michael (Lexington Press, 2005), What We Talk About When We Talk About Hebrew (with Naomi B. Sokoloff, University of Washington Press, 2018) and assorted essays. She is currently a fellow at the Herbert Katz Center for Advanced Judaic Studies.

Sponsors: Judaic Studies, Humanities Speakers Initiative, Klehr Center for Jewish Life

APRIL 15, 7:30–9 P.M.Visiting Israeli Novelist: Moriel Rothman PHILADELPHIA ALUMNI WRITERS HOUSE

Moriel Rothman-Zecher, an Israeli- American novelist and poet, is a National Book Foundation 5 Under 35 honoree and the recipient of a 2017 MacDowell Colony Fellowship in Literature. His writing has been published in The New York Times, The Paris Review’s “The Daily,” Haaretz, ZYZZYVA, The Common and elsewhere. From the Washington Independent Review of Books: “Searing in its beauty, devastating in its emotional power, and dazzling in its insights, Moriel Rothman-Zecher’s debut novel, Sadness Is a White Bird, is, I promise you, like nothing you’ve ever read.”

Sponsors: Religions Studies, Judaic Studies, Philadelphia Alumni Writers House

L E C T U R E S

I L E N P E L E G

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MARCH 19, 7 P.M.Israel at 70: Confronting issues of Identity & PoliticsIlan Peleg, Charles A. Dana Professor of Government & Law, Lafayette College Scholar at the Middle East Institute, Washington, D.C.; Former President, Association for Israel Studies

BROOKS COLLEGE HOUSE

Professor Peleg is the author of close to 100 articles, as well as 11 books, among them two volumes for Cambridge University Press (Democratizing the Hegemonic State & Israel’s Palestinians: The Conflict Within, and a forthcoming book on The Arab Spring and the Decline of the Middle East Order). He also wrote a biography of Premier Menachem Begin, a volume on binationalism, the peace process, censorship, the foreign policy of George W. Bush and more. He has appeared on CNN, Voice of America, and National Public Radio, among other news outlets.

Sponsor: Judaic Studies

ALL DISCUSSIONS

TAKE PLACE AT 7 P.M.

AT THE KLEHR CENTER

FOR JEWISH LIFE,

645 COLLEGE AVE.

FEBRUARY 28, 2019American Pastoralby Philip RothRoth pens an elegy for the American century’s promises of prosperity, civic order and domestic bliss. His protagonist, Swede Levov, is a legendary athlete at his Newark high school who grows up in the booming postwar years to marry a former Miss New Jersey, inherit his father’s glove factory, and move into a stone house in an idyllic hamlet. And then one day in 1968, Swede’s American luck deserts him.

MAY 16, 2019Pumpkin FlowersMatti FriedmanIt was just one small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples that are still felt worldwide today. The hill, in Lebanon, was called the Pumpkin. Flowers was the military code word for “casualties.” Friedman re-creates the harrowing experience of a band of young Israeli soldiers charged with holding this remote outpost.

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all readers welcomeR EAD ING GROUP

C A M P U S M A PF R A N K L I N & M A R S H A L L C O L L E G E

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1. North Museum2. Dr. Leon Herman Arts Center3. Gerhart House4. Shadek-Fackenthal Library5. Huegel Alumni House 6. Buchanan House7. Goethean Hall8. Old Main (Offices of the President, Provost and Dean)9. Diagnothian Hall (Registrar’s Office, Writing Center)10. Keiper Liberal Arts10A. Green Room Theatre11. Distler House/Campus Bookstore (Barnes & Noble)12. Blue Line Café13. Stager Hall14. Harwood Commons (Home of the Office of

Student & Post-Graduate Development and the Ware Institute for Civic Engagement)

15. Dietz Hall (Residential)16. Meyran Hall17. Ann and Richard Barshinger Center for Musical Arts in Hensel Hall

18. Steinman College Center18A. Phillips Museum of Art19. Roschel Performing Arts Center20. Mayser Physical Education Center21. Patricia E. Harris Center for Business, Government and Public Policy22. Martin Library of the Sciences23. Sponaugle-Williamson Field24. Ann & Richard Barshinger Life Sciences & Philosophy Building25. F&M Center for the Sustainable Environment26. Hackman Physical Sciences Laboratory27. Kaufman Hall (Lisa Bonchek Adams Auditorium)28. Schnader Hall (Residential)29. Brooks College House (Residential)29A. Marshall Hall (Residential)29B. Buchanan Hall (Residential)30. Public Safety31. South Ben Franklin (Residential)31A. Bonchek College House (Residential)32. Restaurants at Ben Franklin (Dining Hall)

33. North Ben Franklin (Residential)33A. Ware College House (Residential)34. Thomas Hall (Residential)35. Weis Hall (Residential)35A. Weis College House (Residential)36. New College House (Residential)37. Human Resources, College Advancement, Student Health Services and 178738. Alumni Sports & Fitness Center40. Shadek Stadium

SURROUNDING CAMPUS BUILDINGSA. Business Office, 644 Race Ave.B. Athletics Practice FieldC. Gramas PavilionD. Tylus FieldE. Brooks Tennis CenterF. College Row (Residential and Retail), 700-800 Harrisburg Ave.G. Facilities Services, 415 Harrisburg Ave.

H. Other Room Theatre, 715 N. Pine St.I. POGIL Project (Science Educators Center), 713 College Ave.J. Faculty Offices, 711 College Ave.K. Joseph International Center (and Zen Garden), 701 College Ave.L. New Street Studio, 515 W. New St.M. Klehr Center for Jewish Life, 645 College Ave.N. Admission, Wohlsen House, 637 College Ave.O. Philadelphia Alumni Writers House, 633 College Ave.P. Office of Multicultural Affairs, 625 College Ave.Q. Office of College Administration, 623 College Ave.R. Conference and Events Office, 619 College Ave.S. Office of Financial Aid, 617 College Ave.T. Black Cultural Center, 615 College Ave.U. Harbaugh House (Student Leaders) 611 College Ave.V. Centennial Conference Office and Pennsylvania Consortium for the Liberal Arts, 538 W. Frederick St.W. Non-European Languages, 451 College Ave.X. Guest House, 445 College Ave.Y. Sustainability House, 550 W. James St.Z. Wellness/Substance Free House, 548 W. James St.AA. James Street Apartments, 534 W. James St.

Admission ParkingGeneral Parking

On-Street Parking: If you choose to park on the street, please watch for street-cleaning and permit parking signs.

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Map by Michael Karpovage of Mapformation.com. Last update: Dec., 2017

P.O. Box 3003 • Lancaster, PA 17604-3003www.fandm.edu

To James St.Apartments

To Baker Campus (Grundy Observatory, Spalding Conservancy & Athletic Fields)

Buchanan Park(Lancaster City)

To the President’s House

Everybody has a creative potential and from the moment

you can express this creative potential, you can start

changing the world. —Paulo Coelho