emily waugh interior design portfolio

5/28/2018 Emily Waugh Interior Design Portfolio

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INTERIOR DESIGN PORTFOLIOEMILY WAUGH

EMILYWAUGHWAUG

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EMILYWAUGHWAUG

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INTERGENERATIONAL CENTER:ADDIES ACRESRESTAURANT SPACE:ALTITUDE 42

RETAIL SPACE:AESOPMOROCCAN CULTURALCOMMUNITY CENTER

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INTERGENERATIOCENTER:ADDIES ACRE

IND 339: STUDIO I

SPECIAL USER GROU

PROJECT SCOPE

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The goal of this project was to create an intergenerational center that combined an assisted

living facility and a childrens day care center, for an actual client in DeWitt, MI. Research from

the Eden Alternative and Green House concepts were applied to create a residential feel in a

commercial space. Up to 120 residents could be accommodated in the space for either long

or short term care. The facility was largely influenced by nature and the Arts & Crafts era. This

was a team project that was worked on by a total of three students.


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THE INTERGENERATIONAL CENTER

ABOVEThe schematic block plan was inspired by the shapes and

organization of the Petoskey Stone.

RIGHTThe final block plan was consolidated to consist of six

residential pods connected to a larger activity-based portion

of the facility.


5/[email protected]


ABOVEElectrical receptacles were placed, at minimum, every 12 to meetcode. Various receptacles were placed as needed.


6/[email protected]


ABOVEPathways were arranged to eliminate dead end corridors, to support

mobility and exercise throughout the space and to minimize agitation for

residents, having Alzheimer's.


7/[email protected]


ABOVEResidential pod arrangements were designed using the Green House Concept of larger elder

care facilities, with the feel of a small home to provide a sense of comfort and personalized care.


8/[email protected]


TOP RIGHTBamboo flooring provided a warm, residential feel throughout the facility.

As a safety precaution, carpeting in the resident bedrooms was selected to

be a softer surface where the majority of falls occur for the elderly.

BOTTOM RIGHTCut lines in carpeting were strategically placed to minimize material waste

and additional cuts.


9/[email protected]


ABOVEWater columns were strategically placed to be concealed from users of the

space.


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ABOVESupply and air returns were placed for even heating and cooling

throughout the facility.


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TOP LEFTA reception area was placed in the main lobby to serve as a

point of contact for residents and visitors.

TOP RIGHTAn accommodating Directors office was provided for meeting with clients,

encompassing the feel of the Arts and Crafts era.

BOTTOM LEFTElements of light and nature were incorporated, by large

Arts & Crafts style windows and wildlife art, to bring

creativity and learning to children in the Day Care Center

BOTTOM RIGHTA town-square feel was created through indoor recreational areas resembling

the exterior look of a downtown shop. This helped to promote community

building and encourage residents to interact outside of their own rooms.


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TOP LEFTGroup areas were maximized to promote opportunities for social interactions

and to build a sense of community among residents.

TOP RIGHTUsable outdoor gardens and nature paths were implemented, inspired by

Eden Alternative research, to promote health, vitality and exercise,

BOTTOM LEFTThe Arts and Crafts period was emphasized through the use of residential

detailing in architecture, furnishings, and finishes, to correspond to the

concept of bringing the outdoors in, as wells as creating a warm, convivial

atmosphere.


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TOP LEFTVersatility was provided in resident rooms through the usage of moveable

walls, to allow the accommodation of different resident statuses, such as

economic or marital.

TOP RIGHTSouthern exposure was achieved in resident rooms through the use of

clerestory windows and facing rooms to the south, to promote a regulated

circadian rhythm.

BOTTOM LEFTNon-obstructed views of nature were granted in resident rooms, bypositioning the pods and windows outward from the facility to eliminate

views of parking lots, in order to enrich the overall aesthetic environment for

each resident.


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EMILYWAUGHWAU

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TOP BOTTOM LEFTThe space was subdivided by custom storage pieces

that created smaller areas encouraging elements of

play and child development.

BOTTOM RIGHTSeparate napping areas provided versatility and

privacy to children in the Day Care center.

IND 437: STUDIO IV


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RESTAURANT SPALTITUDE 4

IND 437: STUDIO IV

CONTRACT

PROJECT SCOPE

EMILYWAUGHWAU

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The goal of this partnered project was to create an upscale restaurant in a historic building that could seat over 250 people for

dinner. Altitude 42 encompassed the vibrant mountain city of Denver, CO. The design incorporated strong layered angles that

echoed the dramatic ranges found in the natures landscape. By contrasting warm and cool colors, with various textures and

finishes, an inviting modern atmosphere was created. Altitude 42 was influenced by the Italian Renaissance Revival style of the late

19thcentury. Built in 1885, The Marshall Field Warehouse in Chicago, IL, served as inspiration for the exterior fenestration, brickwork

and arches. Altitude 42 brought new life to historical elements through the mixture of industrial and naturalistic elements.


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EMILYWAUGHWAU

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ALTITUDE 42

TOP LEFTThe main entry to the restaurant is emphasized

through a significant arch reminiscent of the Italian

Renaissance Revival style.

BOTTOM LEFTThe side of the building continued the influence of

19thcentury storefronts with tiers of windows that

mix various shapes and sizes from bottom to top.


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EMILYWAUGHWAU

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ALTITUDE 42

OP LEFTThe main level of the restaurant hosted a large

bar and lounge area for customers to enjoy

while waiting for their table.

TOP RIGHTThe second level of the restaurant prov ides a

variety of seating types to be able to

accommodate a range of party sizes.

BOTTOM LEFTAngled openings provided customers

opportunities to enjoy the comprehensive views

of the restaurant and of Denver.

BOTTOM RIGHTThe fourth level holds a secondary bar andlounge area for a nightlife atmosphere. The

fourth floor also has rooftop access for a

seasonal bar and dance area.


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EMILYWAUGHWAU

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TOP LEFTThe maitredstation served as focal interest and a

first point of contact for customers.

TOP RIGHTLeveled lounge seating was implemented in order to

create a relaxed sitting area.

BOTTOM LEFTThe strong, layered angles of the levels echoed the

views of mountains in the distance, while creatingspacious openings to the restaurant below.

ALTITUDE 42


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EMILYWAUGHWAU

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LEFTThe space was inspired by the combination and

layering of naturalistic and sleek, modern elements.

RIGHTRich textures and patterns provided an industrial

sleek aesthetic appeal throughout the space.

ALTITUDE 42


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EMILYWAUGHWAU

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4

ABOVEDramatic openings and varied ceiling heights provided contrast

throughout the historic building.

ALTITUDE 42


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4

TOP LEFTGlass railings help to create non-obstructed views of

the Denver skyline.

ALTITUDE 42

TOP RIGHTComprehensive openings created expansive ceiling

heights on the main level.

BOTTOM LEFTA varied angled floor line on the fourth level creates

greater openings and views to the floor below.


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ABOVEThe exterior of the restaurant is highlighted with up-lighting and sleek

restaurant signage, in order to draw attention and attract customers.

ALTITUDE 42


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ABOVEStrong angles of the wall cover ing reinforced the mountain concept, while

contrasting with softer elements throughout the first floor lounge.

ALTITUDE 42


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ABOVELighted glass beads above the booths provided asubtle, sparkling lighting effect.

ALTITUDE 42


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ABOVEStreamlined furniture pieces retained the modern concept of the space,

while contrasting with the historical elements in the building.

ALTITUDE 42

IND 437: STUDIO IV

CONTRACT


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RETAIL SPACAESOP

CONTRACT

PROJECT SCOPE

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The goal of this project was to develop a new retail store design for the skin, hair and body company, Aesop. The Aesop brandfavors clean lines and minimal forms in order to create a proportional and arresting display of products. Streamlined shelving

complements the polite order of Aesops product display and gently guide visitors through the store. The repurposing of items

throughout the space is achieved through reclaimed wooden boxes, antiqued pedestal sinks, and concrete flooring. The mixture

of sleek modern displays and rustic wood creates an inviting and dynamic atmosphere.


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4

ABOVEIn many existing Aesop retail stores, modern and clean forms are

contrasted by natural materials to create warmth with a sense of whimsy.

AESOP


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EMILYWAUGHWA

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4

ABOVELarge glass windows allow light and views of the interior to be seen from

the street, in order to attract customers. Minimalism and clean lines help to

reinforce the Aesop brand.

AESOP


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EMILYWAUGHWA

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ABOVESleek shelving and displays are contrasted with warm, wooden elements

to retain the brands identity and to add visual variety.

AESOP


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EMILYWAUGHWA

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EFTDemonstration sinks allow customers the opportunity

to try out products in-store, and to learn about

application techniques from sales associates.

AESOP

BELOWAn open floor plan provides customers with

navigational ease through spacious traffic flow and

wall-mounted displays.


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EMILYWAUGHWA

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BELOWWooden crate-like boxes create a whimsical and

architecturally interesting display for products, while

embracing the Aesops contrasting design aesthetic of

modern mixed with antique.

AESOP


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EMILYWAUGHWA

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ABOVEStreamline built-in storage allows products to be shown off as much as

possible and encourages customers to interact with the product.

NORTH ELEVATION

SOUTH ELEVATION

AESOP

IND 439: STUDIO V

SENIOR THESIS


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MOROCCACULTURALCOMMUNITY CE

PROJECT SCOPE

EMILYWAUGHWA

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The goal of this project was to create a Moroccan Cultural Community Center to serve as a civic gathering place for

community members throughout the greater Houston, Texas area. Visitors of the center will gain knowledge and

understanding through participating in the arts of the Moroccan culture. The center draws influence from the architecture of

Morocco, while tying in contrasting modern elements. Intricate Moroccan mosaic tile designs serve as inspiration for the

building layout. Geometric shapes and symmetry are reflected throughout the spaces, in order to create a cohesive andpeaceful space for all patrons to gather. Opportunities to gain cultural experiences and learning are promoted through the

incorporation of educational classrooms, art gallery spaces, a performance space, community library, a meditation room, and

a spacious outdoor courtyard. The rich, vibrant colors of Morocco also serve as an inspiration for the color palette throughout

the community center. Neutral tones will be a canvas to showcase bold colors and detailed patterns. The Moroccan Cultural

Community Center will be an oasis for visitors to explore and become immersed in the celebration of Moroccan culture.


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EMILYWAUGHWA

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LEFTThe design of the community center was inspired by the traditional

Moroccan architectural forms with a mixture of modern, streamline

elements.

MOROCCAN CULTURAL COMMUNITY CENTER

RIGHTThe market creates a space to explore the experience of shopping in a

Moroccan Bazaars and allow opportunities to become immersed in the

local culture through handcrafted goods.


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EMILYWAUGHWA

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LEFTThe layout of the facility was inspired by

the geometric shapes of Moroccan

mosaics and symmetry often found inMoroccan art.

Total Building Square Footage: 34,077 sq. ft


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EMILYWAUGHWA

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RIGHTThe library design was inspired by the colorful patterns and textures found

in Moroccan textiles, and was contrasted by a modern take on Moroccan

symmetry.


LEFTThe arching and mosaic tile work provides visual representation of

architectural elements found in traditional Moroccan courtyards, symbolic of

the cultural heritage.


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EMILYWAUGHWA

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LEFTThe space serves as an outlet for cultural performance art, while allowing for

versatility through the use of moveable seating to accommodate various events.


RIGHTSustainable materials and products were selected throughout the facility as much

as possible. Recycled rainwater was also repurposed to be utilized to flush toilets,

irrigate the ground, and to run the courtyard fountain.

emily waugh interior design portfolio

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