electronic technology and music art, 26-28 march 1990
TRANSCRIPT
Leonardo
Electronic Technology and Music Art, 26-28 March 1990Leonardo, Vol. 24, No. 3 (1991), p. 368Published by: The MIT PressStable URL: http://www.jstor.org/stable/1575597 .
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to explain and give concrete expres- sion to the musical methods of or-
ganizing plasticity and color in paint- ing and drawing. Fedotov defines the extent to which Ciurlionis achieved a
synthesis of music and the fine arts, noting the similarities and differences between his results and the practice of audio-visual music, where the visual material possesses real move- ment and rhythm. For the first time, the entire artistic heritage of Ciurlionis, including his drawings, is examined as a unified music-bearing image system.
ELECTRONIC TECHNOLOGY AND MUSIC
ART, 26-28 March 1990 Conference papers, Novosibirsk, USSR, A. P. Mentukov, ed. 84 pp.
This collection of papers from the All- Union Scientific Conference held in Novosibirsk, USSR, examines the in- teraction of modern technology and musical art. A range of theoretical and practical problems concerning the technological safeguarding/ guaranteeing of musical creation and education are considered, as well as the computerization of musical activ-
ity and perspectives on the develop- ment of interscientific relationships. The materials presented should be of interest to composers, performers, teachers, music experts, designers and programmers.
FUNCTIONAL AUDIO-VISUAL MUSIC
(LIGHT-MUSIC) IN
PRODUCTION, MEDICINE AND PEDAGOGICS Seminar papers, Kazan, USSR, 1988. 120 pp.
For the first time in this country, information on the applied usage of visual music is given in one book, composed of 56 papers presented at a seminar in which psychologists, musi- cians and engineers from 35 cities of the USSR took part. Some of the
papers are dedicated to synaesthesia (the theory of intersensory associa- tions) and its role in audio-visual music. Also examined are methods of
to explain and give concrete expres- sion to the musical methods of or-
ganizing plasticity and color in paint- ing and drawing. Fedotov defines the extent to which Ciurlionis achieved a
synthesis of music and the fine arts, noting the similarities and differences between his results and the practice of audio-visual music, where the visual material possesses real move- ment and rhythm. For the first time, the entire artistic heritage of Ciurlionis, including his drawings, is examined as a unified music-bearing image system.
ELECTRONIC TECHNOLOGY AND MUSIC
ART, 26-28 March 1990 Conference papers, Novosibirsk, USSR, A. P. Mentukov, ed. 84 pp.
This collection of papers from the All- Union Scientific Conference held in Novosibirsk, USSR, examines the in- teraction of modern technology and musical art. A range of theoretical and practical problems concerning the technological safeguarding/ guaranteeing of musical creation and education are considered, as well as the computerization of musical activ-
ity and perspectives on the develop- ment of interscientific relationships. The materials presented should be of interest to composers, performers, teachers, music experts, designers and programmers.
FUNCTIONAL AUDIO-VISUAL MUSIC
(LIGHT-MUSIC) IN
PRODUCTION, MEDICINE AND PEDAGOGICS Seminar papers, Kazan, USSR, 1988. 120 pp.
For the first time in this country, information on the applied usage of visual music is given in one book, composed of 56 papers presented at a seminar in which psychologists, musi- cians and engineers from 35 cities of the USSR took part. Some of the
papers are dedicated to synaesthesia (the theory of intersensory associa- tions) and its role in audio-visual music. Also examined are methods of
to explain and give concrete expres- sion to the musical methods of or-
ganizing plasticity and color in paint- ing and drawing. Fedotov defines the extent to which Ciurlionis achieved a
synthesis of music and the fine arts, noting the similarities and differences between his results and the practice of audio-visual music, where the visual material possesses real move- ment and rhythm. For the first time, the entire artistic heritage of Ciurlionis, including his drawings, is examined as a unified music-bearing image system.
ELECTRONIC TECHNOLOGY AND MUSIC
ART, 26-28 March 1990 Conference papers, Novosibirsk, USSR, A. P. Mentukov, ed. 84 pp.
This collection of papers from the All- Union Scientific Conference held in Novosibirsk, USSR, examines the in- teraction of modern technology and musical art. A range of theoretical and practical problems concerning the technological safeguarding/ guaranteeing of musical creation and education are considered, as well as the computerization of musical activ-
ity and perspectives on the develop- ment of interscientific relationships. The materials presented should be of interest to composers, performers, teachers, music experts, designers and programmers.
FUNCTIONAL AUDIO-VISUAL MUSIC
(LIGHT-MUSIC) IN
PRODUCTION, MEDICINE AND PEDAGOGICS Seminar papers, Kazan, USSR, 1988. 120 pp.
For the first time in this country, information on the applied usage of visual music is given in one book, composed of 56 papers presented at a seminar in which psychologists, musi- cians and engineers from 35 cities of the USSR took part. Some of the
papers are dedicated to synaesthesia (the theory of intersensory associa- tions) and its role in audio-visual music. Also examined are methods of
to explain and give concrete expres- sion to the musical methods of or-
ganizing plasticity and color in paint- ing and drawing. Fedotov defines the extent to which Ciurlionis achieved a
synthesis of music and the fine arts, noting the similarities and differences between his results and the practice of audio-visual music, where the visual material possesses real move- ment and rhythm. For the first time, the entire artistic heritage of Ciurlionis, including his drawings, is examined as a unified music-bearing image system.
ELECTRONIC TECHNOLOGY AND MUSIC
ART, 26-28 March 1990 Conference papers, Novosibirsk, USSR, A. P. Mentukov, ed. 84 pp.
This collection of papers from the All- Union Scientific Conference held in Novosibirsk, USSR, examines the in- teraction of modern technology and musical art. A range of theoretical and practical problems concerning the technological safeguarding/ guaranteeing of musical creation and education are considered, as well as the computerization of musical activ-
ity and perspectives on the develop- ment of interscientific relationships. The materials presented should be of interest to composers, performers, teachers, music experts, designers and programmers.
FUNCTIONAL AUDIO-VISUAL MUSIC
(LIGHT-MUSIC) IN
PRODUCTION, MEDICINE AND PEDAGOGICS Seminar papers, Kazan, USSR, 1988. 120 pp.
For the first time in this country, information on the applied usage of visual music is given in one book, composed of 56 papers presented at a seminar in which psychologists, musi- cians and engineers from 35 cities of the USSR took part. Some of the
papers are dedicated to synaesthesia (the theory of intersensory associa- tions) and its role in audio-visual music. Also examined are methods of
to explain and give concrete expres- sion to the musical methods of or-
ganizing plasticity and color in paint- ing and drawing. Fedotov defines the extent to which Ciurlionis achieved a
synthesis of music and the fine arts, noting the similarities and differences between his results and the practice of audio-visual music, where the visual material possesses real move- ment and rhythm. For the first time, the entire artistic heritage of Ciurlionis, including his drawings, is examined as a unified music-bearing image system.
ELECTRONIC TECHNOLOGY AND MUSIC
ART, 26-28 March 1990 Conference papers, Novosibirsk, USSR, A. P. Mentukov, ed. 84 pp.
This collection of papers from the All- Union Scientific Conference held in Novosibirsk, USSR, examines the in- teraction of modern technology and musical art. A range of theoretical and practical problems concerning the technological safeguarding/ guaranteeing of musical creation and education are considered, as well as the computerization of musical activ-
ity and perspectives on the develop- ment of interscientific relationships. The materials presented should be of interest to composers, performers, teachers, music experts, designers and programmers.
FUNCTIONAL AUDIO-VISUAL MUSIC
(LIGHT-MUSIC) IN
PRODUCTION, MEDICINE AND PEDAGOGICS Seminar papers, Kazan, USSR, 1988. 120 pp.
For the first time in this country, information on the applied usage of visual music is given in one book, composed of 56 papers presented at a seminar in which psychologists, musi- cians and engineers from 35 cities of the USSR took part. Some of the
papers are dedicated to synaesthesia (the theory of intersensory associa- tions) and its role in audio-visual music. Also examined are methods of
to explain and give concrete expres- sion to the musical methods of or-
ganizing plasticity and color in paint- ing and drawing. Fedotov defines the extent to which Ciurlionis achieved a
synthesis of music and the fine arts, noting the similarities and differences between his results and the practice of audio-visual music, where the visual material possesses real move- ment and rhythm. For the first time, the entire artistic heritage of Ciurlionis, including his drawings, is examined as a unified music-bearing image system.
ELECTRONIC TECHNOLOGY AND MUSIC
ART, 26-28 March 1990 Conference papers, Novosibirsk, USSR, A. P. Mentukov, ed. 84 pp.
This collection of papers from the All- Union Scientific Conference held in Novosibirsk, USSR, examines the in- teraction of modern technology and musical art. A range of theoretical and practical problems concerning the technological safeguarding/ guaranteeing of musical creation and education are considered, as well as the computerization of musical activ-
ity and perspectives on the develop- ment of interscientific relationships. The materials presented should be of interest to composers, performers, teachers, music experts, designers and programmers.
FUNCTIONAL AUDIO-VISUAL MUSIC
(LIGHT-MUSIC) IN
PRODUCTION, MEDICINE AND PEDAGOGICS Seminar papers, Kazan, USSR, 1988. 120 pp.
For the first time in this country, information on the applied usage of visual music is given in one book, composed of 56 papers presented at a seminar in which psychologists, musi- cians and engineers from 35 cities of the USSR took part. Some of the
papers are dedicated to synaesthesia (the theory of intersensory associa- tions) and its role in audio-visual music. Also examined are methods of
creating artificial audio-visual environ- ments for manipulating the emotional states of people (employees, patients or students): in rooms for stress relief
creating artificial audio-visual environ- ments for manipulating the emotional states of people (employees, patients or students): in rooms for stress relief
creating artificial audio-visual environ- ments for manipulating the emotional states of people (employees, patients or students): in rooms for stress relief
creating artificial audio-visual environ- ments for manipulating the emotional states of people (employees, patients or students): in rooms for stress relief
creating artificial audio-visual environ- ments for manipulating the emotional states of people (employees, patients or students): in rooms for stress relief
creating artificial audio-visual environ- ments for manipulating the emotional states of people (employees, patients or students): in rooms for stress relief
(at work), in aestheto-therapy rooms (at medical establishments) and in in- tensive training classrooms (at schools). Some well-known practical experiments are analyzed, and methods of conducting relaxation ses- sions and autotraining with the use of visual-music equipment are specified. It is noted that all these new methods will not replace poor working condi- tions (in industry, medicine or educa- tion); to the contrary, their use must arise out of the improvement of these conditions.
LIGHT-MUSIC ON THE CINEMA AND TV SCREEN Seminar papers. Scientific and Practi- cal Seminar, Kazan, USSR, 1989. 88 pp.
This collection presents a brief sum-
mary of papers on the history of ab- stract, light-music cinema, starting with L. Survage, V. Eggeling, N. McLaren and 0. Fischinger, and in- cludes a discussion of modern Soviet and foreign experiments on the use of video and computer technology. Some theoretical papers deal with de-
fining the position of light-music films in the screen arts system. In the technical papers, the technology of
showing light-music films on the movie screen is discussed at greater length. The low level of work on com-
puter animation in the USSR is noted. Authors include directors, producers, theorists, researchers and
engineers from 18 cities across the Soviet Union.
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL SCIENCE
Inter-University Collection of Scientific Studies, Issue 7. V. M. Tsek-
hansky, ed. Novosibirsk, USSR. 1988. 181 pp.
Y. N. Rags: "Problems in Analyzing Musical Work and Intellectual Sys- tems"
V. V. Mazepus and V. M. Tsekhan-
sky: "Reflection in the Study of Psy- chological Problems of Musical Infor- matics"
A. V. Anisimov, L. I. Dys and D. N.
Zaritsky: "Information Process Produc- tion Algorithms"
(at work), in aestheto-therapy rooms (at medical establishments) and in in- tensive training classrooms (at schools). Some well-known practical experiments are analyzed, and methods of conducting relaxation ses- sions and autotraining with the use of visual-music equipment are specified. It is noted that all these new methods will not replace poor working condi- tions (in industry, medicine or educa- tion); to the contrary, their use must arise out of the improvement of these conditions.
LIGHT-MUSIC ON THE CINEMA AND TV SCREEN Seminar papers. Scientific and Practi- cal Seminar, Kazan, USSR, 1989. 88 pp.
This collection presents a brief sum-
mary of papers on the history of ab- stract, light-music cinema, starting with L. Survage, V. Eggeling, N. McLaren and 0. Fischinger, and in- cludes a discussion of modern Soviet and foreign experiments on the use of video and computer technology. Some theoretical papers deal with de-
fining the position of light-music films in the screen arts system. In the technical papers, the technology of
showing light-music films on the movie screen is discussed at greater length. The low level of work on com-
puter animation in the USSR is noted. Authors include directors, producers, theorists, researchers and
engineers from 18 cities across the Soviet Union.
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL SCIENCE
Inter-University Collection of Scientific Studies, Issue 7. V. M. Tsek-
hansky, ed. Novosibirsk, USSR. 1988. 181 pp.
Y. N. Rags: "Problems in Analyzing Musical Work and Intellectual Sys- tems"
V. V. Mazepus and V. M. Tsekhan-
sky: "Reflection in the Study of Psy- chological Problems of Musical Infor- matics"
A. V. Anisimov, L. I. Dys and D. N.
Zaritsky: "Information Process Produc- tion Algorithms"
(at work), in aestheto-therapy rooms (at medical establishments) and in in- tensive training classrooms (at schools). Some well-known practical experiments are analyzed, and methods of conducting relaxation ses- sions and autotraining with the use of visual-music equipment are specified. It is noted that all these new methods will not replace poor working condi- tions (in industry, medicine or educa- tion); to the contrary, their use must arise out of the improvement of these conditions.
LIGHT-MUSIC ON THE CINEMA AND TV SCREEN Seminar papers. Scientific and Practi- cal Seminar, Kazan, USSR, 1989. 88 pp.
This collection presents a brief sum-
mary of papers on the history of ab- stract, light-music cinema, starting with L. Survage, V. Eggeling, N. McLaren and 0. Fischinger, and in- cludes a discussion of modern Soviet and foreign experiments on the use of video and computer technology. Some theoretical papers deal with de-
fining the position of light-music films in the screen arts system. In the technical papers, the technology of
showing light-music films on the movie screen is discussed at greater length. The low level of work on com-
puter animation in the USSR is noted. Authors include directors, producers, theorists, researchers and
engineers from 18 cities across the Soviet Union.
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL SCIENCE
Inter-University Collection of Scientific Studies, Issue 7. V. M. Tsek-
hansky, ed. Novosibirsk, USSR. 1988. 181 pp.
Y. N. Rags: "Problems in Analyzing Musical Work and Intellectual Sys- tems"
V. V. Mazepus and V. M. Tsekhan-
sky: "Reflection in the Study of Psy- chological Problems of Musical Infor- matics"
A. V. Anisimov, L. I. Dys and D. N.
Zaritsky: "Information Process Produc- tion Algorithms"
(at work), in aestheto-therapy rooms (at medical establishments) and in in- tensive training classrooms (at schools). Some well-known practical experiments are analyzed, and methods of conducting relaxation ses- sions and autotraining with the use of visual-music equipment are specified. It is noted that all these new methods will not replace poor working condi- tions (in industry, medicine or educa- tion); to the contrary, their use must arise out of the improvement of these conditions.
LIGHT-MUSIC ON THE CINEMA AND TV SCREEN Seminar papers. Scientific and Practi- cal Seminar, Kazan, USSR, 1989. 88 pp.
This collection presents a brief sum-
mary of papers on the history of ab- stract, light-music cinema, starting with L. Survage, V. Eggeling, N. McLaren and 0. Fischinger, and in- cludes a discussion of modern Soviet and foreign experiments on the use of video and computer technology. Some theoretical papers deal with de-
fining the position of light-music films in the screen arts system. In the technical papers, the technology of
showing light-music films on the movie screen is discussed at greater length. The low level of work on com-
puter animation in the USSR is noted. Authors include directors, producers, theorists, researchers and
engineers from 18 cities across the Soviet Union.
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL SCIENCE
Inter-University Collection of Scientific Studies, Issue 7. V. M. Tsek-
hansky, ed. Novosibirsk, USSR. 1988. 181 pp.
Y. N. Rags: "Problems in Analyzing Musical Work and Intellectual Sys- tems"
V. V. Mazepus and V. M. Tsekhan-
sky: "Reflection in the Study of Psy- chological Problems of Musical Infor- matics"
A. V. Anisimov, L. I. Dys and D. N.
Zaritsky: "Information Process Produc- tion Algorithms"
(at work), in aestheto-therapy rooms (at medical establishments) and in in- tensive training classrooms (at schools). Some well-known practical experiments are analyzed, and methods of conducting relaxation ses- sions and autotraining with the use of visual-music equipment are specified. It is noted that all these new methods will not replace poor working condi- tions (in industry, medicine or educa- tion); to the contrary, their use must arise out of the improvement of these conditions.
LIGHT-MUSIC ON THE CINEMA AND TV SCREEN Seminar papers. Scientific and Practi- cal Seminar, Kazan, USSR, 1989. 88 pp.
This collection presents a brief sum-
mary of papers on the history of ab- stract, light-music cinema, starting with L. Survage, V. Eggeling, N. McLaren and 0. Fischinger, and in- cludes a discussion of modern Soviet and foreign experiments on the use of video and computer technology. Some theoretical papers deal with de-
fining the position of light-music films in the screen arts system. In the technical papers, the technology of
showing light-music films on the movie screen is discussed at greater length. The low level of work on com-
puter animation in the USSR is noted. Authors include directors, producers, theorists, researchers and
engineers from 18 cities across the Soviet Union.
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL SCIENCE
Inter-University Collection of Scientific Studies, Issue 7. V. M. Tsek-
hansky, ed. Novosibirsk, USSR. 1988. 181 pp.
Y. N. Rags: "Problems in Analyzing Musical Work and Intellectual Sys- tems"
V. V. Mazepus and V. M. Tsekhan-
sky: "Reflection in the Study of Psy- chological Problems of Musical Infor- matics"
A. V. Anisimov, L. I. Dys and D. N.
Zaritsky: "Information Process Produc- tion Algorithms"
(at work), in aestheto-therapy rooms (at medical establishments) and in in- tensive training classrooms (at schools). Some well-known practical experiments are analyzed, and methods of conducting relaxation ses- sions and autotraining with the use of visual-music equipment are specified. It is noted that all these new methods will not replace poor working condi- tions (in industry, medicine or educa- tion); to the contrary, their use must arise out of the improvement of these conditions.
LIGHT-MUSIC ON THE CINEMA AND TV SCREEN Seminar papers. Scientific and Practi- cal Seminar, Kazan, USSR, 1989. 88 pp.
This collection presents a brief sum-
mary of papers on the history of ab- stract, light-music cinema, starting with L. Survage, V. Eggeling, N. McLaren and 0. Fischinger, and in- cludes a discussion of modern Soviet and foreign experiments on the use of video and computer technology. Some theoretical papers deal with de-
fining the position of light-music films in the screen arts system. In the technical papers, the technology of
showing light-music films on the movie screen is discussed at greater length. The low level of work on com-
puter animation in the USSR is noted. Authors include directors, producers, theorists, researchers and
engineers from 18 cities across the Soviet Union.
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL SCIENCE
Inter-University Collection of Scientific Studies, Issue 7. V. M. Tsek-
hansky, ed. Novosibirsk, USSR. 1988. 181 pp.
Y. N. Rags: "Problems in Analyzing Musical Work and Intellectual Sys- tems"
V. V. Mazepus and V. M. Tsekhan-
sky: "Reflection in the Study of Psy- chological Problems of Musical Infor- matics"
A. V. Anisimov, L. I. Dys and D. N.
Zaritsky: "Information Process Produc- tion Algorithms"
Y. Y. Lesnevsky and B. A. Shindin: "Information Technology in Music Medievistics"
R. K. Zaripov: "Problems in the Use
Y. Y. Lesnevsky and B. A. Shindin: "Information Technology in Music Medievistics"
R. K. Zaripov: "Problems in the Use
Y. Y. Lesnevsky and B. A. Shindin: "Information Technology in Music Medievistics"
R. K. Zaripov: "Problems in the Use
Y. Y. Lesnevsky and B. A. Shindin: "Information Technology in Music Medievistics"
R. K. Zaripov: "Problems in the Use
Y. Y. Lesnevsky and B. A. Shindin: "Information Technology in Music Medievistics"
R. K. Zaripov: "Problems in the Use
Y. Y. Lesnevsky and B. A. Shindin: "Information Technology in Music Medievistics"
R. K. Zaripov: "Problems in the Use
of Computer Technology in Musical Practice"
A. S. Tangyan: "Probability-Statistic Models in Musical Composition"
L. V. Aleksandrova: "The Ex-
perience of Applying Fuzzy-Set Theory to the Harmonic Analysis of Musical Works"
N. S. Bazhanov: "Loud Dynamics in the Structure of Informational Sys- tems in Musical Work"
A. G. Gein and V. M. Tsekhansky: "Computers in the Problems of Con-
structing a Metrorhythmic Organiza- tion of Music"
G. L. Rusin: "Algorithms of Statisti- cal Analysis in Musical Informatics"
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL EDUCATION
Inter-University Collection of Scientific Studies, Issue 8. V. M. Tsekhansky, ed. Novosibirsk, USSR, 1989. 195 pp.
Part 1. Psychological-Didactical Problems of Computerizing Musical Education
I. S. Ladenko: "The Organization of Intellectual Systems in the Edu- cational Process"
A. A. Verbitsky: "Psychological-Ped- agogical Problems of Reorganizing Computer Education Activity"
V. V. Medushevsky and A. A. Po-
drazhanskaya: "The Computerization of Musical Education as a Musicology Problem"
A. G. Gein and V. M. Tsekhansky: "Psychological Problems of Computer Education"
A. S. Tangyan: "Analytical Method of Approaching Musical Performance"
L. P. Robustova: "Computers in
Elementary Musical Education"
Part 2. Computers and the Practice of Musical Education
A. A. Letichevsky and L. V. Alek- sandrova: "On the Formalization of
Harmony Theory for a Musical Knowl-
edge Base" I. V. Bakhmutova, V. D. Gusev and
T. N. Titkova: "The Presentation of Musical Texts in Basic Retry Terms and the Possibilities of Its Usage"
A. A. Letichevsky and K. I. Shush-
panov: "On the Question of Formaliz- ing the Analysis of the Voice Struc-
of Computer Technology in Musical Practice"
A. S. Tangyan: "Probability-Statistic Models in Musical Composition"
L. V. Aleksandrova: "The Ex-
perience of Applying Fuzzy-Set Theory to the Harmonic Analysis of Musical Works"
N. S. Bazhanov: "Loud Dynamics in the Structure of Informational Sys- tems in Musical Work"
A. G. Gein and V. M. Tsekhansky: "Computers in the Problems of Con-
structing a Metrorhythmic Organiza- tion of Music"
G. L. Rusin: "Algorithms of Statisti- cal Analysis in Musical Informatics"
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL EDUCATION
Inter-University Collection of Scientific Studies, Issue 8. V. M. Tsekhansky, ed. Novosibirsk, USSR, 1989. 195 pp.
Part 1. Psychological-Didactical Problems of Computerizing Musical Education
I. S. Ladenko: "The Organization of Intellectual Systems in the Edu- cational Process"
A. A. Verbitsky: "Psychological-Ped- agogical Problems of Reorganizing Computer Education Activity"
V. V. Medushevsky and A. A. Po-
drazhanskaya: "The Computerization of Musical Education as a Musicology Problem"
A. G. Gein and V. M. Tsekhansky: "Psychological Problems of Computer Education"
A. S. Tangyan: "Analytical Method of Approaching Musical Performance"
L. P. Robustova: "Computers in
Elementary Musical Education"
Part 2. Computers and the Practice of Musical Education
A. A. Letichevsky and L. V. Alek- sandrova: "On the Formalization of
Harmony Theory for a Musical Knowl-
edge Base" I. V. Bakhmutova, V. D. Gusev and
T. N. Titkova: "The Presentation of Musical Texts in Basic Retry Terms and the Possibilities of Its Usage"
A. A. Letichevsky and K. I. Shush-
panov: "On the Question of Formaliz- ing the Analysis of the Voice Struc-
of Computer Technology in Musical Practice"
A. S. Tangyan: "Probability-Statistic Models in Musical Composition"
L. V. Aleksandrova: "The Ex-
perience of Applying Fuzzy-Set Theory to the Harmonic Analysis of Musical Works"
N. S. Bazhanov: "Loud Dynamics in the Structure of Informational Sys- tems in Musical Work"
A. G. Gein and V. M. Tsekhansky: "Computers in the Problems of Con-
structing a Metrorhythmic Organiza- tion of Music"
G. L. Rusin: "Algorithms of Statisti- cal Analysis in Musical Informatics"
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL EDUCATION
Inter-University Collection of Scientific Studies, Issue 8. V. M. Tsekhansky, ed. Novosibirsk, USSR, 1989. 195 pp.
Part 1. Psychological-Didactical Problems of Computerizing Musical Education
I. S. Ladenko: "The Organization of Intellectual Systems in the Edu- cational Process"
A. A. Verbitsky: "Psychological-Ped- agogical Problems of Reorganizing Computer Education Activity"
V. V. Medushevsky and A. A. Po-
drazhanskaya: "The Computerization of Musical Education as a Musicology Problem"
A. G. Gein and V. M. Tsekhansky: "Psychological Problems of Computer Education"
A. S. Tangyan: "Analytical Method of Approaching Musical Performance"
L. P. Robustova: "Computers in
Elementary Musical Education"
Part 2. Computers and the Practice of Musical Education
A. A. Letichevsky and L. V. Alek- sandrova: "On the Formalization of
Harmony Theory for a Musical Knowl-
edge Base" I. V. Bakhmutova, V. D. Gusev and
T. N. Titkova: "The Presentation of Musical Texts in Basic Retry Terms and the Possibilities of Its Usage"
A. A. Letichevsky and K. I. Shush-
panov: "On the Question of Formaliz- ing the Analysis of the Voice Struc-
of Computer Technology in Musical Practice"
A. S. Tangyan: "Probability-Statistic Models in Musical Composition"
L. V. Aleksandrova: "The Ex-
perience of Applying Fuzzy-Set Theory to the Harmonic Analysis of Musical Works"
N. S. Bazhanov: "Loud Dynamics in the Structure of Informational Sys- tems in Musical Work"
A. G. Gein and V. M. Tsekhansky: "Computers in the Problems of Con-
structing a Metrorhythmic Organiza- tion of Music"
G. L. Rusin: "Algorithms of Statisti- cal Analysis in Musical Informatics"
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL EDUCATION
Inter-University Collection of Scientific Studies, Issue 8. V. M. Tsekhansky, ed. Novosibirsk, USSR, 1989. 195 pp.
Part 1. Psychological-Didactical Problems of Computerizing Musical Education
I. S. Ladenko: "The Organization of Intellectual Systems in the Edu- cational Process"
A. A. Verbitsky: "Psychological-Ped- agogical Problems of Reorganizing Computer Education Activity"
V. V. Medushevsky and A. A. Po-
drazhanskaya: "The Computerization of Musical Education as a Musicology Problem"
A. G. Gein and V. M. Tsekhansky: "Psychological Problems of Computer Education"
A. S. Tangyan: "Analytical Method of Approaching Musical Performance"
L. P. Robustova: "Computers in
Elementary Musical Education"
Part 2. Computers and the Practice of Musical Education
A. A. Letichevsky and L. V. Alek- sandrova: "On the Formalization of
Harmony Theory for a Musical Knowl-
edge Base" I. V. Bakhmutova, V. D. Gusev and
T. N. Titkova: "The Presentation of Musical Texts in Basic Retry Terms and the Possibilities of Its Usage"
A. A. Letichevsky and K. I. Shush-
panov: "On the Question of Formaliz- ing the Analysis of the Voice Struc-
of Computer Technology in Musical Practice"
A. S. Tangyan: "Probability-Statistic Models in Musical Composition"
L. V. Aleksandrova: "The Ex-
perience of Applying Fuzzy-Set Theory to the Harmonic Analysis of Musical Works"
N. S. Bazhanov: "Loud Dynamics in the Structure of Informational Sys- tems in Musical Work"
A. G. Gein and V. M. Tsekhansky: "Computers in the Problems of Con-
structing a Metrorhythmic Organiza- tion of Music"
G. L. Rusin: "Algorithms of Statisti- cal Analysis in Musical Informatics"
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL EDUCATION
Inter-University Collection of Scientific Studies, Issue 8. V. M. Tsekhansky, ed. Novosibirsk, USSR, 1989. 195 pp.
Part 1. Psychological-Didactical Problems of Computerizing Musical Education
I. S. Ladenko: "The Organization of Intellectual Systems in the Edu- cational Process"
A. A. Verbitsky: "Psychological-Ped- agogical Problems of Reorganizing Computer Education Activity"
V. V. Medushevsky and A. A. Po-
drazhanskaya: "The Computerization of Musical Education as a Musicology Problem"
A. G. Gein and V. M. Tsekhansky: "Psychological Problems of Computer Education"
A. S. Tangyan: "Analytical Method of Approaching Musical Performance"
L. P. Robustova: "Computers in
Elementary Musical Education"
Part 2. Computers and the Practice of Musical Education
A. A. Letichevsky and L. V. Alek- sandrova: "On the Formalization of
Harmony Theory for a Musical Knowl-
edge Base" I. V. Bakhmutova, V. D. Gusev and
T. N. Titkova: "The Presentation of Musical Texts in Basic Retry Terms and the Possibilities of Its Usage"
A. A. Letichevsky and K. I. Shush-
panov: "On the Question of Formaliz- ing the Analysis of the Voice Struc-
of Computer Technology in Musical Practice"
A. S. Tangyan: "Probability-Statistic Models in Musical Composition"
L. V. Aleksandrova: "The Ex-
perience of Applying Fuzzy-Set Theory to the Harmonic Analysis of Musical Works"
N. S. Bazhanov: "Loud Dynamics in the Structure of Informational Sys- tems in Musical Work"
A. G. Gein and V. M. Tsekhansky: "Computers in the Problems of Con-
structing a Metrorhythmic Organiza- tion of Music"
G. L. Rusin: "Algorithms of Statisti- cal Analysis in Musical Informatics"
THE ELECTRONIC COMPUTER AND PROBLEMS OF MUSICAL EDUCATION
Inter-University Collection of Scientific Studies, Issue 8. V. M. Tsekhansky, ed. Novosibirsk, USSR, 1989. 195 pp.
Part 1. Psychological-Didactical Problems of Computerizing Musical Education
I. S. Ladenko: "The Organization of Intellectual Systems in the Edu- cational Process"
A. A. Verbitsky: "Psychological-Ped- agogical Problems of Reorganizing Computer Education Activity"
V. V. Medushevsky and A. A. Po-
drazhanskaya: "The Computerization of Musical Education as a Musicology Problem"
A. G. Gein and V. M. Tsekhansky: "Psychological Problems of Computer Education"
A. S. Tangyan: "Analytical Method of Approaching Musical Performance"
L. P. Robustova: "Computers in
Elementary Musical Education"
Part 2. Computers and the Practice of Musical Education
A. A. Letichevsky and L. V. Alek- sandrova: "On the Formalization of
Harmony Theory for a Musical Knowl-
edge Base" I. V. Bakhmutova, V. D. Gusev and
T. N. Titkova: "The Presentation of Musical Texts in Basic Retry Terms and the Possibilities of Its Usage"
A. A. Letichevsky and K. I. Shush-
panov: "On the Question of Formaliz- ing the Analysis of the Voice Struc- ture of Musical Works"
V. V. Mazepus and V. M. Tsekhan- sky: "Perceptive Description of the Musical Work"
ture of Musical Works" V. V. Mazepus and V. M. Tsekhan-
sky: "Perceptive Description of the Musical Work"
ture of Musical Works" V. V. Mazepus and V. M. Tsekhan-
sky: "Perceptive Description of the Musical Work"
ture of Musical Works" V. V. Mazepus and V. M. Tsekhan-
sky: "Perceptive Description of the Musical Work"
ture of Musical Works" V. V. Mazepus and V. M. Tsekhan-
sky: "Perceptive Description of the Musical Work"
ture of Musical Works" V. V. Mazepus and V. M. Tsekhan-
sky: "Perceptive Description of the Musical Work"
368 Current Literature 368 Current Literature 368 Current Literature 368 Current Literature 368 Current Literature 368 Current Literature
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