editorials

62
Editorials • No first person; “we” is often used • Use lots of facts (but they are only facts if accurate) • Don’t forget the passion • Use closing graf to tie it together

Upload: joanne

Post on 17-Feb-2016

23 views

Category:

Documents


0 download

DESCRIPTION

Editorials. No first person; “we” is often used Use lots of facts (but they are only facts if accurate) Don’t forget the passion Use closing graf to tie it together. Broadcast news. Broadcast news. It’s waaaaaaay different than print. Broadcast news. - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Editorials

Editorials

• No first person; “we” is often used• Use lots of facts (but they are only facts if

accurate)• Don’t forget the passion• Use closing graf to tie it together

Page 2: Editorials
Page 3: Editorials

Broadcast news

Page 4: Editorials

Broadcast news

• It’s waaaaaaay different than print

Page 5: Editorials

Broadcast news

• It’s waaaaaaay different than print• What is “broadcast”?

Page 6: Editorials

Broadcast news

• It’s waaaaaaay different than print• What is “broadcast”? To make public by

means of radio or television... and YouTube, podcasts, any new media to come where people watch or listen

Page 7: Editorials

What’s different?

• Brevity... seriously brief

Page 8: Editorials

What’s different?

• Brevity... seriously brief• A typical news story on TV runs 40 seconds:

four or five sentences

Page 9: Editorials

What’s different?

• Brevity... seriously brief• A typical news story on TV runs 40 seconds:

four or five sentences• It would take 28 hours to read a copy of the

Washington Post; the average half-hour local news program has fewer words than one typical newspaper page

Page 10: Editorials

But!

Page 11: Editorials

How to write for broadcast

Page 12: Editorials

How to write for broadcast

• Still gotta get the facts... you are still a reporter, gather as much info as time allows

Page 13: Editorials

How to write for broadcast

• Still gotta get the facts... you are still a reporter, gather as much info as time allows

• Work more in collaboration than at print

Page 14: Editorials

How to write for broadcast

• Still gotta get the facts... you are still a reporter, gather as much info as time allows

• Work more in collaboration than at print• Fewer defined beats... cover car wreck and pet

adoptions in one morning

Page 15: Editorials

How to write for broadcast

• Still gotta get the facts... you are still a reporter, gather as much info as time allows

• Work more in collaboration than at print• Fewer defined beats... cover car wreck and pet

adoptions in one morning• Much of the news is crime and tragedies: “if it

bleeds, it leads...”

Page 16: Editorials

How to write for broadcast

• Still gotta get the facts... you are still a reporter, gather as much info as time allows

• Work more in collaboration than at print• Fewer defined beats... cover car wreck and pet

adoptions in one morning• Much of the news is crime and tragedies: “if it

bleeds, it leads...”• Not going to be an expert on any subject, gotta

be a super-quick learner

Page 17: Editorials

Writing for broadcast

• “Think fast, boil down to basics, write as tight as you can...”

Page 18: Editorials

Writing for broadcast

• “Think fast, boil down to basics, write as tight as you can...”

• Use friendly, conversational tone... like, write the way, you know, you talk... dude

Page 19: Editorials

Writing for broadcast

• “Think fast, boil down to basics, write as tight as you can...”

• Use friendly, conversational tone... like, write the way, you know, you talk... dude

• Use active voice: simple and direct

Page 20: Editorials

Writing for broadcast

• “Think fast, boil down to basics, write as tight as you can...”

• Use friendly, conversational tone... like, write the way, you know, you talk... dude

• Use active voice: simple and direct• Inverted pyramid is out: every word counts

and you need an ending

Page 21: Editorials

Writing for broadcast

• “Think fast, boil down to basics, write as tight as you can...”

• Use friendly, conversational tone... like, write the way, you know, you talk... dude

• Use active voice: simple and direct• Inverted pyramid is out: every word counts

and you need an ending• Use present tense

Page 22: Editorials

Writing for broadcast

• Don’t worry about contractions

Page 23: Editorials

Writing for broadcast

• Don’t worry about contractions• Attribution before quotes

Page 24: Editorials

Writing for broadcast

• Don’t worry about contractions• Attribution before quotes• Use phonetic pronunciations

Page 25: Editorials

Writing for broadcast

• Don’t worry about contractions• Attribution before quotes• Use phonetic pronunciations• Avoid abbreviations and symbols

Page 26: Editorials

Writing for broadcast

• Don’t worry about contractions• Attribution before quotes• Use phonetic pronunciations• Avoid abbreviations and symbols• Round off numbers and spell them out

Page 27: Editorials

Radio

Page 28: Editorials

Radio

• “The hours are long, the pay is low, the stress is relentless...”

Page 29: Editorials

Radio

• “The hours are long, the pay is low, the stress is relentless...”

• Gather lots of audio... 10 minutes to get 10 seconds

Page 30: Editorials

Radio

• “The hours are long, the pay is low, the stress is relentless...”

• Gather lots of audio... 10 minutes to get 10 seconds

• Write strong lede, give basic facts, get to recorded audio quotes

Page 31: Editorials

Television

Page 32: Editorials

Television

• It’s live! And you’re talking, without notes, directly into a camera

Page 33: Editorials

Television

• It’s live! And you’re talking, without notes, directly into a camera

• Images rule: “Talking head bad. Video good.”

Page 34: Editorials

Television

• It’s live! And you’re talking, without notes, directly into a camera

• Images rule: “Talking head bad. Video good.”• You write to the video: lead with your

strongest shots

Page 35: Editorials

Television

• It’s live! And you’re talking, without notes, directly into a camera

• Images rule: “Talking head bad. Video good.”• You write to the video: lead with your

strongest shots• Don’t overload with facts: let the pictures tell

the story

Page 36: Editorials

Television

• It’s live! And you’re talking, without notes, directly into a camera

• Images rule: “Talking head bad. Video good.”• You write to the video: lead with your

strongest shots• Don’t overload with facts: let the pictures tell

the story• Engage emotions

Page 37: Editorials

Television

• It’s live! And you’re talking, without notes, directly into a camera

• Images rule: “Talking head bad. Video good.”• You write to the video: lead with your strongest

shots• Don’t overload with facts: let the pictures tell the

story• Engage emotions• Look the part

Page 38: Editorials

Interviewing on video

• Have subject look at you, not at camera!

Page 39: Editorials

Interviewing on video

• Have subject look at you, not at camera!• Select uncluttered backdrop

Page 40: Editorials

Interviewing on video

• Have subject look at you, not at camera!• Select uncluttered backdrop• Maintain eye contact with subject

Page 41: Editorials

Interviewing on video

• Have subject look at you, not at camera!• Select uncluttered backdrop• Maintain eye contact with subject• Keep asking until you get your bite

Page 42: Editorials

Interviewing on video

• Have subject look at you, not at camera!• Select uncluttered backdrop• Maintain eye contact with subject• Keep asking until you get your bite• Shoot cut-aways of you listening and nodding

as subject talks

Page 43: Editorials

Terms

• Sound bite: recorded comment from news source

Page 44: Editorials

Terms

• Sound bite: recorded comment from news source

• B-roll: video shot at scene used later to illustrate a sound bite or reporter’s audio track

Page 45: Editorials

Terms

• Sound bite: recorded comment from news source

• B-roll: video shot at scene used later to illustrate a sound bite or reporter’s audio track

• Stand-up: shot of a reporter at the scene talking into camera

Page 46: Editorials

Terms

• Sound bite: recorded comment from news source

• B-roll: video shot at scene used later to illustrate a sound bite or reporter’s audio track

• Stand-up: shot of a reporter at the scene talking into camera

• Live shot: a stand-up shot live

Page 47: Editorials

Terms

• Package: a complete story prepared by reporter usually combining sound bites, voice-overs and stand-ups

Page 48: Editorials

Terms

• Package: a complete story prepared by reporter usually combining sound bites, voice-overs and stand-ups

• Reader: anchor reads a script while looking at camera; often over-the-shoulder graphic (OTS) identifies topic

Page 49: Editorials
Page 50: Editorials

Terms

• Package: a complete story prepared by reporter usually combining sound bites, voice-overs and stand-ups

• Reader: anchor reads a script while looking at camera; often over-the-shoulder graphic (OTS) identifies topic

• Voice-over: when the anchor speaks over video

Page 51: Editorials

Terms

• Anchor intro (or lead in): The lead that introduces a reporter’s package

Page 52: Editorials

Terms

• Anchor intro (or lead in): The lead that introduces a reporter’s package

• Prompter: device that projects news script in front of camera so it can be read

Page 53: Editorials
Page 54: Editorials

Terms

• Anchor intro (or lead in): The lead that introduces a reporter’s package

• Prompter: device that projects news script in front of camera so it can be read

• Talking heads: a person being interviewed

Page 55: Editorials
Page 56: Editorials

Assignment 2/25

• You are a reporter for WLAF-TV Action News in Bradenton-Sarasota

Page 57: Editorials

Assignment 2/25

• You are a reporter for WLAF-TV Action News in Bradenton-Sarasota

• Your assignment: produce a 1-minute news story on a pet (alternative: you can do a story on a sibling)

Page 58: Editorials

Assignment 2/25

• You are a reporter for WLAF-TV Action News in Bradenton-Sarasota

• Your assignment: produce a 1-minute news story on a pet (alternative: you can do a story on a sibling)

• Write a package script with: an opening; voice over action; interviews; and stand-up closer

Page 59: Editorials

Assignment 2/25

• You are a reporter for WLAF-TV Action News in Bradenton-Sarasota

• Your assignment: produce a 1-minute news story on a pet (alternative: you can do a story on a sibling)

• Write a package script with: an opening; voice over action; interviews; and stand-up closer

• Record it on your phone or a video camera

Page 60: Editorials

Assignment 2/25

• You are a reporter for WLAF-TV Action News in Bradenton-Sarasota

• Your assignment: produce a 1-minute news story on a pet (alternative: you can do a story on a sibling)

• Write a script with: an opening; voice over action; interviews; and stand-up closer

• Record it on a digital video camera or phone or...

Page 61: Editorials

Assignment 2/25

• Transfer it to your laptop (or iPad?)• Bring your script and video to class next week

so it can be shown to class

Page 62: Editorials

Assignment 2/25

• Transfer it to your laptop (or iPad?)• Bring your script and video to class next week

so it can be shown to class• Carefully study the scripts on p. 171 and on

the links I’ll provide in web update before proceeding!!!