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eocriture: interactive video vernaculars Adrian Miles InterMedia UiB (Norway) RMIT (Australia) [email protected] http://hypertext.rmit.edu.au/vog/vlog 200 2

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videocriture: interactive video vernaculars

Adrian MilesInterMedia UiB (Norway)

RMIT (Australia)

[email protected]://hypertext.rmit.edu.au/vog/vlog/200

2

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videocriture: interactive video vernaculars

[email protected]

Most models of ‘interactive’ internet (networked) delivered video is not interactive.

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videocriture: interactive video vernaculars

[email protected]

Most models of ‘interactive’ internet (networked) delivered video is not interactive. • it appropriates web browsers or clients as

a de facto tv

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videocriture: interactive video vernaculars

[email protected]

Most models of ‘interactive’ internet (networked) delivered video is not interactive. • it appropriates web browsers or clients as

a de facto tv

• looks backwards for a networked model

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videocriture: interactive video vernaculars

[email protected]

Most models of ‘interactive’ internet (networked) delivered video is not interactive. • it appropriates web or clients as de facto tv

• looks backwards for a networked model

• treats the network as broad or narrowcast where the model is middlecasting

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videocriture: interactive video vernaculars

[email protected]

Most models of ‘interactive’ internet (networked) delivered video is not interactive. • it appropriates web or clients as de facto tv

• looks backwards for a networked model

• treats the network as broad or narrowcast where the model is middlecasting

• interactivity must be within the video stream

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videocriture: interactive video vernaculars

[email protected]

Available and appropriate technologies are available for networked interactive desktop video

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videocriture: interactive video vernaculars

[email protected]

Available and appropriate technologies are available for networked interactive desktop video • recognises users constraints of

time, bandwidth, screen

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videocriture: interactive video vernaculars

[email protected]

Available and appropriate technologies are available for networked interactive desktop video • recognises users constraints of

time, bandwidth, screen

• we are time poor - example of tv advertising

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videocriture: interactive video vernaculars

[email protected]

Available and appropriate technologies are available for networked interactive desktop video • recognises users constraints of

time, bandwidth, screen

• we are time poor - example of tv advertising

• we are bandwidth poor - instant broadband willnot erase lack

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videocriture: interactive video vernaculars

[email protected]

Available and appropriate technologies are available for networked interactive desktop video • recognises users constraints of

time, bandwidth, screen

• we are time poor - example of tv advertising

• we are bandwidth poor - instant broadband willnot erase lack

• we are screen poor and window rich - collage + montage

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videocriture: interactive video vernaculars

[email protected]

Existing digital video tools use a hard copy paradigm

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videocriture: interactive video vernaculars

[email protected]

Existing digital video tools use a hard copy paradigm

• they assume temporally constrainedand delimited media (tape, film, broadcast)

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videocriture: interactive video vernaculars

[email protected]

Existing digital video tools use a hard copy paradigm

• they assume temporally constrainedand delimited media (tape, film, broadcast)

• this media has a fixed duration, it occupies time

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videocriture: interactive video vernaculars

[email protected]

Existing digital video tools use a hard copy paradigm

• they assume temporally constrainedand delimited media (tape, film, broadcast)

• this media has a fixed duration, it occupies time

• if the computer screen is the medium of publication(and interaction/consumption) this is no longer the case

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• yes, linking.

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• yes, linking.

• but wait . . .

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• yes, linking.

• but wait . . .

. . . there’s more

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• users own their desktops, including windows,applications and their qualities

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• users own their desktops, including windows,applications and their qualities

• works are open

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• users own their desktops, including windows,applications and their qualities

• works are open

• works are variable

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• users own their desktops, including windows,applications and their qualities

• works are open

• works are variable

• works are performative (not constative)

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• users own their desktops, including windows,applications and their qualities

• works are open

• works are variable

• works are performative (not constative)

• and can be ergodic

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videocriture: interactive video vernaculars

[email protected]

Soft copy video is a different paradigm

• softvideo gives desktop video all the propertiesof hypertext

• users own their desktops, including windows,applications and their qualities

• works are open

• works are variable

• works are performative (not constative)

• and can be ergodic

• are about vectors, events, relations

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videocriture: interactive video vernaculars

[email protected]

Softvideo poses new problems for cinematic contexts

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videocriture: interactive video vernaculars

[email protected]

Softvideo poses new problems for cinematic contexts

• montage moves to a site between the author and thework

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videocriture: interactive video vernaculars

[email protected]

Softvideo poses new problems for cinematic contexts

• montage moves to a site between the author and thework

• montage moves to a site between the work and theuser

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videocriture: interactive video vernaculars

[email protected]

Softvideo poses new problems for cinematic contexts

• montage moves to a site between the author and thework

• montage moves to a site between the work and theuser

• video has a variable duration (user controlled variable looping)

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videocriture: interactive video vernaculars

[email protected]

Softvideo poses new problems for cinematic contexts

• montage moves to a site between the author and thework

• montage moves to a site between the work and theuser

• video has a variable duration (user controlled variable looping)

• video has a possible open duration

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videocriture: interactive video vernaculars

[email protected]

Softvideo poses new problems for cinematic contexts

• montage moves to a site between the author and thework

• montage moves to a site between the work and theuser

• video has a variable duration (user controlled variable looping)

• video has a possible open duration

• we now have relations between video panes

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videocriture: interactive video vernaculars

[email protected]

So what?

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videocriture: interactive video vernaculars

[email protected]

So what?

• this technology is distributed

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videocriture: interactive video vernaculars

[email protected]

So what?

• this technology is distributed

• is writerly

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videocriture: interactive video vernaculars

[email protected]

So what?

• this technology is distributed

• is writerly

• offers viable models to explore broadbandentertainment, documentary, fiction, and education

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videocriture: interactive video vernaculars

[email protected]

So what?

• this technology is distributed

• is writerly

• offers viable models to explore broadbandentertainment, documentary, fiction, and education

• is a vernacular which needs a grammaror rhetoric

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videocriture: interactive video vernaculars

[email protected]

So what?

• this technology is distributed

• is writerly

• offers viable models to explore broadbandentertainment, documentary, fiction, and education

• is a vernacular which needs a grammaror rhetoric

• is a vernacular that provides a grammaror rhetoric

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videocriture: interactive video vernaculars

[email protected]

vogshttp://hypertext.rmit.edu.au/vog/

nordic interactive cinema networkhttp://www.intermedia.uib.no/nicn/