early italian renaissance quattrocento 1400s. linear perspective arrives!

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Early Italian Renaissance Quattrocento 1400s

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Page 1: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Early Italian Renaissance

Quattrocento1400s

Page 2: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!
Page 3: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Linear Perspective Arrives!

Page 4: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

ARCHITECTUREQuattrocento

Page 5: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Filippo BrunelleschiDome of Florence Cathedral(AKA Brunelleschi’s Dome) 1417–36;

Page 6: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Filippo BrunelleschiFoundling Hospital, Florence Designed 1419; built 1421-44

Page 7: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Andrea della RobbiaDetail of Terra-Cotta Medallion

Page 8: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Filippo BrunelleschiPazzi Chapel1442-65Florence, Italy

Page 9: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Filippo Brunelleschi; continued by Michelozzo di BartolomeoNave, Church of San Lorenzo, Florence, : c. 1421–28, 1442–70

Page 10: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Church of San Lorenzo, Florence.

Page 11: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Michelozzo di Bartolomeo,Façade, Palazzo Medici-Riccardi, Florence 1446

• Rusticated first level

Page 12: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Leon Battista AlbertiPalazzo Rucellai, Florence. 1455–58; never finished

• Stringcourse• Pilasters• Beveled stones

Page 13: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Leon Battista AlbertiChurch of Sant’Andrea, Mantua Designed 1470, begun 1472

• 1st use of triumphal arch since Ancient Rome

Page 14: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Leon Battista AlbertiNave, Church of Sant’Andrea, Mantua Vault width 60’Designed 1470

Page 15: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Contarini Palace1421–37

• Guess where?

Page 16: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

SCULPTUREQuattrocento

Page 17: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Left: Brunelleschi Right: Ghiberti

Sacrifice of Isaac, 1401-1403, bronze

Page 18: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Lorenzo GhibertiGates of Paradise (East Doors), Baptistry of San Giovanni, Florence Gilt bronzeheight 15' (4.57 m)1425–52

Page 19: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Lorenzo GhibertiJacob and Esau , panel of the Gates of Paradise (East Doors), Baptistry of San Giovanni, Florence Gilt bronze1425–52

Page 20: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Sgraffito decorationPalazzo Medici-Riccardi

Page 21: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Nanni di BancoThe Four Crowned Martyrs Marbleheight of figures 6’c. 1409–17Orsanmichele, Florence (photographed before removal of figures to museum)

Page 22: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

DonatelloEquestrian Monument of Erasmo Da Narni (Gattamelata) Bronzeheight approx. 12'2”1443–53Piazza del Santo, Padua

Page 23: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

DonatelloDavid, bronze1420s-60sFlorence

• Meant for a Medici palace, not for public viewing

Page 24: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

DonatelloMary Magdalen Polychromy and gold on woodheight 6'1" 1450s(?)Museo dell’Opera del Duomo, Florence

Page 25: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Andrea del Verrocchio. (Bronze cast by Alessandro Leopardi)Equestrian Monument of Bartolommeo Colleoni Campo Santi Giovanni e Paolo, Venice Bronzeheight approx. 13' Clay model 1486–88; cast after 1490; placed 1496

Page 26: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Antonio del PollaiuoloHercules and Antaeus Bronzeheight with base 18”c. 1475Museo Nazionale del Bargello, Florence

Page 27: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

PAINTING & PRINTQuattrocento

Page 28: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Gentile da Fabriano, Adoration of the Magi (detail), tempura on panel, 1423

Int’l Gothic Style

Page 29: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

MasaccioTrinity with the Virgin, Saint John the Evangelist, and Donors Fresco21' X 10"5”c. 1425–27/28Church of Santa Maria Novella, Florence

Page 30: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!
Page 31: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

MasaccioThe Expulsion From ParadiseFresco7' X 2' 11”c. 1427Brancacci Chapel

Page 32: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Masaccio, The Tribute Money, Fresco8'1" X 19'7”c. 1427, Brancacci Chapel, Church of Santa Maria del Carmine, Florence

Page 33: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Paolo Uccello, The Battle of San Romano, Tempera on wood panel6' X 10" 7”1438–40 Commissioned for private Florentine Residence

Page 34: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Fra Angelico, Annunciation, Fresco, 7’½" X 19'6”, c. 1438–45, Monastery of San Marco, Florence

Page 35: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Andrea del CastagnoThe Last Supper Fresco16' x 32’, 1447, Refectory, Convent of Sant’Apollonia, Florence

Page 36: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Piero della FrancescaRecognition and Proving of the True Cross Fresco, 11'8" X 24'6”San Francesco, Arezzo

Page 37: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Piero della FrancescaResurrection fresco c.1463Palazzo Comunale, San Sepulcro, Italy

Page 38: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Piero della Francesca, Battista Sforza and Federico da Montefeltro, Oil on wood pane,leach 18 ½ X 13”, c. 1474, Galleria degli Uffizi, Florence

Page 39: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Andrea MantegnaRoom of the NewlywedsFrescoesDiameter of false oculus 8'9” room 62' 6" square1465–74Ducal Palace, Mantua

Page 40: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!
Page 41: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Perugino, The Delivery of the Keys to Saint Peter, Fresco11'5½" X 18' 8½”, 1481On the right wall of the Sistine Chapel, Vatican, Rome Linear

perspective

Page 42: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Sandro Botticelli, Birth of Venus, Tempera and gold on canvas5'8⅞" X 9' 1⅞" c. 1484–86, Uffizi, Florence

Page 43: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Sandro Botticelli, Primavera, Tempera on wood panel6’8” x 10’4”c. 1482 , Uffizi, Florence

Page 44: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Domenico Ghirlandaio, Birth of the Virgin, fresco, 1485, Santa Maria Novella, Florence

Page 45: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

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Page 46: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Gentile BelliniVirgin and Child Enthroned with Saints Francis, John the Baptist, Job, Dominic, Sebastian, and Louis of Toulouse (Computer reconstruction) 15'4" X 8'4”c. 1478Commissioned for the Chapel of the Hospital of San Giobbe, Venice

Page 47: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

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Page 48: Early Italian Renaissance Quattrocento 1400s. Linear Perspective Arrives!

Antonio del Pollaiuolo, Battle of 10 Naked Men, Engraving, 15 ⅛ X 23¼“, c. 1465–70