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M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
× × × × THE ULTIMATE DVD GUIDE! × × × ×
F O R S E R I O U S L Y S E R I O U S G U I T A R I S T S
MASTER INGDVD
ARPEGGIOS
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
× MASTERING ARPEGGIOS A DELUXE CRASH COURSE IN GUITAR THEORY ×
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
INTRODUC TION
CHAP TER 1G Major Arpeggios in Positions
(FIGURES 1–31)
CHAP TER 2G Minor Arpeggios in Positions
(FIGURES 32-62)
CHAP TER 3The Circle of Fifths
(FIGURES 63 and 64)
CHAP TER 4G Diminished Arpeggios in Positions
(FIGURES 65-81)
CHAP TER 5G Augmented Arpeggios in Positions
(FIGURES 82-105)
CHAP TER 6Two-notes-per-string Patterns
(FIGURES 106-122)
CHAP TER 7Classic Rock Arpeggio Licks
(FIGURES 123 and 124)
CHAP TER 8Diatonic Triad Arpeggios in G
(FIGURES 125-142)
CHAP TER 9Open-voiced Arpeggios,
One Note Per String (FIGURES 143-146)
CHAP TER 10Interval Patterns
(FIGURES 147 and 148)
CHAP TER 11Tapping Diatonic Triad Arpeggios
(FIGURES 149-151)
CHAP TER 12Using Open Strings to Extend Range,
Classical Style (FIGURES 152-154)
CONCL USION
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 1G Major Arpeggios in Positions
GFIGURE 1 G major arpeggio in two octaves, fourth position, alternate picked
3 75
54 7
3 7 7 3
7 45
57 3 3
GFIGURE 2 same pattern, with hammer-ons, pull-offs and sweeps
3 75
54 7
3 7 7 3
7 45
57 3 3
GFIGURE 3 same arpeggio, top half only, alternate picked
54 7
3 7 3
7 45
4 7
3 7 3
7 45
4 7
3 7 3
7 45
4 7
3 7 3
7 45
GFIGURE 4 same pattern, starting on the top note
7 3
7 45
4 7
3 7 3
7 45
4 7
3 7 3
7 45
4 7
3 7 3
7 45
4 7
3 7
GFIGURE 5 top four notes only, alternate picked
4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4
CHAP TER 1 MASTERING ARPEGGIOS G Major Arpeggios in Positions
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 6 same pattern, played legato (with hammer-ons and pull-offs)
4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4
GFIGURE 7 same pattern, starting on the top note
7 3
7 4 4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4 7
3 7 7
GFIGURE 8 G major arpeggio in two octaves, fifth position
3
3 3
3 3
3 3
3
75
5 97
87
87
9 55
75
5 97
87
87
9 55
7
GFIGURE 9 G major arpeggio in two octaves, seventh position
7 1010
97
87 10 10 7
87
910
10 7 7
GFIGURE 10 same pattern, with hammer-ons, pull-offs and sweeps
7 1010
97
87 10 10 7
87
910
10 7 7
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 11 G major arpeggio in two octaves, ninth position
3
3 3
3 3
3 3
3
1010
9 1212
1210
1212
12 910
1010
9 1212
1210
1212
12 910
10
GFIGURE 12 four-note fragment on the A, D and G strings, alternate picked
3 3 3 3 3 3 3 3
109 12
1212 9
109 12
1212 9
109 12
1212 9
109 12
1212 9
10
GFIGURE 13 same pattern, played legato (with hammer-ons and pull-offs)
3 3 3 3 3 3 3 3
109 12
1212 9
109 12
1212 9
109 12
1212 9
109 12
1212 9
10
GFIGURE 14 same pattern, moved up and down the neck to different tonal centers
3 3 3 3
A
3 3 3 3
B
3 3 3 3
109 12
1212 9
109 12
1212 9
1211 14
1414 11
1211 14
1414 11
1413 16
1616 13
1413 16
1616 13
C
3 3 3 3
G
3 3 3 3
F3
3
3
3
1514 17
1717 14
1514 17
1717 14
15 109 12
1212 9
109 12
1212 9
87 10
1010 7
87 10
1010 7
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
E D3
3
3 3 C B3 3
3 3C3 3
76 9
99 6
54 7
77 4
32 5
55 2
21 4
44 1
32 5
55 2
3
GFIGURE 15 same pattern in G, starting on the top note
3 3 3 3 3 3 3 3
1212 9
109 12
1212 9
109 12
1212 9
109 12
1212 9
109 12
12
FIGURE 16 G major arpeggio in two octaves, 10th position
3
3 3
3 3
3 3
3
1010 14
1212
1210
1212
1214 10
1010 14
1212
1210
1212
1214 10
10
GFIGURE 17 same shape, minus the bottom note, with hammer-ons, pull-offs and sweeps
5 5 5 5
10 1412
1212
10 1012
1212
14 10 10 1412
1212
10 1012
1212
14 10
GFIGURE 18 G major arpeggio in two octaves, 12th position
33 3
3 33 3
3
1514
1212
12 1515
15 1212
1214
1514
1212
12 1515
15 1212
1214
15
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 19 same pattern, 12 frets and one octave lower, in first position
3
3 3
3 3
3 3
3
32
00
0 33
3 00
02
32
00
0 33
3 00
02
3
FIGURE 20 four-note fragment on the G, B and high E strings, alternate picked
3 3 3 3 3 3 3 3
00 3
33 0
00 3
33 0
00 3
33 0
00 3
33 0
0
GFIGURE 21 same pattern, 12 frets and one octave higher, in 12th position
3 3 3 3 3 3 3 3
1212 15
1515 12
1212 15
1515 12
1212 15
1515 12
1212 15
1515 12
12
GFIGURE 22 same pattern, played legato (with hammer-ons and pull-offs)
3 3 3 3 3 3 3 3
1212 15
1515 12
1212 15
1515 12
1212 15
1515 12
1212 15
1515 12
12
GFIGURE 23 same pattern, 12 frets and one octave lower, in first position
3 3 3 3 3 3 3 3
00 3
33 0
00 3
33 0
00 3
33 0
00 3
33 0
0
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 24 G major arpeggio in two octaves, 14th position
33 3
3 33 3
3
1514 17
1716
1515
1516
1717 14
1514 17
1716
1515
1516
1717 14
15
GFIGURE 25 four-note fragment, lower octave only, alternate picked
3 3 3 3 3 3 3 3
1514 17
1717 14
1514 17
1717 14
1514 17
1717 14
1514 17
1717 14
15
GFIGURE 26 same pattern, moved down the neck to different tonal centers
3 3 3 3
F3
3
3
3
E D3
3
3 3
1514 17
1717 14
1514 17
1717 14
1312 15
1515 12
1312 15
1515 12
1211 14
1414 11
109 12
1212 9
C B3 3
3 3 A G3 3
3 3 3 3
87 10
1010 7
76 9
99 6
54 7
77 4
32 5
55 2
32 5
55 2
3
GFIGURE 27 complete two-octave G major arpeggio in second position
3
3 3
3 3
3 3
3
32 5
54
33
34
55 2
32 5
54
33
34
55 2
3
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 28 same pattern with chromatic lower neighbor tones, alternate picked
2 31 2 4 5
4 53 4
3 43 4
3 43 4
4 54 5 1 2
2 31 2 4 5
4 5
3 43 4
3 43 4
3 44 5
4 5 1 22 3
GFIGURE 29 same pattern, played legato (with hammer-ons and pull-offs)
2 31 2 4 5
4 53 4
3 43 4
3 43 4
4 54 5 1 2
2 31 2 4 5
4 5
3 43 4
3 43 4
3 44 5
4 5 1 22 3
GFIGURE 30 same G major arpeggio shape, in second position, with chromatic upper neighbors
4 33 2 6 5
6 55 4
4 34 3
4 35 4
6 56 5 3 2
4 3
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
FIGURE 31 G major arpeggio in two octaves, fifth position, with lower neighbor tones added
3
3 3
3 6
6 6
6
755 9
787879 5
56 7
4 54 5 8 9
6 77 8
6 77 8
6 78 9 4 5
4 56 7
Chapter 2G Minor Arpeggios in Positions
GFIGURE 32 G major and minor arpeggios in two octaves, fourth position, alternate picked
Gm
3 75
54 7
3 7 7 3
7 45
57 3 3 6
553 7
3 6 6 3
7 3556 3 3
GmFIGURE 33 same G minor shape, with hammer-ons, pull-offs and sweeps
3 65
53 7
3 6 6 3
7 35
56 3 3 6
55
3 7
3 6 6 3
7 35
56 3 3
GmFIGURE 34 same pattern, higher octave only, alternate picked
53 7
3 6 3
7 35
3 7
3 6 3
7 453 7
3 6 3
7 353 7
3 6 3
7 35
GmFIGURE 35 same pattern, starting on the top note
6 3
7 35
3 7
3 6 3
7 35
3 7
3 6 3
7 35
3 7
3 6 3
7 35
3 7
3 6
GmFIGURE 36 top four notes only, alternate picked
3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3
CHAP TER 2 MASTERING ARPEGGIOS G Minor Arpeggios in Positions
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 2G Minor Arpeggios in Positions
GFIGURE 32 G major and minor arpeggios in two octaves, fourth position, alternate picked
Gm
3 75
54 7
3 7 7 3
7 45
57 3 3 6
553 7
3 6 6 3
7 3556 3 3
GmFIGURE 33 same G minor shape, with hammer-ons, pull-offs and sweeps
3 65
53 7
3 6 6 3
7 35
56 3 3 6
55
3 7
3 6 6 3
7 35
56 3 3
GmFIGURE 34 same pattern, higher octave only, alternate picked
53 7
3 6 3
7 35
3 7
3 6 3
7 453 7
3 6 3
7 353 7
3 6 3
7 35
GmFIGURE 35 same pattern, starting on the top note
6 3
7 35
3 7
3 6 3
7 35
3 7
3 6 3
7 35
3 7
3 6 3
7 35
3 7
3 6
GmFIGURE 36 top four notes only, alternate picked
3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3
GmFIGURE 37 same pattern, played legato (with hammer-ons and pull-offs)
3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3
GmFIGURE 38 same pattern, starting on the top note
6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6
GFIGURE 39 G major and minor arpeggios in two octaves, fifth position
3
3 3
3 Gm3
3 3
3
75
5 97
87
87
9 55
65
5 87
86
87
8 55
6
GFIGURE 40 G major and minor arpeggios in two octaves, seventh and sixth positions
Gm
7 1010
97
87 10 10 7
87
910
10 7 6 1010
8786 10 10 6
8781010 6 6
GmFIGURE 41 same G minor shape, with hammer-ons, pull-offs and sweeps
6 1010
87
86 10 10 6
87
810
10 6 6
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GmFIGURE 37 same pattern, played legato (with hammer-ons and pull-offs)
3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3
GmFIGURE 38 same pattern, starting on the top note
6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6 3
7 3 3 7
3 6 6
GFIGURE 39 G major and minor arpeggios in two octaves, fifth position
3
3 3
3 Gm3
3 3
3
75
5 97
87
87
9 55
65
5 87
86
87
8 55
6
GFIGURE 40 G major and minor arpeggios in two octaves, seventh and sixth positions
Gm
7 1010
97
87 10 10 7
87
910
10 7 6 1010
8786 10 10 6
8781010 6 6
GmFIGURE 41 same G minor shape, with hammer-ons, pull-offs and sweeps
6 1010
87
86 10 10 6
87
810
10 6 6
GFIGURE 42 G major and minor arpeggios in two octaves, ninth position
3
3 3
3 Gm3
3 3
3
1010
9 1212
1210
1212
12 910
1010
8 1212
1110
1112
12 810
10
GmFIGURE 43 four-note fragment on the A, D and G strings, alternate picked
3 3 3 3 3 3 3 3
108 12
1212 8
108 12
1212 8
108 12
1212 8
108 12
1212 8
10
GmFIGURE 44 same pattern, played legato (with hammer-ons and pull-offs)
3 3 3 3 3 3 3 3
108 12
1212 8
108 12
1212 8
108 12
1212 8
108 12
1212 8
10
GmFIGURE 45 alternating between G minor and F major shapes
3 3 3 3
F3
3
3
3
Gm
3 3 3 3
108 12
1212 8
108 12
1212 8
87 10
1010 7
87 10
1010 7
108 12
1212 8
108 12
1212 8
10
GmFIGURE 46 same G minor pattern, starting on the top note
3 3 3 3 3 3 3 3
1212 8
108 12
1212 8
108 12
1212 8
108 12
1212 8
108 12
12
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 42 G major and minor arpeggios in two octaves, ninth position
3
3 3
3 Gm3
3 3
3
1010
9 1212
1210
1212
12 910
1010
8 1212
1110
1112
12 810
10
GmFIGURE 43 four-note fragment on the A, D and G strings, alternate picked
3 3 3 3 3 3 3 3
108 12
1212 8
108 12
1212 8
108 12
1212 8
108 12
1212 8
10
GmFIGURE 44 same pattern, played legato (with hammer-ons and pull-offs)
3 3 3 3 3 3 3 3
108 12
1212 8
108 12
1212 8
108 12
1212 8
108 12
1212 8
10
GmFIGURE 45 alternating between G minor and F major shapes
3 3 3 3
F3
3
3
3
Gm
3 3 3 3
108 12
1212 8
108 12
1212 8
87 10
1010 7
87 10
1010 7
108 12
1212 8
108 12
1212 8
10
GmFIGURE 46 same G minor pattern, starting on the top note
3 3 3 3 3 3 3 3
1212 8
108 12
1212 8
108 12
1212 8
108 12
1212 8
108 12
12
GFIGURE 47 G major and minor arpeggios in two octaves, 10th position
3
3 3
3 Gm3
3 3
3
1010 14
1212
1210
1212
1214 10
1010 13
1212
1110
1112
1213 10
10
GmFIGURE 48 same G minor shape, minus the bottom note, with hammer-ons, pull-offs and sweeps
5 5 5 5
10 1312
1211
10 1011
1212
13 10 10 1312
1211
10 1011
1212
13 10
GFIGURE 49 G major and minor arpeggios in two octaves, 12th position
33 3
3
Gm
33 3
3
1514
1212
12 1515
15 1212
1214
1513
1212 15
1515
1515 12
1213
15
GFIGURE 50 same shapes, 12 frets and one octave lower, in first position
3
3 3
3Gm
3
3 3
3
32
00
0 33
3 00
02
31
00 3
33
33 0
01
3
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GmFIGURE 51 two-octave G minor arpeggio sweeps
3
3
33 3
3
33
1513
1212
1110 10
1112
1213
15 1513
1212
1110 10
1112
1213
15
GmFIGURE 52 higher octave only, extending up to the G root note
3
3
3
3
1211
10 15 1011
12 1211
10 15 1011
12
GmFIGURE 53 two-octave pattern, extended up to the high G root note
3
3
33 3
3
33
1513
1212
1110 15 10
1112
1213
15 1513
1212
1110 15 10
1112
1213
15
Gm
3
3 3
3 3
3 3
3
1513
1212
1110 15 10
1112
1213
15 1513
1212
1110 15 10
1112
1213
15
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
AmFIGURE 54 same pattern, shifted up two frets to A minor
3
3 3
3 3
3 3
3
1715
1414
1312 17 12
1314
1415
17 1715
1414
1312 17 12
1314
1415
17
3
3 3
3 3
3 3
3
1715
1414
1312 17 12
1314
1415
17 1715
1414
1312 17 12
1314
1415
17
EmFIGURE 55 same shape, moved down to E minor
3
3 3
3 3
3 3
3
1210
99
87 12 7
89
910
12 1210
99
87 12 7
89
910
12
3
3 33
3
3 33
1210
99
87 12 7
89
910
12 1210
99
87 12 7
89
910
12
GmFIGURE 56 higher octave of previous Gm arpeggio, modified for alternate picking
3 3 3 3 3 3 3 3
1211 15
1515 11
1211 15
1515 11
1211 15
1515 11
1211 15
1515 11
12
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GmFIGURE 57 same pattern, with hammer-ons and pull-offs added
3 3 3 3 3 3 3 3
1211 15
1515 11
1211 15
1515 11
1211 15
1515 11
1211 15
1515 11
12
GFIGURE 58 G major and minor arpeggios in two octaves, 13th/14th position
33 3
3
Gm
33 3
3
1514 17
1716
1515
1516
1717 14
1513 17
1715
1515
1515
1717 13
15
GFIGURE 59 same patterns, 12 frets and one octave lower, in second position
3
3 3
3Gm
3
3 3
3
32 5
54
33
34
55 2
31 5
53
33
33
55 1
3
GmFIGURE 60 four-note fragment, lower octave only, alternate picked
3 3 3 3 3 3 3 3
1513 17
1717 13
1513 17
1717 13
1513 17
1717 13
1513 17
1717 13
15
GmFIGURE 61 same pattern, with hammer-ons and pull-offs added
3 3 3 3 3 3 3 3
1513 17
1717 13
1513 17
1717 13
1513 17
1717 13
1513 17
1717 13
15
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GmFIGURE 62 stringing together related minor and major shapes to outline a chord progression
F
3 3
3
3
E F3
3
3
3
Gm F
3 3
3
3
1513 17
1717 13
1312 15
1515 12
1110 13
1313 10
1312 15
1515 12
1513 17
1717 13
1312 15
1515 12
E D3
3
3 3 Gm
3 3 3 3
1110 13
1313 10
109 12
1212 9 10
8 1212
12 810
8 1212
12 810
Chapter 3 The Circle of Fifths
GFIGURE 63 the circle of fifths/fourths, starting on G
C F B E A D F B E A D G
1515
1313
1111
99
77
55
3
CFIGURE 64 same thing, starting on C
F B E A D F B E A D G C
1513
1311
119
97
75
53
3
CHAP TER 3 MASTERING ARPEGGIOS The Circle of Fifths
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 4G Diminished Arpeggios in Positions
GFIGURE 65 G major, minor and diminished arpeggios in two octaves, fourth position, alternate picked
Gm
3 75
54 7
3 7 7 3
7 45
57 3 3 6
553 7
3 6 6 3
7 35
56 3
Gdim
3 64
53 6
3 6 6 3
6 35
46 3 3
GdimFIGURE 66 same G diminished shape, with hammer-ons, pull-offs and sweeps
3 64
53 6
3 6 6 3
6 35
46 3 3 6
45
3 6
3 6 6 3
6 35
46 3 3
GFIGURE 67 same shape, higher octave only, alternate picked
53 6
3 6 3
6 35
3 6
3 6 3
6 35
3 6
3 6 3
6 35
3 6
3 6 3
6 35
GdimFIGURE 68 same pattern, starting on the top note
6 3
6 35
3 6
3 6 3
6 35
3 6
3 6 3
6 35
3 6
3 6 3
6 35
3 6
3 6
CHAP TER 4 MASTERING ARPEGGIOS G Diminished Arpeggios in Positions
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GdimFIGURE 69 top four notes only, alternate picked
3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3
GdimFIGURE 70 same pattern, played legato (with hammer-ons and pull-offs)
3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3
GdimFIGURE 71 same pattern, starting on the top note
6 3
6 3 3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3 6
3 6 6 3
6 3 3 6
3 6 6
GFIGURE 72 G major, minor and diminished arpeggios in two octaves, fifth position
3
3 3
3 Gm3
3 3
3 Gdim3
3 3
3
755 9
787879 5
5655 8
786878 5
56
45 8
68
68
68 5
46
GFIGURE 73 G major, minor and diminished arpeggios in two octaves, seventh/sixth position
Gm
7 1010
97
87 10 10 7
87
910
10 7 6 1010
87
86 10 10 6
87
810
10 6
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Gdim
6 910
86
86 9 9 6
86
810
9 6 6
GFIGURE 74 G major, minor and diminished arpeggios in two octaves, ninth position
3
3 3
3 Gm3
3 3
3 Gdim3
3 3
3
1010
9 12121210121212 9
101010
8 12121110111212 8
10910
8 1112
1191112
11 810
9
GdimFIGURE 75 four-note fragment on the A, D and G strings, alternate picked
3 3 3 3 3 3 3 3
108 11
1211 8
108 11
1211 8
108 12
1212 8
108 12
1212 8
10
GdimFIGURE 76 same pattern, played legato (with hammer-ons and pull-offs)
3 3 3 3 3 3 3 3
108 11
1211 8
108 11
1211 8
108 11
1211 8
108 11
1211 8
10
GFIGURE 77 G major, minor and diminished arpeggios in two octaves, 10th position
3
3 3
3 Gm3
3 3
3 Gdim3
3 3
3
1010 14
1212121012121214 10
1010 13
1212111011121213 10
910 13
1112
1191112
1113 10
9
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GdimFIGURE 78 same G diminished shape, minus the bottom note, with hammer-ons, pull-offs and sweeps
5 5 5 5
10 1311
1211
9 911
1211
13 10 10 1311
1211
9 911
1211
13 10
GFIGURE 79 G major, minor and diminished arpeggios in two octaves, 12th position
3
3 3
3Gm
3
3 3
3Gdim
3
3 3
3
1514121212 15
1515 12
121214
1513121215
1515151512
1213
1513
1112 15
1415
1415 12
1113
15
GFIGURE 80 G major, minor and diminished arpeggios in two octaves, 13th/14th position
3
3 3
3Gm
3
3 3
3Gdim
3
3 3
3
1514 17
1716151515161717 14
151317
171515151515171713
1513 16
1715
1415
1415
1716 13
15
GFIGURE 81 same G major, minor and diminished patterns, 12 frets and one octave lower, in second position
3
3 3
3Gm
3
3 3
3Gdim
3
3 3
3
32 5
54333455 2
31 5
53333355 1
31 4
53
23
23
54 1
3
GdimFIGURE 78 same G diminished shape, minus the bottom note, with hammer-ons, pull-offs and sweeps
5 5 5 5
10 1311
1211
9 911
1211
13 10 10 1311
1211
9 911
1211
13 10
GFIGURE 79 G major, minor and diminished arpeggios in two octaves, 12th position
3
3 3
3Gm
3
3 3
3Gdim
3
3 3
3
1514121212 15
1515 12
121214
1513121215
1515151512
1213
1513
1112 15
1415
1415 12
1113
15
GFIGURE 80 G major, minor and diminished arpeggios in two octaves, 13th/14th position
3
3 3
3Gm
3
3 3
3Gdim
3
3 3
3
1514 17
1716151515161717 14
151317
171515151515171713
1513 16
1715
1415
1415
1716 13
15
GFIGURE 81 same G major, minor and diminished patterns, 12 frets and one octave lower, in second position
3
3 3
3Gm
3
3 3
3Gdim
3
3 3
3
32 5
54333455 2
31 5
53333355 1
31 4
53
23
23
54 1
3
position
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 5G Augmented Arpeggios in Positions
GFIGURE 82 G major and augmented arpeggios in two octaves, fourth position, alternate picked
Gaug
3 7554 7
3 7 7 3
7 4557 3 3 7
65
4 8
3 7 7 3
8 45
67 3
G
3 75
54 7
3 7 7 3
7 45
57 3 3
GFIGURE 83 same arpeggios, top half only, alternate picked
Gaug
54 7
3 7 3
7 45
4 7
3 7 3
7 45
4 8
3 7 3
8 45
4 8
3 7 3
8 4
G
54 7
3 7 3
7 45
4 7
3 7 3
7 45
GFIGURE 84 same pattern, starting on the top note
Gaug
7 3
7 454 7
3 7 3
7 454 7
3 7 3
8 45
4 8
3 7 3
8 45
4 8
3
CHAP TER 5 MASTERING ARPEGGIOS G Augmented Arpeggios in Positions
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
G
7 3
7 45
4 7
3 7 3
7 45
4 7
3 7
GFIGURE 85 top four notes only, alternate picked
Gaug
4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4 8
3 7 7 3
8 4 4 8
3 7 7 3
8 4
G
4 7
3 7 7 3
7 4 4 7
3 7 7 3
7 4 4
GFIGURE 86 same pattern, 12 frets and one octave higher, in 16th position
Gaug
16 19
15 19 19 15
19 16 16 19
15 19 19 15
19 16 16 20
15 19 19 15
20 16 16 20
15 19 19 15
20 16
G
16 19
15 19 19 15
19 16 16 19
15 19 19 15
19 16 16
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 87 same pattern, starting on the top note
Gaug
19 15
19 16 16 19
15 19 19 15
19 16 16 19
15 19 19 15
20 16 16 20
15 19 19 15
20 16 16 20
15 19
G
19 15
19 16 16 19
15 19 19 15
19 16 16 19
15 19 19
GFIGURE 88 G major and augmented arpeggios in two octaves, fifth position
3
3 3
3 Gaug3
3 3
3 G3
3 3
3
755 9
787879 5
57
65 9
88
78
89 5
6755 9
787879 5
57
GFIGURE 89 G major and augmented arpeggios in two octaves, seventh position
Gaug
7 1010
978
7 10 10 787
91010 7 7 11
109
88 12
11 1112 8
89
1011 7
G
7 1010
97
87 10 10 7
87
910
10 7 7
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 90 G major and augmented arpeggios in two octaves, ninth position
3
3 3
3 Gaug3
3 3
3 G3
3 3
3
1010
9 12121210121212 9
1011
109 13
1212
1112
1213 9
101010
9 12121210121212 9
1010
GFIGURE 91 four-note fragment on the A, D and G strings, alternate picked
3 3 3 3
Gaug
3 3 3 3
G
3 3 3 3
109 12
1212 9
109 12
1212 9
109 13
1213 9
109 13
1213 9
109 12
1212 9
109 12
1212 9
10
GFIGURE 92 same pattern, played legato (with hammer-ons and pull-offs)
3 3 3 3
Gaug
3 3 3 3
G
3 3 3 3
109 12
1212 9
109 12
1212 9
109 13
1213 9
109 13
1213 9
109 12
1212 9
109 12
1212 9
10
FIGURE 93 G major and augmented arpeggios in two octaves, 10th position
3
3 3
3 Gaug3
3 3
3 G3
3 3
3
101014
121212101212121410
1110 14
1312
1211
1212
1314 10
1010 14
1212121012121214 10
10
GFIGURE 94 same patterns, minus bottom note, with hammer-ons, pull-offs and sweeps
5 5
Gaug
5 5
G
5 5
101412121210 10
1212121410 10 14
1312
1211 11
1212
1314 10 1014
12121210 10
1212121410
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 95 G major and augmented arpeggios in two octaves, 12th position
33 3
3
Gaug
33 3
3
G
33 3
3
151412121215
151512
121214
1514
1312
12 1615
16 1212
1314
151412121215
1515 12
121214
15
GFIGURE 96 same pattern, 12 frets and one octave lower, in first position
3
3 3
3Gaug
3
3 3
3G
3
3 3
3
32000 3
33 0
002
32
10
0 43
4 00
12
32000 3
33 0
002
3
GFIGURE 97 four-note fragment on the top three strings, alternate picked
3 3 3 3
Gaug
3 3 3 3
G
3 3 3 3
00 3
33 0
00 3
33 0
00 4
34 0
00 4
34 0
00 3
33 0
00 3
33 0
0
GFIGURE 98 same pattern, 12 frets and one octave higher, in 12th position
3 3 3 3
Gaug
3 3 3 3
G
3 3 3 3
121215
151512
121215
151512
1212 16
1516 12
1212 16
1516 12
1212 15
151512
1212 15
1515 12
12
GFIGURE 99 G major and augmented arpeggios in two octaves, 14th position
33 3
3
Gaug
33 3
3
G
33 3
3
151417
171615151516171714
1514 18
1716
1615
1616
1718 14
1514 17
1716151515161717 14
15
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 100 same pattern, 12 frets and one octave lower, in second position
3
3 3
3Gaug
3
3 3
3G
3
3 3
3
32 5
54333455 2
32 6
54
43
44
56 2
32 5
54333455 2
3
GFIGURE 101 four-note fragment on the bottom three strings, alternate picked
3 3 3 3Gaug
3 3 3 3G
3 3 3 3
32 5
55 2
32 5
55 2
32 6
56 2
32 6
56 2
32 5
55 2
32 5
55 2
3
FIGURE 102 same pattern, 12 frets and one octave higher, in 14th position
3 3 3 3 3 3 3 3 3 3 3 3
151417
171714
151417
171714
1514 18
1718 14
1514 18
1718 14
1514 17
171714
1514 17
1717 14
15
GaugFIGURE 103 G augmented arpeggio, second position, with lower neighbors
2 31 2 5 6
4 53 4
3 42 3
3 43 4
4 55 6 1 2
2 3
GaugFIGURE 104 G augmented scale, fourth-second positions
3 6 75 6
4 53 4
3 42 3 2
4 34 3
5 46 5
7 6 3
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GaugFIGURE 105 G augmented scale, two-notes per string, with hammer-ons and pull-offs
15 1814 17
13 1612 15
12 1511 14 14 11
15 1215 12
16 1317 14
18 15 15
Chapter 6 Two-notes-per-string Patterns
GFIGURE 106 G major arpeggio in three octaves, two notes per string
3 75 10
9 1212 16
15 2019 22 22 19
20 1516 12
12 910 5
7 3 3
GFIGURE 107 same shape, with repeating melodic pattern applied
3 7510 5 10
912 9 1212161216
15 2015 2019 22 2219
2015 201516121612
12 9 12 910 5 10 5
7 3 3
G
FIGURE 108 same pattern, with rolling melodic contour, alternate picked, starting on an upstroke
3 75 10
910 5
75 10
7 121212 9
109 12
12 161516 12
1212 16
15 20192015
1615 20
19 22 22
22192015
1615 20
192015
16 121212 16
1516 12
12 910
9 121212 9
10 575 10
910 5
7 3 3
EmFIGURE 56 same pattern with double hammer-ons and pull-offs
3 3 3 3
3 3 3 3
3 3
0 3 50 2 5
0 2 50 2 4
0 3 50 3 5 5 5 3 0
5 3 04 2 0
5 2 0
3 3 3 3 3 3
3 3 3 3
5 2 05 3 0 0 3 5
0 2 50 2 5
0 2 40 3 5
0 3 5 5 3 0 5 3 0
3 3
3 3 3 3 3 3 3 3E5
5 3 0 5 3 04 2 0 4 2 0
5 2 0 5 2 05 2 0 5 2 0
5 3 0 5 3 0 0 022
EmFIGURE 57 next two overlapping boxes, all fretted notes
3 33 3
3 3 3 3
3 33 3
3 5 72 5 7
2 5 72 4 7
3 5 83 5 7 7 5 3
8 5 37 4 2
7 5 27 5 2
7 5 3
EMFIGURE 58 remaining overlapping E minor pentatonic boxes
3 3
3 33 3 3 3
3 3
3 3
5 7 105 7 10
5 7 94 7 9
5 8 105 7 10 10 7 5
10 8 59 7 4
9 7 510 7 5
10 7 5
CHAP TER 6 MASTERING ARPEGGIOS Two-notes-per-string Patterns
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 109 same shape, with a rolling triplet pattern
3 3 3 3
3 3 3 3
3 75 10 5
75 10
9 12 910
9 1212 16 12
1212 16
15 20 1516
3 3 3 3 3 3 3
3 3 3
15 2019 22 19
20 15 2019
20 1516 12 16
1516 12
12 9 1212
12 910 5 10
910 5
7 3
GFIGURE 110 two-notes-per-string G major arpeggio, starting on the third and using a string skip
7 1010 14
12 1716 19
15 19 19 15
19 1417 12
14 1010 7 7
GFIGURE 111 two-notes-per-string G major arpeggio, starting on the fifth and using a string skip
10 1514 17
17 21
15 20 20 15
21 1717 14
15 10 10
GFIGURE 112 two-notes-per-string G major arpeggio, starting on the third and on the A string
2 55 9
7 1212 15
15 19 19 1515 12
12 79 5
5 2 2
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 113 same pattern, shortened and with a string skip added
2 55 9
7 12
7 10 10 7
12 79 5
5 2 2
GFIGURE 114 two-notes-per-string G major arpeggio, starting on the fifth and on the D string
0 54 7
8 1210 15 15 10
12 87 4
5 0 0
GFIGURE 115 two-notes-per-string G major arpeggio, starting on the root and on the G string
0 43 8
7 10 10 78 3
4 0 0
GFIGURE 116 G major, minor, diminished and augmented arpeggios in three octaves, starting on the root
3 75 10
9 1212 16
15 2019 22 22 19
20 1516 12
12 910 5
7 3
Gm
3 65 10
8 1212 15
15 2018 22 22 18
20 1515 12
12 810 5
6 3
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Gdim
3 64 10
8 1112 15
14 2018 21 21 18
20 1415 12
11 810 4
6 3
G
3 75 10
9 1212 16
15 2019 22 22 19
20 1516 12
12 910 5
7 3
Gaug
3 76 10
9 1312 16
16 2019
20 1616 12
13 910 6
7 3
GFIGURE 117 G major, minor, diminished and augmented arpeggios, starting on the third
7 1010 14
12 1716 19
15 19 19 15
19 1617 12
14 1010 7
Gm
6 1010 13
12 1715 19
15 18 18 15
19 1517 12
13 1010 6
Gdim
6 910 13
11 1715 18
15 18 18 15
18 1517 11
13 109 6
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
G
7 1010 14
12 1716 19
15 19 19 15
19 1617 12
14 1010 7
Gaug
7 1110 14
13 1716 20
15 19 19 15
20 1617 13
14 1011 7
G
7 1010 14
12 1716 19
15 19 19 15
19 1617 12
14 1010 7
GFIGURE 118 G major, minor, diminished and augmented arpeggios, starting on the fifth
Gm
10 1514 17
12 16
10 15 15 10
16 12
17 1415 10 10 15
13 17
12 15
10 15 15 10
15 12
17 1315 10
Gdim G
9 1513 16
12 15
9 15 15 9
15 12
16 1315 9 10 15
14 17
12 16
10 15 15 10
16 12
17 1415 10
Gaug G
11 1514 18
12 16
11 15 15 11
16 12
18 1415 11 10 15
14 17
12 16
10 15 15 10
16 12
17 1415 10
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
BFIGURE 119 two-notes-per-string Bb, Bbm, Bbdim and Bb aug arpeggios, starting on the fifth
1 65 8
8 1210 15
15 1818 22 22 18
18 1515 10
12 88 5
6 1
B m
1 64 8
8 1110 15
14 1818 21 21 18
18 1415 10
11 88 4
6 1
B dim
0 64 7
8 119 15
14 1718 21 21 18
17 1415 9
11 87 4
6 0
B
1 65 8
8 1210 15
15 1818 22 22 18
18 1515 10
12 88 5
6 1
B aug
2 65 9
8 1211 15
15 1918 22 22 18
19 1515 11
12 89 5
6 2
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
B
1 65 8
8 1210 15
15 1818 22 22 18
18 1515 10
12 88 5
6 1
GFIGURE 120 G, Gm, Gdim and Gaug arpeggios, starting on the third and on the A string
2 55 9
7 1212 15
15 19 19 1515 12
12 79 5
5 2
Gm
1 55 8
7 1211 15
15 18 18 1515 11
12 78 5
5 1
Gdim
1 45 8
6 1211 14
15 18 18 1514 11
12 68 5
4 1
G
2 55 9
7 1212 15
15 19 19 1515 12
12 79 5
5 2
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Gaug
2 65 9
8 1212 16
15 19 19 1516 12
12 89 5
6 2
G
2 55 9
7 1212 15
15 19 19 1515 12
12 79 5
5 2
GaugFIGURE 121 resolving the previous G augmented arpeggio to C major, using the same type of pattern
2 65 9
8 1212 16
15 19 19 1516 12
12 89 5
6 2
C
3 75 10
9 1213 17
15 20 20 1517 13
12 910 5
7 3 (3)
C/EFIGURE 122 dramatic, "classical virtuoso-style" arpeggio run, resolving C/E to Fm
0 33 7
5 109 12
13 1715 20 20 15
17 1312 9
10 57 3
3 0
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 7 Classic Rock Arpeggio Licks
FIGURE 123 Mark Knopfler-style two-string arpeggio soloDm B
31 5 1
31 5 1
31 5 1
31 5 1
31 6 1
31 6 1
31 6 1
31 6
53
C Dm
8 353 8 3
53 8 3
53 8 3
53 8 3
53 8 3
53 8 3
53 8
65 10 5
65 10 5
65 10 5
65 10 5
66
B C
10 66610 6
66 10 6
6610
88 12 8
88 12 8
88 12 8
8812 8
88 12 8
8812 8
88 12 8
88 12
1010
Dm B C
131010101310
10101310
10101310
1110 1310
11101310
11101310
111013
1312 1512
13121512
13121512
13121512
1312
Dm B
151213121512
13121512
131215
1513 1713
15131713
15131713
15131713
1513 1813
15131813
15131813
151318
1715
Fm
1 43 8
6 1010 13
13 1816 20 20 16
18 1313 10
10 68 3
4 1 (1)
CHAP TER 7 MASTERING ARPEGGIOS Classic Rock Arpeggio Licks
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
C Dm
20 1517
15 20 1517
15 20 1517
15 20 1517
15 20 1517
15 20 1517
15 20 1517
15 2017
15
full
20
BmFIGURE 124 Eagles-style arpeggio melody
F
10 710
10 710
10 710
10 710
10 710
9 67
9 67
9 67
9 67
9 67
A E
9 55
9 55
9 55
9 55
9 55
7 45
7 45
7 45
7 45
7 45
G D
7 33
7 33
7 33
7 33
7 33
5 23
5 23
5 23
5 23
5 23
Em F
3 00
3 00
3 00
3 00
3 00
6 22
6 22
6 22
6 22
6 22
Chapter 7 Classic Rock Arpeggio Licks
FIGURE 123 Mark Knopfler-style two-string arpeggio soloDm B
31 5 1
31 5 1
31 5 1
31 5 1
31 6 1
31 6 1
31 6 1
31 6
53
C Dm
8 353 8 3
53 8 3
53 8 3
53 8 3
53 8 3
53 8 3
53 8
65 10 5
65 10 5
65 10 5
65 10 5
66
B C
10 66610 6
66 10 6
6610
88 12 8
88 12 8
88 12 8
8812 8
88 12 8
8812 8
88 12 8
88 12
1010
Dm B C
131010101310
10101310
10101310
1110 1310
11101310
11101310
111013
1312 1512
13121512
13121512
13121512
1312
Dm B
151213121512
13121512
131215
1513 1713
15131713
15131713
15131713
1513 1813
15131813
15131813
151318
1715
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Bm F 7
14 1012
14 1012
14 1012
14 1012
14 1012
12 911
12 911
12 911
12 911
12 911
A E7
12 910
12 910
12 910
12 910
12 910
10 79
10 79
10 79
10 79
10 79
G D
10 7810 7
810 7
810 7
810 7
810 5
710 5
710 5
710 5
710 5
7
Em F Bm
7 357 3
57 3
57 3
57 3
59 6
79 6
79 6
79 6
79 6
7 12
C Dm
20 1517
15 20 1517
15 20 1517
15 20 1517
15 20 1517
15 20 1517
15 20 1517
15 2017
15
full
20
BmFIGURE 124 Eagles-style arpeggio melody
F
10 710
10 710
10 710
10 710
10 710
9 67
9 67
9 67
9 67
9 67
A E
9 55
9 55
9 55
9 55
9 55
7 45
7 45
7 45
7 45
7 45
G D
7 33
7 33
7 33
7 33
7 33
5 23
5 23
5 23
5 23
5 23
Em F
3 00
3 00
3 00
3 00
3 00
6 22
6 22
6 22
6 22
6 22
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 8 Diatonic Triad Arpeggios in G
FIGURE 125 G major scale and diatonic triad arpeggios
3 5 7 8 10 12 14 15 15 14 12 10 8 7 5 3
G Am Bm C
3 3 3 3D Em F dim G
3 3 3
3
32
0
53
2
75
4
87
5
109
7
1210
9
1412
10
1514
12
G F dim Em D
3
3 3 3C Bm Am G
3 3 3 3
1514
12
1412
10
1210
9
109
7
87
5
75
4
53
2
32
0
GFIGURE 126 same arpeggios, one octave higher, hybrid picked
Am Bm C
3 3 3 3
D Em F dim G
3 3 3 3
54
3
75
5
97
7
109
8
1211
10
1412
12
1614
13
1716
15
Chapter 8 Diatonic Triad Arpeggios in G
FIGURE 125 G major scale and diatonic triad arpeggios
3 5 7 8 10 12 14 15 15 14 12 10 8 7 5 3
G Am Bm C
3 3 3 3D Em F dim G
3 3 3
3
32
0
53
2
75
4
87
5
109
7
1210
9
1412
10
1514
12
G F dim Em D
3
3 3 3C Bm Am G
3 3 3 3
1514
12
1412
10
1210
9
109
7
87
5
75
4
53
2
32
0
GFIGURE 126 same arpeggios, one octave higher, hybrid picked
Am Bm C
3 3 3 3
D Em F dim G
3 3 3 3
54
3
75
5
97
7
109
8
1211
10
1412
12
1614
13
1716
15
CHAP TER 8 MASTERING ARPEGGIOS Diatonic Triad Arpeggios in G
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
G F dim Em D
3 3 3 3
C Bm Am G
3 3 3 3
F dim Em F dim G3 3 3
3
1716
15
1614
13
1412
12
121110
109
8
97
7
75
5
54
3
421
20
0
421
54
3
GFIGURE 127 two-octave diatonic arpeggios in the key of G major
Am Bm
3 7554 7
3 7 7 3
7 4557 3 5 8
775 9
5 8 8 5
9 5778 5 710
997 11
71010 7
11 79910 7
C D Em
8121010
912
81212 8
12 9101012 8 1014
12121114
10141410
14 1112121410 1215
14141216
12151512
161214141512
F dim G
14 1715
1614 17
14 17 17 14
17 1416
1517 14 15 19
1717
16 19
15 19 19 15
19 1617
1719 15 15
G F dim Em
3 7554 7
3 7 7 3
7 4557 3 2 5
342 5
2 5 5 2
5 2435 2 0 3
220 4
0 3 3 0
4 0223 0
G F dim Em D
3 3 3 3
C Bm Am G
3 3 3 3
F dim Em F dim G3 3 3
3
1716
15
1614
13
1412
12
121110
109
8
97
7
75
5
54
3
421
20
0
421
54
3
GFIGURE 127 two-octave diatonic arpeggios in the key of G major
Am Bm
3 7554 7
3 7 7 3
7 4557 3 5 8
775 9
5 8 8 5
9 5778 5 710
997 11
71010 7
11 79910 7
C D Em
8121010
912
81212 8
12 9101012 8 1014
12121114
10141410
14 1112121410 1215
14141216
12151512
161214141512
F dim G
14 1715
1614 17
14 17 17 14
17 1416
1517 14 15 19
1717
16 19
15 19 19 15
19 1617
1719 15 15
G F dim Em
3 7554 7
3 7 7 3
7 4557 3 2 5
342 5
2 5 5 2
5 2435 2 0 3
220 4
0 3 3 0
4 0223 0
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
F dim G
2 53
42 5
2 5 5 2
5 24
35 2 3 7
55
4 7
3 7 7 3
7 45
57 3 3
GFIGURE 128 same arpeggios, higher octave only, no repeating notes
Am Bm C D Em
54 7
3 7 3
7 475 9
5 8 5
9 597 11
7 10 7
11 710
912
812 8
12 9121114
101410
1411141216
121512
1612
F dim G G F dim
1614 17
14 17 14
17 1417
16 19
15 19 15
19 1617 5
4 7
3 7 3
7 44
2 5
2 5 2
5 2
Em F dim G
20 4
0 3 0
4 04
2 5
2 5 2
5 25
4 7
3 7 3
7 45
GFIGURE 129 same thing, top four notes only, with top note repeated
Am Bm C
4 7
3 7 7 3
7 4 5 9
5 8 8 5
9 5 7 11
7 10 10 7
11 7 9 12
8 12 12 8
12 9
D Em F dim G
11 14
10 14 14 10
14 11 12 16
12 15 15 12
16 12 14 17
14 17 17 14
17 14 16 19
15 19 19 15
19 16
F dim G
2 53
42 5
2 5 5 2
5 24
35 2 3 7
55
4 7
3 7 7 3
7 45
57 3 3
GFIGURE 128 same arpeggios, higher octave only, no repeating notes
Am Bm C D Em
54 7
3 7 3
7 475 9
5 8 5
9 597 11
7 10 7
11 710
912
812 8
12 9121114
101410
1411141216
121512
1612
F dim G G F dim
1614 17
14 17 14
17 1417
16 19
15 19 15
19 1617 5
4 7
3 7 3
7 44
2 5
2 5 2
5 2
Em F dim G
20 4
0 3 0
4 04
2 5
2 5 2
5 25
4 7
3 7 3
7 45
GFIGURE 129 same thing, top four notes only, with top note repeated
Am Bm C
4 7
3 7 7 3
7 4 5 9
5 8 8 5
9 5 7 11
7 10 10 7
11 7 9 12
8 12 12 8
12 9
D Em F dim G
11 14
10 14 14 10
14 11 12 16
12 15 15 12
16 12 14 17
14 17 17 14
17 14 16 19
15 19 19 15
19 16
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
G F dim
16 4 7
3 7 7 3
7 4 2 5
2 5 5 2
5 2
Em F dim G
0 4
0 3 3 0
4 0 2 5
2 5 5 2
5 2 4 7
3 7 7 3
7 4 4
GFIGURE 130 triplet variation, starting on the top note
3 3
Am
3 3
Bm
3 3
C
3 3
7 3
7 4 7
3 7 8 5
9 5 9
5 8 10 7
11 7 11
7 10 12 8
12 9 12
8 12
D
3 3
Em
3 3
F dim
3 3
G
3 3
14 10
14 11 14
10 14 15 12
16 12 16
12 15 17 14
17 14 17
14 17 19 15
19 16 19
15 19
G
3 3
F dim
3 3
Em
3 3
F dim
3 3
G
3 3
7 3
7 4 7
3 7 5 2
5 2 5
2 5 3 0
4 0 4
0 3 5 2
5 2 5
2 5 7 3
7 4 7
3 7
G F dim
16 4 7
3 7 7 3
7 4 2 5
2 5 5 2
5 2
Em F dim G
0 4
0 3 3 0
4 0 2 5
2 5 5 2
5 2 4 7
3 7 7 3
7 4 4
GFIGURE 130 triplet variation, starting on the top note
3 3
Am
3 3
Bm
3 3
C
3 3
7 3
7 4 7
3 7 8 5
9 5 9
5 8 10 7
11 7 11
7 10 12 8
12 9 12
8 12
D
3 3
Em
3 3
F dim
3 3
G
3 3
14 10
14 11 14
10 14 15 12
16 12 16
12 15 17 14
17 14 17
14 17 19 15
19 16 19
15 19
G
3 3
F dim
3 3
Em
3 3
F dim
3 3
G
3 3
7 3
7 4 7
3 7 5 2
5 2 5
2 5 3 0
4 0 4
0 3 5 2
5 2 5
2 5 7 3
7 4 7
3 7
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 131 one-octave diatonic arpeggios in G major, third-fourth position
Am Bm C D Em F dim G
3 75
5 77 3
5 75
44 5
57 3 5
4 77
54
57
4 75
73
7 45
Am Bm Am G F dim' Em D C Bm Am G
7555 7
77 4
7555 3
7 45 4 7
57 5
457 5
4 77 5
57 3
754477 3
5 3 755
GFIGURE 132 same pattern, with melodic contour reversed
Am Bm C D Em F dim G
55
7 3 53 7
74
45
73 7
55 7
7 45 7
54
5 75
7 4 54 7
3
Am G F dim Em D C Bm Am G
5557 5
4 7
3757 4
7545
77 4
5 3 755 4
457 5
3 77 5
57 3
AmFIGURE 133 one-octave diatonic arpeggios in G major, fifth position, starting on Am
Bm C D Em F dim G Am Bm C Bm Am
5 877 9
9 57 8
755 7
79 5 7
5 9975795 9
785
9 57 9
777 8
89 5
9777 5
9 57
GFIGURE 131 one-octave diatonic arpeggios in G major, third-fourth position
Am Bm C D Em F dim G
3 75
5 77 3
5 75
44 5
57 3 5
4 77
54
57
4 75
73
7 45
Am Bm Am G F dim' Em D C Bm Am G
7555 7
77 4
7555 3
7 45 4 7
57 5
457 5
4 77 5
57 3
754477 3
5 3 755
GFIGURE 132 same pattern, with melodic contour reversed
Am Bm C D Em F dim G
55
7 3 53 7
74
45
73 7
55 7
7 45 7
54
5 75
7 4 54 7
3
Am G F dim Em D C Bm Am G
5557 5
4 7
3757 4
7545
77 4
5 3 755 4
457 5
3 77 5
57 3
AmFIGURE 133 one-octave diatonic arpeggios in G major, fifth position, starting on Am
Bm C D Em F dim G Am Bm C Bm Am
5 877 9
9 57 8
755 7
79 5 7
5 9975795 9
785
9 57 9
777 8
89 5
9777 5
9 57
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
G F dim Em D C Bm Am
5 97
8 75
79 7
5 99 7
79 5
87
55
99 5
7 5 87
7
AmFIGURE 134 same pattern, with melodic contour reversed
Bm C D Em F dim G Am
77
8 5 75 9
95
57
85 9
77 9
9 57 9
75
7 87
9 5 75 9
5
Bm C Bm Am G F dim Em D C Bm Am
77795 9
88 7
779 7
5 9
5879 5
975799 5
7 5 977 5
578 7
5 99 7
78 5
BmFIGURE 135 one-octave diatonic arpeggios in G major, seventh position, starting on Bm
C D Em F dim G Am Bm C D C Bm
7109910
10 7810
977 9
910 7 9
710
7 87910
710910
7779 10
98810
10 7710
988 7
779
Am G F dim Em D C Bm
7 10910 8
7910 9
7 10
79
910 7
109
7710
10 78 7 10
99
G F dim Em D C Bm Am
5 97
8 75
79 7
5 99 7
79 5
87
55
99 5
7 5 87
7
AmFIGURE 134 same pattern, with melodic contour reversed
Bm C D Em F dim G Am
77
8 5 75 9
95
57
85 9
77 9
9 57 9
75
7 87
9 5 75 9
5
Bm C Bm Am G F dim Em D C Bm Am
77795 9
88 7
779 7
5 9
5879 5
975799 5
7 5 977 5
578 7
5 99 7
78 5
BmFIGURE 135 one-octave diatonic arpeggios in G major, seventh position, starting on Bm
C D Em F dim G Am Bm C D C Bm
7109910
10 7810
977 9
910 7 9
710
7 87910
710910
7779 10
98810
10 7710
988 7
779
Am G F dim Em D C Bm
7 10910 8
7910 9
7 10
79
910 7
109
7710
10 78 7 10
99
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
CFIGURE 136 one-octave diatonic arpeggios in G major, eighth-ninth position, starting on C
D Em F dim G Am Bm C D Em D C
812101012
12 91012
1099 11
1012 9 10
9121210
91012
9121112
8
12 910 12
11101012
1212 9
12111010 8
12 910
Bm Am G F dim Em D C
9 1211
12 109
1012 10
9 1212 11
1012 9
1210
9912
12 910 8 12
1010
DFIGURE 137 one-octave diatonic arpeggios in G major, 10th position, starting on D
Em F dim G Am Bm C D Em F dim Em D
1014121214
14101214
12101112
121410 12
101414121112141014
121310
14 1112 14
12121214
131411
1412121210
141112
C Bm Am G F dim Em D
10 1412
13 1211
1214 12
10 1414 12
1214 10
1412
1011
1414 10
12 10 1412
12
EmFIGURE 138 one-octave diatonic arpeggios in G major, 12th position, starting on Em
F dim G Am Bm C D Em F dim G F dim Em
1215141416
15121415
14121214
141512 14
121616131214151216
141512
161214 16
14131415
151612
1614131412
161214
CFIGURE 136 one-octave diatonic arpeggios in G major, eighth-ninth position, starting on C
D Em F dim G Am Bm C D Em D C
812101012
12 91012
1099 11
1012 9 10
9121210
91012
9121112
8
12 910 12
11101012
1212 9
12111010 8
12 910
Bm Am G F dim Em D C
9 1211
12 109
1012 10
9 1212 11
1012 9
1210
9912
12 910 8 12
1010
DFIGURE 137 one-octave diatonic arpeggios in G major, 10th position, starting on D
Em F dim G Am Bm C D Em F dim Em D
1014121214
14101214
12101112
121410 12
101414121112141014
121310
14 1112 14
12121214
131411
1412121210
141112
C Bm Am G F dim Em D
10 1412
13 1211
1214 12
10 1414 12
1214 10
1412
1011
1414 10
12 10 1412
12
EmFIGURE 138 one-octave diatonic arpeggios in G major, 12th position, starting on Em
F dim G Am Bm C D Em F dim G F dim Em
1215141416
15121415
14121214
141512 14
121616131214151216
141512
161214 16
14131415
151612
1614131412
161214
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
D C Bm Am G F dim Em
12 1614
15 1312
1415 14
12 16 1614
1415 12
1514
1412
1615 12
14 12 1514
14
EmFIGURE 139 same pattern, one octave and 12 frets lower, in first position
F dim G Am Bm C D Em F dim G F dim Em
0 322 4
3 02 3
200 2
23 0 2
0 4410230 4
230
4 02 4
212 3
34 0
4212 0
4 02
D C Bm Am G F dim Em
0 42
3 10
23 2
0 4 42
23 0
32
20
43 0
2 0 32
2
F dimFIGURE 140 one-octave diatonic arpeggios in G major, 14th position, starting on F#dim
G Am Bm C D Em F dim G Am G F dim
1417151617
17141517
15141416
161214 15
141717151416171417
161714
171416 17
16151517
171714
1716151514
171416
Em D C Bm Am G F dim
14 1716
17 1514
1617 15
14 1717 16
1617 14
1715
1414
1717 14
15 14 1715
16
D C Bm Am G F dim Em
12 1614
15 1312
1415 14
12 16 1614
1415 12
1514
1412
1615 12
14 12 1514
14
EmFIGURE 139 same pattern, one octave and 12 frets lower, in first position
F dim G Am Bm C D Em F dim G F dim Em
0 322 4
3 02 3
200 2
23 0 2
0 4410230 4
230
4 02 4
212 3
34 0
4212 0
4 02
D C Bm Am G F dim Em
0 42
3 10
23 2
0 4 42
23 0
32
20
43 0
2 0 32
2
F dimFIGURE 140 one-octave diatonic arpeggios in G major, 14th position, starting on F#dim
G Am Bm C D Em F dim G Am G F dim
1417151617
17141517
15141416
161214 15
141717151416171417
161714
171416 17
16151517
171714
1716151514
171416
Em D C Bm Am G F dim
14 1716
17 1514
1617 15
14 1717 16
1617 14
1715
1414
1717 14
15 14 1715
16
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
F dimFIGURE 141 same pattern, one octave and 12 frets lower, in second position
G Am Bm C D Em F dim G Am G F dim
2 534 5
5 23 5
322 4
4 02 3
2 5532452 5
452
5 24 5
433 5
55 2
5433 2
5 24
Em D C Bm Am G F dim
2 54
5 32
45 3
2 55 4
45 2
53
22
55 2
3 2 53
4
GFIGURE 142 first pattern again (in third-fourth position), with an eighth-note triplet melodic variation
Am Bm C
3 3 3 3
D Em F dim G
3 3 3 3Am Bm C D
3 3 3 3
3 75 7 3
5 75
4 57 3 5
4 74
57
4 75 7 4
5 75
5 77 4 5
53 5
77
Em D C Bm
3 3 3 3
Am G F dim Em
3
3 3 3D C Bm Am
3 3 3 3
G
3
53 7 5
77 5
5377 4
7557 4
5 4 75 4
57 5
4 7 57 3
7547 3
5 3 75
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 9Open-voiced Arpeggios, One Note Per String
GFIGURE 143 open-voiced diatonic triad arpeggios in G major, played up and down the neck
Am Bm C
3 3 3 3D Em F dim G
3
3 3 3
35
4
57
5
79
7
810
9
1012
11
1214
12
1415
14
1517
16
G F dim Em D
3 3 3
3C Bm Am G
3 3 3 3
1517
16
1415
14
1214
12
1012
11
810
9
79
7
57
5
35
4
GFIGURE 144 same thing an octave higher, on the A, D and B strings
Am Bm C
3 3 3 3
D C Bm Am
3 3 3 3
G F dim Em D
3 3 3
3
1012
12
1214
13
1416
15
1517
17
1719
19
1517
17
1416
15
1214
13
1012
12
910
10
79
8
57
7
C Bm Am Bm3 3 3 3
C D Em F dim3 3
3 3
G
3
35
5
24
3
02
1
24
3
35
5
57
7
79
8
910
10
1012
12
CHAP TER 9 MASTERING ARPEGGIOS Open-Voiced Arpeggios, One Note per String
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
GFIGURE 145 switching string groups to extend the range
Am Bm C
3 3 3 3D Em F dim G
3
3 3 3
35
4
57
5
79
7
810
9
57
7
79
8
910
10
1012
12
Am Bm C D
3 3 3 3
Em F dim G
3 3 3
79
8
911
10
1012
12
1214
14
1416
15
1617
17
1719
19
G/BFIGURE 146 open-voiced, first-inversion triad arpeggios in G major
Am/C Bm/D C/E3 3 3
3
D/F# Em/G F dim/A G/B
3 3 3 3
F dim/A Em/G D/F# C/E
3 3 3 3
7
57
8
79
10
911
12
1012
14
1214
15
1416
17
1617
19
1719
17
1617
15
1416
14
1214
12
1012
Bm/D Am/C G/B F dim/A3 3 3 3
Em/G D/F# Em/G F dim/A
3 3 3 3G/B
3
10
911
8
79
7
57
5
45
3
24
2
02
3
24
5
45
7
57
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 10Interval Patterns
GFIGURE 147 two-octave diatonic triad arpeggios in G major, with interval patterns (fifths and sixths)
3 7554 7
3 7 7 3
7 4557 3 3 3
57
55
457 4
3
7
7
4
3
57
5
4
7
5
35
Am
5 8775 9
5 8 8 5
9 5778 5 5 5
78
77
579 5
5
9
8
5
5
79
7
5
8
7
57
Bm
7 10997 11
7 10 10 7
11 79910 7 7 7
910
99
7911 7
7
11
10
7
7
911
9
7
10
9
79
C
8 121010
9 12
8 12 12 8
12 9101012 8 8 8
1012
1010
91012 9
8
12
12
9
8
1012
10
9
12
10
810
D
10 14121211 14
10 14 14 10
14 11121214 10 10 10
1214
1212
111214 11
10
14
14
11
10
1214
12
11
14
12
1012
CHAP TER 10 MASTERING ARPEGGIOS Interval Patterns
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Em
12 15141412 16
12 15 15 12
16 12141415 12 12 12
1415
1414
121416 12
12
16
15
12
12
1416
14
12
15
14
1214
F dim
14 17151614 17
14 17 17 14
17 14161517 14 14 14
1517
1615
141617 14
14
17
17
14
14
1617
15
14
17
16
1415
G
15 19171716 19
15 19 19 15
19 16171719 15 15 15
1719
1717
161719 16
15
19
19
16
15
1719
17
16
19
17
1517
G
3 7554 7
3 7 7 3
7 4557 3 3 3
57
55
457 4
3
7
7
4
3
57
5
4
7
5
35
F dim
2 5342 5
2 5 5 2
5 2435 2 2 2
35
43
245 2
2
5
5
2
2
45
3
2
5
4
23
Em
0 3220 4
0 3 3 0
4 0223 0 0 0
23
22
024 0
0
4
3
0
0
24
2
0
3
2
02
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
F dim
2 5342 5
2 5 5 2
5 2435 2 2 2
35
43
245 2
2
5
5
2
2
45
3
2
5
4
23
G
3 7554 7
3 7 7 3
7 4557 3 3 3
57
55
457 4
3
7
7
4
3
57
5
4
7
5
35
GFIGURE 148 playing other fingering patterns in intervals
3
3 3
3 33
3 3
3 3
32 5
543
334
55 2
3 35 2
55
45
34
3
5
3
5
4
25
35 (5)
Em
0 32 7
5 99 12
12 1715 19 19 15
17 1212 9
9 57 2
3 0 (0)
0237 2
579 5
9912 9
121217 12
1517191215
1217
912
912
59
7925
37
02
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Chapter 11Tapping Diatonic Triad Arpeggios
GFIGURE 149 tapping diatonic triad arpeggios in the key of G major on the low E string
Am
3 3 3 3 3 3 3 3
Bm C
3 3 3 3 3 3 3 3
10
T
3 710
T
3 710
T
3 710
T
3 712
T
5 812
T
5 812
T
5 812
T
5 8 14
T
71014
T
7 1014
T
7 1014
T
71015
T
81215
T
81215
T
8 1215
T
8 12
D Em
3 3 3 3 3 3 3 3
F dim G
3 3 3 3 3 3 3 3
17
T
101417
T
101417
T
101417
T
101419
T
121519
T
121519
T
121519
T
1215 20
T
1417 20
T
1417 20
T
1417 20
T
1417 22
T
1519 22
T
1519 22
T
1519 22
T
1519
F dim Em
3 3 3 3 3 3 3 3
D C
3 3 3 3 3 3 3 3
20
T
1417 20
T
1417 20
T
1417 20
T
141719
T
121519
T
121519
T
121519
T
1215 17
T
101417
T
101417
T
101417
T
101415
T
8 1215
T
81215
T
8 1215
T
8 12
Bm Am
3 3 3 3 3 3 3 3
G F dim
3 3 3 3 3 3 3 3
14
T
7 1014
T
7 1014
T
71014
T
71012
T
5 8 12
T
5 812
T
5 812
T
5 8 10
T
3 7 10
T
3 710
T
3 7 10
T
3 7 8
T
2 5 8
T
2 5 8
T
2 5 8
T
2 5
CHAP TER 11 MASTERING ARPEGGIOS Tapping Diatonic Triad Arpeggios
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
Em F dim
3 3 3 3 3 3 3 3
G
3 3 3 3
7
T
0 3 7
T
0 3 7
T
0 3 7
T
0 3 8
T
2 5 8
T
2 5 8
T
2 5 8
T
2 5 10
T
3 7 10
T
3 7 10
T
3 7 10
T
3 7 10
T
3
GFIGURE 150 same thing on the G string (octave higher)
Am
3 3 3 3
3 3 3 3
Bm C
3 3 3 3 3 3 3 3
7
T
0 4 7
T
0 4 7
T
0 4 7
T
0 4 9
T
2 5 9
T
2 5 9
T
2 5 9
T
2 5 11
T
4 7 11
T
4 7 11
T
4 7 11
T
4 7 12
T
5 9 12
T
5 9 12
T
5 9 12
T
5 9
D Em
3 3 3 3 3 3 3 3
F dim G
3 3 3 3 3 3 3 3
14
T
7 1114
T
7 1114
T
7 1114
T
7 1116
T
9 1216
T
9 1216
T
9 1216
T
912 17
T
111417
T
111417
T
111417
T
111419
T
121619
T
121619
T
121619
T
1216
Am G
3 3 3 3 3 3 3 3
F dim Em
3 3 3 3 3 3 3 3
21
T
1417 21
T
1417 21
T
1417 21
T
141719
T
121619
T
121619
T
121619
T
1216 17
T
111417
T
111417
T
111417
T
111416
T
9 1216
T
91216
T
9 1216
T
9 12
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
D C
3 3 3 3 3 3 3 3
Bm Am
3 3 3 3 3 3 3 3
14
T
7 1114
T
7 1114
T
7 1114
T
7 1112
T
5 9 12
T
5 912
T
5 912
T
5 9 11
T
4 7 11
T
4 7 11
T
4 7 11
T
4 7 9
T
2 5 9
T
2 5 9
T
2 5 9
T
2 5
G
3 3 3 3
7
T
0 4 7
T
0 4 7
T
0 4 7
T
0 4 7
T
0
GFIGURE 151 same thing on the B string (octave higher)
Am
3 3 3 3 3 3 3 3
Bm C
3 3 3 3 3 3 3 3
15
T8 1215
T8 1215
T81215
T81217
T101317
T101317
T101317
T1013 19
T121519
T121519
T121519
T1215 20
T1317 20
T1317 20
T1317 20
T1317
D C
3 3 3 3 3 3 3 3
Bm Am
3 3 3 3 3 3 3 3
22
T1519 22
T1519 22
T1519 22
T1519 20
T1317 20
T1317 20
T1317 20
T1317 19
T121519
T121519
T121519
T121517
T101317
T101317
T101317
T1013
G F dim
3 3 3 3 3 3 3 3
Em D
3 3 3 3 3 3 3 3
15
T8 1215
T8 1215
T81215
T81213
T7 1013
T7 1013
T7 1013
T710 12
T5 8 12
T5 812
T5 8 12
T5 8 10
T3 7 10
T3 7 10
T3 7 10
T3 7
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
C Bm
3 3 3 3 3 3 3 3
C D
3 3 3 3 3 3 3 3
8
T1 5 8
T1 5 8
T1 5 8
T1 5 7
T0 3 7
T0 3 7
T0 3 7
T0 3 8
T1 5 8
T1 5 8
T1 5 8
T1 5 10
T3 7 10
T3 7 10
T3 7 10
T3 7
Em F dim
3 3 3 3 3 3 3 3
G
3 3 3 3
12
T5 8 12
T5 8 12
T5 8 12
T5 8 13
T7 10 13
T7 10 13
T7 10 13
T7 10 15
T8 12 15
T8 12 15
T8 12 15
T8 12 15
T8
Chapter 12Using Open Strings to Extend Range, Classical Style
AFIGURE 152 one-bar excerpts from "Etude No. 2" by Hector Villa-Lobos
0 42
22
010
9 12 910
02
22
4
E/B
22
10
0
1312
12 16 1212
13
00
12
A
0 42
22
010
9 12 910
02
22
4
Fmaj7/A
03
21
0
1010
8 12 810
10
01
23
A
0 42
22
010
9 12 910
02
22
4 02225
CHAP TER 12 MASTERING ARPEGGIOS Using Open Strings to Extend Range, Classical Style
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
EFIGURE 153 excerpt from beginning of "Caprice No. 1" by Nicolo Paganini
B/D# E B
76 9
9 99 6
7 6 99
7 7
99 6 7
6 99 9
9 67
79
8
7 7
8
97
E/G# A F /A# B
4
24
4 4
42
4 57
6
5 9 12
6
46
6 6
64
6 79
8
7 11 14
B/D# E B/F# E/G#
11
911
11 11
119
11 1214
13
12 12
13
1412 14
13
1214 14
12
13
14 16
1416
16 16
1614
16
A A dim7 E/B B E
1719
18
17 17
18
1917 18
1721
21 21
2117
18 19
18
1719
79
8
7
1214
13
12
G
FIGURE 154 excerpt from same piece, with an open string used to play "extreme" open-voiced arpeggios
3
0 9
10 10
9 0
3 3
014
15 15
140
3 3
0 17
19 19
17 0
3 3
0 21
22 22
21 0
3 3
Chapter 12Using Open Strings to Extend Range, Classical Style
AFIGURE 152 one-bar excerpts from "Etude No. 2" by Hector Villa-Lobos
0 42
22
010
9 12 910
02
22
4
E/B
22
10
0
1312
12 16 1212
13
00
12
A
0 42
22
010
9 12 910
02
22
4
Fmaj7/A
03
21
0
1010
8 12 810
10
01
23
A
0 42
22
010
9 12 910
02
22
4 02225
M A S T E R I N G A R P E G G I O S × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × × ×
EFIGURE 153 excerpt from beginning of "Caprice No. 1" by Nicolo Paganini
B/D# E B
76 9
9 99 6
7 6 99
7 7
99 6 7
6 99 9
9 67
79
8
7 7
8
97
E/G# A F /A# B
4
24
4 4
42
4 57
6
5 9 12
6
46
6 6
64
6 79
8
7 11 14
B/D# E B/F# E/G#
11
911
11 11
119
11 1214
13
12 12
13
1412 14
13
1214 14
12
13
14 16
1416
16 16
1614
16
A A dim7 E/B B E
1719
18
17 17
18
1917 18
1721
21 21
2117
18 19
18
1719
79
8
7
1214
13
12
G
FIGURE 154 excerpt from same piece, with an open string used to play "extreme" open-voiced arpeggios
3
0 9
10 10
9 0
3 3
014
15 15
140
3 3
0 17
19 19
17 0
3 3
0 21
22 22
21 0
3 3