Brief Having analysed the Occupy Movement at St Paul’s Cathedral and identying the Altruistic traits of sharing information within the camps and the trans-formation of the insurgent public space, I sought to find places where this movement had digitally spread to and physically surfaced. Oxford Brookes University had seen its own Occupy movement appear outside its public green space. Students where not happy about their tuition fees going up, but that wasn’t the only issue, their meme merged with the ‘anti-bankers’, ‘anti-capitilist’ meme. The brief here is to nurture opinions and not al-low one dominant idea so suck in minor opinions under one big banner. To nurture debate and expressions free from a percieved concensus is the idea of my brief. How can I use the university and its spaces that allow architec-ture students make more socially aware designs, using social media data to make propose very relevant solutions free from background noise and display these solutions to visitors and the public protestors.

Contested Space

Demo Space

Site Analysis

Site research:

Proliferation

1/11/11 Eviction NoticeOccupy Spreads to Cardiff

Occupy London, St Paul’s Cathedral

30/11/11

OccupyLondon

StPaulsCathedral

St Paul’s Cathedral

StarbucksFREE Internet

Wi-Fi Signal

A brief account of the Occupy London protest at St Paul’s Cathedral’s ‘Tent City’ with two key peaks in its memetic replication. The thickness of the above line ex-presses the level of the memetic replication across digital devices (using Google trends) with an increase in the appropriation of public space across St Paul’s Cathedral.

utio.

meme finder

http://ut.io by sirwan.

Geo-spatial search engine verifying social media activity over a space. The red dots represent memes that are pro-war and the black dots represent the ‘occupy’ meme. This also shows the level of contestation with the amount of black dots versus the amount of red dots.

Utio can provide a pattern of surfaced agents, across St Paul’s Cathedral. The findings will be cross compared with the survey of the public and the interview of the protesters. A pattern drawn across the city would also allow me to see the concentration level of memeplexes that may be the precursor for creation of interstitial spaces. The assertion made is that enough memes in one spot can leave the space exposed for spatial appropriation.

digital memes

tracked

Memetic Makeup > Memes spotted across the public space at St Paul’s Cathedral and their intensity help allocate not only the precise space but the form of the building itself as meme units have levels of intesity.

The level of replication over the same space helps create a greater memetic value of in-tesity for that given space.

capturing

memes

iPhone Meme Capture > Using the iPhone as a device to catch memes, visual data can also be used as part of the forming and the memetic makeup of that space over time.

Greenpix

Simone Giostra & Partners Architects have designed the GreenPix – Zero Ener-gy Media Wall – a project applying a self-sustainable digital media LED display on the curtain wall of Xicui Entertainment Complex in Beijing, near the site of the 2008 Olympics. Featuring one of the largest color LED display worldwide and the first photovoltaic system integrated into a glass curtain wall in China, GreenPix transforms the building envelop into a self-sufficient organic system, harvesting solar energy by day and using it to illuminate the screen after dark, mirroring a day’s climatic cycle.

Farnsworth

Wall

Farnsworth Wall is an architectural wall module that uses and harvests solar energy for illuminating indoor spaces. This application, using real-time re-sponses to it’s surrounding environment, creates an engaging experience for people on site. The Farnsworth wall is a modular paneling system built as a Structural Insulated Panel (S.I.P.) in a standard 4x8 size.This module can be cut and applied to virtually any existing or new construction. A layer of solar panels on the exterior harvests and stores radiant energy and an embedded system of low-energy L.E.D. lights on the other side illuminates the interior space.

The hyposurface wall physically reacts to given data, recieved through a programme written to make the wall responsive. The hyposurface wall would connect the digital meme and its pulses of replication and intensity into the physical space, mediating between the digital and the physical surfaced meme. A responsive architecture would help mediate between contesting memes.

hyposurface

wall

Visualisation of the Hyposurface wall at St Pauls Cathedral.

installation

over st pauls A mock up view of how Liquid Crystal Film panels suspended above the public space at St Paul’s Cathedral may look. Electrical pulses turn the pan-els on and off gradualy at a rate of speed according to the streaming feeds being circulated through digital space such as the twittersphere, with a tag of ‘Occupy’ and ‘St Pauls’.

reactions A sketch design on how shelter can react to social data with nodes in the joint being the responding mechanis, reacting to social expressions around the area. The key aspect of this is how social content can take part as a node in the building.

Reactions to Social Content would be looked at in the designing of a later building, to help nurture alternate Expressions.

reactions

Data such as the intensity of a meme and its dynamic and changing values give the architecture a responsiveness to its cultural context.

Parts of the building could react in either form, color or shape rep-resenting the values within social content or projections of tweets which would help mediate ideas and opinions and provide a space which will nurture a democratic platform for expressions.

site visit:

st paul’s

cathedral

History: St Paul’s Cathedral. Religion, Freedom. Programme: Expression, Opinion, Protest. Irk: Dramaturgy, Theatrical, Contestation of Memes.

contesting

memes + repre-

sentations

meme

representation

Memetic Makeup > The memetic make-up of a particular space is made up of varying levels of intensity from element used in its makeup.

Each element in its memetic make up (digital and physical) can vary depending on the opinions over time and this can affect the space’s overal representation and wider memetic value.

Light intensity

light

reflection

insurgent spaces > distort the representation of the image and light, invoking anonymity and insurgency in public spaces.

Site Map:

occupy meme-

surfaces to

oxford

The digital meme spreads to Oxford carrying the same Altruistic char-acterstics found at the ‘Occupy St Paul’s’ Tent City. It surfaced in the same manner and transformed the space identically.

Site > Oxford Brookes University

Site visit:

brookes 1:1500

University > Students Protestors

Protest > Entrance Site

Insurgent Space > Public Space

brookes public

space

university

spaces

Creativity, Development > Abercrombie Studios

Proliferate > Lecture Hall

Build > Workshop

Spaces > The Protest site is sorrounded by spaces that proliferate and help create ideas and expres-sion at an academic level, I can use or enhance these spaces with a proposal design and engage the students who both protest and use these significant spaces.

Open Space > Protesting

Study > Library

Meeting > Single Rooms

protesting

space

site

Tent City > Occupy Brookes. Brookes > Creativity. Altruism > Information shared through Signs.

Programme

Open Portal > Mezzenine to Gallery and Debating Floors.

Studio > Critiqueing work developed from debates and public discussions.

Partioned Studio Spaces > Information shared

Dinning > Public Dinning and refectionary facilities.

Tent City > Outdoor space for outdoor protesting.

Offices & Facilities> Communicating with meeting with other protest sites.

Gallery Perimeter> Outside of maze is open.

Open Space > Combines debating with indoor protest-ing space creating a communal space between facilities.

Proliferating Space > Debating Circle for opinions and memes to merge or eliminate.

Meme Showcases > Gallery Cells, maze.

ground floor

N

first floor

N

second floorN

FOUNDATIONSN

AXO Exploded

1:500

Roof > A flat parapet roof with cieling win-dows provide sunlight onto the studios.

Developign Ideas from Open Social Data > Studio spaces for protesters to engage with students at Ox-ford Brookes University to develop more enriched and socially aware designs and solutions.

Studios > Protestors and students will take their findings from debates influ-enced by public digital memes (from the social screen graph) away from their debates to produce much more socially aware designs and develope them further on the studio level with other students, mentors and tutors. The main lecture hall has a projector screen that can help the student / protestor present their ideas (filtered down and alternated) to other students and criticism.

Gallery > All past work of so-cially aware designs that have been developed their through using social media data for their findings are exhibited here in a maze, with litracon block work showing sillhouttes of other visitors giving the anonymity of public spaces and design.

Debating > This floor is a wide open floor that fuses in-door protesting with a debat-ing hall, an open space like this gives the semblance of an insurget space that a protes-tor can feel whilst making their mark and at the same time contribute to a debate brought forth by students and visitors concerned about ideas, politics or memes from outside society. The first floor has conference and Internet ready rooms for research and fact finding whilst also acco-madating the visitors with a canteen and toilet rooms for both men and women. The curtain wall entrance pro-vides enough sunlight for this open floor to blur the inside and outside spaces whilst the protestors inhabit this open space.

Foundation > Deep pile and wall foundations help make the reinfored concrete frame-work structure stable.

elevation

Projected Facade > The Top floor of the West facing facade have LED screens displaying words or pulses in the Twittersphere that give the public an idea of what could be discussed inside the building within the debating area and the open space inhabited by protestors.

connecting

memes

Node Relationships > Connections between nodes in space determinte a relationship between more than one node or social content. The relationship shows the strength between and in each opinion, expression or tweet giving rise to a more transparent set of information for use in de-bates and discussions.

memetic paths

Light Following Paths > Reflections of light follow lines at predetermined shapes, casting highlights on the basis of ones location.

The paths of memes can be view physically via light.

social media

pulses

Energy Saving Lighting > Engergy saving Cree 10W LED fiber optic lighting kits calbe DIA 3.0mm for stablising the frame and attach-ing the AMOLED screens, pulses of light play rhythmically to tweets from within the buildings area. White sparkle lighting . 6 colors Sparkle lighting effect.

Aluminum Box Frame > Box frames similar to the ones used in shop fascia signs with riveted drilled connections. The frame goes through 3 floors and is con-nected to buildings re-inforced concrete beam structure.

Axo Scale 1:150

AMOLED Screens > An AMOLED display consists of an active matrix of OLED pixels that gener-ate light upon electrical activation that have been deposited or integrated onto a thin film transistor (TFT) array, which functions as a series of switches to control the current flowing to each individual pixel. Showing timed flashes of tweets being made in the building and around the entire area.

section:

mezanine

social meme

graph

Social Meme Graph > The fibre optic wires illuminate the MOLED screens representing the areas growing meme, the social meme graph is always on and is con-tinuously changing. It is also at the center of the debat-ing chamber where the public can unconciously influence debate. The Moled screens have built in speakser that Whisper the social keyword.

litracon:Precedent Study > Italian Pavilion / Material

Architect: Giampaolo ImbrighiLocation:Shangai, China

Built on a plot area of 3,000 sq.m with a Built area of 2,000 sq.m The building is lapped on three sides by a water reflector. What surprised, however, will not be the monumental aspect, at least not only that, as insure projects, but will be the play of light created by the alternating slits on the front and from sunlight filtering through the transparent cement. And it is this material (i.light ®, the Italian version of Litracon ™) resin developed specifically for precisely the Pavilion by Italcementi Italy to be the strong point of the project. 3774 panels, size 500×1000 mm by 50 mm thick, made with 189 tonnes of “transparent cement, covering a total area of 1887 square meters, about 40% of the Pavilion. The pavilion then, playing with the lights turns its aesthetics.

The light transmitting concrete from Hungarian architect Aron Losoncziwas the first example we saw in 2001, but now Italian company Italcementi Group has created their own version of translucent cement that combines the best qualities of cement walls and transparent windows.The material is made of fine concrete and optic glass fibers that make up 4% of its weight. This Italian Pavillion uses a better version called i.ilight. Up close, the 2-3mm gaps make a startling pattern and from certain angles or at a distance appear exactly the same as normal concrete. But on a sunny day inside a building made from the cement, the effect is akin to little more than a light mesh on the wall filtering the light coming in the concrete has been formed by bonding special resins in a new mix created by Italian architects Italcementi. The mate-rial, called i.light, was created specifically for the Italian pavilion at the 2010 World Expo in Shanghai, but it has already been suggested it could save electricity that would otherwise be required for daytime light-ing. Italcementi used i.light for around 40 per cent of the 18-metre high Expo pavilion, or 3,774 transpar-ent panels and semi-transparent panels made from 189 tonnes of the product. In each transparent panel there are approximately 50 holes, leading to about 20 per cent transparency. The semi-transparent panels were around 10 per cent see-through and were created by ‘modulating the insertion of the resins’. Previ-ous attempts at a similar feat had been tried using fibre optic cables through concrete, but Italcementi claims its version is better.

The walls of the pavilion felt solid and looked solid from an angle, but when viewed straight-on they looked rather like windows that were able to let in light.

Italcementi’s creation was made with a proprietary mixture of cement and admixtures that bonds with a thermoplastic polymer resin. The resin is injected into tiny holes that span the width of each cement panel, resulting in approximately 20 percent transparency. The transparency can be changed by modifying the amount of resin in the panels.

litracon

blocks

Litracon > External Walls are made of Litracon building structural blocks whilst the inner walls are made of Litracon panels. Allowing a transparent sense of understanding about what is going on in the building at all times.

The blocks are load-bearing and provide the same effect with both natural and artificial light. Glass fibres lead light by points between the wall-surfaces. Shadows on the lighter side will appear with sharp outlines on the darker one. Even the colours remain the same. Such a wall with glass fibre-pixels acts as if scanner and screen are united. This special effect creates the general impres-sion that thickness and weight of this concrete wall disappear.

partioning

panels with

litracon

structure Floors > Two-Way Slab and Beam of uniform thick-ness with reinforcement in two directions cast integrally with supporting beams and columns on all four sides of square bays.

Two-Way Slab and beam con-struction is required and is ef-fective for medium spans and heavy loads, or when a high resistance to lateral forces.

Walls > Litracon wall blocks that act as a stability for the frame structure. Litracon blocks are lighter and strong-er than concrete. They also have a transculent property to the material.

Column to Beam > Pre-stressed concrete beams with advance fibre and steel re-inforced bars and a longitude bar.

Reinforced concrete beams are designed to act together with longitudinal and web reinforcement in resisting applied forces. Cast in place concrete beams are formed and placed along with the slab they support. The portion of the slab acts as an integral part of the beam.

Stability > Circular and Rectangular 750mm columns connect from foundation to roof taking on Axial Load whilst the reinforced pre-stressed concrete beams take on the lesser Eccentric load. The column thickness and the rebar connec-tions for the cast in situ beams reduce the shear stress and the two-way slaband beam flooring prevent tension stress on the beams.

Stability > The gallery floor is shorter in height which will reduce shear pressure as well as tension, whilst giving a confined feel to the gallery’s maze. The Gallery floor being the central stability in the concrete frame con-struction. The concrete columns take on the light weight flooring reducing the compression pressure.

technical

tech section

SCALE 1: 60

Parapet Wall

Roof

Litracon Blocks with Finish

Cant Strip

Mesh to Contain Grout between Structural Litracon Blocks

Stainless Steel Drip Edge

with Sealant below it

Self-Adhering Rubberised

Asphalt Flashing

Anchoring, Eye Hooked Drilled into head joing

of coping with s.s. pin drilled into coping stone.

Concrete Coping with Reinforced Bars

Thermal Air Layer

Thermal Insulation Layer

Litracon Blocks

3rd Flr.

2rd Flr

1st Flr

Concrete - Cast-in-Place ConcreteReinforcement Bars joins to re-inforced

columns with wire meshingAdoni Black Tiles

Vertical Steel Rebar connected to Beam

Pre-Stressed Concrete Beam with Steel Rebar

Litracon Blocks

Metal Decking R51

Sub Flooring, Gypsium Board Anchored

Adoni Black Tiles

Membrane Layer - Vapour & Moisture Barrier for Vapour Retarder

Insulation Thermal Barrier - Rigind Insulation

Masonry Concrete Floor Block

Membrane Layer - Vapour & Moisture Barrier - Damp Proo�ng

Substrate - Site - Sand

Substrate - Site - Hardcore

Roo�ng Felt

Thermal Insulation Layer

Membrane Layer

Concrete Sand Cement CreedConcrete - Cast In Situ - Reinforced

Plaster Finish

Flashing & Counter Flashing

Vertical Rebar

Color Joint

Joint Reinforcements

Devoid of accent colors, Adoni Black is unwaveringly solid and dark with a ridge-like striation. With the use of Charcoal grout these tiles will give the interior a material a similarity to the protesting and insurgent spaces outside. Similar in colour and feel to concrete.

interior light