drop2 voicings for jazz guitar

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The 4 7th chords in all inversions on strings 1-4 and 2-5, together with practical and challenging exercises.

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Page 1: Drop2 voicings for Jazz Guitar

Construction of Drop II voicings2004 Mermikides

Dominant 7th Drop II Voicings

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2nd inversion G7 chord (5,7,R,3)

'Closed' voicings (where all the chord-tones are within an octave) can be tricky to play on the guitar.An approach borrowed from jazz arranging is to drop the 2nd voice from the top down an octave, to create an 'open' voicing that is readily playable on the guitar.

Example

Drop 2nd voice

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Root inversion drop-II G7 chord (R,5,7,3)

5fr

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Strings 1-4

G7(7,3,5,R)

5fr

(R,5,7,3)

8fr

(3,7,R,5)

12fr

(5,R,3,7)

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Strings 2-5

Note also that G7=Db7(b9/b5) no root

(7,3,5,R)7fr 10fr

(R,5,7,3)12fr

(3,7,R,5)4fr

(5,R,3,7)

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Page 2: Drop2 voicings for Jazz Guitar

Minor 7th Drop II Voicings

Major 7th Drop II Voicings

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Strings 1-4

D-7 10fr

(7,3,5,R) (R,5,7,3) (3,7,R,5)6fr

(5,R,3,7)

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Strings 2-5

Note also that D-7=F6=Bb

(7,3,5,R)

5fr

(R,5,7,3)

7fr

(3,7,R,5)8fr

(5,R,3,7)

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Strings 1-4

Cmaj7 8fr

(7,3,5,R)

* 10fr

(R,5,7,3) (3,7,R,5)* 5fr

(5,R,3,7)

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Strings 2-5

Note also that CMaj7=A-9(no root)

(7,3,5,R)

*(R,5,7,3)

*These voicings may be substituted by these shapes, creating C6/9

5fr

(3,7,R,5)* 9fr

(5,R,3,7)

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Page 3: Drop2 voicings for Jazz Guitar

Half-dimished Drop II Voicings

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Strings 1-4

B-7(b5) 6fr

(7,3,5,R)7fr

(R,5,7,3)12fr

(3,7,R,5)3fr

(5,R,3,7)

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Strings 2-5

Note also that B-7(b5)=D-6=G9(no root)=Db(b9/b13) (no root)

RECOMMENDED EXERCISES:

1) Take a chord voicing & inversion on strings 1-4 & play all the chord types (Maj7, Dom7 ...) Repeat for every inversion. Repeat the whole process on strings 2-5

2) Pick a key & play all diatonic 7th chords in root inversion on strings 1-4. Repeat for every inversion. Repeat the whole process on strings 2-5

3) Play through a chord progression or standard tune, keeping voicings as close as possible.

4) Play through a chord progression or standard tune, keeping a harmonized line ascending, when out of range descend the line.

5) Harmonize the melody of a standard tune.

6) Explore modifications of these voicings. 9ths (Natural, flattened or raised) replace the root. 13ths (Natural, flattened or raised) replace the 5th)

10fr

(7,3,5,R) (R,5,7,3)4fr

(3,7,R,5)7fr

(5,R,3,7)

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