dr rizvanul haque historyof urdu literature & it’s impact on indian culture (pre-modern...
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Dr Rizvanul HaqueDr Rizvanul Haque
HistoryHistoryOfOf
Urdu LiteratureUrdu Literature& It’s Impact on& It’s Impact on
Indian CultureIndian Culture(Pre-Modern Period)(Pre-Modern Period)
CLASSICAL PERIODCLASSICAL PERIOD
• DETERMINATION OF DETERMINATION OF PERIODPERIOD
• DEFINITION OF THE DEFINITION OF THE PERIODPERIOD
DETERMINATION OF THE DETERMINATION OF THE CLASSICAL PERIODCLASSICAL PERIOD
DEFINITION OF THEDEFINITION OF THE
CLASSICAL PERIODCLASSICAL PERIOD
ARRIVAL OF MUSLIMS IN ARRIVAL OF MUSLIMS IN INDIAINDIA
ARRIVAL AS BUSINESSMANARRIVAL AS BUSINESSMAN
ARRIVAL AS RULERARRIVAL AS RULER
IMPACTS OF MULIMS ON IMPACTS OF MULIMS ON
DIFFERENT FIELDS OF LIFEDIFFERENT FIELDS OF LIFE
• COMPOSIT CULTURECOMPOSIT CULTURE
• FAITH, MYSTICISM AND BHAKTI FAITH, MYSTICISM AND BHAKTI
• MUSICMUSIC
• ARCHITECTURE ARCHITECTURE
• PAINTINGSPAINTINGS
• LANGUAGELANGUAGE
COMPOSIT CULTURECOMPOSIT CULTURE
BEGINNING OF URDU BEGINNING OF URDU
LANGUAGELANGUAGE
URDU SCRIPTURDU SCRIPT
EARLY URDU LITERATUREEARLY URDU LITERATURE
AMIR KHUSROAMIR KHUSRO(1253-1325)(1253-1325)
GORI SOVE SEJ PE MUKH PE DARE KES,
CHAL KHUSRO GHAR AAPNE RAIN BHAI
CHANHU DES
- Amir - Amir
KhusroKhusro
DIFFERENT VIEWS ON THE DIFFERENT VIEWS ON THE DEVELOPMENT OF URDU LANGUAGEDEVELOPMENT OF URDU LANGUAGE
•MOHD HUSAIN AZADMOHD HUSAIN AZAD
•MAHMOOD SHIRANIMAHMOOD SHIRANI
•SYED SUELMAN NADVISYED SUELMAN NADVI
•PROF MASOOD HUSAIN KHANPROF MASOOD HUSAIN KHAN
MOHD HUSAIN AZADMOHD HUSAIN AZAD
MAHMOOD SHIRANIMAHMOOD SHIRANI
SYED SUELMAN NADVISYED SUELMAN NADVI
PROF MASOOD HUSAIN KHANPROF MASOOD HUSAIN KHAN
GENRES OF URDU LITERATUREGENRES OF URDU LITERATURE
• GHAZALGHAZAL
• QASIDAQASIDA
• MASNAVIMASNAVI
• MARSIYAMARSIYA
GHAZALGHAZAL
Dil hi to hai na sang o khisht
dard se bhar na aai kyon
Roenge ham hazar bar
koi hamen rulai kyon
- Ghalib
QASIDAQASIDA
Uth gaya bahman va di kachaministan se amalTegh Arvi ne kiya
sehan-e-chaman mustasil
-Sauda-Sauda
MASNAVIMASNAVI
Dekha to woh gul hava hua haiKuch aur hi gul khila hua hai
- Dayashankar Naseem
MARSIAHMARSIAH
Yoon barchiyan thin char taraf us Janab keYoon barchiyan thin char taraf us Janab keJaise kiran nikalti hain gird aaftab keJaise kiran nikalti hain gird aaftab ke
-Meer Anis
OTHER GENRES OF URDU OTHER GENRES OF URDU LITERATURELITERATURE
- RUBAI- QITA’- SHAHR AASHOB- HAMD- NA’T- DASTAN- TAZKIRA- BIOGRAPHY- LETTER WRITING
DECCAN’S LITERATUREDECCAN’S LITERATURE
• ASHRAF BAYABANIASHRAF BAYABANI
• HASAN SAUQIHASAN SAUQI
• QULI QUTUB SHAHQULI QUTUB SHAH
• MULLA WAJHIMULLA WAJHI
• WALI DECCANIWALI DECCANI
• SIRAJ AURANGABADISIRAJ AURANGABADI
MOHD QULI QUTUB SHAHMOHD QULI QUTUB SHAH1525-16121525-1612
SHERSHER
Piya baj pyala piya jaye naPiya baj pyala piya jaye na
Piya baj yak pal jiya jae naPiya baj yak pal jiya jae na
WALI WALI DECCANIDECCANI
(1668-1707)(1668-1707)
SherSher
Ada o naz soon aata hai voh Ada o naz soon aata hai voh roshan jabin ghar soonroshan jabin ghar soon
Ke jyon mashriq soon nikale Ke jyon mashriq soon nikale Aaftab ahista ahistaAaftab ahista ahista
IMPACTS OF DECCAN’S IMPACTS OF DECCAN’S LITERATURELITERATURE
• INDIAN LAND AND IT’S CULTUREINDIAN LAND AND IT’S CULTURE
• DEVELOPMENT OF COMPOSITE DEVELOPMENT OF COMPOSITE
CULTURECULTURE
• STARTING OF NEW GENRESSTARTING OF NEW GENRES
URDU POETRY IN DELHIURDU POETRY IN DELHI
• KHAN - E - ARZUKHAN - E - ARZU
• ABRUABRU
• FA’IZFA’IZ
• HATIMHATIM
• MAZHER JAN-E-JANANMAZHER JAN-E-JANAN
• TEK CHAND BAHARTEK CHAND BAHAR
• FUGHANFUGHAN
• TABANTABAN
GREAT POETS OF THE ERAGREAT POETS OF THE ERA
• MIRZA MOHD RAFIH SAUDAMIRZA MOHD RAFIH SAUDA
• MEER TAQI MEERMEER TAQI MEER
• KHWAJA MIR DARDKHWAJA MIR DARD
MIRZA MOHD MIRZA MOHD RAFIH RAFIH SAUDASAUDA
(1713-1780)(1713-1780)
Gul phenke hain auron ki tarafGul phenke hain auron ki tarafbalki samar bhibalki samar bhi
Aei khana bar andaz-e-chaman Aei khana bar andaz-e-chaman kuch to idhar bhikuch to idhar bhi
MEER TAQI MEER TAQI MEERMEER
(1722-1810)(1722-1810)
POETRYPOETRY
Dikhai diye yoon ki bekhud kiyaDikhai diye yoon ki bekhud kiya
hamen aap se bhi juda kar chalehamen aap se bhi juda kar chale
Dekh to dil ka jaan se uthata Dekh to dil ka jaan se uthata haihai
Ye dhuan sa kahan se uthata Ye dhuan sa kahan se uthata haihai
Mat sahal hamen jano phirta ha falak Mat sahal hamen jano phirta ha falak barsonbarson
tab khak ke parde se insan nikalte tab khak ke parde se insan nikalte hainhain
KHWAJA MIR KHWAJA MIR DARDDARD(1720-1784)(1720-1784)
PoetryPoetry
Arz-o-saman kahan teri wusat Arz-o-saman kahan teri wusat ko pa sakeko pa sake
Mera hi dil wo hai ke jahan tu Mera hi dil wo hai ke jahan tu sama sakesama sake
wai nakami ke waqt-e-marg ye wai nakami ke waqt-e-marg ye sabit huasabit hua
Khwab tha jo kuch ke dekha jo Khwab tha jo kuch ke dekha jo suna afsana thasuna afsana tha
sair kar duniya ki ghafil sair kar duniya ki ghafil zindgani phir kahan?zindgani phir kahan?
zindagi gar kuch baqi rahizindagi gar kuch baqi rahinav jawani phir kahan?nav jawani phir kahan?
OTHER POETSOTHER POETS
• YAQEEN DEHALVIYAQEEN DEHALVI
• ANAND RAM MUKHLISANAND RAM MUKHLIS
• QAIM CHANDPURIQAIM CHANDPURI
• MEER SOZ MEER SOZ
• JAFAR ALI HASRATJAFAR ALI HASRAT
DECLINE OF DELHI SCHOOL OF DECLINE OF DELHI SCHOOL OF POETRYPOETRY
DEVELOPMENT OF URDU DEVELOPMENT OF URDU PROSEPROSE
FORT WILLIAM COLLEGEFORT WILLIAM COLLEGE
DELHI COLLEGEDELHI COLLEGE
LUCKNOW TRANSLATION LUCKNOW TRANSLATION BUREAUBUREAU
A DIFFERENT POETA DIFFERENT POET
NAZEER NAZEER AKBARABADIAKBARABADI
(1735-1830)(1735-1830)
Maghroor na ho talwaron par mat Maghroor na ho talwaron par mat phool sahare dhalon kephool sahare dhalon ke
Sab patta tod ke bhagenge, munh Sab patta tod ke bhagenge, munh dekh ajal ke bhalon kedekh ajal ke bhalon ke
Kya dibbe moti heeron ke, kya Kya dibbe moti heeron ke, kya dher khazane malon kedher khazane malon ke
Kya baghache tash tamami ke, Kya baghache tash tamami ke, kya takhte shal doshalon kekya takhte shal doshalon ke
Sab thath pada raha jayega jab Sab thath pada raha jayega jab lad chalega banjaralad chalega banjara
URDU POETRI IN LUCKNOWURDU POETRI IN LUCKNOW
• MEER HASANMEER HASAN
• INSHAINSHA
• MUSHAFIMUSHAFI
• JURR’ATJURR’AT
URDU POETRI IN LUCKNOWURDU POETRI IN LUCKNOW
• ATASHATASH
• NASIKHNASIKH
• DAYA SHANKAR NASEEMDAYA SHANKAR NASEEM
• NAWAB MIRZA SHOUQNAWAB MIRZA SHOUQ
AtashAtashSun to sahi jahan mein hai tera Sun to sahi jahan mein hai tera afsana kyaafsana kyaKahti hai tujh ko khalq-e-khuda Kahti hai tujh ko khalq-e-khuda ghaibana kyaghaibana kya
Hijra mein vasl ka milta hai maza Hijra mein vasl ka milta hai maza aashiq koaashiq ko
Shouq ka martaba jab had se guzar Shouq ka martaba jab had se guzar jata hai.jata hai.
NASIKHNASIKH
Pooch ae nasikh na kuch meri Pooch ae nasikh na kuch meri udasi ka sababudasi ka sabab
Aap main din rat hairan hoon, Aap main din rat hairan hoon, hua hai kya mujhehua hai kya mujhe
MEER HASANMEER HASAN(1727-1786)(1727-1786)
GREAT POETS OF MARSIAHGREAT POETS OF MARSIAH
• ANEESANEES
• DABIRDABIR
Marsiah is based on the following Marsiah is based on the following componentscomponents
1.1. Chehra (Introduction)Chehra (Introduction)
2.2. Rukhsat (Parting from family for Rukhsat (Parting from family for battle)battle)
3.3. Aamad (Entry into battlefield) Aamad (Entry into battlefield)
4.4. Rajaz (Narrating the greatness of Rajaz (Narrating the greatness of family, self and swords etc.) family, self and swords etc.)
5.5. Jang (combat) Jang (combat)
6.6. Shahadat (Martyrdom)Shahadat (Martyrdom)
7.7. Dua (pray and epilogue) Dua (pray and epilogue)
MEER MEER ANEESANEES
(1801-1874)(1801-1874)
Taair hawa men mast hiran sabza zar menJangal ke sher goonj
rahe the kachhar men
-Meer Anees
MIRZA DABIRMIRZA DABIR(1803-1875)(1803-1875)
Kahiye na mehar subah keseene pe dagh tha
Ummeed-e-ahal-e-bait kaghar be charagh tha
- Mirza Dabir
AMANAT LUCKNOWIAMANAT LUCKNOWI(D. 1858)(D. 1858)
DELHI BEFORE SIEGEDELHI BEFORE SIEGE
SHAIKH IBRAHIM ZAUQSHAIKH IBRAHIM ZAUQ(1789-1854)(1789-1854)
DELHI BEFORE SIEGE DELHI BEFORE SIEGE
• 1803 SHAH ALAM’S 1803 SHAH ALAM’S
ADMINISTRATION WITHIN RED ADMINISTRATION WITHIN RED
FORTFORT
• SHAIKH IBRAHIM ZAUQSHAIKH IBRAHIM ZAUQ
• MOMIN KHAN MOMINMOMIN KHAN MOMIN
• MIRZA GHALIBMIRZA GHALIB
DELHI BEFORE SIEGEDELHI BEFORE SIEGE
• SHEFTASHEFTA
• AZURDAHAZURDAH
• FAZL-E-HAQUE FAZL-E-HAQUE
KHAIRABADIKHAIRABADI
POETRYPOETRY
Ab to ghabra ke ye kahte hainAb to ghabra ke ye kahte hain
ki mar jayengeki mar jayenge
Mar ke bhi chain na paya toMar ke bhi chain na paya to
kidhar jayengekidhar jayenge
BAHADUR SHAH ZAFARBAHADUR SHAH ZAFAR
Na kisi ki ankh ka noor hoon
na kisi ke dil ka qarar hoon
Jo kisi ke kam na aa sake
main woh ek musht-d-ghubar
hoon
MOMIN KHAN MOMINMOMIN KHAN MOMIN(1800-1851)(1800-1851)
POETRYPOETRY
Umar sari to kati ishq-e-butan Umar sari to kati ishq-e-butan mein mominmein momin
Aakhiri waqt mein kya khak Aakhiri waqt mein kya khak musalman honge.musalman honge.
-MOMIN-MOMIN
MIRZA MIRZA ASADULLAH ASADULLAH
KHAN GHALIBKHAN GHALIB(1797- 1869)(1797- 1869)
POETRYPOETRY
Rat din gardish mein hain sat asmanRat din gardish mein hain sat asmanHo rahega kuch na kuch ghabrain Ho rahega kuch na kuch ghabrain kyakya
Hai kahan tamanna ka doosra qadam Hai kahan tamanna ka doosra qadam ya rabya rab
Ham ne dasht-e-imkan ko ek naqsh-Ham ne dasht-e-imkan ko ek naqsh-e-pa payae-pa paya
GhalibGhalib
Dil hi to hai na sang O khisht Dil hi to hai na sang O khisht
dard se bhar na aaye kyondard se bhar na aaye kyon
Royenge ham hazar barRoyenge ham hazar bar
koi hamein rulae kyonkoi hamein rulae kyon
- Ghalib- Ghalib
URDU ON THE CENTRE STAGE URDU ON THE CENTRE STAGE OF INDIAN CULTUREOF INDIAN CULTURE
RECAPRECAP
IMPACT OF URDU LANGUAGE AND IMPACT OF URDU LANGUAGE AND LITERATURE ON INDIAN LITERATURE ON INDIAN
CULTURECULTURE
ShukriShukriaa