Inquiry based art learning
Professional Placement experience
In a low sociodemographic area there were many challenge that I faced behavioural management issues, parents/students lack of value toward education & failed to see its real life relevance,
wagging of classes, foul language etc. I needed to find a way to make my classes as engaging as possible in order to engage the disengaged, and show them how art/design can be of value to their
lives. !
The students deserved to achieve SUCCESS- ultimately this was done through being approachable, fair, firm but kind, and have the willingness to build relationships with students/participate in
restoratives. !
I was part of a cohort of 10 preservice teachers who were required to complete the entire 2 block placements at Carrum downs- the school’s belief that we establish better relationships thus assisting
in the teaching process. !
I had students with a range of issues which were certainly affecting their education… financial, emotional… depression, anxiety, body issues, physical disabilities, ongoing health problems…
many male students on the spectrum (ADHD, Aspbergers, Autism)
In my initial classroom observations I noticed the lack of
use of the ICT facilities… students were regularly playing on their phones/playing music/
in class… I began to think of ways I could include popular
culture in my planning to reengage the disengaged.
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Art as Interdisciplinary (Health)/the
influence of Popular/Visual Culture ✤ Wished to encourage higher
order thinking skills in art, to add value to the subject, and inspire the students, show them that they can mirror the work of professional collage artists & integrate ‘theory’ to enhance visual literacy through visual sources, and fun and enjoyable activities/use of ICT (youtube clips) /allowing enjoyable music to be played in the classroom whilst students work.
P a g e | 1
RESPONSIBILITY INTEGRITY ENJOYMENT PERSONAL BEST LEARNING MUTUAL RESPECT VALUES
Continent of Birth
Australia
Europe
Africa
Asia
America
Oceania
1. School Profile Statement Carrum Downs Secondary College believes that students should experience a friendly, safe, supportive and
orderly environment and that successful teaching and learning is dependent upon positive relationships
between all members of the school community.
Social - Community and Demographic Carrum Downs Secondary College is a Year 7-12 co-educational college that was established in 2004, with
225 Year 7 students. It is located near the border of Carrum Downs and Skye in a rapidly developing former
farming area in a growth corridor 42 kilometres southeast of Melbourne.
Our community believes that schools should instil core social values that enable the students to assimilate
into their community. Value is placed upon the purpose of education to provide pathway skills and prepare
their children for successful employment in their chosen field. At a local level our community see the
college’s role in helping their young people achieve their aspirations as providing the curriculum structure, wellbeing support, encouragement and guidance throughout their educational journey.
In 2014, there are 922 students enrolled in the college. The spread of gender is relatively even, with the
overall student population comprising of a range of countries of birth. See Figure 1.
Figure 1Large proportion of student population were born in Australia, with that I noticed a tendency toward some poor eating habits within this particular
school’s demographic.
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Types of food I came across in the canteen…
And more.
Inspired by Warhol’s polaroid’s of ‘the everyday’
And Rauschenberg/John’s!
combines of ‘the everyday’
Chuck Close Elizabeth Gower
Looked at a number of artists who comment on mass production of everyday objects in consumer/popular culture, also addressing ecological
issues of waste and recycling/degradation to the environment.
John Dahlsen
All American Girl!Main Recycled Materials: Tax Forms and Political Junk Mail!
Artist: Sandhi Schimmel Gold
The unit of work relates to the work of Pat Thompson (2002) who uses the term ‘virtual
schoolbag’ to describe the notion that all students come to school with their own set of
experiences, language, ideas and understandings of the world in which they
live. ! I wished for the students artwork to reflect this, and thus should certainly not all look the
same as they will be bringing in different objects from their lives outside of school
which will reflect their cultural backgrounds.
Is the image of Barbie on the left a modern day version of the mass produced/idealised (what we regard as ‘perfect’) image of beauty in the
form of Monroe on the right?
!Self Portrait Collages!
Stages of production:!!
1. Carefully selecting catalogues & packaging.!!
2. Cutting out images from consumer culture which reflect you as an individual.!!
3. Keep sizing small, refer to 10, 20 and 50 cent pieces. !!
4. Cut out as many pieces as you can (at a minimum, around half a plastic pocket)!!
5. The cut outs should consist of a range of sizes and shades of colour, so that you have lots of options when pasting later on.!
!6. Once you have enough pieces you can trace the outline of your self portrait photograph.!
!7. The tracing should be a line drawing, don’t make the drawing too detailed. !
!8. Once the image is traced onto an A3 piece of white paper, you can begin to paste cut outs
where you feel it works best.!!
9. Students should begin pasting on either the foreground or background first.!!
10. Attention needs to be paid to the original image- use this as a reference to see which areas have lighter/darker tones & also think about where certain colours and shades may be most
appropriate.!!
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Ways to extend the unit & bring
in a Visual Communication
link.
INQUIRY BASED LEARNING PROJECTS!Exploration of environmental/ecological issues/creating artwork in
response, could be in the form of an outdoor art installation (permanent or temporary). Strong interdisciplinary links - Geography, History, SOSE etc.
Andy Goldsworthy
Whole school/year level collaborative projects- could be on any large industrial-type object
REDUCE, REUSE, RECYCLE!
John Dahlsen
‘Polar Bears’!Main Recycled Materials: Plastic Bags!
Artist: Tone Holmen
‘Bike Arch’!Main Recycled Materials: Bicycles!
Artists: Mark Grieve and Ilana Spector
‘RoboMan’!Main Recycled Materials: Motorcycle Parts!
Artist: RoboSteel
Self portraits with natural materials
Recycled Materials: Toys!Artists: Robert Bradford, Leo Sewell
Exploring cultural/social issues associated with the production of toys (where they originate from, handmade by real people, toll on the environment)
!Word finds, work sheets, comprehension activities: Year 8 Pop Art unit: questions and answer sheet.
Please write in full sentences. When answering, think back to the videos we watched in class as well as the discussions we had as a class.
!What is Pop Art? !
____________________________________________________________________________!
!What Makes Rauschenberg and Johns Pop Artists?!!______________________________________________________________________!!______________________________________________________________________ ! !_______________________________________________________________________!
!What did Rauschenberg and Johns do with their rubbish?!
___________________________________________________________________________________________________________!
!___________________________________________________________________________________________________________!
!Where did they find the rubbish in their artwork?!
____________________________________________________________________________________________________________!
_____________________________________________________________________________________________________________!
What is dumpster-diving?!
_____________________________________________________________________________________________________________!
!What is ‘combines’ that was referred to as Rauschenberg’s artwork in the youtube clip?!!_____________________________________________________________________________!!What do you believe the artists intentions may have been through creating these ‘combines’ artworks? !!______________________________________________________________________________!!
Lesson Plan – Carrum Downs Secondary College • Subject: Art/Viscom - Integrated • 01/09/2014 • Year 8, Period 3, 12:05-1:15 • Week 5/6, lesson no. 8/12 • Lesson title: Self Portrait Collages • Links to AusVels: Creating and making: ’Students generate and develop ideas
that explore particular concepts, techniques and issues when making art works’.
Learning intentions:
•U n d e r s t a n d t h e t e r m P o p A r t , composition, found objects/dumpster-diving
Success criteria: •To be completing collage, making good progress, being mindful of design elements and principles
Key Terminology/Vocabulary: Pop Art, Typography, Advertising, Consumer products, popular culture
Overall Equipment & Resources: Catalogues, packaging (to show students), also back up of resources as many students unlikely to bring in their own stuff! laptop, printed A3 photos. Plastic pockets, scissors. Question and answer sheet handout, word finds, Pop Art books, and Books on Andy Warhol for students to look through if interested
Times/Duration: What the teacher should do:
What will students do:
Specific Resources Needed:
•12:05-12:10 •12:10-12:20 •12:20-1:07 •!•BODY OF
LESSON !•1:07-1:05 •Pack up
• Line up students •Explain learning
intentions- show i n s p i r a t i o n a l /visual references on the screen-
• D e m o n s t r a t e h o w students can cut out appropr ia te s izes/selection of images
•Scaffolding
•Sit down at tables quietly for the role •Collect materials •Begin their work
•Laptop for the role •cables for tv/laptop connection
Critique/Reflection:
Lesson Plan – Carrum Downs Secondary College • Subject: Art/Viscom - Integrated • 07/09/2014 • Year 8, Period 3, 12:05-1:15 • Week 6/6, lesson no. 11/12 • Lesson title: Self Portrait Collages • Links to AusVels: Creating and making: ’Students generate and develop ideas
that explore particular concepts, techniques and issues when making art works’.
Learning intentions:
•Revise learning intention of previous class- key ideas and vocabulary learnt- composition, tones, contrast of light and dark, visually interesting- reintroduce the term aesthetics
Success criteria: •To complete a design- thinking about potential colours/patterns/textures
Key Terminology/Vocabulary: Appropriate colour selection, Artist’s hand
Overall Equipment & Resources: Catalogues, packaging (to show students), also back up of resources as many students unlikely to bring in their own stuff! laptop, printed A3 photos. Plastic pockets, scissors. Question and answer sheet handout, word finds for extension tasks/disengaged students
Times/Duration: What the teacher should do:
What will students do:
Specific Resources Needed:
•12:05-12:10 •12:10-12:20 •12:20-1:07 !•BODY •1:07-1:05 !!•Pack up
• Line up students • Explain learning
intentions- show inspirational/visual references on the screen-
• Demonstrate how students can cut out appropriate sizes/selection of images,Scaffolding
• Guiding students -pack up
•Sit down at tables quietly for the role •Collect
materials •Begin work,
keep space tidy •Delegated tasks
to clean up
•Laptop for the role •Cables, worksheets
Critique/Reflection:
Success Criteria Indicators of student performance
High Medium Low
Ability to analyse and interpret ways in which artists represent their identity in self portraits
Analyses and interprets the use of relevant art elements and principles with reference to specific materials, media, techniques and processes to represent identity in the self portrait/s.
Describes some of the ways in which elements and principles and materials, media, techniques and/or processes are used to represent identity in the self portrait/s.
Refers to some aspects of the use of elements, principles, materials, media, processes or techniques in a self portrait.
Understanding of how the dimensions (physical, social, gender, cultural and historical) influence how artworks can be interpreted
Evaluates the influence of relevant dimensions (physical, social, gender, cultural and/or historical) when interpreting self portrait/s.
Identifies the influence of some dimensions (physical, cultural, social, gender and/or historical) when interpreting self portraits.
Refers to at least one dimension when interpreting a self portrait.
Ability to use relevant language conventions and art terminology
Communicates clearly using relevant and accurate language conventions and art terminology.
Communicates using language conventions and art terminology.
Uses language conventions and terminology inconsistently and not always accurately.
Comments:
Rubric for self portraits assessment task
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REFERENCES Australian Curriculum, The Arts Rationale, Retrieved from http://www.australiancurriculum.edu.au/TheArts/Rationale-Aims!
Australian Curriculum Assessment and Reporting Authority. (2012). The Australian Curriculum in Victoria. Retrieved from: http://ausvels.vcaa.vic.edu.au/!
Creative Arts Study Area Specification 2004, The State of Queensland (Queensland Studies Authority), 28/04/2014!!Daily painters Abstract, 2012, Retrieved from http://dailypaintersabstract.blogspot.com.au/2012/01/torn-paper-portrait-collage-painting.html!!Department of Education and Early Childhood Development. (2009). Effective Schools are Engaging Schools. Victoria: Student Wellbeing and Support Division.!!Department of Education and Early Childhood Development. (2009). Prep to Year 10 Assessment- Assessment Advice. Retrieved from: http://www.education.vic.gov.au/studentlearning/assessment/preptoyear10/assessadvice/default.htm!!Edutopia, arts integration lesson plan portrait, Retrieved from http://www.edutopia.org/pdfs/stw/edutopia-stw-bates-artsintegration-LAlessonplanportrait-presenta.pdf!National gallery of Victoria, Guggeinheim Education, 2014, Retreieved from http://www.ngv.vic.gov.au/guggenheim/education/05.2.html!
Further resources,Youtube links: !
https://www.youtube.com/watch?v=kZTsbJcr9VI!!https://www.youtube.com/watch?v=kZTsbJcr9VI!!https://www.youtube.com/watch?v=J2CtQD3OLRI!