Download - The technological foundations of Law:
The technological foundations of Law:The biodigital images of sovereign power
SPT 2013ISEG, Technical University of Lisbon
Marcus Vinicius A. B. De [email protected]
BBK College (UOL) CAPES Foundation
Introduction
• Law and State of Exception• Theory of Law and Images• Concepts < Images • Role of Images Rule of Images• Problems, Hypothesis• Work in progress
Theoretical Framework
• Sociology:– Technique, Propaganda, Politics (Jaques Ellul) – Technology and De-symbolization (William H.
Vanderburg)– Technology and moral (Richard Stivers)
Theoretical Framework
• Art, Media and Cultural Studies:– Pictorial Turn, Biodigital Pictures, Visuality (W. J. T.
Mitchell; Jacques Rancière; Nicolas Mirzoeff) – War, Cinema, Surveillance (Paul Virilio; Mauricio
Lissovsky)– Ritual, Embodiment, Personification (Aby
Warburg)
Theoretical Framework
• Philosophy and Legal Theory:– State of Exception, Apparatus, Control (Giorgio
Agamben; Gilles Deleuze; Michel Foucault) – Sovereignty, Violence (Walter Benjamin; Jean-Luc
Nancy) – Subject, Aesthetics of Law, Raison d’État (Cotas
Douzinas; Juliana N. Magalhães; Pierre Legendre)
Hypothesis & Methodology
• Digital images from popular film: reveals and constitutes a media apparatus.
• network of power relations: institutions, social actors, meaning, knowledge, imaginary, government.
• Images from mainstream cinema: produced, reproduced, distributed, consumed, modified and criticized.
Diagram 1
Source: form the author
Methodology
• Images (=) or (//) Pictures• Digital Images:– Pictorial turn (W.J.T. Mitchell, 2011)– Biopolitcs (//) Biopictures– Representation Vs. Personification
• Biopictures: clone and terror.• Spectral subjects
Diagram 2
Empirical Research
• Analysis of two movies and its images. – Elite Squad (2007), José Padilha. – The Dark Knight (2008), Christopher Nollan.
• Two allegorical and juridical-political scenarios:– War on Terror (EUA, 2001-?)– Private War (Brazil, 1990s)
Empirical Research Outline
Media reception:
social actors,
authorities
Digital Images: film
/ web
Media Reception: specialized Knowledge
Film Discourse Analysis: character building
Empirical Research Outline• Media Reception:
– specialized magazines, websites, reviews, interviews, and academic journals
• Institutional research:– discourse of authorities, officers, politicians, journalists, in editorials,
documents, news, interviews and procedures
• Elite Squad (2007), José Padilha. – 21 publications analysed.
• The Dark Knight (2008), Christopher Nollan– 46 publications analysed.
List of films/images• 300 (2007), by Zack Snyder• Batman Begins (2005) and Dark Knight (2008), by
Christopher Nolan.• Elite Squad (2007) and Elite Squad: the Enemy Within
(2010), by Jose Padilha. • V for Vendetta (2005), by James McTeigue.• Star Wars new trilogy: Episode I: The Phantom Menace
(1999); Episode II: Attack of the Clones (2002); and Episode III: Revenge of the Sith (2005), by George Lucas.
• The Matrix trilogy: The Matrix (1999), The Matrix Reloaded (2003), and The Matrix Revolutions (2003) by Larry Wachowski and Andy Wachowski.
Credits (Photos)
• Donkey Hotey - Occupy Wall Street protestor in Guy Fawkes mask holding poster OCCUPY WALL STREET.
• October 15, 2011. Photo by Hedonoikos• Noelle Resende – Ocupa Rio• Mariana Araujo – Dia do Basta• Dia do Basta – Facebook Page• Ralph Orlowisk – Getty Images• Craig Wherlock – Demotix• Milos Bicanski – GlobalPost
ReferencesAGAMBEN, Giorgio. Homo Sacer – Sovereign Power and Bare life. California: Stanford University Press, 1998. AGAMBEN, Giorgio. State of Exception. Chicago: The University of Chicago Press, 2005.
ALMOG, S.; AHARONSON,E. Law as film: Representing Justice in the Age of Moving Images. In: Canadian Journal of Law and Technonolgy, Vol. 3, N.1, March 2004. Disponível em: <http://cjlt.dal.ca/vol3_no1/pdfarticles/almog.pdf>. Acesso em: 23 jun 2009. BENJAMIN, Walter. Doctrine of the Similar (1933) Source: New German Critique, No. 17, Special Walter Benjamin Issue (Spring, 1979), pp. 65-69Published by: New German CritiqueStable URL: http://www.jstor.org/stable/488010 DI ROBILANT, Anna. The Aesthetics of Law. Global Jurist Advances , Vol. 1 [2001], Iss. 2, Art. 1 DOUZINAS, Costas. The Modern Law Review, Vol. 59, No. 2 (Mar., 1996), pp. 318-321. Published by: Blackwell Publishing on behalf of the Modern Law Review. Stable URL: http://www.jstor.org/stable/1097423 .Accessed: 14/10/2011 DOUZINAS, Costas.; Warrington, Ronnie. Justice Miscarried : Ethics and Aesthetics in Law Postmodern Theory. Edinburgh University Press, 1994 ELLUL, Jacques. A palavra humilhada. São Paulo: Ed.Paulinas, 1984. ______________. Perspectives on our age. Ed. revised and expanded. Toronto: House of Anansi press, 2004.
References MAGALHÃES, Juliana Neuenschuwander. História semântica do conceito de soberania: o paradoxo da soberania popular. Tese de Doutorado. Faculdade de Direito. Belo Horizonte: Universidade Federal de Minas Gerais, 2000, 423p. MITCHELL, W. J. T. What Is an Image? New Literary History, Vol. 15, No. 3, Image/Imago/Imagination (Spring, 1984), 503-537. Stable URL:http://links.jstor.org/sici?sici=0028-6087%2189 8421%291 5%3A3%3C503%3AWIAI%3E2.O.C0%3B2-S. MITCHELL, W. J. T. What Do Pictures "Really" Want? October, Vol. 77. (Summer, 1996), pp. 71-82. p.72. Stable URL:http://links.jstor.org/sici?sici=0162-2870%28199622%2977%3C71%3AWDP%22W%3E2.0.CO%3B2-1 MITCHELL, W. J. T. Cloning Terror: The War of Images 2001-04. In: COSTELLO, D. & WILSDOM, D. The Life and Death of Images. Tate, 2008. MITCHELL, W. J. T. Cloning Terror: The War of Images 9/11 to the present. Chicago University Press, 2011. PINNEY, Christopher. The politics of popular images: from cow protection to m. k. gandhi, 1890-1950. In: Photos of the Gods’. the printed image and political struggle in india. Reaktion books, 2004 VANDERBURG, William H. The Labyrinth of Technology, University of Toronto Press, 2000, second printing 2002.
