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The Creative Side and Message Strategy
(Continued)
Lecture 14
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RecapI. Chapter Key PointsII. The Art and Science of Creative
AdvertisingIII. Creative Strategy
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12 – 3
Chapter Outline
I. Chapter Key PointsII. The Art and Science of Creative AdvertisingIII. Creative StrategyIV. Facets of Creative StrategyV. Planning and Managing Creative Strategy
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Facets of Creative Strategy
1. Messages that Drive Perception2. Messages that Drive Cognition3. Messages that Touch Emotions4. Messages that Persuade5. Messages that Transform Product
into a Brand6. Messages that Drive Action
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Messages that Drive Perception
• Attention and awareness• Interest• Memory
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Attention and Awareness
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Attention and Awareness
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Attention and Awareness
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Attention and Awareness
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Attention and Awareness
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Play…1. Bangkok Insurance - Tire 2. I am Mumbai
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Interest
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Interest
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Interest
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Memory
Repitition
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Memory
Tag lines
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Memory
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Memory
Shape
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Play…1. Nike Commercial - HD 20112. Orbit - Ultimate Clean Up w Snoop
Dogg3. Orbit Gum Wedding Reception
Commercial
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Messages that Drive Cognition
• Features• Point of Differentiation• Claim
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Messages that Touch Emotions
• Highlight psychological attraction of the product to the target audience through emotional responses
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Messages that Persuade
• Appeal• Selling premises• Conviction
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Play…1. 2010 Toyota Prius Harmony TV
Commercial
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Transform a Product into a
Brand• Branding• Image advertising is used to create a
representation in the customer’s mind
• Associations
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Play…1. THE SKINNY COW Feel the Love
Perfect Cups Vide02. Liberation - Harley-Davidson
Commercial
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Messages that Drive Actions
• A signature that serves to identify the company or brand
• Also serves as a call to action if it gives direction to the consumer about how to respond
• Viral Marketing or Buzz Marketing.
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Message Approaches
• Straightforward • Demonstration • Comparison• Problem
solving/Problem avoidance
• Humor• Slice of Life • Spokesperson • Teasers• Shockvertising
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Styles of Creative Advertising
• Functional Needs: Needs associated with current consumption related problem e.g. Convenience, safety, good health, cleanliness, etc.
• Symbolic Needs: Positioning in terms of symbolic needs associates brand with desired group, role or self-image. Personal beauty products, alcoholic beverages, cigarettes and jewellery usually appeal to symbolic needs.
Source: Shimp, T.A. 2004, Advertising, Promotion and Other aspects of IMC
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Styles of Creative Advertising
• Experiential Needs: Refers to need for sensory pleasure, variety and in some cases cognitive stimulation. Sensory pleasure brings joy to senses such as looking elegent, feeling good, tasty, smelling good, sounding divine, etc. Experiences rich in Cognitive stimulation are exciting, entertaining, mentally challenging, etc. Source: Shimp, T.A. 2004, Advertising,
Promotion and Other aspects of IMC
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Styles of Creative Advertising1. Unique Selling Proposition
Creative Style - an advertiser makes a superiority
claim based on a unique product attribute that represents a meaningful, distinctive consumer benefit.
2. Brand Image Creative Style- an advertiser attempts to develop an image or identity for a brand by associating the brand with symbols.
Source: Shimp, T.A. 2004, Advertising, Promotion and Other aspects of IMC
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Styles of Creative Advertising3. Resonance Creative Style
- an advertiser resonates or patterns the audience’s life experiences and prevailing life style of target market.
4. Emotional Creative Advertising- an advertiser aims to reach the consumer through the use of emotional strategy.
Source: Shimp, T.A. 2004, Advertising, Promotion and Other aspects of IMC
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Styles of Creative Advertising5. Generic Creative Style - an advertiser makes no attempt to
differentiate its brand from competitive offerings or to claim superiority.
6. Preemptive Creative Style- an advertiser makes a generic-type claim but does so with an assertion of superiority.
Source: Shimp, T.A. 2004, Advertising, Promotion and Other aspects of IMC
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SummaryI. Facets of Creative StrategyII. Planning and Managing Creative
Strategy
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References• Wells, W., Burnett, J. and Moriarty, S.
(2006), Advertising Principles and Practice, Prentice-Hall, New Delhi, ND.
• Shimp T, 2010, Advertising, Promotion and other Aspects of Marketing Communications, 8th edition, South-Western.