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Self-Portraiture through Masks
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Templo Mayor (Main Temple). Tenochtitlan (modern Mexico City, Mexico). Mexica (Aztec). 1375-1520 C.E. Stone (temple); jadeite
(Olmec-style mask).
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164. Transformation mask. Kwakiutl, Northwest corner of Canada. Late 19th century C.E. Wood, paint, and string.
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173. Portrait mask (Mblo). Baule peoples (Cote d’Ivoire). Late 19th to early 20th century C.E. Wood and pigment.
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174. Female (Pwo) mask. Chokwe peoples (Democratic Republic of the Congo). Late 19th to early 20th century C.E. Wood, fiber,
pigment, and metal.
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175. Bundu mask. Sande Society, Mende peoples (West African forests of Sierra Leone and Liberia). 19th to 20th century C.E.
Wood, cloth, and fiber.
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178. Aka elephant mask. Bamileke (Cameroon, western grassfields region). c. 19th to 20th century C.E. Wood, woven
raffia, cloth, and beads.
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218. Buk (mask). Torres Strait. Mid- to late 19th century C.E. Turtle shell, wood, fiber, feathers, and shell.
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222. Malagan display and mask. New Ireland Province, Papua New Guinea. c. 20th century C.E. Wood, pigment, fiber, and shell.
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Self-Portrait as Mask
• In your visual arts journal create a mind map brainstorming the different types of masks that you wear or the need for masks in your life.
• Your final product will be a mask (media of your choice) that represents one of your aspects of your personality or a mask with a deliberate function for your life.– 2 visual arts journal pages– Completed mask project (Oct. 23rd)