Download - Roland TD-8 manual
-
OWNERS MANUALThank you, and congratulations on your choice of the Roland Percussion Sound Module TD-8.
* All product names mentioned in this document are trademarks or registered trademarks of their
respective owners.
Copyright 1999 ROLAND CORPORATIONAll rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Before using this unit, carefully read the sections entitled: USING THE UNIT SAFELY (p. 23) and IMPORTANT NOTES (p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owners manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
-
2USING THE UNIT SAFELY
001 Before using this unit, make sure to read the
instructions below, and the Owners Manual...........................................................................................................002c Do not open (or modify in any way) the unit or its
AC adaptor.
..........................................................................................................003 Do not attempt to repair the unit, or replace parts
within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page.
..........................................................................................................004 Never use or store the unit in places that are:
Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
Damp (e.g., baths, washrooms, on wet floors); or are
Humid; or are
Exposed to rain; or are
Dusty; or are
Subject to high levels of vibration...........................................................................................................
005 This unit should be used only with a rack or stand
that is recommended by Roland...........................................................................................................006 When using the unit with a rack or stand recom-
mended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.
..........................................................................................................008c Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptors body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
..........................................................................................................009 Avoid damaging the power cord. Do not bend it
excessively, step on it, place heavy objects on it, etc. A damaged cord can easily become a shock or fire hazard. Never use a power cord after it has been damaged.
..........................................................................................................
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRALLIVE
For the U.K.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
-
3010 This unit, either alone or in combination with an
amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
..........................................................................................................011 Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
..........................................................................................................012c Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page when:
The AC adaptor or the power-supply cord has been damaged; or
Objects have fallen into, or liquid has been spilled onto the unit; or
The unit has been exposed to rain (or otherwise has become wet); or
The unit does not appear to operate normally or exhibits a marked change in performance.
..........................................................................................................013 In households with small children, an adult
should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
..........................................................................................................014 Protect the unit from strong impact. (Do not drop it!)..........................................................................................................015 Do not force the units power-supply cord to share
an outlet with an unreasonable number of other devices. Be especially careful when using extension cordsthe total power used by all devices you have connected to the extension cords outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
..........................................................................................................016 Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page.
..........................................................................................................
101b The unit and the AC adaptor should be located so
their location or position does not interfere with their proper ventilation.
..........................................................................................................102d Always grasp only the plug or the body of the AC
adaptor when plugging into, or unplugging from, an outlet or this unit.
..........................................................................................................103b Whenever the unit is to remain unused for an
extended period of time, disconnect the AC adaptor.
..........................................................................................................104 Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be placed so they are out of the reach of children.
..........................................................................................................106 Never climb on top of, nor place heavy objects on
the unit.
..........................................................................................................107d Never handle the AC adaptor body, or its plugs,
with wet hands when plugging into, or unplugging from, an outlet or this unit.
..........................................................................................................108b Before moving the unit, disconnect the AC adaptor
and all cords coming from external devices.
..........................................................................................................109b Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 31, p. 29).
..........................................................................................................110b Whenever you suspect the possibility of lightning
in your area, disconnect the AC adaptor from the outlet.
..........................................................................................................
-
4IMPORT291a
In addition to the items listSAFELY on page 23, pleafollowing:
Power Supply301
Do not use this unit on thdevice that will generate motor or variable lighting
302
The AC adaptor will begihours of consecutive use.cause for concern.
307
Before connecting this unpower to all units. This wand/or damage to speake
Placement351
Using the unit near powecontaining large power trTo alleviate the problem, unit; or move it farther awference.
352
This device may interferereception. Do not use thisreceivers.
354a
Do not expose the unit todevices that radiate heat, vehicle, or otherwise subjExcessive heat can deform
355
To avoid possible breakdoarea, such as an area expo
Maintenance401a
For everyday cleaning wior one that has been slighremove stubborn dirt, usemild, non-abrasive detergwipe the unit thoroughly
402
Never use benzine, thinnekind, to avoid the possibideformation.
Repairs and D452
Please be aware that all dmemory may be lost wheImportant data should alwMIDI device (e.g., a seque(when possible). During ravoid the loss of data. Howhen circuitry related to we regret that it may not and Roland assumes no lidata.
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For infor-mation on cable specifications, contact the manufac-turer of the cable.ANT NOTES
ed under USING THE UNIT se read and observe the
e same power circuit with any line noise (such as an electric system).n to generate heat after long This is normal, and is not a
it to other devices, turn off the ill help prevent malfunctions rs or other devices.
r amplifiers (or other equipment ansformers) may induce hum. change the orientation of this ay from the source of inter-
with radio and television device in the vicinity of such
direct sunlight, place it near leave it inside an enclosed ect it to temperature extremes. or discolor the unit.wn, do not use the unit in a wet sed to rain or other moisture.
pe the unit with a soft, dry cloth tly dampened with water. To a cloth impregnated with a ent. Afterwards, be sure to
with a soft, dry cloth.rs, alcohol or solvents of any
lity of discoloration and/or
ataata contained in the units n the unit is sent for repairs.
ays be backed up in another ncer), or written down on paper epairs, due care is taken to wever, in certain cases (such as memory itself is out of order), be possible to restore the data, ability concerning such loss of
Memory Backup501b
This unit contains a battery which powers the units memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page.
Additional Precautions551
Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the units memory in another MIDI device (e.g., a sequencer).
552
Unfortunately, it may be impossible to restore the contents of data that was stored in the units memory or another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
553
Use a reasonable amount of care when using the units buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
554
Never strike or apply strong pressure to the display.556
When connecting / disconnecting all cables, grasp the connector itselfnever pull on the cable. This way you will avoid causing shorts, or damage to the cables internal elements.
558a
To avoid disturbing your neighbors, try to keep the units volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
558c
Since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow such sound to become a nuisance to neighbors, especially at night and when using headphones. Although the drum pads and pedals are designed so there is a minimal amount of extraneous sound produced when they're struck, rubber heads tend to produce louder sounds compared to mesh heads. You can effectively reduce much of the unwanted sound from the pads by switching to mesh heads.
559
When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
562
Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions. Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
-
Contents
IMPORTANT Contents ......How To Use TFeatures .......Panel Descrip
Front Panel...Rear Panel ....
Button OperaSaving your sButtons, slideCursor...........Function buttUsing the PopUsing the [INUsing [FADEChoosing padAbout the PreAbout the PaAbout the Di
Quick Start Before You B
Mounting theConnecting PConnecting YTurning on th
TurninListening to t
Specifying PaSpecifying th
MakingSpecifySettingChecki
Playing the PRim ShCross SChokinPositioPlayingHi-HatNOTES ...............................................................................4............................................................................................5his Manual......................................................................11
..........................................................................................12tions................................................................................14
.............................................................................................................................................. 14
.............................................................................................................................................. 16
tion and Displays ...........................................................18ettings................................................................................................................................. 18rs and knobs ...................................................................................................................... 18.............................................................................................................................................. 18ons ([F1], [F2], [F3]) .......................................................................................................... 18-Up Menus........................................................................................................................ 19
C/+] and [DEC/-] Buttons and the VALUE Dial ........................................................ 20RS] and [GROUP FADERS]............................................................................................. 21s from the TD-8 front panel............................................................................................ 22set Drum Kits.................................................................................................................... 22
tterns (Accompaniment of Several Measures) .............................................................. 22splay in the Upper Part of the Screen ............................................................................. 23
............................................................. 25egin Playing ....................................................................26 TD-8 to the Stand............................................................................................................. 26ads and Pedals................................................................................................................... 27our Audio System or Amp.............................................................................................. 29e Power .............................................................................................................................. 30
g Off the Power ................................................................................................................. 31he Demo Song.................................................................................................................... 32
ds and Performing.........................................................34e Types of Pads to Be Connected .................................................................................... 34 Roland Drum System V-Custom Kit Settings ........................................................ 34ing Pads Individually ...................................................................................................... 36 Head Tension.................................................................................................................... 38ng the Settings ................................................................................................................... 40ads ....................................................................................................................................... 41ots........................................................................................................................................ 41tick ...................................................................................................................................... 42g .......................................................................................................................................... 42nal Sensing ......................................................................................................................... 42 with Brushes.................................................................................................................... 43
Control Pedal.................................................................................................................... 435
-
6Contents
Performing...Playing Soun
ChoosiAdjustAdjustListeniTurnin
Modifying a DBasics of CreaChoosing an Editing Drum
ChoosiModifyAdjust
Determine thAdjusting theAdjusting the
Playing AlongPlaying BackPlaying BackAdjusting theMuting the D
Using the PadPlaying Along
Advanced UChapter 1 Ma
Choosing a DAbout
Naming the DPlaying WithAdjusting theSwitching Eff
Chapter 2 MaChoosing a P
ChoosiChoosi
Preventing thChoosing an
ChoosiChoosi..........................................................................................44ds ......................................................................................................................................... 44ng Drum Kits ..................................................................................................................... 44ing the Volume .................................................................................................................. 45ing the Sensitivity of a Pad .............................................................................................. 46ng to Metronome Clicks [CLICK] ................................................................................... 48g Effects On and Off ......................................................................................................... 50
rum Kit............................................................................52ting Sounds ....................................................................................................................... 52
Drum Instrument .............................................................................................................. 54 Sounds (V-EDIT)............................................................................................................. 56ng the Shell Depth ............................................................................................................ 56ing the Head Type and Tuning...................................................................................... 58
ing the Muffling (Muting) and Strainer Tension .......................................................... 60e Location Where the Drums are to be Played (AMBIENCE) ................................ 62 Volume Balance of the Instruments [MIXER] ............................................................. 64 Tone (MASTER EQUALIZER) ...................................................................................... 66
with Accompaniment...................................................68 Patterns (Accompaniment of Several Measures) ......................................................... 68 Songs .................................................................................................................................. 70 Volume of the Accompaniment and Click Sound...................................................... 71rums in Patterns and Songs............................................................................................. 72
s to Play Patterns..........................................................74 with General MIDI Scores............................................75
se ........................................................ 77king the Settings for the Drum Kit ................................78rum Kit ............................................................................................................................... 78the DRUM KIT Screen.................................................................................................. 78rum Kit [NAME].............................................................................................................. 79
Brushes............................................................................................................................... 80 Pedal Hi-Hat Volume (PEDAL HI-HAT VOLUME) ................................................. 81ects On and Off ................................................................................................................. 81
king the Settings for Drum Instruments.......................82ad to Edit ............................................................................................................................ 82ng a Pad by Hitting It ....................................................................................................... 82ng with the Trigger Select Button................................................................................... 82e Settings Screen from Being Switched (EDIT LOCK)................................................ 83Instrument ......................................................................................................................... 83ng with List Display ......................................................................................................... 84ng from Group Names..................................................................................................... 84
-
Adjusting DrChoosiChoosiTuningMakingAdjust
Making the S
Chapter 3 MaMaking the S
DetermChangChangAdjustAdjust(AMBIAdjust(AMBI
Adjusting theMaking the S
AdjustAdjustAdjust
Chapter 4 PlaSwitching theSetting the TeSetting the TiSetting How Choosing a SChanging theChoosing the
Chapter 5 PlaChoosing a P
About ChoosiChoosi
Playing BackSettingChoosiTransp
Adding a CouMaking the S
ChoosiChoosiAdjustAdjust(GROUContents
um Sounds (V-EDIT) ........................................................................................................ 85ng the Shell Depth ............................................................................................................ 85ng the Head Typel ............................................................................................................ 86 the Head ........................................................................................................................... 86 the Settings for Muffling (Muting)............................................................................... 86
ing the Tension of the Snare Strainer ............................................................................. 87ettings for Pitch and Decay (EDIT) ................................................................................ 88
king the Settings for the Studio and Mixer ..................89ettings for the Studio (AMBIENCE) ............................................................................... 89ine the Location Where the Drums are to be Played (STUDIO) ........................... 89
ing Wall Surface Material................................................................................................. 89ing the Room Size.............................................................................................................. 89ing the Overall Ambience Level...................................................................................... 89ing the Amount of Ambience for Each Instrument ENCE SEND LEVEL) ....................................................................................................... 90ing the Ambience Level for Each Individual Part Group ENCE GROUP SEND LEVEL) ........................................................................................ 90 Sound (MASTER EQUALIZER).................................................................................... 91ettings for the Mixer [MIXER]......................................................................................... 92ing the Relative Volume of Pads .................................................................................... 92ing the Panning (Stereo Position).................................................................................... 93ing the Overall Drum Kit Volume .................................................................................. 93
ying While Listening to Metronome Clicks..................94 Click On/Off and Setting the Volume ......................................................................... 94mpo..................................................................................................................................... 94me Signature ...................................................................................................................... 94the Sound Plays (Interval)................................................................................................ 95ound..................................................................................................................................... 95 Panning (Stereo Position) ............................................................................................... 95 Output Destination .......................................................................................................... 95
ying Along with Patterns...............................................96attern ................................................................................................................................... 97the PATTERN Screen ................................................................................................... 98ng with List Display ......................................................................................................... 98ng from the Category ....................................................................................................... 99 a Pattern ............................................................................................................................. 99 the Tempo ....................................................................................................................... 100ng a Playback Method (LOOP, ONE SHOT, or TAP) ............................................... 100osing a Pattern (TRANSPOSE) ..................................................................................... 102nt Sound Before Playback (COUNT IN) .................................................................... 102
ettings for the Part........................................................................................................... 102ng a Part ........................................................................................................................... 102ng an Instrument............................................................................................................. 102ing the Volume, Ambience Send Level, Pan (Placement), and Bend Range .......... 103ing the Overall Ambience of the Backing Parts P AMBIENCE SEND LEVEL) ...................................................................................... 1037
-
8Contents
Making the SHow toChoosiAdjustCopyinChoosiMaking
Muting a SpeMutingChecki
Creating a PaHow toChecki (REHEDeletin(REALRegulaAddingStartinImport
Editing a PattCopyinCopyinInsertinDeletinDeletinErasingErasing
Naming a PaSetting Write
Chapter 6 PlaChoosing a S
About Choosi
Playing BackSettingChoosiRepeatAdding
Muting a SpeCreating a So
InsertinDeletinTransp
Editing a SonCopyinErasing
Naming a Sonettings for the Percussion Set......................................................................................... 104 Use a Percussion Set ..................................................................................................... 104ng a Percussion Set ......................................................................................................... 104ing the Volume and Ambience (AMBIENCE SEND LEVEL)................................... 104g Percussion Sets ............................................................................................................ 104ng a Percussion Instrument........................................................................................... 105 the Settings for Each Instrument ................................................................................ 105
cific Part (PART MUTE)................................................................................................. 106 a Percussion Part ........................................................................................................... 107ng a Part Mute Status in the Pattern or Song Playback Screen ................................ 108ttern by Recording a Performance (REALTIME RECORDING).............................. 108 Record............................................................................................................................. 108
ng the Tones and Phrases During Realtime RecordingARSAL FUNCTION)..................................................................................................... 110g Unneeded Data During Realtime Recording TIME ERASE) .................................................................................................................. 110rizing the Timing of Performance Data When Recording (QUANTIZE)............... 111 a Count Sound Before Recording or Playback (COUNT IN)................................. 112
g Recording at the Same Time a Pad Is Hit (HIT-PAD START)............................... 112ing Data from Another Sequencer................................................................................ 112ern ..................................................................................................................................... 113g a Pattern [COPY]......................................................................................................... 113g Part of a Pattern by Measures ................................................................................... 114g a Blank Measure [INSERT] ....................................................................................... 115g a Pattern [DELETE]..................................................................................................... 116g an Unneeded Measure ............................................................................................... 116 a pattern [ERASE]......................................................................................................... 117 Unneeded Data to Make a Measure Blank................................................................ 117
ttern [NAME] ................................................................................................................... 118 Protection for a User Pattern (PATTERN LOCK) ..................................................... 119
ying Along with Songs ................................................120ong ..................................................................................................................................... 121the SONG Screen......................................................................................................... 121ng with List Display ....................................................................................................... 121 a Song ............................................................................................................................... 122 the Tempo ....................................................................................................................... 122ng a Playback Method (LOOP, or ONE SHOT) ......................................................... 123ed Playback of a Song (LOOP PLAYBACK)............................................................... 123 a Count Sound Before Playback (COUNT IN)......................................................... 123
cific Part (PART MUTE)................................................................................................. 124ng by Arranging Patterns in the Sequence Played .................................................... 124g a Pattern [INSERT]..................................................................................................... 124g an Unneeded Pattern [DELETE] ............................................................................... 125osing a Pattern [TRANSPOSE] ..................................................................................... 125g ......................................................................................................................................... 126g a Song [COPY]............................................................................................................. 126 All Data and Initializing a Song (SONG INITIALIZE) ........................................... 126g [NAME] ....................................................................................................................... 127
-
Chapter 7 MaSpecifying thSetting the PaFine-tuning tUsing the TD
SpecifySetting
Adjusting theTuning the TChecking theSwitching the
TurninChoosing the
Chapter 8 HeChanging Kit
CreatinPlaying
What You CaPlayingChangUsing aUsing a
Copying VariCopyinCopyinCopyinCopyin
Making Settin
Chapter 9 FeaSaving Data t
SavingReturnSetting
Sounding an SpecifySettingSetting
Using with thMaking Glob
SettingSettingSwitchStoppinReduci
Using the TDSettingChangChangChangContents
king Global Settings for the TD-8 ...............................128e Pad Type (TRIGGER TYPE)........................................................................................ 128d Sensitivity (BASIC TRIGGER PARAMETERS) ...................................................... 129
he Trigger Parameter Settings (ADVANCED TRIGGER PARAMETERS)............. 131-8 with Acoustic Drums (Acoustic Drum Trigger) .................................................... 134ing a Trigger Type.......................................................................................................... 134 the Trigger Parameters.................................................................................................. 134 Contrast of the Display................................................................................................. 135
D-8 (MASTER TUNING)................................................................................................ 135 Remaining Amount of Memory................................................................................... 136 Setting Display Automatically (NOTE CHASE) ...................................................... 136g Note Chase On/Off ..................................................................................................... 136 Output Destination ........................................................................................................ 137
lpful Features ................................................................138s in the Desired Sequence (DRUM KIT CHAIN) ....................................................... 138g a Drum-kit Chain ........................................................................................................ 138 with a Drum kit Chain ................................................................................................. 139
n Do Using Pads and Foot Switches ............................................................................ 139 a Pattern by Hitting a Pad (PAD PATTERN) ........................................................... 139
ing an Instruments Pitch with the Hi-Hat Control Pedal (PITCH CONTROL) ... 141 Pad to Perform Button Operations (PAD SWITCH) ............................................... 142 Foot Switch to Perform Button Operations (FOOT SWITCH)............................... 144ous Settings...................................................................................................................... 145g a Drum Kit (DRUM KIT COPY) ............................................................................... 145g a Drum-kit Instrument (INSTRUMENT COPY) .................................................... 146g Mixer Settings (MIXER COPY) ................................................................................. 147g Studio Settings (EFFECT COPY) .............................................................................. 147gs for the Preview Button ............................................................................................. 148
tures Using MIDI..........................................................149o an External MIDI Instrument (BULK DUMP)......................................................... 149 Data .................................................................................................................................. 149ing Saved Data to the TD-8............................................................................................ 150 the Device ID .................................................................................................................. 150External MIDI Sound Module by Playing a Pad........................................................ 151ing the Note Numbers the Pads Send ......................................................................... 151 the Gate Time ................................................................................................................. 153 the MIDI Channels......................................................................................................... 153e Roland SPD-20 (SOFT THRU)................................................................................... 153al MIDI Settings for the TD-8 ........................................................................................ 154 the MIDI Channel for a Part......................................................................................... 154 Priority for Playing Drums and Percussion (CHANNEL 10 PRIORITY).............. 154ing Off Local Control ...................................................................................................... 155g Exchange of Program Change Messages................................................................ 155
ng Data Sent from the FD-7 (PEDAL DATA THIN) ................................................. 156-8 As a Sound Module.................................................................................................... 156 Up the Correspondence between Pads and Received Note Numbers .................. 157ing the Kit Numbers Called Up with Program Change Messages .......................... 1579
ing the percussion set Numbers Called Up with Program Change Messages....... 158ing the Settings for Parts and Percussion Sets............................................................. 158
-
10
Contents
Using the TDSwitchTo PrevPlaying
MIDI MessagMessagMessag
Synchronizin
Appendices Troubleshoot
Problems WitPad and PedaMIDI-relatedSequencer-reClick Issues ..Display-relat
Restoring SeHow to Use thMessages anAbout MIDI ...Preset Drum Drum InstrumPreset PercusBacking InstrPreset PatterParameter Lis
Kit ParametePattern ParamSong ParameSetup ParameClick ParameTempo ParamGM Mode.....
MIDI ImplemeSpecificationBlock DiagramIndex.............-8 As a General MIDI Sound Module .......................................................................... 159ing to the GM Mode........................................................................................................ 159ent Switching to GM Mode.......................................................................................... 160 Along with a GM Score................................................................................................ 160es for Precise Expressiveness in Performances .......................................................... 161es for Hi-Hat Control..................................................................................................... 161es for Positional Sensing ............................................................................................... 162
g with an External MIDI Instrument............................................................................ 162
.......................................................... 165ing..................................................................................166h the Overall Sound ....................................................................................................... 166l Issues.............................................................................................................................. 168
Problems .......................................................................................................................... 168lated Problems ................................................................................................................. 169............................................................................................................................................ 170ed Problems...................................................................................................................... 171
ttings to Their Default Values ......................................172e Acoustic Drum Trigger ............................................173
d Error Messages .........................................................174........................................................................................176Kit List ...........................................................................179ent List..........................................................................180sion Set List.................................................................184
ument List .....................................................................186n List ..............................................................................188t .....................................................................................192
rs......................................................................................................................................... 192eters ................................................................................................................................. 194
ters ..................................................................................................................................... 197ters.................................................................................................................................... 197ters..................................................................................................................................... 199eters.................................................................................................................................. 199
............................................................................................................................................ 199
ntation...........................................................................200s......................................................................................216
.....................................................................................217
........................................................................................218
-
pHow To
This owners manual i
Quick StartThis section is infunctions in a sim8. This will help advanced ways osection.
Advanced UsThis section exploperations and dalready understa
Chapters 13 FThese chapter ex
Chapters 46 UThis chapter expsettings, and pat
Chapter 7 SettinThis describes futo the sound gen
Chapters 8 ConThese chapters eback, and other t
Chapter 9 FuncThis chapter expusing the TD-8 a
AppendicesIf you run into perror message apappropriate actioMIDI implement
The expshownversiondisplay may not always match what appears in the manual.ApQuic
k S
tart
Adva
nce
d U
seen
dic
es
Use This Manual
s organized as follows.
tended for those using the TD-8 for the first time, and explains how to use various ple way. Please read Quick Start and follow along by actually operating the TD-
you understand most of what you need to know for basic operations. More f using the TD-8, or details of other operations are explained the Reference
eains all functions of the TD-8 in detail and is divided into specific parts. Basic panel isplays are covered in the Quick Start. The Advanced Use section assumes you nd basic procedures, so if anything unclear, refer to the Quick Start.
unctions for creating soundplains more about the sound creation possibilities introduced in the Quick Start.
sing a sequencer and related functionslains sequencer functions such as patterns and songs performance, recording, click tern and song editing.
gs for the entire TD-8nctions for controlling the TD-8, such as adjusting the sound and making settings erator.
venient functions and how to use themxplain functions such as copy, how to use pads or pedals for pattern and song play ime-saving operations.
tions using MIDIlains how to use MIDI -whether it be for saving data to an external device, or for s a General MIDI sound module.
roblems, refer to "Troubleshooting" to make sure that the settings are correct. If an pears during operation, refer to "Messages and Error Messages" and take n. This section also provides information related to MIDI, various lists, and the ation charts.
lanations in this manual include illustrations that depict what should typically be by the display. Note, however, that your unit may incorporate a newer, enhanced of the system (e.g., includes newer sounds), so what you actually see in the 11
-
12
Features
Offers Variable
Simulates the soThis makes it pwith acoustic dthen muffling (
Positional sensWhen PD-7, PDhit and accurat
Brush play alsoWhen PD-80, P
Use ONpresent
Cross Stick (CloWhen a PD-80
Detectibrushe
Pitch Control AYou can use th
A Wealth of OnA rich array of be accommoda
Drum instrumen
Backing instrum
Easy-to-underst
Features a largeThis enables simgraphical repreDrum Modeling Sound Generation
und-making process of acoustic drumsThe V-Edit Feature (p. 56, p. 85)ossible to create sounds in a manner that is completely analogous to what is done rums. For example, you start by choosing the desired head, then you tune it, and muting) can be applied.
ing (p. 42)-9, PD-80, PD-80R, PD-100, or PD-120 pads are used, this senses where the pad is
ely modifies the sound accordingly.
possible (p. 43)D-80R, PD-100, or PD-120 pads are used, you can also enjoy brush play.
LY nylon brushes. Not only can metal brushes damage the head, but the brush tips a great danger of piercing and snagging the fine mesh of the head itself.
sed Rim Shot) Technique Available (p. 42)or PD-120 pad is used, you can play using the cross stick technique.
ng the strike position and using cross stick (closed rim shot) performance with s is possible with TRIGGER INPUT3 (SNARE).
vailable with the Hi-Hat Control Pedal (p. 141)e hi-hat control pedal to change the pitch of the pad instruments.
board Instrumentshigh-quality instrument sounds are provided, so almost any conceivable genre can ted.
ts: 1,024
ents: 262
and Interface for Drummers
displayple and immediate operation while viewing the parameters to be set, and their
sentation.
-
Function and Op
Group faders (pThe front panelduring a perfor
Drum-kit chain used (p. 138)
Large [INC/+] an
Can Be Used withNot only PD-80pads (PD-5, PDhat control ped
A Sequencer Tha
A rich array of p
Create songs bYou can enjoy edrum instrume
You can also cr
If you record
Support for GenThe TD-8 has a
This mode inclplayback of GM
General The General Mprovide a wastandardize tgenerating debears the Genlogo can be pto produce esFeatures
erations Perfect for Live Performances
. 21) is equipped with group faders. You can adjust the volume level immediately, even mance.
featureAllows a desired order to be specified for the drum kits to be
d [DEC/-] buttons that can be operated even with drum sticks
Conventional Pads and Other Equipment (p. 36, p. 128) and PD-80R (pad), and KD-80 (kick trigger unit), you can use the conventional -7, PD-9, PD-100, and PD-120), kick trigger units (KD-5, KD-7, and KD-120), and hi-al (FD-7) with the TD-8. You can use up to 12 pads at the same time.
ts Easy to Operate
reset patterns (p. 68, p. 97)
y arranging patterns (p. 124)nsemble practice along with patterns and songs. You can also practice with the nts of patterns and songs muted out.
eate your own original backing patterns.
want to record brush swish/sweep sounds to MIDI, the only brush kit that can MIDI data is MIDIbrsh.
eral MIDI (p. 159) GM mode that can play back GM scores.
udes a function allowing you to mute the sound only of a specified part during scores. This is a very convenient feature for practicing and playing along.
MIDI systemIDI system is a set of recommendations which seeks to
y to go beyond the limitations of proprietary designs, and he MIDI capabilities of sound generating devices. Sound vices and music files that meets the General MIDI standard eral MIDI logo ( ). Music files bearing the General MIDI 13
layed back using any General MIDI sound generating unit sentially the same musical performance.
-
14
Panel De
Front Panelfig.001
Trigger Indicat This will light when yo
to trigger input jacks. Itthe pad has been conne
This is lit when MIDI mthe MIDI IN connector
This is lit when the [PR
LED DisplayDisplays the number of
Graphic DisplaThe screen displays infwith text, indicating thkit is being played, patplayback of patterns anediting.
The selected trigger inpnumber, and number oupper part of the screen
In this owners manual, this w
display.
hi-hat, toms, cymbals, other percussion instruments,
ill be referred to as the backing instruments, and the click sound (p. 21).scriptions
oru strike the pads which connect allows you to check whether cted correctly.
essages are received through (MIDI indicator).
EVIEW] button is pressed.
the currently selected drum kit.
yormation both graphically and e drum kit name when a drum tern or song names during d songs, and settings when
ut number, pattern or song f measures in indicated in the .
CHAIN ButtonLets you make Drum Kit Chain settings (a function that allows a user-specific order or arrangement of drum kits) (p. 138).
[F1], [F2], [F3] ButtonThese buttons change their function depending on the contents of the display. The lower part of the display will indicate the function of each button (p. 18).
EXIT ButtonPress this button and you will return to the screen one level higher in the hierarchy. Pressing the button a number of times eventually returns you to the DRUM KIT screen, the CHAIN screen, the PATTERN screen, or the SONG screen (with [DRUM KIT], [KIT] and [CHAIN], [PATTERN], or [SONG] lights accordingly).
GROUP FADERSThese allow you to adjust the volume of the kick, snare,
-
FADERS ButtonPressing the [FADERS](upper or lower) that isbetween the two each t[GROUP FADERS] funindicator that is lit (p. 2
SETUP ButtonHere you can make setsuch as trigger parame
MIXER ButtonHere you can make volsettings as well as outp(p. 92).
KIT ButtonProvides access to the bplaying the drum kit.
SEQUENCER SeHere are the buttons th(playback/recording th120).
MIX IN KnobThis adjusts the volumMIX IN jack. The soundoutput from the MAST
PHONES KnobAdjusts the headphoneheadphones are connecfrom the various outpu
MASTER KnobAdjusts the volume of The volume of the PHOPHONES knob.
CURSOR , Used to move the cursonext display page (p. 18
VALUE DialThis dial has the same fubuttons. Use this dial wchanges in drum kit setPanel Descriptions
button switches indicator lit; the indicator switches ime the button is pressed. The ctions switch according to the 1).
tings that affect the entire TD-8, ters and MIDI settings.
ume and ambience level ut assignments for the sounds.
asic display page used when
ctionat control sequencer functions e patterns and songs) (p. 96, p.
e of the device connected to the from the MIX IN will be
ER OUTPUT and the PHONES.
volume. Even when ted, sound will still be output t jacks.
the MASTER OUTPUT jacks. NES jack is adjusted by the
Buttonsr in the display, or to access the ).
SHIFT ButtonUsed in conjunction with other buttons.
When the functions are as shown below, pressing the SHIFT button changes the indicated functions. For more detailed information, refer to p. 19.
fig.003
PREVIEW ButtonUsed to audition an INST (instrument). By using TRIG SELECT buttons to select a pad, you can play and edit sound even if no pads are connected to the TD-8 (p. 22). In addition, when making part settings, you can also listen to the tones used for the backing parts (p. 102).
TRIG SELECTUse the two adjacent buttons and to select the trigger input number (pad) to which settings are to be made. To select the rim of a pad, press the RIM button, then the RIM button lights. If pads are connected to the TD-8, you can also select a pad by striking it.
INC/+ Button, DEC/- ButtonThese buttons are used to switch drum kits or to modify values. Pressing the [INC/+] button increases the value, and pressing the [DEC/-] button decreases the value. Since these buttons are large, you can also use the tip of your drum stick to press them.
Please be aware that hitting the buttons with a stick can
cause malfunctions.
operation function
[SHIFT] + [INC/+], [DEC/-] or VALUE dial
Change the value in large steps (p. 20).
[SHIFT] + [MIXER] Part mute (p. 106)
[SHIFT] + [PREVIEW] Preview instrument sound while changing volume (p. 148)15
nction as the INC/+ and DEC/- hen you wish to make large tings or edited values (p. 20).
-
16
Panel Descriptions
Rear Panelfig.002
TRIGGER INPUTAccept the pads or kickconnect to the TD-8.
Use the cable provided wi
TD-8.
Trigger input 1/2 (KICWith the optional cablecable, two pads may bejack.
Trigger input 3 (SNAROnly this trigger input shot (p. 41) and cross st80R or PD-120. You canstick) using the PD-7 orWith the PD-80, PD-80Rdetection of the strike pthis trigger input.
Trigger input 4 (TOM1You can play rim shotsconnected.
Trigger input 7 (HI-HA10 (RIDE)With the PD-7 or PD-9 shots (p. 41) and choke
Trigger input 11/12 (AWith the optional cablecable, two pads may bejack. With two pads, yopatterns and songs (PAS Jacks trigger units you want to
th the pad to connect the pad to the
K1/2) (PCS-31) or standard insert connected to this trigger input
E)can be used for playing the rim ick (p. 42) sounds using the PD- play rim shots only (no cross PD-9. , PD-100, and the PD-120,
osition (p. 42) works only with
), 5 (TOM2), 6 (TOM3) (p. 41) with the PD-7 or PD-9
T), 8 (CRASH1), 9 (CRASH2),
connected, you can play rim s (p. 42).
UX1/2) (PCS-31) or standard insert connected to this trigger input u can switch drum kits or D SWITCH; p. 142).
HH CTRL JackAccepts connection of a hi-hat control pedal (FD-7) (p. 27).
FOOT SWITCH JackAccepts connection of an optional foot switch (FS-5U). A foot switch can be used to select kits and start/stop the sequencer, etc. Use a special PCS-31 cable (optional) or a standard insert cable (p. 144).
MASTER OUTPUT Jacks (L (MONO)/R)These jacks output the instrumental sounds of the TD-8, and are for connection to external audio devices or amps. While we recommend the use of stereo in order to get the most out of the TD-8s sound performance, if using monaural sound, plug the cable into the MASTER L (MONO) jack only.
DIRECT OUTPUT Jacks (L/R)Assigning a sound through these jacks allow you to isolate it, and use external effects devices. The sound output from these jacks is not affected by the TD-8s internal effects.
PHONES JackA pair of stereo headphones can be connected to this jack. Even if headphones are connected, sound will still be output from the OUTPUT jacks.
3233
-
MIX IN JackThis jack is used to connsound that is input to tMASTER OUTPUT jack
MIDI ConnectorUse these connectors wTD-8s sound generatosequencer and when lodata) (p. 149).
POWER SwitchThis switch turns the p
DC IN JackConnect the included A
Cord HookAnchor the power cord
Security Slot (http://www.kensingtoPanel Descriptions
ect a CD or cassette player. The his jack will be output from the s and the PHONES jack.
(IN, OUT/THRU)hen playing sounds from the
r with an external MIDI ading saved settings data (bulk
ower on/off (p. 30).
C Adapter here (p. 29).
(p. 29).
)n.com/17
-
18
Button O
Operations comm
Saving your setFor operations wWhen you modisaved as soon assettings, you canRestoring Settin
Buttons, sliders Buttons, sliders abrackets [ ]; e.g.,
Cursorfig.004
Cursor refers to tcan be set. If the CURSOR [ ] aHold down CURand press [ ] t
Function buttonsThe [F1], [F2], [F
The functions of
When these butinside the parenExample 1:If
1. Press [KIT], a
appears in the tefig.005
1. Press [KIT].
2. Press [F1] (in this case, INST appears above [F1]).peration and Displays
on to all aspects of operating the TD-8.
tingsithin the TD-8, there is no procedure for saving settings.
fy the value of a setting, the new value is automatically you make the change. If you need to return to the factory re-initialize the TD-8 or re-initialize a single patch. See gs to Their Default Values (p. 172).
and knobsnd knobs on the front panel will be printed in square [SETUP].
he highlighted characters indicating an on-screen item that screen contains more than one item that can be set, use the nd [ ] buttons to move it to the parameter to be set.SOR [ ] and press [ ], or hold down CURSOR [ ]
o move the cursor more rapidly.
([F1], [F2], [F3])3] buttons are called the function buttons.
these function buttons change with each screen.
tons are referred to in the text, the terms appearing theses show the function indicated on the screen.
nd then [F1 (INST)].
xt, then carry out the operation below.
-
When the funcdisplay as foll[SHIFT].
fig.006
If
1. Press [SHIFT
appears in the te
1. While holdinappears abov
Using the Pop-UAs with [F3 ( Mpressed, the follois called a pop-u[INC/+] or [DECAfter this, whenmenu, the setting
fig.007
Example:Carry out the fol
1. Press [KIT].
[KIT] lights, fig.007a
2. Press [F3 (
A pop-up mfig.008
PrButton Operation and Displays
tion of these function buttons are shown in the ows, the functions will change while you press
] + [F1 (PART 2)].
xt, then carry out the operation below.
g down [SHIFT], press [F1] (in this case, PART 2 e [F1]).
p MenusENU)], when the function button that displays is
wing menu-like screen appears in the display. This menu p menu. You can move the cursor within the menu with the /-] buttons, the VALUE dial, or the [ ] or [ ] buttons.
you once again press a function button under the pop-up s screen then appears.
lowing operation.
and the DRUM KIT screen appears.
MENU)].
enu appears.
ess [SHIFT]
Press [EXIT] to cancel the operation. A pop-up menu is extinguished.19
-
20
Button Operation
3. Press [INC/+or [ ] to se
fig.009
4. Press [F3].
The FX SWfig.010
Using the [INC/+VALUE Dial
[INC/+] and [DEvalues of setting
fig.011
The two method
[INC/+], [DEC/ Each time [IN
pressed, the v
When making[DEC/-] will t
If you hold dorapidly. If youdecrease rapid
Holding downthe values bei
VALUE dial Since the dial
a convenient w
Holding downvalues being cand Displays
] or [DEC/-], rotate VALUE dial, or press CURSOR [ ] lect FX SW
screen appears.
] and [DEC/-] Buttons and the
C/-] and the VALUE dial are both used to modify the s.
s have the following advantages.
-]C/+] is pressed, the value increases. Each time [DEC/-] is alue decreases. This is convenient for fine adjustments.
an on/off setting, [INC/+] will turn the setting on and urn it off.
wn [INC/+] and press [DEC/-], the value will increase hold down [DEC/-] and press [INC/+] the value will ly.
[SHIFT] while pressing [INC/+] or [DEC/-] magnifies all ng changed.
allows you to make major changes to the value at once, its ay to make broad adjustments to a parameter quickly.
[SHIFT] while rotating the VALUE dial magnifies all the
hanged.
-
Using [FADERS] The indicator lig[GROUP FADER
fig.012
When the uppfig.013
You can adjus
In the text, th[TOMS], resp
When the lowfig.014 (Upper right [FADERS] lit)
You can adjus
In the text, theand [CLICK],
Example: Adju1. Press [FADE
2. Move the [G
The slider po
[KICK]1/2 (KICK1
[CYMBAL8 (CRASH1)9 (CRASH2)10 (RIDE)Button Operation and Displays
and [GROUP FADERS]hts to the left of [FADERS] shows what is being set with the S].
er indicator is lit:
t the volume of following trigger inputs.
ese are indicated by [KICK], [SNARE], [HI-HAT], AND ectively.
er indicator is lit:
t the volume of following trigger inputs.
se are indicated by [CYMBALS], [OTHERS], [BACKING], respectively.
sting the Snare VolumeRS], lighting the upper indicator.
[SNARE] [HI-HAT] [TOMS]/2) 3 (SNARE) 7 (HI-HAT) 4 (TOM1)
5 (TOM2)6 (TOM3)11/12 (AUX1/2)
S] [OTHERS] [BACKING] [CLICK]Percussion part (p. 102)
Backing part (p. 102)
Metronome click
Even when the indicators are switched with [FADERS], the settings values for the [GROUP FADERS] sliders do not change. In other words, current slider positions and actual settings values may differ. Be sure to move the sliders when adjusting the volume.
When the power is turned on, the settings values previously in use when the power was last turned off are recalled, regardless of the slider positions.21
ROUP FADERS] [SNARE] slider.
sition shows the current snare volume.
-
22
Button Operation
Choosing pads ffig.015
The [TRIG SELEto be edited withthe trigger inputthe [ ] button,you press the [selected.
When using a PDspecify whether [RIM] button lig
By using these bedit without pad
About the PreseDrum Kits 164 cWhile you have save these changdrum kits includthe actual procedcopy patches to o
About the PatterMeasures)
The TD-8 also coprepared. Howepatterns. You canrestores the pattecannot be edited
To change settinpattern (p. 96). Aautomatically.and Displays
rom the TD-8 front panel
CT] button is used to select the trigger input number (pad) the TD-8. Even with no pad connected, you can still select number and edit by pressing this button. When you press the next lower-numbered trigger will be selected. When
] button, the next higher-numbered trigger will be
-7, PD-9, PD-80R or PD-120, the [RIM] button lets you you are making settings for the head or the rim. When the hts, the rim is selected.
uttons in conjunction with the [preview] button, you can s connected to the TD-8.
t Drum Kitsome preset with the TD-8 when shipped from the factory.
complete freedom to change the various settings and then es, you can also restore the original factory settings. The ed with the TD-8 are called Preset drum kits. For more on ures involved, refer to Kit Copy to restore single patches or ther locations (p. 145) and Factory Reset (p. 172).
ns (Accompaniment of Several
mes with Patterns 1700 (Preset patterns) already ver, you cannot save changes made to settings in the Preset
make temporary changes, but selecting another pattern rns original factory settings. Furthermore, these patterns
or recorded.
gs, edit, or record a Preset pattern, first copy it to a User ny changes made to User pattern settings are saved
The rim cannot be selected for TRIGGER INPUT 1 (KICK1), 2 (KICK2), 11 (AUX1), and 12 (AUX2).
TRIGGER INPUT 2 (KICK2) and 12 (AUX2) can be used only when two pads are connected to TRIGGER INPUT 1/2 (KICK1/2) and 11/12 (AUX2), respectively.
For more detailed information about the copy procedure, refer to p. 113.
-
About the DisplaYou can check th
Checking the The currently the screen.
Ex 1: Setting the sna
fig.01-006
Setting the snafig.01-007
Checking the Song and the
Check here towhen [PLAY/
If a pattern nuwill begin pla
fig.02-001b
If a song numbegin playbac
fig.02-001c
For more detaile5 Playing Along Songs (p. 120).Button Operation and Displays
y in the Upper Part of the Screene following at any time in the upper part of the screen.
Selected Padselected pad is continuously indicated in the upper part of
re (TRIGGER INPUT 3) pad head
re (TRIGGER INPUT 3) pad rim
Number of the Currently Selected Pattern or Measure Number determine whether a pattern or song is to begin playback STOP] is pressed.
mber appears in the upper part of the screen, a pattern yback.
ber appears in the upper part of the screen, a song will k.
d information about patterns and songs, refer to Chapter with Patterns (p. 96) and Chapter 6 Playing Along with 23
-
24
-
25
Quic
k S
tart
Quick Start
-
26
Before Y
This section explbefore playing. Tthat the TD-8 is s
Mounting the
1 Attach the stan8, and MDS-10)
Using the screwsis oriented as sho
fig.Q1-001.e
2 Attach the TD-8For details on assthe owners man
millimeters in diameter.
Narroou Begin Playing
ains the connections and settings that you must make he explanations given here are based on the assumption et according to factory settings.
TD-8 to the Stand
d holder (included with the optional MDS-7U, MDS- to the TD-8.
attached to the bottom panel, attach the holder so the unit wn in the diagram.
to the drum stand (MDS-7U, MDS-8, or MDS-10).
embling the drum stand and attaching the TD-8, refer to ual for the drum stand.
The TD-8 can be restored to factory settings. Refer to "Restoring Settings to Their Default Values" on p. 172.
Use the screws provided with the TD-8. Use of other screws may result in damage to the unit.
To attach the TD-8 to a cymbal stand or other such stand, you may want to use the optional APC-33 All Purpose Clamp to secure the stand holder. This clamp may be used on cymbal stands with pipes between 10.5 and 30
Wide
w
-
Connecting PUsing the providtrigger units as sUse the TRIGGEthe number in th
fig.Q02.eBefore You Begin Playing
Quic
k S
tart
ads and Pedalsed cables, connect your pads, hi-hat control pedal, and kick hown in the diagram.R INPUT jack number on the TD-8s rear panel matching e figure to connect the cable.
Before using pads with mesh heads (PD-80, PD-80R, PD-100, PD-120, KD-80, or KD-120), be sure to adjust the head tension. Striking the head when the head tension is loose may damage the sensor.
For more information on adjusting the head tension, refer to the owners manual for each pad.
To enjoy optimum expression in your performances, we recommend the use of the Roland line of pads (PD-5, PD-7, PD-9, PD-80, PD-80R, PD-100, and PD-120) and kick trigger units (KD-7, KD-80, and KD-120).
TD-8 Rear panel27
-
28
Before You Begin
With the optionaconnected to the
fig.Q1-005.e
If you are using the -(Roland) ppolarity switch,
fig.Q1-003
POLARITY+ -
PD-7 Playing
l cable (PCS-31) or standard insert cable, two pads may be trigger inputs 1/2 (KICK1/2) and 11/12 (AUX1/2).
the PD-7, PD-9, or KD-7, move the pads polarity switch to osition. For more detailed information regarding the
refer to your PD-7, PD-9, or KD-7 owners manual.
(Roland)
PCS-31 (optional)
KD-80
-
Connecting Yfig.Q1-004.e
1 Before making
To prevdevices,all devic
2 Connect the su
To prev(should undue sthe cord
3 Connect the Myour audio systPHONES jack.
4 Plug the AC ad
Stereo
AC adaptorBefore You Begin Playing
Quic
k S
tart
our Audio System or Amp
any connections, turn off the power on all devices.
ent malfunction and/or damage to speakers or other always turn down the volume, and turn off the power on es before making any connections.
pplied AC adaptor to the AC adaptor jack.
ent the inadvertent disruption of power to your unit the plug be pulled out accidentally), and to avoid applying tress to the AC adaptor jack, anchor the power cord using hook, as shown in the illustration.
ASTER L(MONO) and R jacks on the rear panel to em or amp. If using headphones, connect them to the
headphones
Stereo set, etc.
Audio cable
Speakers with built-in amp, etc.
R
L
Be sure that the TD-8s MASTER L (MONO) and R jacks are connected to the respective L and R jacks on your audio system or amp.
With factory settings, no sound is output from the 29
aptor plug into a power outlet.DIRECT OUTPUT jacks.
-
30
Before You Begin
Turning on th
Once thpower todevices damage
fig.Q1-006
1 Rotate [MASTEcompletely turn
2 Turn down thesystem.
3 Turn on the [PO
Precautions W
After the powthe pedals unDoing so ma
fig.Q1-008 Playing
e Power
e connections have been completed (p. 27p. 29,) turn on your various devices in the order specified. By turning on
in the wrong order, you risk causing malfunction and/or to speakers and other devices.
R] and [PHONES] all the way to the left to down the volume.
volume control on the connected amp or audio
WER] switch.
1 3
5
6
Depressing the hi-hat control pedal (FD-7) when turning on the power prevents proper functioning of the hi-hats opening and closing control. Striking the pads when turning on the power
This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
hen Turning on the Power
er is turned on, do not strike any pads or step on til the drum kit name (following figure) appears.
y result malfunctions.degrades the pad response when the pads are struck lightly.
-
4 Turn on the po5 Raise each of th
and set [MASTfigure.
Press the [FADEsettings.
fig.Q1-009
6 While pressingconnected ampgradually raise
Turning Off the
1 Completely turexternal device
2 Turn off the po3 Turn the TD-8
If no sound is Check the follow
Is the volumePress the [FADvolume.
When using hea Are the headp
Is [PHONES]
When using an Is the amp con
Is the input of
Is there any p
Has a mistake
Is [MASTER] Before You Begin Playing
Quic
k S
tart
wer to the connected amp or audio system.
e [GROUP FADERS] sliders at the maximum values, ER] and [PHONES] to the position shown in the
RS] to switch the [GROUP FADERS] function and make the
the [PREVIEW] button, adjust the volume of the or audio system. If you are using headphones, [PHONES] to adjust the volume.
Power
n down the volume of the TD-8 and any connected s.
wer to all external devices.
The [GROUP FADERS] function is switched by pressing the [FADERS] button. For more details on how to use this function, refer to p. 21
produced, even when [PREVIEW] is pressed...ing.
turned down in the [GROUP FADERS] sliders?ERS] button to switch the function then readjust the
dphones:hones connected to the headphone jack?
turned completely to the left?
external amp:nected to the MASTER OUTPUT jacks?
the amp or other device properly connected?
roblem with the cable connecting the external amp?
been made in switching the external amps input?
turned completely to the left?
Caution Concerning Volume LevelsIf you allow the volume to remain at levels typically used for playing pads when you play back demo songs, patterns, or songs, you risk causing permanent hearing loss and/or damage to speakers as a result of the sudden, excessive volume that may be produced. Before playing back songs or patterns, rotate the [MASTER] and [PHONES] knobs counterclockwise to lower the volume levels, then readjust to a suitable volume while listening to the playback.31
s [POWER] switch off.
-
32
Before You Begin
Listening to tThe TD-8 featureand expressive cmedley; the songpressed once mo
The druwere plaand not
fig.Q1-010
1 Raise the [GRO[CYMBALS], [O
Press the [FADEfunction.
2 Hold down [PAThe DEMONST
fig.Q1-011
1 Playing
he Demo Songs an internal demo song demonstrating the TD-8s sounds apabilities. You can listen to the four songs, arranged as a s play back in LOOP (repeating) until [PLAY/STOP] is re.
ms played on the demo songs (except ANALOG) yed in real time into a sequencer with the TD-8 system
programmed on a keyboard or quantized afterwards.
UP FADERS] [KICK], [SNARE], [HI-HAT], [TOMS], THERS], and [BACKING] to maximum volume.
RS] button to switch the setting to the [GROUP FADERS]
TTERN] and press [SONG].
RATION screen appears.
Following Drum Kits are used for the demo songs.2 JazzFunk (for FUSION)3 HardRock (for ROCK)21 TR-808 (for ANALOG)63 Jazz (for JAZZ)
24, 5
3
6
Even when the indicators are switched with [FADERS], the settings values for the [GROUP FADERS] sliders do not change. In other words, current slider positions and actual settings values may differ. Be sure to move the sliders when adjusting the volume.
The [GROUP FADERS] functions are switched by pressing the [FADERS] button. For details on using this, refer to p. 21.
The demo songs overall volume is adjusted with [PHONES] and [MASTER]. Before starting play, make sure you turn down these knobs and lower the volume. You can then
adjust to a suitable volume while the demo song plays back.
-
3 Press [INC/+] oor [ ] to select
4 Press [PLAY/S[PLAY/STOP] liThe four songs a
fig.Q1-012
5 When you wanThe [PLAY/STO
fig.Q5-004a
6 When you hav
SongFUSIOROCKANAJAZZ
Profile of DemScott TibbsScott Tibbs has pethe Atlanta SymphAmerica, and Japatheater and televisPh.D. degree in corecordings with Cartists Dizzy Gillesnumerous others.
Profile of DemSteven G. FisheSteven G. Fisher isCorporation US ascredits include mawith artists such aTemptations. His cpatches and democlinics and demonBefore You Begin Playing
Quic
k S
tart
r [DEC/-], rotate the VALUE dial, or press CURSOR [ ] the section from which to begin playing the demo song.
TOP].
ghts, and playback begins.re looped, playing back repeatedly.
t to stop the performance, press [PLAY/STOP].
P] button light goes off.
e finished listening to the demo song, press [EXIT].
title CopyrightN Copyright (C) 1999, Roland US
Copyright (C) 1999, Roland US
LOG Copyright (C) 1999, Roland USCopyright (C) 1999, Roland US
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
No data for the music that is played will be output from MIDI OUT.
You can change the volume balance with the [GROUP FADERS].
o Song Composer
rformed and conducted for several orchestral groups, including ony Orchestra, throughout the United States, Canada, Latin n. His diverse compositional output ranges from numerous film, ion projects to the symphonic concert stage. He has received a mposition from UCLA and has recently composed music for lare Fisher and Bill Holman. He has performed with well-known pie, Bill Cosby, Jerry Sienfeld, and Bobby Shew, amongst
o Song Player (Drums)r currently the Percussion Product Manager for Roland well as an accomplished drummer and percussionist. Some ny TV commercials, film scores, as well as albums and recordings s Maynard Ferguson, Dizzy Gillespie, T-Lavitz and the ontributions to Roland Corporation include factory preset 33
songs for many Roland and BOSS products, as well as numerous strations throughout the world.
-
34
Specifyin
Specifying thto Be Connec
In order for the Tmust specify theINPUTS.
Making Roland Settings
Settings (triggerfig.Q2-001
1 Press [SETUP].[SETUP] lights, a
fig.Q2-002
2 Press [F1 (TRIGThe TRIGGER
fig.Q2-003g Pads and Performing
e Types of Pads ted
D-8 to accurately receive trigger signals from each pad, you trigger type of each pad connected to the TRIGGER
Drum System V-Custom Kit
bank) for V-Custom Kit are preset.
nd the SETUP screen appears.
)].
screen appears.
1 5
2 3
4
-
3 Press CURSOR4 Press [INC/+]
fig.Q2-005
5 Press [KIT].The DRUM KIT
fig.Q2-007
6 When connectiTRIGGER INPU38 to set the he
This completes the seFollow the procedure
If the setting difthe procedure d
V-Custom Kifig.Q2-006Specifying Pads and Performing
Quic
k S
tart
[ ] to move the cursor to the BANK number.
or [DEC/-] or rotate the VALUE dial to select 1.
screen appears.
ng the PD-80, PD-80R, PD-100, or PD-120 to T 3 (SNARE), follow the procedure described on p.
ad tension.
ttings for all pads used for V-Custom Kit. described on p. 40 to check the settings.
fers from that in the following figure, set the pad using escribed in Specifying Pads Individually (p. 36).
t settings screen35
-
36
Specifying Pads a
Specifying PadsYou can make th
fig.Q2-008
1 Press [SETUP].[SETUP] lights, a
fig.Q2-009
2 Press [F1 (TRIGThe TRIGGER
fig.Q2-010
This screen show
Display
PD5
PD7
PD9
8 A
8RAnd Performing
Individuallye following settings for each pad, one pad at a time.
nd the SETUP screen appears.
)].
screen appears.
s a list of the pads specified for each TRIGGER INPUT.
Pad name Display Pad name
PD-5 10A PD-100
PD-7 12A PD-120
PD-9 KD7 KD-7/KD-5
PD-80 K 8 KD-80
1 9
2 3, 5
47
For more on 8 B, 8RB, 10B, 12B, KIK, SNR, TOM, FLR, etc., refer to p. 128.PD-80R K12 KD-120
-
3 Press CURSORfig.Q2-011
4 Press [INC/+] BANK number
5 Press CURSORfig.Q2-012
6 Strike the pad tThe cursor move
7 Press [INC/+] name for the ty
8 Repeat Steps 6 9 Press [KIT].
The DRUM KITfig.Q2-013
10 When connectiTRIGGER INPU38 to set the he
This completes the sedescribed on p. 40 to cSpecifying Pads and Performing
Quic
k S
tart
[ ] to move the cursor to the BANK number.
or [DEC/-] or rotate the VALUE dial to select the .
[ ] to move the cursor to TRIGGER TYPE.
o be set.
s to the setting value of the pad being struck.
or [DEC/-] or rotate the VALUE dial to select the pe of pad used (Trigger type).
and 7 to set the trigger type for each pad.
screen appears.
ng the PD-80, PD-80R, PD-100, or PD-120 to T 3 (SNARE), follow the procedure described on p.
ad tension.
ttings for the pads. Follow the procedure
You can also select pads by using [TRIG SELECT]37
heck the settings.
-
38
Specifying Pads a
Setting Head TeWhen connectinINPUT 3 (SNARpoint where the ppad has been useprocedure to ma
fig.Q2-014
1 Press [SETUP].[SETUP] lights, a
fig.Q2-016
2 Press [F1 (TRIGThe TRIGGER
fig.Q2-017nd Performing
nsiong the PD-80, PD-80R, PD-100, or PD-120 to TRIGGER E), adjustments are required for accurate detection of the ad is struck. The tension of the head may change when the d for a length of time. If this occurs, use the following
ke adjustments as necessary.
nd the SETUP screen appears.
)].
screen appears.
2 4
1 9
6
-
3 Check to makeTRIGGER INPU80R), 10A (PD
fig.Q2-015.e
4 Press [F3 (H.ADThe HEAD TEN
fig.Q2-018
5 Strike the TRIGThe TRIGGER IN
fig.Q2-019
6 Press [INC/+] oA setting of LOgives a standardnow, set this to
7 Use your drumhead.
Strike a positionThe indicator in adjustment is.
fig.Q2-020.eSpecifying Pads and Performing
Quic
k S
tart
sure that the TRIGGER TYPE (pad name) for T 3 (SNARE) is either 8 A (PD-80), 8RA (PD--100), or 12A (PD-120).
J)].
SION screen appears.
GER INPUT 3 (SNARE) pad.
PUT 3 (SNARE) settings screen appears.
r [DEC/-] or rotate the VALUE dial to make the setting.
OSE creates a weaker tension, a setting of NORMAL tension, and TIGHT provides a stronger tension. For NORMAL.
stick to strike the PD-80, PD-80R, PD-100, or PD-120
approximately 1 inch (3 cm) from the rim.the lower left of the display will indicate how far off the
If a different TRIGGER TYPE is indicated, refer to p. 36, then set the TRIGGER TYPE.
If a pad other than that connected to TRIGGER INPUT 3 (SNARE) is struck, the screen from Step 4, crossed out, then appears in the display.
Be sure to strike the pad evenly. Please watch the velocity indicator.
1 inch (3 cm)
Strike here
Tuning bolt39
-
40
Specifying Pads a
8 Use the tuningbolts so that thdiagram.
fig.Q2-021
If the indicator tedecrease the tenstoward the right
9 Press [KIT].The DRUM KIT
fig.Q2-022
This completes the babelow to check the set
Checking the SeStrike all the padproduced correconce again, and nd Performing
key (included with the pad) to turn all the tuning e indicator reaches the position shown in the
nds toward the right, turn the tuning key toward the left to ion. If the indicator is toward the left, turn the tuning key
to increase the tension.
screen appears.
sic settings. Follow the procedure described tings.
ttingss and press all the pedals, to verify that sounds are
tly. If any sound is not correctly played, check the settings refer to Troubleshooting (p. 166).
The PD-80 and PD-80R have tuning bolts at five positions around the head, the PD-100 and PD-120 at six positions.
If the indicator moves greatly to the left or right, adjust the tension of the entire head before making this setting.
The head tension adjustment does not work correctly when the SCA