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Paul Ludwig Troost, House of German Art, Munich, 1934-6
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Albert Speer, Zeppelinfeld, Nuremberg, 1934
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Albert Speer (sol), Alman Pavyonu, Boris Iofan, Rus Pavyonu, Paris Dünya Sergisi,1937
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Albert Speer (sol), Alman Pavyonu, Boris Iofan (sağ), Rus Pavyonu
Paris Dünya Sergisi,1937
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Giovanni Guerrini, Ernesto La Padula, Mario Romano, Palazzo della Civilta Italiana, EUR
Roma, 1937-42
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Guiseppe Terragni, Casa del Fascio, Como, 1932-6
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Guiseppe Terragni, Casa del Fascio, Como, 1932-6
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Alvar Aalto, Viipuri Public Library, Viipuri, 1927-35
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Berthold Lubetkin, Penguin House, London Zoo, 1934
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Lucia Costa, Oscar Niemeyer ve diğ. (Le Corbuiser ile birlikte), Ministry of Education, Rio de
Janeiro, 1936-45
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Josep Lluis Sert, Luis Lacasa, Spanish Pavillon, Paris International Exhibition, 1937
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Erik Gunnar Asplund, Woodland Cemetery and Crematorium, Stockholm, 1935-40
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Robert Maillart, Salginatobel Bridge, Schiers, Switzerland, 1930
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Pier Luigi Nervi, Aircraft Hangars, Orvieto, 1936
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Walter Gropius, Kendi evi, Massachusetts, 1938 (sol), Gropius and TAC, Harkness Commons
Dorms, Graduate center, Harvard University, Massachusetts, 1948 (sağ)
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Alvar Aalto, Baker House Yurtları, MIT, 1947-49
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Eero Saarinen, Jefferson National Expansion Memorial, St.Louis, 1947-66
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Eero Saarinen, General Motors Technical center, Michigan, 1948-56
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Eero Saarinen, General Motors Technical center, Michigan, 1948-56
DESIGN DOME
The dome’s floor can be set up as an auditorium for an
audience of more than 1,000 or used as an exhibition
hall. Multiple lighting settings allow designers to study
cars under all sorts of conditions and appraise their
appearance in a variety of lights. The outer dome is 65
feet high with a span of 188 feet and is made of an
aluminum shell three-eighths of an inch thick—thinner
in relation to the dome size than an eggshell is to an
egg.
FIXTURES
Nicknamed the ―teacup,‖ the white fiberglass
receptionist’s desk in the lobby of the Design Center
administration building is one of Saarinen’s more playful
gestures. It is currently being restored as part of the
company’s ongoing effort to maintain even the smallest
original details of Saarinen’s design.
http://www.metropolismag.com/story/20030
601/motor-city
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Richard Neutra, Kaufmann Desert House, California, 1946
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Mies Van der Rohe, Illinois Institute of Technology, Michigan, 1948-56
Minerals And Metals Research Building At IIT
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Mies Van der Rohe, Crown Hall, Illinois Institute of Technology, Michigan, 1953
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Mies Van der Rohe, Crown Hall, Illinois Institute of Technology, Michigan, 1953
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Mies Van der Rohe, Farnsworth House, Illinois, 1945-51
"Nature should also have a life of its own. We should
avoid disturbing it with the excessive color of our
houses and our interior furnishings. Indeed, we should
strive to bring Nature, houses, and people together into
a higher unity. When one looks through the glass walls
of the Farnsworth House it takes on a deeper
significance than when one stands outside. More of
Nature is thus expressed – it becomes part of a greater
whole."
-Mies van der Rohe
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Mies Van der Rohe, Farnsworth House, vs. Philip Johnson, Glass House, New Canaan, 1949-50
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Mies Van der Rohe, lake Shore Drive Apartments, Chicago, 1948-51
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Mies Van der Rohe, Seagram Building, New York, 1954-58
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Mies Van der Rohe, Seagram Building, New York, 1954-58
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Skidmore, Owings, Merrill (SOM), Lever House, New York, 1951-52
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Harrison and Abramowitz, UN Headquarters, New York, 1947-50
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Le Corbusier, project 23 A, 1947 (sol)
Harrison and Abramowitz, UN Headquarters, New York, 1947-50 (sağ)
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Frank Lloyd Wright, Price Tower, Oklahoma, 1952-6
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Frank Lloyd Wright, Guggenheim Museum, New York, 1943-59
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Frank Lloyd Wright, Guggenheim Museum, New York, 1943-59
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Frank Lloyd Wright, Guggenheim Museum, New York, 1943-59
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Le Corbusier, Ronchamp Chapel (Notre-Dame-du-Haut), 1950-54
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Le Corbusier, Ronchamp Chapel (Notre-Dame-du-Haut), 1950-54
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Le Corbusier, Ronchamp Chapel (Notre-Dame-du-Haut), 1950-54
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Le Corbusier, Chandigarh 1951-65
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Le Corbusier, Parlamento Binası, Chandigarh 1951-65
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Le Corbusier, Yüksek Mahkeme, Chandigarh 1951-65
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Le Corbusier, Sekreterya-Ofisler, Chandigarh 1951-65
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Le Corbusier, Chandigarh 1951-65
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Le Corbusier, Unité d’habitation, Marseilles, 1947-53
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Le Corbusier, Unité d’habitation, Marseilles, 1947-53
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Le Corbusier, Unité d’habitation, Marseilles, 1947-53
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Le Corbusier, Unité d’habitation, Marseilles, 1947-53
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Le Corbusier, Unité d’Habitation, Marseilles, 1947-53
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Team 10
Team 10 at the office boat of Erskine, Drottningholm,
Sweden, 1962. They are discussing the dummy of the
Team 10 Primer as compiled, copied and distributed by
Alison Smithson. From left to right: Woods, Erskine,
Bakema, Alison Smithson and Voelcker.
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Shadrach Woods, Vladimir Bodiansky, Georges Candilis
ATBAT Collective Housing, Casablanca, Fas, 1951-6
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Alison and Peter Smithson, Golden Lane cadde şeması, Londra 1952, farklı seviyelerde caddeler
Team 10 architects Alison and Peter Smithson, whose
competition images for an earlier housing estate (at
Golden Lane, in London) generated buzz and
controversy for their juxtaposition of everyday "pop"
figures against a Modern backdrop (that's Marilyn
Monroe and Joe DiMaggio on the left, scurrying out of
view).
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Alison and Peter Smithson, Golden Lane cadde şeması, Londra 1952, farklı seviyelerde caddeler
Team 10 architects Alison and Peter
Smithson, whose competition images for an
earlier housing estate (at Golden Lane, in
London) generated buzz and controversy
for their juxtaposition of everyday "pop"
figures against a Modern backdrop (that's
Marilyn Monroe and Joe DiMaggio on the
left, scurrying out of view).
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Alison and Peter Smithson, Robin Hood Gardens, Londra, 1960 sonları-1972
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Alison and Peter Smithson, The Economist Yönetim Binası, Londra, 1959-64
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Smithsons, 1954, Hollanda
To illustrate the Smithsons disapproval for modern
urban design a quote from Peter Smithson after he
visited in 1954 the new suburbs of Amsterdam, the
Netherlands.
'It is nothing more or less than a great filing system for
men, based on the assumption that shelter and food
alone have to be provided. […] People have descriped
to me how Van Eesteren thinks of the city as a living
Schwitters, a great developing mutating organism.
Unfortunaly the bus tickets in this case happen to be
three storey flat blocks; a pattern which seems
incapable of providing any sort of framework for live.