Download - Open sourcepres eva2013
Camille Baker, PhD Digital MediaMedia artist/researcher/lecturer Digital Media Dept.Brunel University, London, UK
Open-source, custom interfaces and devices with live coding in participatory performance
EVA Conference LondonJuly 29-31, 2013
British Computer Society, Covent Garden, London
new open source digital art practices
Painting Apparatus OSA, Sopot, Poland 2011 http://www.mirkolazovic.com/sopot
Ben Laposky, 'Oscillon 40', 1952.
The Evolution of Technological art
Sony Computer Science Laboratory with Atau Tanaka (2001-2007).
Open-source performance
Music video made with Kinect + Processing + Cinema 4D + After Effects. The 3d footage was captured using a a Microsoft Kinect, using Processing to store the sequence files and Cinema 4D R12, with some built-from-scratch python tag scripts to read these sequence files to Cinema 4D in real-time. Files and code available online at: http://moullinex.tumblr.com/post/3180520798/catalina-music-video
The Rise of Open-source Technologies in Society
The Open Data Cities project is FutureEverything’s longest running project spun out of Futuresonic 2009
http://futureeverything.org/2012/11/open-data-cities/
new open source digital art & design practices
3D Printed Dress mage via OpenWear.org
3D printed shoes, images from http://weburbanist.com/2013/05/01/high-tech-to-high-fashion-upscale-3d-printed-designs/
The Rise of Open-source Culture
Image from http://makerfaire.com Cory Doctorow http://youtu.be/n0qWxK7KbaA
The Rise of Open-source Sharing
Image taken in Byron Bay, Australia, June 15, 2013 - soft circuits workshop
run by Kate Sicchio & Camille Baker
Image from http://www.mztek.org/programs/hacked-human-orchestra/
The Rise of Open-source Mobile Performance
S.A.R.A. is an interactive software app for mobile computing devices by Margarita Benitez and Markus Vogl http://benitezvogl.com/
Kate Sicchio and Camille Baker August 2010
Live Coding Performance
A live coding performance by Thor Magnusson at ICMC 2011 using SuperCollider http://www.youtube.com/watch?v=04TcXlC9IBw
Alex McLean’s online demonstration of live coding http://www.youtube.com/watch?v=8JrrOcfLK3A
• Processing• Arduino
• openFrameworks• Pure Data (PD)• VVVV
Cyclotone in VVVV by Paul Prudence 2012at www.vimeo.com/57948619
Spherical Motion by Tim Stutts in openFrameworksat http://vimeo.com/921725
Open-source Technological Art Today
Open-source Technological Art Today
‘Ghost’ interactive snow storm installation reated by Thomas Eberwein / Thomas Traum and Tim Gfrerer using openFrameworks and http://thomastraum.com/#works/ghost/ http://www.creativeapplications.net/openframeworks/ghost-installation-traps-visitors-in-an-interactive-snow-storm/
Kate Sicchio and Camille Baker August 2010
Image from PBS offBook video The Art of Creative Coding (5:40)
Art of Coding
contact details:
Camille, Baker, PhD Digital MediaMedia Artist / Curator / Lecturer
Brunel Universitywww.swampgirl67.net
ReferencesAicardi, C. (2011) “Nexus of Art and Science: The Centre for Computational
Neuroscience and Robotics at University of Sussex,” ed. Lanfranco Aceti, Leonardo Electronic Almanac (Mish Mash) 17, no. 1, pp. 56-81. Available online at: http://www.leoalmanac.org/nexus-of-art-and-science-lea-magazine-article/ (Accessed April 3, 2013).
Ahmed, S.U., Camerano, C., Fortuna, L., Frasca, M., Jaccheri, L., (2009) Information technology and Art: Concepts and State of Practice, Handbook of Digital Media in Entertainment and Arts, Borko, F. (Ed.), New York, NY: Springer US. Available online http://prosjekt.idi.ntnu.no/sart/publications/BChapter2_IT&Art.pdf (Accessed Jan 10, 2013).
Alleyne, B. (2011), ‘“We are all hackers now”: critical sociological reflections on the hacking phenomenon’, Under Review, pp. 1-32, Goldsmiths Research Online, [Online] Available at http://eprints.gold.ac.uk/6305 (Accessed Aug 21, 2012).
Baker, C, (curator) (2012), “Mobile Performance”, Vague Terrain, Issue 22. Available online http://www.vagueterrain.net/journal22 (Accessed April 3, 2013).
Baker, C. C. (December 2010), “MINDtouch - Ephemeral Transference: Liveness’ in Networked Performance with Mobile Devices”, PhD Thesis, published in University of East London Library in print with DVD support materials and the British Library in digital form.
References
Bourriaud, N. (1998, 2002), Relational Aesthetics, Dijon, France: Les Presses du Réel pp. 84-102.
Brown, P. et al. (2009) White Heat Cold Logic: British Computer Art 1960–1980, Leonardo Book Series, Cambridge, Massachusetts: The MIT Press.
Brown, P. (1996) “Emergent Behaviours: Towards computational aesthetics’, Artlink: Art in the Electronic Landscape, Vol 16 no 2&3. Available online at https://www.artlink.com.au/articles/457/emergent-behaviours-towards-computational-aesthet/ (Accessed April 3, 2013).
Chatzichristodoulou, M., Jeffries, J. and Zerihan, R. (2009), Interfaces of Performance, Farnham, UK: Ashgate Publishing.
Cogan, R. (1991), “Varèse: An Oppositional Sonic Poetics,” Sonus, Vol. XI, no. 2, p. 26-35. Available online at: https://ccrma.stanford.edu/CCRMA/Courses/154/varese.html (Accessed April 4, 2013).
Dwyer, T. (1971) Composing with Tape Recorders: Musique Concrète for Beginners. London and New York: Oxford University Press.
Galloway, A., Brucker-Cohen, J., Gaye, L., Goodman, E., and Hill, D. (2004), ‘Design for hackability’. In Proceedings of the 5th conference on Designing interactive systems: processes, practices, methods, and techniques (DIS '04). New York, NY: ACM, 363-366.
ReferencesGrant, C (2010), “David Hockney's instant iPad art”, BBC News: Technology.
Available online at http://www.bbc.co.uk/news/technology-11666162 (Accessed April 5, 2012).
Hockney, D, (2012) iPad Drawings at the Royal Academy in London. Available online at http://www.hockneypictures.com/iphone_pages/iphone_etcetera-01.php (Accessed April 3, 2013).
Hyde, J. (2012) “Me and My Shadow”, Body>Data>Space project, performed at The National Theatre in London. Available online at http://www.bodydataspace.net/projects/meandmyshadow/ (Accessed April 3, 2013).
Jordan, T., Hacking: Digital Media and Technological Determinism, Digital Media and Society, Polity, Cambridge, UK, 2008.
Kozel, S. (2007), Closer: Performance, Technologies, Phenomenology, Cambridge, Massachusetts: The MIT Press.
Kresin, F., Reitenbach, M., Rennen, E., van Dijk, D., Sabine Wildevuur (eds.)(2011) Users as Designers: A hands-on approach to Creative Research, Waag Society. Available online at http://Waag.org/sites/Waag/files/public/Publicaties/Users_as_Designers.pdf (Accessed Jan 10, 2013)
Lynch, D. (2010), Handset Review Nokia N900, technology blog. Available online at http://danlynch.org/blog/2010/01/n900-review/ (Accessed April 5, 2013)
ReferencesMiller, A.I. (2000) Insights of a Genius. Imagery and Creativity in Science and Art,
London: The MIT Press.
Shanken, E.A. (2002) Art in the Information Age: Technology and Conceptual Art LEONARDO, Vol. 35, No. 4, Cambridge, Massachusetts: The MIT Press. pp. 433–438. Available online at: http://artexetra.files.wordpress.com/2009/02/shankenartinfoage.pdf (Accessed April 3, 2013)
Shaughnessy, H. (2013) “Apple's Rise and Nokia's Fall Highlight Platform Strategy Essentials”, Forbes Magazine online March 8, 2013 issue. Available online at: http://www.forbes.com/sites/haydnshaughnessy/2013/03/08/apples-rise-and-nokias-fall-highlight-platform-strategy-essentials/2/ (Accessed April 4, 2013).
Shapiro, P., ed. (2000), Modulations: a History of Electronic Music: Throbbing Words on Sound, New York: Caipirinha Productions.
Wilson, S. (2010), Art + Science Now: How scientific research and technological innovation are becoming key to 21st-century aesthetics, London: Thames & Hudson.
Research department, Victoria & Albert museum (date unknown), A History Of Computer Art. Available online at: http://www.vam.ac.uk/content/articles/a/computer-art-history/ (Accessed April 3, 2013).
Soderberg, J. (2008), Hacking Capitalism. The Free and Open Source Software Movement. New York: Routledge.
