For additional information, contact K.R. Martindale ShowManagement at 310.822.9145www.laartshow.com
List of Participating Galleries
The Ames GalleryThe Anderson Galleries, LLCBobbie Greenfield GalleryCernuda ArteCline Fine ArtDavid Cook Fine ArtDe Ru’s Fine ArtsDenenberg Fine ArtsDouglas Frazer Fine Art GalleryEckert Fine ArtElins Eagles-Smith GalleryForum GalleryGalerie MichaelGalerie RienzoGallery CGeorge Stern Fine ArtsGerald Peters GalleryThe Greenwich Gallery, LLCGuarisco GalleryHayden & Fandetta Rare BooksHerbert Palmer GalleryIkon Ltd. Fine Art Jack Rutberg Fine ArtsJonathan Novak
Contemporary ArtJörg Maass Kunsthandel Kelley GalleryLawrence J. Cantor & CompanyLouis Stern Fine ArtsMark Sublette
Medicine Man GalleryMarsha Child ContemporaryMitchell Brown Fine ArtMontgomery Gallery, LLCMorseburg GalleryNedra Matteucci GalleriesPan American Art GalleryPapillon GalleryThe Redfern GalleryRehs Galleries, Inc.Richard Norton GalleryRobert Henry Adams
Fine Art, Inc.Roughton GalleriesSchiller & Bodo
European PaintingsSkot Foreman Fine ArtSpanierman Gallery, LLCSullivan Goss
An American GalleryTasende GalleryThomas McCormick GalleryThomas Nygard GalleryTimothy Yarger Fine ArtTrigg Ison Fine Art, Inc.Trotter GalleriesVallejo GalleryWalker Fine ArtWilliam A. Karges Fine Art
Participating Museums
Autry National CenterIrvine MuseumLACMAMOCAMuseum of Latin American ArtSan Diego Museum of Art
October 14–17, 2004Presented by the Fine Art Dealers Association,Benefiting the Art Museum Council of LACMA
Los Angeles Art Show 2004Sponsors
AllegriaAmerican Art ReviewAnheuser Busch Architectural DigestArt & Antiques Art Forum Art in America Art Nexus Art Now Gallery GuideArt Scene Art Talk Artnet.comArte al Dia ASID Designer SelectionsAskart.com Bodyography Bravo Cucina CandleDelirium CitrineCoca-Cola Company Cooke’s Crating Donald J. Pliner E. & J. Gallo WineryEvian Ferrari Maserati Beverly HillsFireman’s Fund
Insurance CompanyFredaLA.com Frederick R. Weisman
Art FoundationHintMint Hotel Casa Del Mar Hotel Oceana I. Cugini It’s A Wrap Jenn-Air JetBlue Airways Jim Waterbury GalleryJohn and Pete’s Fine Wines and SpiritsKelly Paper Kevin Aucoin Beauty KKJZ fm 88.1/ KUOR 89.1K-Mozart
L.A. Press LA International L.A. Packing LA.com Le Merigot Hotel Locanda Del Lago Los Angeles DodgersLos Angeles Master PlannerLU BisquitsMaria’s Italian KitchenMark’s Garden Michael Stars Millennium Hotels and ResortsNapa Valley Grille Ocean Avenue SeafoodPacific Design CenterPane e Vino Plein Air Magazine POM Wonderful RéVive Robb Report Shutters on the BeachSouthwest Art MagazineStarbucks Stolichnaya Vodka Tadashi Shoji & AssociatesTaschen The Art Newspaper The Catalog of
Antiques and Fine ArtThe Hartford The International GuideThe Magazine AntiquesTra di noi Travelers Life & AnnuityVenice Magazine
Los Angeles Art Show 2004Welcome
p 1
The Los Angeles Art Show, celebrating its tenthyear, is considered one of the most prestigiousannual expositions in the United States. Thisyear’s show will include an equal representationof Modern/Contemporary and Classical art, withsomething for everyone—from the beginner tothe most advanced collector. More than 3,200significant paintings, sculptures, drawings andprints will be offered for sale, all vetted forprovenance and authenticity through the show’sorganizer, the Fine Art Dealers Association.
Opening Night Gala
Thursday, October 14, 2004Patron Donor Reception from 6 to 7pmGala from 7 to 10pmBenefiting the Art Museum Council of LACMA
General Show Hours
Friday, October 15, 2004, noon to 8pmSaturday, October 16, 2004, noon to 7pmSunday, October 17, 2004, noon to 6pm
For information, please visit www.laartshow.comor call K.R. Martindale Show Management at 310.822.9145
Table of Contents Page
Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Booth Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5The Anderson Galleries, LLC . . . . . . . . . . . . . . . 6The Ames Gallery . . . . . . . . . . . . . . . . . . . . . . . 8Bobbie Greenfield Gallery . . . . . . . . . . . . . . . . . 9Cernuda Arte . . . . . . . . . . . . . . . . . . . . . . . . . . 10Cline Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . . 12David Cook Fine Art . . . . . . . . . . . . . . . . . . . . 14De Ru’s Fine Arts . . . . . . . . . . . . . . . . . . . . . . 16Denenberg Fine Arts . . . . . . . . . . . . . . . . . . . . 18Douglas Frazer Fine Art Gallery . . . . . . . . . . . . 20Eckert Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . 22Elins Eagles-Smith Gallery . . . . . . . . . . . . . . . 24Forum Gallery . . . . . . . . . . . . . . . . . . . . . . . . . 26Galerie Michael . . . . . . . . . . . . . . . . . . . . . . . . 28Galerie Rienzo . . . . . . . . . . . . . . . . . . . . . . . . . 30George Stern Fine Arts . . . . . . . . . . . . . . . . . . 32Gallery C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Gerald Peters Gallery . . . . . . . . . . . . . . . . . . . 35The Greenwich Gallery, LLC. . . . . . . . . . . . . . . 36Guarisco Gallery . . . . . . . . . . . . . . . . . . . . . . . 38Hayden & Fandetta Rare Books . . . . . . . . . . . 40Herbert Palmer Gallery . . . . . . . . . . . . . . . . . . 42Ikon Ltd. Fine Art . . . . . . . . . . . . . . . . . . . . . . . 44Jack Rutberg Fine Arts . . . . . . . . . . . . . . . . . . . 46Jörg Maass Kunsthandel . . . . . . . . . . . . . . . . . 47Jonathan Novak Contemporary Art . . . . . . . . . 48Kelley Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . 50Lawerence J. Cantor & Company . . . . . . . . . . 52Pan American Gallery . . . . . . . . . . . . . . . . . . . 53Louis Stern Fine Arts . . . . . . . . . . . . . . . . . . . . 54Mark Sublette, Medicine Man Gallery . . . . . . . 56Marsha Child Contemporary . . . . . . . . . . . . . . 58Mitchell Brown Fine Art . . . . . . . . . . . . . . . . . . 60Montgomery Gallery, LLC . . . . . . . . . . . . . . . . 62Morseburg Gallery . . . . . . . . . . . . . . . . . . . . . . 64Nedra Matteucci Galleries . . . . . . . . . . . . . . . . 66Papillon Gallery . . . . . . . . . . . . . . . . . . . . . . . . 68The Redfern Gallery . . . . . . . . . . . . . . . . . . . . 70Rehs Galleries, Inc. . . . . . . . . . . . . . . . . . . . . . 72Richard Norton Gallery . . . . . . . . . . . . . . . . . . 73Robert Henry Adams Fine Art, Inc. . . . . . . . . . 74Roughton Galleries, Inc. . . . . . . . . . . . . . . . . . 76Schiller & Bodo European Paintings . . . . . . . . 78Skot Foreman Fine Art . . . . . . . . . . . . . . . . . . 79Spanierman Gallery, LLC . . . . . . . . . . . . . . . . . 80Sullivan Goss An American Gallery . . . . . . . . . 82Tasende Gallery . . . . . . . . . . . . . . . . . . . . . . . . 84Thomas McCormick Gallery . . . . . . . . . . . . . . 86Thomas Nygard Gallery . . . . . . . . . . . . . . . . . . 88Timothy Yarger Fine Art . . . . . . . . . . . . . . . . . . 90Trigg Ison Fine Art, Inc. . . . . . . . . . . . . . . . . . . 92Trotter Galleries . . . . . . . . . . . . . . . . . . . . . . . . 94Vallejo Gallery . . . . . . . . . . . . . . . . . . . . . . . . . 96William A. Karges Fine Art . . . . . . . . . . . . . . . . 98Walker Fine Art . . . . . . . . . . . . . . . . . . . . . . . 100
Artist Index . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Fine Art Dealers Association Statement . . . . 102President’s Letter . . . . . . . . . . . . . . . . . . . . . . 103LACMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104Art Museum Council . . . . . . . . . . . . . . . . . . . . 108Museum Letters . . . . . . . . . . . . . . . . . . . . . . . 112Endorsement Letters . . . . . . . . . . . . . . . . . . . 116Official Letters . . . . . . . . . . . . . . . . . . . . . . . . 121Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Symposiums . . . . . . . . . . . . . . . . . . . . . . . . . 126Selected Brewery Artists . . . . . . . . . . . . . . . . 128Vignettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131Articles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132K.R. Martindale Show Management . . . . . . . 137Supporters . . . . . . . . . . . . . . . . . . . . . . . . . . . 138Opening Gala Patron Donors . . . . . . . . . . . . 210
Los Angeles Art Show 2004Table of Contents
p 2
Los Angeles Art Show 2004Booth Index
p 5
List of Participating Galleries Booth
The Ames Gallery . . . . . . . . . . . . . . . . . . . . . . B19The Anderson Galleries, LLC . . . . . . . . . . . . . C38Bobbie Greenfield Gallery . . . . . . . . . . . . . . . B30Cernuda Arte . . . . . . . . . . . . . . . . . . . . . . . . . B21Cline Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . B22David Cook Fine Art . . . . . . . . . . . . . . . . . . . . A15De Ru’s Fine Arts . . . . . . . . . . . . . . . . . . . . . . C45Denenberg Fine Arts . . . . . . . . . . . . . . . . . . . C39Douglas Frazer Fine Art Gallery . . . . . . . . . . . C44Eckert Fine Art . . . . . . . . . . . . . . . . . . . . . . . . B23Elins Eagles-Smith Gallery . . . . . . . . . . . . . . . D60Forum Gallery . . . . . . . . . . . . . . . . . . . . . . . . B33Galerie Michael . . . . . . . . . . . . . . . . . . . . . . . . A6Galerie Rienzo . . . . . . . . . . . . . . . . . . . . . . . . A14Gallery C . . . . . . . . . . . . . . . . . . . . . . . . . . . . D56George Stern Fine Arts . . . . . . . . . . . . . . . . . B32Gerald Peters Gallery . . . . . . . . . . . . . . . . . . . B25The Greenwich Gallery, LLC . . . . . . . . . . . . . . A7Guarisco Gallery . . . . . . . . . . . . . . . . . . . . . . . . A8Hayden & Fandetta Rare Books . . . . . . . . . . . B17Herbert Palmer Gallery . . . . . . . . . . . . . . . . . D51Ikon Ltd. Fine Art . . . . . . . . . . . . . . . . . . . . . . D54Jack Rutberg Fine Arts . . . . . . . . . . . . . . . . . . . A1Jonathan Novak Contemporary Art . . . . . . . . C34Jörg Maass Kunsthandel . . . . . . . . . . . . . . . . C33Kelley Gallery . . . . . . . . . . . . . . . . . . . . . . . . . D50Lawrence J. Cantor & Company . . . . . . . . . . . A16Louis Stern Fine Arts . . . . . . . . . . . . . . . . . . . D62Mark Sublette Medicine Man Gallery . . . . . . . B20Marsha Child Contemporary . . . . . . . . . . . . . D58Mitchell Brown Fine Art . . . . . . . . . . . . . . . . . . A12Montgomery Gallery, LLC . . . . . . . . . . . . . . . . D57Morseburg Gallery . . . . . . . . . . . . . . . . . . . . . D48Nedra Matteucci Galleries . . . . . . . . . . . . . . . D63Pan American Art Gallery . . . . . . . . . . . . . . . . C41Papillon Gallery . . . . . . . . . . . . . . . . . . . . . . . A18The Redfern Gallery . . . . . . . . . . . . . . . . . . . . . A9Rehs Galleries, Inc. . . . . . . . . . . . . . . . . . . . . B26Richard Norton Gallery . . . . . . . . . . . . . . . . . . C40Robert Henry Adams Fine Art, Inc. . . . . . . . . . C36Roughton Galleries, Inc. . . . . . . . . . . . . . . . . . A10Schiller & Bodo European Paintings . . . . . . . D46Skot Foreman Fine Art . . . . . . . . . . . . . . . . . . D55Spanierman Gallery, LLC . . . . . . . . . . . . . A2 & A4Sullivan Goss An American Gallery . . . . . . . . D55Tasende Gallery . . . . . . . . . . . . . . . . . . . . . . . C35Thomas McCormick Gallery . . . . . . . . . . . . . . B28Thomas Nygard Gallery . . . . . . . . . . . . . . . . . B24Timothy Yarger Fine Art . . . . . . . . . . . . . . . . . D52Trigg Ison Fine Art, Inc. . . . . . . . . . . . . . . . . . D49Trotter Galleries . . . . . . . . . . . . . . . . . . . . . . . A11Vallejo Gallery . . . . . . . . . . . . . . . . . . . . . . . . . A5Walker Fine Art . . . . . . . . . . . . . . . . . . . . . . . D53William A. Karges Fine Art . . . . . . . . . . . . . . . . A3
Participating Museums
Autry National Center . . . . . . . . . . . . . . . . . . . 112Irvine Museum . . . . . . . . . . . . . . . . . . . . . . 108LACMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113MOCA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111Museum of Latin American Art . . . . . . . . . . . . 110San Diego Museum of Art . . . . . . . . . . . . . . . . 109
Packing & Shipping General Show
LA Packing . . . . . . . . . . . . . . . . . . . . . . . 209–210
Publications
Art In America . . . . . . . . . . . . . . . . . . . . . . . . . 133ArtNexus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132Art Now . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131Arte al Dia . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130Plein Air Magazine . . . . . . . . . . . . . . . . . . . . . 128The Art Newspaper . . . . . . . . . . . . . . . . . . . . . 126The International Guide . . . . . . . . . . . . . . . . . 125
Restaurants General Show
Restaurant and Bar (Fri–Sun)Locanda Del Lago . . . . . . . . . . . . . . . . . 200–203
Symposiums
Free with event admission. Located in the front tent.
Other Participants
AMC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114ArtCat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134Artwork offered under 5,000 . . . . . . . . . . . . . . 211Bel-Air Hong Kong . . . . . . . . . . . . . . . . . . . . . 122Brewery Exhibit . . . . . . . . . . . . . . . . . . . . . . . . 220FADA.com . . . . . . . . . . . . . . . . . . . . . . . . . . . 127Gift Bags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104Jenn-Air . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200JetBlue Airways . . . . . . . . . . . . . . . . . . . . . . . 129KKJZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135Patrons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138Press . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139Restaurants & Bar . . . . . . . . . . 116–118, 200–210Tadashi Shoji & Associates . . . . . . . . . . . . . . . 123Thomas Pratt . . . . . . . . . . . . . . . . . . . . . . . . . 107Venice Art Walk . . . . . . . . . . . . . . . . . . . . . . . 124Vignettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
The Anderson Galleries, LLC is dedicated
to showing museum quality 19th and 20th
paintings by historically signifigant Euro-
pean artists. Outstanding Impressionist,
Post-impressionist, Barbizon School,
Salon, Academic and Genre works are
shown throughout the year.
The Anderson Galleries is located at
354 N. Bedford Drive in the heart of
Beverly Hills. We are next door to
Sotheby’s auction house and only two
blocks west of Rodeo Drive. The Regent
Beverly Wilshire, Beverly Hilton and
Peninsula Hotels are minutes away.
Gallery hours: 10:00 AM to 6:00 PM,
Mon–Sat.
Booth C38 p 6The Anderson Galleries, LLC
Artists:
William Bouguereau
Charles Camoin
Camille Corot
Henri Lebasque
Henri Le Sidaner
Gaston La Touche
Daniel Ridgway Knight
Gustave Loiseau
Maximilien Luce
Henri Martin
Claude Monet
Henri Moret
Pierre Auguste Renoir
Alfred Sisley
Louis Valtat
Left:
Gaston La Touche (French, 1854–1913)
Les Jumeaux (The Twin Sisters), 1890
Oil on panel, 30 x 31 inches (37 x 38 inches framed)
Signed and dated lower left: Gaston La Touche 90
Center:
Gustave Loiseau (French, 1865–1935)
Le clos de M. Janson, Le Vaudreuil, Eure, c. 1925
Oil on canvas, 19 x 24 inches (28 x 32 inches framed)
Signed lower right: G. Loiseau
Right:
William Bouguereau (French, 1825–1905)
Le Goûter (The Snack), 1895, Oil on canvas,
45 x 27 5/8 inches (53 x 35 inches framed),
Signed and dated lower right: W-Bouguereau 1895
Los Angeles Art Show 2004 Participating Gallery p 7
Booth B19 p 8The Ames Gallery
Works by contemporary, visionary,
self-taught and outsider artists including
Eddie Arning, Jim Bauer, Dorothy Binger,
Jack Fitch, Julio Garcia, Wilbert Griffith,
Harry Lieberman, Dwight Mackintosh,
Alex Maldonado, A.G. Rizzoli, Jon Serl,
Barry Simons, Donald Walker, and others.
Early handmade Americana including
carved canes, tramp art, quilts and
whimseys.
2661 Cedar Street
Berkeley, CA 94708
T: 510.845.4949
F: 510.845.6219
www.amesgallery.com
Staff: Bonnie Grossman, Director
Ned Young
Chinese Juggler, c. 1915
Wood (root) carving, 12 x 8 x 3 inches
Booth B30 p 9
The Bobbie Greenfield Gallery has been a
dealer of contemporary art in Los Angeles
for the past 29 years. The gallery special-
izes in works on paper, both drawings and
prints, by American Masters of the 1960’s
through the present. We work with The
Robert Motherwell Estate, The Andy
Warhol Foundation and The Louise
Nevelson Estate. Our inventory also
features works by Charles Arnoldi,
Guy Dill, Jim Dine, Sam Francis, Helen
Frankenthaler, David Hockney, Ellsworth
Kelly, Roy Lichtenstein, Ed Ruscha and
Frank Stella.
Bergamot Station
2525 Michigan Avenue, B6
Santa Monica, CA 90404
T: 310.264.0640
F: 310.264.0740
Robert Motherwell
Three Figures, 1989
Lithograph , 55 1/2 x 40 inches, Edition of 80
© Dedalus Foundation, Inc / Licensed by VAGA, NY
Bobbie Greenfield Gallery
Booth B21 p 10Cernuda Arte
Cernuda Arte specializes in Cuban art
from the Colonial, Early Republic,
Vanguardia, Modern masters, and
contemporary artists of exceptional talent.
The gallery, directed by Ramón Cernuda
who is considered the foremost authority
in the U.S. in this field, provides a wide
range of services including consultation,
appraisal, consignment, sales and pur-
chases of artworks. We offer our clients
the accumulation of our knowledge and
experience backed by our integrity and
honesty.
3155 Ponce de León Boulevard
Coral Gables, FL 33134-6825
T: 305.461.1050
F: 305.461.1063
www.cernudaarte.com
Staff: Ramón Cernuda, Director;
Nercys Ganem, Vice Director;
Julie Marie Fuller, Gallery Manager;
Luisa Lignarolo, Assistant Manager
Left:
Leopoldo Romañach (1862–1951),
Mujer Desnuda, ca. 1930, oil on canvas, 19 x 27 inches
Center:
Ramón Vázquez (1972),
El Tour de Force, 2004, oil on canvas, 39 X 31 inches
Right:
Wifredo Lam (1902–1982),
Mujer en Azul, ca. 1950, oil on canvas, 37 x 28 inches
Los Angeles Art Show 2004 Participating Gallery p 11
Artists:
Demi
Humberto Castro
Sandro de la Rosa
Miguel Florido
Flora Fong
Ismael Gómez Peralta
Vicente Hernández
Wifredo Lam
Manuel Mendive
Amelia Peláez
René Portocarrero
Tomás Sánchez
Alfredo Sosabravo
Ania Toledo
Ramón Vázquez
Cline Fine Art specializes in art from the
Americas, with a focus on twentieth
century modernism and a selection of
accomplished contemporary artists.
From abstraction to the narrative, the
gallery presents curated exhibitions for
experienced and emerging collectors in
a variety of media, including painting,
works on paper and sculpture.
135 West Palace Avenue
Santa Fe, NM 87501
T: 505.982.5328
F: 505.982.4762
4200 North Marshall Way
Scottsdale, AZ 85251
T: 480.941.1811
F: 480.941.1812
www.clinefineart.com
Staff: Geoff Cline; Kristen Cline;
John Addison
Booth B22 p 12Cline Fine Art
Artists:
Garo Antreasian
Milton Avery
Valerie Beller
Oscar Bluemner
Philip Curtis
Arthur Dove
Phillis Ideal
Elaine de Kooning
Robert Longhurst
Jim Magee
Joseph Stella
Beth Ames Swartz
Trini
Karl Umlauf
Melissa Zink
Left:
William Lumpkins (1909–2000)
Untitled #38, 1986,
Acrylic on paper, 45 x 45 inches,
Signed and dated lower right
Top:
John Marin (1870–1953)
Vermont Country – Autumn, 1927,
Watercolor on paper, 14 x 17 inches,
Signed and dated lower right
Bottom:
Flo Perkins (b.1951)
Pintimidation, 2004,
Blown glass and wood, 14 x 20 x 20 inches
Los Angeles Art Show 2004 Participating Gallery p 13
The gallery specializes in quality American
paintings, drawings, and prints from the
late 19th to the mid 20th centuries.
An emphasis is placed on regional, tradi-
tional, modern and abstract works from
Colorado, New Mexico, and California.
1637 Wazee Street
Denver, CO 80202
T: 303.623.8181
F: 303.623.4817
www.davidcookfineart.com
Staff: David Cook, Owner;
Linda Cook, Norm Anderson,
Carrie Wassemiller, Ashley Walter
Booth A15 p 14David Cook Fine Art
Left:
Boardman Robinson (1876–1952)
New York Street Scene
c. 1930, oil on board, 24 x 30 inches
Center:
Edgar Alwin Payne (1883–1947)
Clouded Slopes With Riders
c. 1935, oil on board, 10 x 12 inches
Right:
Maurice Braun (1877–1941)
Untitled (Trees and Hills, California)
c. 1925, oil on canvas, 16 x 20 inches
Los Angeles Art Show 2004 Participating Gallery p 15
Artists:
Charles Partridge Adams
Kenneth Miller Adams
Josef Bakos
Maurice Braun
Charles Ragland Bunnell
John Fabian Carlson
Andrew Dasburg
Fremont Ellis
Carl Lindin
Walter Mruk
Edgar Alwin Payne
Boardman Robinson
(Sven) Birger Sandzen
Booth C45 p 16
DeRu’s Fine Arts enjoys an unparalleled
reputation among art lovers, serving the
discriminating collector for thirty-five years
with outstanding examples of Early
California Impressionist and American art.
DeRu’s also serves as a major advisor in
the assembly and preservation of the
collections of museums and many private
and corporate collections.
9100 Artesia Blvd
Bellflower, CA 90706
T: 562.920.1312
F: 562.920.3077
Staff: Dewitt C. McCall, III and
Kenneth F. Jones, Owners; Debra Flores,
Bellflower gallery and Kathleen Updyke
Barrett, Laguna Beach gallery, Associates
1590 South Coast Highway
Laguna Beach, CA 92651
T: 949.376.3785
F: 949-376-9915
www.derusfinearts.com
www.fada.com
www.artnet.com/derus.html
Artists:
Dana Bartlett
John Gamble
A.G. Rider
Franz Bischoff
Anna Hills
Jack Wilkinson Smith
Maurice Braun
Paul Lauritz
Elmer and Marion Wachtel
Benjamin Brown
Edgar Payne
William Wendt
Frank Cuprien
Granville Redmond
Orrin White
Left:
Edgar Payne (1883–1947)
San Juan Capistrano, Oil on canvas, 28 x 34 inches
Center:
Anna A. Hills
Vespers Hour, San Juan Capistrano Mission,
Oil on canvas, 20 x 24 inches
Right:
Hanson Puthuff (1875–1972)
Clouds of Springtime, Oil on canvas, 28 x 36 inches
Los Angeles Art Show 2004 Participating Gallery p 17
Denenberg Fine Arts, established in
Boston in 1965, moved to West Hollywood
in 2002. The gallery deals eclectically in a
wide range of museum-quality American
& European fine art from the 16th to the
20th century, with a focus on International
Modernism (1900–1950).
417 North San Vicente Boulevard
West Hollywood, CA 90048
T: 310.360.9360
F: 310.360.9160
Staff: Stuart Denenberg,
Beverly Denenberg
Booth C39 p 18Denenberg Fine Arts, Inc.
Artists:
George Abend
John Alexander
Leonard Baskin
Merton Clivette
Arthur Dove
Alberto Giacometti
Arshile Gorky
Edward Hagedorn
Henri Matisse
Ralph Barton Perry
Pablo Picasso
Pierre Auguste Renoir
John Saccaro
Helen Seibert
John Stewart
Left:
John Floyd Morris (American)
Surrealist Landscape: Tortoise and Tower, c. 1943,
Oil on canvas, 30 x 36 inches
Los Angeles Art Show 2004 Participating Gallery p 19
The Collector:
Surrealism was the thread which ran through the whole of Edward James’s long life. He came into a large American
timber and mining fortune when he was 25, and as evidenced by the fact that the Prince of Wales became Edward’s
godfather when King of England, he had access to the highest of high society.
The eccentric James moved about the planet—from his 6000 acre West Dean Estate in Sussex, to the Hollywood
Hills and Malibu. In California, he saved the Simon Rodia Towers. He eventually moved to the heart of Mexico, where
from 1949 he built an incredible estate named Xilitla in the densest and most remote corner of the jungle.
Despite inherited wealth, social position, and education at Eton and Oxford, James became a minor poet, and
a central member and important patron of the Surrealists, with friends such as writers and artists Breton, Carrington,
Dali, Eluard, Freud, Huxley, Magritte and Man Ray. James once owned this painting by Morris whom he described
to Leonora Carrington as “a real friend of mine and developing into an excellent painter.”
The Artist:
John Floyd Morris was one of the key Surrealists patronized by the legendary Edward James. During the War, Morris
had worked as an official artist for the United States Army, serving on the Pacific front. His work is rare.
Gallery specialties include: Paintings and
prints of Hawaii, Polynesia, the Pacific
Northwest and Japan. Artworks may be
viewed on line at either of the two
websites and by appointment in Seattle,
Washington or Mountain View, California.
PO Box 432
Medina, WA 98039
T: 425.455.4417
F: 425.455.4431
www.frazerfineart.com
www.theartofjapan.com
Staff: Doug Frazer and Richard Waldman
Booth C44 p 20Douglas Frazer Fine Art
Artists:
David Howard Hitchcock
Lionel Walden
Genevieve Springston Lynch
Fernando Amorsolo
John M. Kelly
Ambrose Patterson
Utamaro
Hiroshige
Kuniyoshi
Kunisada
Yoshitoshi
Hasui
Yoshida
Koson
Shinsui
Left:
Chris Campbell, Contemporary
Hawaii, 2002, Oil on Canvas, 60 x 52 inches
Center:
John M. Kelly (1877–1962)
Leimakers, c. 1935, Oil on board, Signed lower left,
10 1/2 x 13 7/8 inches
Right:
Hiroshi Yoshida (Japan 1876–1950)
Grand Canyon, 1925, Color Woodblock Print,
14 5/8 x 9 3/4 inches
Los Angeles Art Show 2004 Participating Gallery p 21
Established in 1995, Eckert Fine Art
carries an extensive and rapidly changing
inventory of the best Modern and
Contemporary art. The gallery offers both
original and limited edition artworks in a
wide range of media including painting,
sculpture, and works on paper.
390 12th Avenue South
Naples, FL 34102
T: 239.261.1100
F: 239.261.0711
www.eckertfineart.com
Staff: Jane Eckert, Henry Eckert, Terry
Eynon, Kevin Van Gorp, Barbara Carman
Booth B23 p 22Eckert Fine Art
Artists
Jean-Michel Basquiat
Hal Buckner
Christo
Eric Forstmann
Sam Francis
Don Gummer
Robert Indiana
Diana Levinson
Roy Lichtenstein
Joan Miro
Darryl Pottorf
Robert Rauschenberg
Larry Rivers
Julian Stanczak
Boaz Vaadia
Left:
Robert Rauschenberg (American, b. 1925)
Unraveled Epoch (Urban Bourbon), 1995
Acrylic on bonded aluminum, 49 x 37 inches
Center:
Henry Moore (American, 1898–1986)
Mother & Child: Curved, 1983
Bronze with green patina, 23 1/2 x 12 5/8 x 12 1/4 inches
Right:
Don Gummer (American, b. 1946)
Common Good, 1995
Bronze with cement base, 73 x 60 1/2 x 58 inches
Los Angeles Art Show 2004 Participating Gallery p 23
Elins Eagles-Smith Gallery focuses on the
exhibition of contemporary American and
international paintings and sculpture by
mid-career artists. In addition we organize
changing exhibitions as well as inventory
artwork from significant historical move-
ments such as the American Abstract
Artists, California Impressionists, The
Society of Six, The San Francisco Bay
Area Figurative Group, and the Abstract
Expressionist Movement of the east and
west coast. Elins Eagles-Smith Gallery is a
member of the San Francisco Art Dealers
Association.
49 Geary Street # 520
San Francisco, CA 94108
T: 415.981.1080
F: 415.981.1206
www.eesgallery.com
Staff: Mel Elins, Kim Eagles-Smith
Booth D60 p 24Elins Eagles-Smith Gallery
Artists:
Jennifer Bain
Theophilus Brown
Gary Bukovnik
Burgoyne Diller
Joe Draegert
Sam Francis
Jan Gauthier
August Gay
Selden Connor Gile
John Goodman
William Henry Percy Gray
Jerome Kirk
Ricardo Mazal
John McCormick
Bob Nugent
Left:
John McCormick
Almost Summer, 2004, Oil on linen, 60 x 60 inches
Center:
August Francois Gay, (French/American) 1890–1948
The Robert Louis Stevenson House, c. 1926
Oil on board, 12 x 16 inches, Signed lower right
Right:
Theophilus Brown (American, born 1919)
Ventura Flower Fields, 1967
Oil on wood panel, 20 x 20 inches
Los Angeles Art Show 2004 Participating Gallery p 25
Forum Gallery has been a leader in
the field of modern and contemporary
figurative art since 1961. The gallery
was started by Bella Fishko, and is
a founding member of the Art Dealers
Association of America. Forum Gallery
represents the estate of Raphael Soyer,
and is the exclusive representative
of Odd Nerdrum, William Beckman,
Robert Cottingham, and Christian
Vincent. Forum Gallery has placed
works in many museums and private
collections throughout the world.
8069 Beverly Boulevard
Los Angeles, CA 90048
T: 323.655.1550
F: 323.655.1565
www.forumgallery.com
745 Fifth Avenue
New York, NY 10151
T: 212.355.4545
F: 212.355.4547
www.forumgallery.com
Booth B33 p 26Forum Gallery
Artists:
Steven Assael
William Beckman
Davis Cone
Robert Cottingham
Paul Fenniak
Xenia Hausner
Sean Henry
Michael Leonard
Alan Magee
G. Daniel Massad
Charles Matton
Richard Maury
Odd Nerdrum
Tula Telfair
Christian Vincent
Left:
Guillermo Munoz Vera
Peras, 1998
Oil on canvas mounted on panel, 37 1/2 x 60 inches
Center:
Milton Avery
Portrait of Arnold Blanch, 1950
Oil on canvasboard, 16 x 12 inches
Right:
Susan Hauptman
Self-portrait as Prima Donna Bitch, 2000
Charcoal, pastel and gold leaf on paper, 54 x 40 inches
Los Angeles Art Show 2004 Participating Gallery p 27
Galerie Michael specializes in fine
European paintings, drawings and prints
from the 17th century to the present. The
collection features an important selection
of works by Rembrandt, Monet, Renoir
and the Impressionists, Toulouse de
Lautrec and La Belle Époque, as well as
the Modern Masters such as Picasso,
Matisse and Chagall. Galerie Michael’s
specialty is artists of the Barbizon School
and is recognized as having one of the
most extensive collections of 19th century
paintings in the world.
430 North Rodeo Drive
Beverly Hills, CA 90210
T: 310.273.3377
F: 310.273.0879
www.galeriemichael.com
Staff: Michael Schwartz, President;
Julie Jackson Ukra, Director;
Richard Rice, Lynn Marks,
Robert Avellano, Virginia Repasky,
Cecil Calban, Staff;
Alexander Mertens, Curatorial
Booth A6 p 28Galerie Michael
Artists:
Rembrandt van Rijn
Narcisse-Virgile Diaz de la Peña
Jules Breton
Léon L’hermitte
Camille Corot
Mary Cassatt
Jean-François Raffaëlli
Pierre-Auguste Renoir
Claude Monet
Alphonse Mucha
Manuel Robbe
Henri de Toulouse-Lautrec
Pablo Picasso
Marc Chagall
Henri Matisse
Fernand Léger
Left:
Jules Breton (1827–1905)
Les repos des faneuses, 1873, Oil on canvas,
34 1/4 x 53 1/2 inches, Signed and dated
“Jules Breton courrieres 1873” lower left
Center:
Pablo Picasso (1881–1973)
Buste de Femme d'aprés Cranach le Jeune, 1958
Linocut in colors on Arches wove paper,
25 1/2 x 20 7/8 inchesSigned “Picasso” in blue crayon
lower right, Numbered “26/50” in pencil lower left
Right:
Pierre Auguste Renoir (1841–1919)
Le Chapeau Épinglé, 2ème planche, 1898,
23 9/16 x 19 1/8 inches, Lithograph in eleven colors
on laid paper, Signed “Renoir” on the stone, lower left
and lower right
Los Angeles Art Show 2004 Participating Gallery p 29
For works of art by Impressionists and
Modern French Masters, look to Galerie
Rienzo on Madison Avenue. Robert
Rienzo, the exclusive New York
representative for Bernard Buffet and
Jean Jansem, is also an authority on
Cassigneul, Camoin, Matisse, Valtat,
Dufy, and other “School of Paris” painters.
With a focus on excellent service,
extensive research, and the highest
quality of paintings, Galerie Rienzo is the
source for a single French 20th century
painting or for guidance on starting or
building an entire collection. Galerie
Rienzo is open Tuesday through Saturday,
and by appointment.
20 East 69th Street
New York, NY 10021
T: 212.288.2226
F: 212.988.1539
www.galerierienzo.com
Staff: Robert Rienzo, Marlene Rienzo.
Booth A14 p 30
Artists:
Aizpiri
Bombois
Brasilier
Buffet
Camoin
Cassigneul
Dufy
Frank-Will
Gen-Paul
Genin
Jansem
Lorjou
Laurencin
Lebasque
Maclet
Renoir
Utrillo
Vlaminck
“The School of Paris”
Left:
Jean Jansem (1920– )
Reclining Ballerina
Oil on canvas, 35 x 51 inches
Center:
Bernard Buffet (1928–1999)
Le Sacre-Ceur de Montmartre, Oil on canvas,
28 x 21 inches
Right:
Bernard Buffet,
Portrait- Charles IX, Oil on canvas, 51 x 35 inches
Los Angeles Art Show 2004 Participating Gallery p 31
For over 30 years, George Stern Fine Arts
has specialized in California
Impressionists and American Scene
painters. We have a large inventory of the
finest examples of paintings from 1880
through 1940 and beyond. George Stern
Fine Arts is involved in educating the pub-
lic on the historical development of these
artists and the connoisseurship of collect-
ing. We have published books on artists
such as Arthur Dominique Rozaire,
Conrad Buff, and Robert Frame. George
Stern was the founding president of the
Fine Art Dealers Association and is cur-
rently a board member of FADA and the
Art Dealers Association of California.
8920 Melrose Avenue
West Hollywood, CA 90069
T: 310.276.2600
T: 800.501.6885
F: 310.276.2622
www.sternfinearts.com
Staff: George Stern, Owner;
Irene Stern, Director; Danny Abiri, Sales;
Julie Hopkins, Administrator;
Oscar Ramos, Maintenance.
Booth B32 p 32George Stern Fine Arts
Artists:
Franz A. Bischoff
Jessie Arms Botke
Conrad Buff
Alice Chittenden
Colin C. Cooper
Paul De Longpre
John Frost
August Gay
Selden Gile
Percy Gray
Clarence Hinkle
Thomas Hunt
Stanton Macdonald-Wright
Jean Mannheim
Edgar Payne
Agnes Pelton
Hanson Puthuff
Granville Redmond
A.G. Ride
William Ritschel
Arthur D. Rozaire
Donna Schuster
Millard Sheets
Marion Wachtel
William Wendt
Left:
Guy Rose
Carmel Valley
Oil on canvas, 21 x 24 inches
Center:
Edgar Payne
Boats of the Audienne
Oil on canvas, 25 x 30 inches
Right:
William Wendt
Be it ever so Humble
Oil on canvas, 25 x 30 inches
Los Angeles Art Show 2004 Participating Gallery p 33
Booth D56 p 34
Gallery C is a fine art gallery, specializing
in original work by contemporary
California artists. Showing painting,
sculpture, mixed media and installation,
Gallery C is devoted to presenting its
clients with quality art of high integrity.
Featuring both emerging and well estab-
lished artists, the curatorial philosophy
remains steadfast: Gallery C is a venue for
what is exciting and fresh in the California
art scene, supporting the artists whose
work represents not only the urban
California aesthetic but also describes
global contemporary movements.
1225 Hermosa Avenue
Hermosa Beach, CA 90254
T: 310.798.0102
F: 310.798.0039
www.galleryc.com
Gallery C
Gerald Peters Gallery, New York,
specializes in painting and sculpture of the
19th and 20th centuries, including works
by artists of the American West as well as
works by the Hudson River, Impressionist,
and Modernist schools. Our inventory
also includes contemporary art and
selected works by important 20th century
European masters.
24 East 78th Street
New York, NY 10021
T: 212.628.9760
F: 212.628.9635
www.gpgallery.com
Henri Matisse (1869–1954)
Jeune femme, 1936
Charcoal on paper , 24 x 15 7/8 inches
Booth B25 p 35Gerald Peters Gallery
The Greenwich Gallery has dealt in
American and European paintings from
the 19th and 20th Century for over fifteen
years, our strength is our extensive and
diverse inventory.
We are also a foremost dealer in
American and European sculpture,
specializing in exceptional pieces from
late 18th through the 20th Century.
2 Greenwich Avenue
Greenwich, CT 06830
T: 203.622.4494
F: 203 622 7561
www.greenwichgallery.com
Staff: Abby M Taylor, Partner; Vincent
Vallarino, Partner; Shannon Cruickshank,
Client Services; Gillian Ruehl,
Administrator; Brett T Holster, Sculpture
Booth A7 p 36The Greenwich Gallery, LLC
Left:
Marie Vorobieff Marevna (Russian, 1892–1984)
Les Deux Amies, 1930
Oil on canvas, 32 x 36 inches, Signed lower right
Inscribed on verso with date and artist’s Paris address
Center:
Alfred Boucher (French, 1850–1934)
Volubilus
White marble, 20 x 17.5 x 8.4 inches,
Signed: A. Boucher
Right:
Henry Moret (French, 1856–1913)
Barques de Pêche, Bretagne
Oil on canvas, 18 x 32 inches,
Signed lower right, 1906, Titled on verso
Los Angeles Art Show 2004 Participating Gallery p 37
Catering to the needs of beginning and
established collectors alike, Guarisco
Gallery offers an extensive selection of
important 19th- and early 20th-century
paintings and sculptures from every major
American and European school, including
Romantic, Barbizon, Academic, Victorian,
Belle Epoque, Impressionist, and
Modernist. Subject matter ranges from
sporting art, marines, and Orientalist
images to still life paintings, landscapes,
portraits, and charming genre scenes.
2828 Pennsylvania Avenue, NW,
Washington, DC 20007
T: 202.333.8533
T: 800.426.3747
F: 202.625.0834
www.guariscogallery.com
Staff: Laura Guarisco, Director;
Jane Studabaker, Director; Joe Panarelli,
Registrar; Susan Ross, Curator
Booth A8 p 38Guarisco Gallery
Light:
Ernest de Chamaillard (1862–1930)
La Vallé Treboul, c. 1895, Oil on canvas,
43 x 53 inches framed
Center:
Abel Bertram (1871–1954)
In the Flower Garden, c. 1910, Oil on canvas,
29 x 31 inches framed
Right:
Henri Lebasque (1865–1937)
Le Cannet, Nue assise dans le jardin, c. 1935,
Oil on canvas, 16 1/2 x 14 1/4 inches framed
Artists:
Albert André
Jules Breton
Ernest de Chamaillard
William Henry Clapp
Georges Vicat Cole
Edward Cucuel
Montague Dawson
James Enneking
Georges d’Espagnat
Victor Gilbert
Henri Lebasque
Fernand-Marie Le Gout-Gerard
Maximillien Luce
Henri Martin
Jean-Baptiste Olive
Hermann Max Pechstein
Pierre Auguste Renoir
Theodore Ribot
William Sonntag
Louis Valtat
Los Angeles Art Show 2004 Participating Gallery p 39
Hayden & Fandetta Rare Books,
international private dealers based in
New York City, specialize in books about
antiques, interior design, and gardens
and flowers. Color plate books, illustrated
books, and Art Deco books with striking
dustwrappers are also kept in stock.
A bookbinder/conservator is on staff to
offer clients complete bookbinding and
restoration services.
Members of:
Antiquarian Booksellers’ Association of
America, International League of
Antiquarian Booksellers, Art and Antique
Dealers League of America, CINOA
Post Office Box 1549
New York, NY 10101-1549
T: 212.582.2505
Staff: John-Peter Hayden, Jnr.,
David J. Fandetta
TECOLOTE, The Ranch Home of Sir David and Lady
Yule. An Album by Bert Clark Thayer. Tall folio. 86 origi-
nal monotone photographic plates. Full brown goat
and gilt. The Yules were known for their prestigious
Hanstead Stud in England, their lavish ranch in Santa
Barbara, Tecolote, and the world's first steam yacht,
the S. Y. Nahlin. An esteemed society and horse flesh
photographer, Thayer depicts life at Tecolote, scenes
of Santa Barbara in the 1920s, as well as rare shots of
the Yules' friend, Western artist Edward Borein.
Booth B17 p 40Hayden & Fandetta Rare Books
Los Angeles Art Show 2004 Participating Gallery p 41
Above:
Edward Borein (left), Sir David Yule (right)
Bottom, Left:
Edward Borein in front of his Santa Barbara studio
Bottom, Right:
Thayer signature on fly leaf
Herbert Palmer Gallery celebrates its forti-
eth year in Los Angeles, exhibiting works
of master American, European and Asian
artists, particularity early Modernist
works. As an art historian, Herbert Palmer
has been able to discover and exhibit
innovative Contemporary artists like Ed
Ruscha and Bridget Riley. The gallery pro-
vides a consultation and appraisal service.
9003 Melrose Ave
Los Angeles, CA 90069
T: 310.278.6407
F: 310.550.0758
www.herbertpalmergallery.com
Staff: Herbert Palmer, Director;
Susan Becker, Assistant to the Director
Booth D51 p 42Herbert Palmer Gallery
Artists:
Herbert Bayer
Hans Bellmer
Oscar Bluemner
Christo
Pier Guzzi
Allen Jones
André Masson
Henry Moore
Wolfgang Paalen
Niki de Saint Phalle
Man Ray
Kurt Seligmann
Jean Tinguely
Abraham Walkowitz
Dody Warren
Edward Weston
There is a great joy in discovering an
American landscape painter whose art
sings about the land in which we live.
In a sense, Jack Stuppin continues
Marsden Hartley's vision—wandering in
the realm of sea, sky and the Sonoma
patchwork of golden mountains. His
paintings are romantic landscapes, which
exemplify, the “eternal recurrence” of a
restless California terrain. The Sonoma
County Museum has recently shown a
one-man show of Stuppin's latest work.
Left:
Carl Robert Holty
Cup of the Sea, 1947
Oil on canvas, 30 x 38 inches
Right:
Jack Stuppin
Fog, Golden Hill, 2003
Oil on canvas, 44 3/4 x 60 1/8 inches
Los Angeles Art Show 2004 Participating Gallery p 43
For almost a decade, Ikon Ltd. Fine Art
has assisted clients in the acquisition and
resale of modern and contemporary art.
In addition to organizing shows of both
works on paper and original works by
post-war and contemporary artists in all
media, we maintain an extensive inventory
of both prints and unique works by such
artists as:
2525 Michigan Avenue, G4
Santa Monica, CA 90404
T: 310 828 6629
F: 310 828 4041
www.ikonltd.com
Staff: Kay Richards, Director;
Greg Abramson, Assistant Director
Booth D54 p 44
Artists:
Andy Warhol
Jean Michel Basquiat
Keith Haring
Ed Ruscha
Roy Lichtenstein
Sam Francis
Vik Muniz
John Baldessari
Robert Rauschenberg
Damien Hirst
Richard Prince
Nan Goldin
Left:
Jean Michel Basquiat
Untitled (Pecho), 1983
Mixed media on Board, 30 x 40 inches, Signed verso
Center:
Andy Warhol
Heart, 1983,
Acrylic polymer on canvas, 8 x 8 1/4 inches,
Signed verso
Right:
Vik Muniz
Vanitas, 1999,
Toned gelatin silver print, 24 x 20 inches
Los Angeles Art Show 2004 Participating Gallery p 45
Founded in 1979, Jack Rutberg Fine
Arts features important Modern and
Contemporary European, American
and Latin American artists. The gallery
represents the estates of Hans Burkhardt,
Oskar Fischinger, and Francisco Zuniga,
as well as contemporary artists Patrick
Graham, Ruth Weisberg, and Jerome
Witkin. Important solo shows have includ-
ed Tapies, Gorky, Rouault, Weber,
Kollwitz, Calder, and other significant
20th century artists. Major exhibitions
have included surveys of German
Expressionism, California Modernism,
and Los Angeles Contemporary Art.
357 North La Brea Avenue
Los Angeles, CA 90036-2517
T: 323.938.5222
F: 323.938.0577
www.jackrutbergfinearts.com
Jerome Witkin (b. 1939)
Keep Me In Your Heart For Awhile, 2003–04
Oil on Canvas, 72 1/4 x 56 inches,
Signed and Dated Lower Right
Booth A1 p 46Jack Rutberg Fine Arts
Booth C33 p 47
Jörg Maass specializes in German
Expressionist prints and works on paper
by Max Beckmann, Erich Heckel, E.L
Kirchner, Kathe Kollwitz, Edvard Munch,
Emil Nolde and others. We also deal in
Photography and works by internationally
known Modern and Contemporary artists
including Jasper Johns, Picasso, Sigmar
Polke, Gerhard Richter and Cindy
Sherman.
Rankestrasse 24
10789 Berlin, Germany
T: 49.30.211.5461
F: 49.30.218.1197
www.kunsthandel-maass.de
32 Thompson Street, Ground Floor
New York, NY 10013
T: 212.334.3486
F: 212.334.3588
www.germanexpressionism.com
Gerhard Richter (German, b. 1932)
Komposition, 1989, Oil on card, 8 1/4 x 11 5/8 inches
Jörg Maass Kunsthandel
Since 1978, Jonathan Novak has been
an important source for contemporary
American and European art. With a wide-
ranging inventory consisting of paintings,
drawings, sculpture and graphics, one
may find significant examples by interna-
tionally recognized artists. Jonathan
provides his clients with expert advice
in the purchasing, collecting, and selling
of fine contemporary works of art.
1880 Century Park East Suite 100
Los Angeles, CA 90067
T: 310.277.4997
F: 310.277.4881
www.novakart.com
Staff: Jonathan Novak, Xiliary Twil,
Janelle White, Pedro Caceres,
Maegan Shanahan, Christine Haynes.
Booth C34 p 48Jonathan Novak Contemporary Art
Artists:
Fernando Botero
Joseph Cornell
Jim Dine
Jean Dubuffet
Richard Estes
Sam Francis
Ralph Goings
David Hockney
Don Jacot
Roy Lichtenstein
Henri Matisse
Robert Motherwell
Joel Shapiro
Donald Sultan
Wayne Thiebaud
Andy Warhol
Left:
Jim Dine (American, Born 1935)
After the Harvest, 2003, Oil on canvas,
49 x 168 1/4 inches
Center:
Don Jacot (American, Born 1949)
What Makes You Tick, 2003, Oil on linen,
28 x 40 inches
Right:
David Hockney (British, Born 1937)
Henry, 1972, Crayon on paper, 17 x 14 inches
Los Angeles Art Show 2004 Participating Gallery p 49
Established in 1986, The Kelley Gallery
specializes in original vintage paintings
produced from 1850 through 1950.
From early California artists and the
American Scene to Pre-Raphaelite and
Symbolist works, the gallery handles a
broad spectrum of painting styles and
subjects. We cater to the independent
and progressive-minded collector looking
for the unique, the unusual, and the
exceptional.
696 E. Colorado Blvd. Suite #4
Pasadena, CA 91101-2122
T: 626.577.5657
www.mkelleyart.com
Booth D50 p 50Kelley Gallery
Artists:
Benjamin Brown
Bert and Meta Cressey
Wiliam Cahill
Phil Dike
Charles Keck
Joseph Kleitsch
Emil Kosa, Jr.
Gabriel Max
Barse Miller
Phil Paradise
Hanson Puthuff
Guy Rose
Channel Townsley
John William Waterhouse
Left:
Emil Kosa, Jr. (1903–1968)
Big Top, Oil on canvas, 24.5 x 28 inches
Center:
Phil Paradise (1905–1997)
The Ice Cream Vendor, 1935,
Watercolor on paper, 23 x 17 inches
Right:
Charles F. Keck (1913–2003)
Hitchin’ a Ride, Oil on canvas, 16 x 20 inches
Los Angeles Art Show 2004 Participating Gallery p 51
Specializing: 19th, early 20th Century
American & European paintings.
960 North La Brea Avenue
Los Angeles, CA 90038
T: 866.239.5530
F: 866.239.5530
www.fineoldart.com
Fernando Tirado y Cardona (1862–1907)
El Violinista, Oil on panel, 12 5/8 x 8 1/2 inches
Booth A16 p 52
Booth C41 p 53
Pan American Art Gallery was established
in 1994 in Dallas, Texas. Specializing in art
of the Americas, we bring together early
modern and contemporary masters from
Canada, the U.S., the Caribbean and
Latin America.
Pan American Art Gallery features
contemporary and traditional works, as
well as folk art, photography, sculpture
and ceramics. The gallery houses one of
the world’s largest collections of Cuban,
Haitian and Jamaican art.
Members of:
DADA
Dallas Art Dealers Association
3303 Lee Parkway, Suite 101
Dallas, Texas 75219
T: 214-522-3303
F: 214-521-3577
www.panamericanart.com
Victor Manuel Garcia (1897–1969)
Portrait with Flower, ca. 1930, Oil on canvas,
19 x 14 inches
Pan American Art Gallery
Louis Stern Fine Arts is highly involved in
the secondary market with special con-
centration in Impressionist, Post-
Impressionist and Modern art. The
gallery’s exhibition program has featured
important mid-twentieth century west
coast abstract painters. The gallery repre-
sents a select group of contemporary
artists and the estates of Alfredo Ramos
Martinez, Lorser Feitelson and Helen
Lundeberg.
9002 Melrose Avenue
West Hollywood, CA 90069
T: 310.276.0147
F: 310.276.7740
www.louissternfinearts.com
Staff: Louis Stern, Marie Chambers,
Melissa Pope, Tracy Serur
Booth D62 p 54
Artists:
Karl Benjamin
Pierre Bonnard
Lorser Feitelson
Judith Foosaner
Helen Lundeberg
János Mattis Teutsch
John McLaughlin
Cecilia Z. Miguez
Henry Moore
Leonard Nimoy
Pablo Picasso
Alfredo Ramos Martinez
Hugó Scheiber
Rufino Tamayo
Jacques Villon
Left:
Karl Benjamin (b. 1925)
Untitled, 1957, Oil on canvas, 20 x 40 inches
Center:
Henry Moore (1898–1986)
Reclining Figure Cloak, 1967, Patinated bronze,
edition 3/9, 8 1/4 x 18 x 8 5/16 inches
Right:
Helen Lundeberg (1908–1999)
Wetlands II, 1983, Acrylic on canvas, 50 x 35 inches
Los Angeles Art Show 2004 Participating Gallery p 55
Contemporary Paintings, Sculpture and
Fine Antique American Indian Art.
Specializing in the life works of Maynard
Dixon, Maria Martinez, Taos Society
of Artists and other early painters of
the Southwest. Navajo Textiles, Pueblo
Pottery, Native American Baskets,
Kachinas, Old Pawn Jewelry, and Spanish
Colonial furniture.
7000 East Tanque Verde
Tucson, AZ 85715
T: 800.422.9382
T: 520.722.7798
F: 520.722.2783
Staff: Dr. J. Mark Sublette, President;
Michael Ettema, Director Santa Fe;
Francis Livingston, Visiting Artist
200 Canyon Road
Santa Fe, NM 87501
T: 866.894.7451
T: 505.820.7451
F: 505.820.2750
www.medicinemangallery.com
www.mariapottery.com
Booth B20 p 56Mark Sublette, Medicine Man Gallery
Artists:
Maynard Dixon
Taos Society
Francis Livingston
Jeff Aeling
Glenn Dean
Ed Mell
Ray Roberts
Peggy Kroll Roberts
Howard Post
John Moyers
Terri Kelly Moyers
Gregory Hull
Louisa McElwain
Jason Situ
Star Liana York
Veryl Goodnight
Left:
Maynard Dixon (1875–1946)
The Cloud, Coachella Valley 1940
Oil on Board, 10 x 14 inches
Center:
Jeff Aeling
Towering Cumulus South of Galisteo,
Oil on Panel, 48 x 36 inches
Right:
Francis Livingston
Wazee Club, Oil on Panel, 20 x 20 inches
Los Angeles Art Show 2004 Participating Gallery p 57
Marsha Child Contemporary exhibits
distinguished fine art from around the
world, with special emphasis on the work
of established contemporary masters
and gifted emerging artists from Eastern
and Central Europe. We take pride in
exhibiting paintings, drawings, fine
prints, sculpture and photographs that
are as substantive in content as they
are exceptional in execution.
220 Alexander Street
Princeton, NJ 08540
T: 609.497.7330
F: 609.497.7330
www.mchildcontemporary.com
Staff: Marsha Child, Angharad Jones
Booth D58 p 58
Artists:
Georges Mazilu
Valeriy Skrypka
Piotr Woroniec
Ilona Zaremba
Jean-Pierre Sauve
Kalvis Zuters
Piet Peere
Manuela Holban
Ricardo Barros
Lieuwe Kingma
Laime Eglite
Left:
Valeriy Skrypka
Paper Bird, 2000, Oil on Belgian linen, 54 x 36 inches
Center:
Ilona Zaremba
Map, 2004,
Diptych, encaustic on panel, 36 x 48 inches
Right:
Piotr Woroniec
Chairs, 2004
Carved wood, 14 x 8 x 11 inches
Los Angeles Art Show 2004 Participating Gallery p 59
Quality American paintings and fine prints
with an emphasis on American painters
who worked the West between 1880–
1950. Distinguished inventory of Taos and
Santa Fe painters, as well as Eastern
schools, California Plein Air painters and
fine contemporary paintings and sculp-
ture. Over 30 years of personalized sales,
purchase and curatorial services.
7105 East Stetson Drive
Scottsdale, AZ 85251
T: 480.421.9475
F: 480.421.9450
www.mitchellbrownfineart.com
Staff: Jeffrey M. Mitchell, President;
Janet Mitchell, Vice President;
Gillian M. Blitch, Director
Booth A12 p 60
Artists:
O.E. Berninghaus
Ernest Blumenschein
Carl Oscar Borg
E. I. Couse
Maynard Dixon
W. Herbert Dunton
Nciolai Fechin
Gilbert Gaul
E. Martin Hennings
Robert Henri
Nellie Knopf
Bert Phillips
J. H. Sharp
Birger Sandzen
Walter Ufer
Left:
Leslie Lee (1871–1951)
Market Woman, Oil on canvas, 40 x 30 inches
Center:
Zivko Zic
Vase with Flowers, 1992, Oil on board, 13 x 16 inches
Right:
Gottardo Piazzoni (1872–1945)
Kentfield, California, 1914, Oil on board, 6 x 8 inches
Los Angeles Art Show 2004 Participating Gallery p 61
Montgomery Gallery is one of the leading
international art galleries in the western
United States dealing in 19th and 20th
century European and American works
with a special focus on the art of California
and unique Old Master paintings. The
gallery offers an array of services including
consultation, appraisal, consignment and
purchase of artwork.
Memberships of:
The Art Dealers Association of America,
Antique Dealers Association of America,
CINOA,
San Francisco Art Dealers Association,
American Appraisers Association,
The Jackson Square Art & Antiques
Dealers Association
406 Jackson Street
San Francisco, CA 94111
T: 415 788 8300
F: 415 788 5469
www.montgomerygallery.com
Staff: Peter M. Fairbanks, President;
Elisabeth Peters, Principal and Director of
American Art; Liza B. Catubig, Gallery
Manager and Registrar; Ellen S. Hoover,
Department of European Art/Consultant
Booth D57 p 62Montgomery Gallery, LLC
Artists:
Borg
Boudin
Corot
Couse
Frost
Keith
Key
Lebasque
Le Sidaner
Martin
Miller
Monet
Narjot
Pissarro
Potthast
Sisley
Utrillo
Vuillard
N.C. Wyeth
Left:
Henri Martin (French, 1860–1943)
Les Arbes au bord du Ruisseau
Oil on canvas, 35 x 31 inches,
Signed l/l: Henri Martin
Right:
Right:
Edward Henry Potthast (American, 1857–1927)
A Family Outing, c. 1915-1920
Oil on artist board, 12 x 16 inches, Signed l/l: E. Potthast
Los Angeles Art Show 2004 Participating Gallery p 63
Founded in 1958, Morseburg Galleries
is one of Southern California’s most
established fine art galleries. Our inventory
includes historic plein-air paintings; 19th
Century European works and a selection
of paintings by some of America’s finest
traditional painters. Our West Hollywood
location, with its book-lined atelier, is hung
“salon style” with a selection of works
from our broad inventory.
9089 Santa Monica Blvd.
West Hollywood, CA 90069
T: 310.273.5207
F: 310.273.5208
www.morseburgalleries.com
Staff: Jeffrey Morseburg,
Howard Morseburg III, Michael Chylinski,
Lynette Treffinger
Booth D48 p 64Morseburg Gallery
Artists:
Warren Chang
Michelle Dunaway
D.J. Cleland-Hura
David Gallup
Yingzhao Liu
Maureen Hyde
Jeremy Lipking
Andy Park
Sergio Sanchez
Alexandre Orlov
Robert Semans
Alexey Steele
Ryan Wurmser
Sunny Apinchapong Yang
Left:
Ryan Wurmser
Asleep
Oil on linen, 30 x 40 inches
Right:
Theodore Robinson (1852–1896)
Les Nympheas, Grez-sur-Loing, 1878
13 x 9 5/8 inches
Los Angeles Art Show 2004 Participating Gallery p 65
Nedra Matteucci Galleries, founded in
1972, specializes in important nineteenth
and twentieth-century American art.
The Taos Society of Artists, artists of the
American West and masters of American
Impressionism and Modernism are
featured. Included in the collection are
works by internationally recognized
contemporary painters and sculptors.
1075 Paseo de Peralta
Santa Fe, NM 87501
T: 505.982.4631
F: 505.984.0199
www.matteucci.com
Staff: Nedra Matteucci, Harry McKee,
Alex Hanna
Booth D63 p 66Nedra Matteucci Galleries
Artists:
Oscar E. Berninghaus
Felipe Castañeda
Fremont Ellis
Nicolai Fechin
Leon Gaspard
Glenna Goodacre
Childe Hassam
E. Martin Hennings
Clark Hulings
Frank Tenney Johnson
Georgia O’Keeffe
Dan Ostermiller
Edgar Payne
Alice Schille
Joseph Henry Sharp
Eric Sloane
Left:
E. Martin Hennings (1886–1956)
Along the Canyon Road, Oil on canvas, 30 x 30 inches
Center:
Dan Ostermiller (b. 1956)
Preening Whitetail, Bronze,
15 x 13 1/2 x 21 inches, Edition of 20
Right:
Clark Hulings (b. 1922)
French Kitchen Garden, Oil on canvas, 25 x 24 inches
Los Angeles Art Show 2004 Participating Gallery p 67
Papillon Gallery specializes in European
and American paintings and sculpture
from the period 1890–1950, with empha-
sis on the School of Paris. Modernist
figurative works that capture the ambiance
of the period are our particular focus. Our
book “Modern Figurative Paintings: The
Paris Connection” documents many of the
artists we handle.
8010 Melrose Ave
Los Angeles, CA 90046
T: 323.655.4468
F: 323.655.1163
www.papillongallery.com
Staff: Martin Wolpert, Jeffrey Winter;
Brooke Doyle, Assistant
Booth A18 p 68Papillon Gallery
Left:
Elie Anatole Pavil
L’Atelier, c. 1925, France, Oil on canvas,
32 x 39 inches, Signed
Above:
Robert Giron
Le Couple Moderne, Dated 1925, France,
Oil on canvas, 27 x 31.5 inches, Signed
Below:
Federico Beltran-Masses
Femme dans le Châle Espagnol, c. 1925, Spanish,
worked in France, Oil on canvas, 45 x 77 inches, Signed
Los Angeles Art Show 2004 Participating Gallery p 69
The Redfern Gallery should not be missed
by anyone interested in fine art.
Specializing in American Impressionism
with an emphasis on paintings by the early
California Plein Air Artists (1890–1940),
the walls are filled with carefully selected
museum quality paintings. Complimenting
the historical paintings are glorious works
by present day plein air painters reflecting
the majesty of the early Impressionists.
Also on display is a fine collection of
sculptures by notable artists. The Redfern
Gallery continues to be a leading source
for private, corporate and museum collec-
tions and is at your service whether you
are buying, selling or just researching that
special painting.
1540 South Coast Highway
Laguna Beach, CA 92651
T: 949.497.3356
F: 949.497.1324
www.redferngallery.com
Staff: Ray Redfern, Owner;
Roberta Haltom, Director;
Karl Ring, Sales Associate
at Montage Resort and Spa
30801 South Coast Highway
Laguna Beach, CA 92651
T: 949.715.6193
Staff: Barrie Egan, Director
Booth A9 p 70The Redfern Gallery
Artists:
Franz Bischoff
Maurice Braun
Jesse Arms Botke
Alson Clark
Colin Campbell Cooper
John Gamble
Bruce Nelson
Edgar Payne
Hanson Puthuff
Granville Redmond
William Ritschell
Guy Rose
Donna Schuster
Jack Wilkinson Smith
William Wendt
Left:
Granville Redmond, (1871–1935)
Blue Lupine and Poppies
Oil on Canvas, 16 x 20 inches
Center:
Bischoff, Franz (1864–1929)
Sand Dunes and Rocky Coast
Oil on canvas, 24 x 34 inches
Right:
Rose, Guy (1867–1925)
In the Musee Gardens, Tours, c. 1910
Oil on canvas, 29 x 24 inches
Los Angeles Art Show 2004 Participating Gallery p 71
Rehs Galleries, Inc. is one of the world’s
leading dealers of important Academic
art. The gallery specializes in French,
British and American artists who exhibited
at the Paris Salon and the Royal Academy
from 1860–1920. Currently the gallery
is preparing the catalogue raisonné’s
of Daniel Ridgway Knight (1839–1924),
Julien Dupré (1851–1910) and Emile
Munier (1840–1895).
Members of:
Fine Art Dealers Association (FADA) —
Howard Rehs, current President
Art & Antique Dealers League of America
C.I.N.O.A.
Appraisers Association of America
5 East 57th Street
New York, NY 10022
T: 212.355.5710
C: 917.690.7766
F: 212.355.5742
www.rehs.com
Joseph Caraud (1821–1905)
The Pet Canaries, Oil on panel, 23 1/2 x 17 3/4 inches,
Signed and dated 1875
Booth B26 p 72Rehs Galleries, Inc.
Gregory Orloff (Am., 1890–1981)
The Actress, ca. 1925, Oil on canvas on masonite
36 x 28 inches
Booth C40 p 73
Richard Norton Gallery specializes in
American and European Impressionist
and Modern paintings, drawings and
sculpture from the nineteenth and early
twentieth centuries. Artists include works
by: Albert Bloch, Karl Buehr,
Hananiah Harari, Carl Holty, J. Jeffrey
Grant, Albert Krehbiel, Marie
Laurencin, Jan Matulka, Pauline Palmer,
Birger Sandzen and Abel George
Warshawsky.
612 Merchandise Mart Plaza
Chicago, IL 60654
Monday–Friday 9–5
T: 312.644.8855
F: 312.644.8856
www.richardnortongallery.com
Richard Norton Gallery
Robert Henry Adams Fine Art, Inc
specializes in American modern art
created between 1910 and 1970.
Our emphasis is on paintings, drawings
and sculpture by historically important
American Modernist, Regionalist
and Abstract Expressionist artists.
Located in downtown Chicago, the
gallery mounts regular exhibitions
and publishes catalogues.
715 N. Franklin Street
Chicago, IL 60610
T: 312.642.8700
F: 312.642.8785
www.adamsfineart.com
Staff: Sandra Michels Adams, President;
David Lusenhop, Director;
Melissa Azzi Paradis, Assistant Director;
Jonathan Liss, Registrar
Booth C36 p 74Robert Henry Adams Fine Art, Inc
Artists:
Gertrude Abercrombie
Aaron Bohrod
John Steuart Curry
Edwin Dickinson
Carl Holty
George Josimovich
John Marin
Laszlo Moholy-Nagy
Archibald Motley, Jr.
Dale Nichols
David Smith
H.C. Westermann
Left:
H.C. Westermann (Am. 1922–1981)
See America First, 1968,
Watercolor on paper, 10 5/8 x 13 3/4 inches,
Signed lower right
Center:
Fairfield Porter (Am. 1907–1975)
Untitled (Farm Scene), ca. 1935,
Oil on canvas, 18 x 24 inches, Initialed lower left
Right:
George Josimovich (Am. 1894–1986)
Nude Reading (In Stockings), 1928,
Oil on canvas, 28 1/4 x 32 1/4 inches
Los Angeles Art Show 2004 Participating Gallery p 75
Roughton Galleries, Inc has been in
business since 1972. We specialize in
important 19th and early 20th century
American and European paintings.
Register on our web site for ArtAlert! and
receive gallery updates and view pricing
information. Roughton Galleries is a
member of the Fine Art Dealers Association
and the Dallas Art Dealers Association.
3702 Fairmount Street
Dallas, TX 75219
T: 214.871.1096
T: 866.273.3797
www.roughtongalleries.com
Booth A10 p 76Roughton Galleries, Inc.
Lwft:
Paul-Desire Trouillebert (1829–1900)
Au bord d'une mare dans la forét,
Oil on canvas, 25 3/4 x 32 inches
Center:
J. Bond Francisco (1863–1931)
Mojave Shadows, Arizona,
Oil on canvas, 22 x 28 inches
Right:
Hovsep Pushman (1877–1966)
An Armenian Girl, Oil on panel, 31 1/2 x 23 1/2 inches
Los Angeles Art Show 2004 Participating Gallery p 77
Schiller and Bodo specializes in French
paintings from the Academic,
Realist, Barbizon and Post-Impressionist
traditions. In addition, we handle select
paintings from the varied European
schools from 1860–1960. Artists in our
inventory include Bonheur, Bouguereau,
Breton, Corot, Courbet, Daubigny, Diaz,
Japy, Lebasque, Lhermitte, Puigadeau,
Martin, Richet, Rousseau.
Please visit us online.
Members of:
C.I.N.O.A.
PADA (Private Art Dealers Association)
19 East 74th Street
New York, NY 10021
T: 212 772-8627
F: 212 535 5943 fax
www.schillerandbodo.com
Gustave Courbet (French, 1819–77)
Vallee de la Loue, Pres d’Ornans
Oil on canvas, 31 1/2 x 37 7/8 inches,
Signed and dated lower left: Gustave Courbet ‘67
Booth D46 p 78Schiller & Bodo European Paintings
Booth C42 p 79
With locations in both New York & Atlanta,
Skot Foreman Fine Art represents well
established American, Latin American and
European Contemporary. (All mediums).
315 Peters Street, SW
Atlanta, GA 30313
T: 404.222.0440
www.skotforeman.com
Staff: Skot Foreman, Director;
Joely Davis, Assistant
Purvis Young
On the Shoulders of Our Ancestors
Paint on corrugated board, 62 x 48 inches
Skot Foreman Fine Art
For more than fifty years, Spanierman
Gallery, LLC has been dedicated to
dealing in the finest nineteenth and early
twentieth-century American paintings
and sculpture.
The Gallery is distinguished for its
support of research in American art, and
has published a number of very important
monographs.
45 East 58th Street
New York, NY 10022
T: 212.832.0208
F: 212.832.8114
www.spanierman.com
Staff: Gavin Spanierman, Gina Greer
Booth A2 & A4 p 80Spanierman Gallery, LLC
Left:
John Singer Sargent (1856–1925)
Portrait of Edith French, c. 1901
Oil on canvas, 24 x 18 inches,
Signed with initials upper right: J. S. S.
Right:
Joseph Raphael (1869–1950)
The Old Mill Pond (Belgium), c. 1918,
Oil on canvas, 27 x 37 inches,
Estate stamp on verso
Los Angeles Art Show 2004 Participating Gallery p 81
Sullivan Goss—An American Gallery
presents an exciting selection of 19th,
20th and 21st century American art,
with a particularly fine offering of works
by California artists.
1266 Coast Village Road
Montecito, CA 93108
T: 805.969.5122
F: 805.969.0220
Seven East Anapamu Street
Santa Barbara, CA 93101
T: 805.730.1460
F: 805.730.1462
www.sullivangoss.com
Booth C42 p 82
Artists:
Ken Bortolazzo
Harry Carmean
Colin Campbell Cooper , NA (Estate)
Lockwood De Forest, Sr. ANA (Estate)
Richard Haines (Estate)
Steve Huston
Dan Lutz (Estate)
Nell Brooker Mayhew (Estate)
Ben Messick (Estate)
R. Kenton Nelson
Hank Pitcher
Jack R. Smith
Sally Storch
Nicole Strasburg
Howard Warshaw (Estate)
Left:
Albert Bierstadt (1830–1902)
Saint Anthony’s Falls, c. 1888,
Oil on canvas, 30 x 50 inches
Center:
Richard Haines (1906–1984)
Columbus Day, 1959, Oil on canvas, 32 x 24 inches
Right:
Colin Campbell Cooper (1856–1937)
Lily Pond, Balboa Park, San Diego 1916
Oil on canvas, 20 x 24 inches
Los Angeles Art Show 2004 Participating Gallery p 83
Contemporary and Modern sculpture,
drawings and paintings from
internationally renowned artists.
8808 Melrose Avenue
West Hollywood, CA 90069
T: 310.276.8686
F: 310.276.8576
820 Prospect Street
La Jolla, CA 92037
T: 858.454.3691
F: 858.454.0589
www.artnet.com
Staff: Jose Tasende, President; Mary Beth
Hynes, Director; Betina Tasende,
Director—Los Angeles; Aitor Tasende,
Gallery Manager
Booth C35 p 84Tasende Gallery
Artists:
Fletcher Benton
Anthony Caro
Lynn Chadwick
Eduardo Chillida
Jose Luis Cuevas
Niki de Saint Phalle
Mark di Suvero
Markus Lüpertz
Giacomo Manzú
Roberto Matta
Henry Moore
Andres Nagel
Louise Nevelson
Wayne Thiebaud
Barbara Weldon
Left:
Mark di Suvero
Nex Two, 1987
Corten steel, unique, 77 x 72 x 55 inches
Center:
Markus Lüpertz
Etrurierin, 2001
Painted bronze, Edition 3/6, 37 x 9 inches
Right:
Markus Lüpertz
Nach Marées—Abendlicht, 2002
Oil on canvas, 63 x 78 inches
Los Angeles Art Show 2004 Participating Gallery p 85
The Thomas McCormick Gallery features
both modern and contemporary art,
focusing primarily on painting, works on
paper and sculpture. We represent the
estates of numerous mid-century
American painters with an emphasis on
abstract expressionism. The gallery also
shows both established and emerging
contemporary artists.
835 W. Washington Blvd.
Chicago, IL 60607
T: 312.226.6800
F: 312.226.6588
www.thomasmccormick.com
Staff: Thomas McCormick; Mary Beyer;
Jessica Moss
Booth B28 p 86Thomas McCormick Gallery
Artists:
Mary Abbott
Wendy Alexander
Janice Biala
Fritz Bultman
Perle Fine
Albert Kotin
Jan Matulka
Fred Mitchell
Robert Motherwell
Melville Price
Robert Richenburg
John Sabraw
John Santoro
Yvonne Thomas
Vidvuds Zviedris
Left:
Alice Neel (1901–1984)
Bathing in a Furnished Room, 1927,
Watercolor and pastel on paper, 12 x 9 inches
Center:
Perle Fine (1905–1988)
The Big Splash (aka Tantrum I), 1959,
Fold over collage, 22 x 28 inches
Right:
Melville Price (1920–1970)
Maze Series, 1948, Oil on paper, 24 x 36 inches
Los Angeles Art Show 2004 Participating Gallery p 87
Established in 1976, the Thomas Nygard
Gallery specializes in 19th and 20th
Century American art with an emphasis
on historical art of the Northern Plains. We
also display important paintings of the
Taos Society Of Artists, Rocky Mountain,
Hudson River and California Schools.
We offer our clients service in appraisals,
painting restoration and conservation,
and custom framing.
Member of:
The Art & Antique Dealers of America
135 East Main Street
Bozeman, MT 59715
T: 406.586.3636
F: 406.587.8279
www.nygardgallery.com
Staff: Thomas Nygard, President;
Curtis Tierney, Director; Rayanne Nitsche,
Anna Doehring, Matt Cameron
Booth B24 p 88Thomas Nygard Gallery
Artists:
Oscar Edmund Berninghaus
Edward Borein
Maynard Dixon
Henry Farny
Nicolai Fechin
Grace Carpenter Hudson
Frank Tenney Johnson
W.R. Leigh
Thomas Moran
Winold Reiss
Frederic Remington
Carl Rungius
Charles M. Russell
Joseph Henry Sharp
Donald Teague
Left:
Oscar Edmund Berninghaus, ANA (1874–1952)
Overland Mail, 1946, Oil on canvas, 35 x 40 inches
Center:
William Robinson Leigh (1866–1955)
Canyon of the Yellowstone
Oil on canvas, 32 x 22 inches
Right:
Henry Merwin Shrady (1871–1922)
The Empty Saddle, Bronze, 10 1/4 inches high
Los Angeles Art Show 2004 Participating Gallery p 89
Timothy Yarger Fine Art was established
in 1986 and exhibits modern and
contemporary painters, printmakers,
and sculptors. Established in Beverly Hills
with an additional location in Bangkok,
Thailand, the gallery specializes in
20th Century Modern Masters and
contemporary artists including Peter
Alexander, Pierre Marie Brisson,
Hei Myung Hyun, Ray Turner, Judy Pfaff
and Curtis Phillips.
Timothy Yarger Fine Art Beverly Hills
329 North Beverly Drive
Beverly Hills, CA 90210
T: 310/278-4400
F: 310/278-6771
www.yargerfineart.com
Timothy Yarger Fine Art Bangkok
Suite 11, Ground Floor
2/4 Wireless Road
The Promenade Decor
Bangkok, Thailand 10330
T: 02.655.0882
www.yargerfineart.com
Staff: Tim Yarger, Director;
Michael Golden, Associate Director;
Jeanne Harris, Assistant to the
Director/Associate Art Consultant;
Judy Lambert, Art Consultant/
Gallery Manager;
Sam Khayat, Art Consultant;
Bryson Strauss, Associate Art
Consultant/Oral Historian;
Robert Constant, Executive Vice
President/Chief Financial Officer;
David Chavez, Logistics Manager;
Elizabeth Yochim, International
Exhibitions;
Belle Phavichitr, Managing Director
Bangkok
Booth D52 p 90Timothy Yarger Fine Art
Artists:
Pablo Picasso
Marc Chagall
Joan Miro
Henri Matisse
Pierre-Auguste Renoir
Peter Alexander
Sam Francis
Ray Turner
Judy Pfaff
Pierre Marie Brisson
Hei Myung Hyun
Curtis Phillips
Linda Touby
Marilo Carral
Robert Farber
Left:
Peter Alexander (b. 1939)
Menlo, 1991
Acrylic on canvas, 30 x 35 inches
Top:
Hei Myung Hyun (b. 1943)
Cherry Blossom, 2004
Mixed media, 50 x 60 inches
Bottom:
Ray Turner (b. 1958)
Provenance, 2003,
Oil on canvas, 40 x 60 inches
Los Angeles Art Show 2004 Participating Gallery p 91
Trigg Ison Fine Art Inc. is a world-class
fine art gallery, located in the heart of the
art and design district on Robertson
Boulevard in West Hollywood, California.
We specialize in fine paintings and
sculptures conceived and executed
between 1900-1950, with an emphasis
on the Art Deco/Modernist movement.
We enjoy an international reputation for
our discriminating selection process in
procuring only the most unique examples
of original works of art.
511 North Robertson Blvd
West Hollywood, CA 90048
T: 310.274.8047
F: 310.274.8076
www.triggison.com
Staff: Trigg Ison, Dave DiMartino
Booth D49 p 92Trigg Ison Fine Art Inc.
Artists:
Albert Gleizes
Andre’ Lhote
Inez Wetzel
Tamara DeLempicka
Jean Crotti
Raphael Delorme
Jean Lambert-Rucki
Jan Frans DeBoever
Jacqueline Marval
Ron Blumberg
Left:
Ines Wetzel
The Poet, Oil on Panel, Germany, Signed, Dated 1929,
Exhibited: Montreal Museum of Fine Art, Illustrated:
“The 1920’s: Age of Metropolis”, 39 1/2 x 39 1/2 Inches
Right:
Jos Leonard
Danseuses, Watercolor and Ink on Paper
Belgium, Monogrammed/Atelier Stamped, Dated 1922,
23 1/2 x 17 Inches
Center:
Theodoor-Joseph Verschaeren
Serenade, Oil on Canvas, Belgium, Signed, Dated
1936, 37 x 38 Inches
Los Angeles Art Show 2004 Participating Gallery p 93
Established in 1980, Trotter Galleries has
consistently maintained our reputation as
a source for the beginning as well as the
advanced collector by providing quality
work of prominent early California artists.
Located in downtown Carmel, we offer
a fine selection of paintings, with an
emphasis on artists active in the Carmel/
Monterey area 1875-1950.
On San Carlos near 7th
P.O. Box 3246, Carmel, CA 93921
T: 831.625.3246
F: 831.625.1456
www.fada.com/trotter.html
www.artnet.com/trotter.html
Staff: Terry and Paula Trotter
Booth A11 p 94
Artists:
Armin Hansen
Granville Redmond
William Ritschel
Guy Rose
E. Charlton Fortune
Selden Connor Gile
Mary DeNeale Morgan
John Gamble
Maurice Braun
Percy Gray
S. C. Yuan
Edgar Payne
Thomas McGlynn
Franz Bischoff
William Wendt
Left:
Selden Connor Gile (1877–1947)
On The Yacht Harbor, 1927, Oil on canvas,
30 x 36 inches, Signed and dated lower right
Right:
Granville Redmond (1871–1935)
California Field of Poppies and Lupine, c. 1925
Oil on canvas, 20 x 30 inches, Signed lower left
Upper Right:
Will Sparks (1862–1937)
This work is one of an important complete series of 37
mission paintings by Will Sparks from 1933–1937.
Los Angeles Art Show 2004 Participating Gallery p 95
The Vallejo Gallery specializes in offering
period maritime paintings from the past
three centuries. Established in 1972,
we continue to present one of the largest
collections of fine quality marine art pos-
sessing historic and artistic significance
to the world.
1610 West Coast Highway
Newport Beach, CA 92663
T: 949.642.7945
F: 949.631.3161
www.vallejogallery.com
Staff: Joseph T. Vallejo, Director;
Robert J. Piatti, Manager & Researcher;
William W. Lowe, Assistant to the Director
Booth A5 p 96
Artists:
Edward Moran
James E. Buttersworth
William A. Coulter
Anthony Thieme
Henri Lebasque
Jonas Lie
Thomas Somerscales
Jane Peterson
Francis Augustus Silva
Alfred Stevens
Guy C. Wiggins
Maurice F.H. DeHaas
Antonio Jacobsen
Maurice Braun
Alfred Thompson Bricher
Left:
Henry Moret (1856–1918)
Doëlan, Basse Mer, 1903,
Oil on canvas, 25 x 32 inches, Signed LR
Above:
John & Frederick Tudgay (1841–1921)
Ship Rose Standish Off Beachy Head, 1864,
Oil on canvas, 24 x 36 inches, Signed LR
Below:
Montague Dawson (1895–1973)
Arrival of Queen Mary at South Hampton,
on Her Maiden Voyage, c 1936,
Oil on canvas, 18 x 36 inches, Signed LL
Los Angeles Art Show 2004 Participating Gallery p 97
One of the preeminent art dealers in
California, William A. Karges Fine Art
specializes in early California and
American paintings. With galleries in
Carmel and Los Angeles, Karges Fine
Art carries one of the most varied,
high-quality, historically significant
inventories of paintings available on the
West Coast. The gallery is especially
known for its superior level of scholarship
and museum quality publications.
427 N. Canon Drive
Beverly Hills, CA 90210
T: 310.276.8551
F: 310.276.7980
Staff: Whitney Ganz, Angela Solie
Dolores & 6th
Carmel, CA 93921
T: 831.625.4226
F: 831.625.8850
Staff: Patrick Kraft, Josh Hardy
Booth A3 p 98William A. Karges Fine Art
Artists:
Franz Bischoff
Maurice Braun
Alson Clark
Maynard Dixon
John Frost
John Gamble
Percy Gray
Armin Hansen
Thomas Hill
Joseph Kleitsch
Edgar Payne
Granville Redmond
Guy Rose
Marion Kavanaugh Wachtel
William Wendt
Left:
Herman Herzog (1832–1932)
Gathering the Rye, Oil on canvas, 18 x 24 inches
Center:
Granville Redmond (1871–1935)
Early Spring, Oil on Canvas, 12 x 14 inches
Right:
William Wendt (1865–1946)
Where Nature’s God Hath Wrought,
Oil on canvas, 25 x 30 inches
Los Angeles Art Show 2004 Participating Gallery p 99
Gallery established in 1965. Gallery
personnel Talia K. Smith, Rock J. Walker.
Specializing in modern, contemporary
and Latin American masters. Walker Fine
Art presents an outstanding collection
of works by such artists as Chagall, Dali,
M.C. Escher, Francis, Knapp, Magritte,
Saul, Stella and Wesselmann.
478 West Broadway
New York, NY 10012
T: 347.563.2100
F: 212.744.7445
www.artnet.com
Tom Wesselmann (1931–)
Study for Sunset Nude with Matisse Apples
on Pink Table Cloth, 2003
Ink and colored pencil on 100% rag tracing paper,
3 7/8 x 5 7/8 inches
Booth D53 p 100Walker Fine Art
Los Angeles Art Show 2004Artist Index
p 101
A.G. Ride . . . . . . . . . B32, C45Aaron Bohrod . . . . . . . . . . C36Abraham Walkowitz . . . . . D51Agnes Pelton . . . . . . . . . . B32Aizpiri . . . . . . . . . . . . . . . . A13Alan Magee . . . . . . . . . . . B33Albert André . . . . . . . . . . . . A8Albert Gleizes . . . . . . . . . D49Albert Kotin . . . . . . . . . . . B28Alberto Giacometti . . . . . . C39Alfred Sisley Louis Valtat . C38Alfred Stevens . . . . . . . . . . A5Alfred Thompson Bricher . . A5Alfredo Ramos Martinez . D62Alfredo Sosabravo . . . . . . B21Alice Chittenden . . . . . . . . B32Alice Schille . . . . . . . . . . . D63Allen Jones . . . . . . . . . . . D51Alphonse Mucha . . . . . . . . A6Alson Clark . . . . . . . . . A3, A9Ambrose Patterson . . . . . C44Amelia Peláez . . . . . . . . . B21André Masson . . . . . . . . . D51Andre’ Lhote . . . . . . . . . . D49Andres Nagel . . . . . . . . . . C35Andrew Dasburg . . . . . . . A15Andy Warhol . . . . . . D34, D54Ania Toledo . . . . . . . . . . . B21Anna Hills . . . . . . . . . . . . C45Anthony Caro . . . . . . . . . . C35Antonio Jacobsen . . . . . . . . A5Archibald Motley, Jr. . . . . . C36Armin Hansen . . . . . . A3, A11Arshile Gorky . . . . . . . . . . C39Arthur D. Rozaire . . . . . . . B32Arthur Dove . . . . . . . . . . . C39August Gay . . . . . . . D32, D60Barbara Weldon . . . . . . . . C35Barse Miller . . . . . . . D50, D57Ben Messick (Estate) . . . . C42Benjamin Brown . . . C45, D50Bert and Meta Cressey . . D50Bert Phillips . . . . . . . . . . . A12Birger Sandzen . . . . A12, A15Boardman Robinson . . . . . A15Boaz Vaadia . . . . . . . . . . . B23Bob Nugent . . . . . . . . . . . D60Bombois . . . . . . . . . . . . . . A13Boudin . . . . . . . . . . . . . . . D57Brasilier . . . . . . . . . . . . . . A13Bruce Nelson . . . . . . . . . . . A9Buffet . . . . . . . . . . . . . . . . A13Burgoyne Diller . . . . . . . . D60Camille Corot . . . . . . A6, C38,
D57Carl Holty . . . . . . . . . . . . . C36Carl Lindin . . . . . . . . . . . . A15Carl Oscar Borg . . . . A12, D57Carl Rungius . . . . . . . . . . B24Cassigneul . . . . . . . . . . . . A13Cecilia Z. Miguez . . . . . . . D62Channel Townsley . . . . . . D50Charles Camoin . . . . A13, C38Charles Keck . . . . . . . . . . D50Charles M. Russell . . . . . . B24Charles Matton . . . . . . . . . B33Charles Partridge Adams . A15Charles Ragland Bunnell . A15Childe Hassam . . . . . . . . D63Christian Vincent . . . . . . . B33Christo . . . . . . . . . . . B23, D51Clarence Hinkle . . . . . . . . B32Clark Hulings . . . . . . . . . . D63Claude Monet . . . . . . A6, C38
Colin C. Cooper . . . . A9, B32, C42
Conrad Buff . . . . . . . . . . . B32Curtis Phillips . . . . . . . . . . D52Dale Nichols . . . . . . . . . . C36Damien Hirst . . . . . . . . . . D54Dan Lutz (Estate) . . . . . . . C42Dan Ostermiller . . . . . . . . D63Dana Bartlett . . . . . . . . . . C45Daniel Ridgway Knight . . . C38Darryl Pottorf . . . . . . . . . . B23David Hockney . . . . . . . . . C34David Howard Hitchcock . C44David Smith . . . . . . . . . . . C36Davis Cone . . . . . . . . . . . B33Demi . . . . . . . . . . . . . . . . B21Diana Levinson . . . . . . . . B23Dody Warren . . . . . . . . . . D51Don Gummer . . . . . . . . . . B23Don Jacot . . . . . . . . . . . . C34Donald Sultan . . . . . . . . . C34Donald Teague . . . . . . . . . B24Donna Schuster . . . . . A9, B32Dufy . . . . . . . . . . . . . . . . . A13E. Charlton Fortune . . . . . A11E. I. Couse . . . . . . . . A12, D57E. Martin Hennings . A12, D63Ed Mell . . . . . . . . . . . . . . . B20Ed Ruscha . . . . . . . . . . . . D54Edgar Alwin Payne . . . A3, A9,
A11, A15, B32, C45, D63Eduardo Chillida . . . . . . . C35Edward Borein . . . . . . . . . B24Edward Cucuel . . . . . . . . . . A8Edward Hagedorn . . . . . . C39Edward Moran . . . . . . . . . . A5Edward Weston . . . . . . . . D51Edwin Dickinson . . . . . . . C36Elmer and Marion Wachtel C45Emil Kosa, Jr. . . . . . . . . . . D50Eric Forstmann . . . . . . . . . B23Eric Sloane . . . . . . . . . . . D63Ernest Blumenschein . . . . A12Ernest de Chamaillard . . . . A8Felipe Castañeda . . . . . . . D63Fernand Léger . . . . . . . . . . A6Fernand-Marie Le Gout-Gerard
A8Fernando Amorsolo . . . . . C44Fernando Botero . . . . . . . C34Fletcher Benton . . . . . . . . C35Flora Fong . . . . . . . . . . . . B21Francis Augustus Silva . . . . A5Francis Livingston . . . . . . B20Frank Cuprien . . . . . . . . . C45Frank Tenney Johnson . . B24,
D63Frank-Will . . . . . . . . . . A3, A9,
A13, B32, C45Fred Mitchell . . . . . . . . . . B28Frederic Remington . . . . . B24Fremont Ellis . . . . . . A15, D63Fritz Bultman . . . . . . . . . . B28G. Daniel Massad . . . . . . B33Gabriel Max . . . . . . . . . . . D50Gary Bukovnik . . . . . . . . . D60Gaston La Touche . . . . . . C38Genevieve Springston Lynch . .
C44Genin . . . . . . . . . . . . . . . . A13Gen-Paul . . . . . . . . . . . . . A13George Abend . . . . . . . . . C39George Josimovich . . . . . C36Georges d’Espagnat . . . . . A8
Georges Mazilu . . . . . . . . D58Georges Vicat Cole . . . . . . A8Georgia O’Keeffe . . . . . . . D63Gertrude Abercrombie . . . C36Giacomo Manzú . . . . . . . . C35Gilbert Gaul . . . . . . . . . . . A12Glenn Dean . . . . . . . . . . . B20Glenna Goodacre . . . . . . D63Grace Carpenter Hudson . B24Granville Redmond . . . A3, A9,
A11, C32, C45Gregory Hull . . . . . . . . . . . B20Gustave Loiseau . . . . . . . C38Guy C. Wiggins . . . . . . . . . A5Guy Rose . . . . . . . . . . A3, A9,
A11, D50H.C. Westermann . . . . . . C36Hal Buckner . . . . . . . . . . . B23Hank Pitcher . . . . . . . . . . C42Hans Bellmer . . . . . . . . . . D51Hanson Puthuff . . . . . . . . . A9,
B32, D50Harry Carmean . . . . . . . . C42Hasui . . . . . . . . . . . . . . . . C44Hei Myung Hyun . . . . . . . D52Helen Lundeberg . . . . . . . D62Helen Seibert . . . . . . . . . . C39Henri de Toulouse-Lautrec . A6Henri Le Sidaner . . . C38, D57Henri Lebasque . . . . . . A5, A8,
A13, C38, D57Henri Martin . . . A8, C38, D57Henri Matisse . . . . . . A6, C34,
C39, D52Henri Moret . . . . . . . . . . . C38Henry Farny . . . . . . . . . . . B24Henry Moore . . C35, D51, D62Herbert Bayer . . . . . . . . . D51Hermann Max Pechstein . . A8Hiroshige . . . . . . . . . . . . . C44Howard Post . . . . . . . . . . B20Howard Warshaw (Estate) C42Hugó Scheiber . . . . . . . . . D62Humberto Castro . . . . . . . B21Ilona Zaremba . . . . . . . . . D58Inez Wetzel . . . . . . . . . . . D49Ismael Gómez Peralta . . . B21J. H. Sharp . . . . . . . . . . . . A12Jack R. Smith . . . . . . . . . C42Jack Wilkinson Smith . . . . A9,
C45Jacqueline Marval . . . . . . D49Jacques Villon . . . . . . . . . D62James E. Buttersworth . . . . A5James Enneking . . . . . . . . . A8Jan Frans DeBoever . . . . D49Jan Gauthier . . . . . . . . . . D60Jan Matulka . . . . . . . . . . . B28Jane Peterson . . . . . . . . . . A5Janice Biala . . . . . . . . . . . B28János Mattis Teutsch . . . . D62Jansem . . . . . . . . . . . . . . . A13Jason Situ . . . . . . . . . . . . B20Jean Crotti . . . . . . . . . . . . D49Jean Dubuffet . . . . . . . . . C34Jean Lambert-Rucki . . . . . D49Jean Mannheim . . . . . . . . B32Jean Tinguely . . . . . . . . . . D51Jean-Baptiste Olive . . . . . . A8Jean-François Raffaëlli . . . . A6Jean-Michel Basquiat . . . B23,
D54Jean-Pierre Sauve . . . . . . D58Jeff Aeling . . . . . . . . . . . . B20
Jennifer Bain . . . . . . . . . . D60Jerome Kirk . . . . . . . . . . . D60Jesse Arms Botke . . . A9, B32Jim Dine . . . . . . . . . . . . . . C34Joan Miro . . . . . . . . . . . . . B23Joan Miro . . . . . . . . . . . . . D52Joe Draegert . . . . . . . . . . D60Joel Shapiro . . . . . . . . . . . C34John Alexander . . . . . . . . C39John Baldessari . . . . . . . . D54John Fabian Carlson . . . . A15John Frost . . . . . A3, V32, D57John Gamble . . . . . . . A3, A9,
A11, C45John Goodman . . . . . . . . D60John M. Kelly . . . . . . . . . . C44John Marin . . . . . . . . . . . . C36John McCormick . . . . . . . D60John McLaughlin . . . . . . . D62John Moyers . . . . . . . . . . B20John Sabraw . . . . . . . . . . B28John Saccaro . . . . . . . . . . C39John Santoro . . . . . . . . . . B28John Steuart Curry . . . . . . C36John Stewart . . . . . . . . . . C39John William Waterhouse D50Jonas Lie . . . . . . . . . . . . . . A5Jose Luis Cuevas . . . . . . C35Josef Bakos . . . . . . . . . . . A15Joseph Cornell . . . . . . . . . C34Joseph Henry Sharp . . . . B24,
D63Joseph Kleitsch . . . . . A3, D50Judith Foosaner . . . . . . . . D62Judy Pfaff . . . . . . . . . . . . . D52Jules Breton . . . . . . . . . A6, A8Julian Stanczak . . . . . . . . B23Kalvis Zuters . . . . . . . . . . D58Karl Benjamin . . . . . . . . . D62Keith . . . . . . . . . . . . . . . . D57Keith Haring . . . . . . . . . . . D54Ken Bortolazzo . . . . . . . . C42Kenneth Miller Adams . . . A15Key D57Koson . . . . . . . . . . . . . . . C44Kunisada . . . . . . . . . . . . . C44Kuniyoshi . . . . . . . . . . . . . C44Kurt Seligmann . . . . . . . . D51Laime Eglite . . . . . . . . . . . D58Larry Rivers . . . . . . . . . . . B23Laszlo Moholy-Nagy . . . . C36Laurencin . . . . . . . . . . . . . A13Leon Gaspard . . . . . . . . . D63Léon L’hermitte . . . . . . . . . A6Leonard Baskin . . . . . . . . C39Leonard Nimoy . . . . . . . . D62Lieuwe Kingma . . . . . . . . D58Linda Touby . . . . . . . . . . . D52Lionel Walden . . . . . . . . . C44Lockwood De Forest, Sr. C42Lorjou . . . . . . . . . . . . . . . . A13Lorser Feitelson . . . . . . . . D62Louis Valtat . . . . . . . . . . . . A8Louisa McElwain . . . . . . . B20Louise Nevelson . . . . . . . C35Lynn Chadwick . . . . . . . . . C35Maclet . . . . . . . . . . . . . . . A13Man Ray . . . . . . . . . . . . . D51Manuel Mendive . . . . . . . . B21Manuel Robbe . . . . . . . . . . A6Manuela Holban . . . . . . . . D58Marc Chagall . . . . . . . A6, D52Marilo Carral . . . . . . . . . . D52Marion Kavanaugh Wachtel A3
Marion Wachtel . . . . . . . . B32Mark di Suvero . . . . . . . . C35Markus Lüpertz . . . . . . . . C35Mary Abbott . . . . . . . . . . . B28Mary Cassatt . . . . . . . . . . . A6Mary DeNeale Morgan . . . A11Maurice Braun . . . . . . . . . . A3,
A5, A9, A11, A15, C45Maurice F.H. DeHaas . . . . . A5Maximilien Luce . . . . . . . . C38Maximillien Luce . . . . . . . . . A8Maynard Dixon . . . . . A3, A12,
B20, B24Melville Price . . . . . . . . . . B28Merton Clivette . . . . . . . . . C39Michael Leonard . . . . . . . B33Miguel Florido . . . . . . . . . B21Monet . . . . . . . . . . . . . . . . D57Montague Dawson . . . . A8, A5N.C. Wyeth . . . . . . . . . . . D57Nan Goldin . . . . . . . . . . . . D54Narcisse-Virgile Diaz de la
Peña . . . . . . . . . . . . . . A6Narjot . . . . . . . . . . . . . . . . D57Nciolai Fechin . . . . . . . . . A12Nell Brooker Mayhew (Estate) .
C42Nellie Knopf . . . . . . . . . . . A12Nicolai Fechin . . . . . B24, D63Nicole Strasburg . . . . . . . C42Niki de Saint Phalle . C35, D51O.E. Berninghaus . . . . . . . A12Odd Nerdrum . . . . . . . . . . B33Orrin White . . . . . . . . . . . C45Oscar Bluemner . . . . . . . . D51Oscar E. Berninghaus . . . B24,
D63Pablo Picasso . . . . . . A6, C39,
D52, D62Paul De Longpre . . . . . . . B32Paul Fenniak . . . . . . . . . . B33Paul Lauritz . . . . . . . . . . . C45Peggy Kroll Roberts . . . . . B20Percy Gray . . . . . A3, A11, B32Perle Fine . . . . . . . . . . . . B28Peter Alexander . . . . . . . . D52Phil Dike . . . . . . . . . . . . . D50Phil Paradise . . . . . . . . . . D50Pier Guzzi . . . . . . . . . . . . D51Pierre Bonnard . . . . . . . . . D62Pierre Marie Brisson . . . . D52Pierre-Auguste Renoir . . . . A6,
A8, A13, C38, C39, D52Piet Peere . . . . . . . . . . . . D58Piotr Woroniec . . . . . . . . . D58Pissarro . . . . . . . . . . . . . . D57Potthast . . . . . . . . . . . . . . D57R. Kenton Nelson . . . . . . . C42Ralph Barton Perry . . . . . C39Ralph Goings . . . . . . . . . . C34Ramón Vázquez . . . . . . . B21Raphael Delorme . . . . . . . D49Ray Roberts . . . . . . . . . . . B20Ray Turner . . . . . . . . . . . . D52Rembrandt van Rijn . . . . . . A6René Portocarrero . . . . . . B21Ricardo Barros . . . . . . . . . D58Ricardo Mazal . . . . . . . . . D60Richard Estes . . . . . . . . . C34Richard Haines (Estate) . . C42Richard Maury . . . . . . . . . B33Richard Prince . . . . . . . . . D54Robert Cottingham . . . . . . B33Robert Farber . . . . . . . . . D52
Robert Henri . . . . . . . . . . . A12Robert Indiana . . . . . . . . . B23Robert Motherwell . . . . . . B28,
C34Robert Rauschenberg . . . B23,
D54Robert Richenburg . . . . . . B28Roberto Matta . . . . . . . . . C35Ron Blumberg . . . . . . . . . D49Roy Lichtenstein . . . . . . . B23,
C34, D54Rufino Tamayo . . . . . . . . . D62S. C. Yuan . . . . . . . . . . . . A11Sally Storch . . . . . . . . . . . C42Sam Francis . . . . . . B23, C34,
D52, D54, D60Sandro de la Rosa . . . . . . B21Sean Henry . . . . . . . . . . . B33Selden Connor Gile . . . . . A11,
B32, D60Shinsui . . . . . . . . . . . . . . . C44Sisley . . . . . . . . . . . . . . . . D57Stanton Macdonald-Wright . . .
B32Star Liana York . . . . . . . . B20Steve Huston . . . . . . . . . . C42Steven Assael . . . . . . . . . B33Tamara DeLempicka . . . . D49Taos Society . . . . . . . . . . B20Terri Kelly Moyers . . . . . . B20The School of Paris . . . . . A13Theodore Ribot . . . . . . . . . A8Theophilus Brown . . . . . . D60Thomas Hill . . . . . . . . . . . . A3Thomas Hunt . . . . . . . . . . B32Thomas McGlynn . . . . . . . A11Thomas Moran . . . . . . . . . B24Thomas Somerscales . . . . . A5Tomás Sánchez . . . . . . . . B21Tula Telfair . . . . . . . . . . . . B33Utamaro . . . . . . . . . . . . . . C44Utrillo . . . . . . . . . . . . A13, D57Valeriy Skrypka . . . . . . . . D58Veryl Goodnight . . . . . . . . B20Vicente Hernández . . . . . . B21Victor Gilbert . . . . . . . . . . . A8Vidvuds Zviedris . . . . . . . . B28Vik Muniz . . . . . . . . . . . . . D54Vlaminck . . . . . . . . . . . . . . A13Vuillard . . . . . . . . . . . . . . . D57W. Herbert Dunton . . . . . . A12W.R. Leigh . . . . . . . . . . . . B24Walter Mruk . . . . . . . . . . . A15Walter Ufer . . . . . . . . . . . . A12Wayne Thiebaud . . . C34, C35Wendy Alexander . . . . . . . B28Wifredo Lam . . . . . . . . . . . B21Wiliam Cahill . . . . . . . . . . D50William A. Coulter . . . . . . . . A5William Beckman . . . . . . . B33William Bouguereau . . . . . C38William Henry Clapp . . . . . . A8William Henry Percy Gray D60William Ritschel . . . . . . . . B32William Ritschel . . . . . A9, A11William Sonntag . . . . . . . . . A8William Wendt . . . . . . . A3, A9,
A11, B32, c45Winold Reiss . . . . . . . . . . B24Wolfgang Paalen . . . . . . . D51Xenia Hausner . . . . . . . . . B33Yoshida . . . . . . . . . . . . . . C44Yoshitoshi . . . . . . . . . . . . C44Yvonne Thomas . . . . . . . . B28
Los Angeles Art Show 2004FADA Statement
p 102
Fine Art Dealers Association
The Fine Art Dealers Association was founded in1990 as a non-profit membership organization ofrespected and established dealers from acrossthe United States. Our members are dedicated topromoting and maintaining the highest degree ofprofessionalism, scholarship and integrity in allbusiness conducted with colleagues, institutionsand the art buying public. Membership in FADA ishighly selective and by invitation only. Eachmember has expert knowledge of the artists orperiods in which he or she specializes and main-tains a corresponding inventory. In addition todemonstrating a commitment to enriching the cul-tural lives of their communities, members sharetheir expertise through significant exhibitions,informative catalogs, and by offering qualityworks of art whose authenticity is unconditionally guaranteed.
FADA’s Tenth Annual Los Angeles Art Show isa world-class event that increases the nationalawareness of our organization and advances thestandards of the profession into the twenty-firstcentury. To reflect the truly regional character ofour membership, Southern California and thegreater Los Angeles area are the perfect venuefor an event of this kind. Sophisticated, diverseand the permanent home of many of the country’s foremost collectors, Los Angeles nowsupports the finest art fair on the West Coast.Attendees of this year’s Art Show will have anopportunity to view, admire and purchase adynamic range of American and European art,from old masters to cutting-edge contemporary,including photography.
Los Angeles Art Show 2004Greetings From President
p 103
Welcome!I am sure that many of you are aware that this year is the LA Art Show’s 10th anniversary.Thinking back through our history I can remember when a small group of us (16 in all) pre-sented our first show in Pasadena. It was an exciting time and even though only a fewhundred people attended, we all believed that we were on the threshold of something veryimportant. Now, 10 years later, the Fine Art Dealers Association (FADA) has created one ofthe most important and diverse art shows in the country—featuring 54 dealers and spanning over 200 years in the history of art.
Many hours of planning and hard work went into this year’s show and there are a number of people who need to be thanked. Kim Martindale & Erin Hurff, along with therest of the K.R. Martindale Show Management staff, have worked long and hard on everyaspect of the show, taking care of every detail to make sure that the show runs smoothlyfor both the exhibitors and the visitors—as always, thank you! Second, there is FADA’sBoard of Directors—Jay Caldwell, Tom Nygard, Brian Roughton, Gavin Spanierman,George Stern (the proud new grandfather of Noah), Louis Stern, and myself—all of whomhave devoted many hours of their time to this project.
Our Gala Opening will benefit the Los Angeles County Museum of Art (LACMA); one of the leading museums in the Western United States. FADA gives special thanks toAndrea Rich, President and Director of LACMA; the Art Museum Council (AMC); Jill Fink,AMC Chariman; Beth Rosenbloom, Executive Vice President; Judi Grushcow, co-chair;Michele Paley co-chair; and the following members of the LACMA staff: ChristopherClinton Conway, Anne-Marie Woods, Michael Ryan, Laurel Zeno, Joshua Petker, SarahGilfillan, Aileen Fraser, Jon Weisman, Gantry Jackson and Bettina Korek.
As in years past, the help and sponsorship of Architectural Digest is greatly appreciated—thank you Beth Mahoney and Wendy Landau, Amy Soule, and Beth-AnnFinerman for all your time and support.
To Paige Petrone (Venice Magazine), Alison Deknatel and Alexia Haidos of Double A Public Relations, and Geneveive Morrill (Pacific Design Center) we are glad you are allon board and thank you for all your support and efforts promoting of the Los Angeles Art Show.
Additional thanks to Jean-Marc Durviaux, Jill Finley, and John Wiese at Distinc Designfor the show’s graphic design; James Waterbury Oriental Carpets who has loaned, as inthe past, the oriental carpets; Peter Lovello Design; Chansoth Migletz; Ruthe London;Autry National Center; Museum of Contemporary Art; Museum of Latin American Art; San Diego Museum of Art; and Irvine Museum.
A special thank you goes to all of our exhibitors. FADA truly appreciates all the efforts you have extended to create this exciting and unique show—we wish you all great success.
Finally, to all our visitors thank you for coming and enjoy the show.Peace!
Howard L. Rehs, PresidentFine Art Dealers Association
Los Angeles Art Show 2004LACMA Statement
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LACMA
The largest encyclopedic art museum west of the Mississippi, the Los Angeles CountyMuseum of Art (LACMA) is the home for a permanent collection of 100,000 works showcasing humanity’s highest achievements—from ancient Mesopotamia to 21st-centuryMexico—and reflecting all of the world’s cultures. With its world-class special exhibitions and children’s, educational and cultural programming, LACMA has carved out a distinctive role as the people’s museumwithin Los Angeles, centrally located on an inviting campus.
Los Angeles Art Show 2004LACMA
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LACMA Board of Trustees 2004–2005
Andrea L. RichPresident and Wallis Annenberg Director
William Hayden AhmansonWilliam Howard AhmansonWallis AnnenbergFrank E. BaxterSuzanne Deal BoothDonald L. BrenEli BroadIris CantorMrs. Edward W. CarterRobert A. DayJanet DreisenJeremy G. FairEnrique Hernandez, Jr.John F. HotchkisJudith G. JonesMrs. Dwight M. KendallMrs. Harry LenartAbby J. LevyRobert LookerMs. Monica C. LozanoRobert F. Maguire IIIWilliam A. MingstMrs. Wendy Stark MorrisseyPeter NortonJohn P. PuernerMrs. Stewart ResnickNancy Daly RiordanRobert SimondsMichael G. SmookeDonald TangSandra W. TernerJames A. ThomasChristopher V. WalkerWalter L. Weisman
Senior Trustees
Mrs. Lionel BellDr. George N. BooneMrs. William M. CarpenterCamilla Chandler FrostStanley GrinsteinRobert H. Halff
Life Trustees
Mrs. Howard AhmansonRobert H. AhmansonRobert O. AndersonDaniel BelinJulian Ganz, Jr.Joseph B. KoepfliEric LidowMrs. Lillian Apodaca Weiner
Los Angeles Art Show 2004AMC
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Art Museum Council of LACMA
The Art Museum Council, founded in 1952, isLACMA’s longest standing support organization,becoming active while the museum was part ofthe original Museum of History, Science and Art (established in Los Angeles’ Exposition Parkin 1910).
Since 1956, the Council, today comprisingmore than 250 active members, has contributedmore than $8 million to the purchase of over 100 works of art for the museum’s permanentcollection.
Through its widely popular Art andArchitecture Tour, held each year in April, theCouncil provides an opportunity for participantsto view some of Los Angeles’ most important pri-vate collections and architectural gems. A variety of other fundraising activities haveenabled the Council to help underwrite majorexhibitions, such as Central European Avant-Gardes: Exchange and Transformation,1910–1930 in the summer of 2002. This year, the Council is the Presenting Sponsor of Renoirto Matisse: The Eye of Duncan Phillips, an exhibition of masterworks from WashingtonD.C.’s world-renowned Phillips Collection.
In addition, Council members operate the suc-cessful Art Rental and Sales Gallery at LACMA,providing a forum for emerging SouthernCalifornia artists and the opportunity for museummembers to rent and purchase art for theirhomes and businesses.
Council members are required to complete ayear-long provisional orientation and training pro-gram and to participate in fundraising events andstaffing of the Art Rental and Sales Gallery.Through these varied activities, Council members demonstrate their ongoing dedicationto the enrichment of LACMA and the facilitationof its mission.
Los Angeles Art Show 2004AMC
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AMC Board of Directors 2004–2005
Jill FinkChairman
Judi Grushcow and Michele Paley
LA Art Show Chairmen
Executive Board
Terry BellAnn CostelloPatty KrausBarbara LashenickJanine LichsteinGail RachelefskyBeth RosenbloomRuth Lynn Sobel
Board of Directors
Brenda AbramsonMaxine BarensKate BaumannLana BergsteinBette Baker BreenLinda CovetteMitzi CutlerCarol FainerEdie FischerTracy FlatowNancy FreedmanBrenda FritzFlorence GorlinAlison GreenbergDorsey GriffeyDiana GutmanJanis HagueBarbara IorilloWendy KelmanSharyn KleinMarti KoplinNancy KovenEllen KorneyCarole LazarRita LevinAnita LevineDottie LewisSue MeltzerConnie NaglerBobbi NastroSandra PetersNancy RenbergJudy RichmanBarbara RosenblumSusan SavinSherie SchneiderGeri ShermanGloria SherwoodDonna VenickPeggy ShapiroTerri SmookeGeri ShermanJaney SweetDonna VenickPhyllis WayneJan Weimer
Los Angeles Art Show 2004AMC
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LA Art Show Gala Committees
Judi GrushcowCo-Chair
Michele PaleyCo-Chair
Jill FinkAMC Chairman
Beth Rosenbloom Exec. Vice-Chairman,Fundraising
Brenda Abramson Anne AdelsonGail BarilKate Baumann Miki BaumgartenTerry Bell Janet BergerLana BergsteinBette Breen Ann CostelloLinda Covette Mitzie CutlerMargy Eberhardt Natalie Englekirk Vicki Faerstein Carol Fainer Tracy FlatowNancy Freedman Brenda FritzCaryl Golden-Gerson
AdvisorAlison GreenbergDiana Gutman
Advisor
Janis Hague Karen HandAmy Higgins Barbara Iorillo Barbara Lashenick Carole Lazar Susan LevichMarilyn Levin Susie LevinAnita Levine Janine LichsteinAnn-Rose Kaplan Nancy Kaye Sharyn KleinEllen KorneyPatty Kraus Connie Nagler Bobbi NastroJan Magdovitz Sharyl Overholser Melissa PenningtonJoan Price Nancy RenbergJudy Richman Ina RogalSusan Savin Harriet ScheirAllison Schenck Rita SchwartzGeri Sherman
AdvisorGloria SherwoodTerri Smooke Ruth Lynn Sobel Sande ThayerJulie WaxmanMeryl WeckslerJan Weimer
Los Angeles Art Show 2004Endorsement
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October 2004
Dear Patrons and Sponsors,
Architectural Digest is pleased to sponsor the LA Art Show for the sixth year. Weare very proud of our partnership with the Fine Art Dealers Association—and that the funds raised at this event will support the Art Museum Council of theLos Angeles County Museum of Art.
Architectural Digest’s coverage of the art and antique world has become criticallyimportant to our readers, who are passionate about filling their homes with thefinest art and antiques.
I would like to invite you to experience the design seminars sponsored byArchitectural Digest on Saturday, October 16. One of the Los Angeles area’s topinterior designers, Greg Jordan, will discuss his experiences designing aroundart and antique collections. Additionally, Fireman’s Fund Insurance Companieswill offer expert advice on the best ways to care for and protect art and antiquecollections.
Enjoy the Show!
Best,
Amy R. ChurginVice President and Publisher
The Condé Nast Publications Inc. • 4 Times Square • New York, NY • 10036 • Tel 212 286-2500 • Fax 212 286-6790
NEW YORK • LOS ANGELES • SAN FRANCISCO • ATLANTA • CHICAGO • DETROIT • BOSTON • DALLAS • HONOLULU • LONDON • MILAN • HONG KONG
Los Angeles Art Show 2004Endorsement
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October 2004
Dear Patrons and Sponsors,
Pacific Design Center is pleased to sponsor the Tenth Annual LA Art Show for the thirdyear. The LA Art Show galleries and Pacific Design Center are the pinnacle resources forthe interior design community.
This years LA Art Show beneficiary, the Art Museum Council of LACMA, the Los AngelesCounty Museum of Art, is a tremendous collaboration and extremely beneficial to the LosAngeles community.
We are most pleased with our collaboration and look forward to a long term relationship.
Sincerely,
Genevieve Morrill
Los Angeles Art Show 2004Music
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Music of the Los Angeles Art Show
Opening Night Galamusical performance by
Sy Grossman Quartet featuring the Legendary Sam Most on FluteJazz
Friday-Sundaymusical performances by
Andres CondonAcoustic Guitar/Songwriter
FindingsSinger/SongwriterAcoustic Rock
Sara LeibJazz/Songwriter
Chris LokenClassical Piano
Cooper ThomsonSinger/SongwriterAcoustic
Skylar ThomsonSinger/SongwriterPop/Country/Cross Over
…And others
For more information on performers, please visit www.laartshow.comwww.findingsmusic.com
Los Angeles Art Show 2004Symposiums
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Fine Art and the Greater PictureFriday, October 15, 2pmGina Sofia Martelli, ASID CID
In today’s troubled and chaotic world, now more than ever, we mustbe aware of how fine arts, and our surroundings as a whole havesuch an impact on our moods, our emotional and physical well beingand ultimately the quality of our lives.
This symposium is sponsored by the Pacific Design Center andASID Designer Selection Service
Frida Kahlo: A Mirror of MexicoFriday, October 15, 4pmGregorio Luke, Director, Museum of Latin American Art
Frida Kahlo is one of the most famous Latin American artists and anicon for the feminist movement. Born in Mexico, in 1907, Frida liveda life full of health problems including a childhood disease, a partialamputation of her leg and a gruesome bus accident that led to manyoperations and constant pain. Wife of the famous Mexican muralistDiego Rivera, Frida drew upon her own tragic experiences to createsome of the most original and powerful paintings of the 20th century.
This symposium is sponsored by the Museum of Latin American Art
Paintings Conservation at LACMAFriday, October 15, 6pmVirginia Rasmussen, Paintings Conservator, LACMA
From the cleaning of old master paintings to helping to prepare exhi-bitions; conservators play an integral role in the life of a museum. Conservator Virginia Rasmussen will present a behind-the-scenes look at the work and world of paintings conservation at the Los Angeles County Museum of Art.
This symposium is sponsored by LACMA
Los Angeles Art Show 2004Symposiums
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Protecting and Caring for CollectionsSaturday, October 16, 1pmKathy Poppers
Kathy Poppers, ASA, will provide tips on protecting and caring for fine art collections. Poppers, a senior member of the AmericanSociety of Appraisers, is the principal of Fine Art and AppraisalServices in Newport Beach, and for more than 20 years has beeninvolved with private and corporate art advisory and collection management services. When acquiring special valuables, theFireman's Fund Insurance Companies® recommends securing aprofessional from the American Society of Appraisers' tested, trainedand accredited specialists. Knowing the value of proper insuranceprotection is equally important and it's a lesson best learned beforeloss happens.
Incorporating Art into One’s HomeSaturday, October 16, 3pmGreg Jordan
Showing examples of his own work, acclaimed interior designerGreg Jordan will discuss how he incorporates art, antiques and collectibles into his sophisticated yet livable spaces. With a stylefounded on traditional principles, Jordan’s approach is thoroughlymodern—he harmoniously incorporates elements from varied timesand cultures. A member of Architectural Digest’s AD 100 top designersand architects, he has offices in both New York and Los Angeles.
Saturday’s symposiums are sponsored by Architectural Digest andFireman’s Fund Insurance Company
The Art of AnatomySunday, October 17, 1pmDean Edell M.D.
Traditionally when the human body has been depicted in art, theimage stops at the skin, as if to say that the body is not beautiful if we penetrate more deeply. The history of anatomical art tells a different story. The collaborations of artists and anatomists have produced some of the most striking images in the history of art.Because of the subject matter much of this visual splendor has been unseen by art lovers. Hopefully man’s artistic exploration of his deeper self will excite anyone who truly loves the visual arts.
This symposium is sponsored by the Fine Art Dealers Association
The Collector’s Eye: Duncan Phillips and His CollectionSunday, October 17, 4:30pmMary Lenihan, art historian and museum educator at LACMA
The Phillips Collection in Washington, D.C., ranks as one of theworld’s outstanding art collections. The first museum in the UnitedStates to collect modern art, it is the legacy of the superb eye andcollecting savvy of its founder, Duncan Phillips (1886–1966). Phillipswas unique among collectors of his time in that he relied on no oneto advise him. He trained his eye to recognize quality, and boughtpaintings that he loved. In this lecture, LACMA art historian andmuseum educator Mary Lenihan discusses his collection and presents behind-the-scenes stories of his most notable acquisitions.
This symposium is sponsored by LACMA
Please RSVP for lecture attendance (310) 822-9145Free with event admission
For an updated schedule of events, please visit www.laartshow.com
Brewery Art Walk
Deep in the a.m. hours, amongst the hush of the I-5 freeway and the eerie sounds ofmetal to rail screeching through the train yardnear Union Station, the electricity of theBrewery swirls in the night air. Illuminated loftstudios give way to creation of all mediums and the opportunity to leave one’svision as a permanent mark for the ages.
The vision of the LA Art Show is to educate the public of the growing art world inLos Angeles. Los Angeles is becoming the synergy to all artistic mediums: visual,theatre, music, dance, etc. The LA Art Showpromotes bringing these art forms together inone venue to show the diversity Los Angeles has to offer as well as to givepatronage to timeless masters and exposureto future icons of the next century.
This year, The LA Art Show has spot-light-ed The Brewery, the largest artist’s colony inthe world, located in Downtown Los Angeles.In a city saturated with talent, the Brewery ishome to some of the most revolutionaryartists in Los Angeles. With more than threehundred resident artists, emerging as well asestablished in their careers, the Breweryoffers an aperture for the collector to theworld of artistic living and to the discovery ofcreation at its best.
Lisa Lefner, Director of Artists RelationsLos Angeles Art Show
Los Angeles Art Show 2004Selected Brewery Artists
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1. Guillermo BertLeonardo/Plastic Surgery, 2004Mixed media on books with binders and lasercutter, 18 x 36 inches
“I’m beginning with the classic andRenaissance images, figures that transcend time. The laser cutting, whichgives depth and dimension to the work,creates a sort of X-ray effect, revealingthe interior-almost soul-of the image.”
2. Eugenia ButlerStructural Lens, 2001Pigments with colored pencils and pastel onpaper, 55 x 43 inches
“My work is informed by a passionatephysical curiosity as to how to see, discover, explicate – even inebriate – the bridge between these edgilyglimpsed meta-realities, and ordinaryreality – in all its physical glamour.”
3. Barbara Hashimoto140 Pages, 2004Ceramic, book, encaustic, dye in maple box,8 1/2 x 46 x 7 inches
“Though the role of materiality is signifi-cant, my work is research-based andconceptually driven, addressing themessuch as women’s societal roles, crosscultural identity and “…the structures andstrategies of power.”
4. James HillModern Couple 4, 2003Steel with patina on concrete, 10 x 31 x 9 inches
“…I have moved to single shapes such asSpark of Life and Modern Couple. I have found this expression of shape to be very pleasing after the differentphases I have been through over thepast 20 years of creating sculpture.”
Los Angeles Art Show 2004Selected Brewery Artists
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Los Angeles Art Show 2004Selected Brewery Artists
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5. Iva HladisEngagement Thrift Store Style, 2002Oil on linen, 66 x 28 inches
“Love, loss, isolation, fear, hope…thefocus of my work has always been onthe trials one faces in life. I revere thedeepest emotions in people, the hiddenfeelings, the inner realities we are sometimes afraid to confront. This iswhat I offer in my paintings.”
6. Dave LefnerFit for a King, 2002Reductive linocut, 43 x 65 inches
“In perfecting my art, I’ve worked hard tocreate in a medium that is the antithesisof today’s modern technology. But working in this relatively obscure art formmeans I must work twice as hard to notonly draw the viewer in with my images,but to also try to explain the process aswell.”
7. Mela M.Angled Views, 2003Acrylic and bees wax on panel, 18 x 19 x 2 inches
“Most of my work is not in the convention-al square or rectangular painting formats. The shapes help to introducethe illusion of form and space and theperspective of looking at paintings fromvarious angles and positions.”
8. Jim PaynePortraits, 1976 to Present3-D Photography, Installation
“His intent is to document friends, neighbors, and family for a period of 40 years to create a visual record thatwill reflect geographic, economical, professional, and lifestyle choices.”
9. Genevieve PepinCarmen, 2004Ink jet print on archival paper, 36 x 48 inches
“This is a film still, taken from personal8mm home video footage from the 60’s. The footage has been digitized,and brought into the computer. Thisimage was shot from the computerscreen by a digital camera and broughtback into the computer to be printed.”
10. Nicholas RadellManzanar Reward 395, 2001Mixed media metal and neon, 6 x 3 x 5 feet
“I strive to achieve a visual balancebetween very different mediums. For apiece to be successful, I must find a wayto make neon, steel, and glass to beequally dynamic and yet independent.”
11. Nathan RohlanderFamily Portrait, 2003Oil on canvas, 40 x 60 x 2 inches
“As a figurative painter, my work is aboutidentity and the human condition. My“Shoe Portraits” began in 1998 when Idecided to focus on what I consider to bethe number one human accessory, shoes.”
12. Amy RunyenYanira, 2004Mixed media on board, 30 x 20 1/2 x 1 1/2 inches
“As an artist committed to revealing my esteem for the working class poor,my recent works are an homage to thoseimmigrants and under privileged, invisi-ble people of American society.”
13. Pascual SistoWholeness and the Implicate OrderVideo
“Today video equals reality. We are givingthe video images full trust in a worldfilled with manipulations. Empty parkinglots, corner mall, freeway bridges,cement and concrete, all ingredients inthis concentrated micro-cosmos of thishumanity we call Los Angeles.”
Los Angeles Art Show 2004Vignettes
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Gina Sofia Martelli
Gina Sofia Martelli has been a professionalmember of the American Society of InteriorDesigners (ASID) for 25 years, and is certifiedto practice interior design in California.
A professional degree from prominent NewYork School of Interior Design, enhanced byliving over 10 years in Paris, Rome, and Milan,developed her unique perspective inEuropean Fine Arts and Antiques.
She acquired an impressive expertise inClassic Design Styles, Fine Arts, andAntiques as Interior Design Director of aprominent east coast Fine Arts and Antiquesgallery for 15 years, requiring extensive global travel.
As a designer, she collaborates withclients to create ambiances that fulfill theirdreams, excite their passions, and comforttheir souls. Her designs transcend time, style,and space with an aura of enchantment.
Through the artistic process of blendingscale, texture, color and light, she achievesharmony, balance and order… a livable workof art!
Charlie Platero Jr.
Interior Designer Charlie Platero Jr. practicesresidential and commercial design throughoutCalifornia and the East Coast and soon to be involved internationally. Charlie Platero Jr.,Allied ASID combines a fresh, innovativedesign sensibility with an unwavering dedica-tion to achieving their clients’ vision. Theircreative use of classic elements along withthe latest technological innovations in homeinteriors results in elegant designs that areboth exciting and efficient. In addition to theirresidential and corporate projects, CharliePlatero Jr., Allied ASID also has experience in film, television, event design and is anactive member of the American Society ofInterior Designers (ASID) and currently servesas a Los Angeles ASID Chapter CommitteeChairman.
Los Angeles Art Show 2004Article
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Dennis Doheny
William A. Karges Fine Art is proud to exclusively represent the work of DennisDoheny, widely recognized as one ofCalifornia’s premiere landscape artists.
Dennis Doheny is a third generationCalifornian, born and raised in Santa Monica.After stints in Lake Tahoe and Big Sur,Dennis and his wife moved to Santa Barbara,where they currently reside. Since exhibitingwith Karges Fine Art, he has developed astrong national following. Museums, galleries,and art admirers are captivated by Dennis’beautiful renderings of the West. Doheny’sability to capture a particular moment in timeis reminiscent of earlier schools of painting.His gift of rendering light reminds one of thegreat Impressionists, yet the dramatic, oftenheroic aspects of his paintings are more rem-iniscent of the Hudson River School artists ofthe 19th Century. He cites the work ofWilliam Wendt (1865-1946) as his greatestartistic influence, but Dennis’ paintingsremain decidedly contemporary.
During his early years, Dennis spent agreat deal of time on his father’s ranch inSanta Barbara. He credits these experiencesand his father for providing him with a greatappreciation of nature. Dennis also creditshis father for introducing him to art. The elderDoheny frequently painted recreationally. When he noticed Dennis’ great interestin his work, he began to teach his son thefundamentals of art. Dennis spent much ofhis adolescence drawing and painting. Aftergraduating from Palisades High School in1974, Dennis traveled around the world with“World Campus Afloat.” Fascinated by theaesthetic diversity he witnessed on his voyage, Dennis returned to paint his ownvisual experience of California. Dennis exhibited the resulting work with the PetersonGallery in Beverly Hills. Galleries in La Jolla, Carmel, and Tahoe City have alsohandled his paintings.
From 1986 until 1996, Dennis supportedhis family with a steady career in technicalillustration. Coincidence led Dennis to KargesFine Art, where the gallery Director, WhitneyGanz, and gallery owner, Bill Karges, decid-ed to break their rule of only showingdeceased artists to accommodate Doheny’stalent. Over his last seven years Dennis’audience has grown exponentially.
A number of awards testify to the quality
of Dennis’ work. Most recently he won the2003 Masters of the American West Award atthe Autry Museum of Western Heritage. Hisexhibition painting, Announcement of Fall,was purchased by that institution. Otherawards include first place in the CarmelPlein-Air Painting Competition in May of1998. Dennis also earned Honorable Mentionin the California Art Club’s 89th Annual GoldMedal Exhibition in May of 1999. Additionally,Dennis won the Granville Redmond MemorialPurchase Prize at the first “Spring Salon” inJune of 2000. The winning painting of thatcompetition, titled New Dawn, was made theinaugural purchase of the future California ArtAcademy and Museum. New Dawn was sub-sequently chosen as the poster image for theFine Art Dealer’s Association Los Angeles ArtShow held at UCLA in September 2000.
To quote the magazine Art-Talk, Doheny’s“landscapes can hang next to WilliamWendt’s… and hold their own without strain-ing a bit.” When asked about his comparisonwith Wendt, Dennis has replied: “My work isa little more realistic than the old Californiapainters, but I’m looking for the same thing—a feel for the sense of place. That’s why I likeWendt so much. He had a wonderful feel forthat.”
Dennis Doheny’s warm, flowing land-scapes create a unique place in the genre ofCalifornia landscape painting. His exceptionaltalent allows him to paint the palette and lightof a fleeting moment in time with refreshingintensity. Fusing the legacy of early Californiapainting with his own artist’s vision of nature,Doheny produces work that appeals to the21st Century collector.
Los Angeles Art Show 2004Article
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Hovsep Pushman (1877–1966)
Although Armenian American artist HovsepPushman (1877-1966) is but a “foot note” inthe book “American Still Life Painting” byWilliam Gerts and Russell Burk, he was amajor “footprint” on American art. As one ofAmerica’s most successful painters, HovsepPushman was honored with medals at theParis Salons and accolades from his peers.His contribution to American art is bestsummed up the 1932 article “Immigrant’s giftto American Art”, The Illuminator, Allen E.Eaton, NY, Russell Sage Foundation:
“Hovsep Pushman, an American artist of Armenian birth, is an excellent craftsman and he finds in objects of the East models of form and color whichhe paints with rare fidelity. No Americanpainter has equaled him in the skill orbeauty with which he portrays thesestriking types”
When contemplating the works of HovsepPushman, you must take a moment to savorits depth as you were exploring the complexi-ties of great Bordeaux or the mysteries of abeautiful woman. Step closer, close enough tosmell the pigment, caress the texture and wit-ness an array of abstract jeweled objectsunique to the history of civilization; a bronzechalice from Persia, a Turkish plate or a fieryopalescent vase from Pompeii effortlesslymolded by the mystery of light and shadow.The ever present dying rose is the symbol ofour mortality; the apple blossom, new life andwisdom, an open book. He used the orientalmale and female figures to represent theancient legends and epitomize the experienceof life. Often he used a sacred horse, a longrobed statuette of a woman, a six-armedDeity, the Buddha god of peace, the warrior,and the nude female figure, which is emergingfrom her veils that are the “Mystery of Life.”His meticulously arranged objects are placeagainst a contrasting back drop of rare cen-turies old tapestries, textiles and ancientTibetan Tsongas to create an atmosphere ofnocturnal and contemplative intimacy.
Like his still lifes, Pushman’s figurativeworks play upon our emotions. He uses color
like the musician, soothing us with exquisiteharmonies, enlivening us with dramatic con-trast, or melting us almost to tears with tenderpassages of tone. The art of this gentle artman awakens in us a new thrill of sympathyand that through the medium of a techniquewhose sole concern is beauty. Into the softblack velvety eyes of an Armenian maid ormatron he can throw pathos that is heart rendering, and this without in any way disturbing the pensive, serene loveliness ofthe woman herself.
In 1919, author Harold Bell Wright wrote apoem to describe a painting the Mr. Pushmanhad given to him while living at the MissionInn in Riverside, California. Here are someexcerpts from Wright’s poem describing hisfeelings toward “An Armenian Girl.”
To Hovsep Pushman: An Armenian Girl, 1919
What wondrous magic hath this brush ofthine,
Thou painter of the truth that doth so deepBeneath the surface of our being lie.What colors these that thou dost make to
voice?In Loveliness so rare the mystic callOf verities that live so close to God.From whom hast thou the cunning thus to
catch,With net of pigments on the palette set,This potent beauty that so shyly lurksIn the sweet wilderness of this fair flesh?… I look into those eyes: deep wells they areOf that eternal mystery which GodDoth ever hide in lovely womanhood,And, hiding thus, doth still reveal; and fromThe deepest depth of this that is myself…Goes forth a something that is more than
love—… Find, if thou canst, my artist-friend, in
theseRude and halting words of mine a tokenOf my love for thee and tribute to aMaster I would serve gladly and with pride.
“Mission Inn”Feb. 1919Harold Bell Wright
Los Angeles Art Show 2004Article
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Joseph Raphael (1869–1950)
Joseph Raphael was one of the most accom-plished and innovative artists to emerge fromCalifornia. Over the course of severaldecades, his art went through an amazingevolution, an artistic journey through manystylistic phases. He worked first in a natural-ist vein and then, more spectacularly, as amaster of Post-Impressionist andExpressionist strategies. At their finest, hisachievements vie with any of those of thebest American painters of his day.
Raphael demonstrated an early affinity forart by copying the works of such popularillustrators as Charles Dana Gibson. In 1888,he entered the Mark Hopkins Institute of theSan Francisco Art Association. During hisfour-year course of study, he won a presti-gious scholarship, in addition to receivingemployment as a teaching assistant.
Raphael was active in the San Franciscoarea during the 1890s, first as a newspaperillustrator and later as a sign painter. By 1903he had saved enough money to pursue stud-ies in Paris. He attended classes at the Ecoledes Beaux-Arts and at the Académie Julianunder Jean-Paul Laurens. During thisParisian interval, he supported himself bycreating illustrations for a number of Frenchmagazines. The same year Raphael discov-ered the artist's colony in the charming townof Laren, southeast of Amsterdam, and until1911, he divided his time between that com-munity and Paris. During his sojourn in Larenhe produced work that reflects the sombre,tonal genre scenes of the Hague Schoolartists. Its merit was acknowledged in 1906when Raphael received an honorable men-tion at the Paris Salon for The Feast of theBurgomaster. Also in 1906, his oil The TownCrier was purchased from a San FranciscoArt Association exhibition and donated to theM. H. de Young Museum.
In 1910, Raphael stayed for eight monthsin San Francisco, where he exhibited his pre-dominantly figural Dutch series at the ArtAssociation. Following his return to Laren in1912, he married Johanna Jongkindt andmoved to a small cottage in Uccle, a suburbof Brussels. Raphael's Uccle works are char-acterized by luminous renditions of his boun-tiful flower and vegetable garden, paintedwith a light palette and broad divisioniststrokes, reflecting his study in Paris. Thisvibrant style earned the artist the silver medalat the 1915 Panama Pacific InternationalExposition, where six of his canvases weredisplayed.
In the teens, Raphael discovered a newoutlet for his talents, that of etching. By 1913,his first prints began appearing at theCalifornia Association of Etchers. A war-induced shortage of art materials, beginningaround 1918, prompted the artist to turn toalternate media, and he began to work in penand ink, watercolor and woodcut, for whichsupplies were more available.
Throughout the 1920s and early 1930s,Raphael continued to send oils, etchings,watercolors and woodcuts to exhibitions inCalifornia, establishing a continuing reputa-tion in the Bay area in spite of his prolongedabsence.
The Depression years were difficult for theRaphael family. In 1934, increasing rentforced them to move to Oegstgeest, a suburbof Leiden, where the artist again had spacefor a vegetable and flower garden, by now afavorite subject. In 1939, Raphael visited SanFrancisco, taking along many paintings andprints created during the 1930s. The outbreakof World War II prevented his return toEurope and unfortunately he was unable tosee his wife before she died in 1945. Instead,he remained in San Francisco, continuing hissuccessful career with sunlit scenes ofNorthern California, until his death in 1950.
Although Joseph Raphael spent most ofhis life in Europe, he is considered one of theforemost exponents of Northern CaliforniaImpressionism. He is widely acclaimed for hisoriginal and vigorous outdoor scenes.Raphael's work is represented in the collec-tions of the Los Angeles County Museum ofArt; the M. H. de Young Museum, SanFrancisco; the Oakland Museum ofCalifornia; the San Diego Museum of Art; theStanford University Museum and Art Gallery;and many other public and private collec-tions.
CIO
© The essay herein is the property of SpaniermanGallery, LLC and is copyrighted by SpaniermanGallery, LLC. It may not be reproduced without writtenpermission from Spanierman Gallery, LLC nor shownor communicated to anyone without due credit beinggiven to Spanierman Gallery, LLC.
Los Angeles Art Show 2004Article
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Giacomo Manzù & Lynn Chadwick
It is probable that Giacomo Manzù was influenced by Donatello, both in his exploration of very low relief and in the feeling of religious imagery. As early as the1920s, Manzù developed the major themesthat would occupy him for a lifetime, creatingrelief sculptures based on religious narrativesand portrait studies noted for their realism.
Manzù’s first commission, decorations for a chapel in Milan, received favorableresponses, but it was during the SecondWorld War when he produced the first matureversions of his “cardinals.” What is perhapshis most important work, the official Vaticancommission for the portal of St. Peter’s Cathedral in Rome, thrust theartist into the ranks of history’s most eminentsculptors.
His well-controlled hand is also seen inhis drawings. Whatever the medium—ink,pencil, chalk or pastel—Manzù’s line perfectlyillustrates the form and show him to be apassionate purveyor of the world around him.This dichotomy of the sacred and profane has contributed to the worldwideappreciation of his work.
Lynn Chadwick came late to sculpture. Whenhe won the Sculpture Prize at the XXVIIIVenice Biennale in 1956, he was 41 and hadbeen a full-time sculptor for barely 6 years.
Chadwick came of age as an artist afterWorld War II, when a mood of existential anx-iety converged with traditions of humanisticrepresentation and Modernist abstraction. Hisroute to sculpture was through architecturaldesign and construction. He attached greatimportance to the fundamental structure ofhis work. His first attempts consisted of sus-pended constructions, which allowed them tofind their own natural equilibrium. Chadwick eliminated the kineticelements from his sculpture but continued touse construction and assemblage methodsrather than carving or modeling.
From the playful but acutely observedTeddy Boy and Girl series of the 1950s, theBeasts of the 1960s, to the seated, standingor striding figures of the 1970s and 1980s,Chadwick’s preoccupation with specific formal problems and themes becomes appar-ent. However modern his techniques mighthave been, his concern was the sculptor’s traditional one of giving life andexpression to a three-dimensional object.
Top to bottom:
Giacomo Manzù, Donna Distesa, 1976Tempera on paper, 14 1/8 by 20 inches
Lynn Chadwick, Beast (Sitting Lion), 1990Bronze, 17 inches high
Lynn Chadwick, Teddy Boy and Girl, 1955Bronze, 75 inches high
Los Angeles Art Show 2004Article
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Jim Dine — A personal expression
“In 1959, Dine began his lifelong obsessionwith the themes of the self, the body, andmemory through a variety of mediums —painting, performance, mixed-media assemblage, and sculpture. Apparent in near-ly all Dine’s early works are his use of every-day objects as surrogates for the body, afocus on iconic imagery, and an interest inevoking or naming things through the writtenor spoken word in conjunction with their visu-al equivalents.
Dine arrived in New York City fromCincinnati in 1958 and quickly establishedhimself within the avant-garde art scene. The Judson Gallery, which opened at thebeginning of 1959 in the basement of theJudson Memorial Church in Manhattan’sGreenwich Village, provided him with the first forum to show his work in New York and,in 1960, the opportunity to create his firstenvironment, The House, and to stage his first performance piece, The SmilingWorkman.
During this period, Dine began combiningpainting and objects (found objects or store-bought items) to create collage-paintings andassemblages that are highly emotional andpersonal in content. With their vigorousbrushstrokes, these works echo the AbstractExpressionists’ concern with the process ofpainting as a means of articulating the self.
Dine also began to address his identityand physicality through images of thicklypainted palettes (or actual palettes affixed tocanvases) and oversize color charts, whichsuggest the basic artifacts of his professionand the presence of the artist. Such refer-ences to the self became more direct in 1964in a series of assemblages featuring imagesof men’s suits and in another series based onan illustration of a bathrobe that Dine saw ina newspaper advertisement.
A typical example of a bathrobe Dinepainted in 1964 shows the robe as sharplydelineated and decorated with physicalobjects (a chain, a watch) and seems toanticipate inhabitation by the artist’s body.Dine went further in exploring his ideas aboutobjects in a series of painted, three-dimensional sculptures of tools, furniture, and boots that he began makingduring a two-year hiatus from painting, starting in 1966. The cool objectivity of the Pop art movement, with which such pedestrian imagery was irrevocably linked,contrasted with the intimate articulations ofDine’s work and provoked art historian Alan
Solomon’s 1967 essay about Dine, “Hot Artistin a Cool Time.” Today in time, Dine has con-tinued his exploration of figure and form.Examples of his Hearts, Bathrobes, “wife asmuse” and the ever-present Venus continueas reoccurring themes in Dine’s work.
Jonathan Novak Contemporary Art represents Jim Dine for southern Californiaexhibiting examples of drawings, paintings,sculptures as well as prints.
Excerpts courtesy of the Guggenheim Museum and Kara Vander Weg, Project Curatorial Assistant
Los Angeles Art Show 2004Special Thanks
p 137
Kim Martindale of K.R. Martindale Show ManagementWould like to thank the following for their contributions:
Andrea Rich President and DirectorChristopher Clinton ConwayAnne-Marie WoodsSarah GilfillanJoshua PetkerBettina KorekMichael Ryan Laurel ZenoAileen Fraser Jon WeismanGantry JacksonLACMA
Jill Fink Beth Rosenbloom Judi GrushcowMichele PaleyAnd all of theArt Museum Council
FADA Board MembersFine Art Dealers Association
Beth-Ann FinermanWendy LandauBeth MahoneyAmy SouleArchitectural Digest
Paige PetroneVenice Magazine
Genevieve MorrillPacific Design Center
Charlie Platero Jr.Gina MartelliDesigner VignetteSymposium
Dean Edell M.D.Greg JordanMary LenihanGregorio LukeKathy PoppersVirginia RasmussenSymposiums
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Visit Drawn to Yellowstone: Artists in America’s First National Park through January 24, 2005.91 historic paintings featuring Albert Bierstadt, Thomas Moran, Frederic Remington, Birger Sandzén.
The Autry has moved Yellowstone to LA…
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Do not miss Masters of the American West Exhibition and Sale February 5—March 6, 2005.75 artists exhibiting recent works including Dennis Doheny, Bob Kuhn, Mian Situ, Morgan Weistling.
… and soon will be filled with fresh paint.
Limited time only at the Autry
Museum of the American West323.667.2000 • www.autrynationalcenter.orgWhere the 5 and 134 meet in Griffith Park
Left page: Thomas Moran (1837—1926), Golden Gate, Yellowstone National Park, 1893, oil on canvas. Buffalo Bill Historical Center, Cody, WY; 4.75
Right page: Masters of the American West 2004 Thomas Moran Memorial Award for Painting Presented to Mian Situ.Toy Maker of Ross Alley, San Francisco, 1906. Given in recognition of exceptional artistic merit for painting.
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The Irvine Museum
The Irvine Museum is dedicated to the preservation and display of California art of theImpressionist Period (1890–1930). The Irvine Museum embraces a principal role in the education and furtherance of this beautiful and important regional variant of AmericanImpressionism that has come to be associated with California and its remarkable landscape.
Location: 18881 Von Karman Avenue Ste. 100 (Ground Level)Irvine, California 92612
Information and Directions: (949) 476-2565Offices: (949) 476-0294
Open: Tuesday through Saturday, 11 a.m. to 5 p.m.Free Admission and Free Parking
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