FRITI BTEINBACH. WASSILY SAFONOFF. AUBSSANORO BONCI. JEAN QERARDY. LEANDRO CAMPANARI. HEINRICH CONRIED.Violoncellist who will play at Carnegie he will be one of the conductors at the Managing director of the Conned Opera

Hall this afternoon. new opera house. Company.

Musical. ! MuncaL

INSTITUTE OF MUSICAL ARTOF THE CITY OF NEW YORK

Eadatred and luomrpormted

FRANK DAMROSCHDIRECTOR

53 Fifth Avenue, corner 12th Street. New YorkErcon<t term o>sas Jrnuary 3rd. l>ot. OfTars a thorough muslcsU «due«t:on to i«r» aannos rra4*M >»trust'-, profaastonal or amateur. tn all branches of tha art.

Ths faculty includes GER9TER, GIRAUDET, HENSCHEL. BTOJOWSKfK\RIBEL,, SCHRORDEHint other rreat teachers. Prospectus on ratios '-. lbs MOtsriAS.

NEW YORK INSTITUTE OF MUSIC560 West End Ave. (Corner 87th ,—

\u25a0 THOROUGH MUSICAL EDUCATION ™PERIOUS BTVDENT. PROFESSIONAL. OR AMATEUR.I*ALL.BRANCHES OF HVSTCAL ART. n*m THJFIRST RUDIMENT3 TO THE UIOHEST ARTISTIC FINISH.

B. B. CLAT.Director.I.EO BRATTN. KKIJX HIH>TI

Barlta. Ur*r&tt.EXCEPTIONAL OPPORTUNITIES FOP. sT lsi'lpJri^"iNO ?JO BECOMB PROrESSIONALS <-t-»Mtf

FOR BEQINNIRB TEACHERS' COVRBB. UNGLAUEg. 8C HOLAKiHIPS. FOP. CATALOGUE APPI.T TJREGISTRAR

' . —. ,

SIGNOR 6. ALDO RANOEGGER.pianist. rmsgsiasals Instruction te bsginnsrsadvanced. rrofMsinnal students. St-ln» ay Hall, or 1MWest 103d Kt. Pupils' resldsaca by epaetal arrangement.

THREE SONS IN PARLIAMENT.The Rev. sir .J Erasmus PhUippo, th«» aged

prebendary of Salisbury, is a Liberal parponwho willhave three Rons in t!ie now Parliament.(Lionel Ivor PhUipps headed the poll al South-ampton. Mr. Owen Phlllpps converted a Con-servative majority of twelve Into a Libers ma-jority of 1,04!) In the pftnbr.ik^ borough?, andMi Wynford Philipps was returned for Pem-brokeshire by a majority .->r 3,280. The threebrothers tvillprobably he the tallest trio In theHouse. Mr. Owen Philippe is C feet, 7 Incheshigh, Colonel Ivor Philipps 6 foet. 4 Inches, andMr. Wyvford Philipps 6 fe«-t Iinches -a totalof 19 feet, 2 inches.

—Tit-Bit*.

Giuseppe Ponsi, of No. ZS W<*st &st street, a for-mer grand opera tenor of Milan. Italy, '-xprpsseshis ermtifleatlon at the succesa that, la attending hismanner of teaching the art of singing

The fourth and last recital this season by theatndents of the Maater School of Muate, Brookiyn,Is announced to take place on Mar. b 27. n;»9* re-oltals are given tr» demonstrate to the friends ofthe pupils the progress they are making. Asyet only a limited number of the students are per-mitted to sing solos, but all—the membership num-bers three lrindreU—may take part in the choruses.

At a musical given by Mrs. Antonla Sawyer at her\u25a0tudlo. No. IC9O Broadway, on March ]>, she sanga number of the aonga of Hsilett Gilbert*, accom-panied by the composer, Others who assisted wereMrs Gllbeite, Rachel Daum, Percy Hemu.« MayJsevins Smith, the Severn Trio and Sallle KYotii-Inirham Akers.

Miss Florence Mosher recently rendered a pro-gramme of Polish music before the Rosaird Club,at Portland, Me, comprising folk songs and dancej

of the regions of <Vackow and Warsaw. Chopin'swaltaes, maaurkaa, n<>cturncs and ballads, exam-i the "Dumka." or melancholy songs, andcompositions bv I'arteren-skl and Leschetizky. M'ssMoaner is U.okeil to play In Kingatcn, Ontario OnMan > \ y., On March :s.

lime Lu "n Kornier, No. 138 Fifth avenue, givesa pupil*' ma al next Saturday aftt-rnoon,at 3 o'clock.

Sim Grace Ande: son -will »oon slve a Joint re-dtal cii piano anil song -with Miss Harriet Ware atArdsley Jlall. Aside from h*r elaaoea In piano at

her studio. No. 6 West 102d street, Mrs. Andersonis ci>aehtnir several weli known singers.

Miss Marparet OoetS gives her "Hlsorlcal SongReeftalll" at h*r Carnegie Hall studios this seasonwith the tisslstance of Mr. and Mrs. Theodore VanYorx,Dr. OirlBl Dufft and Walter L, BOs«rt. 'Iheprogramme of early music takes place to-day at tp. ni.: "Modern Songs,

"Manh 9, and "Folk SontfH

Of Different Nations." April11.

'»i sis. v Jj> Becker gave a lecture musical at Mahome. So. 1 West lOith street, on Saturday, on"Imagination," one of a ser,cs of "n.i Baajenttalto afuslcianahlp." Six of his advanced ptaneXortspupils gave an appropriate programme In Illus-tration, ussl«tp<l by Miss Eranw ttayward, pupif ofBenjaml-i MoutHth, lu songs bj P')nch>lll andFYanz.

There will siso h* a "cello number and a violinobbllgato.

THE WEEKLY CALENDAR.]

miisasmsa ov«ra Houae,. B.EO i>. ui. Us" .

>UU Studios, <|i m . hlstorreal song re. Ital*.> \u25a0

Mi?* Marsarei <;«etz.\u25a0 P^ ». P'^'f,^ 1.

rital it loeef Lbtvtana: Knabe Haß,, Ms1 Prr ctracerl ••• chamber nwaio by the L*e\u25a0ekOlS Q-cartei

Tuesday Hroe-dway Tabernacle. 4 9 m.. free organ

recitsi by W'.ii C. MaeCartana,WediHiwUy-Mer.d«laaohn Hatt. A p m. pJaiuforte

recital by Rudr-ipn Oan»; 8:15 P- » • for.^e.-> dj

Victor Beigel. |

Tncr-aay-Ofendelaaohn Hail. 8:l» p. m . •onjj!;I by Mlaa I«Ua O-Ooonor: hal. -jf « ""i"' \

Irrion, concert of rhamher musio WL^JLS*.run fcuartet; Ca»nrch of the Wvl^_P- • «•"»«>\u25a04 v. m. free organ concea by J. Warrn. An-

(i-ewa. Association Hall Brooklyn, 131 l>- m..1 oncert ol the SangeTbun?.

»riaay-« Xmeple Hall. M»f>. m.. elgh-. v -^1»J; '';ht-nrfa! of the Philharmonic Soc.-o I-ntz

conductor; M-neel«*ohn Hal ».U \anoforte recital by Manfred Malkin.

\u25a0atttrdajr-Camasta Hall. 1:1* p. m.. laal canran tor ,rbe aeaaoa of :he PJillharmonic 8oo!et>

THE OPERA SF.ASON 1903 '>'•

Thaaeaaoi'prar.d opera, which came to an n.d

-,a>t nlchi \u25a0was the iweaty-thlrd feason at the

Metropolitan Opera House, an'l the third under the

iirtr" Of Heinrich Conried. Itbegan on No-

vember MBad BaotfeMMai seventeen weeke Tl pi-r-

rorma.r.ees wen divided into two classes-, tboae ot

'he rSCSIS sabscnpiion and those outside of the

eui>«criptlon The subscription •rformances took, jrlare on Monday. Wtdnewu ai:d Friday evenings jar.a 6at\:-<:a)- afternoons. They nunibered sixty- |-lght The extra, performs!.: srere of various jkinds. There we:« seventeen on eueeessive Satur- |day ev»r ;!age. a; which the repertory waa practical- ;Yf that of the remoter \u25a0aasnn. though tbe casM werennx always alike. Then thete were two ger.al per-fprmances of the. drama*, -.nakins up Wagner's

""Ring of the Mbetanx"—OM in the afternoon mdanother in the evening H.irrlfai." kept out of thesubscription repertory, i<;.'i given «t fbe re^nlu:s':'oscTipi:in prloaa, had three evening parform-«n<~es ar:d ore !n the ai:»i :.'joii Th^re wtis a npe- .cia; performance devoted to *tioperetta, at which Iall the artists of the rompar.> sai.g gratuitously

for the relief.! of tlie mauaKing director of tlieIssssas, and a niimt>er of o'Uer performances for U;e

benef.t of ohariiab;^ *!!\u25a0! ott.--r Inatitutiona, auchits the Italian EtoepHal, the Preaen H»: •i-jety. r.h", 3-etfa.i aid Bo< .e'.y :-.:.'i ti.e 'ieiniajPreaa 1

<'iub. At those perfonaaiKca the Harvtoea -w»- re i:c\a I•« I'",* bCßefidartea, »!:o were then permitted to |dispose of the tickets, the management receiving u |I rr.p sutii for tbe repre.-«?!jte.i:on and paying the 1

»irt!«ts their bonorana us aaj*i The extra lepre-•T.ta'iotis numbered tblrty-aix, Which, aO'if-d ".u the•iitv-eljh! rf the |th« r'p:lu:i season, made up atotal of 10* i>»-iforrr:ances. Tt.e date of the prcxJ^

-time of aa .. ;<>ra aad • nuicyr or tini-^ eachwjls parfninmd may be read la :\." lollowingtables

.Si'PS- -\\ IPTION SEASON.

JL/ul* of •;,-,„;";<:»- r.r»- t-errorrnax \u25a0•« ptrt'uui'wr.o. ~i1 mnim j *-. -..-\u25a0. !+vm ... . :*.+:.it*•£:

'

4.. November 24 ... .'.'.".. 3"Htaeat «I4 \u25a0;•-•»\u25a0 N'u-.rr:.t*r2f. sj"X*Pkrortta Koreabersa ..... 1L*.'i.f4T.: . Deessaasr 4 ....'.'.'... ai-< J*ls:- -

X M.. ,.:!t>,,.r i# ... . £

Slerrn^ Daesssaer II _"]X* 601 ijfember is

''

a*•• !'.*\u25a0•::.-\u25a0 i>«rn.t«rlBtJOtleraarnxerunj December 23P»u»"' ..... lanaary t.."'\u25a0 \u25a0" vi !•\u25a0'!« *:. :«T>- 5 . 8TT0**-*' Ijiuar} e •aA'ii !*jiisr. ;:."IITro\»f:«- January I*... . 4"Ijudt dl UaanaMrmooi '»\u25a0: .»t> goTax->« sal . laiaoary a•

i-- v.r.n! \u25a0

Jaaoan --j.

PtCHaccr- Jamikr> \u25a0>.}'

•\u25a0«Dl*M*-1.--*--1.--*--^1!..•:-

\u25a0

Ar\ 5iihr.H I••:..-. •• .....'"' 4lM "?*ra-. '«a'

c 13II Bart>)»'» d ?\u25a0 r • ..I"Vbrnarj x; •<

<oBm aa :-i* \u25a0 •\u25a0 -,\u25a0nor Psaajaali \u25a0\u25a0'« .- I.I!!. •!

'\u0084',

*rH*ras "-1" aeed la <\-~ii-» uilsEXTRA !•CBTOr. Ma N • 1;h.

TnT.'.ia»»r . KevctcaarSi 2'— PtaeenssavM \u25a0\u25a0 crabci BOI.U'ta C: 1* r:>.-TtI:O«! '.. I» •\u25a0'LIST '1 .. ,1HI 2l><* W»lk'it . :. . wUa -.•\u25a0".'. . . 1~. »":.t>.: ]«lin Tratiata" \u0084Di . \• » rf'i . . . I\u25a0•\u25a0 sn '..': J0...... •»-•»efn»xl Dtwmbtra 2

\u25a0-.mm • ,d, d ..Dc«evbarSi 3i|«jir-\u25a0 \u25a0 \u25a0. • \u25a0 Puss lowaa 4De I»- . - . ismiaiv « 1r«r»i«»i • . Jaeuary 11 4+ 8.-h*TT^ ...It- \u25a0 _" y• . • . '»:.\u25a0 _\u25a0: 1

tsrae iPVtoruarj :i

«\u25a0 '•>:.: 1. _.\u25a0 « \u25a0 '\u25a0'' riia-. i<>.... .... 1

!•«•\u25a0 c .\u25a0-\u25a0•••r.in . Febnun 13 ',;•. Hell --• Ma •

I

a.;\u25a0 u were ei.-n m .h« nubscrlptioii

si•

\u25a0 , ind •*-.'.;>• is: the f-\'r.-. nve <i[>er.T» whl h•

-i it were -.ot liearil si the roguia->r>..s»' . \u25a0 ,\u25a0

- namely, \u25a0[>> WalltOre." "Das\u25a0 I'.ii->-:f.ii." "Der Zlgeunerbaron" :i>..i

. - "The total number of operas

Ln ti.e hi'!:p a*i there-oalj !»•» »iir!:ihad not prevt-

• eard \u25a0" ihe Metropolitan Opera Uouae.,,r^ \u0084f 1 .v^ vv.^, i>^i /:«. \u25a0:,.-rbaru!i." a Oamanr>«!'!;i. .• . v production »:i C"irH«h Mr.• . Uteßtifled twenty ;«?> ito at Uia

\u25a0 other was "IHnari und QreteU" an\u25a0ttlns ut a Uerman Cairj talc -:\u25a0 llun.

j:ii- riXMB <jern.j!.y lo \u25a0upsrvtoe ltiprod -.:\u25a0 . f era. a/ere forty-three ItaUafl perfortu

• tlon rrawn. lavet ty-four <}«-r-

liiai-. -*;.i ifi i'ii-.i. 'je patrotia of t».« extrarcpreaentatlons );«-ji.i iwenty-atx Ooiiiiaii ie^r»!

itaOan .*\u25a0'\u25a0& «ji.«- rreacb. romMiioii.,. r̂,. »»r- Bfty-tWO I'alian l>e>furnii»jice«, flft>Oartsaa and *neu rrvoch. Tha execaa tf five opera

••. • ea 0 af.tr-a BOrahajr of sasatatlons iiij^t-i,,• . itiiici \u25a0' •

\u25a0 We "Ui» on five occasionu tla bolm , aaaaoß.

< ifHit works n.tnt!' i.tfiUi il:e prospectus for tin

*«9-SMn iKelve were BjoC glvu naively, •l-'idello."

Ttorneo et Jiillette.' •"aviilleria Rliatfpaiia.** "lit,Hug-uei uijs." "H Kla'it.j Maajlea," "I*a No«xe anajaro** mtwwseetf. ant -withdrawn auas o

Mm* Eauwafa lUaoaa), "Manon iy*sca':t" (PaedniJ• \).c rerkaufta Ura.it" 'Smetinai, 'I'n I'sllo i:

Masi;)ierfi."" l>*r f^legende Hollander." "Puppea-

<r«' rbaftet) and "Coppflia*' <bai!et^. 'i'hr«e artistf-r.rvo-noed in the piospecius took rio part In th.

rruir.r+t T:.e..- aret» Stasa. Moieria, nr.o wai'.t; Mrr># Telxaalni «nd th« premleie danseuft<

Vtra#l. !t> tho pros;re.«« of the session t)'» compan-u-a* innrafce'l by iha »icr.«.m«nt of Miss Resss>»>'« an<l Rignor <amr'>narl The subscribers o

laj an4 Saturday hea:d eighteen oper«? thos

of Wednesday and Friday seventeen, the difference |

being caused by doubla Mils. 'He distribution of

the op«ras on the subsorfption nlghta is set foftto 1n

tlie following taLie:Mm.iay

-Ti Glocwida." -KonlKin v.>n Sj.l>a.

' Lphen-giln,' -"I* K».vorita." 'lm BohUne,'' -Hanaa) un.l

QreUl/' "KiKOletto.1 •T.-.»ra,- "Al<3a.-'Tnr.n •

bamer." "Faus*.," •Trovbtore." -Trariatik "Mei»i«t;:singer,' Marfa T"*«asn." \u25a0!>«• Pa«vjuale

•nniliert"

Wsdnesds,.v---'Kt>nlgln v»n S»ba."'I*.b^iTcrlta.' 1 liti.

sel iinj Gretel?" .-•>icfii*(j.' ••Rlgol^tto,' L. Ellsir

d'Anore." \u25a0 -Faust.'

I*Bohjms"

"I-a Soni:a«n-

l.ula. Istan un<J IsoMa.' \u25a0'FeflUcel/;'Don Olc:

"Locta." •'ftiiratoreT' "TannbausaiMsi^*.-• CUumb \u25a0

Friday— "WgolettO." "-Hansel und Gr«t«i." 'IConifin von

.-iaba. •l«. sonr.ambula,"' \u25a0•OOtt«rdkninierung.

'I.*.

Favorlta/ Tristan uoa laoMa." "Fauit.' "II iTravaton." "AMa." ••M«Uterslnger,- 1

'-;Ur'a\.

U.h.i,Krt'' -II H»rbl»re, \u25a0 "Tnsca." "Lucia,

"<ilnroiiajß"

\u25a0atlirday matins*- -Hdnsel aoa Qrelel.V L« Gtooondai.'F.lialr il'A.-iiri'. ,i'lKln von S*b«. L*

Faverltm." \u25a0\u25a0Lsthmvir luust." "Tr:etan ur.;lrsold*," ""lAn.ia.- -Don QIOA-anaL" "L« Bojj*"I*-..1*-..•Metoteralntti." "Jtarta," Alda."" •"PHgiiacci.

"Troratore," "Tesca." "IIBaiM*re \u25a0\u25a0

of ihe opeias in the icripti l111 Mouda>'s :

subscriber* missed -Slegf.-ieij." I.Kllslr d'Amorc."

•La Sonnan:h'ilc. rristim und Inolde." "Doa j

Qlovanni." "Kucla dl Laromermoor." "Gdtterdani- itnei mg" an.l -11 iiarbiere"- -eight In all. Wednes- |day*a Bubacrlbeni were pelled to get along Jwithout "U< Qloconda." •r.oi-.engrin. roeca. \u25a0

'•AMa," "Travlata." "I1!* Meistewlnger." "Don jP^sgual*-." "Gfitterdainmeruns" and 'IIBaxbtere" |

—nine oi*r;is. Fridays \u25a0cribers were denied

"La Bobftn \u25a0 I'annhauser." "Travlata." "<"ar-

men." "Don Paaauale," "Pagllacci." ifrled,'

"L'Ellsir d'Amore" and "Don Giovanni" -nineoperaa, From the Saturday subscribers were wlth-h^id "Rigolftto

'"TennhiilsTW. rravlata."

'Car-

men," "Don I'asquale."'Siegfried." "La Sonnam-

buta" and "<>6t!erdflmmeru'ng- '—eight opera*. Of

Ibe works which were performed at the extra rep-

rraiintal the two operettas "Die FJe.dermaus"and '-Per Zlgt-uneibaron" were not offered to thesubscribers. a::<i to this extent their Ee!f-r*-.cpectwaa considered; tli»» oilier op-ra* kept for tli»- ex-duslve delt-ctatiun of special subecrlbere and thegei^eral public were "Parsifal

""Das Rheinguld"

u:.A "Dl*- Valkure."The record of il.e individual perforn-.atices of the

piiucipal gers stands as follows: Mme. bem-

brich *uug. tw*»nty-elf;l times and In •!«?\en

operme. \iz. "Blcolatto," "Die Fladermauß,' "Lu-• L." \u25a0 Kllsir dAiiiore." "Sonnatubula." "Bohtma,"

\u25a0•Travlata," "Doa PaaquaJe," "Don Giovanni,""Jtarta" and "il Barblere."

lime. Nordtca «jnt• -.•»« time*. in seven

operaa: "Qiwcunda.' "Lohengrin." "WaJkUre."'-GOtterdammerung-. rrlstan," "Don Giovanni

"

and "Trovatore": lime Eam.s. thirteen times, intour operaa: --Touch,

""Faust," "Aida" and

"Taiiiihiiusei'

\!i!<s Kr»-!:i^'.uii t.xeiittieii times. In r--;\ i-erao:•Tannhauaer." "WalkUra." "Siegfried." "uheln-g«ild." "Parsifal" and "Carmen."

Mm.-. Jiijiiiet. !tiirty-ee\>-ii limes, in iwt-lveiperaa "Qloconda." "Hiirisel und Oretel." •' Lohen-grin

""Walk ."\u25a0

' Siegfried." "<Jo"«teniamni«-;ing." "Trovatore." "Trtetan." "Ald:i." "Melster-singer," "Zia%unerbaron" and \u25a0 Uhelngold."

.\ii;"» W'.ilK" <\u25a0)•. twenty-one tiines. In sis peras:Konlgiti von S:J<a." "l-i Favorlta," \u25a0WalkUre,"Tristan." "Alda" and "Mdita"Mme RappolU, '<-n times, in three operaa: Kunl-

gin von Saba," "l-oh<ngrln" and "Zigetinerbaron."\fju> Weed, nineteen linies. In »>lx <jpery<i: Hiu

sel unU CJreteL" "Fledermaus." \u25a0\u25a0 rdamrae-runs." "Rheingold." "flleKfrled" ai.<l "Lohengrin."

.Jifn Alte.i. forty-two time-, in twelve operaa:"ivunlglnvan Baba." "HSnael tnd GretaU" "CTeder-maus

""\Valk»>.' 'as 01.e of the vulkyrloiI, '\u25a0.-;«\u25a0»-

:rieii" lus the voice, of the. foreat bird), I'Jielrirold'end "OOtterdammeruna" '"

rt one i,t il.e Klilnodaughters). "Tannhauser," "Pagllaccl,*1 "Meister-sii ger" .n,.l /.;^<;iri(-rbaron."•

JomelU. fourteen times, in six operaa'Tannuiiuser." "Favorlta." "Wa!ktin»" ione •\u25a0" thei-alkyrlor), "Sonnambula," "Don Giovanni" and"Faust."

Mls.s Beaai* Abbott, f^x time*, in tliree operH!<:

"Bohexne." '•Rigoletto" ;.n(i "Canaan."Signor Cnruao, fortj times. In twelve operas:

Qioconda," "lUa:oletto," "FaYOrtta." "Ellsird fimore." "Sonnambula," "Boberae." \u25a0Ki.iist."\u25a0•Toaca," "Aids," "Patrllaccl." "Marta*1 a::<1 '<'ar-ni''i!."

Heir Knote, twenty-live tinnr.-'. in seven"Konlghi von Baba,'' "Tannhauser." "LAbeninia,"•\u25a0Si'-g.'.rir-o.- "Gfitterdammerung," "Trovatore" ur.d

\u25a0 Melstersinger.'Heir Burgataller, ihirteen tiroes, in seven operaa:

• Rheingold." "WalkUre." "OOtterdimmerun^,""Trlatan," "Paraifal." ''Tannhauaer" :in^l "Meis-1 ••!linger."

Ml Dlppel. twenty-two time*, in •ix'eci peras :"Piedermaus," Ljucia." "WalkUre." "Qioconda."'\u25a0Travlata.** "Bhetoajold

''"Ixm Pas()uale,"

"BobCtne," "Parsifal.' "Don Qiovanni," "Alda,"Faust," "Zlajeunerbaron," "ll Barblere," •Tlluo-

:>-t!o" and "Tos<a."Mr V«!. Hooy. twenty-si* -,:iif-s i-i nine opera.":

"K<;r.lKin van Saba." "Tannhauaer." "WalkUre."SleKfrled." "lihinepold. I'rlsiati." Parsifal,"

"Meisterslnger" and "Lohengrin."Mr. Bias*, thirty-five times, In eleven operas:

"Konigin von Piiba." "Tannhauser," "Lohenirin,*1

"Walkure." -fii^iirfried."'

\u25a0; itterdammeruns;,""RbelneolA," "Trlatan." "Paraifal," 'Mcietertinger"and "Zigjeunerbaron."

Mr, <'.:i-!tz. thirty-three timea. In •\u25a0•ti operas:'Hiinsel und <liet<'l." "Pledermauß." \u25a0 lyoli^nKrin,""Siegfried." "Rhem*old." 'Parsifal," "Tnim-hauner." "Kdnigin von Baba," "Me!<:ter«;injf»'r" and"/.Jijeiiiirrharon "

Mi luurnei, thirty-one times, in eleven operaa:Rigoletto." "l.i'-a.' "Boheme," "Lohencrtn,"

"Paraifal." "Trovatore." "Don Giovanni,"' "Kaust,"'IIBarbiira," "Rheingold" and "<'i.rmfp."

I Plancon. twenty-two times, in six operaa:• ;,i .i.'ia

' "Favorita," "Sonnambula," "Faust,"'

1 "Aida" ami 'Mart.i"

Mi Bcotti, thirty-one times. In eleven operas:"Gloconda." "Rigoletto/" "Favorlta," "Eiiplr

rJ'Amore." "Boh*rae," "Fa ut." -Don Paaquale,"\u25a0 1 f..s. a." Don Olovannl," "Alda" and Travlata."Mr.I'ytnpaiwri. fifteen times. In six operaa: "Kn-

'.\u25a0•!.\u25a0,.\u25a0• "I'i.uM" "AV«i: ." -!'n,v..|ii!v." -I'agllaccl"

b:.<l "IIBarblere."Theae flames' refer to tha entire list <>r perform-

:. • Tlie followli:K tabl" sbowa the number oftinea <"')\u25a0. «>r the principal alngera in the '\u25a0i,«nj>aiij-\u25a0ana \u25a0<\u25a0\u25a0 •\u25a0< subacriptlon performaneat:

V...11 n'edars- Pri-

Skiur\u25a0.. \u25a0 \u25a0|i.». lays <la>». Totals

Bcmbrii u ... f. .". rt tt: a. -i S 3 « 14

1 >i>.i-H :i S ••\u25a0 a 11'Walker 4 '•* I !• 10i'imuiuii

- ?\u25a0 •' u :.B«m \u25a0• t> * ••> Si• a- !»\u25a0> 11 1" i » MKsata \u25a0'\u25a0 * r * s

\ >: -,"\u25a0 «-.r. O 1 1 1 S

Van Hvoy -i 4 4 :< 13Hesjcesi t> *

'\u25a0 i i'J

FoUowlag in a atatiaiicaJ recapitulation of all uieaeaaona at ths afetroi Opera [louse since ItKim op» •.• \u25a0: in the fall <<f US3. The • aium from' ;sm i. to IMO-'ti were devoitnl exclusively 10 iier-mu.'i opera:

Totalrapstaeata

Haa*on v\>ek» tlum Ltearaa.:Ihk-'. M 14 rtl H»

IW4 >i U 6; ViIIK-~mt 1:: L2 \t

I MM si ir. rtl ni ISH7 \u25a0** 1« m i*

1•\u25a0(•'» \u25a0«» 17 IS l«lfcfci^-90

_17 'V> u

IK*U-VI 17 (IS !7i im»i m . . la a« a«Ilt'Ji »:i .. • -IUK 'W II «.. 1H1 I>*4 I*. 1] *« 2JIUN K^ 1J! 87 \u25a0M, \«*l 87 13 72 24

1W 'H«i•

!«# >*» 17 ion 37I 1»>S#!» Ml If, 104 BO! 1900--01 i& 8« S8Ililf'l OS . II «H -Jt.i i»i "\u25a0 ii (so »

v*« \u25a0* m *\u25a0 ±iI WH '«.'• I•, Uf, X(»

j IMI <« II KM II

•No op^ra.

MugpaJ.'ETHEL CLERISE—KATE CHAMBERLaTnI

I iJiad. B Ac Btaslc, Voice Specialist.London Inpedimeats in sion K or

l.»tsons <tiv«n on Interpreiatlon of tl.oI Banjo -Mandolin— (»ultar. ClaastcaSTIDIO. TIIK IM>.l\l.. 645 I.KXIXGTON AVE.

'Phono L'Bs» Flaza

Master School ofVOCAL. MUSIC

10» Montague St.. Brooklyn. N>w York <ltvMme. .VLKKI.IAJAKOJEB, Wr* tr*ee•.SSiSted by Vli/roK HKK.KI and \u25a0 Iar're and

ICfflolent Corps of Instructor!!

TRTR WOODRUFF.Voles Placiug. Breathlnr. Prsparatlon for Clu.ir Conc«rtan.l Ora:&ilo 188 6th Ave. x. v.' oncerx

ANNASCHWARZ~~

ronc*rr PtaalStS Piano Instruction and Thsorvl/<ischetiiky Method.

""Jl

BTUDIO. 116 < ARNF.4.IE HAIX.

PAUL SCHWARZ (From Germany)Vorul Instrurtion, Ear Training-, • or,, Dreathlna;.

Osrnian, rrenoh. Italian ptctton1 I»IO. 116 CA.RNF.GIK HAIL

MME. HER ZQG >\u25a0«.^ee»/ties£Mmu. rlt.nZ.VvJ » ataetag.tons t'UlMlnr, -orrort lireathlnf. Voice trial fr«».

IT"u«mlay and Friday afternoons M>3 (arn«s;ie> Hall.Mondaj- and Thursday. 10 to 12. liciel St. Oaorge, Uro.jklyn.

ANTONIA SAWYERVOICE < lI.TI

Art of Slhtfinr In All 1 uuk'u.iKO1890 BROADWAY. COHSER BSD ST._

nironrno" Piano, Org>n. Harmony.

r. nironrnfi Musicalomci.fa l/|W\KpKla Musical Qovter.

W nlrijO ill]«4 Bth Av... N.w York.ffs IlllsWliisllW Phons 462 Columbus.__ _ _

_j^ Posltloim for Oryants' and

CHOIR CHAS. WADE WALKERW\u25a0\u25a0W \u25a0 \u25a0•

10 Carnegie Hall T«l Jj»o Col.

"TOM^DANIEL basso.Concert, oratorio. Recital. Lesson* elven In sln«!ng.

(Tuosday and Friday* SO East :.\u25a0««» St.. City.

VAN YORX, t««,tf KAal ITTH ST.. NBW YOHK.

QUSTAV L BECKER.STI I'UJllut H..1 Tua.-tll-IKtuAibSl 1 \v«.«! loua It,anj Ketowaa Hall.

MISS NORA MAYNARD GREENVeeal Teectaor "Tm Ruii*nd. \ r.Tth b'. * Broadway

LEOPOLD WINKLER,, PIANO KtHOOI ai EAST l«0TH -1

EL.OCUTIOIM \oli-e cultura forspeech. Recitals studio. 138 tth Aw Satunlays

ARTMt B JnL XJ S S jEm jLj HmVOI-JK .TI.TfRE. tUNGINO. rARNEIiIB llAl.i.

, MRS. WILLIAM S. NELSON• lusirurtlon. Aroonipantst 1 EAST 40TH ST

HELEN GAINTLiETTrvVirUAt*IS.Plsno anl light Reading Van Dyk« PtuJlos

Miss I'n.tutt CaiTOlL sapilUiO. of No 144 WestIfJla attreet, aang an aria froai "Oer Kretsohuta'aiid NevlnS'S "Woodptcker" at a niaal -al Ui Centralf'arH Wast rtctnlly. In wMsh Mme. Maiitellt »;,a

Mrne Ulclie" took part, among others. TesterOayaflernoon mht> aang three of T A. Hoeck's songs,us well h( i/thers. at a muslcul given In th* F*r>w*• riv \u25a0- .- studios, Carnegie Hall.

Wlillani C. Carl has pw.i. •\u25a0 1 the >.pening re-cital of iho l/ent»-ri scries in the old Kirsi I'res-byte;-l«n <'hurch. at Fifth avenue and 12th Btr»rtThe dates are to b« announced later.

Mme. C. de Rlgaud, voice teacher. No. 26*7 Broad-way, announr.-»n her int^nrion to give a series ofpupils' musicals, the first tn takn place on March:l .i "'nrneKle Hall Her junior rlns« will»lnr so-!••• iiniiensenilU' >.-I*-, tion«i and the pupil*of MissHrnumann. 'he in;i--^jiHn»«t, HI plaj the piano

Mrce. Hervoi Tot pudie gave a reoeyiiou, withmuelc. In her Carnegie Hall nrudlo, in honor of herformer pupil, Mls» Ellen Bearh Yaw, last Buuflayafternoon: and on \Vednesdu\ afternoon next she•rill Klve a. musical ut which will appear her uu-pils, Mrs. Cater-Karr and Miss Kathleen Kellynwi/iajiofl.and Mrs H. A. Haskrli. soprano, aaslst-«ci by Jul'.en ra';l Bllts. 'cellUt

A piano -ii.d violin recital -was Riven on Wednes-day evening ut the EOeratt* Rooms by the pupilsof Professor ¥ Minutolo and of h!s brother, A.Mlnutolo. Thsj programme Included piano solos by

Rosenaky. Miss E. Well, Mlas B. Kline,Mi«s B. Wolder. Miss M. Seherb and Master D.Bernstein, violin solos by Ma«t»r Is.. TeltelhauinfMlse N. Kandel. accompanist). Master C Schaerei''M.hs at Wllschek. a.-companlst », Miss flllverstelri(Professor I" Mlnutolo. a^companlnti, O. Tobler'H Jesbera, accompanist), and. at the piano, Han-del's "Hallelujah Chorus,

"with six hands by

Misses Ettlnger, L. Stark and 1-. l>ewiu.

;ias Tapper, of Boston, the writer and lect-urer on edU'-ational and musical subjects, -will givesix 1- \u25a0 ha endowed institute of MusicalArt New-York, <>n Monday mornings at 11 o'clock,beginning March IS>. The topic- of the first lectureWill he "Music as a Culture Study," and among

era willbe "U'lmt the l':bl!c School .N'etrdsIn MuHio" and "Music as a Municipal Investment.'Another oours- of lectures announced by the In-PtltUte is or. . mi wi;l b« given by Pro-

Morris Loeb, lieslnHlns March 21. at 11o'clock. 'i.'h«\ be illiiMtruted by experiments

.v.ms.- and willbe eight In nuiubei.

STCDIO XOTES.

An ordinary conductor d.>es not rely on hisliutiui for the obtaining of his effects, but uses Inslt-ft hand as well, and. in tact, tin whole physical

In this hf'ii synPOOIl) >ajiu it ujs m uuint »i..

M. t3af<inoff brought out witli great Insfsteti \u25a0 owereoognlZM completely thai laikowsky, usinghis enormous musical powci." tu the utmost, was, Inreality, a barbarian, "smitten l>y the Z»lt-O*lst."I'ndersiAndinj: ivil tii" poasibUltiet of ctvUisatlon,in i'.jrt realising them in musl< . TKchalkOWSky, Inthis mpnony, shows hi? i rror of time and yethis knowledgment (if tha march of time. ThisWiis a boint vnich was brought oiu with emphasis

with strength by tnis conductor; ai one timeone f*lt what an arttnt wa: T«rhaikowsky, ut an-utber time wnut a barbarian he was; bui one ul-sraya felt what u magnificent <.onduotoi- was M.Safonoff i"oi "o . indeed, v\«- were shown in this *jm-phony ti»e picture ol :i man wim Ipnij-tis withoutever smiling, aal whose ..,!'<•: is alwavrt melan-cboly.

Mr. Baugban, la "The Dally New?,'" gave It asbis opinion thai the fact that Mr. SafonotT dis-pen—jsj ivi'.h a bai.ii In conductlns; w«> not ;t n,;i'

ter of great moment.

Tne programme will naturully incTude a sym-phony by Brahms. Th*. conductor has selectedthe second. In l> major, Other numbers will beikjwanl IClgais \u25a0•Vai iatlonn un an OriginalTh*inw\" which the lJ l:i!h;irniomo Society plays lorthe nrst time; Beethoven's roncerto for pianofortaIn B rla', and the third "L<eonore" overture of tnesame inio^er. Harold Bauer will »ie the soloist.

Mr. WaslU Safoiioff conducted a i.cert of the]»ndon Bymphony Orchestra on J-Vbruary 21. Inview of the fact that he has been engaged to con-dud sJ Hie concerts of tUe Xew-York Phllhar-monio Society during tha ext three years, ii is

interestlns tu r*-ad vviiat soi:i<s of the English crH-i'S tho'.ipht of h»s irmance. Tlie prlr.clpal menga\e him ion^ in<l serious attention. Mr. VernonBlackburn wrote, imi o'li<»r things, in 'ThePall Mai: (iaz- te":

OONCERTS.BYlti Stelnbarh. who !s to mike hi» ilrst appear-

ance In this city at rha la^t concert* of tha Pliil-harmonto Society Ihia B«a*on on Friday ojid Sut-urday next at <'arnegie Hall. Is one of the most

noted conductor* in Europe, «nd haa thl» year ap-

peared as a »tar with local orohMtrM in London.Brussels and Berlin with great «ucc»sa. He comesto New-York from London, where a fortnight a«ohe met with an «nthu«iastlo reception from thepublic at the concerts he conducted.

Stelnbach bears a oumbergome title, which «M

given to him by the aran.l Duke of Saj^-Melulnjon

when he waa In his service so cs to enable binto amass and command al. the available musicalforces In the grand duchy on fentlTal occaalone.lie Is a Qrmnd Ducal General Mus!o Director, andwas D:-. von Uiilow's successor aa <:ourt Conductorat lieinlnfen in ISM. There b« remained until 3903,when he was called to <"ologne as Municipal Con-ductor and lieaJ of ihe Cologne Conservatory ofMusic. Buco»cd:rf Pranj Wiillner. Ste'.nbach Is anative o* the Duchy of Baden snd was born In]&f.5. He studied at Lelpsle < rvator\ , and car-rled off the llosart prlzo. Thence be went toVienna, and as a pupil of Nortebohn laid the fouu-dations for the) special excellence which he Is ex-pected to disclose at the concerts of the Phil-harmonic Society. lie Is not a champion of themodern tendencies In muMc ro much as he la a

laaalctet, with peculiarly strong leanings towardBeethoven and Brahms. When ycun£. Bteinbachdisplayed unmixiakable talent for composition, butsoon aba-ndoned creative for Interpretative art. InISSO he was appointed conductor of the MunicipalTheatre at Mayencc. and he held the post untilcalled to Meinlngen to be \on Btilow's successor.It was in this capacity that he laid the foundationof his fame as a conductor of the works of. thec'.ueslcF, and more especially of Brahms. He hadmade the acquaintance of Brahms some time previ-ously, for it was he who h?td i-*oomm«nded tjtein-

bach. The close friendship between tbe great mas-ter and the young conductor continued till the endof Brahma's life. Not a year passed without theirmeeting. In the Bummer Bteinbach would vialt hisfriend ut Vienna or at Jschl, and every winterBrahms travelled to Me'.nlng-eii to hear the BOUfltorchestr.i discourse Bach for his special delecta-tion.

LOll-> NOKMAN

CULLISirSTfDIO 32 EAST 23RD ST

JKAN AM> KDI'AKD l)E RESZIiEHETER SriDEXI> TO

nci CAUTIC ?tu«!io. 138 Btt anUcL rAnIlo For vote* r***m.MlN*BflmilniEl.>l.%N'. Af(OMPAM«.

MNIErC.DE RIGAUDEXrEltrF-NCED TEACHEB OF nil. VOICE.

Thorour'.' Training Concert iOp*ra. -' «>-»7 LI Jv»a-. nr. 100

CONCERTS— RECITALS—PIANO INSTRUCTION.FLOKKNCK MOBHER. fertiacared by

TiiKouoitE LUSCHETISKY in jj«9*.

OrtliliIME 73d St., New Tork City

SIG. FRANCIS MINUTOLOSchool fir Piaao, VIoUc and Vor»! Mm;..

;t!2 i:\sr 132D-ST.. nbw tork.MR. Atiiuir MIMTOI.O, VIOLIN in-tkmtion.

'riiK smm YOKK HCTM -.rinios.

IOR East ->th wt. for artl't*. jr •fe.«aors and \u25a0Cod«nt»:bawnttfo] and rmry llnht rooms, with irood MMWlci andliiSU sj!»" MM (\u25a0:«!\u25a1..» fur pnteUc*; Instrumental, vocalor languas«s, hour. d.ij w«rk Uytirr.« or evening: re-rriiiiun roeßß. Kl-gant parioH fcr mu<ioaieß. reteartala.rouslo »ih ol*. »l!h uran.l piano, subway station

EDWARD SCHLOEMANNLATB METROPOLITAN GItAND OPEKA COVOICE (I'LTI'KE. Studios 4.

-K tOth 8t

-Th* Vallamond." 150 St. M<-hola«-aTp. . ll*th-«»)

GIACOMO MINKOWSKIVcl-a Bp*Ct*Hst, late Muplcal Critic ut N T Journal

BTUDIO. 81»->^5 CAKNJECUa HALL.

WALTER S. YOUNGVooul Inntructi»n. Voice Production.

Pi> tlr Style. IlniertjlT-e. 801 St 802 Oani»|',j Hsl!.

IR lIIAASII*nor S'- Bartholomew's.HllfOrißl 'Pi* IsraelLAWoUN t w^auac.^ e

GERRIT SMITH,Ornan. Piano. Theurj. studio 10 Ea»t 41at tit. S. T

RUSSIAN MUSICMO>HF.K KBVNK IKTlKE It ( ir\l,-

of national music. Kor terms AMrssa K«> E

—t;.~

JANET BULLOCK WILLIAMSTeacher of Slr.cinf. Carnagle h*;:. \v»i. * tat.

PROF. L. BALASSONE>wiu— iMtrncu— studio. UM RID urn st

CHAS. HERBERT CLARKE,VOCAL INjTHI.-C-l-lON'. CARNKQIE HALL.

MRS. E. H. CANFIELD,MARGARFT GOLIZ

UR^-•

VYIRiZIMANOSCHOOI W3L&^SJ&>

JOSEPH ALTMAH SSS-,^&^g»ar4^J^UJiiTION rreimati,, .\-t tnt.rtalnmem^ h». it*'.Inland St.,di,, 14 W. 1,,i. v tu,r?K<;n",i%£\EDITH HAINtS N \u25a0 i>«..««ch,r'""'"^"MIIILJ nil Carnealo tUll N Y

F. READE WINANT. V;::,-,•',

MISS EMMA CARROLL B2T m^'ABT. MANDOLIN—HARP g^ggft-****"-1

-112 e»rnf|i« Hail

ITALIAN -^i:::;:;^^:.i!:x^rK1,;;;

ANGELA EDWARDS ;;—;. i^::;rM^ITALIAN MCTKRI, O{.»!» r-p« t

,...r^ tn.tr.ictr.ah

rUnal finintnt voles DlarlLg «Twf»S!s rVUdI »mm«nl for '

TBEWUMIT ORGAN SCHOOLNOW OPEN FOR THE SEASON.ama^tor now cataiogus. M WMT ITTH #T.. *.T.

AGNES SUMNER GEERr/«tif"°2?i J*«*<»«r. Elocutionist. Cooo«r-.s 7-jfita I*.cepted. 017 6oventh-»,y« aad 13* Fl.th-eve

ALBERT MiLDENBEHG,btidio 33«

—A7th-S»t. Entrance. CAn^rarfrg iiatt^

MME. TORPADIEPERRY AVERILL,

»aryt<ne. toneert. Op«r» *a<) Ormtorto.

BEWpiTl^J pp. Holland HduatL

ROSE STANGE T«i£. . -—

. HTtDiq «7Tf FIJTn ATXXTX. .

Vo*ai Instruction, -!.DECCA ...

gS^LBB^• MME. ANITA E. ZIEGLER.

STUDIO &"£.•«•*Stajja,. ,nclud:=,

FREDERICK INTROPIM *iifi i

'~JEDMUND SEVERN*******—

IThllf. 13t TV.,t 31th

OODEN- CRANE SCHObr OF" OJWLUELLA PHILLIPSMr*Nosmi Fornifir ff1"*0 t««*m»«

GRACE P. ANDERSON.ARTHUR *J)WARD STAHLSCHMW,

Speciallat jn Voic n s*,t a* n NT.FREE VOICE TRIAL two ww*»\u25a0»««» —aa f*,!-. cj. koSgI^IST'Em?

HELEN AU|USTA:HAYES, \^MME. CAMPBELL, to?*?, wuchxh cwejei"e Int-nen- -\u0084-. . eraduai.- Trial fr«» by W

SIGHT READING -^-,;

GORWIN PIANO SCHOOL \u25a0Tgasl^MME. G.OE NAUD JSST'Srt gBESSIE TUDOR/-~*-j^

-MARYFIDELIABURT. K-T^fe^MARY E. SCOTT 11

*01""""

««*» .- *r.» \u2666 9*UJKHT\ MKK..U AUHKK

NEW-YOKE DAILY TRIBUNK. SUNDAY. MARCH 18, 1906.

*fKMELYMUSICAL COMME?^^

__ Allegro

I \jm**. r? '• w ff \u25a0* . "^"

or Mrsir.I W. -%z

' *J KOO Bro»dw»v. oat tfh 9*

\ V «*|p OPERA, ORATORIO. SON(i'"•

J'4#51/ ?»V.iv°tVvd?'Jil: GAll%'ROVAI IT IW OPEJL4 rOTT.VT 81«-

"*M< '***Jw IOM»ON. ENGLAND.-

„„{*^_ >P-^ many European artists of fam».**-

-IM HI. INDMKME\T« FOR GOOD VOHTDepartment for beginners. Apply this w«<tk.

ELOCUTION and DRAMATIC ART. By Mr Wiliiam Parry, many T«a* sta«»-

is—s midirortcr of thH Department for tha Metropolitan Opsra House.vii,\ia Minioii OF MCdIC. 1700 BKQAimAV. COR. 84TH «T.. nett YORK

<>