February 2017
New Music Announcement
Richard Strauss Works – Critical Edition (HARRASSOWITZ Series ID: STR 1334)
The edition, which will be published over the next 25 years, consists of six series:
Series I: Stage works
Series II: Vocal music for one voice
Series III: Symphonies and tone poems
Series IV: Small orchestral works and works for winds
Series V: Concertos
Series VI: Chamber music
The two volumes containing the early tone poem Macbeth (Series III, Vol. 4)) and the
Lieder with piano accompaniment from Op. 10 to Op. 29 (Series II, Vol. 2) are scheduled
for publication in April 2017. The first volumes in the series of operas – Salome and
Elektra (Series I, Vols. 3a, 3b and 4) – are also in preparation.
An overview of all volumes can be found below.
Issued by the publisher Dr. Richard Strauss Verlag in association with Boosey & Hawkes,
Edition Peters Group, and Schott Music, the Richard Strauss Works – Critical Edition
features elegant musical notation, an attractive hardbound cover in light red embossed
library cloth, and anti-glare paper (acid-free), as well as the highest quality typesetting,
printing, and binding.
All volumes can be purchased individually or as part of a complete or partial subscription.
Subscribers of the complete edition receive a discount of 12%. Partial subscriptions by series are available at a 7% discount.
Order Information
Please order through your normal library channels or contact [email protected] for more information. Further details are also
available on the HARRASSOWITZ News website under Special Announcements.
Detailed citation information on the individual volumes may be found in OttoEditions, HARRASSOWITZ's online system for managing
book and music score acquisitions. For further information and to order the series, please log into your Fokus/ OttoSerials account.
To obtain an OttoEditions or Fokus/ OttoSerials account for your library, please contact [email protected].
We hope you will find our selection to be of interest for your music collection and look forward to hearing from you in regard to this
announcement.
Yours sincerely,
HARRASSOWITZ Music Services
SERIES I: STAGE WORKS
Vol. 1a Guntram RSW 101-10Vol. 1b Guntram RSW 101-20Vol. 2 Feuersnot RSW 102Vol. 3a Salome (German) RSW 103-10Vol. 3b Salome (French / Dresden Retouches) RSW 103-20Vol. 4 Elektra RSW 104Vol. 5a Der Rosenkavalier RSW 105-10Vol. 5b Der Rosenkavalier RSW 105-20Vol. 6a Ariadne auf Naxos (v. 1) RSW 106-10Vol. 6b Ariadne auf Naxos (v. 2) RSW 106-20Vol. 7 Josephs Legende RSW 107Vol. 8a Die Frau ohne Schatten RSW 108-10Vol. 8b Die Frau ohne Schatten RSW 108-20Vol. 8c Die Frau ohne Schatten RSW 108-30Vol. 9 Schlagobers RSW 109Vol. 10a Intermezzo RSW 110-10Vol. 10b Intermezzo RSW 110-20Vol. 11a Die ägyptische Helena RSW 111-10Vol. 11b Die ägyptische Helena RSW 111-20Vol. 12a Arabella RSW 112-10Vol. 12b Arabella RSW 112-20
Vol. 13a Die schweigsame Frau RSW 113-10Vol. 13b Die schweigsame Frau RSW 113-20Vol. 13c Die schweigsame Frau RSW 113-30Vol. 14 Friedenstag RSW 114Vol. 15 Daphne RSW 115Vol. 16a Die Liebe der Danae RSW 116-10Vol. 16b Die Liebe der Danae RSW 116-20Vol. 17 Capriccio RSW 117Vol. 18 Incidental Music RSW 118
SERIES II: VOCAL MUSIC FOR ONE VOICE
Vol. 1 Early Lieder with Piano RSW 201Vol. 2 Lieder with Piano, Op. 10 to Op. 29 RSW 202Vol. 3 Lieder and Songs with Piano, Op. 31 to op. 43 RSW 203Vol. 4 Lieder with Piano, Op. 46 to Op. 56 RSW 204Vol. 5 Lieder and Songs with Piano, Op. 66 and later RSW 205
Vol. 6 Orchestral Lieder and Songs Op. 51 and earlier RSW 206Vol. 7 Drei Hymnen, Op. 71 / Vier letzte Lieder TrV 196 RSW 207Vol. 8 Lieder orchestrated by Strauss (I) RSW 208Vol. 9 Lieder orchestrated by Strauss (II) RSW 209
SERIES III: SYMPHONIES AND TONE POEMS
Vol. 1 Symphony in d minor RSW 301 Vol. 2 Symphony in f minor RSW 302Vol. 3 Aus Italien RSW 303Vol. 4 Macbeth (2 versions) RSW 304Vol. 5 Don Juan RSW 305Vol. 6 Tod und Verklärung RSW 306Vol. 7 Till Eulenspiegels lustige Streiche RSW 307Vol. 8 Also sprach Zarathustra RSW 308Vol. 9 Don Quixote RSW 309
Overview of the VolumesRichard Strauss Works · Critical Edition (RSW)
Vol. 10 Ein Heldenleben RSW 310Vol. 11 Symphonia domestica RSW 311Vol. 12 Eine Alpensinfonie RSW 312
SERIES IV: SMALL ORCHESTRAL WORKS AND WORKS FOR WINDS
Vol. 1 Overtures RSW 401Vol. 2 Festive Music, Fanfares, Marches, Waltzes et al. RSW 402Vol. 3 Metamorphosen RSW 403Vol. 4 Serenade (Eb major) / Suite (Bb major) RSW 404Vol. 5 Sonatinas for 16 Wind Instruments RSW 405
SERIES V: CONCERTOS
Vol. 1 Early Concertos and Concert Pieces RSW 501Vol. 2 Parergon zur Symphonia domestica / Panathenäenzug RSW 502Vol. 3 Late Concertos RSW 503
SERIES VI: CHAMBER MUSIC
Vol. 1 Chamber Music for Strings RSW 601Vol. 2 Works for Piano Quartet RSW 602Vol. 3 Chamber Music for Three Instruments RSW 603Vol. 4 Works for One String Instrument and Piano RSW 604Vol. 5 Works for One Wind Instrument and Piano RSW 605
501
502503
RSW 601602
603
604
605
The edition
� e edition Richard Strauss Werke · Kritische Ausgabe (RSW) [Richard Strauss Works · Critical Edition] is the � rst scholarly critical edition of Richard Strauss’s complete musical oeuvre. Up until now, the majority of his compositions have been available only in largely uncorrected reprints of older publi-cations. In the new edition, all compositions in major genres – the complete stage works, orchestral works, lieder and songs (with piano and orchestral accompaniment) and chamber music - are newly edited. � e edition also incorporates di� erent versions and fragments alongside a documentation of the sources,
the genesis of individual works, and perfor-mance variations authorised by the compos-er. � e edition consists of printed musical volumes with integrated critical reports and is augmented by an online platform featuring text comparisons and annotated collections of documents. � e extensive introductions and footnotes are written in German and English. Performance materials, based on the edition, are also available.
Editor and editorial method
� e edition, which will be published over the next 25 years, is issued under the direction of Hartmut Schick by the Bavarian Academy of
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Right pages: 1891 version
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In the score, everything is exactly how I want it! Richard Strauss
Sciences and Humanities in Munich in coop-eration with the Richard Strauss Institute in Garmisch-Partenkirchen. Work on the edition will be undertaken by the Richard Strauss Edition Research Center at the Ludwig-Max-imilians-Universität in Munich and is supported by the Federal Republic of Germany’s Academy Program and by the Free State of Bavaria.
� e critical new editions of these works adhere to the highest editorial standards based on a critical study of the sources. � is involves the comparison of all available musical sources including newly discovered documents such as autograph scores, engravers’ copies, galley
proofs, orchestral parts, � rst prints and sub-sequent editions printed during the compos-er’s lifetime. Documents relating to Strauss’s rehearsals with orchestras and individual mu-sicians including the composer’s wife, Pauline de Ahna (whose correspondence is signi� cant for the lied volumes of the edition), will also be considered where relevant. � e worldwide research into the relevant sources for this pro-ject is supported through extensive preliminary work which has already been undertaken at the Richard Strauss Institute within the framework of the DFG project Richard Strauss Quellen-verzeichnis [source catalogue] (www.rsqv.de). � is is also the � rst time that the composer’s extensive correspondence has been evaluated
with regard to compositional relevance, includ-ing letters to publishing houses, performers and other relevant individuals.
The fi rst volumes
� e two volumes containing the early tone poem Macbeth (1888/1891) and the Lieder with piano accompaniment from Op. 10 to Op. 29 are scheduled for publication in April 2017. Both volumes provide an impressive illustration of Strauss’s intensive work on these compositions and of his overall artistic devel-opment. � e two complete surviving versions of Macbeth – of which the earlier is being published for the � rst time – are presented
Richard Strauss in his study in his villa in Garmisch
Photo: Richard Strauss Archive, Garmisch
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˙ œ˙ œ˙ œ˙ œ œœ œœ œœ œœœ œœœ œœ#### . œœ..˙̇̇̇ Œ˙ Œ˙ Œ˙ Œ.˙ Œ.˙ Œ˙̇ Œ˙̇̇ Œ˙.˙̇̇ ŒŒŒŒ
MacbethRichard Strauss | 1864–1949
op. 23[3. Fassung]
synoptically to reveal the progress of the young composer who would subsequently be-come a master of orchestration. � e compos-er’s struggle with this work in his transitional phase is additionally documented by the inclusion of Strauss’s own piano reduction of the composition for four hands and fragments of a lost early version of Macbeth.
� e � rst volumes in the series of operas – Salome and Elektra – are also in preparation. � e new edition of Salome, with precise dynamic markings and performance indica-tions from the original manuscript, contains real surprises in the second volume: the score of the French language version, which Strauss
arranged based on the original text by Oscar Wilde in collaboration with author and music essayist Romain Rolland, is accessible here for the � rst time, and includes major revisions to the vocal part that transform the work into a “proper French opera.” What is more, the extensive and newly rediscovered “retouches” that Strauss undertook in 1930 for perfor-mance in Dresden, which featured a lyric instead of a dramatic soprano in the title role (the version later decisively favoured by the composer), are also included in this volume.
Publisher and printing details� e edition is issued by the publisher Dr. Richard Strauss Verlag in association with Boosey & Hawkes, Edition Peters Group and Schott Music with elegant musical notation, an attractive hardbound cover in light red embossed library cloth, and anti-glare paper (acid-free), as well as the highest quality typesetting, printing and binding.
Formats: 27.1 x 37.5 cm / 10.7 x 14.8 in (stage and orchestral works), 23.1 x 30.3 cm / 9.1 x 11.9 in (lieder and chamber music).
Projekt Director
Prof. Dr. Hartmut Schick
Richard Strauss Edition Research Center at LMU Munich
Sebastian Bolz, M.A.Dr. Claudia HeineDr. Adrian KechDominik Leipold, M.Sc. M.A.Dr. Andreas PernpeintnerDr. Stefan Schenk
www.richard-strauss-ausgabe.de
Lied “Breit über mein Haupt [dein schwarzes Haar]” Op. 19 No. 2
above: manuscript of the late version 1944 Source: Munich City Library
left: fi rst version from 1888
right: late version from 1944, fi rst publication within the framework of the edition Richard Strauss Works · Critical Edition (RSW)
&
&
?
b b b b b b
b b b b b b
b b b b b b
c
c
c
Singstimme
Klavier
œœœBreit ü ber mein Haupt dein
˙̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇̇
˙̇̇̇̇̇̇̇̇̇
p
p molto legato
Andante maestoso
con Ped.
76
Breit über mein Haupt dein schwarzes Haar
Project Committee
Prof. Dr. Hartmut Schick (Chairman)Dr. Bernd EdelmannDr. Claudia HeineProf. Dr. Wolfgang HornDr. Jürgen MayProf. Dr. Giselher Schubert
Project Advisory Council
Prof. Dr. Ulrich Konrad (Chairman)Prof. Dr. Hendrik BirusPriv.-Doz. Dr. Andreas KrauseBernhard PfauProf. Dr. Helmut PfotenhauerProf. Dr. Walter WerbeckDr. Christian Wolf
Lied “Breit über mein Haupt [dein schwarzes Haar]” Op. 19 No. 2
above: manuscript of the late version 1944 Source: Munich City Library
left: fi rst version from 1888
right: late version from 1944, fi rst publication within the framework of the edition Richard Strauss Works · Critical Edition (RSW)
Lied “Wie sollten wir geheim sie halten” Op. 19 No. 4
Newly edited entries from personal copies belonging to Pauline Strauss-de Ahna within the framework of the edition Richard Strauss Works · Critical Edition (RSW)
Source: Richard Strauss Institute
&
&&
# # #
# # ## # #
c
cc
Singstimme
Klavier
ÓÓ ŒŒŒŒŒ œœœœWieœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ
3 3 3 3
œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœœœ3 3 3 3
Allegro vivace
p
rubato
.œœœœ JJJœœJœJJœJœ œœœœ œœœœsoll ten wir geœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœœ
œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ
- -soll ten wir ge- -soll ten wir ge
&
&&
# # #
# # ## # #
3
.œœœœ JJJœœJœJœ œœœœ jjjjjœœjœjœ jjjjœœœjœjjœjœheim sie hal ten, die
Jheim sie hal ten, die
Jœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ
œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ
JJJœœJœJJœJœ œœœœ JJJJœœJœJœ œœœœ JJJJœœœJœJJœJœ JJJJœœJœJœ JJJJJœœœJœJJœJJœJJœJœ3
Se lig keit, die uns erœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœ
œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœœœ
wwfüllt?œœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœ œœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœ œœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœ
œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ
- - - - -heim sie hal ten, die- - - - -heim sie hal ten, die Se lig keit, die uns er- - - - -Se lig keit, die uns er
&
&&
# # #
# # ## # #
6 œœœ JJJJJJJJœœJœJJœJœ JJJJœœJœJœ JJJJJœœœJœJJœJœ JJJJœœJœJœjjjjœœœ .JJJJœœJœJœ RRRRœœœRœRRœRœ
Nein, bis in sei ne tief stenœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœœœœœ
œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ
*‹ breit › ‹U› œœœœ œ Œœ Œœ Œœ Œœ Œ œœœFal ten sei
œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ### œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ
‹ tempo › ˙̇̇ JJJJœœJœJœ JJJJœœJœJœ#### JJJœœJœJœjjjjœœœœ
al len un serJ
al len un serJ
œœœœœœœœœ#### œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ
œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ
- - - - - - -Nein, bis in sei ne tief sten- - - - - - -Nein, bis in sei ne tief sten Fal ten sei- - - - - - -Fal ten sei al len un ser- - - - - - -al len un ser
&
&&
# # #
# # #
# # #
cresc.9 .˙̇̇̇ œœœHerz ent
œœœœœœœ œœœœœœœ œœœœœœœ œœœœœœœ œœœœœœœ œœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ
œœœœœœœ œœœœœ œœœœœ œœœœœ œœœœœ œœœœœœœ œœœœœœœ œœœœœœœ œœœœ œœœœ œœœœ
œœœœ œœœœ œœœ œœœœhüllt! Wenn zwei in
œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ
œœœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœœœœ
π
p ‹ ruhig › jjjjjœœœœ jjjjœœœ .jjjjjœœœrrrrœœœrœrrœrœ œœœ œœœ œœ JJJJœœJœJœ####3
Lie be sich ge fun den, gehtœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ œœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœ
œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœ œœœœœœœœœ œœœœœœœœœ
‹ vorwärts ›
- - -hüllt! Wenn zwei in- - -hüllt! Wenn zwei in Lie be sich ge fun den, geht- - -Lie be sich ge fun den, gehtLie be sich ge fun den, geht-Lie be sich ge fun den, geht- - -Lie be sich ge fun den, geht-Lie be sich ge fun den, geht
81
Wie sollten wir geheim sie haltenRichard Strauss | Op. 19 Nr. 4
(Adolf Friedrich v. Schack)
* ‹ ›: Handexemplar / Personal Copy Pauline Strauss.
JJJœœJœJœ JJJœœJœJœ JJJœœJœJœ.œœœ JJJJœœJœJœ
3
Breit ü ber mein Haupt dein
˙̇̇̇̇̇̇̇̇̇̇
˙̇̇̇̇̇̇̇̇̇̇̇̇̇̇molto legato
Andante maestoso
con Ped.
.œœœ JJJJJœœœJœJJœJœ œœœœ jjjjœœœjœjjœjœ jjjjœœœœschwar zes Haar, neig’ zu
˙̇̇̇̇̇̇̇̇̇̇ ˙̇̇˙̇˙˙˙˙̇̇̇̇̇̇̇̇̇̇̇̇˙̇̇̇̇̇̇̇ ˙̇̇̇̇̇
- -Breit ü ber mein Haupt dein- -Breit ü ber mein Haupt dein schwar zes Haar, neig’ zu- -schwar zes Haar, neig’ zu
Breit über mein Haupt dein schwarzes Haar(Adolf Friedrich v. Schack)
Richard Strauss | Op. 19 Nr. 2
&
&
?
b b b b b b
b b b b b b
b b b b b b
c
c
c
Singstimme
Klavier
° * ° * ° * ° * ° *
œœœ JJJœœJœJœ JJJœœJœJœ JJJœœJœJœ.œœœ JJJJœœJœJœ
3
Breit ü ber mein Haupt dein
œœœœœœœœœœœœœœœœœœ JJJœœœœœœœœœœœœœœœJœJœœœœœœœ
gggggggggggggggggggggggggggggggggggggggggg ‰‰‰ œœœœœœœœœœœ JJJJœœœœœœœœœœœœœœœœœœœJœJœœœœœœœ
gggggggggggggggggggggggggggggggggggg ‰‰‰
œœœœœœœœœœ JJJJJœœœœœœœœœœJœJJœJœ
ggggggggggggggggggggggggggggg ‰‰‰ œœœœœœœœœœœœœœœjjjjœœœœœœœœœœœœœœœœœœœœœœœœœœ° *œ° *œgggggggggggggggggggggg° *g° *gggggggggg
‰‰‰&&&&&& ???p
Andante .œœœ JJJJJœœœJœJJœJœ œœœœ jjjjœœœœ jjjjœœœœschwar zes Haar, neig’ zu
œœœœœœœœœœœ JJJJœœœœœœœœœœœœœœœœœœœœJœJJœJœœœœœœœ
gggggggggggggggggggggggggggggggg ‰‰‰ œœœœœœœœœœœœœœœœœœœœœ JJJœœœœœœœœœœœœœœœœJœJJœJœœœœggggggggggggggggggggggggggggggggggg ‰‰‰
œœœœœœœœœœœœœœœœœœ JJJJJœœœœœœœœœœœœœœœœœœœœœœœœœœœœJœJJœJœ
ggggggggggggggggggggggggggggg ‰‰‰ œœœœœœ JJJJœœœœœœœœœœœœJœJœgggggggggggggggggggg ‰‰‰
.œœœ JJJœœJœJœ.œœœœ JJJJœœœJœJJœJJœJJœJœ
mir dein An ge
œœœœœœœœ JJœœœœœœœœœœœœœœœœœJœJœœœœœœœ
gggggggggggggggggggggggggggggggggggg ‰ Œ‰ Œ‰ Œ‰ ŒJJœœœœœœœœœœœœœœœœœœœœœœœœœœJœJJœJœ
gggggggggggggggggggggggggggggggggggg ‰‰‰
œœœœœœ JJJœœœœœœœœœœœœœœœœœœœœœœJœJœ
gggggggggggggggggggggggggggggggg ‰‰‰œœœœœœœœœœœœœœœœœœœœœœœœœœ œœœ
œœœœœœœ°
œœœœœ œœœ*
[ ][ ][ ][ ]‰ Œ[ ]‰ Œ‰ Œ[ ]‰ Œ‰ Œ[ ]‰ Œ‰ Œ[ ]‰ Œ
- - - -Breit ü ber mein Haupt dein- - - -Breit ü ber mein Haupt dein schwar zes Haar, neig’ zu- - - -schwar zes Haar, neig’ zu mir dein An ge- - - -mir dein An ge
93
Breit über mein Haupt(Adolf Friedrich v. Schack)
Richard Strauss | Op. 19 Nr. 2[Fassung/Version 1944]
9 790001 165419 >ISMN 979-0-001-16541-9 KAT 3389-99
5 Facts about the edition
1 The fi rst scholarly edition of the works of Richard Strauss
2 Issued by the Bavarian Academy of Sciences and Humanities in Munich under the direction of Hartmut Schick in cooperation with the Richard Strauss Institute in Garmisch-Partenkirchen. Work undertaken in the Richard Strauss Edition Research Centre at the Ludwig-Maximilians-Uni-versität in Munich.
3 The fi rst volumes – Macbeth and Lieder Op. 10–29 – will be issued in April 2017.
4 Critical reports are included in each volume; text comparisons and annotated collections of documents are available in digital form.
5 Performance material to accompany the edition is in preparation.
VERLAG DR. RICHARD STRAUSS GMBH & CO. KGin collaboration with Boosey & Hawkes, Edition Peters Group and Schott Music
Schott Music, MainzCompany ID: 15765VAT Reg. No. DE 149025549
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