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AAodel
I
INSTRUCTIONS
FOR USINO
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8/11/2019 Minolta 35 Color
3/20
The
Most
lmproved
35--
Camera
M i no l t a - ' 35
M ode l
I I
i s
a c am era
oF 35m m
i n
s i z e
dev i s ed and
i n t e g r a t e d w i t h
ad j us tab l e
s e l f - t i m e r
and f l a s h
s y nc h ron i z e r ,
i t s
b a c k
c ov e r
s y s tem
be i ng c onv en i en t f o r t i l m l oad i ngs ,
hav i ng
ey e
ad j us tab l e
dev i c e
fo r i t s s i ng l e ey e -p i ec e
ran ,3e i nde r
a nd
c onv en i en t l y
y ou
c an m ak e
y o u r
s ho t w i t hou t
pu t t i ng
t o r w a r d
i t s
l e n s
b a r r e l .
O F c ou rs e the s huL te r i s s e t s i m u l t aneous l y w hen the f i l m w as
w ound ,
t h u s
p rev en t i ng
doub l e ex pos u res .
The f i l m i s
v e ry
ec onom i c a l l y
us ed by
l oad i ng i t t o
m agaz i ne , c u t t i ng
i t a t
w i l l
i n
p r o p e r
l e n g t h
ou t oF l ong f i l m .
A l s o v a r i ous
s u i t ab l e
t e l epho to l ens es
be i ng
p rov i ded ,
on e
qam era
c an be
u t i l i z e d f o r
f e a t u r e s
us ua l l y nec es s a ry o r s ev e ra l
c am eras .
Standard
Lens of
Minolta-35
T h e S u p e r
R ok k o r
C oa ted
F
z .a -+ s m m
Lens t i t t ed m ak es
v e ry s ha rp
toc us and F rom
t h e
s h o r t e s t
r ange
t o i n F i n i t e i t h a s
s upe r i o r c apac i t v t o m ak e s ha rp f i ne dep i c t i ons .
A l s o
the l ens has
no ted c o l ou r
t r ans pa renc y c apac i t y ,
h i gh l y
p ra i s ed
by m any k now n ph o to
s pec i a l i s t s
i n hom e l and as w e l l
as t hos e
i n a b r o a d
und
i t i s now
an
es tab l i s hed
t a c t t h a t
t he
tu l les t
sa t isFac t ions
are be ing expec ted
by var ious
users
oF th is
l ens .
T h i s
i s one oF t he
reas ons
tha t w e a re
s t i l l
s t i c k i ng t o
t h i s t i ne s t anda rd
t r
l z . B
l e n s
r a t h e r t h a n
t h o s e o F l a r g e r i n
d a m e t e r .
o
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M o u n t
F u i i
T ak en
by
A t r . S .
lwaha r a
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l .
S u p e r
R o k k o r
L e n s
F
z . o - t + s m m
i s a
l e n s
w i de r
i n i t s c ov e r i ng
ang l e and deepe r
i n i t s
range oF
foc us
i n
c om pa r i s on
w i t h
u s u a l
5om m
l ens es f o r 3 5m m c am eras
und
most
f i t ted fo r
snao-
sh
ot t i
na
s .
l ens ba r re l i s
unnec es s a ry
o
be
pu l l ed
i t
o u t
w hen
y ou
m ak e
y o u r
s h o t t i n g . T h e l r i s - S t o p D i a l
i s
g r a d u a t e d
r o m
F
z . B
t o F
t 6
and i t s g radua t i ons a r e reg i s t e red
t h e i r
r es pec t i v e s t ages
F rom l m .
( s .
g
F t )
t o i n f n i t e
a l on3
w i t h
depths
oF range oF focus
too.
T h e F o c a l
P l ane
S h u t t e r
F i t t e d
w o rk s
c oup l ed
w i t h s h u t t e r
s peeds
o F
t
1 2 5
-
5 o o
s e c o n d a n d
B i n
t he c as e
oF i t s
rap i d
s h u E t e r
a nd
in the
case
bF s low
speed
shut ter
i t r n , o r k s
c oup l ed w i t h
f r o m
t /B
scc . to L
and T.
4,
Counter
D ia l
:
\L /hen
the
counter
n u m b e r
' o '
i s
{ i x e d
u n d e r
t h e
ar row-mark
a l -Ler
Ioad ing
the
f i l m
i n
the c am era ,
t h e
s :m e w i
l l
m ov e
on one by
one f o l l ow i ng
y ou r
s uc c es s i v e t ak i ngs
u n t i l i t
r eac hes
t o
N o . 39 .
(3)
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5 . Coup led
Range-F inder and
Viewer
:
T w o - i m a g e - c o i n c i d e n c e
t y p e
c oup l ed range [ i nde r i s
dev i s ed
c om b i r ' r ed
w i t h
t h rough
f i n d e r .
The
v i ew
r a n g e
c ov e red
i n
t i l m i s
s l i gh t l y
l a r g e r
t h a n t h a t
s een
i n
t h e
f i nde r and
i s c onv en i en t t o r
i t s
s nap s ho t t i ngs .
V i s ua l R egu l a t i ng F i nde r : Loos en
the
ey e l ens s c rew
p r o p e r l y
and
pus h
ey e l ens
o u t .
Then v i s i b i l i t y
oF
the f a r - s i gh ted c an be
p i o -
pe r l y
ad j us ted . The
s y nc h ro
te rm i na l
i s
tw o - t e rm i na l
s v s te rn
l i k e Le i c a .
O pen i ng and s h u t t i n g oF t he
bac k
c ov e r i s m ade
by m eans oF
f i x i n g
t h e m a r k
' S h u t '
o r
' O p e n '
t o
t he
po i n t
m a rk ed
: 2 .
S i m u l t ane -
ous l y
t he w i ndow
oF m agaz i ne
l o a d e d
w i l l
au tom a t i c a l l y
open o r
s h u t .
B .
The m agaz i ne
i s c ons i s t ed
o t
t h ree
pa r t s , s poo l ,
i n n e r c a s e
and t he
o u t e r
c as e .
When
Y ou
des i r e
t o l oad
y ou r s u i t ab l e l ong
t i l m i n
i t ,
p l eas e
c u t i t i n
p r o p e r
l eng th and
l o s d i t i n
t he
d a r k
r o o m .
6 .
7 .
GJ
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A . W i n d i n g
K n o b
B.
Counter D
a l
C.
Release
But ton
D. Rewind
Lever
E"
R a p i d
S h u t t e r
D i a l
F .
S l o w S h u t t e rD i a l
G.
Rewind
Knob
H.
Back
Cover
Lock
l . l r i s
S t o p
R i n g
J .
Focus ing
ever
@
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K.
Sel f - t imer
L .
S ta r t i ng
But ton
for Se l f - t imer
M.
Rewind
Shaf t
N . F u l l - v i e wR a n g eF i n d e r
O.
Term ina l
ro r
F lash
Synchron izer
P .
Accessory
Rai l
O.
Pressure
Plate
R.
Take-up
Spoo l
S .
S p r i n s
C l i p
T .
Sprocket
Gear
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R e g u l a t i o n
o f
S h u t t e r
S p e e d s
The fo l l ow i ng Fea tu res o noL unc -
t ion
proper ly before the
shut ter
i s
au tom a t i c
s e t
b y
w i nd i ng
th e
f i l m w i n d i n g
k n o b .
R ap i d
S h u t t e r
:
P i c k
up
the k nob
oF
R ap i d
Shu t t e r D i a l
and t u rn
i t
t o
r i g h t o r l e f t t o t h e
d e s i r e d
s peed
u n d e r t h e
po i n t
a r row -
m a r k e d
i n c as e
t h e
s peeds
s o u g l r t
r a n g i n g
f r o m
|
1 2 5
t o
I
I
5 o o
s ec ond . l n
s uc h c as e , how ev e r ,
r h e
d i a l
oF S l ow
S h u t t e r
h a s t o
be
k ep t
unde r
s peeC
po i n t oF
I
f
2 5 s 2 c .
S l ow
S h u t t e r :
I n
c as e
o F
s hu tLe r
s peeds des i r ed a re rang i ng t r o m
t - l
l B
s e c .
t u r n
t h e
d i a l
t o
t h e
p o i n t
u n d e r t h e
m ark
( . ) .
I n
s uc h
c as e
d i a l
oF
R ap i d
S h u t t e r
has
to
b e
p l ac ed
u n d e r
t h e
po i n t
oF
I
f
2 5
s ec .
B u l b
S h u t t e r :
Pu t
"
B
"
oF
R aP i d
S h u t t e r
D i a l
u n d e r
t h e a r r o w -
m a r k e d
p o i n t ,
l n
t h i s
c as e ,
a s l o n g
a s y ou pus h o n t h e s h u t t e r ,
t h e
s hu t t e r s c reen w i l l
b e k e p t
o p e n . B u t
i n s uc h c as e
t h e d i a l
o F S l o ' w S h u t t e r
has
to be k ep t
unde r s hu t t e r
s pbed
o F
|
125
s ec .
4 . T ime
Shut ter
:
To open the
shut ter
screen,
f
i x
"
T
" on the
Slow Shut ter
D ia l
a t the mark
( . )
and
push the
but ton .
To
c lose the shut ter screen jus t remove the d ia l From mark
"
T " to
s hu t t e r s peed
" l "
s ec ond .
B e w a r e i n
s u c h
c as e
the R ap i d
Shut ter D ia l has
to be
kept
f i xeC a t the
po in t
oF
t
I
z5
sec.
'1
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How
to
Use
Self-Timer
R em ov e
the
l ev e r
oF s e l f - t i m e r
t o
t h e d i r e c -
t i o n
a r row -m erk ed .
l t w i l l s t o p
a t a n y
pos i t i on .
V /hen
y ou
pus h
the
S t a r t e r
B u t t o n
to t he d i r ec t i on
a r row -m ark ed ,
t h e l e v e r
w i l l
s La r t
i t s m ov em en t
and ac t au tom a t i c a l l y
on
t h e
s h u t t e r .
W h e n
y ou
pus h
dow n
t he
l e v e r
t o
a deg ree oF
r i g h t
a n g l e ,
t h e n
t he
w o r k i n g
t i m e
o F
i t w i l l
b e a b o u t
B - 9 s e : o n d s
a n d a d e g r e e o F l - 3
t he
c o r res pond i ng
t i m e
w i l l be abou t 4 s ec onds ,
w hen
t h e
s h u t t e r
i s
t o be re l eas ed .
C o u p l e d
R a n g e
F i n d e r { r
Y i e w e r
Look i ng
th rough
the
f i n d e r
pus h
to rw a rd
o r bac k w a rd t he
l e n s
b a r r e l
by t u rn i ng i t b y m eans oF Foc us i ng
L e v e r u n t i l
t he
r o u n d
i m age
on
t he
r "nge f i nde r i n c en te r oF f i nde r
a nd
t h e
w h o l e
i m a g e
o n t i n d e r
w o u l d
c o i nc i de ,
w h i c h a re
s e e n
a t
t h e
ou t s e t
s epa ra te l y
o r
doub l y . C o i nc i denc e oF
thes e tw o
i m ages
m eans
a
r i g h t
f o c u s
oF ob j ec t i v es
a i m ed .
R em ov e t h i s v i s ua l a d -
j u s t e r
b y t u r n i n g
i t t o
t he
p o i n t
t h a t s u i t
t o
y o u r
v i s i b i l i t y , t h e n
i t
w i l l
h e l p
y o u
t o
l o o k
th rough
the f i nde r
m uc h eas i e r . Es pec i a l l y
t h i s dev i c e
i s
eF fec t i v e
t o
ey es f a r - s i gh teJ .
G)
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8/11/2019 Minolta 35 Color
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F l a s h
S y n c h r o n i z e r
.
P l eas e F i x t he
t e r m i n a l
oF
t h e c o r d t o
p l ug ,
t o
t h e r e d
po i n t
a l ong
t h e
d i r ec -
a r row -m ark ed .
p l eas e us e
F . P .
bu l bs , t he
bu l bs t o r
s h u t t e r s .
.
When
a S p ee d F l a s h
(an
e l ec t r i c d i s -
i s
us ed
:
m o k e
t h e
r e d
m a r k
" X "
o F t h e
S p e e d
D i a l
t o
c o i nc i de
w i t h t h e
'
.
' .
p u t
t h e
p o i n t
' 2 5 '
o F
t h e
H i g h
D i a l t o F i x
t o t he po i n t
a r row -m ark ed .
a l l
i s
n o w
m a d e
r e a d y
F o r
' X '
p o i n t
and i t w i l l be t l as h s y nc h ron i z ed
s hu t t e r s peed
o F 1
125
s ec . by us i ng
Speed
F l as h and a l s o
t h e
F l as h
S p e e d
be
u s e d
a t
s hu t t e r s peeds s l ow e r t han
s ec .
by s i m p l y t i x i ng i t t o t he
po i n t
' . ' .
Handling
of
Back
Cover
B a c k
C ov e r
L o c k
" O o e n "
a t t h e
oF t he c am era t o t he
po i n t
r ed
t h e n t h e B a c k
C ov e r w i l l
o p e n .
F i x t he Bac k
C ov e r aga i n ,
y ou
h a v e
to
the m agaz i ne
i ns i de i n r i gh t
pos i -
rew ind ing nozz le
must be kept
l eav e i t
upw a rd , o t he rw i s e t he
w i l l no t
be f i x ed
p r o p e r l y .
Interchange
of
Lenses
n
c as e
to i n t e r c hange
w i t h
v a r i ous t e l e -
l ens es ,
p l e a s e
t u r n t h e
l ens ba r re l
n
An t i - c l oc k -w i s e w uy
f o r a b o u t
t w o o r
t i m es , t hen t he
l e n s
w i l l
c om e oF t .
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Comple t ion
M aEaz i nes
fo r M i no l t a -3
5
C am era
a r e
c ons i s t ed
oF
A ,
B , &
C
i n
t h r e e p a r t s . P l eas e t am i l i a l i z e y o u r -
s e l F
w i t h
em p ty
m agaz i nes
w i t houL
t h e
f i l m
l o a d e d
i n s i d e .
As s how n
i n
d i e 3 r a : n
"
I
"
p u t
"
B " i n
"
C " ,
b e w a r i n g
n o t t o
p l a c e
" B "
i n
u p s i d e
d o w n .
A s s h o w n i n d i a g r a m
2 " &
"
3 "
pu t
' (
C
"
i n
"
A
" , p l ac i n3 eac h
w i ndow
oF
t h e , r
i n
s t r a i gh t und
t L r r n
" C "
i n a n t i - c l o c k - w i s e
w a y
un t i l i t
w i l l
be f i x ed
s tab l e
w i t h a
s ound
o F
"
T i c k
"
f r o m i t .
( O F
c o u r s e
the
s ound
"
T i c k
"
w i l l
o : c u r
e r r e n
by t u rn i ng i t i n c l oc k w i s e
w ay
b u t
i n
t h i s c a s e i t i s
a d v i s a b l e
t o
t u r n
i t
i n
an t i - c l oc k -w i s e w ay i n
o r d e r
t o
av o i d any i nc onv en i enc es
t h a t
m i gh t oc c u r aF te r
l oad i ng t he
t
t l m J
As s how n i n d i eg ram
"
4
"
t he
w i n d o w so F
" A "
f ) ' " C "
s h o u l d
c o i nc i de
eac h
o t h e r i n s t r a i g h t ,
o t he rw i s e t he s 3m e w i l l no t be
t i x ed
p r o p e r l y .
@
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F i l m
t o M " g a z i n e
As s how n
i n d i ag ram
"
|
"
pu t
t he
end oF f i l m t o s poo l
"
B
"
Fac i ng
em u l s i on s i de oF t he F i l , n i n s i de .
n c as e oF us i ng l ong f i l m , p l eas e
c uL
i t
i n abou t
|
. 6
m e te r s
( s
F t . )
i n l e n g t h
and
r o l l
up .
A s s h o * n
i n d i a g r a m
"
2
"
p u t
i t i n
"
C "
f r o m
" b "
s i d e o F
B .
I n s e r t i t
a s s ho ' w n
i n
d i ag ram
"
3
"
s o
d s t o
m ak e t he end oF f i l m no t
to prevenL smooth inser t ion . ln
s uc h c as e
i F t he
end oF
f i l m
w ou l d
ben t s l i 3h t l y ou tw a rd ,
i t
w i l l
be c on -
v en i en t Fo r
t he f o l l ow i ng
ac t i ons .
F r o m
the
abov em en t i oned
p o i n t
t h a t
w as benk , t he
e n d o F f i l m
w , i l l
c om e ou t
F r o m t h e
m agaz i ne ,
s o p u s h i n g i t a n d t u r n " C " i n
an t i - c l oc k -w i s e
W d y ,
t h e
s o u n d
"
T i c k
"
w i l l
be
hea rd
and
th e
m agaz i ne
w i ndow
w i l l
c l os e .
I n
c es e
w hen
t h e
t i l m be
i m pos s ib l e
t o
p u l l
i t
o u t f
r om
m agaz i ne ,
open
the
rv indow
by
turn ing
i t r i g h t o r l e F t p u s h i n g " C "
' s
k nob ,
t h e n
tu rn i ng
on l y t he
s poo l
" B "
i n an t i - c l oc k -w i s e w ay ,
t he
f i l m end
t h a t
w as
b e n t
w i l l
c om e ou t F rom the
w i nC ow , Then
p l e a s e
t a k e
ou t t he
f i l m and
t u r n -
i ng
"
C "
aga i n and
then f i x
i t a s
abov em en t i oned .
A
-
@
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l .
P l ac e
t h e
R ew i nd i ng
Lev e r
t o t h e
pos i t i on
o F
"
R
" .
( T h e n
F i l m
Wi nd i ng
K n o b
w i l l t u r n
f
r e e l y
t o
t h e
d i r ec t i on
a r row -m ark ed . )
2 .
O pen t he b ac k c ov e r .
l .
P u l l
up t he
R ew , i nd i ng
K n o b
an d
i n s e r t
i t
t r o m
the
b o t t o m
oF
m agu -
z i ne
a n d a t t a c h i t
t o t he
R ew i nd
S h a f
.
A s
s how n
i n
d i ag ram
( 3 )
i t
has
t o
be m ade s o as
to
m ak e
F i l m
c om e
out f rom center oF the rnagaz ine.
D i ag ram
( 4 )
s how s t ha t
i n
c as e
i F
ou t l e t oF t he f i l m
i s
one -s i ded
t h e
b a c k
c ov e r
w i l l no t
be c l os ed
ev en
t h o u g h
i t
m i gh t
b e
i ns e r t ed
o rc i b l y .
. Tu rn
the
F i m V / i nd i ng
Knob
an d
f i x
t he end oF
f i l m
f rom the
f
r o n t
s i d e
t o t h e
S p r i n g
C l i p .
5 . \ ( / i n d t h e W i n d i n g K n o b
s l ow l y
s o
as
t o
as c e r t a i n
w he the r
P e r F o r a -
t i o n o F
t h e
f i l m
has
w e l l
gea red
i n to t he
S p r o c k e t
G ea rs
and
c l o s e
the
Bac k C ov e r .
5 . R e t u r n
the
R ew i nd Lev e r
t o
t he
o r i g i na l
p o s i t i o n
f r o m t h e
pos i t i on
, , R " .
7 . Tu rn t he
F i l m Wi nd i ng
Knob t o t h e
pos i t i on
w he re i t
au tom a t i c a l l Y
s tops and
r e l e a s e t h e
s h u t t e r .
P lease
repeat
such ac t ion
for
two
o r
t h r e e
t i m es
and w i nC
u P
t o t h e
Tak e -up
S p o o l
a l l
t hos e f i l m ex -
pos ed
d u r i n g
s uc h
t r i a l
t i m e
o F
l o a d n g i t .
B .
T u r n
the
k nob
D i a l w i t h
t i n g e r
t he a r row
m a r k .
Counter
f i x O
a t
@
o n
t he
t i p s
a nd
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8/11/2019 Minolta 35 Color
15/20
4 .
l .
H o d c am era
f i r m l y
p res s i ng
o n
y o u r
f ac e i n o rde r
t o
p rev en t
i t f r om s hak i ng .
S /hen
y ou
re l eas e
s hu t t e r
a t
s hu t t e r
s peed s l ow e r
t h a n
|
125
s ec ond ,
p t e a s e
us e a
t r i p o d
o r
p l ac e
the
c am era
o n o r
p r e s s i n g
a l o n g
s om e th i ng
s tab l e ,
s o
a s t o k e e p i t t r o m
s hak i ng .
2 . W i n d
t h e F i l m
W i n d i n q
K n o b
u n t i l
t h e s a m e w i l l
a u t o m a t i -
c a l l y
s t op . The ro ta t i on oF
the
F i l m
R ew i nd i ng
Knob a t
t he
t i m e
w hen
y ou
w i nd
t h e
F i l m \X / i nd i ng
K n o b m e 3 n s
t h a t t h e t i l m i s b e i n g w o u n d .
3 . P l e a s e t u r n
t h a S h u t t e r S p e e d
D i a l
a n d f
i x
t h e
de te rm i ned
s
oeed .
T u r n
the
l r i s
S top R i ng
and
F i x
t h e
des i r ed
i r i s
d i aph ragm .
P I e a s e r e F e r
t o t he
r e l a t i v e
l i s t i n n e x t
page
fo r d i aph ragm
v e rs us
s hu t t e r s peeds .
Look i ng
th rough t he
f i n d e r
m ov e t he
Foc us i ng Lev e r un t i l
tw o i m ages
w i l l
c o i nc i de .
6 . P u s h the re l eas e b u t t o n s l ow l y bu t g radua l l y t i rm . D o no t
pus h
s t rong l y bec aus e
the
c a m e r a
w i l l
s hak e .
L i gh t
r hy s m i c a l
m o t i on oF
F o c a l P l a n e S h ut t e r
g i v es
a f i ne ex -
p o s u r e
o n
the
F i l m .
D e te rm i na t i on
o f Ex pos u re T i m es :
D e te rm i na t i on oF ex pos u re t i m e
i s t he m os t i m po r t a n t f ac to r
f o r
gene ra l
pho to
t a k i n g s .
l t
has
t o
be as c e r t a i nedu s u a l l y
unC e r
c a reFu l
c ons i de ra t i ons
o F
deg ree oF
l i gh t
av a i l ab l e ,
s eas on ,
t i m e ,
s ens i t i v enes s
o F
g rade
oF
f i l m
e t c . Bu t i t
be i ng too c om p l i c a ted t o ex p l a i n s i m p l y on
thes e
v a r i o u s
c om b i ned c ond i t i ons
to
the beg i nne rs ,
t he
s ho r t es t
c u t
f o r
t hem
w i l l be r a t he r r e l y on
us e oF ex pos u re
m e t e r s
a t
t he
beg i nn i ng
u n t i l
t h e y
c ou l d m as te r
t hem theo re t i c a l l y .
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8/11/2019 Minolta 35 Color
16/20
",
sh;;;";'i"""a,
F i gu res
eng rav ed
on
the
s u rFac e
oF l ens ba r re l s uc h
a s
2 . 8 ,
4 ,
5 . 6 ,
B ,
|
|
t 6
e t c . a r e
s i g n s s h o w i n g b r i g h t n e s s
o F
t h e
l e n s .
The s m a l l e r
t he
num be r oF t i g u res
m en t i oned
m eans he
w i de r
o F
d i a m e t e r
oF
the
l ens , v o l um e
oF l i gh t w ou l d
pas s
t h r o u g h .
O n
t h e
s uppos i t i on
t h a t
t o t a l
v o l um e
oF l i gh t t ha t
w ou l d
pas s
t h r o u g h
t h e
l e n s
u ' r d e r
a c o n d i t i o n o F
i r i s
d i a p h r a g mo F
F
z . B
a s t / t ,
t h e
c o r r e s p o n d i n g v o l u m e
o F
l ; g h t
u n d e r
i r i s
d i a p h r a g m
o F
F + w i l l
6 e t f z ,
F s . 6
t l + ,
F a t l B , F
t t l t 6
a n d
F t 6
1 1 3 2 ,
i . e . t h e
v o l um e oF
l i gh t
w i l l
b e l e s s b y a r a t i o o F
app rox i m a te l y one
doub l e -Fo l d .
Suppos i ng
a
v o l um e oF r i gh t
w ou l d
b e
j u s t
a p p r o -
p r i a t e
a t
s h u t t e r s p e e d
o F t / 5 o
s ec ond
unde r
F 8 , t h e si m i l a r
v o l um e
o F
l i gh t
w i l l r eac h
u p o n t h e
[ i l m s u rFac e
a t s hu t t e r s peed
o F t l
t o o u n d e r
F s . 6 o r I
l 2 o o
u n d e r F 4 .
D e p t h o f F o c u s
When
a
c e r t a i n s u b j e c t
i s f oc us ed ,
those
other than
the
f ixed ob jec t i ves
a round w i l l
a l s o be ac c u ra te l y Foc us ed
s i m u l t aneous l y . Th i s r ange oF
f o c u s
means
the
depth oF
focus .
The
d i a l s how r r
l eF t i s a
s i m p l e
l i s t
fo r same.
A c c o r d i n g
t o t h i s l i s r ,
w hen
y o u
f
o c u s a
c e r t a i n s ub -
j e c t
I o c a -
t i n g
a t
a
d i s t anc e
o F
l o
f c e t a n d
I i x
t h e l e n s
u n d e r
i r i s
d i aph ragm
F
+ a l l
t hos e
ob j ec t i v es
i n
l oc a t i on be tw een
abou t B -12 f ee t w i l l
be ac c u ra te l y
oc us ed .
The
s m a l l e r
he
d i am e te r
oF
the i r i s d i aph ragm
oF
t he
l e n s
the c o r res pond i ng
d e p t h
oF
foc us
w i l l
be deepe r i n
d i s t anc e . I n t he l a t t e r
c as e , how ev e r ,
t h e t i m e
oF ex pos u re
hus
oF c ou rs e
to be m ade l onge r .
@
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R o ta t i on
oF F i l m
Wi nd i ng
K n o b
w i l l s t op au tom a t i c a l l y
w hen a l l
s ho t t i ngs
hav e been c om p l e ted .
t .
P l e a s e
r e p l a c e
R e w i n d i n g
L- -ver
to
the
pos i t ion
oF
"
R
" ,
2 . P i c k
up
the
R ew i nd i ng
Knob
and
turn
to the
d i rec t ion
u r r o
n r - m a r k e d .
The t i l m
w i l l
be w ound
i n
the
o r i g i na l
m agaz i ne .
As s oon as a l l t he
f i l m
has
b e e n
w ound
u p
i n
the m agaz i ne ,
y ou
w i l l Fee l
e
t
J
v s
v e r y
l i g h t
on
y ou r
w i nd i ng m o t i j : n ,
s o
y ou
c a n e a s i l y n o t i c e t h a t
a l l
has now been
w ound
up .
3 . O pen t he
bo t t om c ov e r and
t a k e o ut t h e
f i l m .
F o r M i n o l t a - 3 5 C a m e r a v a r i o u s
i n t e r c hangeab l e l ens es
s u i t i ng Fo r
a l l t he
p u r p o s e s
a re
f o r
y ou r
needs
s uc h
as
f o r
t ak i ng
p o r t r a i t s ,
c l os e -
u p
to d i s t an t t ak i ngs
oF boLan i c a l
and an i m a l i f e ,
s po r t s ebc . o r
w h i c h
w onde r f u l f ea tu res oF
R O KKO R
Lens es
w i l l
m ee t
w i t h
a l l o F
y ou r
s uc h requ i r em en ts . O F c ou rs e
they
a re i n t e r c hange :b l e t o
Le i c a
an d
oLhe r c am e ras and
w i l l
g i v e
to
a l l
t hos e
us e rs
the i r [ u l l s a t i s Fac t i ons .
Standard
Super
Rokkor
Coated
F z . A f : / r 5 m m .
W e i g h t ,
5 o u n c e s
( t s o g r m . )
L e n g t h , I . 5
i n c h e s
( 3 .
Bm . )
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8/11/2019 Minolta 35 Color
18/20
S u p e r R o k k o r C o a t e d
F
2 . 8 f : 8 5 m m
W e i g h t , | 3 o u n c e s ( r z o g r m . )
L e n g t h ,
3
i n c h e s
( 2 . 6
c m . )
Es pec i a l l y
a d a p t a b l e f o r
c l os e -up
p o r t r a i t s .
Ex c e l l en t
f o r
d i s t an t
s c enes .
C apac i t y
oF
a n g l e
r a n g e i s 2 6 0 .
I m a g e
t a k e n
i s
1 . 9
t i m es
t h a t o F
s tanda rd
l ens .
T e l e R o k k o r C o a t e d
F
5 . 6
f
: l l O m m
\ X / e i g h t ,
on l y
9 .5
ounc es
( z
z og rm . )
L e n g t h , 2 . 7 i n c h e s ( 6 . B c m . )
R e l a t i v e l y s m a l l
s i z e
a n d
l i g h t w e i g h t
t h i s l e n s
m a k e
i t a
s pec i a l
f a v o r i t e .
un i v e r s a l
dem and .
C apac i t y oF
a n g l e
2oo
.
l m age
tak en
i s
2
. 4
t i m es
t h a t
s t a n d a r d
l e n s .
T e l e
R o k
k o
r
C o a t e
d
F
4 f : l 3 5 m m
A| l t
f I t
'
n l {
l i l
tr J
--
w
|
,u
W e i g h t ,
l B . 5
o u n c c s
( s z o g r m . )
L e n g t h . 4 i n c h e s
( t o c m . )
l ' 1os t s u i t ab l e f o r d i s t . r n t s ub j ec t s an d
s c enes . V i r t ua l l y
t ak es
y ou r
c am era
i n to
the ac t i on f o r
s o o r t s h o t s .
C apac i t y
oF ang l e r ange
i s
|
7o . i m age
tak en
i s
3 t i m es
t h a t
oF
s t a n d a r d l e n s .
( D
w
n
o F
t n
t s
o F
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8/11/2019 Minolta 35 Color
19/20
In terchangeable
Lenses
Super
Rokkor
Coated
Tele Rokkor
Coated
Tele Rokkor
Coated
F
/
z.a
- '
8s
rnm
F ls .6
-
|
t omrn , ;
F l + .
-
t 3 5 m m
L e n s S h a d e :
Round
T yp . .
F i l t e r s :
3 Co lo r S e t
encased
n
fa n cv
ce l l u l o i d
case.
F las hU n i t :
Enlarger
M ino l t aB .C . Mode l
Mode l
E .
" P e n n a n t "
6 X 6
en larg ing ens
"
E.
7
5mm.
& M i n o l t a P e n l i t e
Model
f i t ted
wi th
Rokkor
"
5omm or-
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8/11/2019 Minolta 35 Color
20/20
iu ,
o i i
\ JO
: "
I f n. i o
9