Download - iseyear1-2017.weebly.com · Web viewBut while Monet depicted a specific place, Renoir was concerned with the general depiction of a Sunday atmosphere: two elegant young ladies are

Outline1. In the paintings by Renoir, there is always a strong sense of happiness and nature.

1. topics, focus

Title:

the style Painting

Source:

"RENOIR'S MASTERPIECE." The American Magazine of Art, vol. 15, no. 2, Feb. 1924, pp. 64-66. JSTOR, www.jstor.org/stable/23928398. Accessed 18 Nov. 2016.

Pages:

65

Direct Quote:

This great picture, Renoir's masterpiece, expresses this joy of living. The artist seemed to feel that he was at the crest of his power, and so chose to paint in large and sumptuous style-a style of his own-the beauty of the material world, the pleasure of the passing hour, doing honor to his friends contemporaries much in the same way as, but very differently from, the Renaissance painter.

Paraphrase:

express the happiness in this world

use a style of his own, splendid style of paint

different form the Renaissance style -classical

History:

Created: 11/22/2016 08:03 PM

Title:

Difference

Source:

Elger, Dietmar. Modern Art. Köln, Taschen, 2016.

Pages:

42

Direct Quote:

But while Monet depicted a specific place, Renoir was concerned with the general depiction of a Sunday atmosphere: two elegant young ladies are having themselves boated down the Seine on a bright Sunday.

Paraphrase:

Monet and Renoir had similar paintings about the scenes on the Senie, but with very different approach. Monet generally depict the place and the river, and on the other hand, Renoir are more concerned with the relaxing surroundings and feelings of the Sunday afternoon.

History:

Created: 12/02/2016 12:21 PM

Title:

What is Le Dejeuner Des Canotiers about

Source:


Pages:

64

Direct Quote:

The picture represents a group of artist, their wives and one or two models after luncheon on the Balcony of a small hotel overlooking the Seine. They are the artist's friend.

Paraphrase:

The painting includes many artist and their wives and a few models. They are all Renoir's friend, and they are enjoying themselves after a lunch party at the balcony of a hotel.

History:

Created: 11/22/2016 07:48 PM

Title:

Scene, movements and life

Source:


Pages:

65

Direct Quote:

No other work by Renoir could communicate so powerfully the sense of life and movement not only in the scene itself but in the scene itself but in the mind of the painter working with the scene.

History:

Created: 11/22/2016 08:41 PM

Title:

Themes in his Paintings

Source:


Pages:

65

Direct Quote:

The late James Huneker said of him: "He is a painter of joyous surfaces, and he is an incorrigible optimist. He is also a poet - a poet of air, sunshine a beautiful women... The simple gesture of daily life have been recorded by Renoir for the past forty years with a fidelity and a vitality that shames the anaemic imaginings and pessimism of his younger contemporaries... Wherever a Renoir hangs there will be eyes to feast upon his opulent and sonorous color music.

History:

Created: 11/22/2016 08:50 PM

Title:

Painting Method

Source:

Pool, Phoebe. Impressionism. London, Thames & Hudson, 1967.

Pages:

156

Direct Quote:

He used the effect produced by dappled light striking through trees on a summer's afternoon or night. Both works show Renoir's great talent for unifying and giving a flowing rhythm to a large number of figures.

Paraphrase:

In many of his great works, he use the the effect of light passing through the leaves. Many of these works display Renoir's great gift of bring together and giving a great pattern to his work that have a large numbers of people.

History:

Created: 11/21/2016 09:17 PM

Title:

life and art

Source:

Goodrich, Lloyd. "Renoir." The Metropolitan Museum of Art Bulletin, vol. 32, no. 7, 1937, pp. 178-80. JSTOR, www.jstor.org/stable/3255077. Accessed 18 Nov. 2016.

Pages:

178

Direct Quote:

It was a large and generous art, affirmative, saying yes to life. It had a sweetness that never become oversweet, because it was always alive and fresh, with freshness of flowers and fruit and the things of nature.

Paraphrase:

In all of his paintings, there is a sense of happiness and optimism toward life. From his point of view, life is always full of life and sweetness from the nature.

History:

Created: 12/01/2016 11:30 AM

Title:

Form, Creation

Source:


Pages:

179

Direct Quote:

What he created was all pure form; it was not a dull copy of nature but an original plastic creation, based on nature facts but using them with the utmost freedom,

Paraphrase:

All of a his paintings are in their true form; it is more than a copy of nature, but a new creation based on truths in nature but in the most free form.

History:

Created: 12/01/2016 09:59 PM

colors

Title:

colors and shades

Source:


Pages:

30

Direct Quote:

I look at a naked body and see innumerable tiny color shades. I have to find those that bring the flesh to life and vibrancy on my canvas.

Renoir talking about his nudes

History:

Created: 12/05/2016 11:04 AM

Title:

Themes in his Paintings

Source:


Pages:

65

Direct Quote:

The late James Huneker said of him: "He is a painter of joyous surfaces, and he is an incorrigible optimist. He is also a poet - a poet of air, sunshine a beautiful woman... The simple gesture of daily life has been recorded by Renoir for the past forty years with a fidelity and a vitality that shames the anaemic imaginings and pessimism of his younger contemporaries... Wherever a Renoir hangs there will be eyes to feast upon his opulent and sonorous color music.

History:

Created: 11/22/2016 08:50 PM

Title:

colors in his paintings

Source:

Morrison, Morrison. "Auguste Renoir, Impressionist." Brush and Pencil, vol. 17, no. 5, 1906, pp. 197-213. JSTOR, www.jstor.org/stable/25503999. Accessed 30 Nov. 2016.

Pages:

204

Direct Quote:

In a word, in these oddities-many of which are remarkable of their beauty-he is neither realist nor idealist, nor is he insistent on taste or sanity. He simple strives for harmonies and the greater the element of novelty he can introduce the better it suits him - pink, crushed strawberry, lemon, viridian, the whole gamut of fade-shades of off-tinis.

Paraphrase:

Renoir is neither an artist that focused on the realistic aspect of the painting or making it ideal. He only focused on making his painting peaceful and harmonious as well as creativities in his paintings.

History:

Created: 12/07/2016 11:41 AM

Title:

works with light

Source:

Rewald, John. The History of Impressionism. 4th ed., New York, Museum of Modern Art, 1973.

Pages:

386

Direct Quote:

In these works and in other painted at this time, Renoir showed himself preoccupied with a special problem. Placing his models under trees, so that they were sprinkled with spots of light falling through the foliage, he studied the strange effects of green reflections and luminous speckles on their faces, dresses or nude bodies. His models thus became merely media for the representation of curious and momentary effects of light and shadow which dissolved forms and offered to observer the gay and capricious spectacle of dancing light.

Paraphrase:

In many works by Renoir, he placed his subjects under the tree and focused on the effects of light passing through the leaves that reflected or landed on the body of the subject. Thus, his subjects become a thing that would represent the lively effects of dancing light and shades which changed the form of the subject and made it more lively and vivid.

History:

Created: 12/08/2016 11:03 AM

Title:

Colorist

Source:


Pages:

178

Direct Quote:

He was one of the greatest colorists in modern painting.

History:

Created: 12/01/2016 09:11 PM

Title:

Colors

Source:


Pages:

178

Direct Quote:

His color was at once rich and brilliant, extraordinary in its variety, ranging from the subtlest nuances of muted color to an almost barbaric force. It reaches the utmost in sensuous magnificence, but always remained deliciously fresh, never cloying.

Paraphrase:

Renoir's color have a great variety, from the most subtle changes to a strong force. It would give the best experience to you senses, but the colors are always clear and new, never become annoying.

History:

Created: 12/01/2016 09:12 PM

attitude toward life and his special personality

Title:

Why happy and life

Source:


Pages:

43

Direct Quote:

"For me a picture must always be something lovable, pleasurable, and pretty, yes, something pretty. There are enough unpleasant things in the world; we do not have to produce any more."

- Pierre-Auguste Renoir

History:

Created: 12/04/2016 08:48 PM

Title:

Feelings

Source:


Pages:

42

Direct Quote:

It is impossible to overlook the decorative aspect in Renoir's pictures: sunny, luminous harmonies full of a lust of life, one long "Sunday".

Paraphrase:

Renoir's painting have high artistic and decorative value because it is always bright, full of sunlight and life, just like a long "Sunday".

History:

Created: 12/04/2016 08:43 PM

Title:

His personality

Source:


Pages:

178

Direct Quote:

In Renoir's temperament there was a strain of naiveté, such as many great artists have possessed - a quality of perennial sensitiveness and wonder that saved him from becoming too much used to things, that kept him always young and alive and permitted him to say elemental truths with a large simplicity

Paraphrase:

In his personality, there was always quick reactions to things and happiness that kept him fresh and young and allowed him to say heavy facts easily.

History:

Created: 12/01/2016 09:10 PM

Title:

happiness

Source:

Ripoelle, Christopher. "Renoir: The Great Bathers." Philadelphia Museum of Art Bulletin, vol. 86, no. 367/368, 1990, pp. 5-40. JSTOR, www.jstor.org/stable/3795369. Accessed 17 Nov. 2016.

Pages:

5

Direct Quote:

His entire life and work are a single lesson in happiness.

art critic Mirbeau

History:

Created: 12/05/2016 11:29 AM

Although Renoir is known as an outstanding Impressionist artist, he was also different from many of them

focus on human figures

Title:

interest in nudes

Source:


Pages:

6

Direct Quote:

With the exception of Edgar Degas, Renoir was unique among his Impressionist colleagues in the interest he showed throughout his careers in painting the female nude.

Paraphrase:

Renoir and Degas are the only artist that showed an special interest in painting the naked females throughout their career.

History:

Created: 12/05/2016 11:37 AM

Title:

different approach to female beauty

Source:

Allen, Josephine L. "Paintings by Renoir." The Metropolitan Museum of Art Bulletin, vol. 32, no. 5, 1937, pp. 107-14. JSTOR, www.jstor.org/stable/3255410. Accessed 30 Nov. 2016.

Pages:

110

Direct Quote:

Like Watteau and Fragonard, Renoir carried on the tradition of celebrating the beauty and charm of the French women, but he embodied her piquant fragrance in a nineteenth century form that in no way resembles its predecessors.

Paraphrase:

Like many earlier French artist, Renoir follow the tradition of honoring the elegance of women, but he embraced their beauty in a style of the 19th century that was completely different form the painters before him.

History:

Created: 12/06/2016 10:39 AM

Title:

Style of Renoir

Source:


Pages:

151

Direct Quote:

Renoir, unlike Pissarro, was never so overwhelmed by the forcible genius of Monet as to lost his personal identity.

History:

Created: 11/21/2016 08:39 PM

Title:

good things in life different

Source:


Pages:

202

Direct Quote:

It has neither the nervous veracity of Manet, nor the bitterness of Degas who both love their epoch and find it interesting without idealizing it, and who have the vision of psychologist novelists. ...He sees the gaiety of Sundays, the flashes of the sun, the oddity of a crowd carried away by the rhythm of the waltz, the laughter, the clicking of glasses, the vibrating and hot atmosphere; and he applies to this spectacle of joyous vulgarity his gift as a sumptuous colorist, the arabesque of lines, the gracefulness of his bathers and the happy eurhythmy of his soul. The straw hat are change into gold, the blue jacket are sapphires, and out of exact realism is born a poem of light--the product of his poetic vision and treatment.

Paraphrase:

Rather, rather than the bitter and cold approach of his fellow impressionist of noting down what they see as nature without changing it, saw the happiness and sweetness in life, and he used his gift as a great painter with lines and colors and optimistic in his personality to put down all the happiness he found in life. In his paintings, most normal things turned into treasures from realism with his special touch of light create paintings of his poetic viewpoint and style of paintings.

History:

Created: 12/07/2016 10:55 AM

Title:

women in his paintings.

Source:

Philippi, Desa. "Desiring Renoir: Fantasy and Spectacle at the Hayward." Oxford Art Journal, vol. 8, no. 2, 1985, pp. 16-20. JSTOR, www.jstor.org/stable/1360399. Accessed 29 Nov. 2016.

Direct Quote:

Thus, the representation of women in Renoir's work is invested with a claim to truthfulness in their depiction of an 'eternal order'.

Paraphrase:

The representation of women in Renoir's painting is aimed to depict truth and eternal order.

History:

Created: 12/07/2016 09:21 PM

Title:

his subjects

Source:

Greenberg, Susan G. "The Face of Impressionism in 1870: Claude Monet's 'Camille on the Beach at Trouville'." Yale University Art Gallery Bulletin, 2001, pp. 66-73. JSTOR, www.jstor.org/stable/40514596. Accessed 17 Nov. 2016.

Pages:

178

Direct Quote:

He was preeminently a painter of women, and in his pictures of them he combined a happy sensuousness with the utmost delicacy and, reminiscent.

Paraphrase:

He is known for the women that he painted. In his pictures of them, Renoir mixed with happiness and the greatest sense of beauty which made people recall afterwards.

History:

Created: 12/01/2016 09:19 PM

Title:

Difference

Source:


Pages:

42

Direct Quote:

But while Monet depicted a specific place, Renoir was concerned with the general depiction of a Sunday atmosphere: two elegant young ladies are having themselves boated down the Seine on a bright Sunday.

Paraphrase:

Monet and Renoir had similar paintings about the scenes on the Senie, but with very different approach. Monet generally depict the place and the river, and on the other hand, Renoir are more concerned with the relaxing surroundings and feelings of the Sunday afternoon.

History:

Created: 12/02/2016 12:21 PM

admitted by the Salon

Title:

achievements

Source:


Direct Quote:

After 1883 he ceased to exhibit at the Salon except in the year 1890. In 1904 he was honored by the autumn Salon by having a whole gallery set aside for him. "The hour of justice," though long in coming, had at last arrived.

Paraphrase:

Even though he never exhibited in the Salon after 1883 except in 1890, Renoir was credited by the autumn Salon and have a entire gallery for him.

History:

Created: 11/22/2016 08:54 PM

Title:

Relationship with the Group

Source:


Pages:

157

Direct Quote:

In 1878 one of his painting, The Cup of Coffee, was accepted by the Salon after that he submitted other pictures there and did not participate in the fourth, fifth and sixth Impressionist exhibitions in 1879, 1880, and 1881.

Paraphrase:

After his painting The Cup of Coffee was accepted by the Salon, he submit more pictures to the Salon and didn't participate in the fourth, fifth and sixth, Impressionist exhibition.

My Ideas:

Impressionist really against Salon - classical paintings

History:

Created: 11/21/2016 09:48 PM

Changes in style

Title:

Changes in style (Umbrellas)

Source:

Roy, Ashok, et al. "Renoir's 'Umbrellas' Unfurled Again." National Gallery Technical Bulletin, vols. 33 (2012), pp. 73-81. JSTOR, www.jstor.org/stable/42616275. Accessed 16 Nov. 2016.

Pages:

73-79

Paraphrase:

It was well known that the painting Umbrellas by Renoir was done in two different stages: the first one around 1881 and the second one around 1885. New discovery made by X ray imaging shows the changes the artist made during the two stages. The two layers of paint shows dramatic stylistic change that Renoir underwent in the mid-1880s. He knew that later specialist would realize those subtle changes, but he choosed to keep them that way.

History:

Created: 12/06/2016 08:09 PM

Title:

His later style

Source:


Pages:

179

Direct Quote:

His style had matured; from now on he paid less attention to the temporary effect, to naturalistic light and shade, to all that Impressionism had stood for _ more to the solid and permanent qualities.

Paraphrase:

As he grew older, he cared less about the effects that the Impressionist stand upon but more to the nature qualities of the subject.

History:

Created: 12/01/2016 09:29 PM

advanced in skill

Title:

variety in his work

Direct Quote:

Five bronze sculptures, dating about 1914-1916 have been added to this exhibition to show the variety of Renoir's work. As the painter's hand were crippled, the modeling was done under his direction by a young sculptor named Gunion, who has contrived with remarkable intelligence to transmute the spirit of Renoir’s paintings into three-dimensional form.

Paraphrase:

Five bronze sculptures was made between 1914 and 1916 under the instructions of Renoir. After the artist hand was crippled, the modeling was down by a talented young sculptor named Gunion who helped the artist to transform his ideas into a three-dimensional form.

History:

Created: 12/06/2016 11:23 AM

Title:

Painting Method

Source:


Pages:

156

Direct Quote:

He used the effect produced by dappled light striking through trees on a summer's afternoon or night. Both works show Renoir's great talent for unifying and giving a flowing rhythm to a large number of figures.

Paraphrase:

In many of his great works, he uses the effect of light passing through the leaves. Many of these works display Renoir's great gift of being together and giving a great pattern to his work that have a large numbers of people.

History:

Created: 11/21/2016 09:17 PM

Title:

finess

Source:


Direct Quote:

He, doubtless, more than any other member of the school, has furnished material for the scoffer at Impressionism, since he has offered canvas after canvas of trivial character and thin, discordant color; but, on the other hand, he had produced now and again miracles of finesse that compare favorably with the very best performance of the world's masters.

Paraphrase:

He definitely created material for mockers of Impressionist because of the way he paint, but he also created paintings that are so fine that it could compare with the world's very best artist.

History:

Created: 12/07/2016 08:53 PM

Title:

Aspects in his paintings

Source:


Pages:

65

Direct Quote:

It shows that the shutters had been thrown wide open and that the painter had acquired the power of interpreting the outdoor world. It shows also that he had the ability to interpret life and was interested in life as well as in the technique painting.

Paraphrase:

The social and outside scene in this painting presents that the painter can interpret life, the outdoor world, and life and could show them in his paintings.

History:

Created: 11/22/2016 08:44 PM

Title:

Scene, movements and life

Source:


Pages:

65

Direct Quote:

No other work by Renoir could communicate so powerfully the sense of life and movement not only in the scene itself but in the scene itself but in the mind of the painter working with the scene.

History:

Created: 11/22/2016 08:41 PM

Title:

Good At

Source:


Pages:

152

Direct Quote:

He was in many ways the most instinctively professional painter of the whole group, with a light, sweeping, feathery brush-stroke and greater delicacy and rhythmic unity than Pissarro or even Monet. This showed to particular advantage in his rendering of shimmering light or delicate young skin.

Paraphrase:

In any aspects, Renoir was the most skilled painter in the impressionist group. He use loose, soft brush-stroke and more tenderness and patter unity than many of the prominent artists of the group. These special painting styles get him advantage when he was painting light and skin of young women.

History:

Created: 11/21/2016 08:42 PM

He is also a nice man in his personal life, and painting had always been a important part of his life.

hardships in early art career

Title:

hard times

Source:


Pages:

21

Direct Quote:

One has only to think about how Renoir gathered the paint tubes thrown away by other students and how Monet and Pissarro scraped off the paint from finished pictures in order to use the canvas a second time.

Paraphrase:

During the hard days, Renoir collected the paint tubes used by other students to use the paint left, and Monet and Pissarro scraped away their finished work so that they can reuse the canvas.

History:

Created: 12/04/2016 09:24 PM

illness never knock him down

Title:

Happiness when illed

Source:


Pages:

5

Direct Quote:

In 1962 Renoir's son Jean published a best-selling memoir that depicts that artist in old age, hands gnarled with pain by unable to stop painting lovely, spontaneous images, all the while pronouncing wise and humble pearls of Gallic wisdom.

Paraphrase:

In the memoir published by Renoir's son, he recalled that even during the time his father's hand was deformed with pain due to illness, he still continuous produce lovely and lively image depicting the positivities of life.

History:

Created: 12/05/2016 11:31 AM

Title:

painting flowers

Source:


Pages:

180

Direct Quote:

When he was an elderly man, lying in a hospital waiting to be operated on, he sent his wife out to get canvas and brushes and painted the flowers friends had sent him, was taken to the operating room.

Paraphrase:

Even when he was waiting to be operated in a hospital, he asked his wife to bring him canvas and brushes, and he painted flowers that his friends had sent him until he entered the operating room.

History:

Created: 12/01/2016 10:05 PM

Title:

never give up painting

Source:


Pages:

180

Direct Quote:

His hands became so twisted that he could not hold a brush and he had to have his brushes tied to his fingers. But he never for a day gave up painting.

Paraphrase:

During his late days, his hand became so deformed that he had to tied his brushes to his hand to continue painting.

History:

Created: 12/01/2016 10:12 PM

nice man

Title:

Nice man

Direct Quote:

Degas, his contemporary, is comparable in that he painted everyday Parisian women, but Degas at times sharing with the Impressionists and at times holding himself aloof from them, seems also hold himself aloof from his subjects. Undoubtedly an abler draughtsman than Renoir, he viewed his models critically and coldly; they appear to be either unaware of the artist of frankly posing for hire. On the other hand, Renoir's friendly understanding established a sympathy between himself and his models which is visible in his canvas. He let the little dress makers and models chatter about their

romantic adventures while they posed. The liveliness of their expression is often a great part of their beauty.

Paraphrase:

Renoir is not only known for his great art skills and paintings; he is also a great man. Compared with Degas, another Impressionist painter, he treated his models as friends rather than people he hired. He let them gossiped and chatted with dressmakers and established close relationships with them. The lively expression was viewed by Renoir as part of their beauty.

History:

Created: 12/05/2016 09:23 PM

Title:

Characters in the paintings.

Source:


Pages:

405

Direct Quote:

opposite the future Mme Renoir, who holds a little dog, appears Caillebotte, seated backward on a chair; next to....

Paraphrase:

Many of his friends appeared in his paintings, and they also pose for him. Monet, a fellow Impressionist also appeared in his painting as an artist working in Renoir's garden.

History:

Created: 12/08/2016 11:39 AM

As one of early members of the Impressionist movement, Renoir also have his unique philosophy and ideal toward art.

pioneer impressionist

Title:

subjects people in their everyday life

Source:


Pages:

112

Direct Quote:

Renoir delighted in depicting people in their everyday surroundings and occupations.

Paraphrase:

Renoir love to paint people in their everyday life. He painted Monet, a fellow impressionist, painting in his garden; a lovely lady playing the piano; the young lady arranging her ear rings and more.

History:

Created: 12/06/2016 10:56 AM

Title:

subjects

Source:


Pages:

109

Direct Quote:

To the studies of the true effect of sunlight on colors which engaged the attention of the group who from 1874 were called Impressionists, Renoir added an element of interest in human being which distinguish him from the rest.

Paraphrase:

In the group of Impressionist who focused on the effect of sunlight, Renoir's interest in human subject made him unique in the group.

History:

Created: 12/05/2016 09:21 PM

Title:

no rules, no secrets

Source:


Pages:

17

Direct Quote:

I have neither rules nor methods. Anyone can come and look at what I use, or watch my painting - they'll see that I have no secrets.

Renoir

History:

Created: 12/04/2016 09:12 PM

Title:

Nature

Source:


Pages:

151

Direct Quote:

For the others, however, it was partly because they came to realize that they were not merely transcribing nature (which camera could do better), but epitomizing and abstracting from what they see, that they found themselves in a stylistic impasse eventually opened the way too many new development.

Paraphrase:

For impressionist artist, they are not only showing nature in their paintings, but summarizing and abstracting from what they perceive this new method and style of painting lead to many other future developments in art history.

History:

Created: 11/21/2016 10:42 AM

Title:

colors and light in Impressionism

Source:


Pages:

30

Direct Quote:

Inseparable from the creative concerns of Impressionism is its treatment of color and light. The fact that shapes, contours and lines played a relatively subordinate role was one of the innovations...

Paraphrase:

One of the most important aspect of the style of the Impressionist are their ways to paint color and light. As a result shapes, contours and lines acted as a support to the colors. It is a great innovation in art history, but it also shocked many people of the time.

History:

Created: 12/05/2016 11:10 AM

Title:

Different Subject

Source:

Greenberg, Susan G. "The Face of Impressionism in 1870: Claude Monet's 'Camille on the Beach at Trouville'." Yale University Art Gallery Bulletin, 2001, pp. 66-73. JSTOR, www.jstor.org/stable/40514596. Accessed 17 Nov. 2016.

Direct Quote:

"Such lively everyday scenes offered a fresh alternative to traditional subjects of history and religion."

History:

Created: 11/15/2016 08:29 PM

rebell against the rigid art forms

Title:

friendship ties them together

Source:


Pages:

18

Direct Quote:

The special thing about the Impressionist movement is that the artists who comprised the group were bound by ties of friendship. Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Alfred Sisley and Camille Pissarro worked and lived together, they suffered jointly during the years that their art was ignored and joined forces to organize their own exhibitions and thus combat their constant exclusion from the annual exhibitions held by the French Academy.

Paraphrase:

The special thing about the Impressionist movement is that many of the artist in the group are bound together by great ties of friendship. Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Alfred Sisley and Camille Pissarro painted and lived together during the time when their artwork is rejected and ignored by the public. They suffered together through financial crisis and rebel together toward the fact that their work can't enter the Salon.

History:

Created: 12/04/2016 09:19 PM

Title:

influence

Source:


Pages:

17

Direct Quote:

They influenced not only other artists worldwide, but showed the bourgeois society of their age a new, modern way of painting and of seeing.

Paraphrase:

The Impressionist not only affected the way artists work worldwide but also shown the upper-class a new and modern way of painting and viewing the world around them.

History:

Created: 12/04/2016 09:14 PM

Title:

subjects changes

Source:


Pages:

28

Direct Quote:

These are scenes and figures of modern everyday life as opposed to the depictions from classical or mythological stories such as form the stock-in-trade of traditional art unit the end of the 19th century. Workers and prostitutes, passers-by in the street of hosts in the cafe - Impressionists were the first to regard such people as art worthy.

Paraphrase:

Impressionist worked on the scenes in everyday life rather than the old, traditional figures in history or religious stories. They painted the life of middle or lower class people in ordinary places and regard those ordinary things as art worthy.

History:

Created: 12/05/2016 10:37 AM

Title:

works with light

Source:

Rewald, John. The History of Impressionism. 4th ed., New York, Museum of Modern Art, 1973.

Pages:

386

Direct Quote:

In these works and in other painted at this time, Renoir showed himself preoccupied with a special problem. Placing his models under trees, so that they were sprinkled with spots of light falling through the foliage, he studied the strange effects of green reflections and luminous speckles on their faces, dresses or nude bodies. His models thus became merely media for the representation of curious and momentary effects of light and shadow which dissolved forms and offered to observer the gay and capricious spectacle of dancing light.

Paraphrase:

In many works by Renoir, he placed his subjects under the tree and focused on the effects of light passing through the leaves that reflected or landed on the body of the subject. Thus, his subjects become a thing that would represent the lively effects of dancing light and shades which changed the form of the subject and made it more lively and vivid.

History:

Created: 12/08/2016 11:03 AM

Title:

idea of impressionism

Source:


Direct Quote:

Rebelling against it, these young men turned to the everyday life around them. They went outdoors and painted direct from nature, rediscovering sunlight and air. The dark indoor tones of the old school they replaced with such brilliant colors as painting had not known for generations. Instead of the unchanging light of the studio, they captured the ever changing effects of nature.

Paraphrase:

To fight against the academic style of the Salon, the young painters paint everyday scenes instead of religious and historical stories. The use bright colors in paintings had gone for years due to the dark indoor studio of the academic world. The young artist walked into everyday life and captured the diversified colors of nature and put them down on their canvas.

History:

Created: 12/01/2016 11:06 AM

Introduction and conclusion

Title:

Renoir, the Greatest Artist.

Source:


Direct Quote:

Pierre Auguste Renoir... was the greatest of the French Impressionists, and one of the greatest artists that France has ever produced.

History:

Created: 12/01/2016 11:04 AM

Title:

His idea-Conclusion

Source:

Garb, Tamar. "Renoir and the Natural Woman." Oxford Art Journal, vol. 8, no. 2, 1985, pp. 3-15. JSTOR, www.jstor.org/stable/1360398. Accessed 17 Nov. 2016.

Pages:

7

Direct Quote:

"when women were slaves they were really mistresses. Now have begun to have rights, they are losing their importance. When they become men's equal they will really be slaves."

History:

Created: 11/17/2016 10:48 PM

Download - iseyear1-2017.weebly.com · Web viewBut while Monet depicted a specific place, Renoir was concerned with the general depiction of a Sunday atmosphere: two elegant young ladies are

Top Related