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Illinois State University Illinois State University
ISU ReD: Research and eData ISU ReD: Research and eData
School of Music Programs Music
2-28-2008
Gold Series:Illinois State University Symphony Orchestra Gold Series:Illinois State University Symphony Orchestra
School of Music Illinois State University
Follow this and additional works at: https://ir.library.illinoisstate.edu/somp
Part of the Music Performance Commons
Recommended Citation Recommended Citation School of Music, "Gold Series:Illinois State University Symphony Orchestra" (2008). School of Music Programs. 3283. https://ir.library.illinoisstate.edu/somp/3283
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.Illinois State Llniversit.'J
ICollege off ine Arts School otMusic
I I Gold Series: I Illinois State Llniversit_y S_ymphon_y Orchestra
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featuring
Concert Choir and
Concerto Aria Competition Winners
Kar~I Carlson, Director'of Choral Activities and
/nterim Music Director for 53mphon3 Orchestra
Centertorthe f' ertormingArts F ebrua'::I 28, 2008
Thursda9 Cvening
8:00 p.m.
This is the one hundred and tirst program of the 2007-2008 season.
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frogram I fl ease turn ot+ cell phones a nd pagers tor the duration ot the concert. Thank.Yo u. I
Kathr~n Kerr, Assistant /nstructional f'rofessor of Engl,-sh,
Fem Hill (1960)
D~lan Thomas a nd his poem Fern Hill I
Concert Choir, ISU 5.':)mphon.':J Orchestra
Kassandra Krause & Sarah Kaminsk.':J, soloists
John Corigliano (born 19381
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* * * * l)rief F ause * * * * I I from Tuba Concerto
Lullaby James Bamesl
(born 1949)
Concerto/ Ana Competition Honorable Mention
Humberto f\ivera , tuba I fl From The Old Maid and the Thie/(1939)
Steal Me, Sweet Thief
from Concerto (1948) Movement2
Concerto/ Ana Competition Winner
Kristin White, sorrano
Concerto/ Ana Competition Winner
Dorian Jackman, double bass
* • • * l)rief Fa use****
Gian Carlo Menotti (born 1911)
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Eduard Tubinl (1905-1982)
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I I Russian Easter Overture, Op. 36 Niko lay Rimsky-Korsakov I
( 1844-1908)
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Fern Hill
Text
Dylan Thomas
Now as I was young and easy under the apple boughs· About the lilting house and happy as the grass was green,
The night above the dingle starry, Time let me hail and climb
Golden in the heydays of his e)es, And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves Trail with daisies and barley
Down the rivers of the windfall light
And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home,
In the sun that is young once only, Time let me play and be
Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly
In the pebbles of the holy streams.
All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery And fire green as grass.
Arid nightly under the simple stars As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses
Flashing into the dark.
And then to awake, and the farm, like a wanderer white With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden, The sky gathered agail
And the sun grew round that very day. So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm Out of the whinnying green st:ille
On to the fields of praise.
And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long,
In the sun born over and over, I ran my heedless ways,
My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs Before the children green and golden
Follow him out of grace.
Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by tre shadow ofmy hand,
In the moon that is always rising, Nor that riding to sleep
I should hear him fly with the high fields
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And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means,
Time held me green and dying Though I sang in my chains I ike the sea.
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f rogram Notes ~~ I This 1960 composition by John Corigliano is the second movement ofthe Dylan Thomas Trilogy. It c
be described as an oratorio of melancholy and colorful memories. John Corigliano has received several Grammy awards and a Pulitzer Prize (I 991) for Symphony No. I. He won an Academy Award in 1997 for his score for the film The Red Violin. Corigliano currently serves on the faculty at the Julliar I School.
Russian Easter Overture: One hundred and twenty years ago, in 1888, Nicolay Rimsky-Korsakov produced two of his best known and most loved works. One was Sheherezade, the story of an infamou biblical temptress. The other was an overture, Svediy prazdnik or Russian Easter Festival, which is 1I I evocation of the great Russian orthodox celebration of the resurrection. j
The themes of the overture are drawn from the Obikhad, a volume of Russian-orthodox canticles. Rimsky-Korsakov felt that only those who had attended an Easter Mass at a great Russian cathedrall I would be able to truly appreciate the music. The enthusiastic response it has received over the year'IJ proves that it has universal appeal.
These two pieces are Rimsky-Korsakov's last major works in the purely orchestral medium, and in h1· I autobiography he ex.presses his belief that they were his finest works in a distinctly Russian style. Late that year he encountered the music of Richard Wagner, and his style, like that of many other composer was altered considerably by Wagner's powerful influence.
Rimsky-Korsakov was one of a group of five composers known as the Moguchaya Kuchka, or "Might I Handful." He and his comrades: Modest Musorgsky, Mily Balakirev, Alexander Borodin and Cesar Cui were also known simply as The Five. At a time when national styles were becoming preeminent, their creations were the embodiment of Russian nationalism in music. '
About the Artists .... I I Humberto Carlo Rivera Del Valle was born in Humacao Puerto Rico began his musical studies at thl age of eleven. Studied his Bachelor in Music with a concentration in tuba performance and a minor i voice in the Conservatory of Music of Puerto Rico. At the moment he is studying his Master Degree in Tuba. For the past six years has been the principal tuba of the Festival of the Young Orchestra of thel Americas. Humberto is a founder member of the Borinquen Brass Quintet and the Gravissimo Tub Quartet, ensemble with which has presented concerts in Costa Rica and Panama. \
Dorian Jackman, a native of Billings Montana, will complete his studies at Illinois State University this May, earning a Bacheiors degree in Music Performance. Recently, he has studied with Dr. Willial Koehler, Lawrence Hurst, and Jack Budrow. For the past three summers, Dorian has worked as a cabi counselor and studied privately at the Interlochen Center for the Arts in Michigan. He currently perform regularly with the Peoria Symphony and Illinois Symphony Orchestras, teaches privately, and remains active in jazz. In 2007, Dorian was awarded the Presser Foundation Scholarship at Illinois Stat' Uni~ersity and received an honorable mention in the !SU Concerto-Aria Competition. He plans to pursu a Masters degree in Double Bass Performance beginning in the Fall of 2008.
Kristin White is currently finishing her Master of Music in voice performance at Illinois ·State University, and studies voice with Debra Austin. For the past five years, she has been a voice instructol at Illinois Central College in Peoria, Illinois. She appears as "Hanna" in the upcoming !SU collaborativ School of Music and School of Theatre production ofFranz Lehar's The Merry Widow.
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Joe Arko Ben Bettis Michael Brown* Nate Coon Colleen Duffy Grace ·Ecker Arny Feulner Jason Fischl** Jessica Freeman Pete Grundas Scott Guerrero Tristan Hansen Sarah Hepner Karen Herzel Christine Hicks Sean Hoffinan Melissa Hueneburg Morgan Joyce Sarah Kaminski Katie Kelly Kassy Krause** Courtney Kruckeberg Brian Lonergan Molly Martin Melissa McMahan Anna Mc Williams Megan Miller Lisa Montgomery
Illinois State (jniversit9 Concert C~oir
Janel Natale Jon Nelson Sarah Oliver Brian Robinson Mary Rocke Billy Russell Elizabeth Sachtleben Stephanie Schroeder Shaina Sedder* Andrew Seng Arlene Siagian*+ Gordon Stillwagon Erin Stinson*+ Lauren Stoeck Kate Strosahl-Johnson John Todd*+ Nathan VanDam Heidi VanDeVoort Kara Vombrack Amanda Walsh Paige Wiley Laura Williams Rebecca Woodle Tim Zajac Derek Zinke
*denotes section leaders **librarians +MM in choral conducting
Illinois State University• College of Fine Arts· www.llilnolsState.edu/flnearts · (309) 4·38--8321 • foa (CNlstu.edu
I FR••· . I
.A CONNECT
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Illinois State (Jniversit_y 5_ymphon_y Orchestra · I I
Violin I Emily Morgan, concertmaster Andrew Frani,ois Jennifer Kluchenek Arcadia Kust Benjamin Nadel Marie Louise Petersen Philip Rudd Stacey Turner
Violin II Jennifer Ringsby, principal Jordan Blitz Chica Cabalona Danielle Fox Britt/111Y Johnson Michelle Krewer Rodney McCalister Taylor Nix Robert Reilly
Viola Colleen Doyle, principal Alex Anlas Matthew Harper Jessica Lee Kevin Lin
Cello Shannon Schultze, principal Devon Anderson Beau Commanday Sam Fishman Nate Kappes Josh Stuart
Bass Mike White, principal Mallory Alekna David Genty Devin Godzicki Chris Griffith Al Hackel Andy Israelson Chris Williams
Flute Christa Krause, principal Carmen Hawkins Na Choi Stefanie Lindsay Bethany Padgett
Oboe Sara Rogis, principal Sonya Ash
Clarinet Jessica Boese, principal Brittany Delsignore
Bass Clarinet Hannah Edlen, principal
Bassoon Brian Cooley, principal Yasmin Torres
Contrabassoon Brian Cooley, principal
Horn Janie Berg, principal David Bakst Casey McCormack Krista Reese Lindsay Schultz David Shewan
Trumpet Laura Hall, principal Timothy Dillow Becky Gawron Andrew Gerbi_tz
Trombone . Julie Gray, principal Mike Klos
Bass Trombone Chris Darwell, principal
Tuba Ingrith Saavedra-Austin
Percussion Ryan Borden, principal Tim Dariiels
Piano/Celesta Jennifer Hedstrom,principal
Staff
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Jennifer Kluchenek, orchestra manager Philip Rudd, asst.· orchestra librar1· Matthew Harper, orchestra librari Mike White, webmaster '
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Committtee Dorian Jackman, chair Janie Berg Ryan Borden
I I Julie Gray Shannon Schultze I I
~ORIA . . ~ c~CHESTW-oavid Commanday, Music Director
Dcm 1t miss a note of another season of Peoria 1s best music! September 15
Lara St. Jolm, violin
October 27 Eric Ruske, Hom
November 17 Capitbl Saxophone Quartet
January 19 Krzysztof Jablonski, piano
February 16 American Frontiers
March 15 Wolfgang Schmidt, cello
April 26 C:hristopheren Nomura,
baritone
Student tickets to all concerts except
Josua Bell are only $10! 4-concert and 5-concert packages are also available!
World Artist Series Joshua Bell
March 24
Thanks to our concert sponsors:
Call 671-1096 for tickets or to
receive a season brochure, or visit
online at peoriasymphony.org
Caterpillar • Methodist • OSF HealthPlans • Illinois Arts Council National City • Children's Hosptal of Illinois • Peoria Symphony Guild
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Gold Series:Illinois State University Symphony OrchestraRecommended Citation
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