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Page 1: I. !Writing!Plan!Cover!Page!archive.undergrad.umn.edu/cwb/pdf/architecture-2015.pdf · The!Office!of!theVice!Provost!ofUndergraduate!Education Center!for!Writing! University!of!Minnesota!

 

 

The  Office  of  the  Vice  Provost  of  Undergraduate  Education  Center  for  Writing  

University  of  Minnesota  612-­‐626-­‐7639  

www.wec.umn.edu  

       

I.  Writing  Plan  Cover  Page  Please  fill  in  the  gray  areas  on  this  form.  

   Spring  2014    WEC  Process   Date   Date  March  21,  2015  

   

 First  Edition  of  Writing  Plan      

 Subsequent  Edition  of  Writing  Plan:    previous  plan  submitted    Fall/2012,  First  edition  submitted  Spr/2009    

 College  of  Design  

WEC  Unit  Name      

Architecture     CDes  

Department     College  

Julia  W  Robinson     Prof  

WEC  Faculty  Liaison  (print  name)       Title  

[email protected]     4-­‐5733  

Email     Phone  

   Writing  Plan  ratified  by  Faculty  Note:  This  section  needs  to  be  completed  regardless  of  Writing  Plan  edition.  Date:  

         

  If  Vote:....15.................19

       

  /  

       

        #  yes     #  total  

Process  by  which  Writing  Plan  was  ratified  within  unit  (vote,  consensus,  other-­‐  please  explain):  

         

 

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March 31, 2015
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(vote updated April 1, 2015)
Page 2: I. !Writing!Plan!Cover!Page!archive.undergrad.umn.edu/cwb/pdf/architecture-2015.pdf · The!Office!of!theVice!Provost!ofUndergraduate!Education Center!for!Writing! University!of!Minnesota!

 

 

The  Office  of  the  Vice  Provost  of  Undergraduate  Education  Center  for  Writing  

University  of  Minnesota  612-­‐626-­‐7639  

www.wec.umn.edu  

   

II. Unit  Profile:      Unit  Name  Please  fill  in  the  gray  areas  on  this  form.    Number  of  Tenured  and  Tenure-­‐Track  Faculty:  

Although    a  good  number  of  our  Tenured  and  Tenure-­‐Track  faculty  teach  in  our  undergraduate  program  as  well  as  teaching  assistants,  we  also  have  a  large  number  of  adjunct  faculty  who  instruct  undergraduate  students  (approximately  30  people).    To  effect  change,  we  need  to  engage  with  adjunct  faculty  as  well.      

 

9     Professors    8     Associate  Professors    

4     Assistant  Professors    

21     Total    

-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐  

Major(s)  Please  list  each  major  your  Unit  offers:  

  Total  #  students  enrolled  in  major  as  of    Sem  Year  F15  

  Total  #  students  graduating  with  major  S14-­‐F15#  

 

Bachelor  of  Design  in  Architec     156     48    

BS  in  Architecture     116     85    

Pre-­‐Arch     180     NA    

         

   

         

   

         

   

         

   

         

   

         

   

         

   

         

   

         

   

         

   

         

   

         

   Total:    

         

   

         

   -­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐-­‐  WEC  Process     Date     #  participated   /   #  invited    

Spring  TA  Workshop  (Grading  Writin       Jan  10,  2013     10   /   17    

Faculty  Workshhop  (Using  WEC  Criter     Jan  17,  2013     21   /   32    

WEC  Subcommittee     March  6,  2013     3   /   5    

WEC  Meeting  w  Flash,  Hein  &  3JWR     April  16,  2013     3   /   3    

Faculty  Workshop(Writing  &  Syllabu          April  26,  2013     21   /   32    

WEC  Subcommittee       May  16,  2013     3   /   5    

Fall  TA  Workshop(Coaching  Writin       August,  27,  2013     41   /   45    

Work  on  Faculty  &  Student  Websites     Fall  Semester  2013     1   /   1    

WEC  Subcommittee     October  18,  2013     4   /   4    

Spring  TA  Workshop  (Grading  Writin       January  21     5   /   32    

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 Architecture  WEC  Process  (Continued)  Spring  2014    WEC  Process   Date   #  participated   /  #  invited  TA  Workshop  on  Grading  Writing   January    21   5   32  Spring  Semester  Completed  Websites   Spr  Semester   1   1  Hein  meets  with  Comazzi  &  Donofrio  re  rubrics   Spr  Semester   3   3  Liaison  Meeting-­‐  JWR,  &  Hein   March  14   2   2  WEC  Subcommittee   March  26   4   4  IWAC  Conference  Session  Planning   May  2   5   6  Faculty  Workshop  (May  Retreat)   May  17     28  Meeting  Re  Summer  Rating  (Flash  &  JWR)   May  19   2   2  IWAC  Conference  Session  Planning   May  27   3   6    Summer  2014  WEC  Process   Date   #  participated   /  #  invited  Session  at  IWAC  Conference   June  13   6   6  Summer  Rating  of  Courses   July  25   4   4  Hiring  of  Annie  Bearss  as  RA   August  21      Consultation  Re  Rating,  Flash  &  JWR   August  21   2   2  Consultation  Re  Rating:  Flash,  Swackhamer,  Comazzi  &  JWR  

August  25   4   4  

   Fall  2014  WEC  Process   Date   #  participated   /  #  invited  Meeting  to  plan  TA  Worskhop:  Bearss  &  JWR   August  27   2   2  TA  Workshop  (Coaching  Student  Writing)   August  28   10   28  Instructor  &  Student  Websites  online   September  3   1   1  Meeting  on  Ratings:  Swackhamer  &  JWR   September  29   2   2  Liaison  Meeting   Oct  10   1   1  Lunch  on  WEC     October  24   1   1  Revision  of  Website  (added  genres)   November   2   2  Meeting  with  Undergraduate  Directors   December  18   3   3  

1.    Spring  2015    WEC  Process   Date   #  participated   /  #  invited  Meeting  to  Prepare  TA  Workshop:  Bearss  &  JWR   January  6   2   2  Spring  TA  Workshop  (Grading  Writing)   January  16   16   26  Meeting  to  plan  Presentation  of  Summer  Ratings   January  13   5   5  Presentation  &  Discussion  of  Summer  Ratings  to/with    Faculty:  Flash  &  JWR  

January  15   25   26  

WEC  Subcommittee  Meeting  to  Prepare  Writing  Plan  

February    1   5   5  

Faculty  Discussion  of  Writing  Plan   March  30        

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IV.    Writing  Plan  Narrative    

The  Office  of  the  Vice  Provost   of  Undergraduate    Education  Center   for  Writing  

University  of  Minnesota    612-­‐-­‐-­‐626-­‐-­‐-­‐

7639    www.wec.umn.edu    

Please  retain  section  headers  and  prompts  in  your  plan.        Executive  Summary   (1-­‐-­‐-­‐page  maximum):  For  what  reason(s)  did  this  unit  (department,   school,  college)  become  involved  in  the  WEC  project?  What  key  implementation   activities  are  proposed   in  this  edition  of  its  Writing  Plan  and  what,  briefly,  is  the  thinking  behind  these  proposed  activities?   If  this  is  a  second+  edition  of  this  unit's  Writing  Plan,  please  describe  activities  that  have  been  successfully  completed  and  those  that  are  new  to  this  edition.      The  architecture   faculty  participates   in  the  WEC  program  as  a  way  to  improve   instruction   in  writing,  or  what  we  may  call  communication,   and  to  explore  the  relation  between  visual  communication   -­‐-­‐-­‐      an  essential  communicative   form  in  architecture   -­‐-­‐-­‐  and  the  written  word.  Participation   in  the  WEC  program  has  allowed  the  architecture   faculty  to  reflect  more  deeply  on  the  relationship  between  writing/  visual  communication  and  architectural   design  and  other  instruction.    At  this  point  almost  all  faculty  members  embrace  the  program,  and  appreciate   the  rigor  with  which  the  WEC  program  challenges  us  to  examine  our  existing  practices   in  order  to  develop  better  instructional   techniques.    Since  fall  semester  of  2011  the  WEC  Subcommittee   of  the  Undergraduate   Curriculum  Committee  has  overseen  the  WEC  program  in  architecture.    In  Fall  2014  the  Directors  of  the  two  undergraduate  programs  joined  the  committee.    This  committee  reports  to  the  faculty  on  a  regular  basis.      

 

The  faculty  was  very  disturbed  by  the  results  of  the  Summer  2014  Ratings  that  showed  little  or  no  progress  with  regard  to  the  earlier  assessment,  and  has  developed  a  plan  to  engage  all  faculty  more  fully  in  the  teaching  of  communication  to  our  students.    We  will  use  our  curriculum  map  from  2013  (see  page  14)     to  develop  a  more  comprehensive  strategy  that  engages  all  courses  and  instructors,  and  are  requesting  support  from  the  WEC  program  in  two  areas:  faculty  consultation  and  course  assessment.  

 

Accomplishments-­‐-­‐-­‐  Since  the  Second  Edition  Writing  Plan  we  have:    • Worked  with  research  assistants  Mitch  Hein  (Spring  2013-­‐Spring  2014  [hired  Fall  2012])  and  Annie  Bears  

(Fall  2015)  who  have  helped  us  implement  our  goals.      • Presented  Teaching  Assistant  Workshops  every  Fall  and  Spring  Semester  • Presented  3  Faculty  Workshops  • Developed  2  websites,  one  for  students  and  one  for  faculty.        • TAs  have  worked  with  individual  faculty  to  apply  the  Writing  Criteria  to  syllabus,  rubrics,  and  instruction      

Activities  Remaining  and  New-­‐-­‐-­‐  In  the  two  years  we  plan  to:    

• Review  and  revise  our  curriculum  mapping  to  more  effectively  capture  what  we  are  doing  and  to  develop  a  strategic  plan  of  action  that  involves  all  undergraduate  courses  

• Work  with  the  WEC  staff  to  provide  Expert  consultation  with  individual  faculty  members  • Continue  to  provide  TA  Workshops  each  semester  and  Faculty  Workshops  at  least  once  a  year  • Work  with  the  departmental  administration  to  increase  the  TA-­‐faculty  ratios  in  WI  courses  • Work  with  the  Student  Advisory  Boards  for  BDA  and  BS  programs  to  improve  the  Student  Writing  in  

Architecture  website  that  we  have  developed,  so  students  will  use  it  more  effectively  • Work  with  the  WEC  staff  to  have  ongoing  assess  one  to  three  courses  in  terms  of  the  effectiveness  of  the  

writing  instruction,  evaluating  writing  at  the  beginning  and  ends  of  the  semester.

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     Section  1:  DISCIPLINE-­‐-­‐-­‐SPECIFIC  WRITING  CHARACTERISTICS    *:    What  characterizes  academic  and  professional    communication  in  this  discipline?      If  this  is  a  subsequent  edition  and  changes  have  been  made  to  this  list,  please  highlight  and  explain  the  changes.    This  description  has  not  changed  since  the  last  plan.    The  field  of  architecture   engages  the  physical  environment   through  graphic   representations   and  verbal  texts.  In  architectural   practice,   clear  communication   is  necessary   to  effectively   communicate  with  clients,  with  those  in  the  construction   industry  and  with  other  architects.   In  academia,  we  value  the  rigorous  use  of  graphics  and  text  to  grapple  with  architectural   issues  and  problems.     Professional  writing  proposes,  describes  and  documents  designs   including:  

• Responding   to  Requests   for  Proposals  • Making  competition   drawings   that  include  explanatory   text  • Writing   letters  to  clients,  contractors   and  others  • Creating  design  documents   that  described  buildings   in  drawings  and  text  • Making  specification   documents  describing  materials  and  equipment  • Writing  articles  and  competition   texts  that  describe  completed  projects   in  words  and  images  

 In  academia  critical   thinking   in  architecture   requires   students   to  describe,  analyze  and  interpret  designed  environments.   This  may  take  the  form  of:  

• Journals  or  sketchbooks   that  include  such  things  as  field  annotations,   critical  analysis  and  associations  • Diagrams   that  describe  design  processes  • Observation   research  and  analysis  of  architectural   precedents  • Research  analyses  and  literature   searches  • Essays  and  examinations  • Oral  and  graphic  presentations  

 In  these  different   forms  of  graphic  and  textual  writing,   the  creative  process  of  design  may  be  supported  by:  

• Linking  observations   and  descriptions   to  reflection,   analysis  and  interpretation  • Diagramming   and  critiquing   the  design  process  • Identifying   and  evaluation   alternative   design  propositions  • Iterative   investigations   that  employ  different  media  

 The  purposes  of  such  communication   are  very  broad  and  in  both  professional   and  academic   settings   includes  exploration  of  ideas,  accurate  documentation   of  situations,   analysis  of  places  and  designs,  expression  of  poetic  ideas,  and  persuading  others  through  argumentation   and  use  of  evidence.  Taking   into  consideration   all  of  these  purposes,  discussion  with  the  architecture   faculty  about  the  definition  of  writing   in  architecture   revealed  strong  agreement   that  incorporating   both  written  and  graphic   texts  is  necessary   for  the  discipline.  However   faculty  found  that  the  term  writing  seems  to  exclude  graphics.  Therefore,   the  following  definition,   created  to  support  the  WEC  activities   in  architecture,   employs   the  term  communication.   The  following  definition  was  created  to  support  the  WEC  activities   in  architecture:  

 

 Communication   is  an  articulation   of  thinking  and  can  be  used  to  define,  describe,  narrate,  analyze,  persuade,  question  and  discover.    Along  with  written  essays  and  academic  papers,  writing   in  architecture   can  take  the  form  of  diagrams,  drawings,   collages,   renderings,  models,  presentation   boards  and  oral  presentations.  

     

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Section  2:  DESIRED  WRITING  ABILITIES   **:    With  which  writing  abilities  should  students   in  this  unit’s  major(s)  graduate?      If  this  is  a  subsequent  edition  and  changes  have  been  made  to  this  list,  please  highlight  and  explain  the  changes.    This  list  has  not  changed  since  the  last  plan.    

The  faculty  has  approved  the  following  set  of  criteria  which  is  organized  into  five  sections:    Forming  a  topic    

1.   Forms  a  thesis  or  proposition  as  a  statement  that  is  open  to    investigation  and  debate        

2.   Generates,  refines,  and  reforms  questions  related  to  the  thesis  or    proposition    

Description        

 3.    

Searches  broadly  to  locate  sources  that  contain  information  relevant    to  the  thesis  or  proposition    

 4.    

Identifies  evidence  accurately  and  thoroughly  -­‐-­‐-­‐  whether  verbal  or    visual        

5.     Evaluates,  organizes,  and  assembles  visual  and  verbal  evidence  into  a    hierarchy  that  explains  their  relative  significance        

Analysis  and  Interpretation     6.     Constructs  arguments  that  are  substantiated  with  appropriate    evidence        

7.     Leverages  multiple  perspectives  to  support  complex  arguments        

8.     Engages  visual  materials  and  verbal  arguments  in  a  dialogue  that    recognizes  the  autonomy  of  both  lines  of  inquiry        

9.     Draws  inferences  from  the  argument(s)  that  lead  to  synthesis        

Conclusion      10.    

Concludes  with  a  summary  or  interpretation  of  the  argument  that    develops,  promotes,  or  advances  the  original  thesis        

11.     Discovers  new  ideas  through  the  process  of  writing        

Mechanics      12.    

Uses  language  and  style  to  persuasively  address  the  target  audience        

13.     Documents  verbal  and  visual  sources  using  consistent  citation  formats    so  that  readers  can  locate  original  materials        

       

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   Section  3:  INTEGRATION  OF  WRITING   INTO  UNIT’S  UNDERGRADUATE   CURRICULUM:  How  is  writing   instruction  currently  positioned   in  this  unit’s  undergraduate   curriculum   (or  curricula)?  What,  if  any,  structural   plans  does  this  unit  have  for  changing  the  way  that  writing  and  writing   instruction  are  sequenced  across  its  course  offerings?    With  what  rationales  are  changes  proposed  and  what  indicators  will  signify  their  impact?      If  this  is  a  subsequent  edition  and  changes  have  been  made,  please  highlight  and  explain  the  changes.    This  section  of  the  plan  is  almost  entirely  changed    There  are  two  undergraduate  programs  in  architecture:  the  BDA  and  the  BS.  The  BS  is  a  pre-­‐professional  program  with  a  planned  sequence  of  courses,  while  the  BDA  is  a  more  flexible  program  providing  more  choice  of  courses  for  students.  Although  the  sequence  of  the  program  courses  has  recently  changed,  the  writing  curriculum  has  essentially  remained  the  same  since  we  began  our  Writing  Enriched  Curriculum  program.  There  continue  to  be  three  Writing   Intensive  courses   in  the  architecture   program  curriculum   (ARCH  3411,  ARCH  3711  and  ARCH  4701),  of  which  one  is  required  in  both  undergraduate  programs.        Since  2013  we  have  had  two  different  Research  Assistants  work  with  us  to  support  our  efforts,  Mitchell  Hein  and  Annie  Bearss.    They  have  developed  two  websites  and  have  helped  with  our  fall  and  spring  semester  TA  Workshops  on  teaching  writing  in  architecture.  The  faculty  has  participated  in  three  workshops  based  upon  successful  consultations  with  the  RAs.  The  WEC  work  in  architecture  is  coordinated  through  the  WEC  subcommittee,  chaired  by  the  WEC  Liaison  with  faculty  members  and  the  WEC  RA  as  members.    This  group  makes  recommendations  to  the  faculty.    Beginning  in  fall  semester  of  2014  the  two  undergraduate  program  directors  have  joined  the  WEC  subcommittee  to  more  directly  support  the  writing  curriculum  as  a  central  part  of  the  undergraduate  programs.      The  results  of  the  summer  2014  rating  were  a  great  shock  to  the  faculty.    To  this  point,  we  had  assumed  that  our  increased  awareness  of  the  need  for  writing  as  a  part  of  our  teaching,  our  increased  interest  in  teaching  writing  and  in  Faculty  Workshops,  and  our  provision  of  TA  Workshops  each  semester  would  be  sufficient  to  create  the  conditions  for  improved  student  writing  and  visual  communication.    Although  there  was  some  concern  about  the  factors  affecting  of  courses  under  review  during  the  summer  rating  (the  instructor  and  assignments  changed  from  the  first  review  to  the  second),  generally  faculty  did  not  question  the  findings  of  lack  of  progress,  since  the  ratings  of  both  courses  showed  little  or  no  improvement  since  the  last  rating.    Faculty  discussion  of  the  rating  results  revealed  several  concerns  about  how  the  department  approaches  writing,  and  interest  in  coordination  of  our  efforts  across  our  courses,  and  a  variety  of  suggestions  for  constructive  change.        Assessing  the  Curriculum  One  concern  was  the  reliance  on  our  Writing  Intensive  classes  to  carry  the  burden  of  teaching  writing.  At  the  beginning  of  our  process  we  mapped  our  courses  and  will  now  return  to  the  mapping  for  a  more  strategic  approach  to  the  writing  curriculum,  to  reconsider  which  courses  should  be  designated  as  Writing  Intensive,  and  to  see  how  we  can  use  all  of  our  courses  together  to  make  a  stronger  writing  and  communication  curriculum.      Additionally,  faculty  are  concerned  that  we  do  not  know  which  of  our  instruction  practices  generate  effective  learning.    It  would  be  very  helpful  to  assess  courses  in  more  detail.    We  are,  therefore  requesting  support  for  teaching  consultations  and  for  assessing  class  assignments  and  writing  at  the  beginning  and  end  of  two  to  three  courses  once  each  year  for  two  years  to  see  which  teaching  approaches  make  a  difference.    We  expect  that  this  will  allow  us  to  identify  those  teaching  practices  that  contribute  most  effectively  to  the  writing/communication  abilities  of  architecture  students.        The  Role  of  Teaching  Assistants  Another  concern  was  that  a  great  deal  of  our  teaching  of  writing  takes  place  with  instruction  by  Teaching  Assistants.    Although  we  can  see  that  the  Teaching  Assistants’  instruction  has  improved  with  the  institution  of  our  TA  Workshops  each  semester,  and  plan  to  continue  that  program,  the  lack  of  improvement  in  student  writing  indicates  that  is  insufficient.    We  are  concerned  about  the  TA-­‐student  ratios.    Our  class  size  ratio  for  Writing  Intensive  courses  has  gone  from  1:20  a  few  years  ago  to  1:  30  more  recently.    The  faculty  does  not  think  that  a  TA  can  effectively  review  the  writing  of  30  students,  and  is  asking  the  administration  to  reduce  the  ratio  to  20-­‐25.  Additionally,  we  are  planning  to  make  sure  that  we  assign  as  Teaching  Assistant  positions  in  Writing  Intensive  courses,  students  with  strong  skills  in  writing.    Writing  Assistants/  Service  Assistance  Additionally,  one  practice  that  has  proven  very  effective  for  a  small  number  of  faculty  is  one-­‐on-­‐one  sessions  with  our  WEC  

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Research  Assistant  to  work  on  integrating  the  writing  criteria  with  such  things  as  syllabus  material,  course  rubrics  and  teaching  methods.  Because  the  previous  RAs  had  many  responsibilities,  they  were  not  able  to  work  with  very  many  faculty  members  in  this  way.    We  are,  therefore  requesting  service  assistance  from  the  WEC  staff  for  consultations  with  individual  faculty  members  on  integrating  the  writing  criteria  with  such  things  as  syllabus  material,  course  rubrics,  course  assignments,  course  exercises  and  teaching  methods.  We  are  requesting  15  sessions  each  semester  and  will  create  a  plan  for  individual  faculty  members  to  participate  so  that  the  services  are  effectively  used.    Developing  Awareness  and  Changing  Culture  The  culture  of  writing  and  communication  needs  to  be  developed  in  our  program.  Although  the  faculty  sees  writing  and  communication  as  essential  to  the  critical  thinking  that  is  required  in  an  architectural  education,  we  need  not  only  to  communicate  better  among  ourselves,  but  also  to  more  effectively  communicate  the  importance  to  our  students.  We  will  ask  faculty  to  spend  time  each  semester  discussing  the  role  of  writing/visual  communication  with  our  students,  and  introducing  them  to  their  website.  We  will  be  working  with  our  undergraduate  Student  Advisory  Committees  to  engage  with  the  writing  criteria  and  revising  our  student  website.      Faculty  awareness  of  writing  and  instructional  techniques  for  writing  also  needs  enhancing.    We  will  continue  to  provide  Faculty  Workshops,  and  will  promote  the  new  consultations.  The  Directors  of  our  two  undergraduate  programs  have  joined  the  WEC  subcommittee  and  will  play  a  central  role  in  our  curriculum  review.    We  are  also  concerned  to  more  specifically  address  visual  communication  and  the  ways  to  integrate  visual  and  verbal  communication,  so  that  all  courses  will  be  participating,  including  courses  that  are  not  primarily  writing  based.            

   

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Section  4:  ASSESSMENT   of  STUDENT  WRITING:  What  concerns,   if  any,  have  unit  faculty  and  undergraduate   students  voiced  about  grading  practices?  What,  if  any,  new  grading  systems  or  practices  are  proposed,  whether  for  individual  courses  or  for  a  program?  How  satisfied   is  the  unit  faculty  that  students  are  adequately   familiar  with  writing  expectations?  What  do  these  expectations   look  like  when  they  are  translated   into  grading  criteria?    Please  include  a  menu  of  criteria  extrapolated   from  the  list  of  Desired  Writing  Abilities  provided  in  Section  II  of  this  plan.  (This  menu  can  be  offered  to  faculty/instructors   for  selective  adaptation  and  will  function  as  a  starting  point  in  the  WEC  Project’s  longitudinal  rating  process.).    If  this  is  a  subsequent  edition,  please  describe  faculty  reaction  to  the  most  recent  report  of  triennial  rating  results  and    highlight  changes  made  to  the  menu  of  criteria.      The  following  criteria  were  used  in  the  rating  process.    Criteria  1  through  5,  and  11  are  different  from  the  original  criteria.  Raters  found  many  of  the  criteria  difficult  to  use  and  had  a  number  of  suggestions  for  improvement  (2,  5a,  5b,  7,  8,  9,  11  and  13),  and  had  suggestions  for  additional  criteria.  The  WEC  subcommittee  is  planning  to  review  the  comments  to  see  if  the  criteria  need  to  be  modified.    Recommendations  will  be  made  to  the  faculty  for  discussion  and  possible  improvement  of  the  criteria.      Forming  a  topic    

1.   Demonstrates  the  writer’s  ability  to  form  a  thesis  or  proposition  as  a  statement  that  is  open  to  investigation  and  debate.  

Forms  a  thesis  or  proposition  as  a  statement  that  is  open  to    investigation  and  debate        

2.   Develops  through  refinement  and  definition  of  questions  related  to  the  thesis  or  proposition.  

 Description        

 3.    

Reflects  the  writer’s  ability  to  search  broadly  and  to  locate  diverse  sources  containing  information  relevant  to  the  thesis  or  proposition  

 4.    

Demonstrates  the  writer’s  ability  to  employ  evidence  accurately  and  thoroughly  —whether  verbal  or  visual.  

   5a.     Evaluates,  organizes,  and  assembles  visual  and  verbal  evidence  into  a    hierarchy  that  explains  their  relative  significance        

5b.   Explains  the  relative  significance  of  evidence.  

 Analysis  and  Interpretation     6.     Constructs  arguments  that  are  substantiated  with  appropriate    

evidence        

7.     Leverages  multiple  perspectives  to  support  complex  arguments        

8.     Engages  visual  materials  and  verbal  arguments  in  a  dialogue  that    recognizes  the  autonomy  of  both  lines  of  inquiry        

9.     Draws  inferences  from  the  argument(s)  that  lead  to  synthesis        

Conclusion      10.    

Concludes  with  a  summary  or  interpretation  of  the  argument  that    develops,  promotes,  or  advances  the  original  thesis        

11.     Realizes  new  ideas  through  the  process  of  writing.  

 Mechanics      12.    

Uses  language  and  style  to  persuasively  address  the  target  audience        

13.     Documents  verbal  and  visual  sources  using  consistent  citation  formats    so  that  readers  can  locate  original  materials        

   

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In  terms  of  grading  practices,  before  the  WEC  initiative,  the  use  of  rubrics  to  assess  student  work  was  not  a  common  practice  in  architecture.    Since  the  institution  of  WEC,  there  has  been  no  formal  effort  to  require  faculty  to  employ  rubrics  in  the  assessment  of  writing,  but  many  faculty  have  done  so,  and  faculty  in  Writing  Intensive  classes  have  adopted  teaching  rubrics  that  are  aligned  with  the  Writing  Criteria.      As  Stated  earlier,  the  faculty  was  very  surprised  that  the  Summer  2014  Ratings  of  student  work  did  not  show  progress  since  the  last  rating.    Nonetheless,  we  still  strongly  support  the  thirteen  criteria  that  we  developed  earlier  as  an  indication  of  what  we  would  like  students  to  be  able  to  achieve.        The  architecture  faculty  is  committed  to  effective  teaching,  but  resistant  to  requirements  made  at  a  departmental  level.  Because  there  are  many  sub-­‐disciplines  within  the  field  of  architecture,  such  as  history,  technology,  and  urban  design  that  have  completely  different  disciplinary  origins,  the  teaching  methods  and  approaches  are  not  consistent  across  courses.    Therefore  it  is  important  to  work  with  faculty  as  individuals  rather  than  to  assume  we  are  a  uniform  group.  Thus  the  new  plan  requests  consultations  for  individual  faculty.  The  directors  of  the  undergraduate  programs  will  work  together  to  identify  courses  that  will  benefit  from  new  approaches,  and  will  program  and  encourage  faculty  to  take  advantage  of  the  consultations.        In  addition  to  the  consultations,  we  are  piloting  the  assessment  of  individual  courses  to  ask  “What  is  the  effect  of  various  teaching  techniques  on  student  writing?”  The  assessments  will  recur  annually  for  two  or  three  years.    Assuming  that  the  first  semester  pilot  was  successful,  we  will  add  one  or  two  strategic  courses.    The  details  of  this  process  are  described  in  Section  5.    At  this  time  only  a  few  faculty  are  working  with  the  websites.  We  need  to  publicize  both  websites  better  and  to  expand    usefulness  of  the  instructor’s  site  by  adding  such  things  as  course  exercises.  In  terms  of  communication  to  students,  the  directors  of  the  BS  and  BDA  programs  each  have  Student  Advisory  Boards  that  we  will  use  to  help  us  with  publicity  and  development  of  the  students  website.      

   

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Section  5:  SUMMARY  of  IMPLEMENTATION   PLANS  and  REQUESTED   SUPPORT:  Based  on  above  discussions,  what  does  the  unit  plan  to  implement  during  the  period  covered  by  this  plan?    What  forms  of  instructional   support  does  this  unit  request  to  help  implement  proposed  changes?    What  are  the  expected  outcomes  of  named  support?        

If  this  is  a  subsequent  edition,  please  comment  on  previously  implemented  activity  and  its  assessment  prior  to    describing  new  plans.      Implemented  Activity  Our  last  plan  included  the  continuation  of  TA  Workshops,  which  the  faculty  is  very  pleased  with.    Teaching  assistants  who  attend  the  workshops  are  much  better  prepared  to  coach  and  grade  student  writers  than  the  other  TAs.    TAs  are  now  required  to  attend,  and  future  workshops  will  be  better  timed  to  increase  graduate  student  attendance.    We  also  implemented  Faculty  Workshops  in  2013  and  2014.    These  are  important  to  keep  reminding  faculty  of  the  WEC  values,  and  to  provide  new  implementation  ideas.  We  would  like  to  continue  to  provide  these  once  or  twice  a  year.      We  were  fortunate  to  receive  support  for  WEC  Teaching  Assistants  who  helped  with  special  tasks  such  as  mapping  our  curriculum,  creating  websites,  assisting  with  TA  and  Faculty  Workshops,  and  working  with  individual  faculty  on  their  courses.  We  are  building  on  this  work.    The  maps  are  the  basis  for  developing  our  strategic  plan  to  integrate  all  courses  in  teaching  faculty.    The  websites  that  the  TAs  developed,  online  since  Fall  2014,  have  been  improved  once.      The  Rating  of  capstone  material  was  completed  in  summer  2014.  Since  we  do  not  have  capstone  courses  in  our  programs,  we  are  continuing  to  review  which  courses  should  be  used  to  assess  outgoing  student  writing/  visual  communication.    Proposed  Activity  We  are  developing  a  strategic  plan  of  action  to  improve  writing/  visual  communication  that  will  involve  all  undergraduate  courses  based  on,  and  updating  our  original  course  mapping.  This  work  will  be  undertaken  by  the  WEC  Subcommittee  that  now  includes  the  Directors  of  the  BS  and  BDA  programs  as  well  as  the  key  undergraduate  faculty  members  who  participated  previously.      As  a  part  of  this  plan  we  will  continue  to  work  with  our  faculty  to  align  courses  with  the  WEC  Writing  Criteria  developed  by  the  department.  We  will  hold  Faculty  Workshops.    We  also  will  engage  in  a  plan  for  faculty  to  work  with  consultants  at  the  Center  for  Writing  to  improve  writing  through  better  teaching  methods,  syllabus  material  and  such  applications  as  assignments,  and  rubrics.    Another  part  of  the  instructional  plan  will  involve  the  assessment  of  writing  and  course  assignments  in  individual  courses  to  identify  effective  and  less  effective  practices  in  one  to  three  courses.  We  will  evaluate  these  measures  by  assessing  the  number  of  faculty  members  who  take  advantage  of  these  opportunities.        We  will  remain  committed  to  providing  TA  Workshops  each  semester  and  to  having  a  high  rate  of  participation.  Also  we  will  work  toward  having  a  TA  ratio  of  1:20  or  1:25  in  all  Writing  Intensive  courses.    The  Faculty  and  Student  websites  will  continue  to  be  promoted  and  improved.  Without  a  WEC  RA,  maintenance  of  the  website  will  now  fall  to  the  WEC  subcommittee.  We  will  work  with  the  Undergraduate  Student  Advisory  Boards  to  publicize  and  update  the  Writing  Resources  for  Students  website.    The  effectiveness  of  the  websites  will  be  evaluated  by  their  use.    Forms  of  Instructional  Support  The  School  of  Architecture  is  requesting  two  types  of  support,  support  for  individual  faculty  consulting,  and  support  for  assessment  of  individual  courses.    The  individual  faculty  consultation  is  designed  to  help  faculty  members  to  improve  their  teaching  of  writing/  visual  communication.  We  anticipate  that  individual  faculty  members  will  report  to  the  faculty  on  their  work  in  the  Faculty  Workshops  that  we  will  organize  with  the  consultants.    Annual  presentation  of  this  faculty  work  will  stimulate  the  continued  interest  and  activity  of  faculty.    Course  assessment  addresses  faculty  frustration  at  the  recent  ratings,  especially  those  who  have  been  instituting  instructional  methods  intended  to  improve  learning  outcomes.    In  order  to  identify  effective  practices,  several  faculty  would  like  to  assess  student’s  work  and  assignments  at  the  beginning  and  end  of  their  course  for  two  or  three  years.  Completing  each  assessment  would  involve  three  phases:  designing  the  rating,  creating  an  assessment  protocol  and  reporting  the  findings.  The  process  would  be  piloted  with  one  course  the  first  semester,  with  assessments  taking  place  again  the  two  following  years.    Subsequently,  one  

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or  two  courses  would  be  added  and,  depending  on  the  semester  of  the  first  assessment  would  be  assessed  again  in  one  or  two  following  years.  Research  Assistants  would  be  assigned  to  aid  the  process  under  the  supervision  of  faculty  and  WEC  staff.  Funds  are  requested  for  compensating  raters  and  for  RA  time.    Service  time  for  WEC  staff  is  requested  for  participation    all  three  phases  of  the  ratings.    Designing  the  Rating    

• Consultation  between  the  faculty  member  and  WEC  staff  prior  to  the  assessment  to  select  Writing  Criteria  to  focus  on,  to  identify  what  types  of  instruction  will  be  employed,    and  to  identify  assignments  to  assess  at  the  beginning  and  the  end  of  the  course.      

• Acquisition  of    student  consent  for  collection  of  assignments  • Collection  of  assignment  samples  and  removal  of  identifications  at  the  beginning  and  end  of  the  course  (RA)  

Creating  assessment  protocol    • Use  de-­‐identified  samples    (RA)  • Appoint  three  raters  (not  the  instructor)  • Mix  early  and  late  samples  (RA)  • Conduct  an  initial  norming  session  to  assure  confidence  and  consistency  • Conduct  rating  session  without  discussion  • Conduct  a  rater  debriefing  session  • Compensate  raters  

Reporting  the  Findings  • Analyze  the  findings  (RA  &  WEC  Staff)  • Written  report  for  the  individual  faculty  member  (RA  &  WEC  Staff)  • Discussion  between  WEC  staff  member  and  the  faculty  member  • Report  to  the  whole  faculty  for  discussion,  perhaps  combining  all  course  assessments    

   

 

Section  6:    PROCESS  USED  TO  CREATE  THIS  WRITING  PLAN:  How,  and  to  what  degree,  were  stakeholders   in  this  unit  (faculty  members,   instructors,   affiliates,   teaching  assistants,  undergraduates,   others)  engaged   in  providing,   revising,  and  approving  the  content  of  this  Writing  Plan?    

 This  plan  was  generated  based  on  discussions  with  the  Tenured  and  Tenure-­‐Track  faculty  as  well  as  our  full  time  P&A  faculty.    Great  care  was  taken  in  the  presentation  of  the  summer  ratings  because  the  attention  of  the  faculty  needed  to  be  on  the  findings  themselves  rather  than  the  individual  faculty  members  whose  student  work  was  assessed.    For  this  reason  the  Liaison  held  meetings  with  our  Writing  Consultant,  the  Department  Head,  the  Directors  of  Undergraduate  programs  and  the  WEC  subcommittee  during  the  fall  semester  to  prepare  the  presentation    As  a  result,  the  meeting  at  which  the  findings  were  presented  focused  on  what  the  faculty  could  do  to  improve  writing  instruction  in  our  program.    Input  from  students  and  teaching  assistants  was  indirect,  identified  through  faculty  in  attendance  at  the  meeting.    There  was  a  thoughtful  discussion  by  all  faculty  members  present  and  many  ideas  were  put  forward.    The  WEC  subcommittee  met  afterwards  to  create  the  plan.  And  after  discussions  with  Writing  Consultants  this  plan  was  generated.  It  was  approved  at  a  subsequent.          

   

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IV.    Writing  Plan  Narrative    Section  7:    Briefly,  please  describe  the  ways  that  the  ideas  contained   in  this  Undergraduate  Writing  Plan  address  the  University's  Student  Learning  Outcomes  (http://www.slo.umn.edu).      

The  School  of  Architecture  has  chosen  to  focus  on  four  Student  Learning  Outcomes.      • SLO  #1:  Students  can  identify,  define,  and  solve  problems.  • SLO  #2:  Students  can  locate  and  critically  evaluate  information.  • SLO  #3:  Students  understand  diverse  philosophies  and  cultures  within  and  across  societies.  • SLO  #4:  Students  can  communicate  effectively.  

 Each  of  these  has  parallel  ideas  represented  in  our  Writing  Criteria.    The  structure  of  our  writing  criteria  addresses  both  SLO  #1:  Students  can  identify,  define,  and  solve  problems,  and  SLO  #4:  Students  can  communicate  effectively.  This  structure  consists  of  five  parts  and  represents  the  iterative  process  that  solves  an  architectural  problem,  the  effective  communication  of  an  argument  supporting  the  solution  and  the  citation  of  sources:    (A)  Forming  a  Topic,  (B)  Description  and  organization  of  the  evidence,  (C)  Analysis  &  Interpretation  of  the  evidence,  (D)  Analysis  and  Interpretation  of  the  evidence,  and  (E)  Conclusion  as  well  as  (F)  Mechanics.      Several  Writing  Criteria  address  SLO  #2:  Students  can  locate  and  critically  evaluate  information:  3    (Leverages  multiple  perspectives  to  support  complex  arguments),  4  (Identifies  evidence  accurately  and  thoroughly  whether  verbal  or  visual),  5  (Evaluates,  organizes,  and  assembles  visual  and  verbal  evidence  into  a  hierarchy  that  explains  their  relative  significance),  9  (Draws  inferences  from  the  argument(s)  that  lead  to  synthesis)  and  10  (Concludes  with  a  summary  or  interpretation  of  the  argument  that  develops,  promotes,  or  advances  the  original  thesis)      Writing  Criterion  7  (“Leverages  multiple  perspectives  to  support  complex  arguments”)  addresses  SLO  #3:  Students  understand  diverse  philosophies  and  cultures  within  and  across  societies.    The  College  of  Design  is  also  involved  in  this  effort.    Through  the  College  we  will  be  assessing  these  SLOs  via  a  two-­‐pronged  approach.  First,  these  four  SLOs  will  be  assessed  via  individual  assignments  and  projects,  which  will  be  incorporated  into  an  Annual  Progress  Report  that  is  sent  to  the  Office  for  Undergraduate  Education.  Second,  we  are  engaging  in  an  SLO  survey  pilot  in  the  College  of  Design.  For  that  pilot,  students  in  every  college  course  fill  out  a  survey  that  asks  them  the  extent  to  which  they  feel  they  achieved  each  of  the  SLOs  in  a  particular  course.  The  course  instructor  also  fills  out  a  survey  that  identifies  which  of  the  SLOs  they  meant  to  focus  on  in  their  course.  We  will  analyze  the  data  garnered  via  both  of  these  approaches,  paying  specific  attention  to  SLOs  #1,  #2,  #3,  and  #4,  to  explore  the  effectiveness  of  the  Undergraduate  Writing  Plan  in  facilitating  student  achievement  of  the  SLOs.          

 

                                                                                                                             

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4

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VI.  W

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Semester  1

:Semester  2

:Semester  3

:Semester  4

:Semester  5

:Semester  6

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$1,100.00

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Semester  4

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$1,400.00

Semester  5

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Semester  6

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:Semester  3

:Semester  4

:Semester  5

:Semester  6

:Service

Qty

Service

Qty

Service

Qty

Service

Qty

Service

Qty

Service

Qty

Consultatio

n10

Consultatio

n11

Consultatio

n10

Consultatio

n10

Consultatio

n10

Consultatio

n10

Other

1Other

1Other

2Other

1Other

2Other

1Worksho

p1

Worksho

p1

Worksho

p1

Total  Finan

cial  Req

uest:

$300.00

$600.00

$1,600.00

Descrip

tion  an

d  ratio

nale  fo

r  services

Fina

ncial  R

eque

sts  (

requ

ests  can

not  include

 faculty

 salary  su

pport)  drop-­‐do

wn  choices  w

ill  app

ear  w

hen  cell  next  to

 "sem

ester"is  selected

Service  Re

quests  dr

op-­‐dow

n  choices  w

ill  app

ear  w

hen  a  cell  in  th

e  "service"  c

olum

n  is  selected

1.  Con

sulta

tions-­‐Because  architecture  faculty

 com

e  from

 diverse  su

bdisc

iplines,  each  with

 its  o

wn  teaching  m

etho

ds,  w

e  are  requ

estin

g  individu

al  faculty

 con

sulta

tions  

as  th

e  be

st  app

roach  to  im

prove  teaching  and

 learning  outcomes.  2.  O

ther-­‐  A

ddition

ally  we  are  requ

estin

g  consultatio

ns  fo

r  the

 assessm

ents  of  cou

rses  to

 iden

tify  

effective  metho

ds  of  teaching  writing  and  visual  com

mun

ication  in  architecture.    The

se  asssessmen

ts  will  be  of  stud

ent  w

ork  and  the  related  assig

nmen

ts  at  the

 be

ginn

ing  of  th

e  course  and

 at  the

 end

.  3.  W

e  are  also  re

questin

g  service  supp

ort  for  an  annu

al  faculty

 worksho

p  every  sprin

g.    This  w

ould  brin

g  to  th

e  faculty

 ideas  

and  activ

ities  re

lated  to  th

e  curricular  changes  and

 find

ings  from

 the  curren

t  year.

The  requ

est  sup

ports  three  cou

rses,  two  assessed

 three  tim

es  and

 one

 assessed  tw

ice.    For  each  assessmen

t  3  ra

ters  wou

ld  be  compe

nsated

 at  $

100  and  an  RA  wou

ld  

be  com

pensated

 for  u

p  to  20  ho

urs  o

f  work  supp

ortin

g  the  ratin

g.

Rater  com

pensation

1  Re

search  Assistant  (20

 hou

rs  @

 $2

0=  $40

0;  plus  $

400  fringe)

$300.00

$800.001  Re

search  Assistant  (20

 hou

rs  @

 $20

=  $400;  p

lus  $

400  fringe)

Rater  com

pensation

Rater  com

pensation

2  Re

search  Assistants  20  ho

urs  @

 $20

=  $400;  p

lus  $

400  fringe)

$800.00

Rater  com

pensation

$600.00

$800.00

Rater  com

pensation

2  Re

search  Assistant  (20

 hou

rs  @

 $20

=  $400;  p

lus  $

400  fringe)

1  Re

search  Assistant  (20

 hou

rs  @

 $20

=  $400;  p

lus  $

400  fringe)

Rater  com

pensation

1  Re

search  Assistant  (20

 hou

rs  @

 $2

0=  $40

0;  plus  $

400  fringe)

$600.00

$1,600.00

$600.00

$800.00

robin003
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15
robin003
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Page 16: I. !Writing!Plan!Cover!Page!archive.undergrad.umn.edu/cwb/pdf/architecture-2015.pdf · The!Office!of!theVice!Provost!ofUndergraduate!Education Center!for!Writing! University!of!Minnesota!

UNIVERSITY OF MINNESOTA Campus Writing Board

April 13, 2015

Julia Robinson

Architecture

[email protected]

Dear Professor Robinson,

I write to let you know that the Campus Writing Board (CWB) recently discussed and

approved the Writing Plan submitted by you on behalf of the Department of Architecture.

The decision whether to fund the project and at what level rests with the Vice Provost for

Undergraduate Education, who has received the recommendation from the Campus

Writing Board and will notify you soon about funding.

Sincerely,

Katie Russell

Staff, Campus Writing Board

[email protected]

612-624-6040

CC: Molly Bendzick, Will Durfee, Dan Emery, Pamela Flash, Leslie Schiff, Steven

Wandler

Page 17: I. !Writing!Plan!Cover!Page!archive.undergrad.umn.edu/cwb/pdf/architecture-2015.pdf · The!Office!of!theVice!Provost!ofUndergraduate!Education Center!for!Writing! University!of!Minnesota!

UNIVERSITY OF MINNESOTA Office of Undergraduate Education

April 14, 2015

To: Julia Robinson, Architecture

From: Robert McMaster, Office of Undergraduate Education

Subject: Decision regarding WEC funding proposal

The Department of Architecture recently requested the following funding to support its Writing

Enriched Curriculum:

Summer 2015 Rater compensation $ 300.00

Summer 2015 1 Research Assistant (20 hours @ $20=$400 plus $400 fringe)

$ 800.00

Fall 2015 Rater compensation $ 300.00

Fall 2015 1 Research Assistant (20 hours @ $20=$400 plus $400 fringe)

$ 800.00

Spring 2016 Rater compensation $ 600.00

Spring 2016 2 Research Assistants (20 hours @ $20=$400 plus $400 fringe)

$ 1,600.00

Summer 2016 Rater compensation $ 600.00

Summer 2016 1 Research Assistant (20 hours @ $20=$400 plus $400 fringe)

$ 800.00

Fall 2016 Rater compensation $ 600.00

Fall 2016 2 Research Assistants (20 hours @ $20=$400 plus $400 fringe)

$ 1,600.00

Spring 2017 Rater compensation $ 600.00

Spring 2017 1 Research Assistant (20 hours @ $20=$400 plus $400 fringe)

$ 800.00

TOTAL REQUEST $ 9,400.00

All items above have been approved by the Office of Undergraduate Education, for a total of

$9,400. Please provide Pat Ferrian ([email protected]) with your department’s EFS information

within 30 days of the receipt of this letter so the funds may be transferred.

Please note, the requested rater and RA funding for 2016-2017 assumes the success of the 2015

intra-course assessment pilot. In the unlikely chance that the rating pilot is unsuccessful and the

ensuing iterations are canceled, you will need to recalculate your budget.

Also, your requested RA funding is appropriate for a non-ABD graduate student. If you hire a

post-ABD candidate, you will need to recalculate your budget.

CC: Suzanne Bardouche, Molly Bendzick, Will Durfee, Dan Emery, Pat Ferrian, Pamela

Flash, Leslie Schiff, Steve Wandler, Martha McDonell


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