Transcript
Page 1: Fine Prints & Photography | Skinner Auction 2655B

FinePrints & Photography

Page 2: Fine Prints & Photography | Skinner Auction 2655B

Fine Prints &Photography

Page 3: Fine Prints & Photography | Skinner Auction 2655B

View all lots online at www.skinnerinc.com

cover: 164; frontispiece: 70;

back cover: 149

Auction Information

Auction 2655B Friday, May 1712PMfollowed by Fine Paintings & Sculpture at 4PM

63 Park PlazaBoston, MA

Robin S.R. StarrDepartment Director508.970.3259

Absentee Bidding

T: 617.874.4318F: 617.350.5429

General Inquiries: 617.350.5400

SkinnerLive!: skinnerinc.com

Kathy Wong508.970.3297

Elizabeth C. Haff508.970.3258

Specialists

Preview

Wednesday, May 1512 to 5PM

Thursday, May 1612 to 8PM

Friday, May 17 9 to 10AM

Department Inquiries: 508.970.3206

Annie Claflin508.970.3264

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Skinner is pleased to announce the new skinnerinc.com

Skinner is proud to announce the roll-out of our new website www.skinnerinc.com.

The newly redesigned Skinner website provides the robust set of interactive features you’re accustomed to…online auction previews, lot alert, live online bidding with SkinnerLive!, and more. You’ll experience

• Richer imagery, from the homepage to lot details

• A dedicated auction page for every sale

• Broader coverage of our specialty areas, from clocks and marine art to diamond jewelry and violins

• Faster and more accurate search for both upcoming and sold lots

• A new and improved SkinnerLive! online bidding platform…with the option to watch auctions live in real-time without registration or log-in

• A more powerful suite of online services to ensure your experience with Skinner, whether with a mouse, a phone, or a paddle, surpasses your expectations every time.

The new skinnerinc.com is a key component in a thoroughly modern communications platform that will enhance your experience as a buyer, and will work to maximize the value of your fine objects in the auction marketplace.

What isn’t changing? The personalized service, expertise, and integrity you’ve come to expect from Skinner. We’re excited about the new skinnerinc.com—and confident that it will add even more value to your experience with Skinner, now and into the future.

www.skinnerinc.com

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Table of Contents

1 Auction & Specialist Information

2 Web Site & Online Bidding

4 Glossary of Terms

5 Lots 1–207

133 Artist Index

135 Event Announcement

136 Conditions of Sale

137 Absentee Bid Form

138 Company Directors & Specialty Departments

139 Administrative Staff & Client Services

140 Map & Driving Directions

141 Parking & Accommodations

143 Catalog Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 136 of this catalog for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2013

All rights reserved

MA/Lic. #2304

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All items in this catalogue are described according to the following table of terminology. Please note that all statements in this catalogue as to Authorship, Period, and Origin, are qualified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph EnnekingIn our judgment, the work is by the artist.

Attributed to John Joseph EnnekingIn our judgment, the work may be ascribed to the artist on the basis of style, but leaves some question as to actual authorship.

School of John Joseph EnnekingIn our judgment, a work of an unknown follower executed in the style of the artist and contemporary in period.

Manner of John Joseph EnnekingIn our judgment, a work executed in the style of the artist by an unknown hand and probably from a later period.

After John Joseph EnnekingIn our judgment, an intended copy of the work of the artist.

American School, 19th CenturyIn our judgment, the work of an unknown hand that can only be identified as to period and culture.

Other terms:

Bears SignatureIn our judgment, the signature not of the artist. This term is generally used separately, or together with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.

Measurements are given as height x width and refer to the size of the support unless otherwise indicated.

Glossary of Terms

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FinePrints &MultiplesLots 1–175

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1Yaacov Agam (Israeli, b. 1928)

END TO END Suite, 1991, from the proof edition of 18. Each signed “Agam” in whiting or similar (within the image) l.r., numbered “EA/14/18” in whiting or similar (within the image) l.l., and signed in marker or similar on the backings. Color screenprints on paper, sight sizes approximately 28 3/4 x 28 3/4 in. (72.9 x 72.9 cm), framed.Condition: Not examined out of frames.

Provenance: Purchased from the Circle Gallery, San Diego, in 1996, through to the present owner.$2,000-3,000

2Ivan Le Lorraine Albright (American, 1897-1983)

Show Case Doll, 1954, edition of 44 (Grayson, 15). Dedicated and signed “To Matt with Love Ivan/Ivan Albright” in pencil l.r., titled and inscribed “...Litho on Stone” in pencil l.l. Lithograph on paper, image size 17 1/4 x 25 3/8 in. (43.7 x 64.3 cm), framed.Condition: Rippling, not examined out of frame.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$400-600

3Ivan Le Lorraine Albright (American, 1897-1983)

Hail to The Pure (Portrait of Maria Piedra), 1977, edition of 100 (Grayson, 22). Signed “Ivan Albright” in pencil l.r., titled in pencil l.l. Lithograph on cream wove paper, image size 18 1/8 x 13 1/4 in. (46.0 x 33.5 cm), unmatted, unframed.Condition: Deckled edges, very minor handling creases.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$300-350

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4Ivan Le Lorraine Albright (American, 1897-1983)

Appears the Man, 1980. Titled, signed, and dated “...Ivan Albright 1980” in pencil l.r., dedicated “To Matt my great friend/Ivan” in pencil l.r. Lithograph on cream wove paper, image size 18 3/8 x 14 1/2 in. (46.5 x 36.7 cm), unmatted, unframed.Condition: Deckled edges, staining to very edges, fox marks u.r., very minor handling creases

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$300-350

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5Richard Anuszkiewicz (American, b. 1930)

6 SERITYPIEN/A Portfolio of Six Works, 1965, edition of 125. Each signed “ANUSZKIEWICZ” in pencil (within the image) l.r., numbered “91” and dedicated “To Matt Wysocki Richard/Anuszkiewicz 1968” on the colophon page. Color screenprints on paperboard, sheet sizes 24 3/8 x 24 1/4 in. (61.8 x 61.5 cm), presented in the original clamshell box.Condition: Good.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,500-2,500

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6Richard Anuszkiewicz (American, b. 1930)

Untitled, 1968. Signed, inscribed, and dated “ANUSZKIEWICZ A.P. 1968” in pencil l.l. Color screenprint on paper, image size 33 x 23 in. (83.6 x 58.3 cm), framed.Condition: Not examined out of frame.$500-700

7Karel Appel (Dutch, 1921-2006)

Untitled, 1969, edition of 75. Signed and dated “Appel 69” in pencil l.r., numbered “37/75” in pencil l.l. Color lithograph on paper, image size 25 1/4 x 19 5/8 in. (64.0 x 49.8 cm), framed.Condition: Toning, water staining to lower edge, not examined out of frame.$400-600

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8Avigdor Arikha (French/Israeli, 1929-2010)

Samuel Beckett in Profile, 1970, printed in 1976, edition of 75 (Thomson & Coppel, 10). Signed “ARIKHA...” in pencil l.r., numbered “30/75” in pencil l.l., dated within the plate. Etching on paper, plate size 9 1/4 x 6 7/8 in. (23.4 x 17.4 cm), framed.Condition: Not examined out of frame.

Provenance: From a private New England collection, sold to benefit a philanthropic organization.$2,000-2,500

9Arman (French/American, 1928-2005)

Chessboard in Hommage to Marcel Duchamp’s L.H.O.O.Q., 1973, edition of 100. Numbered and signed “89/100 Arman” in felt-tip pen (within the image) l.l. Screenprint on Skivertex leather chessboard, sight size 16 x 15 7/8 in. (40.5 x 40.1 cm), framed.Condition: Not examined out of frame.$500-700

10John Taylor Arms (American, 1887-1953)

U.S.S. Columbia under Construction at New York Shipbuilding Corporation, Camden, 1945, second state, edition of 766 (Fletcher, 390). Signed and dated “John Taylor Arms 1945” in pencil l.r., inscribed “II” in pencil l.l., identified on a label from Kennedy & Co., New York, affixed to the backing. Etching and drypoint on paper, plate size 12 3/8 x 17 1/4 in. (31.3 x 43.8 cm), framed.Condition: Mat burn, unobtrusive toning and rippling, not examined out of frame.$250-300

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11Donald Baechler (American, b. 1956)

Untitled (Arithmetic Head), 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1 cm), framed.Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame.$2,000-3,000

12Donald Baechler (American, b. 1956)

Untitled (Green Flower), 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1cm), framed.Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame.$2,000-3,000

13Donald Baechler (American, b. 1956)

Untitled, 1993, edition of 75, published by Pace Editions, New York. Numbered, signed, and dated “6/75 Donald Baechler ‘93” in pencil (within the image) l.l. Color screenprint with collage on paper, image/sheet size 36 x 28 in. (91.4 x 71.1 cm), framed.Condition: Deckled edges, gentle rippling, sheet floated in frame, not examined out of frame.$2,000-3,000

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14Will Barnet (American, 1911-2012)

Mary, alternatively titled Portrait of Mary, 1938, edition of 12 (Cole, 56). Signed “Will Barnet” in pencil l.r. Lithograph on paper, image size 13 5/16 x 10 3/4 in. (33.7 x 27.2 cm), framed.Condition: Mat burn, unobtrusive toning, not examined out of frame.

N.B. Mary was Barnet’s first wife.$250-300

15Leonard Baskin (American, 1922-2000)

The Poet Laureate, 1955 (Fern & O’Sullivan, 257). Signed “Baskin” in pencil l.r., titled in pencil l.l. Woodcut on Japan paper, 23 1/8 x 48 1/4 in. (58.5 x 122.5 cm), unmatted, unframed.Condition: Toning to edges of sheet, old hinges to verso at edges.$600-800

16Leonard Baskin (American, 1922-2000)

Two Floral Works: Untitled (Sunflower) 1998, edition of 20; and Untitled (Mum), 1998. Both signed “Baskin” in pencil in the lower margin. Color woodcuts on paper, image sizes to 11 x 7 1/2 in. (27.7 x 19.0 cm), framed.Condition: Not examined out of frames.$250-300

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17Jean-Michel Basquiat (American, 1960-1988)

Beat Bop. Test Pressing, Version One, Volume One, 1983, white vinyl edition of unknown size, published by Tartown Record Co., New York. Identified on the cover and record label. Screenprinted jacket and label, 12 1/4 x 12 1/4 in. (31.0 x 31.0 cm), unframed.Condition: Minor wear to spine and corners of jacket, the record has not been played to confirm its condition.

N.B. The lot is accompanied by a copy of the album Emotions in Motion by Billy Squier, cover by Andy Warhol; Emanon’s The Baby Beat Box, cover by Keith Haring, 1986; and David Bowie’s 45/single Without You/Criminal World, with cover sleeve by Keith Haring, 1983.$600-800

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18Max Beckmann (German, 1884-1950)

Der Morgen, 1923, plate 6 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924 (Hofmaier, 299). Signed “Beckmann” in pencil l.r. Etching and drypoint on paper, plate size 10 x 12 in. (25.4 x 30.4 cm), framed.Condition: Subtle toning and mat burn, not examined out of frame.$400-600

19Hans Sebald Beham (German, 1500-1550)

Adam and Eve Expelled from Paradise, 1543. Monogrammed and dated within the plate, identified on a label from E. Weyhe, New York, affixed to the backing. Engraving on paper, image/sheet size 3 1/4 x 2 1/4 in. (8.2 x 5.6 cm), framed.Condition: Trimmed on and/or just outside of the borderline, good impression, not examined out of frame.$300-500

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19AThomas Hart Benton (American, 1889-1975)

Aaron, 1941, edition of 250, published by Associated American Artists, New York (Fath, 42). Signed “Benton” in pencil l.r. and within the matrix, identified on a label from AAA affixed to the backing. Lithograph on paper, image size 12 7/8 x 9 1/2 in. (32.6 x 24.0 cm), framed.Condition: Subtle toning, not examined out of frame.$800-1,200

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20Albert Besnard (French, 1849-1934)

La mère malade, 1889, final state of 6 (Delteil, 90). Signed “ABesnard” in pencil l.r. Etching and drypoint on wove paper, plate size 7 13/16 x 11 3/4 in. (19.8 x 29.8 cm), matted, unframed.Condition: Break along lower edge of plate mark, stabilized with a backing of fine Japan paper, pencil annotations to the lower edge.$300-350

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21Isabel Bishop (American, 1902-1988)

Two Girls Outdoors, alternatively titled Helping with the Veil, 1953, edition of 50 published in 1981 by Associated American Artists, New York, printed by Stephen Sholinsky (Teller & Hyman, 49; AAA/Czestochowski, 1981.009.07). Signed “Isabel Bishop” in pencil l.r., numbered “24/50” in pencil l.l., printer’s dry stamp l.r., identified on a labels from the Midtown Galleries, Inc., New York, affixed to the back of the mat. Etching on wove paper, plate size 7 3/8 x 4 7/8 in. (18.6 x 12.5 cm), framed.Condition: Deckled edges.$300-500

22Edmund Blampied (British, 1886-1966)

Three Genre Scenes: Resting, 1923, second state of two, edition of 100 (Arnold & Appleby, 93) signed in pencil and within the plate; The Cider Barrell, 1928-1929, edition of 100 (A&A, 134), signed (multiple times) and dated within the plate; and Galloping, 1932-1933, edition of 100 (A&A, 165), signed in ink and within the plate. Drypoints on paper, plate sizes to 10 1/2 x 10 3/8 in. (26.6 x 26.3 cm), framed.Condition: Subtle toning, not examined out of frames.$800-1,200

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23Maurice Bompard (French, 1857-1936)

Quiet Canal. Unsigned. Color etching and aquatint on paper, plate size 13 3/8 x 18 1/8 in. (33.9 x 45.9 cm), framedCondition: Minor breaks to paper fibers along the platemark, not examined out of frame.$300-350

24Pierre Bonnard (French, 1867-1947)

La grand-mère, 1895, for L’ÉPREUVE, possibly a later printing (Roger-Marx, 30). Signed within the matrix. Lithograph on Japan laid paper, image size 8 1/8 x 9 1/8 in. (20.5 x 23.2 cm), framed.Condition: Margins 1 inch or more, subtle toning, pale foxing, masking tape to upper corners.$300-500

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25Félix Bracquemond (French, 1833-1914)

La nuée d’orage, c. 1880 (Beraldi, 219). Signed “Bracquemond” in pencil l.r., signed and initialed within the plate. Etching and drypoint on fine laid paper with MBM watermark, plate size 10 x 13 3/4 in. (25.4 x 34.8 cm), matted, unframed. Condition: Deckled edges, pale staining and mat burn to margins.$500-700

26William Bradford (American, 1823-1892)

Arctic Explorers Cutting a Channel, 1890. Signed “William Bradford” in pencil l.r., signed and dated within the plate. Etching on paper, sight size 16 5/8 x 26 3/4 in. (42.2 x 67.8 cm), framed.Condition: Not examined out of frame.$1,000-1,500

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26AGeorges Braque (French, 1882-1963)

Les trois oiseaux en vol, 1961, edition of 75 (Vallier, 168). Signed “G Braque” in pencil (within the image) l.r., numbered “32/75” in pencil l.l. Color etching with aquatint on Rives paper with watermark, plate/sheet size 29 x 22 1/2 in. (73.5 x 57.0 cm), framed.Condition: Deckled edges, pale staining l.r., pale fox marks, hinged near the upper corners.$4,000-6,000

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27Georges Braque, illustrator (French, 1882-1963)

Braque Lithographe, preface by Francis Ponge, catalogue and notes by Fernand Mourlot, edited and published by André Sauret, Monte Carlo, 1963 in an edition of 4,125, with three original lithographs by the artist (cover, frontispiece and title page). Identified and numbered “2,189” on the justification page. 12 1/2 x 9 3/4 in. (31.6 x 24.6 cm), paper covers with wax paper jacket cover (tears) and slipcase (wear).Condition: Extremely minor wear.$250-350

28George Elbert Burr (American, 1859-1939)

Two Desert Views: Indian Home - Salt River Mountains Arizona (Seeber, 292) and (On) Road to Apache Reservation, Arizona (Seeber, 295). Both signed “George Elbert Burr” in pencil l.l., titled in pencil l.r., and monogrammed within the plate. Etchings with drypoint on paper, plate sizes to 7 3/4 x 9 5/8 in. (19.5 x 24.3 cm), framed.Condition: Subtle mat burn, Road with minor pale stains, not examined out of frames.$600-800

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29Paul Cadmus (American, 1904-1999)

Two Boys on a Beach, No. 2, 1939, edition of 157, published by the Albany Print Club (Johnson, 86). Signed “Paul Cadmus” in pencil l.r., initialed within the plate. Etching on laid G. WILMOT paper with watermark, plate size 6 3/8 x 9 1/16 in. (16.1 x 22.9 cm), matted, unframed.Condition: Margins over 1 1/4 inches.

N.B. The original publication text from the Albany Print Club accompanies the lot.$3,500-5,500

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30Alexander Calder (American, 1898-1976)

Untitled (Helix), edition of 125. Signed “Calder” in pencil l.r., numbered “48/125” in pencil l.l. Color lithograph on paper, image size 14 3/8 x 11 in. (36.4 x 27.8 cm), framed.Condition: Floating within the mat, not examined out of frame.$300-500

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31Alexander Calder (American, 1898-1976)

Circus. Signed “Calder” in pencil (within the image) l.r., inscribed “E.A.” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 26 1/8 x 38 1/8 in. (66.3 x 96.7 cm), unmatted, unframed.Condition: Deckled edges, toning, staining u.c., rub to image l.r.

Provenance: Purchased from the Brewster Gallery, New York, 1977.$1,500-2,000

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32Alexander Calder (American, 1898-1976)

Two Different Versions of McGovern for McGovernment, 1972, editions of 200, both published by Styria Studios Ltd., New York. Both signed “Calder” in pencil l.r. and numbered “54/200” in pencil l.l. Lithographs (one in color) on BFK Rives paper with watermark, image sizes approximately 30 x 22 3/4 in. (76.2 x 57.7 cm), unmatted, unframed.Condition: Minor unpressed handling creases.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$600-800

33Alexander Calder (American, 1898-1976)

Beastie, 1974, from THE FLYING COLORS COLLECTION, published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithograph on paper, image size 16 3/4 x 22 5/8 in. (43.4 x 57.3 cm), framed.Condition: Pale foxing, not examined out of frame.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600

34Alexander Calder (American, 1898-1976)

Two Prints from THE FLYING COLORS COLLECTION: Sky Bird, 1974; and Sunburst, 1974, both published 1975. Monogrammed and dated within the matrix, Flying Colors dry stamp l.r. Color lithographs on paper, sheet sizes 20 1/8 x 26 in. (51.0 x 66.0 cm), unmatted, unframed.Condition: Toning, old hinges along upper edges.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$300-500

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35Alexander Calder (American, 1898-1976)

Untitled, edition of 150. Signed “Calder” in pencil l.r., numbered “60/150” in pencil l.l. Color lithograph on paper, image/sheet size 21 1/4 x 17 in. (53.9 x 43.1 cm), framed.Condition: Rubs/abrasions to image, staining to image.

Provenance: Purchased from the Brewster Gallery, New York, 1976.$800-1,200

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36Mary Cassatt (American, 1843-1926)

Margot Wearing a Large Bonnet, Seated in an Armchair, c. 1904, edition probably of 50 (Breeskin, 192). Signed and inscribed “Mary Cassatt no 9.” in pencil l.r. Drypoint on laid paper with VANDERLEY and crest-form watermarks, plate size 11 7/8 x 9 1/2 in. (30.2 x 24.0 cm), framed.Condition: Margins 1 1/2 inches or more with deckled edges, toning, mat burn, scattered fox marks, losses to edges near upper corners, repaired tears, printing flaws, pencil annotations along the lower edge.$1,000-1,500

37Mary Cassatt (American, 1843-1926)

The Manicure, c. 1908, second state of two, possibly printed by Delâtre c. 1926 (Breeskin, 199). Unsigned. Drypoint on white/blue laid paper, plate size 8 x 5 3/4 in. (20.3 x 14.4 cm), unmatted, unframed.Condition: Margins 1 1/4 inches or more, pale toning and pinpoint fox marks (primarily to verso).$1,200-1,800

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38Marc Chagall (Russian/French, 1887-1985)

Village à l’âne rouge, 1984, edition of 50 (Mourlot, 1025). Signed “Marc Chagall” in pencil l.r., numbered “38/50” in pencil l.l. Color lithograph on paper, image size 10 7/8 x 13 1/2 in. (27.4 x 34.2 cm), framed.Condition: Margins 2 inches or more, not examined out of frame.$6,000-8,000

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39John Chamberlain (American, 1927-2011)

Flashback VII, 1981, edition of 175. Signed “Chamberlain” in pencil l.r., numbered “21/175” in pencil l.l., publisher’s and/or printer’s dry stamps l.l. Color lithograph on Arches paper with watermark, image size 19 3/4 x 15 1/2 in. (50.1 x 39.3 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches with deckled edges, toning.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600

40Roland Clark (American, 1874-1957)

Evening Flight. Signed “Roland Clark” in pencil l.r. Etching and drypoint on paper, plate size 12 x 14 7/8 in. (30.4 x 37.7 cm), framed.Condition: Not examined out of frame.$300-350

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41Chuck Close (American, b. 1940)

Phil, 1976, edition of 1,000, published by Parasol Press, Ltd., New York. Unsigned, numbered “437” in pencil and identified in text on the reverse. Offset print on heavy paper, image size 7 x 5 5/8 in. (17.7 x 14.3 cm), framed.Condition: Minute wear to corners of sheet.$700-900

42Jean Cocteau (French, 1889-1963)

Sur la plage, 1958, edition of 220. Signed and dated “Jean Cocteau * 58” in pencil l.r., numbered “212/220” in pencil l.l. Color lithograph on paper, image size 14 x 11 1/4 in. (35.5 x 28.5 cm), framed.Condition: Not examined out of frame.$400-600

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43Lovis Corinth (German, 1858-1925)

Selbstbildnis, 1922-1923, plate 2 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924. Signed “Lovis Corinth” in pencil l.r. Etching and drypoint on paper, plate size 6 1/2 x 4 1/4 in. (16.4 x 10.8 cm), framed.Condition: Subtle toning and mat burn, not examined out of frame.$300-350

44Joseph Cornell (American, 1903-1972)

Untitled (Landscape with Figure), 1972, edition of 125. Estate stamped l.r., numbered “30/125” in pencil l.l. Color heliogravure on paper, plate size 13 x 10 1/4 in. (33.0 x 26.0 cm), framed.Condition: Not examined out of frame.

Provenance: The estate of Elizabeth A. Straus, New York and Maine. $200-300

35Online bidding at www.skinnerinc.com

44

43

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45Two Works from the Publication PAN, volume iv, number 1:

Henri Edmond Cross (French, 1856-1910), Les Champs-Elysees, 1898; and Paul Signac (French, 1863-1935) Le soir (La jetée de Flessingue), 1898 (Kornfeld & Wick, 20). Both unsigned. Color lithographs on paper, image size approximately 8 x 10 1/4 in. (19.9 x 25.9 cm), framed.Condition: Not examined out of frames.

Provenance: The estate of Elizabeth A. Straus, New York and Maine.$1,000-1,500

46José Luis Cuevas (Mexican/American, b. 1933)

Three Prints from CRIME BY CUEVAS, 1968, edition of 100: Jack the Ripper, History of Crime, and From My Sketchbook. Each signed and dated within the plate and in pencil, each marked “artist proof” in pencil. Lithograph on paper, sheet sizes 21 3/4 x 29 3/4 in. (55.5 x 75.8 cm), unmatted, unframed.Condition: Very minor handling marks at edges.$700-900

36 Additional information and photos at www.skinnerinc.com

46

45

Page 39: Fine Prints & Photography | Skinner Auction 2655B

47Salvador Dalí (Spanish, 1904-1989)

The Agony of Love (Unicorn), from the DALÍ RETROSPECTIVE Portfolio, 1978-1979, from the edition of 350 (Michler & Löpsinger, 1556). Signed “Dalí” in pencil l.r., numbered “E 53/350” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 17 in. (57.6 x 43.0 cm), framed.Condition: Not examined out of frame.$400-600

37Online bidding at www.skinnerinc.com

47

Page 40: Fine Prints & Photography | Skinner Auction 2655B

48Alan Davie (British, b. 1920)

Three Images from ZURICH IMPROVISATIONS: VI, XII, and XXVI, 1965, editions of 25, published by Edition Alecto, London. Each signed and dated “Alan Davie/65” in pencil l.r., each numbered and titled in pencil l.l., each with publisher’s dry stamp l.r. Color lithographs on BFK Rives paper with watermarks, image sizes approximately 21 1/4 x 30 1/2 in. (53.8 x 77.4 cm), unmatted, unframed.Condition: Deckled edges, unobtrusive soiling, and staining (primarily to margins), several minor nicks and creases to the edges of the margins.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600

38 Additional information and photos at www.skinnerinc.com

48

Page 41: Fine Prints & Photography | Skinner Auction 2655B

49Edgar Degas (French, 1834-1917)

Au Louvre, la peinture, Mary Cassatt, c. 1879-1880, impression from the cancelled plate (Adhémar & Cachine, 54). Unsigned. Etching with aquatint and drypoint on heavy laid paper, plate size 12 x 5 in. (30.4 x 12.6 cm), matted, unframed.Condition: Gently light-struck.$1,500-2,000

39Online bidding at www.skinnerinc.com

49

Page 42: Fine Prints & Photography | Skinner Auction 2655B

50Jim Dine (American, b. 1935)

Allum, 1978. Inscribed, signed, dated, and dedicated “A/P Jim Dine 1978 For Matt with Thanx J.D.” in pencil beneath the image. Etching and drypoint on paper, plate size 8 1/4 x 6 3/4 in. (20.8 x 17.1 cm), framed.Condition: Margins 7 inches or more, not examined out of frame.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,000-1,500

40 Additional information and photos at www.skinnerinc.com

50

Page 43: Fine Prints & Photography | Skinner Auction 2655B

51Otto Dix (German, 1891-1969)

Mutzli (Bildnis von Frau Dix), alternatively titled Frauenbildnis, 1923, plate 8 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, published 1924. Signed “Dix...” in pencil l.r. Etching and drypoint on paper, plate size 9 1/2 x 7 1/2 in. (24.1 x 19.0 cm), framed.Condition: Subtle toning, not examined out of frame.$400-600

52César Domela (Dutch, 1900-1992)

Untitled, edition of 175. Signed “Domela” in pencil (within the image) l.r., numbered “49/175” in pencil (within the image) l.l. Color lithograph on Arches paper with watermark, image/sheet size 29 x 21 5/8 in. (73.5 x 54.8 cm), unmatted, unframed.Condition: Minor handling creases, minor indentation into image l.r., staining to verso.$300-500

53Raoul Dufy (French, 1877-1953)

Petite Baigneuse aux Papillons, c. 1930. Signed in the plate. Etching on paper, plate size 8 5/8 x 12 1/4 in. (21.8 x 31.0 cm), framed.Condition: Mat burn, not examined out of frame.$300-350

41Online bidding at www.skinnerinc.com

5152

53

Page 44: Fine Prints & Photography | Skinner Auction 2655B

54Albrecht Dürer (German, 1471-1528)

Ecce Homo, from THE LARGE PASSION, c. 1511 (Bartsch, 9; Meder, 188 a/c; Hollstein/Boon & Scheller, 118 before text). Monogrammed in the block. Woodcut on paper (no watermark), image size 15 5/16 x 10 7/8 in. (38.8 x 27.5 cm), framed.Condition: Trimmed to or just into the borderline, a good impression with staining to all four corners plus additional pale water staining, horizontal surface abrasion just below the center of the image, tear to corner u.r.$800-1,200

55Kerr Eby (American, 1889-1946)

The Doryman, 1940, edition of 100 (Giardina, 200). Signed “Kerry Eby imp.” in pencil l.r., identified on a label from Harlow, Keppel & Co., Inc., New York, affixed to the backing. Etching and sandpaper ground on paper, plate size 9 7/8 x 14 7/8 in. (25.0 x 37.6 cm), framed.Condition: Not examined out of frame.

Provenance: The estate of Elizabeth A. Straus, New York and Maine.$200-250

56Hans Erni (Swiss, b. 1909)

Figure and Pears, edition of 60. Signed “Erni” in pencil l.r., numbered “33/60” in pencil l.l., erased pencil inscription l.r. Lithograph on paper, image size 14 1/4 x 20 7/8 in. (36.0 x 52.8 cm), matted, unframed.Condition: Several fox marks, pale toning to edges, minor nicks top lower edge.$500-700

42 Additional information and photos at www.skinnerinc.com

54

Page 45: Fine Prints & Photography | Skinner Auction 2655B

43Online bidding at www.skinnerinc.com

56

55

Page 46: Fine Prints & Photography | Skinner Auction 2655B

57Romain de Tirtoff, called Erté (French, 1892-1990)

Fantaisie, 1976, edition of 300 (Lee, 73). Signed “Erté” in pencil l.r., numbered “230/300” l.l. Color screenprint on paper, image size 7 x 6 1/4 in. (17.5 x 15.6 cm), framed.Condition: Faint mat burn, not examined out of frame.$300-350

44 Additional information and photos at www.skinnerinc.com

57

Page 47: Fine Prints & Photography | Skinner Auction 2655B

58Shepard Fairey (American, b. 1970)

Four Prints: OBEY: Never Trust Your Own Eyes..., 2011; VOTE, 2008, edition of 5,000; Head, 2006, edition of 300; and Flag, 2011. All but VOTE signed and dated in pencil l.r. Offset lithographic posters on various papers, sheet sizes to 38 1/2 x 25 in. (97.6 x 63.4 cm), unmatted, unframed.Condition: Very minor handling creases.$1,500-2,000

59Shepard Fairey (American, b. 1970)

Three Skate Decks. Identified within the matrix. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm). Condition: Extremely minute wear.$500-700

45Online bidding at www.skinnerinc.com

58

59

Page 48: Fine Prints & Photography | Skinner Auction 2655B

60Aaron Fink (American, b. 1955)

Poker Player, 1986, edition of 35. Signed and dated “Aaron Fink ‘86” in pencil l.r., numbered “19/35” in pencil l.l. Etching and aquatint in red and black on cream Arches paper with watermark, plate size 29 5/8 x 23 5/8 in. (75.2 x 59.9 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches with deckled edges, handling creases to margins.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$250-300

61Aaron Fink (American, b. 1955)

Glass of Water, 1987, edition of 50. Signed and dated “Aaron Fink ‘87” in pencil l.r., numbered “20/50” in pencil l.l. Color etching and aquatint on Arches paper with watermark, plate size 23 7/8 x 17 5/8 in. (60.5 x 44.7 cm), unmatted, unframed.Condition: Margins over 2 inches with deckled edges, handling creases to right margin.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$200-250

62Michiel Gloeckner (American, 1915-1989)

Two Abstract Compositions: Untitled (Curves), 1974, edition of 100, published by Michel Cassé, Paris; and Untitled (Quadrilaterals), 1974, edition of 125. Both signed and dated “Michiel Gloeckner 1974” in pencil l.r. and numbered in pencil l.l. Color lithographs on paper, image sizes to 26 3/4 x 19 3/4 in. (67.8 x 50.0 cm), unmatted, unframed.Condition: Margins 1/2 inch or more, subtle toning to latter.$300-500

46 Additional information and photos at www.skinnerinc.com

60

61

Page 49: Fine Prints & Photography | Skinner Auction 2655B

63Francisco José de Goya y Lucientes (Spanish, 1746-1828)

Three Plates from LOS CAPRICHOS, 1799: Que sacrificio, plate 14, from the third edition, 1868 (Harris, 49); Dios la perdone: Y era su madre, plate 16, from the tenth edition 1918-1928 (Harris, 51); and Correccion, plate 46, from the tenth edition 1918-1928 (Harris, 81). Each identified within the plate. Etchings with aquatint on paper, plate sizes approximately 7 7/8 x 5 7/8 in. (19.8 x 14.8 cm), framed.Condition: Pale staining, small repair to lower margin of Dios, not examined out of frames.$1,000-1,500

64Francisco José de Goya y Lucientes (Spanish, 1746-1828)

Los Moros establecidos en España, plate 3 from LA TAUROMAQUIA, 1816, from the fourth edition, 1905 (Harris, 206). Unsigned, identified with plate number within the plate. Etching with aquatint on paper, plate size 9 5/8 x 13 5/8 in. (24.4 x 34.5 cm), framed.Condition: Margins 1 1/2 inches or more, not examined out of frame.$250-350

47Online bidding at www.skinnerinc.com

64

63

62

Page 50: Fine Prints & Photography | Skinner Auction 2655B

65Keith Haring (American, 1958-1990)

Kutztown Connection, 1984. Signed “K.Haring” in red felt-tip pen l.r., signed and dated within the matrix. Offset lithographic poster on paper, image size 21 3/4 x 18 1/2 in. (55.2 x 46.8 cm), framed.Condition: Not examined out of frame.$1,500-2,000

66After Keith Haring (American, 1958-1990)

Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by Keith Haring Foundation and Artestar, New York. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink-wrap, containing original stickers.Condition: Not examined out of wrap.$400-600

48 Additional information and photos at www.skinnerinc.com

66

65

Page 51: Fine Prints & Photography | Skinner Auction 2655B

67Frederick Childe Hassam (American, 1859-1935)

Union Square, 1896 (Cortissoz & Clayton, 89). Monogrammed and inscribed “CH imp” in pencil l.r., monogrammed, inscribed, and dated within the plate, identified on a label from William Macbeth, Inc., New York, affixed to the backing. Etching and drypoint on paper, plate size 4 1/4 x 5 3/4 in. (10.5 x 14.5 cm), framed.Condition: Pale mat burn, image gently light-struck, margins very uneven, but measuring 1/4 inch at the narrowest point and just over 1 inch at the broadest (including some creases and tears; none closer than 1/4 inch to the plate mark), masking tape to margin l.r.

Provenance: Skinner, Inc., Boston, Sale 1832, Lot 48, March 13, 1998.$7,000-9,000

49Online bidding at www.skinnerinc.com

67

Page 52: Fine Prints & Photography | Skinner Auction 2655B

68Stanley William Hayter (British, 1901-1988)

Scorpio, 1968, from the edition of 150 printed by Etablissements Guillard, Cachan, France, published by La Vision Nouvelle, Paris (Black & Moorhead, 321). Signed and dated “SWHayter 68” in pencil l.r., titled in pencil l.c., numbered “IL/CL” in pencil l.l. Color lithograph on paper, image size 22 3/4 x 18 1/8 in. (57.7 x 46.0 cm), framed.Condition: Subtle toning, not examined out of frame.$400-600

69Stanley William Hayter (British, 1901-1988)

Swimmers, 1970, edition of 100 published by A.B. Lublin, New York (Black & Moorhead, 344). Signed and dated “SWHayter 70” in pencil l.r., titled in pencil l.c., numbered “53/100” in pencil l.l. Color etching and aquatint on paper, plate 19 1/8 x 23 1/4 in. (48.4 x 59.1 cm), framed.Condition: Gentle rippling, not examined out of frame.$400-600

50 Additional information and photos at www.skinnerinc.com

69

68

Page 53: Fine Prints & Photography | Skinner Auction 2655B

70Howard Hodgkins (British, b. 1932)

Red Palm, 1986-1987, edition of 85 plus proofs (Heenk, 75). Initialed and numbered “H.H. A P 15” in pencil (within the image) l.c. Color lithograph with pochoir on paper, image/sheet size 42 1/4 x 53 1/4 in. (107.3 x 135.1 cm), framed.Condition: Deckled edges, sheet floated in frame, not examined out of frame.

Provenance: The estate of Elizabeth A. Straus, New York and Maine.$5,000-7,000

51Online bidding at www.skinnerinc.com

70

Page 54: Fine Prints & Photography | Skinner Auction 2655B

71Louis Icart (French, 1888-1950)

Petite Prisonniere, 1924 (Holland et al., 205). Signed “Louis Icart” in pencil l.r., numbered “723” in pencil l.l., identified within the plate. Color etching with aquatint and stencil coloring on paper, oval format, plate size 15 5/8 x 19 1/2 in. (39.3 x 49.1 cm), framed.Condition: Light toning, not examined out of frame.$400-600

72Louis Icart (French, 1888-1950)

Coup de Vent, 1925 (Holland et al., 235). Signed “Louis Icart” in pencil l.r., numbered “300” in pencil l.l., identified in publication text within the plate. Etching with aquatint and hand-coloring on paper, plate size 22 1/8 x 18 1/2 in. (56.0 x 47.0 cm), framed.Condition: Toning, foxing.$800-1,200

73Louis Icart (French, 1888-1950)

New Friends, 1925 (Holland et al., 238). Signed “Louis Icart” in pencil l.r., numbered “245” in pencil l.l., identified within the plate. Color etching with aquatint and stencil coloring on paper, oval format, plate size 15 x 18 in. (38.0 x 45.5 cm), framed.Condition: Subtle toning, not examined out of frame.$400-600

74Louis Icart (French, 1888-1950)

Fanny & Cat, 1926 (Holland et al., 260). Signed “Louis Icart” in pencil l.r., numbered “207” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, plate size 14 3/8 x 13 1/8 in. (36.7 x 33.3 cm), framed.Condition: Light toning, faint water stains in right margin, not examined out of frame.$400-600

75Louis Icart (French, 1888-1950)

Lettres D’Amour, 1926 (Holland et. al., 289). Signed “Louis Icart” in pencil l.r., inscribed “Ep d’artiste” in pencil l.l., identified within the plate, artist’s dry stamp l.l. Color etching with aquatint and stencil coloring on paper, oval format, plate size 14 x 18 3/8 in. (35.7 x 46.8 cm), framed. Condition: Toning, not examined out of frame.$400-600

52 Additional information and photos at www.skinnerinc.com

72

71

Page 55: Fine Prints & Photography | Skinner Auction 2655B

53Online bidding at www.skinnerinc.com

75

73

74

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76Louis Icart (French, 1888-1950)

Two Images of Young Women with Pets: Les Chatons, 1926 (Holland et al., 299); and La Jalousie, 1927 (Holland et al., 301). Both signed “Louis Icart” in pencil l.r., numbered “277” and “228” in pencil l.l., respectively, both identified within the plates, both with artist’s dry stamp l.l. Color etchings with aquatint and stencil coloring on paper, plate sizes 10 x 10 1/2 in. (25.0 x 27.0 cm), framed.Condition: Small inclusion below image and slight mat burn on Les Chatons, neither examined out of frame.$500-700

77Louis Icart (French, 1888-1950)

La Belle Au Bois Dormant, 1927 (Holland et al., 323). Signed “Louis Icart” in pencil l.r., numbered “424” in pencil l.l., identified within the plate, artist’s dry stamp l.l., titled within a separate plate printed in the l.l. corner of the sheet. Color etching with aquatint and stencil coloring on paper, plate size 15 1/2 x 18 1/2 in. (39.7 x 47.0 cm), framed.Condition: Toning, small stains in l.r. corner of sheet, not examined out of frame.$400-600

54 Additional information and photos at www.skinnerinc.com

77

76

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55Online bidding at www.skinnerinc.com

78Johan Barthold Jongkind (Dutch, 1819-1891)

Moulins en Hollande, 1867, final state of three (Delteil, 14). Inscribed, dated, and signed within the plate, identified in text within the plate. Etching on laid paper, plate size 5 3/4 x 7 5/8 in. (14.7 x 19.3 cm), matted, unframed.Condition: Margins 1 inch or more, pale staining, several small thinned spots within the margins.$300-350

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78ADonald Judd (American, 1928-1994)

Untitled, from TEN FROM LEO CASTELLI, 1967, edition of 200 published by Tanglewood Press Inc., New York (Schellmann, I). Signed and numbered “Judd 11/200” in ink on a sticker affixed to the underside. Folded stainless steel, 20 1/8 x 24 x 2 1/2 in. (51.0 x 60.9 x 6.3 cm).Condition: Minor rubs and soiling.

Provenance: Sold to benefit the acquisition fund of the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire.$6,000-8,000

56 Additional information and photos at www.skinnerinc.com

78A

Page 59: Fine Prints & Photography | Skinner Auction 2655B

79John Melville Kelly (American, 1879-1962)

Moi Water, Hawaii, c. 1930. Signed “John Kelly” in pencil l.r. and within the plate, titled in pencil l.l. Etching on paper, plate size 9 7/8 x 7 7/8 in. (25.0 x 20.0 cm), framed.Condition: Mat burn, unobtrusive toning, not examined out of frame.

Provenance: The estate of Elizabeth A. Straus, New York and Maine.$200-250

80Rockwell Kent (American, 1882-1971)

The Lovers, 1928, edition of 100 (Jones, 23). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 6 1/2 x 10 1/8 in. (16.4 x 25.5 cm), framed.Condition: Unobtrusive toning, gentle rippling, not examined out of frame.$1,200-1,800

57Online bidding at www.skinnerinc.com

80

79

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81Rockwell Kent (American, 1882-1971)

Starry Night, 1933, edition of 1,750 (Jones, 103). Signed “Rockwell Kent” in pencil l.r. Wood engraving on paper, image size 7 x 4 7/8 in. (17.5 x 12.4 cm), framed.Condition: Foxing, not examined out of frame.$700-900

82Rockwell Kent (American, 1882-1971)

Adirondack Cabin, 1946, edition of 100 (Jones, 140). Signed “Rockwell Kent” in pencil l.r. Lithograph on paper, image size 9 1/2 x 12 1/2 in. (24.2 x 31.6 cm), matted, unframed.Condition: Margins approximately 3/8 inches, very subtle soiling to lower margin.$700-900

58 Additional information and photos at www.skinnerinc.com

82

81

Page 61: Fine Prints & Photography | Skinner Auction 2655B

83Marguerite Kirmse (American, 1885-1954)

All to the Good. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., identified on a label from The Potter Studio, Cleveland, affixed to the backing. Etching on paper, plate size 6 3/8 x 10 5/8 in. (16.2 x 26.9 cm), framed.Condition: Not examined out of frame.$300-350

84Marguerite Kirmse (American, 1885-1954)

Flushed. Signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., monogrammed within the plate. Etching on paper, plate size 7 1/4 x 11 1/8 in. (18.5 x 28.3 cm), framed.Condition: Mat burn, unobtrusive toning, not examined out of frame.$200-300

85Jeff Koons (American, b. 1955)

WOW (Works on Whatever) Plate Edition, 2012, made by Bernardaud, France. Identified on the reverse. Transfer-decorated porcelain plate, diameter 9 3/4 in. (24.5 cm), presented in its original box.Condition: Good.$300-500

59Online bidding at www.skinnerinc.com

84

83

85

Page 62: Fine Prints & Photography | Skinner Auction 2655B

86Armin Landeck (American, 1905-1984)

Moonlight in the Country, 1951, proof outside of the edition of 250 (Kraeft, 108). Signed “Landeck” in pencil l.r., inscribed “Proof for printing” in pencil l.l. Engraving on paper, plate size 10 1/8 x 11 15/16 in. (25.6 x 30.2 cm), framed.Condition: Mat burn, gentle toning, not examined out of frame.$200-250

87William Lee-Hankey (British, 1869-1952)

Two Images of Mothers and Children: Lizette and Pierre, 1918, and A Distraction, 1920 or later. Both signed “W. Lee-Hankey imp...” in pencil l.c., with artist’s dry stamp, and with artist’s monogram within the plate. Etching with drypoint on paper, plate sizes to 10 7/8 x 9 1/16 in. (27.5 x 23.0 cm), framed.Condition: Toning (more prevalent to Distraction), mild mat burn, not examined out of frames.$300-500

60 Additional information and photos at www.skinnerinc.com

87

86

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88Rita Leff (American, 1907-1979)

Two Works: Nexus and Citadel. Both signed “Rita Leff” in pencil l.r. and titled in pencil l.l. Color woodcuts on paper, image sizes to 22 3/4 x 9 1/2 in. (57.5 x 24.0 cm), matted, unframed.Condition: Pale mat burn and light-struck.$300-500

89Martin Lewis (American, 1881-1962)

R.F.D., 1933, total edition of 148 (McCarron, 106). Signed “Martin Lewis-” in pencil l.r., signed within the plate, identified on a label from Kennedy & Co., New York, affixed to the backing. Etching on paper, plate size 9 7/8 x 11 3/4 in. (25.0 x 29.7 cm), framed.Condition: Margins 1 3/4 inches or more, with white cloth tape and/or residue to the edges of the sheet, foxing, faint mold or similar residue to image.

N.B. The name on the mailbox refers to the artist’s friend Armin Landeck, with whom Lewis opened the School of Printmakers in the early 1930s in New York. The scene is in southern Connecticut.$800-1,200

61Online bidding at www.skinnerinc.com

89

88

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90Sol LeWitt (American, 1928-2007)

Arcs, Circles, and Grids, 1972, edition of 144 plus proofs published by Lincoln Center/List Art Posters, New York (Tate, S16). Signed and numbered “LeWitt 115/144” in pencil l.r. Screenprint on heavy wove paper, image size 68 x 36 3/8 in. (172.7 x 92.3 cm), unmatted, unframed.Condition: Margins over 1 1/2 inches, minor creases and soiling to very edges, crease to lower edge.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$2,500-3,500

62 Additional information and photos at www.skinnerinc.com

90

90

Page 65: Fine Prints & Photography | Skinner Auction 2655B

91Sol LeWitt (American, 1928-2007)

All Double Combinations (Superimposed) of Geometric Figures (Circle, Square, Triangle, Rectangle, Trapezoid, Parallelogram), 1977, edition of 25 printed by Patrice Foy at Crown Point Press, Oakland, published by Parasol Press, New York (Krakow/LeWitt, 1977.08). Each indistinctly signed and numbered in pencil l.r., identified on colophon page. Sixteen aquatints (including the colophon page) on paper mounted onto paperboard, sheet sizes 6 x 6 in. (15.2 x 15.2 cm), fourteen framed.Condition: Subtle surface rubs to the two unframed images.$3,000-5,000

63Online bidding at www.skinnerinc.com

91

Page 66: Fine Prints & Photography | Skinner Auction 2655B

92Roy Lichtenstein (American, 1923-1997)

Shipboard Girl, 1965, published by Leo Castelli Gallery, New York (Corlett, II.6). Signed “roy Lichtenstein” in pencil l.r. Offset color lithograph on paper, image size 26 x 19 1/8 in. (66.0 x 48.4 cm), framed.Condition: Fading, water staining to lower edge (slightly into image), not examined out of frame.$5,000-7,000

64 Additional information and photos at www.skinnerinc.com

92

Page 67: Fine Prints & Photography | Skinner Auction 2655B

93Roy Lichtenstein (American, 1923-1997)

As I Opened Fire.../A Triptych, 1966, large open edition (Corlett, App. 5). Unsigned, identified in text on the reverse of each sheet. Offset color lithographs on paper, sheet sizes 25 1/4 x 20 3/4 in. (64.1 x 52.7 cm), unmatted, unframed.Condition: Very minor toning and handling marks and creases.$500-700

94Roy Lichtenstein (American, 1923-1997)

Pyramids, 1969, edition of 101 plus proofs printed by Atelier Mourlot, New York (Corlett, 87). Signed and dated “Roy Lichtenstein ‘69” in pencil l.r., numbered “7/101” in pencil l.l. Color lithograph on paper, image size 11 1/2 x 34 7/8 in. (29.3 x 88.4 cm), framed.Condition: Rippling, visible margins of 1 3/4 inches or more, not examined out of frame.

N.B. This work was commissioned for the Print Collectors of the Friends of Art, Kansas City, Missouri, a group associated with what is now the Nelson-Atkins Museum of Art, Kansas City.$7,000-9,000

65Online bidding at www.skinnerinc.com

94

93

Page 68: Fine Prints & Photography | Skinner Auction 2655B

95Kyra Markham (American, 1891-1967)

The Silver Trumpets of the Rain, 1936, edition of 50. Signed and dated “Kyra Markham ‘36” in pencil l.r., titled and numbered “...11/50” in pencil l.l. Lithograph on paper, image size 13 7/8 x 10 3/8 in. (35.2 x 26.3 cm), framed.Condition: Gentle rippling, not examined out of frame.$800-1,200

96André Masson (French, 1896-1987)

Three Nudes, c. 1950, edition of 150. Signed “André Masson” in pencil l.r., numbered “3/150” in pencil l.l. Color lithograph on Japan paper, image size 16 3/4 x 22 1/8 in. (42.4 x 56.1 cm), framed.Condition: Not examined out of frame.$400-600

66 Additional information and photos at www.skinnerinc.com

96

95

Page 69: Fine Prints & Photography | Skinner Auction 2655B

97André Masson (French, 1896-1987)

Formes féminines, edition of 50. Signed “André Masson” in pencil l.l., numbered “9/50” in pencil l.r. Lithograph in ocher and brown on paper, image size 15 1/4 x 20 1/4 in. (38.5 x 51.3 cm), framed.Condition: Toning, mat burn, not examined out of frame.$300-500

98André Masson (French, 1896-1987)

Les nymphes de Fontainebleau, 1973-1975, edition of 50. Signed “André Masson” in pencil l.r., numbered “33/50” in pencil l.l. Etching and aquatint in violet and black on paper, plate size 15 1/2 x 11 1/4 in. (39.3 x 28.5 cm), unmatted, unframed.Condition: Margins 3 inches or more with deckled edges, pencil annotations to verso.$250-350

67Online bidding at www.skinnerinc.com98

97

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99Joan Miró (Spanish, 1893-1983)

Hommage à Rimbaud, 1960, outside of the edition of 97 (Mourlot, 336). Signed “Miró” in pencil l.r., inscribed “H.C.” in pencil l.l. Color lithograph on fibrous gray paper, image size 11 1/8 x 8 5/8 in. (28.2 x 21.7 cm), framed.Condition: Margins 3 inches or more, pale mat burn.$1,000-1,500

100Joan Miró (Spanish, 1893-1983)

Plate from the CATALOGUE DE L’EXPOSITION “CARTONES,” 1965, edition of 75 published by Pierre Matisse Galerie, New York (Mourlot, 383). Signed “Miró” in pencil l.r., numbered “XLVIII/LXXV” in pencil l.l. Color lithograph on paper, image size 11 3/4 x 7 7/8 in. (29.8 x 19.8 cm), framed.Condition: Mat burn, not examined out of frame.$400-600

101Joan Miró (Spanish, 1893-1983)

Tête de Flèche, 1968, published by Maeght, Paris (Dupin, 460). Signed “Miró” in pencil l.r., numbered “10/75” in pencil l.l. Color etching with aquatint and carborundum on cream Arches wove paper with watermark, plate size 15 1/2 x 11 11/16 in. (39.3 x 29.5 cm), framed.Condition: Margins over 4 inches with deckled edges, light-struck, pale mat burn and fox marks to margins, hinged along upper edge of sheet, pencil annotations to verso.$6,000-8,000

68 Additional information and photos at www.skinnerinc.com

10099

Page 71: Fine Prints & Photography | Skinner Auction 2655B

69Online bidding at www.skinnerinc.com

101

Page 72: Fine Prints & Photography | Skinner Auction 2655B

102Joan Miró (Spanish, 1893-1983)

Untitled (Soleil Rouge), from MIRÓ LITHOGRAPHS I, 1972, edition of 80 (Mourlot, 859). Signed “Miró” in pencil l.r., numbered “V/LXXX” in pencil l.l. Color lithograph on Arches paper with watermark, image size 12 3/4 x 10 in. (32.3 x 25.5 cm), framed.Condition: Deckled right and lower edges, floated within the mat, not examined out of frame.$600-800

103Robert Motherwell (American, 1915-1991)

Capriccio, 1961, edition of 200 plus proofs published by Berggruen & Cie, Paris (Terenzio & Belknap, App.1). Signed “Robert Motherwell” in pencil l.r., numbered “33/200” in pencil l.l., initialed within the matrix. Color collotype with pochoir coloring on Arches paper, image size 20 3/8 x 15 3/4 in. (51.5 x 40.0 cm), unmatted, unframed.Condition: Margins 2 inches or more with two deckled edges, old hinges at upper corners, minor handling creases to sheet.$800-1,200

70 Additional information and photos at www.skinnerinc.com

103

102

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104Alphonse Mucha (Czech, 1860-1939)

JOB, 1898, published by F. Champenois, Paris (Bridges et al., A36). Signed and identified within the matrix. Color lithographic poster on paper, image size 56 x 36 3/4 in. (142.2 x 93.3 cm), framed.Condition: Unobtrusive toning, handling creases, not examined out of frame.

Provenance: Purchased from Merrill Chase Galleries, Ltd., Chicago, through to present owner.$7,000-9,000

71Online bidding at www.skinnerinc.com

104

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105LeRoy Neiman (American, 1921-2012)

Stud Poker, 1980, edition of 300 published by Styria Studio, Ltd., New York. Signed “LeRoy Neiman” in pencil l.r., numbered “95/300” in pencil l.l., publisher’s dry stamp l.c. Color screenprint on paper, image size 31 1/2 x 38 in. (80.0 x 96.4 cm), framed.Condition: Toning, not examined out of frame.$1,500-2,500

106LeRoy Neiman (American, 1921-2012)

Elephant Family, 1983, edition of 300. Signed “LeRoy Neiman” in pencil l.r., numbered “286/300” in pencil l.l. Color screenprint on paper, image size 29 1/2 x 37 3/4 in. (74.8 x 95.8 cm), framed.Condition: Not examined out of frame.$800-1,200

72 Additional information and photos at www.skinnerinc.com

105

106

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107Ray Parker (American, 1922-1990)

Untitled, edition of 250. Signed “R. Parker” in pencil l.r., numbered “28/250” in pencil l.l., dry stamp l.l. Color screenprint on paper, image size 20 1/4 x 26 1/2 in. (51.4 x 67.3 cm), framed.Condition: Minor handling creases, not examined out of frame.$300-350

108Jules Pascin (French, 1885-1930)

Charmante soirée, 1929, edition of 100. Signed “pascin” in pencil l.r. Etching, aquatint, and drypoint on paper, plate size 12 7/8 x 9 3/4 in. (32.6 x 24.6 cm), framed.Condition: Minor breaks to paper fibers along the plate mark, gentle toning, not examined out of frame.$400-600

109Margaret Jordan Patterson (American, 1867-1950)

Main Street, alternatively titled Nantucket, c. 1918, edition of 100 (Bakker, 60). Signed “Margaret J. Patterson” in pencil (twice) l.r., titled in pencil l.c., numbered “no 33/100” in pencil l.l. Color woodcut on paper, image size 7 7/16 x 10 7/16 in. (18.8 x 26.3 cm), framed.Condition: All but the lower margin trimmed just to the image, faint water staining l.c.$800-1,200

73Online bidding at www.skinnerinc.com

109

107

108

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110Philip Pearlstein (American, b. 1924)

Nude in Rocker, from a proof edition of 10. Signed and numbered “Philip Pearlstein VII/X” in pencil (within the image) l.r. Color lithograph on paper, image/sheet size 23 1/4 x 33 3/4 in. (59.0 x 85.5 cm), framed.Condition: Deckled edges, floated (but partially loose) in the frame, not examined out of frame.$300-500

111Gabor F. Peterdi (American, 1915-2001)

Arctic Night II, 1964, edition of 25 (Johnson, 224). Signed and dated “Peterdi 64 Imp” in pencil l.r., titled in pencil l.c., numbered “8-25” in pencil l.l. Color etching with aquatint on paper, plate size 35 5/8 x 22 3/8 in. (90.3 x 56.6 cm), framed.Condition: Not examined out of frame.$300-350

74 Additional information and photos at www.skinnerinc.com

111

110

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112Pablo Picasso (Spanish, 1881-1973)

Amnistia, 1959. Signed, dated, and identified within the matrix. Color lithographic poster on paper, sight size 28 3/4 x 19 3/4 in. (72.8 x 50.1 cm), framed.Condition: Not examined out of frame.$500-700

113Pablo Picasso (Spanish, 1881-1973)

Le Picador II, from A LOS TOROS AVEC PICASSO, 1961 (Bloch, 1017). Unsigned, dated (twice) within the plate. Color lithograph on paper, image size 8 1/8 x 10 1/2 in. (20.5 x 26.5 cm), framed.Condition: Toning, not examined out of frame.$500-700

75Online bidding at www.skinnerinc.com

112

113

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114Pablo Picasso (Spanish, 1881-1973)

Artiste et modèle, plate 2 from SABLE MOUVANT, 1964-1965, from the edition of 50 (Bloch, 1184; Cramer, 136). Signed “Picasso” in pencil l.r., numbered “3/50” in pencil l.l., dated within the plate. Aquatint on wove paper with “PABLO PICASSO” watermark, plate size 15 1/8 x 10 7/8 in. (38.3 x 27.7 cm), framed.Condition: Margins 3 inches or more with deckled edges, light-struck, several pale fox marks, old hinge to left edge on verso.$4,000-6,000

76 Additional information and photos at www.skinnerinc.com

114

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115Pablo Picasso (Spanish, 1881-1973)

Tête d’Homme Barbu, plate 7 from SABLE MOUVANT, 1964-1965 (Bloch, 1189; Cramer, 136). Signed “Picasso” in pencil l.r., numbered “H.C. 4/7” in pencil l.l., dated within the plate. Aquatint with drypoint on fine laid Japan paper, plate size 14 7/8 x 10 3/4 in. (37.7 x 27.3 cm), framed.Condition: Margins 2 1/4 inches or more with deckled edges, very gently light-struck, several pale fox marks, old waxed paper hinges to upper corners, left edge formerly bound or reinforced.$5,000-7,000

77Online bidding at www.skinnerinc.com

115

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116Pablo Picasso (Spanish, 1881-1973)

Télévision - Course de chars à l’antique I, 1968, from SÉRIES 347, published in 1969 by Galerie L. Leiris, Paris, edition of 50 (Bloch, 1514; Baer, 1530Bb1). Signed “Picasso” in pencil l.r., numbered “21/50” in pencil l.l., dated within the plate. Etching with aquatint on BFK Rives paper with watermark, plate size 12 3/8 x 15 3/8 in. (31.3 x 38.9 cm), framed.Condition: Margins over 2 1/2 inches with deckled edges, pencil annotation to verso, old glue residue along upper edge to verso.$5,000-7,000

117After Pablo Picasso (Spanish, 1881-1973)

Visage, 1967, edition of 100. Signed “Picasso” in pencil l.r., numbered “66/100” in pencil l.l., dated within the matrix. Lithograph in black and tan on BFK Rives paper with watermark, image size 15 7/8 x 12 5/16 in. (40.3 x 31.1 cm), unmated, unframed.Condition: Margins over 2 1/2 inches or more with deckled edges to two sides, very gentle handling creases.$1,500-2,000

78 Additional information and photos at www.skinnerinc.com

117

116

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118Edouard Pignon (French, 1905-1993)

Untitled, edition of 175. Signed “Pignon” in pencil (within the image) l.r., numbered “120/175” in pencil (within the image) l.l. Color lithograph on Arches paper with watermark, image size 21 3/4 x 29 1/2 in. (55.2 x 74.8 cm), unmatted, unframed.Condition: Deckled edges to two sides, pale foxing.$300-500

119Serge Poliakoff (Russian, 1906-1969)

Composition in Blue, Green, and Red, 1968, edition of 75 (Schneider, XXXIV). Signed “Segre Poliakoff” in pencil l.r., titled in pencil l.c., numbered “46/75” in pencil l.l. Color aquatint on paper, plate size 16 3/4 x 25 1/2 in. (42.4 x 64.6 cm), framed.Condition: Margins over 2 inches with deckled edges, gentle toning and possible fading, not examined out of frame.$800-1,200

120Chester B. Price (American, 1885-1962)

Barge and Tug, c. 1934. Signed “Chester B. Price imp.” in pencil l.r., dedicated “To Jos. Gamble Rogers, with every good wish from -- Christmas 1934” in pencil l.l. Etching and drypoint on paper, plate size 5 7/8 x 8 3/8 in. (14.9 x 21.2 cm), framed.Condition: Gentle rippling, not examined out of frame.$200-250

79Online bidding at www.skinnerinc.com

119

118

120

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121Mel Ramos (American, b. 1935)

Miss Comfort Crème, from 11 POP ARTISTS, VOLUME III, 1965, edition of 200. Signed and dated “MelRamos 65” in pencil l.r., numbered “133/200” in pencil l.l. Color screenprint on paperboard sheet/image size unmatted, unframed.Condition: Unobtrusive surface rubs, nicks to edges.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$700-900

122Robert Rauschenberg (American, 1925-2008)

Cardbird III, from the CARDBIRD Series, 1970-71, edition of 75 plus proofs, published by Gemini G.E.L. (Gemini G.E.L., 41.54). Purportedly signed and numbered “...52/75...” on verso, identified on labels from the Fenway Gallery, Lakeside, Michigan, affixed to the frame. Offset lithograph and screenprint in colors with collage on cardboard, 33 1/2 x 44 in. (85.0 x 111.7 cm), presented in a shadow box.Condition: Good, not examined out of frame.$2,500-3,000

80 Additional information and photos at www.skinnerinc.com

122

121

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123Ad Reinhardt (American, 1913-1967)

Untitled (Black Square), from the NEW YORK INTERNATIONAL PORTFOLIO, 1966, edition of 225, published by Tanglewood Press, New York. Initialed “AR” (engraved) l.r., numbered “169/225” (engraved) l.l. Silkscreen on abraded Plexiglas sheet, 12 x 12 in. (25.4 x 25.4 cm), matted, unframed.Condition: Possible additional subtle surface rubs/abrasions.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$2,000-2,500

81Online bidding at www.skinnerinc.com

123

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124Rembrandt van Rijn (Dutch, 1606-1669)

Saint Jerome Reading, 1634, only state, a late impression (Hind, 119; Hollstein/White & Boon, 100). Signed and dated within the plate. Etching on paper, image/sheet size 4 5/16 x 3 1/2 in. (10.8 x 8.9 cm), framed.Condition: Trimmed irregularly inside of the plate mark, slightly worn impression, pale foxing, not examined out of frame.$400-600

125Rembrandt van Rijn (Dutch, 1606-1669)

Nude Man Seated and Another Standing, with a Woman and Baby Lightly Etched in the Background, c. 1646, an 18th century impression (Bartsch & Hollstein, 194 iii/iii). Unsigned. Etching on cream laid paper, plate size 7 5/8 x 4 15/16 in. (19.3 x 12.5 cm), unmatted, unframed.Condition: Trimmed to plate mark along the upper edge, thread margins to other three sides, several fox marks and minor stains, subtle toning or soiling.

N.B. Sold for the benefit of the collections of the Smith College Museum of Art.$300-500

82 Additional information and photos at www.skinnerinc.com

125

124

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126Rembrandt van Rijn (Dutch, 1606-1669)

Self-Portrait Drawing at a Window, 1648, fifth state of five (Hind, 160; Hollstein/White & Boon, 22v). Signed and dated within the plate. Etching on fine laid Japan paper, plate size 6 1/4 x 5 1/8 in. (15.8 x 13.0 cm), matted, unframed.Condition: Margins 1/16 inch or more, pale toning, several pale fox marks, several pinprick holes to sheet, strong impression.$800-1,200

83Online bidding at www.skinnerinc.com

126

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127Frederic Remington (American, 1861-1909)

Five Images from A BUNCH OF BUCKSKINS, published 1901: Arizona Cowboy; A Trapper; A Breed; Army Packer; and A Sioux Chief. Each signed and identified within the matrix. Chromolithographs on paper, sheet sizes 20 x 15 in. (50.6 x 38.1 cm), framed.Condition: Toning, staining, not examined out of frames.$4,000-6,000

84 Additional information and photos at www.skinnerinc.com

127

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128Félicien Joseph Victor Rops (Belgian, 1833-1898)

Le gandin ivre, 1910, edition of 150. Signed “Felicien Rops” in the plate, stamped indistinctly l.r. Color soft-ground etching on paper, image size 12 x 17 3/8 in. (30.5 x 44.0 cm), framed.Condition: Light-struck, toning, soiling to edges of sheet, sheet trimmed above plate mark at lower edge.$400-600

129Georges Rouault (French, 1871-1958)

Courtisane en profil à droite, 1927, from LES FLEURS DU MAL I, published in 1966, edition of 425 plus proofs (Wofsy, 227). Initialed and dated within the plate, numbered “422/425” in pencil l.r. Etching and aquatint on paper, plate size 13 3/8 x 9 3/8 in. (33.9 x 23.7 cm), framed.Condition: Not examined out of frame.$400-600

85Online bidding at www.skinnerinc.com

128

129

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130Wilhelm Rudolph (German, 1889-1982)

Arbeiterkopf (Porträt eines Schusters), plate 2 from VIERTE JAHRESGABE DES KREISES GRAPHISCHER KUNSTLER UND SAMMLER, 1924. Signed “Wilhelm Rudolph” in pencil l.r., inscribed in pencil l.l. Woodcut on paper, image size 13 1/2 x 9 3/4 in. (34.2 x 24.6 cm), matted, unframed.Condition: Tear to corner l.l., unobtrusive toning and staining, Scotch tape to upper corners.$300-350

131Niki de Saint Phalle (French, 1930-2002)

Three Works: The Witch’s Tea Party, 1972, edition of 115, published by Editions Essellier Serigraphie Michel Caza; My Love What Shall I Do Next Year?, edition of 115; and My Love What Shall I Do if you Die?, edition of 115. Each signed “N. de St. Phalle” in pencil l.r. and numbered “17/115” in pencil l.l. Color screenprints on Arches paper with watermarks, sheet sizes 29 3/4 x 22 in. (75.4 x 55.8 cm), unmatted, unframed.Condition: Various amounts of toning and/or staining, old hinges to verso.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$400-600

132Kiyoshi Saito (Japanese, 1907-1997)

Maiko. Signed “Kiyoshi Saito” in pencil (within the image) l.l. Color woodcut on paper, sight size 15 1/2 x 10 1/8 in. (39.3 x 25.5 cm), framed.Condition: Not examined out of frame.$250-300

86 Additional information and photos at www.skinnerinc.com

131

130

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133Emilio Sanchez (Cuban/American, 1921-1999)

La Casa Nueva, edition of 100. Signed “Emilio Sanchez” in pencil l.r., titled in pencil l.c., numbered “17/100” in pencil l.l., identified on a label from Galeria San Diego, Bogota, affixed to the backing. Lithograph in black and yellow on paper, image size 30 x 22 in. (76.2 x 55.8 cm), framed.Condition: Not examined out of frame.

Provenance: The estate of Elizabeth A. Straus, New York and Maine.$200-250

134Louis Schanker (American, 1903-1981)

Circle Image, edition of 25. Numbered and signed “14/25 Schanker” in pencil l.r., monogrammed in the block. Color woodcut on paper, image size 14 1/2 x 18 5/8 in. (36.8 x 47.1 cm), framed.Condition: Subtle toning, not examined out of frame.$500-700

87Online bidding at www.skinnerinc.com

134

133132

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135Fritz Scholder (Native American, 1937-2005)

Night Pueblo, 1974, edition of 50 published by the Tamarind Institute, Albuquerque. Signed “Scholder” in pencil l.r., numbered “15.50” in pencil l.l., artist’s and publisher’s dry stamps to lower edge. Lithograph printed in brown on paper, image size 6 1/4 x 4 1/4 in. (15.5 x 10.5 cm), framed.Condition: Margins 2 3/4 inches or more with deckled edges, not examined out of frame.$500-700

136Fritz Scholder (Native American, 1937-2005)

Red Indian, edition of 100. Signed “Scholder” in pencil (within the image) l.r., numbered “84.100” in pencil (within the image) l.l. Color lithograph on paper, image/sheet size 33 1/2 x 22 1/8 in. (85.0 x 56.0 cm), unmatted, unframed.Condition: Minor nicks to edges, shrink-wrapped.$250-300

88 Additional information and photos at www.skinnerinc.com

136135

Page 91: Fine Prints & Photography | Skinner Auction 2655B

137Toko Shinoda (Japanese, b. 1913)

Friendship, 2004, edition of 50. Numbered, dated, titled, and signed “42/50...Toko Shinoda” in pencil l.l. Lithograph with hand-coloring on paper, image size 10 7/8 x 8 1/4 in. (27.5 x 20.8 cm), framed.Condition: Not examined out of frame.

Provenance: The Tolman Collection, Tokyo, 2006, to the estate of Elizabeth A. Straus, New York and Maine.$200-250

138Paul Signac (French, 1863-1935)

Paris: Le Pont des Arts avec Remorqueurs, from DIX PEINTRES AU XXè SIÈCLE, 1927 (Kornfeld & Wick, 24). Signed within the plate. Etching with aquatint on paper, plate size 5 x 7 1/2 in. (12.6 x 19.0 cm), framed.Condition: Toning, not examined out of frame.$400-600

89Online bidding at www.skinnerinc.com

137

138

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139Lorna Simpson (American, b. 1960)

III, alternatively titled Wish #1 Wish #2 Wish #3, 1994, edition of 5,000 published and printed by The Peter Norton Family Christmas Project/21 Steps, Portland, Oregon. Identified on the inside of the lid. Molded felt printed with waterless lithography, a ceramic, a bronze, and a rubber wishbone contained in the original cedar wood box, 13 5/8 x 5 3/8 x 2 1/8 in. (34.5 x 13.5 x 5.3 cm).Condition: Extremely subtle wear.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$700-900

90 Additional information and photos at www.skinnerinc.com

139

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140David Alfaro Siqueiros (Mexican, 1896-1974)

Meditation, from the MEXICAN Suite, 1968-1969, edition of 250. Signed “DASiqueiros” in pencil l.r. Color lithograph on paper, image size 21 x 16 1/2 in. (53.4 x 41.8 cm), unmatted, unframed.Condition: Deckled edges to two sides, tear to left margin.$500-700

141David Alfaro Siqueiros (Mexican, 1896-1974)

Fugo, from the MEXICAN Suite, 1968-1969, edition of 250. Signed “DASiqueiros” in pencil l.r., numbered “67/250” in pencil l.l. Color lithograph on paper, image size 21 1/8 x 15 5/8 in. (53.5 x 39.5 cm), framed.Condition: Toning, mat burn, not examined out of frame.$300-500

91Online bidding at www.skinnerinc.com

141

140

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142David Alfaro Siqueiros (Mexican, 1896-1974)

Mascara, from the MEXICAN Suite, 1968-1969, edition of 250. Signed “DASiqueiros” in pencil l.r., numbered “67/250” in pencil l.l. Color lithograph on paper, image size 22 3/8 x 18 3/4 in. (56.7 x 47.5 cm), framed.Condition: Toning, mat burn, not examined out of frame.$300-500

92 Additional information and photos at www.skinnerinc.com

142

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143Raphael Soyer (American, 1899-1987)

In the Studio, 1935, edition of 100 (Gettings, 28). Signed “Raphael Soyer” in pencil l.r., titled in pencil l.l. Lithograph on paper, image size 13 1/2 x 9 3/8 in. (34.3 x 23.7 cm), framed.Condition: Not examined out of frame.$500-700

144Pat Steir (American, b. 1938)

Untitled (Waterfall), 1991, edition of 125 published by Crown Point Press, San Francisco. Numbered, initialed, and dated “58/125 PS 91” in pencil l.r., publisher’s dry stamp l.r. Drypoint on Somerset wove paper with watermark, plate size 9 7/8 x 9 7/8 in. (25.0 x 25.2 cm), unmatted, unframed.Condition: Margins 3 inches or more with deckled edges, minor creases to corner l.r., annotations and soiling to verso. $400-600

93Online bidding at www.skinnerinc.com

143

144

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145Frank Stella (American, b. 1936)

Black Stack, from the STACKS Series, 1970, edition of 56 plus proofs, published by Gemini G.E.L. (Axsom, 47). Numbered and signed “25/56 F. Stella” in pencil (within the image) l.r., copyright and publisher’s dry stamps l.r. Lithograph on paper, sight size 40 1/4 x 28 3/4 in. (102.2 x 73.0 cm), framed.Condition: Not examined out of frame.

Provenance: Purchased from the O.K. Harris Gallery, New York, in 1970, then through to the present owner.$700-900

146Graham Sutherland (British, 1903-1980)

The Meadow Chapel, 1928, probably from the 7th (published) state of 11, edition of 83 (Tassi, 26). Signed “GrahamSutherland-” in pencil l.r., identified on a label from The Closson Galleries, Cincinnati, affixed to the backing. Etching on paper, plate size 4 1/2 x 6 1/8 in. (11.4 x 15.2 cm), framed.Condition: Toning, gentle rippling, not examined out of frame.$1,500-2,000

94 Additional information and photos at www.skinnerinc.com

146

145

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147Rufino Tamayo (Mexican, 1899-1991)

Retrato de Mujer, 1969, edition of 150 (Pereda, 105). Signed “R Tamayo” in pencil l.r., numbered “67/150” in pencil l.l. Color lithograph on paper, image size 27 1/4 x 21 in. (69.1 x 53.3 cm), framed.Condition: Not examined out of frame.$800-1,200

148Rufino Tamayo (Mexican, 1899-1991)

Medio Pescado, 1969, edition of 150 (Pereda, 117). Signed “R Tamayo” in pencil l.r., numbered “67/150” in pencil l.l. Color lithograph on paper, image size 20 7/8 x 27 3/8 in. (52.8 x 69.4 cm), framed.Condition: Not examined out of frame.$800-1,200

95Online bidding at www.skinnerinc.com

148

147

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149Henri de Toulouse-Lautrec (French, 1864-1901)

May Belfort, 1895 (Wittrock, P14Biii; Adriani, 126iv/v). Monogrammed, titled, and with publisher “Edw. Ancourt . Paris” within the matrix. Color lithograph on paper, sheet size 30 1/2 x 23 1/4 in. (77.3 x 59.0 cm), framed.Condition: Mounted on linen, two repairs near the upper edge, even toning, areas of lifting off of the linen support including some small breaks, loss l.r.$15,000-25,000

96 Additional information and photos at www.skinnerinc.com

149

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150Mark Tobey (American, 1890-1976)

Composition, 1961, edition of 100. Signed and dated “Tobey 61” in pencil l.r., numbered “100/100” in pencil l.l., identified on a labels from the Art Lending Service at the Museum of Modern Art, New York, affixed to the backing. Color lithograph on paper, image size 9 1/8 x 12 1/2 in. (22.8 x 31.6 cm), framed.Condition: Unobtrusive mat burn, not examined out of frame.

Provenance: The estate of Elizabeth A. Straus, New York and Maine.$400-600

151Jacobus Gerardus Veldheer (Dutch, 1866-1954)

Modderman Volendam. Signed “J.G. Veldheer” in pencil l.r., inscribed “No XII” in pencil l.l., titled within the block. Color woodcut on paper, image size 12 1/8 x 10 in. (30.7 x 25.4 cm), framed.Condition: Not examined out of frame.$300-350

152Esteban Vicente (American, 1903-2001)

Untitled. Signed “Esteban Vicente” in pencil l.r., inscribed “Artist Proof III” in pencil l.l. Color screenprint on paper, image size 25 7/8 x 20 3/4 in. (65.5 x 52.6 cm), framed.Condition: Not examined out of frame.$500-700

97Online bidding at www.skinnerinc.com

150

151

152

Page 100: Fine Prints & Photography | Skinner Auction 2655B

153Jacques Villon (French, 1875-1963)

Suzanne, c. 1904, edition of 25 (Ginestet & Pouillon E87). Signed “Jacques Villon” in pencil l.r., numbered “5/25” in pencil l.l., signed and dated “Jacques Villon...04” in the plate. Drypoint on paper, plate size 15 3/4 x 11 7/8 in. (40.0 x 30.0 cm), framed.Condition: Faint scattered foxing, not examined out of frame.$1,000-1,500

154Jacques Villon (French, 1875-1963)

Manège rue Caulaincourt ou Le petit manège aux chevaux de bois, 1904, edition of 50 (Ginestet & Pouillon, E111). Signed “Jacques Villon” in pencil l.r., numbered “46/50” in pencil l.r., signed and dated “Jacques Villon/04” in the plate. Etching and aquatint in sanguine on paper, plate size 15 1/4 x 19 1/2 in. (38.5 x 49.5 cm), framed.Condition: Subtle rippling, not examined out of frame.

Provenance: Ex-collection of Louis Carré, Paris.$1,200-1,800

98 Additional information and photos at www.skinnerinc.com

154

153

Page 101: Fine Prints & Photography | Skinner Auction 2655B

155Jacques Villon (French, 1875-1963)

Minne appuyée au fauteuil, 1907 (Ginestet and Pouillon, E198). Signed “Jacques Villon” in pencil l.r., inscribed “...épreuves sur velum de Chine...” in pencil l.l. Etching and drypoint on chine, image size 9 5/8 x 6 5/8 in. (24.5 x 17.0 cm), unframed.Condition: Margins 3/4 in. or more, left edge of sheet lightly toned, small fold to l.r. corner, smudges and annotations to margins.$700-900

156Jacques Villon (French, 1875-1963)

Les Trois Parques, 1937, edition of 40 (Ginestet & Pouillon, E408). Signed “Jacques Villon” in pencil l.r., numbered “8/40” in pencil l.l., inscribed “Bon à tirer/Jacques Villon” in pencil l.r. Etching on paper, plate size 6 x 9 3/8 in. (15.1 x 23.8 cm), framed. Condition: Not examined out of frame.$400-600

99Online bidding at www.skinnerinc.com

156

155

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157Jacques Villon (French, 1875-1963)

Camille Renault, 1945, edition of 100 (Ginestet & Pouillon, 494). Signed “Jacques Villon” in pencil l.r. Etching with burin on paper, plate size 15 3/4 x 12 1/4 in. (40.0 x 31.2 cm), framed. Condition: Not examined out of frame.$400-600

158Jacques Villon (French, 1875-1963)

Untitled (Interior), from LES BUCOLIQUES, 1953 (Ginestet & Pouillon, E576). Signed “Jacques Villon” in pencil l.r., inscribed “E.A.” in pencil l.l. Lithograph printed in colors on paper, image size 8 1/2 x 19 1/8 in. (22.0 x 48.5 cm), framed.Condition: Subtle toning, faint foxing in margins, not examined out of frame.$500-700

100 Additional information and photos at www.skinnerinc.com

158

157

Page 103: Fine Prints & Photography | Skinner Auction 2655B

159Jacques Villon (French, 1875-1963)

Untitled (Nude), from LAUX VENERIS, 1956, from Chine-collé edition of 20 (Ginestet & Pouillon, app. 2). Signed “Jacques Villon” in pencil l.r., numbered “XVI/XX” in pencil l.l. Etching on chine-collé, chine size 8 x 5 1/8 in. (20.3 x 13.0 cm), framed. Condition: Faint spotting in margins, delamination in u.r. corner, not examined out of frame.$400-600

160Jacques Villon (French, 1875-1963)

La Tête, from POEMES DE CE TEMPS, 1958, edition of 70 (Ginestet & Pouillon app.105). Signed “Jacques Villon” in pencil l.r., numbered “32/70” in pencil l.l., Helmar Nielsen (Boston) label affixed to backing. Lithograph printed in color on paper, 4 1/4 x 4 in. (10.7 x 10.3 cm), framed. Condition: Not examined out of frame.$400-600

101Online bidding at www.skinnerinc.com

160

159

Page 104: Fine Prints & Photography | Skinner Auction 2655B

161After Andy Warhol (American, 1928-1987)

The Souper Dress, c. 1965. Identified on a label affixed at the neckline. Screenprinted cellulose and cotton dress, length approximately 37 in. (93.8 cm).Condition: Small hole and minute wear to right shoulder.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.

N.B. The lot is accompanied by an original ordering form.$1,000-1,500

162Andy Warhol (American, 1928-1987)

Cow, 1966 (Feldman & Schellmann, II.11). Signed in the matrix. Color screenprint on wallpaper, image size 46 x 28 1/8 in. (116.5 x 71.3 cm), unmatted, unframed.Condition: Minor handling mark and creases, minor soiling to upper and lower edges.$1,500-2,000

102 Additional information and photos at www.skinnerinc.com

161

162

Page 105: Fine Prints & Photography | Skinner Auction 2655B

163Andy Warhol (American, 1928-1987)

Lincoln Center Ticket, 1967, edition of 500 (Feldman & Schellmann, II.19 & app.). Unsigned, identified within the matrix. Color screenprint on acrylic film, sheet/image size 44 x 23 3/8 in. (111.8 x 59.4 cm), unmatted, unframed.Condition: Minor unpressed crease to corner l.l., subtle surface rubs.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$1,000-1,500

103Online bidding at www.skinnerinc.com

163

Page 106: Fine Prints & Photography | Skinner Auction 2655B

164Andy Warhol (American, 1928-1987)

Plate 1 from MUHAMMAD ALI, 1978, edition of 175 published by Andy Warhol Enterprises, Inc., New York (Feldman & Schellmann, II.179). Numbered and signed “147/150 Andy Warhol” in felt-tip pen or similar (within the image) l.l., publisher’s stamp on the reverse, Strathmore dry stamp l.r.

Color screenprint on Strathmore paper, image/sheet size 40 x 29 7/8 in. (101.5 x 75.8 cm), framed.Condition: Line of flaking u.c., rubs and scuffs to surface (primarily near the edges), floated in frame.$15,000-20,000

104 Additional information and photos at www.skinnerinc.com

164

Page 107: Fine Prints & Photography | Skinner Auction 2655B

165After Andy Warhol (American, 1928-1987)

Marilyn Monroe, 1998, edition of 5,000. Identified and numbered “Block/China/Marilyn Monroe/©Copyright Licensed by AWF. TM 1998 The Estate of Marilyn Monroe by CMG Indpls., IN/All Rights Reserved. Made in China/Limited Edition Plate No. 830/5000” on the reverse. Transfer-printed porcelain plate, diameter 10 5/8 in. (26.9 cm).Condition: Good.$500-700

166After Andy Warhol (American, 1928-1987)

Three Skate Decks from the Alien Workshop. Identified within the matrix, and authorized by The Andy Warhol Foundation for the Visual Arts, Inc. Color screenprints on curved laminated boards, lengths 32 in. (81.2 cm), in original shrink-wrap, containing original stickers.Condition: Not examined out of wrap.$500-700

105Online bidding at www.skinnerinc.com

166

165

Page 108: Fine Prints & Photography | Skinner Auction 2655B

167Ferol Sibley Warthen (American, 1890-1986)

Sailboat and Gull, 1974. Signed “Ferol Sibley Warthen-” in pencil l.r., titled, numbered, and dated “...-53-1974” in pencil l.l. Color woodcut on paper, image size 7 1/8 x 7 3/16 in. (18.0 x 18.2 cm), framed.Condition: Pale foxing, not examined out of frame.$400-600

168Neil Welliver (American, 1929-2005)

Synthetic Blue - St. John, 2000, edition of 80. Signed “Welliver” in pencil l.r., inscribed “AP” in pencil l.l. Color aquatint on paper, plate size 17 7/8 x 17 5/8 in. (45.3 x 44.6 cm), framed.Condition: Margins over 2 inches, gentle rippling to sheet, not examined out of frame.$800-1,200

106 Additional information and photos at www.skinnerinc.com

168

167

Page 109: Fine Prints & Photography | Skinner Auction 2655B

169James Abbott McNeill Whistler (American, 1834-1903)

La Rétameuse, 1858, second state of two (Kennedy, 14). Signed and identified within the plate. Etching with drypoint on paper, plate size 4 1/4 x 3 3/8 in. (11.0 x 8.7 cm), framed.Condition: Not examined out of frame.$300-500

170James Abbott McNeill Whistler (American, 1834-1903)

Street at Saverne, 1858, third state of five, (Kennedy, 19). Signed (partially obscured) in the plate. Etching on paper, plate size 8 1/8 x 6 1/4 in. (25.5 x 15.7 cm), framed. Condition: Not examined out of frame.$600-800

107Online bidding at www.skinnerinc.com

170

169

Page 110: Fine Prints & Photography | Skinner Auction 2655B

171James Abbott McNeill Whistler (American, 1834-1903)

Soupe à Trois Sous, 1859 (Kennedy 49). Signed in the plate. Etching and drypoint on paper, plate size 6 x 9 in. (15.7 x 22.6 cm), framed.Condition: Not examined out of frame.$700-900

172James Abbott McNeill Whistler (American, 1834-1903)

Becquet, 1859, final state of four (Kennedy, 52). Unsigned. Etching on paper, plate size 10 x 7 1/2 in. (25.4 x 19.0 cm), framed.Condition: Subtle toning, not examined out of frame.$2,000-3,000

108 Additional information and photos at www.skinnerinc.com

171

172

Page 111: Fine Prints & Photography | Skinner Auction 2655B

173Zao Wou-Ki (Chinese, 1921-2013)

La théière, 1952, from the edition of 60 (Ågerup, 75). Signed (in Chinese characters) in pencil l.l., numbered “II/LX” in pencil l.r. Color lithograph on paper, image size 13 1/8 x 19 3/4 in. (33.2 x 49.8 cm), framed.Condition: Prevalent staining and toning, not examined out of frame.$500-700

174Zao Wou-Ki (Chinese, 1921-2013)

Untitled, 1968, printed by Imprimerie Arte, Paris, published by Al Lublin, New York (Ågerup, 192). Signed and dated “...68” in pencil l.r., numbered “36/95” in pencil l.l. Color etching and aquatint on paper, plate size 17 3/8 x 21 in. (44.0 x 53.0 cm), framed.Condition: Gentle rippling, not examined out of frame.$800-1,200

109Online bidding at www.skinnerinc.com

174

173

Page 112: Fine Prints & Photography | Skinner Auction 2655B

175William Lionel Wyllie (British, 1851-1931)

Two Thames Views: Barges on the Thames and River Traffic at the Southwark Bridge. Both signed “W.L. Wyllie” in pencil l.l. Etchings with drypoint (the latter with aquatint) on J. Whatman papers with watermarks, plate sizes 6 3/8 x 14 7/8 in. (16.0 x 37.7 cm), unmatted, unframed.Condition: Margins 1 1/2 inches or more, pale light-striking to Barges, mat burn and toning to margins of Southwark.$300-500

110 Additional information and photos at www.skinnerinc.com

175

Page 113: Fine Prints & Photography | Skinner Auction 2655B

FinePhotography Lots 176–207

Page 114: Fine Prints & Photography | Skinner Auction 2655B

176Ansel Adams (American, 1902-1984)

Moon and Half Dome, Yosemite National Park, California, c. 1960, a later printing from a special edition of prints, Photographs of Yosemite. Signed “Ansel Adams” in ink on the mount l.r., identified with Yosemite special edition stamp, numbered “1016 of S.E.Y. No 12” in ink on the reverse. Gelatin silver print mounted to paperboard, image/sheet size 9 3/4 x 7 3/8 in. (24.8 x 18.6 cm), unmatted, unframed.Condition: Good.$4,000-6,000

112 Additional information and photos at www.skinnerinc.com

176

Page 115: Fine Prints & Photography | Skinner Auction 2655B

177Harold Eugene Edgerton (American, 1903-1990)

Milk-Drop Coronet, 1936, probably a later printing. Signed “Harold Edgerton” in pencil on verso. Gelatin silver print, sheet size 20 x 16 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted.$1,200-1,800

178Harold Eugene Edgerton (American, 1903-1990

Antique Gun Firing, 1936, artist’s proof. Signed and inscribed “Harold Edgerton/...A/P” in pencil on verso. Gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed. Condition: Unmounted.$1,000-1,500

113Online bidding at www.skinnerinc.com

178

177

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179Harold Eugene Edgerton (American, 1903-1990)

Two Athletic Studies: Moving Skip Rope, 1952, artist’s proof, and Densmore Shute Bends the Shaft, 1939. Both signed “Harold Edgerton” in pencil on verso, Skip inscribed “A/P” in pencil on verso. Gelatin silver prints, sheet sizes 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,200-1,800

180Harold Eugene Edgerton (American, 1903-1990)

Cutting the Card Quickly, 1964, artist’s proof. Signed and inscribed “Harold Edgerton/...A/P” in pencil on verso. Gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,200-1,800

114 Additional information and photos at www.skinnerinc.com

180

179

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181Harold Eugene Edgerton (American, 1903-1990)

Cranberry Juice Dropping into Milk, 1978. Signed, dated, and inscribed “Harold Edgerton/1983 M.I.T.” in pen on verso. Chromogenic print, sheet size 20 x 16 in. (50.8 x 40.6 cm), unmatted, unframed.Condition: Unmounted.$1,800-2,200

182Harold Eugene Edgerton (American, 1903-1990)

Bullet through Apple, 1978. Signed “Harold Edgerton” in felt-tip pen in the margin l.r. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,800-2,200

115Online bidding at www.skinnerinc.com

182

181

Page 118: Fine Prints & Photography | Skinner Auction 2655B

183Elliott Erwitt (American, b. 1928)

The Alchan Edition/Portfolio of Fourteen out of Fifteen Photographs. Each signed “Elliot Erwitt” in pencil on verso, identified “...The Alchan Edition 1980” on the colophon page. Gelatin silver prints, sheet sizes to 16 x 20 in., unmatted, unframed.Condition: Water and/or chemical staining to left side of portfolio and corresponding print edges, one with abrasions to left side.$3,000-5,000

116 Additional information and photos at www.skinnerinc.com

183

Page 119: Fine Prints & Photography | Skinner Auction 2655B

184Walker Evans (American, 1903-1975)

New York City Tenement Kitchen, 1931. Signed and dated “Walker Evans...” in pencil on the mount l.r., inscribed, titled, and dated “P58...” in pencil and identified with an artist’s stamp, Lyme, Connecticut, on verso. Gelatin silver print mounted to matboard, 6 3/4 x 9 1/4 in. (17.1 x 23.5 cm), unmatted, unframed.Condition: Good.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,000-1,500

117Online bidding at www.skinnerinc.com

184

Page 120: Fine Prints & Photography | Skinner Auction 2655B

185Walker Evans (American, 1903-1975)

Two Gelatin Silver Prints: Eagle’s Store, Selma, Alabama, 1935, and Window, Mystic, Connecticut, 1942Both signed and dated “Walker Evans...” in pencil on the matboard l.r., both identified with an artist’s stamp, Lyme, Connecticut, on verso, Window inscribed “Mystic, Conn.” and dated in pencil on verso. Gelatin silver prints mounted to matboard, sheet/image sizes to 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), unmatted, unframed.Condition: Eagle’s with minor lifting from mount l.r.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$2,500-3,500

186Walker Evans (American, 1903-1975)

Two Photographs of Buildings: Cherry Valley Home, 1934, and Uncle Sam Plantation, Louisiana, 1935. Cherry Valley signed and dated “Walker Evans...” in pencil on the mount l.r., both titled in pencil and identified with an artist’s stamp, Lyme, Connecticut, on verso. Gelatin silver prints mounted to matboard, sheet/image sizes to 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm), unmatted, unframed.Condition: Good.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$2,500-3,500

118 Additional information and photos at www.skinnerinc.com

186

185

Page 121: Fine Prints & Photography | Skinner Auction 2655B

187Walker Evans (American, 1903-1975)

Post Office, Sprott, Alabama, 1936. Signed “Walker Evans” on the mat l.r. Gelatin silver contact print, sheet size 8 x 9 3/4 in. (19.0 x 23.5 cm), matted, unframed.  Condition: Slight handling creases to u.l. quadrant.

Provenance: Through the estate of Matthew Wysocki (1920-1991), artist, photographer, professor, and chairman of Dartmouth College’s visual studies department (1966-1989), to the present owner by family descent, Connecticut.$1,000-1,500

119Online bidding at www.skinnerinc.com

187

Page 122: Fine Prints & Photography | Skinner Auction 2655B

188Peter Hutchinson (British, b. 1930)

Venice at High Tide, c. 2000. Signed, titled, and inscribed in felt-tip pen on the mat. Photographic collage and mixed media on artist board, sight size 18 3/4 x 14 1/2 in. (47.7 x 46.8 cm), matted, framed.Condition: Floated in frame, not examined out of frame.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$1,000-1,500

189Peter Hutchinson (British, b. 1930)

Sketch for Rye Bread. Signed and inscribed in felt-tip pen on the mat. Photographic collage and mixed media on matboard, sight size 14 x 15 3/4 in. (35.6 x 40.0 cm), matted, framed. Condition: Not examined out of frame.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts.$1,000-1,500

120 Additional information and photos at www.skinnerinc.com

189

188

Page 123: Fine Prints & Photography | Skinner Auction 2655B

190Paul Ickovic (Czech, b. 1944)

PRAGUE/Portfolio of Nine Photographs, 1981, edition of 25. Each titled, dated, numbered, initialed, and embossed with a limited edition dry stamp “...16/25...,” identified on a colophon page. Gelatin silver prints, image sizes approximately 7 x 9 in. (17.8 x 22.9 cm), matted, unframed.Condition: Unmounted, housed in a linen-lined gray clamshell box.

N.B. Additional portfolio pages including an original wood engraving by Michael McCurdy and associated text accompany the lot.$2,500-3,000

121Online bidding at www.skinnerinc.com

190

Page 124: Fine Prints & Photography | Skinner Auction 2655B

191Klaus Knaup (German, 20th Century)

Portfolio of Thirty Tree Photographs, 1977-1980. Each signed and dated “Klaus Knaup...” in pencil in the margin l.r. Gelatin silver prints mounted to Schoellershammer paper mat, sheet sizes 7 x 9 1/2 in. (17.8 x 24.1 cm), matted, unframed, in a gray linen-lined clamshell box. Condition: Mounted.$800-1,200

192Heather Lin (American, 20th/21st Century)

Two Black and White Photographs: Arms and Legs, c. 2005. Unsigned. Inkjet prints on paper, sight sizes 19 1/2 x 20 1/2 in. (49.5 x 52.1 cm), matted, framed. Condition: Not examined out of frames.$300-500

122 Additional information and photos at www.skinnerinc.com

192

191

Page 125: Fine Prints & Photography | Skinner Auction 2655B

193Aaron Siskind (American, 1903-1991)

Four Photographs from HARLEM DOCUMENT, 1932-1940: Lafayette Theater, Church Singer, Cabaret Strip Dancer, and Cabaret Dancers. Each signed “Aaron Siskind,” Lafayette and Strip Dancer signed in felt-tip pen in the margin l.r., Strip Dancer titled and dated “Harlem 1937” in felt-tip pen in the margin l.l., Church and Cabaret Dancers titled and dated in pencil on verso. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed. Condition: Unmounted.$2,000-2,500

123Online bidding at www.skinnerinc.com

193

Page 126: Fine Prints & Photography | Skinner Auction 2655B

194Aaron Siskind (American, 1903-1991)

Four Street Scenes from HARLEM DOCUMENT, 1932-1940, including Pawn Broker Sign over Market, Bootblacks, Boys Selling Bags, and Furnished Room to Let. Each signed “Aaron Siskind,” Room in felt-tip pen in the margin l.r., three signed, titled, and dated “Harlem...” in pencil on verso. Gelatin silver prints, sheet sizes to 14 x 11 in. (35.6 x 27.9 cm), unmatted, unframed.Condition: Unmounted.$2,000-2,500

195Aaron Siskind (American, 1903-1991)

Lima 89, 1975, from HOMAGE TO FRANZ KLINE, edition of 50. Signed “Aaron Siskind” in the margin l.r., titled and dated “LIMA 89 1975” and numbered “47/50” in the margin l.l., identified with a Powers Gallery, Acton, Massachusetts, label on verso. Photogravure, image size 15 x 14 3/4 in. (38.1 x 37.5 com), matted, framed. Condition: Slight rippling, not examined out of frame.$800-1,200

124 Additional information and photos at www.skinnerinc.com

194

195

Page 127: Fine Prints & Photography | Skinner Auction 2655B

196Aaron Siskind (American, 1903-1991)

Portfolio of Six Photogravures: HOMAGE TO FRANZ KLINE, #2, 1982. Each titled, dated, inscribed, and signed “2/50...Aaron Siskind” in pencil in the margin, identified on colophon and within accompanying text. Photogravures, sheet sizes 26 x 22 in. (66.0 x 55.9 cm), unmatted, unframed. Condition: Unmounted, deckled edges.

N.B. Original text accompanies the lot.$2,000-3,000

197Aaron Siskind (American, 1903-1991)

Volcano 6, 1980. Titled, dated, and signed “...Aaron Siskind” in felt-tip pen in the margin, inscribed “V6-80...” in pencil on verso. Gelatin silver print, sheet size 20 x 16 in. (50.8 x 40.6 cm), unmatted, unframed. Condition: Unmounted.$1,800-2,200

125Online bidding at www.skinnerinc.com

197

196

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198Joel Sternfeld (American, b. 1944)

After a Flash Flood, Rancho Mirage, California, July 1979, printed 1980, edition of 100. Titled, dated, numbered, and signed “...P - August 1980...print number ten...ektacolor RC 74...” in felt-tip pen on the reverse. Chromogenic print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$1,000-1,500

126 Additional information and photos at www.skinnerinc.com

198

Page 129: Fine Prints & Photography | Skinner Auction 2655B

199Jock Sturges (American, b. 1947)

Lidwine, Orleans, France, 1985, artist’s proof, edition of 4, printed 1985. Signed, dated, titled, and numbered “A084/Sturges ‘85/©/A.P. 1/4/...” in pencil on verso. Vintage gelatin silver print, 19 3/4 x 15 7/8 in. (50.2 x 40.3 cm), unmatted, unframed. Condition: Unmounted, slight tear at c.r. edge.$600-800

200Jock Sturges (American, b. 1947)

Anike, Gaelle et Marine; Montalivet, France, 1989, edition of 40, printed 1989. Signed, monogrammed, titled, dated, numbered, and inscribed “A009/JSturges ‘89/©/6/40...” in pencil on the reverse. Vintage gelatin silver print, sheet size 19 7/8 x 15 7/8 in. (50.5 x 40.3 cm), unmatted, unframed. Condition: Unmounted.

Provenance: From Paul Cava Fine Art, Bala Cynwyd, Pennsylvania, to the current owner.

N.B. A sale receipt from Paul Cava Fine Art dated August 10, 1989, accompanies the lot.$700-900

127Online bidding at www.skinnerinc.com

200

199

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201Jock Sturges (American, b. 1947)

Marie, Montalivet, France, 1990, printed 1990, edition of 10. Signed, dated, numbered, and titled “Sturges ‘90/ © 1/10...” in pencil on verso. Vintage gelatin silver contact print, image/sheet size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed. Condition: Unmounted.$600-800

202Jock Sturges (American, b. 1947)

Alice, Mylene et Coralie; Tuscany, Italy, 1998, edition of 40, printed 1998. Signed, monogrammed, dated, numbered, and titled “(B587) JSturges ‘98/©/6/40/...” in pencil on verso. Vintage gelatin silver print, 15 7/8 x 19 7/8 in. (50.2 x 40.3 cm), unmatted, unframed. Condition: Unmounted, handling creases c.l. and u.l.

Provenance: From Paul Cava Fine Art, Bala Cynwyd, Pennsylvania, to the current owner.

N.B. A sale receipt from Paul Cava Fine Art dated August 17, 1989 accompanies this lot.$700-900

128 Additional information and photos at www.skinnerinc.com

202

201

Page 131: Fine Prints & Photography | Skinner Auction 2655B

203Jock Sturges (American, b. 1947)

Vanessa, Montalivet, France, 2001, edition of 40, printed 2001. Signed, monogrammed, dated, numbered, and titled “C098/JSturges ‘01©/4/40...” in pencil on verso. Vintage gelatin silver print, sheet size 16 x 20 in. (40.6 x 50.8 cm), unmatted, unframed.Condition: Unmounted.$800-1,200

204Jock Sturges (American, b. 1947)

Eva, La Jenny, France, 2004, edition of 40, printed 2004. Signed, monogrammed, dated, titled, and numbered “C877/JSturges/’04/©/2/40...” in pencil on verso. Vintage gelatin silver print, sheet size 15 7/8 x 19 3/4 in. (40.3 x 50.2 cm), unframed.Condition: Unmounted.$800-1,200

129Online bidding at www.skinnerinc.com

204

203

Page 132: Fine Prints & Photography | Skinner Auction 2655B

205Jerry Uelsmann (American, b. 1934)

Untitled (Floating Tree), 1969. Initialed and dated “J.N.U. 1969” in pencil on the mount l.r., signed and dated in ink on the reverse of the mount, and with artist’s mailing label. Gelatin silver print mounted to matboard, image/sheet size 9 3/4 x 12 1/2 in. (24.7 x 31.5 cm), framed.Condition: Good.$1,000-1,500

130 Additional information and photos at www.skinnerinc.com

205

Page 133: Fine Prints & Photography | Skinner Auction 2655B

206David Vestal (American, b. 1924)

Broadway and 72nd Street, New York, 1961, printed 1971. Signed, titled, and dated in pencil on print verso, identified on a label from Robert Mann Gallery, New York, affixed to the reverse. Gelatin silver print, sight size 7 3/4 x 5 1/4 in. (19.7 x 13.3 cm), matted, framed. Condition: Mounted with photo corners to mat back.$400-600

207Katherine White (American, 20th Century)

Seven Works: Places, including Mulholland Drive. Each titled, numbered, and signed “.../5...Katherine White” in felt-tip pen on the mount. Chromogenic prints mounted to Crescent board, image/sheet sizes 12 x 12 in. (30.5 x 30.5 cm), unmatted, unframed.Condition: Slight fading.

Provenance: From the estate of Joan Sonnabend, Boston, Massachusetts. $400-600

End of Fine Prints & Photography

131Online bidding at www.skinnerinc.com

207

206

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Adams, Ansel ........................................... 176Agam, Yaacov .............................................. 1Albright, Ivan Le Lorraine ...........................2-4Anuszkiewicz , Richard .............................5, 6Appel, Karel .................................................. 7Arikha, Avigdor ............................................. 8Arman .......................................................... 9Arms, John Taylor ...................................... 10

Baechler, Donald ...................................11-13Barnet, Will .................................................14Baskin, Leonard ...................................15, 16Basquiat, Jean-Michel ................................ 17Beckmann, Max ......................................... 18Beham, Hans Sebald ................................. 19Benton, Thomas Hart ...............................19ABesnard, Albert .......................................... 20Bishop, Isabel ............................................. 21Blampied, Edmund ..................................... 22Bompard, Maurice ...................................... 23Bonnard, Pierre ..........................................24Bracquemond, Félix .................................. 25Bradford, William ........................................ 26Braque, Georges ................................26A, 27Burr, George Elbert .................................... 28

Cadmus, Paul ............................................. 29Calder, Alexander .................................30-35Cassatt, Mary ...................................... 36, 37Chagall, Marc ............................................. 38Chamberlain, John ..................................... 39Clark, Roland..............................................40Close, Chuck ..............................................41Cocteau, Jean ............................................42Corinth, Lovis .............................................43Cornell, Joseph ..........................................44Cross, Henri Edmond .................................45Cuevas, José Luis ......................................46

Dalí, Salvador .............................................47Davie, Alan .................................................48Degas, Edgar .............................................49Dine, Jim .................................................... 50Dix, Otto ..................................................... 51Domela, César ........................................... 52Dufy, Raoul ................................................. 53Dürer, Albrecht ...........................................54

Eby, Kerr .................................................... 55Edgerton, Harold Eugene ..................177-182Erni, Hans................................................... 56Erté, Romain de Tirtoff................................ 57Erwitt, Elliot............................................... 183Evans, Walker....................................184-187

Fairey, Shepard ....................................58, 59Fink, Aaron ...........................................60, 61

Gloeckner, Michiel ...................................... 62de Goya y Lucientes, Francisco José ...63, 64

Haring, Keith .............................................. 65Haring, Keith (After) .................................... 66Hassam, Frederick Childe ........................... 67Hayter, Stanley William .........................68, 69Hodgkins, Howard ..................................... 70

Hutchinson, Peter .............................188, 189

Icart, Louis ............................................71-77Ickovic, Paul ............................................. 190

Jongkind, Johan Barthold........................... 78Judd, Donald ............................................78A

Kelly, John Melville ..................................... 79Kent, Rockwell ......................................80-82Kirmse, Marguerite ...............................83, 84Knaup, Klaus ............................................ 191Koons, Jeff ................................................. 85

Landeck, Armin .......................................... 86Lee-Hankey, William ................................... 87Leff, Rita ..................................................... 88Lewis, Martin .............................................. 89LeWitt, Sol ............................................90, 91Lichtenstein, Roy ...................................92-94Lin, Heather .............................................. 192

Markham, Kyra ........................................... 95Masson, André ......................................96-98Miró, Joan ...........................................99-102Motherwell, Robert ................................... 103Mucha, Alphonse .....................................104

Neiman, LeRoy ................................105, 106

Parker, Ray .............................................. 107Pascin, Jules ............................................ 108Patterson, Margaret Jordan ...................... 109Pearlstein, Philip ....................................... 110Peterdi, Gabor F. ...................................... 111Picasso, Pablo (After) ............................... 117Picasso, Pablo ..................................112-116Pignon, Edouard ...................................... 118Poliakoff, Serge ........................................ 119Price, Chester B. ...................................... 120

Ramos, Mel .............................................. 121Rauschenberg, Robert ............................. 122Reinhardt, Ad ........................................... 123Remington, Frederic ................................. 127Rijn, Rembrandt van ..........................124-126Rops, Félicien Joseph Victor .................... 128Rouault, Georges ..................................... 129Rudolph, Wilhelm ..................................... 130

de Saint Phalle, Niki .................................. 131Saito, Kiyoshi ............................................ 132Sanchez, Emilio ........................................ 133Schanker, Louis........................................134Scholder, Fritz ..................................135, 136Shinoda, Toko .......................................... 137Signac, Paul ............................................. 138Simpson, Lorna ........................................ 139Siqueiros, David Alfaro ......................140-142Siskind, Aaron ...................................193-197Soyer, Raphael .........................................143Steir, Pat ..................................................144Stella, Frank .............................................145Sternfeld, Joel .......................................... 198Sturges, Jock ....................................199-204Sutherland, Graham .................................146

Tamayo, Rufino ................................147, 148Tobey, Mark ............................................ 150Toulouse-Lautrec, Henri de ......................149

Uelsmann, Jerry ....................................... 205

Veldheer, Jacobus Gerardus .................... 151Vestal, David ............................................ 206Vicente, Esteban ...................................... 152Villon, Jacques ..................................153-160

Warhol, Andy .....................................162-164Warhol, Andy (After) ..................161, 165, 166Warthen, Ferol Sibley ............................... 167Welliver, Neil ............................................. 168Whistler, James Abbott McNeill .........169-172White, Katherine ....................................... 207Wou-Ki, Zao .....................................173, 174Wyllie, William Lionel ................................ 175

Artist Index

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Upcoming Auction

Sybil Andrews (Canadian/British, 1898-1992), Haulers, 1929, linocut

September 20, 2013, Boston, MA

Consignment Deadline: June 21st, 2013

For more information, please contact the American & European Works of Art department at 508.970.3206, or email [email protected] or [email protected]

American & European Works of Art

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Conditions of Sale1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.

2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.

3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.

4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.

Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.

5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.

6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.

7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.

8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.

9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.

10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyer’s premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price.

11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.

12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.

13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

Revised December 17, 2012

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Name (Please Print) Business Name

Address check if change in address

City State Zip Code

Phone # Alternate # email

Sale Title Sale Date

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.

Absentee Bid Form

Marlborough Boston Phone Fax Mail Person Employee:

FOR OFFICE USE

Lot # Description Bid Price

Signature (Required) Date

63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100 www.skinnerinc.com

First Time Bidder? YES NO Customer #

Bid confirmation via email? YES NO

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63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429

274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100

www.skinnerinc.com

Board of Directors

Administration

Expert Departments

Chairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. KeaneAndrew Payne

President/Chief Executive Officer - Karen M. Keane

Chief Financial Officer - Don Kelly

Executive Vice President - Stephen L. Fletcher

Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

20th Century Design - Jane D. PrentissAssistant: Shannon M. Ames

American & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. Haff, Annie Claflin

American Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas Stewart

American Indian & Ethnographic Art - Douglas Deihl

Antique Motor Vehicles - Jane D. Prentiss

Asian Works of Art - Judith DowlingAssistants: Karen Mak, Suhyung Kim

Books & Manuscripts - Devon Gray

Bottles, Flasks & Early Glass - Stephen L. Fletcher

Ceramics - Stuart G. Slavid

Clocks, Watches & Scientific Instruments - Robert C. CheneyAssistant: Jonathan Dowling

Couture - Anne Fallon

Discovery Auctions - Anne FallonAssistant: Melissa Riebe

European Furniture & Decorative Arts - Stuart G. SlavidAssistants: Leah Kingman, Stephanie Opolski

Fine Wines - Marie KeepAssistant: Michael J. Moser

Historic Arms & Militaria - Joel Bohy

Jewelry - Victoria BratbergAssistants: John Colasacco, Julie Khouri

Judaica - Kerry Shrives

Musical Instruments - David BonseyDeputy Director: Jill Arbetter

Oriental Rugs & Carpets - Gary RichardsAssissant: Erika Jorjorian

Silver - Stuart G. Slavid

Toys & Dolls - Anne Fallon

Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep,Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney

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Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261

Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308

Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268

Accounts Payable, Trade - Kevin Rota, 508.970.3283

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Rachel Kingsley

Advertising Production - Pamela Van de Houten

Boston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica Turner

Catalog Production - Pamela Van de Houten, Kristina Harrison

Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler

Customer Relations - Carol McCaffrey

Institutional Relations - L. Emerson Tuttle

Human Resources - Carol McCaffrey

Information Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa Riebe

Managing Director - Marie C. Keep

Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke

Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius

Receptionists - Marlborough: Kealyn Garner

Boston: Sarah L. Collins

Staff Portraits - Cheryl Richards Photography

Transportation - Eric JonesAssistant: Mark McCaffrey

Service Departments

Exhibitions & Property Distribution

Finance Department

Subscriptions

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Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116617.350.5400

From the West:Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.

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Boston Hotels with SkinnerCorporate Rates

Parking

Boston Hotels

Indoor Parking

City Place Parking Garage8 Park Plaza (access on Charles Street)Mon.-Fri.: up to 1 hr.-$8, $4 each additional hr., to max $20Evenings (5pm-2:30am): $20 flat rateSat & Sun (6am-5pm): $5 per 1/2 hr.

MCCA Boston Common GarageZero Charles Street (between the Boston Common & Public Garden)Mon.-Fri.: up to 1 hr.-$10, $4 each additional hr., up to 10m hrs. $23, to max $28Evenings & Weekends: $12 flat rate

The Four Seaons Hotel Parking Garage200 Boylston Street$26 up to 2 hrs., $30 up to 3 hrs.,$35 up to 6 hrs., $49 all day

The Taj Hotel Parking Garage15 Arlington StreetUp to 24 hrs.-$44

LAZ Parking Back Bay Garage500 Boylston Street (222 Berkeley Street)617.266.7006Night & Day rates: 1/2 hr.- $8, 1 hr.- $10, 1 1/2 hr.- $18, 2 hrs.- $20, 2 1/2 hrs.- $26,3-24 hrs.- $37Weekend Rates: 1/2 hr.- $8, $2 each additional 1/2 hr., to max $22

Motor Mart Garage201 Stuart StreetUp to 1 hr.-$8, 1 to 2 hrs.-$12,2-3 hrs-$16/3-12 hrs.-$20/12-24 hr.-$31 weekends up to 3 hrs/$8

200 Stuart Street GarageAt Revere Hotel Boston Common200 Stuart Street 3-12 hrs.-$2212-24 hrs.-$40

Outdoor Parking(recommended for trucks)

LAZ Parking 130 Arlington Street617.426.0604$7 per 1/2 hr.$20 all day (weekdays only)$15 nights (starting at 4pm) and weekends

Billy’s Parking222 Stuart Street617.632.2881Mon-Fri 7:30am-5pm-$6 each 1/2 hr., $20 max$30 vans or trucks$25 during events in areaSat., Sun. & evenings $20 flat fee

Beacon Hill Hotel & Bistro25 Charles StreetBoston, MA 02114617.723.7575

The Colonnade120 Huntington AvenueBoston, MA 02116617.424.7000

Eliot Hotel370 Commonwealth Ave. Boston, MA 02215617.267.1607

Loews Boston Back Bay Hotel350 Stuart StreetBoston, MA 021161.855.495.6397

The Park Plaza64 Arlington StreetBoston, MA 02116617.426.2000

The Revere Hotel Boston Common200 Stuart StreetBoston, MA 02116Tel: 617.482.1800 Fax: 617.451.2750

Boston Harbor Hotel70 Rowe’s WharfBoston, MA 02110Tel: 1.800.654.2000Fax: 617.345.6799

Fairmont Copley Plaza138 St. James AvenueBoston, MA 02116Tel: 617.267.5300Fax: 617.375.9648

Four Seasons200 Boylston StreetBoston, MA 02116617.351.2036

The Liberty Hotel215 Charles St.Boston, MA 02114617.224.4000

Marriott Copley Place110 Huntington AvenueBoston, MA 02116Tel: 1.800.228.9290Fax: 617.236.5885

Nine Zero Hotel90 Tremont St.Boston, MA 02108617.772.5800

The Ritz-Carlton Boston Common10 Avery Street Boston, MA 02111Tel: 617.912.3315 Fax: 617.912.3375

Taj Boston15 Arlington St.Boston, MA 02116617.536.5700

Westin-Copley Plaza10 Huntington AvenueBoston, MA 02116Tel: 1.800.228.3000Fax: 617.424.7483

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Name Business Name

Mailing Address

City State Zip

email address Tel: ( )

Quarterly Brochure No charge No charge

(Included with catalog subscription)

American Furniture & Decorative Arts $120 $143

European Furniture & Decorative Arts $120 $143

American & European Works of Art $120 $143

Fine Jewelry $120 $143

20th Century Design $60 $73

Asian Works of Art $60 $73

Fine Oriental Rugs & Carpets $18 $25

American Indian & Ethnographic Art $60 $73

Fine Books & Manuscripts $30 $36

Fine Ceramics $60 $73

Fine Musical Instruments $60 $73

Science, Technology & Clocks $60 $73

Fine Wines $60 $73

All Above Departments $750 $915

Subtotal

MA residents 6.25% sales tax

Total

Please enclose payment with subscription form and mail or fax to:

Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100

Please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)

Catalog Subscription FormPrices effective July 1, 2010. Catalog subscription price includes quarterly brochure.

Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.

Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com

MasterCard/VISA # Exp. Date

Signature Check enclosed

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Fine Works of Art

508.970.3206

[email protected]

Leon Bakst (Russian, 1866-1924)

Costume for the Marchinesse (Hunting), 1921 for THE SLEEPING BEAUTY

The Robert Bunting Collection of Dance-related Art

September 20, 2013

in conjunction with

the Fine Prints and

Paintings auctions

Page 148: Fine Prints & Photography | Skinner Auction 2655B

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