Download - Csa Brochure 2014 15 Web
-
8/13/2019 Csa Brochure 2014 15 Web
1/72
2 0 1 4
l
Cambridge
Schoo of Art
-
8/13/2019 Csa Brochure 2014 15 Web
2/72
-
8/13/2019 Csa Brochure 2014 15 Web
3/72
l
Cambridge
Schoo of
Art
2 0 1 4
-
8/13/2019 Csa Brochure 2014 15 Web
4/72
-
8/13/2019 Csa Brochure 2014 15 Web
5/72
-
8/13/2019 Csa Brochure 2014 15 Web
6/72
-
8/13/2019 Csa Brochure 2014 15 Web
7/72
Welcome
About Cambridge School of Art
Ruskin Gallery
Student ExhibitionsWorking with the Creative Industries
Student Awards
Student Prizes
Alumni Success
Cambridge - A Creative Hotspot
Cambridge School of Art Abroad
Research at Cambridge School of Art
Undergraduate Courses
BA (Hons) Computer Games Art
BA (Hons) Fashion Design
BA (Hons) Film and Television Production
BA (Hons) Fine Art
BA (Hons) Graphic Design
BA (Hons) Illustration
BA (Hons) Illustration and AnimationBA (Hons) Interior Design
BA (Hons) Photography
Postgraduate Courses
MA Children’s Book Illustration
MA Film and TV Production
MA Graphic Design and Typography
MA Illustration and Book ArtsMA Fine Art
MA Photography
MA Printmaking
Cambridge School of Art Events
About Cambridge
1
2-3
4-5
6-78-9
10-11
12-13
14-15
16-17
18-19
20-21
24
26
28
30
32
34
3638
40
44
46
48
5052
54
56
58-59
60-61
Anglia Ruskin University
Cambridge Campus
East Road
Cambridge
CB1 1PT
Email
Telephone
0845 271 3333
Web
www.anglia.ac.uk/csa
www.cambridgeschoolofart.com
lCambridgeSchoo of Art
-
8/13/2019 Csa Brochure 2014 15 Web
8/72
8
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
9/72
Welcome
We are an academic community of art, design and media
professionals focused on developing the creative practice of
our students through studio, workshop and classroom based
experimentation. Cambridge School of Art is home to some 800
students studying for undergraduate, taught masters and doctoral
qualifications. All our courses offer distinctive integration of practice
and theory, using industry standard facilities. You will be encouraged
to be both creative and critically engaged. Our courses are taught
by research-active staff recognised nationally and internationally as
leaders in their fields.
Students, academic and technical staff, visiting artists and industry
representatives all work closely together in a supportive and friendly
environment, within the historic Ruskin Building. This was built as the
original art school in 1909, and remains at the heart of Anglia Ruskin
University’s Cambridge campus.
I hope you will take the time to read about the artistic and cultural
life of Cambridge School of Art as illustrated in this publication. It
has been designed by James Webber, a graduate student from BA(Hons) Graphic Design, an example of the importance we attach to
professional experience on all our courses. You will also find brief
details about each course we offer.
Chris Owen
Head of Cambridge School of Art
1
Welcome
-
8/13/2019 Csa Brochure 2014 15 Web
10/72
2
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
11/72
The Past
The original Cambridge School of Art was opened in1858 by renowned British art critic, draughtsman,watercolourist and prominent social thinker John Ruskin, andhas remained well-regarded ever since. Legendary cartoonistand graphic artist Ronald Searle, who died in 2012, studiedhere as did Edward Bawden, one of Britain’s greatest graphicartists, illustrators and printmakers. During the highly creative
and experimental 1960s, Cambridge School of Art washome to many talented tutors and gifted students includingcaricaturists Roger Law and Peter Fluck, of Spitting Imagefame, and Pink Floyd members Syd Barrett and Dave Gilmour,who played one of their first gigs, at Christmas 1966, from thebalcony of the Ruskin studios.
The Present
Cambridge School of Art retains the creative ethos of its
foundation, upon which the modern-day art school is built.Engaging with current debates surrounding contemporarypractice and with state-of-the-art facilities, Cambridge School ofArt today is a perfect combination of the old and the new. Theoriginal Ruskin building houses light, bright studios along withindustry-standard film and photographic studios, 150-year-oldprinting presses and dedicated Mac suites. The Ruskin Galleryis a ground-breaking digital art gallery allowing both traditionalhanging and digital viewing.
About CambridgeSchool of Art
3
About Cambridge School of Art
-
8/13/2019 Csa Brochure 2014 15 Web
12/72
Ruskin Gallery
Parasite
For this new exhibition specially created for theten digital screens of the Ruskin Gallery, artistDeborah Robinson worked alongside soundartist David Strang (University of Plymouth)
and researchers Dr Julian Rayner and Dr OliverBillker of the Malaria research programme atthe Wellcome Trust Sanger Institute, to form anew audio-visual experience that invokes therecursive, cyclical nature of malarial diseasealongside historical attempts to remove itentirely from our world.
The Marmite Prize for Painting IV
Sponsored by Arts Council England, TheMarmite Prize is a nomadic prize championinga broad range of contemporary painting. 32artists were selected from 850 submissionsand the artists’ works were shown at a numberof venues around the UK. The winner of theMarmite Painting Prize was announced inLondon at the Tannery, after its exhibition at theRuskin Gallery in April 2013.
Situated at the heart of Cambridge School of Art,
the Ruskin Gallery is a unique exhibition space
surrounded by artists’ studios, incorporating a
groundbreaking digital gallery - the first of its
kind in the UK. Open to the general public, all
exhibitions are free and carefully curated to
provide a singular and memorable gallery-going
experience. The Ruskin Gallery welcomes over
10,000 visitors every year and shows touring
exhibitions of international standing alongside
student work.
Wi th its vaulted ceil ings, character and light,
the Ruskin Gallery is the perfect backdrop
for traditional shows, and the new technology
(including the world’s first Panasonic 103” 3D
Full HD plasma screen and a state-of-the-
art Bose audio system) has been installed to
complement the building’s period character. The
new digital technology is fully flexible, allowing
both traditional hanging and digital viewing,
either independently or at the same time. The
area underneath the main exhibition space has
been transformed into a photography gallery
and there is also an interactive touch-screen
information point.
Recent Exhibitions
4
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
13/72
5
Ruskin Gallery
Ruskin Gallery © Holly Pines
C b id S h l f A t 2014
-
8/13/2019 Csa Brochure 2014 15 Web
14/72
6
Cambridge School of Art 2014
Student Exhibitions
-
8/13/2019 Csa Brochure 2014 15 Web
15/72
Incunabula, 6-16 Kings
Street , Cambridge. From
left, Macarena Rioseco,
Mojtaba Peiravi
Cambridge School of Art students benefit from a range of opportunities to exhibit locally,nationally and internationally, in addition to opportunities in the Ruskin Gallery and on
campus.
Cambridge School of Art Degree Show
Each year the Cambridge School of Art studios are transformed into exhibition spaceswhich lead from the central Ruskin Gallery. The result is a spectacular and celebratorydegree show with 10 participating courses and over 200 graduating students. Changing Spaces
Since the project started in 2009 Cambridge School of Art students have exhibited in
a wide range of venues across Cambridge city centre. The project is an initiative byCambridge City Council in partnership with Love Cambridge, to utilise vacant retail unitsand other spaces in and around the city centre, in order to offer artists unique exhibitionspaces. Students have exhibited in a range of media including film, installation, sculptureand painting. Solo and group exhibitions have transformed a number of venues, includinga disused sweet shop and a former nightclub.
Other Opportunities
Last year, Cambridge School of Art students also showed their work at: BolognaChildren’s Book Fair, Italy; Lille Animation Festival 2013 (Fete de L’anim), France;Romanlar 2012, Istanbul; Stoptrik International Film Festival, Slovenia and Poland;DIVERSIDADE EM ANIMAÇÃO, Brazil; Film in t’Park in Huis vom Beeldcultuur, Holland;Festival international du Court Metrage, France; OFAFA Festival, Poland; Encounters,Bristol; Exposures, Manchester; British Animation Awards, London; Co-Op film festivalin Manchester Bond House Project Space, London; Bank Street Arts, Sheffield; FoylesBookshop Gallery, London; Pan Macmillan, London; East of England Show; the RoyalBerkshire Show, Chiswick House, London; Williams Art; Clare Hall Gallery; Institute of
Astronomy; Grafton Centre Fashion Show; King’s College Art Centre; Cambridge StyleWeek; Cambridge Arts Picturehouse and Changing Spaces venues including 616 Galleryand The Drawing Cube, and more...
Student Exhibitions
7
Student Exhibitions
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
16/72
Olly Clarke, BA (Hons) Photography, on work
experience in Zambia (image by Jan Mikus)
Our students have the opportunity to engage with industry and receiveindustry recognition in a number of ways including live briefs, partnerships,specialist workshops and masterclasses.
Wired To ensure a continuing engagement with industry, Cambridge School ofArt has established Wired, a series of screenings, seminars, Q&As andworkshops with film and television industry professionals. Recent eventshave included a screening and Q&A with Peter Strickland (Director) andNic Knowland (Cinematographer) of Berberian Sound Studio, a talk entitled‘Making a living from what you love doing’ with Georgi Banks-Davies,Independent Director and an insider view on bringing the outdoors to ourliving rooms from wildlife film-maker Piers Warren and accomplished remote
location Director/Cameraman and professional expedition leader, Phil Coatesand CSA graduate Ryan Chapman.
Internships and Work Experience
At Cambridge School of Art we encourage students to explore routesinto professional practice and secure work experience placements andinternships to develop the range of skills demanded in the industry. Studentsundertaking work experience can find this leads to internships or traineeships
or permanent employment. In addition to ongoing collaborations with thecreative industries, students have undertaken work experience placements,internships and traineeships through a variety of projects and companiesboth in the UK and internationally. These include: Nash Matthews patentattorneys, Archant publications, Daily Express, CUTEC, Urban Larder, FrenchConnection, 12foot6, Filofax, Sim Marriot, Guerrilla Cambridge, World ofInteriors, Massivkonzept, Envy Post-Production House, Georgi Banks-Davies,Cambridge County Council, Zambian News and Information Service (ZANIS),BBC, Warner Brothers California, House of Harlot, Liberty Department Store
and many more…
Working With TheCreative Industries
8
Cambridge School of Art 2014
Working With The Creative Industries
-
8/13/2019 Csa Brochure 2014 15 Web
17/72
9
Working With The Creative Industries
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
18/72
Rome Abbey Award
Andrea Medjesi-Jones, a Fine Art PhD student, was awardedthe highly significant and competitive Rome Abbey Award inPainting 2013 to research and practice at the British Schoolin Rome. Andrea continued her ambitious painting practice ina studio at the British School while also researching inter- and
post-war Italian painting in Rome and Venice.
Macmillian Prize for Children’s Book Illustration
Artists from Anglia Ruskin University have swept the board atthe prestigious 2013 Macmillan Prize for Children’s PictureBook Illustration. Now in its 28th year, the Macmillan Prize wasestablished to nurture new talent, and this year attracted over350 entries from students at universities and colleges acrossthe UK.
Jules Bentley won first prize and a cheque for £1,000 atthe ceremony at Pan Macmillan’s London headquarters forMonsieur Kibble Gets a Big Surprise , while recent MA Children’sBook Illustration graduate Lara Robinson was runner-up forFlora Grows a Problem and Wen Dee Tan, also an MA Children’sBook Illustration student, was awarded third place for Lili .To complete Anglia Ruskin’s clean sweep, second year BA(Hons) Illustration student Alex Prewett went home with a
cheque for £500 after winning the Lara Jones Award, whichfocuses on publications for babies or very young children, forhis book I’m a...
Young Creatives Network (YCN) Student Awards
Congratulations to 2013 graduating BA (Hons) Illustrationstudent Max Machen who, as well as receiving a HighlyCommended in the recent Macmillan Awards, was alsoCommended in this year’s Young Creatives Network (YCN)Student Awards.
All Commended submissions were recognised as beingof outstanding quality by the judges, and the contributingstudents were invited to the YCN Student Awards Ceremony inSeptember 2013, with their work showcased in the upcomingYCN Student Awards Annual and on the YCN website.BA (Hons) Illustration students have either won or beencommended in this award for the past three years.
Filofax Covers competitionBecky Mountain (2012 BA (Hons) Illustration and Animationgraduate) won this competition in 2012 and has since enjoyeda 6 month placement in the design department at Filofax.
Red Bull Canimation Competition
Marc Moynihan (2012 BA (Hons) Illustration and Animationgraduate) won the Red Bull Canimation Competition in 2011.The prize was a one month placement on graduation at
animation house 12foot6 in London. He was kept on afterthe placement and was soon working on the animations forthe BBC’s Dara O’Briain’s Science Club along with another2012 graduate Mike Towers. Marc has continued to work onanimation projects at 12foot6.
Student AwardsOur students receive industry recognition and success in major national andinternational competitions. Here are a few recent highlights:
10
Cambridge School of Art
Monsieur Kibble Gets a
Big Surprise , Jules Bentley
2014
Student Awards
-
8/13/2019 Csa Brochure 2014 15 Web
19/72
11
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
20/72
12
Student Prizes
-
8/13/2019 Csa Brochure 2014 15 Web
21/72
Cambridge School of Art has a number of annual awards forour students:
The Supanee Gazeley Fine Art Prize
The £2,000 awarded for the best body of work displayed at theDegree Show by a final year BA (Hons) Fine Art student,donated by alumna Dr Supanee Gazeley, this year went toTom Hisocks whose impressive sculptures, modelled on hisown body using the latest digital techniques, amazed the
judges and visitors to the Degree Show 2013 alike.
The Eaton Portrait Prize
BA (Hons) Photography students enter work to win prizesgenerously donated by former student Andy Eaton of EatonKaye. Shortlisted entries also win the entry fee to theprestigious Taylor Wessing Photographic Portrait Prize atthe National Portrait Gallery. This year’s award was won byWill Symons.
Student Prizes
13
Chris Owen, Head ofCambridge School of Art,Albert Gazeley and TomHiscocks
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
22/72
14
Cambridge School of Art
-
8/13/2019 Csa Brochure 2014 15 Web
23/72
Alumni SuccessTom Sanalitro, who graduated with a BA (Hons) in Graphic Design in 2013, has been workingwith the World Oral Literature Project – a collaboration between the University of Cambridgeand Yale University – to help save two endangered languages in the Chittagong Hill Tracts, amountainous region in south east Bangladesh.
Tom has worked with Jamie Kutner, a calligrapher from the Rhode Island School of Design, todigitalise two alphabets – Mro and Marma – and create typefaces and fonts to help preserve thelanguages for future generations.
Asia Prusinowska, BA (Hons) Fashion Design, was invited to display work at a prestigious feltshow in Amsterdam immediately after graduating in 2013 and has secured sponsorship fromCambridge Style Week to help her set up in business and prepare to launch a new collection inFebruary 2014.
“I am a conceptual fashion designer and textile artist, who designs to communicate and tellstories,” said Asia, who specialises in making clothes out of felt. “My creations are one-of-a-kindwearable art, full of magic and fantasy; I aim to create an emotional connection that motivatesand excites people. I’ve been dreaming about showing my work internationally, but didn’t expectit so soon – I’m over the moon!”
Chiara Parazzi secured an internship at World of Interiors immediately after graduating fromBA (Hons) Interior Design in 2012. She is now in Kenya running Out Of The Blue Co. a businessspecializing in interior furniture and interior items, all made from wood and bone or wicker. AsChiara explains:
‘Our main objective is that all our products are made from recycled wood and we encourage oursuppliers to use traditional methods of manufacturing. A percentage of our sales always go to afantastic marine conservation project called The Local Ocean Trust.’
Other recent alumni success include 2012 graduate and, aspiring cinematographer Ann EvelinLawford who has exhibited her Super16mm grad film Concealment at numerous venues,
including at the 12th Square Art exhibition in Soho. She joins many other BA (Hons) Film &Television Production graduates enjoying industry successes.
15
Asia Prusinowska
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
24/72
Cambridge - A Creative Hotspot
Cambridge has been identified as one of the UK’s topcreative hotspots (NESTA Creative Clusters and Innovationreport 2010). Cambridgesh ire has more than 1600creative enterprises, employing over 12,000 staff, andcontributing just under £1 billion per annum to the UKeconomy. As well as being a centre for employment inthe creative industries, there are rich opportunities for
collaboration with the city’s entertainment, technological,scientific, arts and heritage industries.
Computer Gaming
Around 10% of the UK’s computer games workforceis based in Cambridge. Jagex run the second biggestMMORPG from Cambridge and Sony also has a majorPlaystation development studio here. BA (Hons) GraphicDesign graduate Matt Power was part of a BAFTA winningteam at the studio.
Cambridge School of Art hosts the annual Brains Edenwhich includes a massive 48 HOUR GAMES JAM, in whichteams of students compete aided by representativesfrom Sony, Jagex, Ninja Theory, Fontier Developments,other major UK games companies and notable indie gamedevelopers.
Creative Front
Creative Front Cambridgeshire is co-ordinated by AngliaRuskin University. Creative Front supports and promotescreative practitioners and creative businesses. In additionto acting as a hub for collaboration, interaction andnetworking, it is also a vital resource for engagement withbusiness services, development and employment within the
sector.
Other creative industries or businesses our studentsregularly work or engage with in the Cambridge areainclude:
Games Eden, Cambridge Design Collective, Supremebeing,Grafton Centre, CAMPUS, Marshalls Aerospace, Kettle’sYard, The Fitzwilliam Museum, Fry Art Gallery and Museum,Cambridge Arts Picturehouse, Super 8 Festival, CambridgeFilm Consortium, Cambridge Arts Theatre, ADC Theatre,Menagerie, Moulin Exes, The Junction, Classworks Theatre,Heffers bookshop, Waterstones, Cambridge City Council.
“Employment in the [Creative Industries] Sector
has grown at double the rate of the economy as
a whole”.Department for Culture, Media & Sport 2011
16
Cambridge School of Art
-
8/13/2019 Csa Brochure 2014 15 Web
25/72
17
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
26/72
Our students enjoy a number of field trips which aim to helpdevelop their understanding of contemporary practice in aninternational context. Recent field trips include: Beijing, China,
Porto, Portugal; Seville, Spain; Berlin, Germany; Amsterdam,Holland; Paris, France.
In addition, some students take advantage of our links withinstitutions in Northern Europe to enhance their experience.In 2012 and 2013 students from BA (Hons) Illustration andAnimation travelled to Fete d’Anim in Lille, France, to show theirfilms at this major international animation festival.
In 2013, four students have benefitted from the EU Erasmusexchange scheme, spending the autumn semester studyingin Breda, Holland. Three Graphic Design students studiedInformation Design at Avans University, and one joined theExcellence Programme at St Joost Akademie, as part of animportant European cultural programme - VIVID. The St Jooststudents joined a team developing a major project with animatorand social networking artist, Floris Kaayk, who was featured innews broadcasts across the world following his previous ‘BirdMan’ project.
MA Children’s Book Illustration students, staff and recentgraduates visit the Bologna Children’s Book Fair annually. Since2012 the course has taken its own stand at the fair. Portfoliosand unpublished dummy books by students and graduates areon show at the stand, alongside internationally published works.Word about Cambridge School of Art quickly spreads amongst
publishers at the fair, the appointments book is soon filled, andby the end of the week offers to publish have been made bycompanies from around the world including the UK, China, Italy,
France, Korea, USA and Japan. In 2012, the biggest hit wasMike Mason, a part-time student in the final stages of his studies,whose elaborate 3D paper-cut books received interest and offersfrom 10 publishers in total.
Many of our staff are internationally recognised, with theirexpertise sought world-wide. Will Hill, Course Leader for MAGraphic Design and Typography, recently curated an internationaltravelling exhibition of contemporary typeface design by leading
type designers from around the world. The exhibition opened inLondon in May 2012, later travelling to a series of venues in theUK, before moving on to the Bauhaus, Weimar and the Museumfur Druck-Kunst in Leipzig.
The Korean edition of Children’s Picturebooks: The Art ofVisual Storytelling by Professor Martin Salisbury was recentlycelebrated with a launch and exhibition in Seoul, South Korea.The director of Sang Publishing, Hyun Sang, has collaboratedwith Professor Salisbury on a number of events and publications.The same book, which is co-authored with Morag Styles,Professor of Children’s Poetry at the University of Cambridge,shot to number 1 in Amazon.com’s Graphic Design bestseller listin April 2012, following a radio slot with Professor Salisbury onNational Public Radio (NPR) in the US. More recently it won theUKLA Academic Book award 2013.
Cambridge School of Art Abroad
Children’s Picturebooks: The
Art of Visual Storytelling
Korean Book cover
18
Cambridge School of Art Abroad
-
8/13/2019 Csa Brochure 2014 15 Web
27/72
19
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
28/72
20
Research at Cambridge School of Art
-
8/13/2019 Csa Brochure 2014 15 Web
29/72
Research at Cambridge School of Art
Academic staff at Cambridge School of Art are active in research - some theoretical, much of it practice-based. Staff publish their research through exhibitions, books, journal articles and conference papers. At
the last UK Research Assessment Exercise (RAE, in 2008), Art and Design was one of 8 subject areas atAnglia Ruskin University classed as having research of ‘International’ standing. Research-active staff operatewithin research centres, or groups, which promote dialogue through seminars, lectures and conferences.Cambridge School of Art’s research clusters include:
• Centre for Children’s Book Studies
• Fine Art Research Unit (FARU)
• Typographic Research Group
• Cultures of the Digital Economy Research Institute (CoDE)
These groups organise and contribute to conferences, exhibitions, screenings, articles and commissionedillustrations in international venues and publications. FARU offers regular artists’ talks, which are opento all students in the school, whilst the Centre for Children’s Book Studies organises an annual Festival ofIllustration in Cambridge, in conjunction with Heffers’ Bookshop.
We are also engaged in a range of research projects, connecting staff and students with internationalnetworks of artists and designers. A recent Anglia Ruskin arts project, Visualise, brought artists, scientists
and technologists together in a series of exciting events. It culminated in a major exhibition in the RuskinGallery in July 2012 on the theme of computer arts, entitled Poetry, Language, Code, which includedmultimedia fractal pieces by William Latham, together with work by artists such as Eduardo Kak and GustavMetzger.
The European Union project, VIVID (Value Increase through Visual Design) brings together universities andarts organisations from the UK, France, the Netherlands and Belgium. In January 2013 an internationalconference was organised in Cambridge thorough VIVID, exploring the links between design and high-techindustries. The conference explored emerging ideas and developments, including the psychology of design,
the role design plays in economic growth, and the relevance of visual design to a wide range of sectors.The conference included contributions from academics, as well as leading design companies aroundEurope, including Studio Roosegaarde, Grendel Games, Idees-3com and Akendi. Amongst the attendeeswere designers, artists, students, entrepreneurs, plus representatives from governmental organisations,design companies, and cultural organisations. This project is supported by the European Interreg IV AProgramme “2 Mers Seas Zeeën”.
21
Delegates to the VIVID conference, Cambridge January 2013 , enjoyOf Sleeping Birds , a walking sound installation by the Circumstanceart group, produced as part of the Visualise Arts Project
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
30/72
Undergraduate
Courses
Pages 24-41
22
Undergraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
31/72
23
Cambridge School of Art 2014
J Mit h ll
-
8/13/2019 Csa Brochure 2014 15 Web
32/72
The course has been designed in consultation with
key figures from the games industry to provide you
with a dynamic environment in which to develop
art skills relevant to this fast-paced sector. There
is an emphasis on visual research, creativeexperimentation and technical development which
will give you a solid platform to make an impact in
games creation. Computer games development is
characterised by a cross-disciplinary approach and
you will be actively encouraged to work in close
collaboration with other students on the course
and with programmers, audio technicians and
musicians. We have a strong track-record of industry
involvement from companies such as Ninja Theory,
Sony Computer Entertainment Europe, Jagex and
Frontier. This benefits our students who receive
industry guidance on current practice for artists
working in computer games.
Computer Games Art
BA (Hons)
UCAS code: W281
Entry requirements: 200-240
More info: www.anglia.ac.uk/compgames
24
Jason Mitchell,Memento Project,
2013
BA (Hons) Computer Games ArtUndergraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
33/72
25
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
34/72
26
BA (Hons) Fashion DesignUndergraduate Courses
Design by Thanh Cong Vu as featured in fashion
-
8/13/2019 Csa Brochure 2014 15 Web
35/72
We offer a creative, dynamic and
collaborative learning environment where
you will be encouraged to develop your own
creative path within the fashion industry. In
the 2013 National Student Survey, 100% of
students stated that they were satisfied with
the teaching on their course.
Our course aims to give you a professional
understanding of creative and industry
processes, including design, production
and visual communication, within different
market levels. Based on contemporary
professional practice, you will graduate witha specialised portfolio and final collection
to launch you into the industry for a specific
market and consumer.
Fashion DesignBA (Hons)
UCAS code: W230
Entry requirements: 200-240
More info: www.anglia.ac.uk/fashion
27
g y gmagazine Urban CocoPhotographer: Kyle Galvin, Make-up: Freya Goodcle,Hair: Jade Dixon, model: Linea@MPmodels
From Cloudwatcher. Producer Claire Day;
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
36/72
From Cloudwatcher . Producer Claire Day;Director Martin Galvin; Writer Alex Ferguson.
Photography © annevelinlawford.co.uk
Film and TV Production
BA (Hons)
UCAS code: W612
Entry requirements: 200-240More info: www.anglia.ac.uk/film_tv
This course is designed to equip you
with a range of skills for the professional
environment of television and film
production. Guided by our highly experienced
teaching staff, many of whom are industry
professionals, you will explore a range of
styles and genres in documentary and film-
fiction production.
You will develop your talents in production
management, cinematography and post-
production through a wide range of module
options in screenwriting, directing, producing
and multi-camera studio operations allowing
you to specialise. Key to this course is a focus
on vocational training, and the techniques
you will learn are used in television and film
production today.
28
BA (Hons) Film and TV ProductionUndergraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
37/72
29
Cambridge School of Art 2014
Linda Richardson, Glamour Puss,
-
8/13/2019 Csa Brochure 2014 15 Web
38/72
UCAS code: W105
Entry requirements: 200-240
More info: www.anglia.ac.uk/fineart
Studio work is central to this degree, as
well as a critical understanding of theory
and technique. The emphasis is on the
development of your own visual language,
and tuition is often studio-based and
one-to-one. A wide choice of options
allow you to specialise and develop your
practice in a range of areas, including
painting, drawing, sculpture, installation,
printmaking, photography, video, film and
digital media. We have excellent facilities
to help support diverse approaches to
Fine Art practice. Lectures by artists
and field trips to exhibitions provide aframework for the development of your
artistic identity.
Fine ArtBA (Hons)
30
Linda Richardson, Glamour Puss ,Oil on canvas, 2012
BA (Hons) Fine ArtUndergraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
39/72
31
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
40/72
A new generation of diary for your iPad.
Well Being Temperature Weather Mood Events
32
BA (Hons) Graphic DesignUndergraduate Courses
Periodic Table of Life Elements ,
-
8/13/2019 Csa Brochure 2014 15 Web
41/72
This course aims to produce informed designers
and technically-skilled graduates who arewell placed to pursue successful careers in
graphic design. You will explore a wide range
of graphic disciplines and their professional
contexts. Course content is based upon graphic,
typographic, web, text-image relationships andthe visual communication of information and
ideas and there is a focus on practice via design
briefs which are principally studio or workshop
based. Access to our excellent on-campus digital
facilities and design studios will provide you
with real understanding of contemporary design
processes using industry-standard Adobe CS
design software on Apple Macintosh technology.
Graphic DesignBA (Hons)
UCAS code: W200
Entry requirements: 200-240
More info: www.anglia.ac.uk/graphicdesign
33
Tom Han Wong. Promotional posterand App design.
-
8/13/2019 Csa Brochure 2014 15 Web
42/72
BA (Hons) IllustrationUndergraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
43/72
35
Monika UmbaBluebird
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
44/72
Bluebird
Illustration and Animation looks to the interaction
between the two disciplines to develop a strong
authorial voice. Central to both disciplines
is visual communication underpinned by thedevelopment of a personal visual language.
Experimentation is seen as paramount in
achieving this. A keen interest in the visual world
should inform this experimentation and there
is a strong emphasis on drawing as a means of
exploring the visual environment.
The development of sequential narratives through
animation allows you to use structure and
composition as a key ingredient in illustration
work, while use of text and image developed
through illustration practice, feeds into the visual
language of animation.
Illustration and AnimationBA (Hons)
UCAS code: WW26
Entry requirements: 200-240
More info: www.anglia.ac.uk/animation
36
BA (Hons) Illustration and AnimationUndergraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
45/72
37
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
46/72
38
BA (Hons) Interior DesignUndergraduate Courses
Sotirios Tseronis, Spa project ,Second Year Interior Design 2013
-
8/13/2019 Csa Brochure 2014 15 Web
47/72
Interior design focuses on the creative and
sensitive manipulation of spaces for people
and specific activities in those spaces. Interior
designers enliven space, clarify movement through
space and help people engage with those designed
spaces.
Our course supports the development of your skills
to enable you to envisage creative and innovative
solutions to address current design problems. You
will build on your knowledge and skills throughout
the course, culminating in a sustained and
specialist portfolio project in your final year.
Designers graduating from this course have a wide-ranging skillset with clear visual communication
abilities. You will have a strong client focus and will
be ready to engage with industry.
Interior Design
BA (Hons)
UCAS code: W250
Entry requirements: 200-240
More info: www.anglia.ac.uk/interiordesign
39
-
8/13/2019 Csa Brochure 2014 15 Web
48/72
BA (Hons) PhotographyUndergraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
49/72
41
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
50/72
42
Postgraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
51/72
Postgraduate
Courses
Pages 44-57
43
Becky Palmer
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
52/72
More info:
www.anglia.ac.uk/mabookillustration
Our MA Children’s Book Illustration is a world-
renowned, taught studio course that focuses on
the creative development and direction of each
student artist. The teaching is delivered primarily
by internationally recognised artists, writers and
publishers who work professionally in the field of
children’s books. Each module requires you to propose
and develop a project through negotiation with tutors,
within the broad parameters of the module definition.
The course places a strong emphasis on drawing and
sequential design. One-to-one tutorial support is seen
as a key element of the student experience along with
group critiques, briefings and seminars.
This course has recently unveiled a formal partnership
with the leading children’s book publishers, Walker
Books and their USA partners, Candlewick Press.
Children’s Book IllustrationMA
44
MA Children’s Book IllustrationPostgraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
53/72
45
-
8/13/2019 Csa Brochure 2014 15 Web
54/72
-
8/13/2019 Csa Brochure 2014 15 Web
55/72
Kirill Klochkov3-d Calligraphy
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
56/72
This course is designed to explore and
investigate issues and practices in graphic
communication, as a means to enhancingprofessional understanding and academic
scholarship in this subject. Based upon a
combination of self-directed and industry-
driven projects, this course builds on our
established BA (Hons) Graphic Design, which
is recognised for its emphasis towards quality
and innovation in typography as well as an
inclusive, content-driven approach toward
graphic communication in general. The course
is designed to challenge preconceived thinking,
and to develop innovative approaches to
professional practice while enhancing practical
expertise and theoretical understanding.
Graphic Designand Typography
MA
More info:
www.anglia.ac.uk/magraphicdesign
48
MA Graphic Design and TypographyPostgraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
57/72
49
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
58/72
50
MA Illustration and Book ArtsPostgraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
59/72
This course is a unique provision in the
UK, designed to encourage a dialogue
between visual practitioners in the fields of
Illustration and Book Arts. Whatever your
background, you will develop your own
visual practice through collaboration and
dialogue with staff, visiting professionals
and fellow students, and in response
to areas of mutual relevance to both
illustrators and book artists such as visual
sequencing and visual text.
The MA builds on the traditions and
expertise of Cambridge School of Art in the
areas of Illustration and Book Arts, and youwill be encouraged to make full use of our
purpose-built art studios and the excellent
printmaking and letterpress facilities.
Illustration and Book Arts
MA
More info:
www.anglia.ac.uk/mabookarts
51
Ruth Laslett, Back to where you camefrom , Mixed Media and Print. Show as part ofthe Incunabula exhibition, 6-16 King Street,
Cambridge, 2013.
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
60/72
Cambridge, 2013.
Our MA Fine Art is a specialist course
incorporating flexible study routes which cater
for your individual needs and career trajectories.
This practice-based course embraces a variety
of creative attitudes and established practices
ranging from painting, sculpture, printmaking,
installation, photography, film, sound and
experimental music to intermedia.
You are able to focus on your practice through
core modules as well as interconnected critical
theory and exhibition-practice modules. The
interplay of this provision will enable you to locate
your practice at the forefront of contemporary fine
art practice developing both critical and creative
dialogues with staff and fellow students, and
providing the opportunity to test out your ideas
within a professional environment and context.
Fine ArtMA
More info:
www.anglia.ac.uk/mafineart
52
MA Fine ArtPostgraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
61/72
53
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
62/72
54
Vanessa Mills
MA
MA PhotographyPostgraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
63/72
More info:
www.anglia.ac.uk/maphotography
Designed for photographers interested in defining
their practice and becoming critical practitioners,
this course will invite you to experiment, research
and disseminate your practice. Photography
is approached as a global industry in which
practitioners need to be aware of international
discourses and opportunities. Specialist resources
include analogue and digital photographic
facilities, photographic studios, CGI HDRI lab,
printmaking and laser-cutters and there are
extensive digital imaging resources, including
Macs, full Adobe software suites, scanners and
A3/large format printers. This practice-based
course focuses primarily on the development
of a personal visual identity within a framework
which equips graduates to pursue careers inthe photographic industry and beyond, as visual
practitioners, picture researchers, assistants,
lecturers, curators and ar t critics.
Photography
55
Jan Peel, Whispers Echoes Traces ,etchings on copperplate. Installed at
Kirby Hall, 2013
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
64/72
Designed for creative practitioners who
wish to transform their visual practice
through an engagement with print media,
this course offers the opportunity to
extend and deepen your creative research
within a supportive and critically informed
environment. The course is delivered
through individual studio practice through
core modules and interconnected critical
theory and exhibition practice modules.This is supported by lectures, seminars,
presentations and one-to-one tutorials
by specialist academic staff and leading
professionals within the field. The course
culminates in a final exhibition of workwhich provides both a professional
benchmark and a platform for future
career development.
Printmaking
MA
More info:
www.anglia.ac.uk/maprintmaking
56
MA PrintmakingPostgraduate Courses
-
8/13/2019 Csa Brochure 2014 15 Web
65/72
57
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
66/72
Cambridge School of Art EventsChildren’s Book Illustration Summer School
Each year we run a 5-day course looking at whatmakes an effective picturebook for children.Aimed at all levels of experience, the SummerSchool explores characterisation, pacing,pagination, the interplay of text and image,
composition and design as students producetheir own dummy picturebook with the guidanceof tutors in a friendly, relaxed and supportiveenvironment.
Alongside the practical, studio based work,a series of lectures by leading internationallypublished illustrators run throughout the week toinform and inspire.
Studio sessions are run on a one-to-one tutorialbasis by experienced tutors from the MAChildren’s Book Illustration, so students fromall backgrounds and experiences are welcome.However, we do ask that applicants have someprevious drawing experience.
We also hold a one day conference in conjunctionwith this event.
For information on all our events please visit:www.anglia.ac.uk/csa
Cambridge School of Art has a number
of events running throughout the year to
welcome prospective students, members
of the public and others interested in the
work we do at Cambridge School of Art.These include exhibitions, workshops,
talks, taster days and open days.
Information for all our Ruskin Gallery
exhibitions can be found at:
www.anglia.ac.uk/ruskingallery
and for all our student exhibitions at:www.anglia.ac.uk/studentexhibitions
58
-
8/13/2019 Csa Brochure 2014 15 Web
67/72
Children’sBook Illustration
SummerSchool
Taught by internationally celebrated
children’s book illustrators
29th July - 3rd August 2013
‘Orange Pear Apple Bear’,
Emily Gravett, published by
MacMillan Children’s Books.
Cambridge School of Art 2014
-
8/13/2019 Csa Brochure 2014 15 Web
68/72
60
About Cambridge
Anna Betts
-
8/13/2019 Csa Brochure 2014 15 Web
69/72
Cambridge School of Art is based on our Cambridgecampus in the heart of the city and has recentlyreached a milestone in its history with the opening ofthe new £35-million redevelopment.
We are approximately 15 minutes away from the citytrain station, which is well connected, with trains toLondon taking about 45 minutes. As well as beinga centre for employment in the creative industries,Cambridge is a beautiful, cultural and creativecity and has lots to offer including museums, artgalleries, festivals and a vibrant arts scene.
About Cambridge
61
-
8/13/2019 Csa Brochure 2014 15 Web
70/72
Prospectus designed by James Webberwww.james-webber.co.uk
-
8/13/2019 Csa Brochure 2014 15 Web
71/72
-
8/13/2019 Csa Brochure 2014 15 Web
72/72
2 0 1 4