Download - Contemporary Stone Tile Design Summer 2011
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Summer 2011 Volume 17 No. 3
DECORATIVE & GLASS TILE /COVERINGS PRODUCT REVIEW /TILE FROM SPAIN AND ITALY
www.cstdmag.com
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is the perfect mortar to enhance the color of glass tiles.
AdesilexP10
glass tile
to make asplash?
installation
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ABCstone
Amazonite Marble Bookmatch
m a r b l egr a ni te
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new york 718-389-8360 long island 516-997-9412
www.abcworldwidestone.com
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Ceramic Tiles of Italy. A natural beauty.
www.italiantiles.com
For more information, please contact:Italian Trade Commission Ceramic Tile Department 33 East 67th Street New York, NY 10065-5949 ph (212) 980-1500 fax (212) 758-1050 [email protected]
Ceramic Tiles of Italy, promoted by Confindustria Ceramica, is a registered trademark of Edi.Cer. S.p.a., the organizer of CERSAIE,
International Exhibition of Ceramic Tile and Bathroom Furnishings Bologna, Italy, September 20-24, 2011 www.cersaie.it
Choosing Italian tiles is a question of style. Beauty alone is no longer enough, you have to create
harmony which is beauty and respect together. The beauty of a product of superior technical quality along with respect
for working conditions and the environment.
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From the Editor
Calendar
Coverings 2011 Product Review
Mosaic glass tile rejuvenates master bathIridescent glass mosaics contribute to the refreshing and open airy feel of a renovated
master bath of a private residence in Texas by Kelly Martin
Modernizing an ancient art formA handcrafted mosaic backsplash creates a point of interest for an elegant residential
kitchen in Connecticut by Jennifer Adams
Glass tile elevates experience for California retailerModono glass tile assists in creating a sleek upscale atmosphere at two
Custom Comfort Mattress retail locations in California by Kelly Martin
Playful tilework enlivens light-rail stationA collaboration between a local community and team of artists brings life to the
DART North Carrollton Frankford Road Station in Dallas, TX, with the use of
custom-cut ceramic tile by Jennifer Adams
A collection of the latest innovations indecorative and glass tile products
by Jennifer Adams
Spanish tile provides a casual feel in BelgiumFor a large bar/coffee house in Genk, Belgium, the designers specif ied large-format ti les from
Spain to help create a warm, comfortable environment by Michael Reis
Hawaiian paradise showcases Italian tileThe design of an upscale residence in Kona, HI, combines Italian floor tile and mosaics with
reclaimed Teak wood and lava rock for a soothing and chic living space by Jennifer Adams
A statement of modern eleganceFor the master bath of an upscale San Francisco, CA home, the design uses an innovative
application of Carrara marble to create a visual centerpiece for the space by Jennifer Adams
Tile and stone enhance campus parking structureThe use of terra-cotta tile and local Duke Stone for the exterior design of a new parking garage at
Duke University maintains campus tradition while adding a modern twist by Kelly Martin
Sourcing Guide
Contemporary Stone & Tile Design
Summer 2011 Volume 17 No. 3
www.cstdmag.com
On The CoverA recent redesign of the Custom Com-fort Mattress showroom in Beverly Hills,CA, included the addition of a wavewall formed by Modono glass tile. The3- x 3-inch glass tiles were installed with-out grout in order to let as much lightinto the edges as possible creating asurface that reflects the changing day-light. Designer:Roth Design Group Ltd.,Los Angeles, CA; Tile Manufacturer:Modono Glass, Rochester, NY. Story be-gins on page 24.
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CONTEMPORARY STONE & TILE DESIGN (ISSN 1527-7690) is published 4 times annually, quarterly, by B NP Media, 2401 W. Big Beaver Rd., Suite 700, Troy, MI 48084-3333. Telephone: (248)
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PUBLISHER Alex Bachrach [email protected], ext. 8615
EDITOR Jennifer Adams [email protected], ext. 8611
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Tile of Spain - Trade Comission of Spain Voice: 305 446 4387 F.: 305 446 2602 [email protected] www.tileofspainusa.com
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From theEditor
While each issue of Contemporary Stone & Tile Designhas something fresh to offer, I always find
our summer issue to be part icularly fun to put together. For as long as I can remember, this issue
has always been dedicated to decorative and glass t ile. I find it appropriately fitt ing, since the
summer months are usually associated with bright colors and a sense of being carefree.
As we prepare this focus each year, I discover tiles with more texture, depth and reflective
qualities. The advances in technology are truly staggering. It is amazing to consider all of the
options that are out there now. Way back when, I used to only think of mosaics when it came
to glass tile . Today, glass tiles are coming in an assortment of shapes and s izes. There are ones
that are made to look like bubbles, hexagons, etc .
One of my recent discoveries is Modono Glass Tile that is featured on our cover and in an ar-
ticle that begins on page 24. These tiles have a very reflective quality, which makes them change
color as daylight hits their surface. I also find it interesting that large-format pieces were used as
accents on the exterior of a commercial building. The ti les ranged in size from 12 x 12 to 12 x 24
inches something I dont think is commonly seen for this type of application.
In addition to the features that illustrate some finished projects using decorative and glass tile,
we have also included a roundup of these products on page 34 of this issue. I hope you enjoy
checking them out as much as I have. Additionally, even more new stone and tile products can
be found in our Coverings 2011 Product Review starting on page 14.
Coverings was just one of several stone and tile exhibitions that I had the opportunity to visit
in recent months. Now that I have been back in the office for a while, I have had time to reflect
on some other observations I made while on the road, and I feel they are also worth sharing.
The use of social media by industry members for business purposes is definitely on a significant
incline. Many of the Web sites from industry companies, associations and trade shows as well
as brochures and press releases are promoting Facebook pages or ask ing readers to follow
them on Twitter. Seminars explain ing how social media can benefit a business are now also part
of the lineup of the educational programs that are held in conjunction with trade exhibitions.
I have to admit that I had been lagging behind a bi t when it comes to our magazines Facebook
page and Twitter account. But after returning from Coverings a few months ago, I star ted think-
ing of the ways that Facebook and Twitter could benefit the Contemporary Stone & Tile Design
brand and there are definitely a few. Social media provides another platform to get the word
out about whatever might be of importance at the time. As a magazine, it allows me to let
our readers know about upcoming industry events or to share up-to-the-minute happenings
at these events. They also are another way to share industry news and new product launches.
Social media seems to be here to stay, and no matter what your business, it might be worth
exploring ways that it can benefit your operation and help communicate your message and
mission. I want to let our readers know that I am diligently posting the latest news and other
topics, images and videos pertaining to the stone and tile industry on Contemporary Stone &
Tile DesignsFacebook page, which we share with our sister publication Stone World at:
www.facebook.com/stonetilepage, and you can also follow us on Twitter (@cstdmag). Ad-
ditionally, you can see a unique collection of stone industry videos on YouTube by visiting
www.youtube.com/stoneworldmagazine
Feel free to visit our social media pages, and dont hesitate to share your comments, feedback
and ideas with us.
Jenni fer Adams, Editor
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E V E N T SU P C O M I N G
September 21 to 24, 2011
Marmomacc 2011, the International Ex-
hibition of Marble, Stone and Technology
and Building Materials Show, Verona, Italy.
Contact: Veronafiere at 39-045-829-8111
(phone); 39-045-829-8288 (fax) or visit
www.marmomacc.com.
September 20 to 24, 2011
Cersaie 2011, Bologna Exhibition Centre,
Bologna, Italy. Contact: P.O. Box 103-
40050 Centergross, Bologna, Italy. Phone:
39 051 6646000; Fax: 39 051 862514; Web
site: www.cersaie.com.
January 24 to 26, 2012
StonExpo/Marmomacc Americas 2012/
Surfaces, Mandalay Bay Convention Cen-
ter, Las Vegas, NV. Conference sessions
beginning on January 23. For more details
on attending or exhibiting at StonExpo/
Marmomacc Americas, call (866) 550-6808
or (972) 536-6440 or visit www.StonExpo.
com. For more information about Surfaces,
contact 1-800-547-3477; International calls
contact: 1-972-536-6400; Fax: 1-972-536-
6401; Web site : www.SurfacesExpo.com.
February 7 to 12, 2012
Cevisama, International Trade Show for
Ceramic Tiles, Surface Coverings, Fittings
and Bathroom Furnishings, Valencia, Spain.
Contact: Feria Valencia, 34-96 386-11 00 ; E-
mail: [email protected]; Web
site: www.feriavalencia.com.
April 17 to 20, 2012
Coverings 2012, Orange County Conven-
tion Center, Orlando, FL. Contact: Coverings/
National Trade Productions, 313 S. Patrick
St., Alexandria, VA 22314; Phone in the U.S.:
(866) 285-3691 or International: +1-703-
706-8257; Fax: (703) 836-4486; Web site:
www.coverings.com.
May 14 to 19, 2012
American Institute of Architects Na-
tional Convention and Design Expo,
including the Stone and Tile Pavilion, Wash-
ington, DC. For more information, visit
www.aiaexpo.com.
For an even more complete calendar of stone industry
events, visit Contemporary Stone & T ile DesignsInternet site
on the World Wide Web at http://www.cstdmag.com.
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Designing with Natural Stone
Scholarships Available To Architects F or The Next Veronafiere A IA-Approved Continuing Education Course
ADVERTORIAL
The thirteenth edition of Designing with Natural Stone will
run from September 19-24, 2011 in Verona, Italy, in conjunction
with MARMOMACC, the worlds leading trade show for stone
and design. Nearly 200 architects from all over the U.S. haveparticipated in previous editions of the course. Scholarship
applications for this years course will be accepted until July 15th.
Veronafiere offers this course to help architects learn advanced
techniques in the use of marble, granite and other stone materials.
The program is a unique combination of classroom lectures,
guided architectural tours, and field trips to local quarries, as
well as to natural stone processing facilities. This comprehensive
approach enables architects to better understand stones full
life-cycle including how marble is quarried, cut, processed,
finished, selected for specific jobs and installed, all using the latest
technologies and products. Members of the stone trade wishing to
better educate the architects they work with about stone design
should suggest they apply.
The 2011 edition will include visits to a Chiampo quarry and
a nearby stone processing plant, case studies on the Canadian
Museum for Human Rights in Winnipeg and the M Resort in
LasVegas, as well as architectural tours of Verona and Vicenza.
Sustainable design (SD) became a principal focus of the course in
2008. A minimum of four AIA SD credits will again be offered,
including a session on stone maintenance and case studies of
sustainable projects in stone. In addition, the course provides time
to explore MARMOMACC, with its more than 1,500 exhibitors
of stone and stone-related products from around the world.
Participants earn approximately 23 AIA/CES learning-unit
hours. Many classes also count as HSW credits and four as SD
credits. The class is limited to 30 architects, 16 from the U.S., the
others from Canada, the U.K., South Africa, India, Singapore,
and Hungary.
Scholarships covering tuition, hotels and meals are awarded on
a competitive basis, based on a candidates demonstrated interest
in the field, responsibilities within their firm, and experience with
stone. Participants are responsible for their own transportation to
Verona as well as a $480 registration fee. Those interested should
fax or e-mail to the address below their curriculum vitae and a
cover letter specifying why they wish to take part in the course.
The deadline for submitting applications is July 15th.
The course is co-sponsored by Stone World magazine and supported
by the Marble Institute of America, which donates a copy of its
MIA Dimension Stone Design Manual to all participants.
Please send applications to: The Consultants International Group:
1616 H Street NW, Washington, DC 20006, fax: (202) 393-4655,
e-mail: [email protected]
For Online Courses on Designing with Stone go to www.aecdaily.com/sponsor/veronafiere
Designing with Natural Stone has been recognized by the AIA as a Best Practices and Trends educational program.Comments from last years students support this judgment:
The program was great for me, just what I needed. I love the craft of building and there is no better material to expressa sense of permanence with than natural stone. Earl Jackson, Skidmore, Owings & Merrill (New York, NY)
The sequencing, from the quarried blocks to finished pieces; sealing, installing, treating, restoring, etc., helped to makeeach subject more interesting and relevant. I am comfortable sharing the experience and knowledge gained with others,and the resources made available can be shared as well. Jon Bernhard, Swaback Partners (Scottsdale, AZ)
I really cannot think of anything to change. This was such a positive experience and I would recommend it to anydesignerI now know how to talk about stone, and to understand the issues related to stoneThank you for theopportunity to gain this knowledge. Peter Birkholz, Page & Turnbull (San Francisco, CA)
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A. Tile of Spain branded manufacturerApavisa presented its
Evolution collection, which offers neutral colors and tex tures to
meet many design styles. This series recreates the appearance
of a concrete formwork and toned metal sheets, with a texture
similar to that obtained from the oxidation of metals.
www.apavisa.com
B. Azteca, a Tile of Spain-branded manufacturer, recently
launched a 23.6- x 23.6-inch porcelain format of floor tiles
adding to its family of large-sized porcelain tiles. The company
showcased a host of new products in this format, including the
Genius 60 series offering minimalism in gray and graphite
(shown); the Montpellier 60 series and its Petrean design; the
Jasper Lux 60 a modern ver sion of tradi tional marble; and the
Saint Michel 60 series a new generation of slate.www.azteca.com
BA
After alternating between Orlando, FL, andChicago, IL, for a better part of a decade,
Coverings the International Tile and Stone
Exhibition held its 2011 edition in Las Vegas, NV.
With the intention of attracting more West Coast
visitors, the show took place from March 14 to 17 at
the Sands Expo & Conference Center. And show or-
ganizer National Trade Productions (NTP) deemed
the event a success with West Coast attendance
up 71% from the previous year.
Total attendance at this years event was 19,000, andmore than 1,000 exhibitors were on the show floor
displaying a broad spectrum of stone and tile col-
lections, installation and maintenance products and
stone fabrication machinery, tools and accessories.
Coverings 2011 also included more than 100 first-time exhibitors, repor ted NTP.
Also on the show floor were national pavilions from
various countries such as Brazil, China, Italy and Spain.
Both the Ceramic Tiles of Italy and Tile of Spain
booths drew crowds daily with their offering of native
food for lunch and cocktail hours in the afternoon.
The exhibition hall was filled with numerous stone
and tile introductions. Textures, colors and subtle
finishes were all evident among the collections be-ing showcased. Stone and tile products are also being
offered in more shapes and sizes than ever before.
Below are just a few of the endless new introductions
that were launched at Coverings 2011:
by Jennifer Adams
Coverings 2011Product Review
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C. Bellavita Tileintroduced the H Line of ceramic tiles of-
fering an ever-so-slight smoky look. Available in 4- x 16- and 3- x
6-inch formats or 1- x 1-inch mosaics, the H Line series subtly
accents the features of a home. The collection has a glossy finish
and comes in seven colors. Additionally, the mosaics are available
in seven solid colors as well as three blends. A full collection of
trims is also available.
www.bellavitatile.com
D. Among the large assortment of mosaics offered by Best-view International is Aluminum-faced Panel Mosaic, fea-
tur ing a mixed mate ria l mosa ic that creates a new age in the
field of metal mosaics, reports the manufacturer. It is extreme-
ly lightweight and easy to install. The material gives design flex-
ibility, and it is available in many unique designs, patterns and
color combinations. It is suitable for most uses and provides a
modern to traditional effect.
www.bestviewinternational.com
E. Carmel Stone Imports introduced the newest addition
to its very popular Timeworn Collec tion in three new colors and
with a more contemporary straight edge pillow, new moldings,
mosaics and decorative liners. The three new colors are: Lagos
Azul (Pictured), Lagos Gold and Tala Cream. These beautiful new
additions can be found at any of Carmel Stone Imports dealersnationwide. The companys Web site lists its dealer locations.
www.carmelimports.com
F. The Nat line takes its place at the top of the Del Conca
product range with considerable strength and charac ter, accord-
ing to the Italian tile manufacturer. With three color variations,
Nat is a product with a strong emotional impact that is able to
enhance both indoor and outdoor environments, reports Del
Conca. Evocatively drawing its inspiration from North American
slate, an ornate geological tapestry br ings its surface to life with
a natural textured look.
www.delconca.com
G. The Crete di Pian della Fornace collection from Italian manu-
facturer Gardenia Orchidea is the latest produced using pat-ented Crystal Ker technology with a thickness of just 2.5 mm,
reports the company. Ideal for refurbishing work without the
need for demolition or removal of existing floors and walls, it
lends exclusivity to both traditional and modern-style spaces. It
is offered in Beige, Gold and Green and a 20- x 20-cm format.
www.gardeniaorchidea.com
H. Tile of Spain-branded manufacturer Hatz Spain (Venus)
presented two new porcelain collections: Cumbria and Tyrrenia
(pictured). Tyrrenia is inspired by Rapolano marble and offered
in three colors: White, Sand and Walnut. Cumbria uses advanced
digital printing technology to create the contrast and richness
of slate. Colors include: White, Beige, Multi, Peacock and Black.
Both collections are available in a range of formats, including
mesh-mounted mosaics.www.venusceramica.com
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I. Keros, a Tile of Spain-branded manufacturer launched twonew products at Coverings 2011. Personality (pictured) offers
the look of distressed wood, while Style emulates str iated stone.
These models are presented in a new 10- x 28-inch wall formatand are also available in combinations of 13- x 13-inch floor tile,
13- x 13-inch red body porcelain and a larger 20- x 20-inch format.www.keros.com
J. Slimtech is the newest innovation from Italian manufacturer LeaCeramiche. It is an ultra-thin 3-mm laminated porcelain that isavailable in extremely large formats. With a wider chromatic pal-
ette, the collection has a total of 23 colorspresented in seven prod-uct series: Lines and Waves designed by Patrick Norguet (pictured);
Mauk and Gouache.10 designed by Diego Grandi; Slimtech Basal-tina, Slimtech Arenaria and Slimtech Shade by the Lea ResearchDepartment. With a 40- x 40-inch tile that is 3 mm thick and weighs
only 15.4 pounds, Slimtech is ideal for the renewal of f loors, repor tsLea Ceramiche. The thin tile can be simply laid over the old surface
avoiding demolition and production of waste dras tically reducinginstallation time and existing doors do not need to be cut or filed.
www.ceramichelea.com
K. The growing trend toward very large, very thin, vertical tileinstallations is easily accomplished with lightweight, non-sag,
medium-bed Ultralite Mortar from Mapei.At half the weightof standard tile, easy-to-handle, low-profile tile perfectly com-
plements back-friendly Ultralite Mortar. Packaged in 25-pound
(11.3-kg) bags, Ultralite Mortar provides the same great cov-erage as standard 50-pound (22.7-kg) bags, saving installers in
costly time, labor and transportation. This polymer-rich mortarutilizes Mapeis Easy Glide Technology, which makes spreading
easy without sacrificing the ability to hold ridges. With 30% re-cycled content, Ultralite Mortar helps contribute valuable points
toward LEED-cert ified projects , repor ts Mapei.
www.mapei.com
L. The American Naturals collection of glazed porcelain tile
replicates the look of hardwood and is produced with DynamicHD Imagingexclusive from Mediterranea . Made in the USA
with 36 percent recycled content, American Naturals glazedporcelain tiles have been produced for efficient U.S. distribu-
tion to a rchitects, inter ior designers or residential home build-
ers in projects seeking LEED certification, reports the company.Tiles in the collection are offered in five different color styles
and three contemporary formats. Complete with trim acces-sory pieces produced to match in the same process, AmericanNaturals comes in 12- x 24- and 6- x 24-inch planks as well as
strip-style, 4- x 24-inch porcelain tiles in Black Rock, Bonanza,Rain Barre l, Raw Hide (shown) and Tumble Weed.
www.mediterranea-usa.com
M. Grout Shield from Miracle Sealants Co. is a specialty
sealer additive that mixes with cement-based grout instead ofwater to provide a stain-resistant grout installation without anyadditional sealing. It is perfect for interior and exterior use, ac-
cording to its manufacturer. Additionally, Grout Shield protectssanded grout from staining, mixes with sanded grout in place of
water, comes with a 20-year warranty and makes grout stronger.Anti-microbial a fungistatic agent has been incorporated into
this product to make the grout more resistant to stain ing caused
by mildew, reports Miracle Sealants Co.www.miraclesealants.com
N. Area25 by Italian tile manufacturer Mosaico+ is made usinga low-consumption, technologically innovative production pro-
cess to create a sustainable, environmentally friendly product.The sintered glass tiles are obtained by grinding and compress-ing waste glass and recycling glass-based products, according to
the manufacturer. This regenerat ion process creates a materialwith a very high level of resistance, which is suitable for use in
environments with high foot traffic, while still maintaining theelegance and poetry of the glass mosaic, repor ts Mosaico+, add-
ing that the tile is made with 95% recycled glass .www.mosaicopiu.it
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UNPROCESSED STONE TOOLS AND CHEMICALSMARBLE, STONE AND DESIGN MACHINERY AND EQUIPMENT
ITALY- Verona21-24 SEPTEMBER
46thInternational Exhibition of Stone Design and Technology
organized by
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O. Pokarna Limited, a leading Indian stone producer, show-cased a wide selection of granites at Coverings 2011, which in-cluded several new colors: Labrador Antique, Baltic Brown,Brown Antique, Patagonia (pictured) and Zanzibar.www.pokarna.com
P. Tile of Spain-branded manufacturer Roca presented GreenCity, a new porcelain tile that reflects the urban tendency of thenew decade: minimalistic lines, solid colors and a recycled con-
tent of up to 80% . In trendy large sizes, including 20 x 40 inches,Green City can be used on floors and walls to tie a space to-gether by creating a total designer look, with the bonus of beingsustainable and very easy to maintain, reports the manufacturer.www.rocatilegroup.com
Q. Stone & Pewter Accentsintroduces Lineal Slate, a mod-ernistic, no-fuss slate collection for high-style spaces. Lineal Slatecombines varying sizes and colors of honed slate on a mesh-mounted, 15-inch repeating pattern. The stone adds depth,richness and earthy texture to nearly any vertical surface and
complements todays popular metallic finishes, including stain-less steel, nickel, silver and gold, according to the company. Thecollection is available in eight colors: Barley, Black Gold, Earth,Green Gold, Polar White, Prairie, Moss Green and White Goldas well as accents in both rustic and contemporary designs.www.stonepewteraccents .com
R. Vermont Quarries has achieved Greenguard IndoorAir Quality and Greenguard Children & Schools SM Certifica-
tion for marble surfacing , and reports being the f irst quarr y tohave its complete line of marble certified under this program.Vermont Danby marble has met the qualification standards forLEED certification credit 7.1: Heat Island Effect, non-roof: Usinglight-colored natural stone with a solar-reflective index of 20 or
greater can reduce heat-island effects. Danby marble comes in atover 60. With LEED certifications so far, Danby marble will add
to any project within 500 miles of the quarry two LEED pointsconfirmed with a possible third with Greenguard. If the project isoutside of the 500-mile radius, a minimum of one to two pointswill still apply.www.vermontquarries.com
S. Voguebay showcased a wide selection of its glass tiles,including its WaterCube glass mosaics, which are offered ina combination of many different contemporary geometricalshapes that result in a fresh three-dimensional surface with realdepth and feeling, reports the manufacturer. Voguebay Wa-
terCube glass mosaics are suitable for most uses and areas giving a modern and noticeable look to any wall. They are
available in 12- x 12-inch sheets and 12- x 4-inch borders and ina range of many new colors.www.voguebay.com
T. Wizard Enterpriseintroduced Hawthorne, a handmade tileline with 40% recycled content. Inspired by glazed French terra-cotta, Hawthorne embodies a blend of rustic warmth and modernpracticality. Rich mottled glazes and irregular surfaces make Haw-
thorne installations soothing rhythmic textures. Glazes meld andinteract with the clay, letting its character come through to createattractive and original glaze surfaces. With the high recycled con-
tent in the Hawthorne product line and Wizard Enterprises greenproduction practices, this tile line will qualify for LEED Credits, re-ports the manufacturer. The new collection is offered in five s tockcolors that are available for immediate delivery with another nine
colors available in a made-to-order program.www.wizardenterprise.com
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n transforming the design of a Texas home
from one century to another, Winn Wittman,
AIA, of Winn Wittman Architecture in Austin,
TX, chose to incorporate mosaic glass tile into
the design of his clients master bath. The ulti-
mate design goal of this project was to fulfill the
homeowners vision, which directly reflected his
passion for individual expression.
In addition to reflecting his clients personality in
the space, Wittman also was determined to cre-
ate a very functional bathroom. He wanted to
bring a sense of order to a room that originally
had a very fragmented layout.
A focal point of the master bath design is shim-
mering mosaic tiles that clad the shower walls
and accent a large picture window. The - x
-inch iridescent green glass mosaics were
manufactured by Hakatai Enterprises, Inc. of
Ashland, OR.
The glass tile is a durable and attractive sur-
face, and the strong color was appealing, said
the architect. We also enjoyed the iridescent
shimmer to the solid glass tile.
Before making a final decision to use the irides-
cent glass mosaic tile for the master bath design,
Iridescent glass mosaics contribute to the refreshing
and open airy feel of a renovated master bath of a
private residence in Texas
by Kelly Martin
Mosaic glass
Decorative& Glass Tile
tile rejuvenatesmaster bath
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the architect and builder Gary Robin-
son of Home as Art in Austin, TX also
looked at some products with a greater
scale. The larger glass tiles we looked at
were nice, but they definitely were not
as rich looking and they were even
actually pricier than this particular prod-
uct, said Wittman.
Careful consideration was also given to
the installat ion of the glass mosaics
especially given the fact that they are
in the shower. When using glass tiles
like the ones we selected, you have to
make sure you are using the correct ad-
hesive and making sure that you do not
have any bleed-through from the water
proofing that you have applied to the
walls, said Robinson.
Further contributing to the overall am-
biance of the master bath are beige-
colored stone floor tiles that feature
some darker spots adding character
to the floor design. Additionally, the van-
ity tops were fabricated from a variety of
CaesarStone quartz surfacing, which is
made with recycled glass content.
According to both the architect and
builder, the 400-square-foot master
bath proved to be challenging with re-
gard to the tile work. The most chal-
lenging aspect was the shower floor,
which needs to slope to drain, and also
needs to be slip-resistant and match
the f looring in the main area , said
Wit tman. We accomplished this by
cutting the flooring pieces into smaller
pieces and honing them with sandpa-
per to achieve a non-slip surface. The
smaller pieces follow the curvature of
the shower pan.
The entire house renovation, including
the master bath took approximately a
year and a half to finish, and it has re-
ceived several design awards. We have
gratefully been featured in over two
dozen national and international publica-
tions, said Wittman.
I dont think we realized that we
would receive so much publicity from
one house, said Robinson. It is truly
off the charts. Its the character of the
owner.
The shimmering effect of iridescent green glassmosaics adds personality to the master bath
of a private Texan residence. The mosaicsare complemented by vanity tops made from
CaesarStone quartz surfacing.Architect :WinnWittman Architecture, Austin, TX; Builder:
Home as Art, Austin, TX; Tile Supplier:HakataiEnterprises, Inc., Ashland, OR; Quartz Surfacing
Supplier:CaesarStone USA, Van Nuys, CA;Lighting Designer:light faktor/wes lane
The - x -inch glass tiles clad the shower walls and frame a large picture window. The glass tile is a durableand attractive surface, and the strong color was appealing, said architect Winn Wittman, AIA.
Photos Coles Hairston/www.coleshairston.com
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2222
osaics like other decorative and glass tile
have the ability to add a splash of pizzazz
and personal touch to an interior design. They
are ideal for creating a focal point or a touch
of artistry in a living space, such as the kitch-
en of a private residence in Connecticut. The
backsplash, which was designed by Sara Bald-
win, owner of New Ravenna in Exmore, VA, is
an elegantly handcrafted piece that harmonizes
well with the stone countertops, cabinetry and
other architectural details in the kitchen.
Featured in the backsplash design are Acanthus
leaves, which have been used extensively in
ancient Greek and Italian art and architecture,
and have been said to represent long life. The
leaves are completely classic, said Baldwin.
They are featured prominently in some of the
oldest mosaics that exist.
The artist explained that she borrowed the
Acanthus leave motif and combined it with flo-
ral elements of summer to create a one-of-kind
design, which has been named Tamsin. Back-
splashes are all about romance and seduction,
she said. The exciting thing about them is that
they can make such an impact.
Baldwin went on to explain that the Tamsin
design originally appeared as a floor medallion.
The beauty of this design is that it can be ex-
panded or contracted to vir tually any size piece,
she said. Because it is organic, we can make it
bigger or smaller. It can even become a skinny
border under a window.
Each design such as that used for the back-
splash is made to measure and designed for
that particular space, according to Baldwin. We
A handcrafted mosaic backsplash creates a point of
interest for an elegant residential kitchen in Connecticut
by Jennifer Adams
Decorative& Glass Tile
Modernizing an
ancient art form
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first do a line drawing, then color it in and
then make the mosaics, she explained.
The client can choose the colors. We
do a custom color rendering so they can
see what the design will look like.
The custom mosaic backsplash as
well as all of New Ravennas products
are craf ted by hand. We impor t
marble from all over the world and cut
it here in Virginia, said Baldwin. Then,
we have artisans nip the marble pieces
to size and place them on top of the
pattern some of our employees are
fabulous at blending, so the leaves look
as realistic as possible. Finally, we tape-
face the mosaic, cut it into interlocking
sections like a puzzle, and ship them to
your door.
This handcrafted marble mosaic backsplash adds a touch of artistry for a residential kitchen design in Connecticut.Mosaic Designer/Manufacturer:New Ravenna, Exmore, VA
Featured in the backsplash design are Acanthus leaves, which have been used extensively in ancient Greek andItalian art and architecture, and have been said to represent long life. The leaves are completely classic, saidSara Baldwin, owner of New Ravenna. They are featured prominently in some of the oldest mosaics that exist.
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24
ith seven locations in California , Custom
Comfort Mattress decided to improve the
appearance level of its showrooms in Beverly
Hills and Pasadena. Designed by Ernie Roth, Al-
lied ASID, CID of Roth Design Group Ltd. in
Los Angeles, CA,the design goal was to better
showcase the Custom Comfort Mattress prod-
uct and appeal to a more selective clientele,
with the use of glass tile from the Modono Glass
Collection by Modono Glass of Rochester, NY.
Once I saw the Modono tile online, I called my
client right away, said Roth. I knew this glass
tile was something very special that would re-flect my clients use of the color red, however,
the additional reflec tive qualities would add
much more than just a static red tile.
In the 4,500-square-foot Beverly Hills showroom,
the glass tile is featured in the interior design. I
used Modono glass tile on an interior wave
wall, said the designer. I used 3- x 3-inch pieces,
without grout, in order to let as much light into
the edges as possible. Roth further explained that
the glass tile reflects the changing light of day.
As for the 7,000-square-foot Pasadena show-
room, Modono glass tiles were employed on the
exterior both as accents on the front and rearof the building. Large-format pieces form vertical
Modono glass tile assists in creating a sleek upscale atmosphere
at two Custom Comfort Mattress retail locations in California
by Kelly Martin
Glass tile elevates
Decorative& Glass Tile
experience forCalifornia retailer
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stripes that measure 4 feet wide x 25 feet
high. For the front of the building, 12- x
12-inch tiles were used, while 1- x 2-foot
pieces were utilized for the rear.
Roth noted that Modono glass tile was
his first and only choice of material for
the showrooms. This tile gave me the
idea of how to use it differently for each
showroom, explained Roth, adding
that his client felt the same way. We
all loved it from the start. Whats not to
like about it; its stunning.
According to Roth, there were not many
challenging aspects in regards to utilizing
the tile. We consulted with the company
Modono recommended for adhesive ma-
terials, and they specified two different ad-
hesives [from Laticrete] to use to mount
the tile, said the designer. The exterior
application used one type, which handled
the heat expansion during the day, and the
interior application used a more standard
adhesive, as heat was not an issue.
While spending an abundance of time
on site supervising the installation, the
designer said he was extremely eager
to see how great the finished product
was going to turn out. Using this type
Recently, Custom Comfort Mattress renovatedtwo of its California showrooms. A focal point ofthe interior design in the Beverly Hills locationis a wave wall comprised of 3- x 3-inch t iles
from the Modono Glass Collection. Designer:Roth Design Group Ltd., Los Angeles, CA; Tile
Manufacturer :Modono Glass, Rochester, NY;Installation Products:Laticrete International,Bethany, CT
I knew this glass tile was something very special that would reflect my clients use of the color red, however, theadditional reflective qualities would add much more than just a static red ti le, said designer Ernie Roth,Allied
ASID, CI of Roth Design Group Ltd. in Los Angeles, CA.
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www.everstone.com.au20 Princes Road East. Auburn Nsw 2144. Sydney Australia. Tel: 61-2-9795 2000 Fax: 61-2-9644 3363 [email protected]
HIPHOPMarble Mosaic, 12x12 x5/16 sheet
2011 NEW RELEASE
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GLASS TILE, 24x12, 24x6, 24x4, 12x12 PIECE
STUDIO GLASS
2011 NEW RELEASE
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of glass tile was a first for me, but I enjoy
using materials that are new and exciting
for both my clients and their customers,
said Roth. These were both winning in-
stallations for everyone.
Completed in August of 2010, both
showrooms took about seven months,
and were in construction during the
same time. The Pasadena showroom
was started first, as it was a complete
rebuild of combining two existing build-
ings. The Beverly Hills showroom was a
remodel of the interior space only.
Overall, the reaction to this project has
been extremely positive. Both locations
have gotten rave reviews from custom-
ers, said Roth. When entering the Bev-
erly Hills showroom, the wave wall is so
striking people tend to spend time look-
ing at it trying to understand why the
color changes as they move.
The designer explained that the glass tileswere installed without grout in order to let as
much light into the edges as possible.
Using this type of glass tile wasa first for me, but I enjoy usingmaterials that are new and excitingfor both my clients and theircustomers, said Roth.
The 7,000-square-foot Pasadena showroom features glass tile from the Modono Glass Collection on the exterior both as accents on the front and rear of the bu ilding. For the fron t of the build ing, 12- x 12-inch ti les form avertical stripe that measures 4 feet w ide x 25 feet high.
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30
t is evident that careful thought and planning
are given to the design of each station along
the Dallas Area Rapid Transit (DART) light-rail
system. In par ticular, the newly designed North
Carrollton Frankford Road stop is a vision of
color and whimsy. Artists Larry Enge and Char-
lotte Lindsey of Montage 48/61 created a vivid
and playful design with custom-cut tile from
Waterjet Works of Dallas, TX.
It was a great process, said Enge. DART has
been working with artists for 15 years. Their goal
has been for each station to have its own unique-
ness and appearance. They also want each one
to tie to the community somehow.
Enge went on to explain that DART took
time to select the ar tis ts as well as a group
of community volunteers to participate in the
project. Once we were selected as artists,
there were severa l meetings, he said. We
talked with and listened to the community to
find out what they wanted people to experi-
ence when they came to the station.
A collaboration between a local community and team of artists
brings life to the DART North Carrollton Frankford Road Station
in Dallas, TX, with the use of custom-cut ceramic tile
by Jennifer Adams
Decorative& Glass Tile
station
Playful tilework
enlivens light-rail
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Although many of the DART stations
are positioned in areas surrounded by
historic communities, the Frankford area
has been mostly warehouses with very
little community history, according to
Enge. It is mostly new development,
he said. Many of the warehouses are
still there while the neighborhoods that
have developed are mainly composed of
young professionals. We decided that it
would be good to have something fun.
[Also], this DART station is both at the
end of the line and the beginning of the
line from Denton side to the north, so
they wanted a celebratory gateway at
this station.
Additionally, the land acquired for the
DART station was tucked between two
large warehouses. Our challenge was
to make it inviting and dispel any anxi-
ety people may have about going down
between the buildings, said Enge. We
worked with the architects very closely.
There were certain standard station
fixtures that were available for artistic
modification. As we worked in partner-
ship with the architectural/engineering
team for DART, our job was to come up
with a design for the designated fixtures,
and they provide the expertise in figur-
ing out how to execute our design.
We were responsible for driving the
design, the artist went on to say. We
were using input from the community,
Custom-cut ceramic tile creates a whimsicaldesign at the Dallas Area Rapid Transit (DART)North Carrollton Frankford Station.Architect :Jacobs - GBNA , Dallas, TX;Art ists :Montage
48/61, Dallas, TX; Waterjet Fabricator:Waterjet Works, Dallas, TX; Tile Supplier:
Daltile Corp., Dallas, TX
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but DART wanted it to be our artistic
design. The architects were there to as-
sist us. They let us know the design pa-
rameters for the station what was
possible and what was not.
According to Enge, inspiration for the
design, which took about two years to
bring to fruition, came from the works
of Austrian architect Friedensreich Hun-
dertwasser, who his partner, Charlotte
Lindsey, happened to have been study-
ing at the time. He has very whimsical
Once the artists had created the designfor the wall of the wheel chair accessramp, they worked closely with WaterjetWorks to custom-cut the tiles.
Inspiration for the design came from the work ofAustrian architec t Friedensre ich Hundertwasser as
well as input from the local community.
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designs, he said. Taking a cue from the
works of Hundertwasser, we designed
the columns at the station with bulbous
shapes reminiscent of pottery and very
colorful ceramic tile. The rest of the de-
sign spun off of that.
In addition to the colorful mosaic col-
umns, a wheel chair access ramp wall
also provided a canvas for some creative
artwork. The artists developed a festive
design fabricated in ceramic tile that was
custom-cut by Waterjet Works and sup-
plied by Daltile Corp. of Dallas, TX.
Although there were elevation plans with
all the measurements, the artists found it
necessary to wait until the wall was suc-
cessfully built to get measurements accu-
rate enough for waterjet fabrication.
Enge went on to say that the customer
service and experience provided by the
waterjet fabricator helped tremendously
in this part of the process. Working
with Waterjet Works was the smooth-
est part of the fabrication/installation
for the project, he said. Their attitude
showed that they really care about the
creative process. Philip [Einsohn, compa-
ny owner] offered suggestions that were
helpful to me. It was obvious that his in-
tentions were to do whatever he could
to make the project successful.
According to Einsohn, Waterjet Works
has been involved in the design com-
munity since 1999. Working with art-
ists is a wonderful experience, he said.
It has given us great insight into the
needs of architects, interior design-
ers and ar tists. We are a very detailed
business, as are they. We speak their
language, and that has helped us to suc-
ceed in numerous artistic endeavors
over the years and across the U.S., such
as at the DART Frankford Station.
Einsohn went on to explain that he and
his staff will work closely with artists such
as Enge and Lindsey to make certain a
project is a success. They have found a
partner in the process that will take their
creativity and turn it into sustainable, du-
rable art, he said. Public art is a great
format for the collaboration between
Waterjet Works and the artistic commu-
nity. Charlotte and Larry were wonderful
to work with. The installation was com-
pleted at the end of 2010.
[Hundertwasser] has very whimsicaldesigns, said Enge. We designed
the columns at the station withceramic tile that is very colorful. Therest of the design spun off of that.
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3434
No matter what the design style, decorative and
glass tile are an ideal way to add punch to a living
space or commercial project. These tile products
are offered in a variety of shapes, sizes and textures
providing limi tless options for diversif ied tastes.
Whether used sparingly a s an accent or abundantly
for entire wall and floor applications, decorative and
glass tile offer a creative solution for a fresh design.
The following is just a sampling of the newest prod-
uct lines to hit the market:
by Jennifer Adams
A collection of the latest
and glass tile products
innovations in decorative
Recycled Glass Mosaics by AlttoglassAll Alttoglass (a Tile of
Spain branded manufac-
turer) glass mosaics are
manufactured from 100%
recycled glass, under strict
in-house quality control and
with a commitment to environmental protection. Avail-
able in 1- x 1- and 2- x 2-inch with mesh-mounted back.
www.alttoglass.com
Circle Crystal MixedMosaic(middle) by BestviewInternationalA combination of marble, stainless
steel and foil crystal glass mosaics
in various sizes of round shapes.
Ice-Break Porcelain mosaics (top
and bottom) utilize a new tech-
nique to create glass mosaics with a natural veined ef-
fect on glazed backed porcelain.
www.bestviewintl.com
Strip Metal MixedMosaic (middle) byBestview InternationalA combination of mirror surface,
stainless steel strip mosaics and
same color scheme glass diamond
create a 3D surface. Shell Stone
Mixed Mosaic (top and bottom
edges) a luxurious mixed mo-
saic, including marble, stainless steel and Mother of
Pearl chips.
www.bestviewintl.com
Gemme by Cotto Veneto
Soft and sinuous shapes with a cabochon cut reminis-
cent of precious gems and the texture of pearls, iri-
Decorative& Glass Tile
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descent and captivating colors
for these small jewel-like tiles in
enameled ceramic. Available in
11 colors and new smaller 0.6-
x 0.6-inch format.
www.cottovenetogroup.it
Iris and Metal Collections by EzarriManufactured from 100% recy-
cled glass, mosaic tiles in the Iris
and Metal Collections from Tile
of Spain-branded manufacturer
Ezarri, have no absorption to
water, are resistant to chemical
cleaning products, are frost resistant and easy to clean.
www.ezarri.com
Crush by FireclayA new 100% recycled glass tile
made of recycled pre-consumer
window glass sourced from with-
in 20 miles of Fireclays manu-
facturing facility. Available in 40
colors in both gloss and matte
finishes, 17 sizes with complementary borders and custom-
ized pieces.
www.fireclaytile.com
Pure Colors by FlorimOffered in eight vibrant colors and two
luminous and colorful decorative tiles with
three matching floor tile colors.
www.florim.it
Coverlam by GrespaniaA 1- x 3-meter laminated por-
celain tile with a only a 3.5-mm
thickness. It is resistant to bend-
ing, UV light, chemicals, wear, fire
and frost, and can be used for
both floor and walls.
www.grespania.com
Metallic Tile by Imagine TileCommercially rated eco-friendly ceramic tile featuring the
look of metal with the durability of ceramic. The collection
currently features a flat design and is offered in four col-
ors: Copper, Stainless Steel, Nickel and Bronze, as well as four
sizes: 16 x 16, 8 x 8, 4 x 4 and 3 x 6
inches. Additional sizes will be available
as special order, reports the manufac-
turer. In the near future, Imagine Tile
plans to release a Linear and Brushed
Swirl version.
www.imaginetile.com
Romancing the Stone by Marazzi USATravertine-inspired inserts, borders, listelli,
chair and pencil rails available in classic Ivory
and Noce (pictured) colorations as well as
multiple sizes and pattern choices, includ-
ing dots, florals, fleur de lis (pictured), dia-
monds, weaves and scrollwork.
www.marazzitile.com
Modono Glass Tiles by ModonoModono glass tiles are coated
with different patterns and colors
using very high-end equipment
that was originally designed for
the lighting and TV screen indus-
tries. The results are gorgeous
with tiles that change color as you pass by.
www.modonoglass.com
Jacqueline by New RavennaA hand-crafted mosaic tile in jewel
glass offered in three colorways:
White, Blue and Green (pic tured).
The Green features leaves and flow-
ers in ruby, sardonyx, olivine and
malachite. Each piece of glass is cut by
waterjet and assembled by hand.
www.newravenna.com
The Harmonia Collection
by Oceanside GlasstilePoetic in nature, Harmonia mar-
ries layers of high-quality traver-
tine with the rich colors of clean
edge Muse glass. The resulting tex-
ture and depth create a truly stun-
ning integrated mosaic that fulfills
myriad design visions from clas-
sic to contemporary, reports the
manufacturer. The product was recently applied for a kitchen
backsplash in a private residence in Encinitas, CA, which was
designed by Feras Irikat.
www.oceansideglasstile.com
Photo by Chipper Hatter/courtesy OceansideGlasstile
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Fabulous Creatures by Original StyleThis contemporary range is part of the
Tileworks Collection by Original Style,
which is comprised of large-format porce-
lain and ceramic tiles and mosaics, and of-
fers a host of styles in a variety of textures,
colors and finishes. The 17 - x 17 -inch
glazed porcelain animal print tiles are suit-
able for both wall and floor applications.
www.originalstyle.com
Nude by SicisPurity and innocence in barely there col-
or, adding light to any environment.
www.sicis.com
Gypsy by SicisCareless days of travel and wanderlust
inspired Gypsy. Fresh, but calm, a beau-
tiful backdrop for a memorable journey.
www.sicis.com
Materia 3D by StonePeak CeramicsA collection that embodies the new
trends in design using the latest tech-
nologies from StonePeak full-body
technology combined with ink jet. Avail-
able in five stylish colors, two finishes and
complemented by trims and mosaics.
www.stonepeakceramics.com
Wings by Stone & Pewter AccentsA new trapezoidal tile shape available
in two formats, straight and offset,
in the companys Sumi-e and Hand-
poured Marbleized Tile collections.
The post-consumer recycled glass
content ranges from 20 to 70 percent,
depending on the color.
www.stonepewteraccents.com
Old Fashioned Glowby Stone & Pewter Accents
The glass tile collection is hand crafted using a proprietary pro-
cess that fuses gold leaf with shimmering glass to create amazing
depth of color and luminosity. Tiles are
offered in three sizes, including 2 x 2, 2 x
4 and 4 x 4 inches, and coordinating lin-
ers are also available. The tiles contain be-
tween 25 and 70 percent post-consumer
glass content (sourced from ultra clear
glass), depending on the color used, reports the manufacturer.
www.stonepewteraccents.com
The Tallin Collection by Tau CermicaTau Cermica, a Tile of Spain branded
manufacturer, presents the Tallin Col-
lection, which is defined by texture
and depth. The tiles in the collection
feature a raised basketweave, and are available in four colors.
www.tauceramica.com
Liberty by TrendHand-cut glass mosaics inspired by the
windows of gothic cathedrals. With
their bold yet soft color tones, the ma-
terials transparency creates a luminous
effect. Liberty is produced using up to
75% post-consumer recycled glass.
www.trendgroup-usa.com
Metaluxe by VoguebayMetal tile offered in 6- x 12-, 6- x 24-
and 12- x 24-inch format. Also available
in three colors.
www.voguebay.com
AquaStone by VoguebayAquaStone is imported in slab form from
Italy and then incorporated into various
mosaic sizes, including 1- x 1-inch tiles,
Mini Brick, Bullets (a mosaic style)
and a Bubble pattern. Additionally, peb-
bles in the tile are composed of an epoxy
resin base, and Voguebay offers the col-
lection in four different colors.
www.voguebay.com
Zacapa by Wholesale Tile by AguayoA new line of ceramic decorative
tiles with nine unique designs sug-
gestive of baskets, foliage, waves
and stripes.
www.wholesaletile.biz
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Make your space your own.To get you inspired weve created more colors, textures and designs.So however your want to express yourself, with Caesarstone you can.
www.caesarstoneus.com
Blizzard2141
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he city of Genk, Belgium, is an eclectic mix of
Belgian and Mediterranean influences, with
almost a third of its nearly 65,000 residents
coming from Italy, Turkey and Greece. As an
emerging employment center that is continu-
ally attracting new residents, the citys bars
and restaurants have become gathering spots
for locals and visitors alike. Among them, the
bar/coffee house 360 Degrees features a vi-
brant design with a range of contemporary
elements, including Spanish tile.
The design of 360 Degrees was conceived by
Creneau International of Hasselt, Belgium which
prides itself on creating trend-set ting spaces that
also provide a brand image for its clients.
A common thread in Creneaus designs is to con-
nect spaces with consumers, and this was the goal
for 360 Degrees, which is located in a new square
within Genk. The interior consists of natural el-
ements with warm colors, which creates a nice
atmosphere to drink coffee, have lunch or drink
a beer, stated a design description by Creneau.
In addition to elements such as stone counter-
tops, rich woodwork and modern furnishings,
360 Degrees was designed with large-format
For a large bar/coffee house in Genk, Belgium,
the designers specified large-format tiles from Spainto help create a warm, comfortable environment
by Michael Reis
Spanish tile
feel in Belgiumprovides a casual
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tile flooring from Tile of Spain-branded manufacturer
Apavisa of Castellon, Spain.
The tiles come from Apavisas Metal Collection, and they
were specified in the companys Titanium Natural va-
riety. Providing a clean, crisp look for the interior of the
project, the tiles are 60- x 60-cm in size (23.45 x 23.45
inches), and their use begins at the main entrance of 360
Degrees, where a large bar was designed by Creneau to
ensure that customers on the go would quickly be served.
The use of the metal-look tiles continues into the seat-
ing area at 360 Degrees, providing a signature look that
can also withstand the heavy foot traffic that comes along
with a busy gathering spot in an up-and-coming city.
Providing a clean, crisp look for the
interior of the project, the tiles are 60- x60-cm in size (23.45 x 23.45 inches).
For its design of 360 Degrees, a bar/ coffee house located in a newsquare in Genk, Belgium, the architect s at Creneau Internationalselected large-format tiles from Tile of Spain-branded manufacturerApavisa of Caste llon, Spain. The t iles come from Apavisas Meta lCollection, and they were specified in the companys TitaniumNatural variety.
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A
40
private residence set in the small town of Kona
on the leeward side of the big island of
Hawaii is an example of modern architecture
that reflects its natural habitat. Tucked between
volcanic mountain ranges to the east and ocean
horizons to the west, the upscale home exudes
luxury and takes advantage of its priceless views.
Contributing to the overall ambiance of the de-
sign is a palette of Italian tile combined with
Chinese lava rock and reclaimed Teak timber
making for a unique and stunning aesthetic.
The program is arranged as a series of pods
distributed throughout the property each
having its own unique features and view op-
portunities, said Project Architect Barry Gar-
tin of Belzberg Architects in Santa Monica, CA.
The pods are programmatically assigned as
two sleeping pods with common areas, a media
room, master suite and main living space. An
exterior gallery corridor becomes the organiza-
tional and focal feature for the entire house
connecting the two pods along a central axis.
The residential exterior is comprised of the
reclaimed Teak timber taken from old
barns and train track s coupled with stacked
and cut lava rock. The two materials form a
historically driven medium embedded in Ha-
waiian tradition, explained Gartin. Local bas-
ket-weaving culture was the inspiration for the
entry pavilion, which reenacts the traditional
gift upon arrival ceremony. Various digitally
sculpted wood ceilings and screens through-
out the house continue the abstract approach
to traditional Hawaiian wood carving, fur ther
infusing traditional elements into the contem-
porary arrangement.
To complement the wood and stone, f loor tiles
The design of an upscale residence in Kona, HI, combines Italian
floor tile and mosaics with reclaimed Teak wood and lava rock for
a soothing and chic living space
By Jennifer Adams
Hawaiian paradise
showcases Italian tile
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4141
from the Architech collection by Ital-
ian tile manufacturer Floor Gres were
employed. The 16- x 32-inch tiles were
in the color Forest with a matte fin-
ish, and they were used for all exterior
hardscape as well as in the kitchen, great
room, all bathrooms except the master
bath and outdoor showers.
Similar stones and tiles were considered,
but they did not provide a comparable
stain resistance to the Floor Gres tiles,
said the architect. We also chose the
tile for its durability, look, traction control
and sizing availability.
Adding a vibrant splash to the otherwise
muted color scheme, brightly colored
custom mosaics from Italian tile manu-
facturer Bisazza create an accent wall in
The design of a private residence inKona, HI, skillfully combines Chinese
lava rock, reclaimed Teak timberand Italian-made porcelain floor tile.
Architect /Designer:BelzbergArchitects , Santa Monica, CA;
Contractor: DEM Construction;Tile Manufacturer:Floor Gres,
Fiorano, Italy (floor tile);Tile Distributor:Stone Source
(Floor Gres floor tile)
The 16- x 32-inch floor tile, which is showcased throughout the homes interior and exterior design, is the colorForest with a matte f inish from the Architech collection by Floor Gres.
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42
the powder room. The clients love of
orchids drove a couple different design
options, explained Gartin. We needed
an accent wall in the powder room, and
the client found the Bisazza option.
According to the architect, the home-
owner was very involved in the material
selection process. There was always
a feedback loop for all material selec-
tions, he said.
Design of the 8,000-square-foot Hawai-
ian residence began in March 2006, and
it was completed in January of 2010 to
rave reviews. We have had many publi-
cation requests, said Gartin. It has also
won Interior Design magazines Best of
Year for freestanding residence and the
Residential Design Award 2011 from
Ceramic Tiles of Italy.
Adding a vibrant splash to the otherwise muted color scheme, bright ly colored custom mosaics from Italian ti le manufacturer Bisazza create an accent wall in the powderroom. The design was inspired by the homeowners love of orchids. Mosaic Manufacturer :Bisazza, Milan, Italy
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4444
hen it came time to furnish the master bath
of a newly constructed 5,000-square-foot
home in the Upper Noe Valley neighborhood
of San Francisco, CA, it was impor tant that the
materials were reflective of the high-quality resi-
dential design. After careful review, owner John
Schrader of Nova Designs + Builds chose thin
strips of Carrara marble with varying splitface
and smooth surface finishes manufactured
by Voguebay of San Leandro, CA, and supplied
by Galleria Tile of San Francisco to achieve a
luxurious bathroom retreat.
It is an extremely large bathroom with a lot of
windows with mirrors facing them, said Schrad-
er. We had a lot of visual complexity going on
A statement ofmodern elegance
For the master bath of an upscale San Francisco, CA home, the design uses an
innovative application of Carrara marble to create a visual centerpiece for the space
by Jennifer Adams
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4545
in the room with those elements already.
This was the hardest room in the house
to deal with.
I wanted to do a completely covered
wall look in tile or stone since it is a
high-end home, but I also wanted it to
feel calm and inviting, Schrader went
on to say. I kept looking for material
that would be interesting visual ly. I was
looking to break up the large walls
with texture instead of different ma-
ter ials . I literally searched the market
for months.
Another challenge of the 300-square-
foot master bath design was that the
material needed to complement a large,
round, cement, soaking tub. Its a spec-
tacular piece, but it didnt lend itself to
matching.
Schraders search led him to Carrara
marble thin bricks by Voguebay that
Carrara marble thin bricks with alternating splitfaced and honed finishes create a modern textured look in the master bath of this upscale residence in the UpperNoe Valley neighborhood of San Francisco, CA. Designer/Builder:Nova Designs + Builds, San Francisco, CA; Stone Manufacturer: Voguebay, San Leandro, CA; StoneSupplier:Galleria Tile, San Francisco, CA
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46
come on mesh-mounted backing. Ive
used Voguebay glass tiles several times
before, but I really liked the look of the
marble, he said. Voguebay does inter-
esting things with the stone tiles. They
are always looking for ways to be innova-
tive and do something different.
The Carrara marble pieces originally
measured 24 x 6 inches, and were pre-
matted and fabricated with delicate - x
12-inch tiles. They were also given alter-
nating splitfaced and honed finishes. It
really gives the tile motion and move-
ment, said Schrader.
In total, the entire house was built in
seven months. Everything in the mas-
ter bath came together, and it became a
visual centerpiece, said Schrader. The
tile helped subdued the tub, and it also
helped that we kept everything mono-
chromatic.
Originally measuring 24 x 6inches, the marble pieces werepre-matted and fabricated withdelicate - x 12-inch tiles.
The marble helped to softenthe look of a large cement
soaking tub and pull the entireroom design together.
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47
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4848
uke Universitys recently completed 1,900-
car parking garage has become the first
freestanding parking structure in the U.S.
to achieve LEED certification. Bill Browne, FAIA,
LEED AP, Principal and President of RATIO Ar-
chitects Inc. in Indianapolis, IN, led the archi-
tectural team, and Todd Lohman of Walker
Parking Consultants, Inc. led the overall proj-
ect team. Collaborating together, the two
firms opted to incorporate natural stone and
tile throughout the structure.
The design goal certainly was to build a garage
that was centrally located to the campus that
could serve a number of research medical facili-
ties in the area, said the architect. With that,
the University wanted this garage to pursue
LEED certification. Duke is a strong proponent
of LEED-certified buildings, and this is now the
first freestanding, single-use LEED-certified ga-
rage in the U.S.
In building the structure, Browne knew he
wanted to employ natural stone and tile in
the design from the star t. As a result, the
design team chose terra-cotta tile, architec-
tural pre-cast concrete panels and traditional
Duke Stone for the parking garages exterior
design. These materials give the facade a va-
riety of textures and colors and visually
reduce the scale of the building, according to
the architect.
The use of terra-cotta tile and local Duke Stone for the exterior
design of a new parking garage at Duke University maintains campus
tradition while adding a modern twist
by Kelly Martin
Tile and stoneenhance campus
parking structure
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Because Duke University owns a local quarry, the Duke Stone was
easy to access. However, it is not an easy material to quarry, as it
comes in smaller pieces rather than blocks. Duke Stone is relatively
pervasive on many of the Universitys older buildings on campus,
said Browne. We understood the context of the campus, and we
were really taken by the Duke Stone because it is quite beautiful.
We wanted to use the material throughout the garage, but soon
realized the implications of that, so we decided to use it at entrance
and accent points. Complemented by the terra-cotta tiles, it gave us
the aesthetic quality we were looking for in the building.
Browne went on to explain that the terra-cotta tile, manufactured
by Terreal of New Brunswick, OH, and supplied by Ludowici of
New Lexington, OH, was chosen for its beautiful array of tile colors.
The 12- x 12-inch terra-cotta tile was developed in the same color
range as the Duke Stone allowing us to cover larger areas of the
Duke Universitys new 1,900-car parking garage incorporates terra- cottatiles, architectural pre- cast concrete panels and traditional Duke Stone into itsexterior design. Parking Garage Engineer:Walker Parking Conultants, Inc.;
Architect :RATIO Architects, Indianapolis, IN; Tile Manufacturer:Terreal,New Brunswick, OH; Tile Supplier:Ludowici of New Lexington, OH
We wanted to use Duke Stone throughout the garage, butsoon realized the implications of that, so we decided to use
it as entrance and accent points, said Bill Browne, Pr incipaland President of RATIO Architects. Complemented by the
terra-cotta tiles, it gave us the aesthetic quality we werelooking for in the building.
PhotosJamesWest/JWestProductions.com
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50
building, said the architect. The won-
derful array of tile colors brings the earth
tones of the Duke Stone out on the rest
of the building as a modern treatment.
The selection processIn specifying a color range for the proj-
ect, RATIOs architectural team first
identified the terra-cotta material, and
then decided on the colors they wanted
to pursue in the mock-ups to get the col-
oration and model desired for the proj-
ect. We chose to incorporate neutral
earth tones and off-white colors, said
Browne. Theres nothing like seeing the
material first before we use it.
According to Browne, Duke University
was quite involved in the selection pro-
cess of the materials. We worked very
closely with the University, specifically
the facilities department and the archi-
tects on campus, said Browne. The
University has an environmental com-
mittee that reviews all of their projects,
so we presented the design to them for
review and approval.
Browne noted that one important as-
pect of this project was to get the Uni-
versity comfortable with the use of the
terra-cotta t ile since it was the f irs t
use of this material on campus. We
needed to convince them that this was
a timeless, low-maintenance material
that would be able to stand the test
of time, which any university building
needs to do.
Completed in January 2010, the reaction
to this new 700,000-square-foot parking
garage was extremely positive. I under-
stand that the University is very pleased
with the result, said Browne. Duke
University is now designing a new clinic
building across the street. The architects
on that project have reviewed the ga-
rages drawings, as they want their new
building to complement our building.
The combination of terra-cotta and Duke Stone creates a variety of textures and colors and visually reduces t he scale of the building.
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