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Collecting the digitalFrom a photographic
perspective
Valtakunnalliset kuva-arkistopäivät Helsinki, 2.-3.11.2015
Kajsa Hartig, Nya medierNordiska museet, Stockholm
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1. Digital and Museums2. Nordiska museet3. Collecting in a digital world4. Collectin the Digital
– From a Photographic Perspecive
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Photo: Emma Fredriksson, Nordiska museet
• Founded in 1873• Museum building
opened in 1907
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DIGITAL AND MUSEUMS Opportunities and challenges100011100001010111000101110011101000111000111000101110
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Photo: Kajsa Hartig, Flickr, CC-BY
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Photo: Luke Wroblewski, Flickr, CC-BY
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Image by: EFF Photos, Flickr, CC-BY
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Photo: NASA, Flickr, CC-BY
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It’s an audience driven
change
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The consumer demand for digital products is there and
continues to evolve
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Digital in itself isn’t new
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New expectationsNew demands
Pressure to change
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Transforming the museum culture, offers,
values and brand
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Transforming museum work practice
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Transforming museum work practice
f.ex. collecting
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NORDISKA MUSEETA New Media Department
100011100001010111000101110011101000111000111000101110
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A New Media Strategy in 2010
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With dialogue and participation
in focus
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A New media department in 2011
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MandateBudget
Staff
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Enabling a Digital Shift
at the museum
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Bridging the analogue work practices with a
digital world
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COLLECTINGIn a digital world100011100001010111000101110011101000111000111000101110
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A long history of collecting
Collecting objects and photographs Documenting societyRegularly sending surveys since 1920s
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#hairriot
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2015 Internal report:Collecting the Digital at Nordiska museet
A lot of questions were raised
1) Survey to other museums (mapping)2) Internal discussions
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Conclusions – The survery• More than 50 % (16 of 25) use social
media as means to communicate online surveys and collecting efforts
• 7 of 25 do not collect using online tools and channels
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Conclusions – The survery• Positive effects from collecting
online is greater outreach, fast and spontaneous initiatives, and digital material in databases can easily be extracted for research
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Conclusions – The survery
• Difficult to validate sources• There is a digital divide, not
everyone can participate• Images can be of low quality• Requires social media skills
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Conclusions – The report
• Online collecting requires re thinking of what should be collected, how it will be preserved and and how it will be disseminated
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Conclusions – The report
Actual collecting or ”just” engaging in dialogue?
#nm_advent #nm_lucia
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COLLECTING THE DIGITALFrom a Photographic Perspective100011100001010111000101110011101000111000111000101110
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images75 %
Nordiska museet, Nya medier, Kajsa Hartig, 2015-05-27
The web is made up of:
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A three (or more) year project starting 2015
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PARTICIPANTS:The Finnish Museum of PhotographyNordiska museetStockholm County MuseumAalborg City Archives
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The social digital photograph
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Photo: Scott Griggs, Flickr, CC-BY-ND
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BACKGROUND
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Bridging analogue and digital work practices
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Legal and ethical issues
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Technological challenges and possibilities
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Scholarly needs
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PROJECT GOALS
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To describe and map the role of the photograph collections, current methods and workflows in museums and archives today,
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To describe and map the role of social media and social digital photographs in society – how it affects collecting and disseminating of digitally born photographs.
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To describe and map and the role of the collecting heritage organisations (as compared to other organisations/companies collecting and disseminating photographs) and how users perceive archives/museums.
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Trough research and pilot projects define evolving methods for collecting and disseminating contemporary social digital photographs, in museums and archives.
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Thank you!
Kajsa Hartig, @kajsahartigNordiska museetStockholm, Sweden