Transcript
Page 1: Cemetery Architecture

A presentation to be used by teachers to introduce students to the many styles and shapes of headstones we see in our cemeteries.

Cemetery Architecture

Page 2: Cemetery Architecture

• The capped-stone form of memorial is one of the oldest to be found in our cemeteries.

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• The style often features two sentinel stones or light houses on either side of the main inscription stone and an urn mounted on top.

• The style of headstone was often carved in limestone but can also be found in granite in later headstones in this style.

Capped Stone

Page 3: Cemetery Architecture

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esExamples of the Capped

Stone shape

Page 4: Cemetery Architecture

• Broken columns were deliberately made structures that indicate a life unfinished when cut short by death at an early age.

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• They are easy symbols to interpret because they were frequently used when the deceased or the family breadwinner had died at a young age or had met an accident.

• Broken columns can often be found decorated with a wreath of flowers symbolising the untimely death of a woman.

Broken Column

Page 5: Cemetery Architecture

• Obelisks are four sided tapered columns • Capped with a pyramidal shape • Crafted from a single piece of stone.

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esObelisk

• The shape originated in ancient Egypt• Pairs were placed in front of temples of the Sun       

   God Ra.• They were symbols of everlasting life fertility and

regeneration.

• Obelisks also represent status and position of the deceased as they stand out in our cemetery landscape.

• They are commonly found and were most popular in the 1890s.

• They are usually made of granite but can also be found in limestone.

Page 6: Cemetery Architecture

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esExamples of the pedestal Shape type

Page 7: Cemetery Architecture

• The Latin cross has a longer upright than cross bar.

• It is the shape of cross on which Christ was crucified.

• For this reason it is used to symbolise the death of Christ.

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esLatin Cross

• The Latin Cross is one of the most common symbols to be found in our cemeteries.

• Often a Latin Cross is mounted on three steps. These steps represent the Christian virtues of Faith, Hope and Charity.

Page 8: Cemetery Architecture

• The Celtic cross has a single cross bar with a circle or solid wheel at the intersection of the bar and upright.

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esCeltic Cross

• Celtic crosses pre-date Christianity by several hundred years. It is a symbol usually found on the graves where the deceased originally came from Scotland or Ireland.

• A Celtic cross is usually very tall. Some are plain while others are ornately decorated with Victorian symbolism or carved with Celtic interweaving designs.

Page 9: Cemetery Architecture

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esExamples of the Cross shape

Page 10: Cemetery Architecture

• Alter tombs are flat inscribed slabs of stone supported on raised brick or cement walls, or sometimes on solid blocks of brick or stone.

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esCoped Stones- Ledgers & tablets

• These tombstones were fashionable before 1900 and are unusual after that time. They are often difficult to maintain as they can easily break with soil subsidence.

Coped Stone

Page 11: Cemetery Architecture

• Stele are a very traditional shape of cemetery memorial having been used as funerary markers in the time of ancient Egypt.

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esStele

• Stele were generally erected upright. • There is normally only one side of a

stele that bears the inscription about the deceased.

• The shape allows for considerable scope for a variety of decoration.

Stele• Stele can be found in many shapes

and sizes from rectangular with domed, arched, pointed or curved tops and are of an even thickness.

Page 12: Cemetery Architecture

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esStele Examples

Stele

Page 13: Cemetery Architecture

• The wall plaque became a popular feature in the cemetery from about the time of the First World War.

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esWall Plaque

Wall Plaque

• It was a plain structure, more in keeping with changing attitudes values of the times.

• Most did not feature any decorative motifs. Concrete was a commonly used material.

Page 14: Cemetery Architecture

• The nameplate has always been a popular choice for headstones from the earliest days of our cemeteries.

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esNameplate

• A great variety of materials have been used for the nameplate including concrete, granite and marble.

Nameplate

• There is usually no decoration with the nameplate or information.

• The nameplate is often used in association with other designs especially the ledger or tablet design or pedestal where it is set into the plinth.

Page 15: Cemetery Architecture

• A plaque is normally fixed to a grave horizontally. Some may be tilted on a slight angle. The plaque also provides more information about the deceased than the nameplate.

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esPlaque

• Many plaques are later additions to older family headstones or later commemorations where there has never been a headstone or it has been destroyed.

Plaque

• Plaques are usually unadorned.

Page 16: Cemetery Architecture

• The black or grey granite block or alternatively a concrete block with granite plaque insert has become the dominant form of memorial headstone from the mid 1920s until recent times.

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esBlock

• The style has brought a considerable uniformity to our later cemeteries.

Block

Page 17: Cemetery Architecture

ResourcesResources used to develop these slides

Betteridge, C. (2005). Conservation Plans: Northern and Southern Cemeteries. Unpublished report for Historic Cemeteries Conservation Trust of New Zealand.

Edgar, Philip G. (Dec 1995). Ideological choice in the gravestones of Dunedin's Southern Cemetery. A thesis submitted for a Master of Arts Degree, University of Otago.

Mytum, Harold. (2000). Analysing historic graveyards. Practical Handbook in Archaeology 15. York: Council for British Archaeology. Reprinted in 2008.

Sagazio, C. (Ed)(1992) Cemeteries: Our Heritage. National Trust of Australia (Victoria).

Note:The wire-frame headstone shape typology used in this resource have been adapted from Edgar’s work referenced above. It is one of the simplest and most useful classification of headstone characteristics located.


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