- 1. Are there some stories that are just too sensitive for soap
operas to cover? Discuss in relation to specific examples from
television and or radio.
Team Discuss
Project Manager: Tae Inui
Research: Bronte Allen
Content Creation: Jenny Knight
Production and Dissemination: Daniel Baggott
2. Are some stories to sensitive?
Can soap operas show anything just because they are not real?
What is a soap opera?
Introduction
That viewers take soap opera seriously, and consider that the
characters and problems portrayed are highly realistic and
personally involving, has implications for issues of media
effects.
(European Journal of Communication, 1988)
3. Sensitive Storylines
Many Soap Operas embrace the fact that that viewers
takesoapoperaseriously
British soap operas in particular, present sensitive issues in a
gritty way
The Emmerdale plane crash in 1993
Mark Fowlers HIV in Eastenders
The rape of Toyah Battersby in Coronation Street
The future Emmerdale storyline on euthanasia
4. Sensitive Storylines
Our members are concerned that, as is all too common, a bereaved
mother has been portrayed as deranged and unhinged It is testament
to our strength and self control that bereaved parents are largely
invisible... If anything we are more compassionate and aware
because we would not wish the loss of a child on our worst enemy."
(Roberts, J 2011)
5. Sensitive Storylines
The cot death/baby swap issue raised 6,000 complaints from the
audience, out of the 11 million who watched it.
Women are more susceptible to effects according to Modleski
:structural openness of soaps is an essentially 'feminine'
narrative form (Modleski,1982)
6. Representation of characters
Perhaps was not that Eastenders dealt with this issue that caused
the problem
It was the way the character of Ronnie was being represented that
was controversial!
Mumsnet thought this was an attempt to create controversy (Roberts,
2011)
But could it be an accurate representation of a minority of
mothers?
7. Representation of characters
Stereotypes do not only map out boundaries of acceptable and
legitimate behaviour, they also insist on boundaries where in
reality there are none (Dyer, 1993)
There is no real limit to
what a character should do.
8. Representation of characters
By showing the struggle of a man trying to reconcile these aspects
of his life!
An example is Syed in Eastenders, who is a Muslim in a gay
relationship.
Ofcom received 23 complaints that it offended the faith of the
viewers. (Holmwood, 2010)
But as Reithian values are still important in the BBC, this story
served to inform, educate and entertain
9. Increasing awareness
For example Coronation Street on PTS after a tour of duty
Eastenders in the past has dealt with many issues.
These broadcasts are usually followed by the displaying of a
helpline on the issue.
10. The increase in traffic to the Foundation for the Study of
Infant deaths website of more than 500% shows what an important
subject this is. (Roberts,2011)
This shows the importance of soap opera in reaching the everyday
people who struggle to cope with issues and to find help.
Even in themselves, they raise awareness by allowing the
opportunity to speak out!
Increasing awareness
The sensitive storylines do more good than bad!
11. Desensitising of audiences
Media desensitisation can be traced back to Victor B. Cline.
The high-television-exposure-subjects were found to be less aroused
autonomically (Cline et al,1973) than those who hadnt watched
violence on a regular basis.
Because of this desensitisation, soaps have to go further to keep
us interested!
12. Desensitising of audiences
The first controversy in Coronation Street was in 1978 after a
shooting in a factory
Now gun violence is less of an issue
Clearly we have been desensitised.
13. Desensitising of audiences
The success of Australian soaps caused British soaps to reconsider
their target audience Hollyoaksis aimed primarily at young people
consequently, soaps are now more popular than ever" (The BBC,
2003)
14. Desensitising of audiences
In 2008 Hollyoaks ran a storyline about a suicide, while news broke
of two girls committing suicide in a similar way.
This story received no complaints to Ofcom.
This might suggest younger viewers are now more equipped to deal
with these issues, or that they simply dont use soaps to
escape.
15. Desensitising of audiences
Media consumers have a free will to decide how they will use the
media and how it will affect them. (Blumer & Katz, 1974)
Audiences may choose how they read the text, or they may just react
according to their age.
16. Conclusion
Soaps bring to light delicate issues.
The mass audience is the most likely to accept the preferred
reading.
They also suggest ways of coping with them.
And show help is a phone call away.
17. References
Anon (2009)
http://www.Dailymail.Co.Uk/tvshowbiz/article-1219300/channel-4-broadcast-hollyoaks-suicide-pact-storyline-despite-similarities-clyde-teens-deaths.Html[accessed:
15th February]
BARB (2011) Weekly top 30 programmes, BARB [online]. Available
from: http://www.barb.co.uk/report/weeklyTopProgrammesOverview
[Accessed: 15th February 2011].
Blumler J.G. & Katz, E. (1974). The uses of mass
communications: current perspectives on gratifications research.
Beverly hills, CA: sage. Cited in
http://www.Uky.Edu/~drlane/capstone/mass/uses.Htm[accessed: 15th
February]
Cline, V.B. Croft, R.G. And courier, S (1973) journal of
personality and social study, volume 27, no.3 350-365,
Dyer, r (1993) the matter of images: essays on representation,
London: routledge
Holmwood, L. (2010) Eastenders Koran outrage, the sun, 22nd July
2010 [online], available
from:http://www.Thesun.Co.Uk/sol/homepage/showbiz/tv/soaps/3063828/complaints-at-eastenders-gay-muslim-and-koran-scene.Html[accessed:
15th February]
Hobson, D. (2003) soap opera, Cambridge: polity press
Modleski, T (1982): loving with a vengeance: mass-produced
fantasies for women. Hamden, CT: archon cited in
http://www.Aber.Ac.Uk/media/modules/TF33120/soaps.Html[accessed:
15th February]
Roberts, J 2011, Letter of complaint to the BBC, Available from:
http://www.Mumsnet.Com/campaigns/eastenders-cot-death-story[accessed:
15th February]
The BBC (2003) Conventions of soap opera, The BBC [online].
Available from: Http://www.Bbc.Co.Uk/dna/h2g2/A1087193[accessed:
15th February]
Why people watch soap opera: an analysis of the explanations of
British viewers (1988) European journal of communication, 1,
55-80