dj controllers 2012

presents:

DJ Controllers: The Ultimate Buyer’s Guide

2012

DigitalDJTips.com presents DJ Controllers: The Ultimate Buyer’s Guide 2012

– © DigitalDJTips.com • Need help or advice? Ask on our DJ gear forum • Errors? Let us know.

http://www.digitaldjtips.com/welcome?utm_source=ddjt&utm_medium=pdf&utm_campaign=controllers2012




http://www.digitaldjtips.com/forum/forums/digital-dj-gear/?utm_source=ddjt&utm_medium=pdf&utm_campaign=controllers2012


http://www.digitaldjtips.com/contact/?utm_source=ddjt&utm_medium=pdf&utm_campaign=controllers2012


NOTICE OF RIGHTS© 2011 Digital DJ Tips. All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical articles or reviews.

This edition: November 2011

NOTICE OF LIABILITYThe author and publisher have made every effort to ensure the accuracy of the information herein. However, the information contained in this book is sold without warranty, either express or implied. Neither the author and Digital DJ Tips, nor its dealers or distributors, will be held liable for any damages caused either directly or indirectly by the instructions contained in this book, or by the software or hardware products described herein.

THANKSWe’d like to thank all the hardware and software manufacturers who have helped us with assets for this guide, and a special thanks to those who support Digital DJ Tips with advertising and in other ways.











Contents

PART 1: INTRODUCTION! 5What is a DJ controller?! 6What do they cost?! 8What else do I need?! 9Where can I buy a DJ controller?! 11Is this the best way to learn to DJ?! 12PART 2: ABOUT THE SOFTWARE! 13Traktor! 15Serato! 16Virtual DJ! 17djay! 18Others! 19PART 3: WHAT'S NEW 2011/2012! 20Four channels, then back to two...! 22What, no jogs?! 22Sample decks! 22Innovative solutions for cramped DJ boxes! 23Consumerism comes to the DJ world! 23iPad and iPhone DJing! 24PART 4: THE DIRECTORY ! 25How to use the directory! 26Controllers up to US$200! 27DJ-Tech DJ For All! 28DJ-Tech i-Mix! 30DJ-Tech i-Mix Reload! 32DJ-Tech myScratch! 34DJ-Tech Poket DJ! 36DJ-Tech Poket DJ Duo! 38Gemini CNTRL-2! 40Gemini FirstMix! 42Hercules DJ Console Mk4! 44Hercules DJ Control MP3 e2! 46ION Audio iCUE-3 Discover! 48Kam Digi Mini 3! 50M-Audio/Avid X-Session Pro! 52Numark DJ2GO! 54Numark iDJ Live! 56Numark Mixtrack! 58Numark Mixtrack Pro! 60Numark Stealth Control! 62Numark Total Control! 64Reloop Mixage CE LTD! 66Controllers from US$200 to US$500! 68American Audio Versadeck! 69American Audio VMS2! 71American Audio VMS4! 73











DJ-Tech 4Mix! 75DJ-Tech i-Mix MkII! 77DJ-Tech i-Mix Reload MkII! 79DJ-Tech Reloaded! 81Faderfox Micromodul DJ3! 83Faderfox Micromodul FT3! 85Gemini CNTRL-7! 87Hercules DJ 4Set! 89Hercules DJ Console 4-Mx! 91Hercules DJ Console RMX! 93Hercules DJ Control Steel! 95Numark N4! 103Numark Omni Control! 105Reloop Digital Jockey 2 CE! 107Reloop Digital Jockey 2 IE! 109Reloop Digital Jockey 2 ME! 111Reloop Mixage IE! 113Stanton SC System 3! 115Stanton SCS.4DJ! 117Vestax Spin! 119Vestax Typhoon! 121Vestax VCI-100! 123Vestax VCM-100! 125Controllers from US$500 upwards! 127Allen & Heath Xone:DX! 128Allen & Heath Xone:4D! 130Denon DN-MC6000! 132Faderfox 4midiloop! 134Native Instruments Traktor Kontrol S2! 136Native Instruments Traktor Kontrol S4! 138Pioneer DDJ-ERGO-V! 144Vestax VCI-100 MkII! 152Vestax VCI-300 MkII! 154Vestax VCI-400! 156PART 4: COMPARISON TABLES ! 158Controllers up to US$200! 159Controllers from US$200 to US$500! 160Controllers above US$500! 161











PART 1: INTRODUCTION











What is a DJ controller?A DJ controller is a piece of equipment that’s used to control DJ software. It contains much of what you need to DJ properly, just like professional DJs on conventional gear. DJ controllers arrived on the scene shortly after DJ software did, when manufacturers realised they could make products that copied the controls of professional DJ equipment, making it easier to control DJ software. Up until that point, pioneering digital DJs were using traditional computer music equipment – boxes of buttons, mixers and even keyboards – to control DJ software.

The Numark Mixtrack Pro: A typical modern consumer DJ controller.

These units work because of something called “Midi”, which is a protocol that allows external devices to control musical software and vice versa. DJ controllers are often referred to as “Midi controllers”, because they are essentially the same as any other Midi controller (such as the keyboards that we mentioned before), just with controls that are adapted to make controlling DJ software easy. That generally means they have “jogwheels” (round things that emulate the platters of turntables, or the wheels of DJ CD players), and controls that are similar to DJ mixers too (faders and so on).

It is not necessary to have a controller to DJ with software; nearly all the available DJ software can be controlled using just the mouse and keyboard. However, it is generally considered to be much easier and more authentic to use a control device of some kind – not to mention easier!

So far we have considered the main purpose of DJ controller, which is to make inputting information to your DJ software easier. It is simpler to spin a wheel to tell your software to











“spin” a music file backwards, than to press a buttons or drag a “virtual record deck” with a mouse.

However, many DJ controllers serve an additional purpose too. You see, DJs need something else as well as the ability to control their music efficiently. They also need the ability to hear an alternative source of music in their headphones to that which they’re playing out loud. This ability to “cue” the next record – to audition it, to get to the part you want to start it playing from, to “test it out” over the top of the current record, but privately, in your own headphones – is paramount for the vast majority of DJs and DJing styles.

Trouble is, most computers – remember, the music is on the computer, as digital files, stored on its hard disk drive – only have one sound output. They usually have just a headphones socket. So once the DJ has plugged his amplifier and speakers into the headphones socket (so the party can hear what he’s doing), he’s got no way of also plugging his headphones in any more, in order to preview the music.

This is solved by the use of an audio interface. (You’ll often hear audio interfaces referred to as “sound cards”, because on desktop PCs, they traditionally were a circuit board, or card, that slotted in to a spare slot inside the unit. They are sometimes also called “sound interfaces”. We’ll use the terms interchangeably.) Just like you can add a snazzy graphics card to a computer to power multiple monitors, so you can add an audio interface to give you multiple sound outputs. Traditionally, DJs would buy a DJ controller and an audio interface – the first to control his software, the second to provide outputs for both headphones and the main amp and speakers. That’s what the diagram here shows.

How a DJ controller that doesn’t have a built in audio interface is set up using an external audio interface.











Nowadays, though, all the major DJ controller manufacturers have models that include the audio interface within the same box. This removes the necessity to buy two products and makes setting up easier. It is child’s play to check if a DJ controller has an audio interface built in – you just look for a headphones socket on it. If it has one, it’s got an audio interface built in.

There are still DJ controllers that don’t have an audio interface built in, which some DJs like because it gives them more flexibility in how they configure their set-ups. Other DJs prefer to choose a certain type of audio interface so they can control the sound quality better, and so don’t want to be forced to use the audio interface provided with the DJ controller.

So to recap, a DJ controller is basically a box that makes it easier to control digital DJing software, and often also contains the right audio circuitry to let you plug in an amplifier and speakers as well as a pair of headphones in order to DJ properly.

Note that for the purpose of this guide, we define a DJ controller as a unit that contains both “decks” and a “mixer” – that is, at least two sections that allow you to “play” your virtual “records”, and a section that allows you to mix them together. There are plenty of digital systems that do one or the other, and indeed you can mix and match modular units to build a complete bespoke digital DJ set-up with all kinds of features that suit your particular needs and style – but this is not what 95% of digital DJs do, and certainly not what beginner DJs typically want. So for our purposes, “DJ controller” means a device designed to help you to both play and mix together digital audio sources.

(By the way, this guide doesn’t include systems that let you play CDs, that work with iPods, and all that kind of stuff. It’s our view that once you use digital, you’ll instantly forget CDs – and that iPod DJ systems were always a non-starter!)

What do they cost?DJ controllers start at well under US$100, and go up to well over US$1000. This is really cheap compared to traditional gear.

At the lower end of the market, controllers are strictly consumer items, and often have stripped-down functions. At this level, it is still usual to find that they don’t have an audio interface built in, meaning you either have to buy one separately, use a “hack” (see “What else do I need?” below), or make do with not using headphones at all. It is also usual to find that they are missing what are generally considered to be important functions. Build quality is basic too, and such units would be unlikely to survive in any kind of working environment for long. The software supplied with such units is usually equally rudimentary. All that said, such equipment can be great for deciding if you enjoy DJing, for playing house parties, for children, for “second” controllers or back-up units, or for travelling.

From about US$200 upwards, controllers tend to be more fully featured. Still usually consumer build quality, such controllers have all the basic controls in place, feel much more realistic to use, and perform better. At this level most have built-in sound interfaces, although they tend to have limited inputs and outputs (for instance, there may be no microphone input, and there may only be “consumer” quality outputs, more suited to











plugging in to your home hi-fi than a fully featured club PA system). It is also still usual to be supplied with severely limited software at this level, that’ll get you past go but that you’ll want to upgrade at some point. However, choose carefully at this level and you can get a controller that you can learn to DJ effectively on, and perform out and about with for your first year or two comfortably.

Above more or less US$500, controllers become significantly more professional. Here is the realm of the “serious hobbyist”, semi-pro controller, and the true pro units. Build quality improves. Features become more complicated, with things that beginners or part-time DJs nether want nor need but which pros often demand. From here upwards, controllers begin to differentiate themselves from each other, too, becoming more specialised in certain directions to suit different styles of DJing. Audio interfaces improve in quality, and become more flexible, with multiple inputs (often more than one microphone, the ability to plug in external sound sources such as CD players or record decks), and professional outputs too (the ability to power a “DJ booth” speaker set as well as the main speakers, the ability to plug in a recording device to record your set at a constant volume, even as you turn the overall level up or down in the venue, and often the ability to plug professional PA equipment directly into the unit too). And software is often supplied “full strength”, with no need to upgrade later on to get more advanced features.

So you see that it is not possible to lump DJ controllers together in one big pile – they vary vastly in what they set out to do and in who they’re aimed at. But thanks to the wide variety available, as long as you are clear about where you are going to be using your DJ controller and what you expect to do with it, you can almost certainly find something that ticks your most important boxes, at a price that you can afford.

What else do I need?ComputerRemember, DJ controllers are primarily all about controlling digital DJ software. While there’s one unit that we look at later on that is truly all-in-one (ie you don’t need a computer at all), for all of the rest, a computer is essential. We say “computer”, but for a small number of DJ controllers, that now means iPad or even iPhone! Again, we’ll look later on at a couple of these units. But for the vast majority of controllers, a computer is essential, and that usually means a laptop, purely because it is more portable.

If you already have laptop and you’ve bought it in the past few years, chances are it’ll work fine with a DJ controller and supplied software. It is prudent to check the manufacturer’s website of the unit you are considering, though, before you buy – just occasionally a controller won’t work with a certain processor, and some are even only for a particular platform. However, nearly all work just fine on both Mac and PC.

Headphones Ideal headphones for DJing cover the ears properly and are “closed back” rather than “open back” – ie they have audio insulation, so you can’t hear the outside world very well when you’ve got them on. They’ll have a headband too so you can whip them on and off quickly. They’ll usually have a 1/4in (“big”) headphones plug, although many DJ controllers nowadays can accept 1/8in (MP3 player)-sized headphones plugs too – check your particular choice to make sure any headphones you already have will fit, or get a 1/4” to 1/8” adaptor, which cost next to nothing.











DJ headphones from Pioneer, Allen & Heath, Sennheiser, AKG. Reloop and many other well-known makes start around US$40 to US$80 and are a good investment when you’re ready, but if you’ve already got headphones that are even remotely similar to these, they’ll certainly do to start with; you can always upgrade later on. The main complaint from DJs who try and use cheaper or non-DJ headphones in public is that they can’t get them loud enough to hear properly, or that they don’t isolate the outside world well enough.

The Native Instruments Audio 2 DJ is a popular entry-level DJ audio interface.

Audio interface?We spoke earlier about how many DJ controllers have the audio interface built in, but also that some very cheap models don’t (and some not-so-cheap ones too). If you are thinking of buying one of these and you want to monitor using headphones (and we strongly suggest that you do this), you need an audio interface. Two widely used entry-level DJ audio interfaces are the Native Instruments Audio 2 and the Numark DJ iO, but at $50 to $100 they’re not particularly cheap. It is crucial when looking for an audio interface that you buy a DJ one – this will ensure you get a unit that is “four out” or “two stereo out”. A “two-out” audio interface simply won’t work for this purpose. Also bear in mind that often the software supplied with cheap DJ controller won’t allow you to use such interfaces, so you have to upgrade the software first too – an extra expense.

There are two other often-used stopgap solutions. The first is to use a “splitter” cable. This is a special DJ cable that “hacks” your computer’s one headphones output to provide both a headphones output and a speakers output, letting you plug your headphones into the “left” headphone output and your speakers into the “right”. You only then have mono in both your headphones and your speakers, but it works well enough and is a cheap enough workaround. You can make up such a cable yourself by plugging together various other cables, or just buy a custom one – search for “the Cable You Need” to find a commercial











example from Griffin, which is made for Algoriddim’s djay software but will work for any software that offers a “splitter cable” option in its preferences.

A typical DJ splitter cable.

The second is to use a standard two-out interface for either your headphones or your speakers, and to use the computer’s built-in audio (ie the headphones output) for the other. This is actually quite an elegant little solution and you can buy tiny USB sound cards for a few dollars, but again you need your software to be able to work with such a solution, and again often software supplied with cheap DJ controllers is limited precisely to stop you doing this kind of thing.

The best bet is to set the controller and software up and see what options are available to you with the particular system you bought by checking in the audio preferences and only when you’re sure going and buying what you need. In fact, the truly best bet is to buy a DJ controller with audio built in – job done and one of the biggest recurring headaches for beginner DJs (getting something different to come out of the headphones to the speakers!) solved in one go.

Where can I buy a DJ controller?Digital DJing has become massively popular over the last couple of years. Now, it is possible to buy DJ controllers in consumer stores whereas before you had to go to specialist retailers. Don’t expect the sales assistants to know anything useful about them in consumer stores though! If you want knowledgeable advice and you’re lucky enough to have a music, music technology or even better a DJ store in your neighbourhood, it’s worth using it. Don’t be scared to ask them to match internet pricing – often they themselves sell online too, so make sure they’re not charging you an in-store premium.

If you don’t have a store nearby, of course buy online – but make sure there’s a good return policy if the equipment is faulty or if it turns out it just isn’t for you. Finally, if you’re really lucky and can attend one of the big DJ expos, retailers often have show-only deals which mean you can save your travel and entry fee for the day, and have a fantastic day out too. Worth bearing in mind!











Is this the best way to learn to DJ?It used to all be so simple – you saved up and bought two turntables (Technics 1200s/1210s if you could afford them, dodgy belt-drive alternatives if not) and a basic DJ mixer, and started your long journey to getting good enough to DJ in public. While it was definitely difficult, it was still just one route.

Fast-forward to today and everyone tells you something different. You need to learn on vinyl; you need to learn on CDJs; digital is the only way forward; nobody takes controller DJs seriously in the real world; clubs don’t let digital DJs perform; digital vinyl is the only way to go – and so on.

But here’s the truth: Controllers are a great way to learn to DJ. They are cheap (even a US$750 DJ controller costs a third of the price of one top-of-the-range Pioneer CDJ), they are immensely powerful, they’re portable (so you can play in places traditional DJ’s can’t), they’re easy to use, and they’re fun. Believe us, if you want to learn to DJ, they’re pretty much perfect.

You see, when it comes down to it DJing is not about technology, it’s about music. It’s about the right records, in the right order, for right now. You can learn this DJing on an iPod or in the Ministry of Sound DJ booth! The gear really isn’t important. It won’t save a bad DJ, and it won’t matter to a good one. Anything that lets you mix two records together will do – period.

But that’s not to say that if you learn to DJ on a controller, you then know everything. Of course you should have an open mind about digital vinyl, and CDs, and records, and DJ/producer software, and all the rest. A really good DJ can spin on anything. But you don’t need to learn it all at once! For the beginner, and for many pros, DJ controllers are the real deal – and don’t let anyone tell you otherwise.











PART 2: ABOUT THE SOFTWARE











One of the challenges of choosing a DJ controller is understanding a bit about what software you get with it, and working out if it’s the right software for you. So in this section, we are going to look at what software is out there, and tell you what you need to know in order to decide which is best for what you need. Knowing what software you want is the one single thing that’ll help you more than anything to get a shortlist of DJ controllers to consider, because many only use one type of software or other – at least, out of the box.

Midi, mapping and hackingJust a word about this “dark art” before we go any further. Remember we said that DJ controllers are basically “Midi” controllers, designed to work using a protocol that music controllers and software have used for many years to “talk” to each other? Because of this, nearly all DJ controllers can speak to nearly all DJ software. You simply need the right “mapping” (or to make your own “mapping” file) and presto! You can pair your chosen software up with your chosen controller.

Well, we say “simply” – the truth is that the vast majority of DJs steer well clear from getting involved in mapping and hacking, and understandably so – because it is easy to spend all your time neck-deep in Midi codes and mapping files and none of it spinning tunes. So for the purpose of this guide, we’ll assume you want to be up and running with the minimum of effort. If a DJ controller comes with software, that’s because that’s what the manufacturer wants you to use with it, and so that’s what we recommend you use with it too. If you want to use it with something else (and it’s fine to do so, we’re not putting it down), then you’ll need to add to what we give you in this guide with a little of your own research.

“LE” vs full strengthIt’s important you understand this section, because doing so means you’ll buy your DJ controller with your eyes properly open to any extra costs you may incur down the line.

Many manufacturers offer cut-down software “in the box” with their controllers. It is typically a version of one of the major packages listed below, usually Virtual DJ or Traktor.

These “OEM”, “LE” or “lite” versions are feature-limited. They may have less effects, less decks available for you to play on, less sound options, disabled recording, or any of a number of other limitations, designed to tie the software to the equipment you just bought (so you can’t upgrade your gear and carry on using the same software), and also to tempt you to upgrade to the “full strength” version. The cost of the upgrade can vary from a hefty discount to full price. So you can see that a cheap DJ controller could be not such good value if you feel you need to upgrade the software, because DJ software often isn’t cheap. Where you get an LE version of the software with a controller, we mark it clearly in the controller directory that follows.

So that all said, let’s dive in and summarise the main digital DJing software you’re likely to come across:











Traktor

Traktor is arguably the market leader, and often the pro’s choice. From German software house and equipment manufacturer Native Instruments, it is both powerful and complex. It has excellent effects, innovative features including “sample decks” and a “loop recorder”, to allow you to play with samples that you’ve taken from tracks that are playing, or even that you have recorded yourself.

It comes in both LE and “full strength” versions, and versions for two decks (“Traktor Duo”) and four decks (“Traktor Pro). It is at “2”, so the current versions are “Traktor Pro 2” and “Traktor Duo 2”. (You may come across “Traktor Scratch”, too. This is the version for digital vinyl, and so is not relevant to controller DJs.)

Traktor fans love it for its power, its configurability and the quality of its effects. Traktor detractors point out that its handling of music files is clumsy, it doesn’t integrate well with iTunes (many DJs love to plan their sets in iTunes and then play from those sets in DJ software), and that it sometimes feels unnecessarily complicated.

You can download a trial version of Traktor from the Native Instruments website so you can try it our on just your computer before you buy a controller, in order to make your mind up for yourself.











Serato

New Zealand software house Serato has two offerings for controller DJs: Serato ITCH and Serato Intro (it also has Serato Scratch Live, which – like Traktor Scratch – is meant for digital vinyl DJs, not controller DJs).

Serato Intro is roughly equivalent to Traktor LE, and Serato ITCH to Traktor Pro. Intro is new, whereas Serato ITCH has reached version 2.0.

Serato software actually comes free with controllers – it is never charged for. The twist is that until you plug your DJ controller in, the software is in “offline” mode – it is impossible to DJ with it without a compatible controller plugged in. Of course, the controller manufacturers pay for a licence to use the software, so effectively you pay for the software when you buy the unit.

Serato fans love the software because it feels simple to use, with a large library section on screen, and “parallel waveforms” – visual representations of the music that are “stacked up”, so you can “see” when your records are properly beatmatched. Its iTunes integration is excellent, and overall it lets you get on with playing records with the minimum of fuss – it is very close to “plug and play”. Detractors point out that this is achieved at the expense of flexibility (you can’t “remap” any of the controls – you get what you’re given), and that it doesn’t have all the features of Traktor, especially the breadth and quality of effects. Version 2.0 added samples, though, which is a big leap forwards.

Although you can download it for free from Serato’s website, because it doesn’t work without a compatible controller plugged in you can only “trial” it in offline mode.











Virtual DJ

Seemingly loved and hated in equal measure, Virtual DJ is the software than many DJs start on, not least because the producer, Atomix, has a fully functioning “home” edition available to download from its website that is only limited by the fact that you have to use the mouse and keyboard to control it – no controllers. A quick check on download.com shows that this is being downloaded a staggering 250,000 times a week! The full version is anything buy free though, costing several hundred US dollars.

Virtual DJ is simple to use, has parallel waveforms for easy beatmatching, has samples, video mixing, up to 99 decks (the mind boggles), and integrates iTunes better than Traktor, although not as well as Serato. It is also flexible, working well with probably the largest number of DJ controllers of all the major packages.

Fans point to this flexibility, to the fact that it had many features (multiple decks, samples, video mixing) before anyone else, and that it is easy to use. Detractors say it has a toy image, that it is not as reliable as the other packages, and that it is not such a good choice for pro use. Nonetheless, its popularity speaks for itself.











djay

djay is a Mac OS X and iOS-only software package that is known for its tight iTunes integration, lovely interface, and smooth operation. It is not as complicated as the other packages by design, concentrating on letting you get on with the task of spinning music quickly and painlessly. Nonetheless, it has enough under the bonnet to cover all the bases for performing DJs.

With fully functioning iPhone, iPod Touch and iPad versions as well as a Mac version, it is possible to use djay software everywhere from a quick practice on the bus, to DJing parties using a DJ controller. However, it only works with two controllers (for which it is “plug and play”). Intriguingly, it is the first package to integrate with iCloud, offering the ability to organise and label your library on one device and have your changes automatically reflected across all.

Fans love it for its simplicity and Apple styling, while detractors say it is not fully featured enough for continuing pro use. Even the manufacturers say it is the “gateway drug to digital DJing”. However, for some DJs, it is proving more than adequate ongoing!











OthersWe’ve just scratched the surface in terms of numbers, but nonetheless the above packages are what you’ll find with the vast majority of DJ controllers.

Torq 2: A niche but well featured DJ software package.

However, it’s worth mentioning MixVibes Cross, which comes from French company MixVibes and is bundled with their own DJ controller. You may also come across packages like Deckadance (DJ-Tech bundles this one a lot), Torq 2 (bundled with the manufacturer, M-Audio’s, own DJ controller), Mixxx (an open source package), MegaSeg (more suited to restaurants and hotels where music is often preprogrammed), PCDJ (one of the veteran but also-ran packages) and DJ/producer packages like Ableton Live and Mixmeister.











PART 3: WHAT'S NEW 2011/2012











The Vestax VCI-400: An exciting new controller for 2012.

The DJ controller market is nothing if not fast-moving. In this section, we put some context on what follows in the directory itself, by looking at the trends, innovations and launches that have defined the past 12 months and that will shape the next 12 months. If you’re looking to upgrade a controller you bought a few years back, this will get you up to speed. If you’re looking to buy your first controller, this section will show you where the industry is heading so you can future-proof yourself in your decision as to which controller to go for.

More integration with software & audio interfacesTwo of the big traditional complaints about DJ controllers are that they don’t integrate well with the provided software, and that they need complicated setting up when it comes to audio interfaces. DJs understandably on the whole want to buy a controller, plug it in and get going, not fiddle around with audio configurations and software mapping files just to get anything to work right.

Regarding the software side of things, Native Instruments took a big leap forward with Traktor (traditionally a beast to set up), by launching its own controllers, the Kontrol S4 and now the Kontrol S2. The company worked hard to make these simple to set up out of the box with Traktor (doubly important for the company, as of course it’s their own software), and they are easily the easiest controllers to use with that software for that reason. In doing so, they’ve closed the gap on Serato, whose ITCH software is famously easy to set up with compatible controllers; you really do plug and play with all such controllers.

Likewise, nearly all controllers nowadays come with built-in audio interfaces. That means, in theory at least, that the dreaded audio configuration needed to get “something different to come out of the headphones and the main speakers” is reduced or eliminated. While with all mainstream software except Serato there is still a little audio configuration to do on setting up, it is less than its ever been.











Four channels, then back to two...Last year and at the start of this year, the talk was all about four-channel DJ controllers, with the main manufacturers falling over themselves to get something onto the market. We had the Denon DN-MC6000, Numark NS6, Traktor Kontrol S4, Pioneer DDJ-T1, and later on the Vestax VCI-400 (only just announced at the time of going to press) among others.

But you know what? In a recent survey carried out among our readers, the majority declared they were still perfectly happy DJing with two decks. And lo and behold, as they year pushed on, two deck controllers again hit the limelight as the pendulum swung back to smaller, lighter devices: The innovative Novation Twitch for Serato ITCH is two-deck, and Traktor launched the Kontrol S2, a cut-down version of the S4, with Denon teasing the forthcoming DN-MC3000, a similarly cut-down version of its popular four-channel DN-MC6000.

What, no jogs?There has always been an undercurrent of opinion in digital DJing that you might as well throw the baby out with the bathwater regarding “spinning things”; that once you’ve turned your back on vinyl, why have jogwheels of any kind at all? After all, before DJ controllers, early digital DJs “span” just fine using mouse and keyboard. Isn’t it a bit silly to reintroduce jogwheels when other input devices could do just as well?

Micro controllers (such as the Faderfox range) had already long-since ditched jogwheels by necessity, but with the launch of the bold Twitch in 2012, Novation declared war on shrunken platters, sporting two little touchstrips instead to control the music files. The extra space thus gained was used to add multicoloured, multifunctional control pads for everything from hot cues to loops and a proprietary “slicer” effect – ie, things digital traditionally excels at, rather than just duplication of old vinyl paradigms.

How much DJing is the spinning of platters will only be shown in sales figures for this and similar devices, but there was definitely a bigger move away from jogwheels this last 12 months than in previous years.

Sample decksTraktor started it with Traktor S4 then Traktor Pro 2 software, software that contained pretty wonderful “sample decks” – allowing you to replace the third and fourth decks with multiple samples, which could be triggered in a beatmatched manner over the existing music. The company released videos of people using these in innovative ways, but the truth is that everyone from radio DJs wanting convenient access to idents or “jingles”, all the way up through DJs dropping vocal snippets and loops, to producers making new tracks on the fly, could potentially make use of them.

With the launch of Serato ITCH 2.0, Serato added its SP-6 sample player to that software, allowing the control of multiple samples in a similar way. Although maybe not quite as powerful as Traktor’s, these had the benefit of working as well as the four software decks.

Virtual DJ users will rightfully point out that that particular software has had 12 “sample decks” built in for years, allowing beatmatched looped and single-hit samples over the music. While simpler than the other two packages, these samples have been used and











abused by DJs for a long time already. But with all three major packages now sporting them, sample decks have definitely arrived in the past 12 months.

Innovative solutions for cramped DJ boxesOne criticism levelled at DJ controllers is that they take up too much room. You turn up in a DJ box with CD decks, turntables and a mixer already there, then try and squeeze in a laptop and a chunky DJ controller of your own – and something’s got to give.

Digital DJs have been hacking together their own solutions for a while, either using micro controllers like the Faderfox range, or another increasingly popular solution, the Native Instruments Kontrol X1, a slimline controller than allows control over all but the mixer section of Traktor. Using this and an external sound card, DJs have then plugged into the house mixer in clubs, and because the X1 is so slim, managed to squeeze it in anywhere there’s a tiny space (most likely right next to the mixer).

The Allen & Heath Xone:K2 offers a sound card and enough control for four decks in one slimline box. It’s not a controller in the sense we define them here, though, as it doesn’t have a full internal

mixer.

Towards the end of 2011 Allen & Heath announced the Xone:K2, an X1-sized controller with built-in audio interface and four faders plus a load of knobs and buttons that could easily control the full four decks of, say, Traktor, even without the need for an external mixer. This could herald a rush of ultra-slimline DJ controller for space-challenged pro DJs.

(However, this doesn’t qualify as controller DJing on the sense of the word that we’re using, as all of the the controllers we cover include their own mixers too. Thus you won’t find the Kontrol X1 or Xone:K2 in this round-up).

Consumerism comes to the DJ worldLove it or hate it, consumerism has arrived in DJing. Gear is updated annually, and young DJs look to upgrade for the latest new features much like they upgrade their mobile











phones. Controllers have got cheaper and better features. Many are aimed squarely at home users, at teenagers buying them for parties, and people looking for simply a funkier way of playing their music. Many of these people may never (and indeed may never want to) play in a real DJ booth, or even in a real venue.

Controllers like 2010‘s runaway-successful Numark Mixtrack and Mixtrack Pro (the only “pro” thing about the latter being that you could plug headphones into it) and the new Pioneer DJ-ERGO-V – which with its flashing light looks more like a Christmas tree than a serious DJ controller – show the industry is banking on DJ controllers becoming as common in people’s homes as anywhere else. Indeed, arguably people’s homes are their natural habitat, with CDJs still holding the DJ booth for themselves in many areas of the world.

iPad and iPhone DJingBefore Android users get up in arms at that title, seriously it is all about iPhone and iPad DJing; there are no decent Android DJ apps as yet. But for iOS devices? Well, Algoriddim’s djay has led the way, especially with its iCloud integration, but TouchOSC provides tablet-powered Midi interaction with traditional DJ software too. Indeed, from remote controls for laptop software through to sample triggers through to wireless DJing systems allowing DJs to play from the dancefloor (or the bar...), innovative software programmers have taken such devices to their hearts with any number of promising apps.

This is one area where we see a lot of development in the coming 12 months. And while it’s probably fair to say that a touchscreen surface is not the best thing to DJ from, there’s a far more coherent argument for DJ software running on an iPad rather than a laptop, plugged into the controller in the usual way. Indeed, with Vestax recently demoing its Spin controller with an iPad instead of a computer powering it, and Numark’s squarely entry-level iDJ Live already on the market doing the same thing, that time is already upon us.

These are indeed interesting times for digital DJing.











PART 4: THE DIRECTORY











How to use the directoryThis part contains photos and descriptions; the final section has a comparison table with specifications of all the controllers. You should use them concurrently; it may be a good idea to print the comparison charts out to have alongside this section on your computer screen.

• The controllers are listed in three sections – sub-US$200, US$200-500, and US$500 upwards. Within those sections, they’re listed alphabetically by manufacturer. Consider these sections roughly beginner, intermediate and pro (although in reality it’s not quite that clean cut)

• Try to decide what software you want. That alone will narrow your choice considerably• Bear in mind that LE software will probably require an upgrade; so a cheap controller

may not turn out to be so cheap• You get what you pay for; cheap controllers can offer great value but there is a difference

between consumer and pro• How portable do you want your controller to be? If portability is important to you, pay

close attention to size and weight• A controller is a personal choice; there’s no “right controller” for everyone. Ask yourself

how you think you’ll feel using a particular device, and where you are going to use it. Will you feel “silly”? Can you cope with people saying “I like your home DJ toy”? If not, don’t buy a controller that looks like a home DJ toy! These things are important, as image and confidence do matter in DJing

• Some controllers are not listed here, and in the vast majority of case it’s because they never took off, are not widely available, are now very old and/or obsolete, and/or have a direct replacement in that manufacturer’s range. We still do list many older controllers though, because they’re still popular and can still do the job

• We have reviewed many of these controllers in depth on Digital DJ Tips, often including a video review too; where this is the case, our link goes to that review. Otherwise, it links to the manufacturer’s information. Please note that our marks awarded to controllers here may occasionally differ from those in the original review, as we’re constantly reassessing each controller’s worth against the market

• We attend all the pro audio shows. have contact with all the manufacturers, and have first-hand experience of all the products in this guide, even those we haven’t reviewed yet on Digital DJ Tips. In the rare cases where we haven’t seen and used a product ourselves, we tell you so

Our final piece of advice: Once you’ve chosen one, forget about all the others! DJing is about music and crowd skills, not tech. Keep your controller for years, not weeks. Concentrate on what’s important, and upgrade only when truly necessary. Your DJing will be all the better because of it.











Controllers up to US$200











DJ-Tech DJ For AllUS$179 / £199 / €173

Nice jogwheels, good mix of fun features

Not the best audio interface solution or supplied headphones

Product summary:This DJ controller (which is part of a pack) is firmly in the same camp as the Numark DJ2GO and the Gemini FIRSTMIX – a cheap and cheerful unit designed to get you up and running for the minimum of outlay. It uses a clever mixture of (supplied) components to give you your two outputs; the headphones in the box plug into your computer’s built-in headphones output, and a little USB sound device plugins into a USB port and gives you two RCA plugs to plug in to your amplifier or powered speakers. It’s a step up from DJ-Tech’s Poket DJ Duo controller, being the same size and layout as the controller in the company’s MyScratch pack. The difference is that this model has a half-way house headphones monitoring system, whereas the MyScratch Pack controller comes with a separate “proper” DJ audio interface.











Our verdict:This controller provides a reasonable consumer experience, in the fiddly way that smaller controllers like this tend to do. In the right hands, you could get some pretty good results out of it, especially as it actually packs quite a lot of features in due to the software having samples, some effects and access to hot cues, all of which is controllable via the unit. Having effects control via the jogs is a really fun addition, too. However, the audio solution (using a special lead and the computer’s own sound card) is a bit of a stopgap, even if it is clever. The fact that you’re provided with headphones is a bonus, but don’t expect them to be fantastic for that price. You may not want to stick with Deckadance software in the long run, either.

More info:http://djtips.co/dj-tech-dj-for-all



http://djtips.co/dj-tech-dj-for-all

http://djtips.co/dj-tech-dj-for-all









DJ-Tech i-MixUS$75 / £108 / €124

All basic functions covered by the generous number of buttons

Fiddly to use due to size; there are better controllers at this price

Product summary:A compact, plastic DJ controller with rather old-fashioned style jogwheels, this unit has no audio interface but provides 48 buttons, 10 knobs and five faders to give basic control over all the functions of the provided LE software. It actually looks more “serious” than its bigger brother, the i-Mix MkII, which is different from this in that it comes with an audio interface.











Our verdict:It’s looking a little dated, with old-style jogwheels that are bettered by some more modern controllers. Cheap feeling, especially those EQ knobs. Kill buttons are welcome, but the fact that you need an audio interface and that it’s a little fiddly due to its size and non.standard layout mean that there are better controllers for the money nowadays.

More info:http://djtips.co/dj-tech-i-mix



http://djtips.co/dj-tech-i-mix

http://djtips.co/dj-tech-i-mix









DJ-Tech i-Mix ReloadUS$189 / £204 / €269

Nice layout, lots of knobs, buttons and faders for own mappings

Cheap knobs; will be compared to the much cheaper Mixtrack

Product summary:Not much bigger than a laptop, this controller is laid out logically and contains enough knobs, buttons and faders to allow the majority of DJs all the control over the software they require. It is available in black as well as orange, for those who aren’t impressed by the aesthetics! No audio interface, so you’ll need to budget for that. The touch-sensitive jogs have the ability to adjust their sensitivity. Comes with Deckadance LE software.











Our verdict:Coming across like a poor man’s Vestax VCI-100, the i-Mix Reload has some nice features: The “downbeat” button for correcting sync errors by the software is nice; reasonable looping and effects access is included; proper button kills are welcome on any controller; and having a song review option on the song select knob is great. The problem is, this kind of controller will, since the launch of the Mixtrack, be compared with that unit, which costs appreciably less and does most of what this does. The i-Mix Reload is actually better featured though, so for DJs looking for a bit more control, it’s worth considering. Jogs are good (dual action touch sensitive,), but not as good as Mixtrack’s, and the knobs are cheap.

More info:http://djtips.co/dj-tech-i-mix-reload



http://djtips.co/dj-tech-i-mix-reload

http://djtips.co/dj-tech-i-mix-reload









DJ-Tech myScratchUS$259

Good-performing jogwheels; fun mix of features

No audio interface; toy-like appearance; not great value

Product summary:Basically the same unit as that supplied in the DJ For All pack, but in a more garish colour, this controller comes with Virtual DJ LE instead of Deckadance. One of the advantages of Virtual DJ is it offers really responsive mappings for jogwheels, and the main selling point of this controller is the good performance from those (relatively) large touch-sensitive jogs. Coupled with the adjustable crossfader curve, it is aimed squarely at aspiring scratch DJs. No audio interface, so you’d need a separate one of those, but lots of buttons for easy control of hot cues, samples and loops.











Our verdict:This controller provides a reasonable consumer experience, in that fiddly way that smaller controllers like this tend to do. In the right hands, you could get some pretty good results out of it, especially as it actually packs quite a lot of features. We find the styling terrible, though, and frankly you’d be hard pressed to get taken seriously DJing on a glossy red box called “myScratch”. Which is a shame, as alongside the Virtual DJ software, it is actually pretty capable. It’s not the cheapest, either, and overall we thing there are better controllers at this price point.

More info:http://djtips.co/dj-tech-myscratch



http://djtips.co/dj-tech-myscratch

http://djtips.co/dj-tech-myscratch









DJ-Tech Poket DJ US$129

They’ve squashed a lot of functions into a truly tiny unit

Shrunk a bit too far, this can’t be seen as anything but a toy

Product summary:This little device is nothing if not portable. It’s truly tiny, yet somehow they’ve managed to add rudimentary EQing (using buttons), effects control, looping, automixing and the ability to switch between nudging and scratching. Bearing in mind that there are also in three mini buttons for each deck to control hot cues and sample playback, and you can see that the designers have had fun squashing all the features in! There are even VU meters that also flash to indicate a beatmatch. However, there’s no audio interface, so you’ll need to make your own provision there.











Our verdict:Too small to do anything remotely serious with, this controller can’t be seen as anything more than a gimmick. But having said that, it’s a pretty fun little gimmick! It’s a bit of a marvel how they’ve squashed samples, hot cues, effects, EQ, scratch control, automixing, VU meters, beatmatch indication and library navigation into such a tiny box. However, at the end of the day it’s still just a toy. You’re hardly going to do any scratching using that tiny plastic crossfader and we can’t see it lasting long under any kind of sustained use. Would make a great little stocking filler for the aspiring young DJ (or curious dad), though.

More info:http://djtips.co/dj-tech-poket-dj



http://djtips.co/dj-tech-poket-dj

http://djtips.co/dj-tech-poket-dj









DJ-Tech Poket DJ DuoUS$189

They’ve squashed all the main DJ functions into a truly tiny unit

Shrunk a bit too far, this can’t be seen as anything but a fun toy

Product summary:Like its little brother above, this device is nothing if not portable. It’s truly tiny (that is a netbook they’ve photographed it against), yet somehow they’ve managed to add rudimentary EQing (using buttons), effects control, looping, automixing and the ability to switch between nudging and scratching. Bearing in mind that there are also in three mini buttons for each deck to control hot cues and sample playback, and you can see that the designers have had fun squashing all the features in! There are even VU meters that flash to indicate a beatmatch. Unusually at the price level (and size), and unlike the Poket DJ device, there is also a built-in audio interface.











Our verdict:Again like its little brother above, this is too small to do anything remotely serious with, so can’t be seen as anything more than a gimmick. But having said that, it’s a pretty fun little gimmick! It’s a bit of a marvel how they’ve squashed samples, hot cues, effects, EQ, scratch control, automixing, VU meters, beatmatch indication and library navigation into such a tiny box. However, at the end of the day it’s still just a toy. You’re hardly going to do any scratching using that tiny plastic crossfader and we can’t see it lasting long under any kind of sustained use. Would make a fun little stocking filler for the aspiring young DJ (or curious dad), though.

More info:http://djtips.co/dj-tech-poket-dj-duo



http://djtips.co/dj-tech-poket-dj-duo

http://djtips.co/dj-tech-poket-dj-duo









Gemini CNTRL-2US$148 / £126 / €144

Nice and portable; good jogs; reasonably well made; pro-looking

No built-in audio interface; looping and metering are poor

Product summary:This is a direct successor to last year’s CTRL-ONE, to which it is practically identical except for the fact that it is now fully Midi-mappable, meaning you can use it with whatever software you choose (the vast majority of DJ controllers are Midi mappable so really it’d playing catch-up there). Designed for Virtual DJ (it comes with LE), it has hardware access to Virtual DJ’s sampler, as well as rudimentary looping access, effects access, touch-sensitive jogwheels, a two-channel mixer, and browser control for selecting your music. There’s VU metering, and CD-style pitch controls.











Our verdict:This is a good size for portability, being similar to the Reloop Mixage – big enough to be comfortable to use, small and light enough to carry around. Unlike the Mixage, though, it’s plastic. The jogwheels are solid and good to use, but the faders feel cheap. Having direct hardware access to Virtual DJ’s sampler is a bonus, but the way looping is handled is poor (you can’t easily select a beatmatched loop either from the hardware or from the software). The drastically cut-down version of Virtual DJ comes with no discounted upgrade path. No sound interface, so you need to budget for that too. VUs are unreliable. This is a cheap controller by design, and while with a bit of remapping and your own software it could shine, at the moment it’s only average in terms of both performance and value.

More info:http://djtips.co/gemini-cntrl-2



http://djtips.co/gemini-cntrl-2










Gemini FirstMixUS$93 / £79 / €95

Initially fun to use, good bundled software

Strictly a consumer item, lacking some essentials

Product summary:Squarely aimed at the plug-and-go person trying out DJing, this controller comes with good software (MixVibes Cross LE is not one of the main programs, but it is easy to use and reasonably well featured), and nice, big, rubberised jogwheels. It has library browse for picking tunes, access to MixVibes’s pretty rudimentary effects, a “reverse” button for making the tracks go backwards, the usual transport controls including sync, plus really basic EQ. You are simply not meant to use this controller with a sound card, and Gemini thinks you won’t want to use headphone monitoring with it.











Our verdict:We found this controller a curious mix that overall didn’t quite add up. On the one hand, it is fun to use initially, as the software’s good and the jogs are nice. On the other, the EQ is terrible (the software has “mid”, but the hardware doesn’t, so the hardware EQ simply doesn’t do the job); it isn’t set up for using headphones at all, yet it has a nice “preview” function for listening to the next track that won’t work without headphones; and there are no channel faders, yet it has gain for each channel. So overall it’s OK for messing around on, but even at this price point there are nowadays better choices.

More info:http://djtips.co/gemini-firstmix



http://djtips.co/gemini-firstmix

http://djtips.co/gemini-firstmix









Hercules DJ Console Mk4US$164 / £126 / €144

Flexible and capable controller for the price

Too small for comfortable use; weirdly configured booth out

Product summary:A tiny DJ controller that nonetheless is fully featured. Not only does it offer all the main controls for controlling Virtual DJ LE (provided), but it allows you to plug in two external devices (including record decks) and a microphone too. Designed to be portable, it comes with a carry strap and protective cover. There is a useful 1/8in audio out as well as RCAs on the back, so you can plug your computer speakers straight in without an adaptor. There’s a second out with its own volume control for attaching cueing speakers.











Our verdict:It’s too dinky for comfortable long-term use, it’s plasticky, and the second output should be booth, not cueing – but nonetheless, you get a lot for your money here. If you need to plug in extra sources, want to use a microphone, need something tiny and light, and only have this amount to spend – well, Hercules has got you covered.

More info:http://djtips.co/hercules-dj-console-mk4



http://djtips.co/hercules-dj-console-mk4

http://djtips.co/hercules-dj-console-mk4









Hercules DJ Control MP3 e2US$59 / £77 / €88

Covers the basics at a low price

No audio interface, fiddly to use

Product summary:Basically the same as the DJ Console Mk4, minus all the sound interface features, this is a barebones controller that lets you mix two tracks together using the supplied Virtual DJ LE software, utilising sync, pitch, loops and rudimentary effects. An automix button will get you out of jail if you mess up, and there’s master tempo too – but that’s where the features end. Comes with carry strap and protective cover.











Our verdict:Compared to some of the toy-like controllers at this end of the market, at least this little device looks semi-serious, albeit in a lightweight, plasticky, shrunken way. Combined with the stripped-back Virtual DJ LE software, it will allow you to produce reasonable mixes, but you’ll need an audio interface or similar for headphones monitoring. Portability is compromised by the fact that you’d need that extra device to get your headphones to work, so while it may be portable, it won’t be as convenient as just plugging it in and going once you reach your party.

More info:http://djtips.co/hercules-mp3-e2



http://djtips.co/hercules-mp3-e2

http://djtips.co/hercules-mp3-e2









ION Audio iCUE-3 DiscoverUS$68

Big jogwheels make mixing tolerable

Limited control set means you’ll outgrow it easily

Product summary:Basic DJ controller for MixVibes Cross LE software. Allows you to do the basics from the hardware (cue, play/pause and weirdly, reverse the music; adjust bass, treble and volume; choose tracks and crudely alter tempo). No provision for headphone monitoring even if you add a sound card or audio interface; you’ll have to revert to using the keyboard to do that. There’s a scratch mode button so you can large it up a bit when you’re feeling the vibe, but that’s about it for the bells and whistles.











Our verdict:An over-basic controller, even at this price point. The software is good, but the controller offers you little actual control over it. The EQ is not good enough to pass go, the pitching is poor, and apart from passable consumer-level jogwheels, there’s little to recommend this device. Practically all of the other controllers you may find around this price point are better. It was actually OK when it was released due to the fact that it was one of the first of its kind, but its been overtaken by practically everyone since.

More info:http://djtips.co/ion-audio-icue-3



http://djtips.co/ion-audio-icue-3

http://djtips.co/ion-audio-icue-3









Kam Digi Mini 3£91

Bargain price for a DJ controller with built-in audio; sampler controls

Rudimentary looping; jogwheels are poor

Product summary:For not much more than the price of a DJ audio interface, here’s a full controller, that comes complete with Virtual DJ LE. The unit has decent pitch controls, rudimentary looping controls, access to Virtual DJ’s sampler and (limited) effects, plus full three-band EQ and gains. It’s a decent size: portable (it is light, being made of plastic, and comes with its own carry case), but not fiddly to use.











Our verdict:At this price point, just the fact that everything’s there is a bonus. The extra controls above the standard transport and mixer functions are basic, but nonetheless to get hardware access to the software’s sample functions, reasonable pitch controls and gains, as well as three-band EQ, all on a controller with a built-in audio interface, for little more than the price of a separate DJ audio interface; well, that all makes this controller a little bargain. A shame the jogs aren’t better or it would have got another star.

More info:http://djtips.co/kam-digi-mini-3



http://djtips.co/kam-digi-mini-3

http://djtips.co/kam-digi-mini-3









M-Audio/Avid X-Session ProUS$49 / £51 / €70

Basic DJ interface that does what it promises

DJs expect more than this from a controller nowadays

Product summary:Sold as the “Torq MixLab” along with a severely cut-down version of the Torq DJ software, this ageing, audio interface-less control surface was the first to “ditch the jogwheels”, instead having what look like extra channel faders (but what are in fact pitch sliders) and nudge controls for music manipulation.











Our verdict:At least it is not packaged as a toy – it is sober and focused on giving you rudimentary control of your music rather than selling you the DJ dream. The music control method is no way as intuitive as jogs for keeping things in sync, but may appeal to the minimalist who don’t see the point of replicating jogwheels in a digital controller. But in truth, the only real reason to recommend this nowadays is the price – you can get it for practically nothing if you search hard enough online.

More info:http://djtips.co/m-audio-xsession-pro



http://djtips.co/m-audio-xsession-pro

http://djtips.co/m-audio-xsession-pro









Numark DJ2GOUS$48 / £48 / €58

Well thought-through portable system, surprisingly fun to use

No audio interface, limited controls

Product summary:Thin, shallow and lightweight, the DJ2GO is more defined by what it isn’t than by what it is. It has no tone controls at all, no audio interface, no looping, effects or sample control, no scratching – it simply has the bare minimum needed to get two records beatmatched then mixed together. This is reflected in the software, which is the most cut-down version of Virtual DJ we’ve ever seen, and which complements the controller one-to-one in looks and function. But while the DJ2GO made of cheap plastic, it somehow doesn’t look like a flashing kids’ toy, due to its sober styling and the fact that it blends unobtrusively with any grey/silver laptop.











Our verdict:We like this controller. Trying to DJ on something this size is simply not like “real” DJing – at least the DJ2GO acknowledges that. It takes up little room, and with the supplied software, simply lets you blend music together. And for many occasions, that is going to be just enough. As a second system, a backup, a travel set-up or for the minimalist who doesn’t think they’ll ever want anything more, it does what it does with a single vision, and does it well. Add a splitter cable for instant headphone cueing and you’ve got a dirt-cheap travel DJ set-up.

More info:http://djtips.co/numark-dj2go



http://djtips.co/numark-dj2go

http://djtips.co/numark-dj2go









Numark iDJ LiveUS$94 / £78 / €98

Innovative, fun to use, neat solution

Basic controller, flimsy stand. The concept saves the day

Product summary:This is exactly the same DJ controller as the Ion Audio iCUE-3 Discover featured earlier in this guide, but with one crucial difference – it’s made to work with djay, the iPad DJ software. You assemble the flimsy plastic stand that’s provided and prop your iPad up behind the unit on it, and then using the supplied audio cable, plug in both your headphones and your sound system. While the controller has an over-basic selection of controls, the fact that the touchscreen iPad is there right in front of you means that you can do other stuff on that screen. And although you have to buy the iPad software and a splitter cable for headphones cueing as neither are supplied, it is still overall a reasonably cheap set-up.











Our verdict:The iPad saves the day on this one. The controller is so-so, has over-basic controls, and doesn’t even sit flat on anything but the flattest surface due to having six rubber feet instead of four. The provided stand is flimsy, and you’re probably going to want to use something else to prop your iPad up. But... once you’ve got it all working, it’s brilliant fun, and feels like a little glimpse of the future. So it’s flawed, but worth your time if you want to DJ on the iPad with a controller that’s simple and reasonably cheap.

More info:http://djtips.co/numark-idj-live



http://djtips.co/numark-idj-live

http://djtips.co/numark-idj-live









Numark MixtrackUS$108 / £109 / €155

A good size, wonderful jogwheels, everything you need to start...

...except an audio interface

Product summary:It’s plastic and lightweight, but this is a serious DJ controller at an entry-level price point. Shipping with Virtual DJ in North and South America and Traktor LE in Europe and Asia, it offers a well laid-out surface with excellent touch-sensitive jogwheels, which are tightly mapped. There is easy access to the effects, intuitive and fast looping, full EQ, EQ kills, decent (if short-throw) pitch controls, pitch bend, master and cue volumes... everything you’d expect. It’s proven to be reliable too, despite initial question marks over the use of plastic in its design.











Our verdict:You can’t argue with success – Numark has shifted bucket-loads of these. It’s a great price and once you’ve added an audio interface (or other solution) to get headphones monitoring, you’ve got basically a full DJ set-up for a steal. Such a set-up is perfect for learning on, and won’t let you down as you progress way into your DJing career. Eventually you may retire this as a second system, but you’ll get years of service out of the humble Mixtrack. There’s really little to fault here, apart from lack of audio interface, something that the Mixtrack Pro corrects. Worth bearing in mind is that its bigger brother now ships with Serato Intro DJ software too – something this doesn’t do.

More info:http://djtips.co/numark-mixtrack



http://djtips.co/numark-mixtrack

http://djtips.co/numark-mixtrack









Numark Mixtrack ProUS$199 / £169 / €195

A good size, wonderful jogwheels, great bundled software

Plastic construction

Product summary:It’s plastic and lightweight, but this is a serious DJ controller at an entry-level price point. Shipping with Virtual DJ in North and South American and Traktor LE in Europe and Asia, plus now with Serato Intro too, it offers a well laid-out surface with excellent touch-sensitive jogwheels, tightly mapped. There is easy access to the effects, intuitive and fast looping, full EQ, three cue points (albeit weirdly positioned at he top of the unit), decent (if short-throw) pitch controls, pitch bend, master and cue volumes... everything you’d expect. The addition of a sound interface over the Mixtrack means headphones and audio outs (RCAs only, but what do you expect at this price?) and a microphone in. It’s proven to be reliable too, despite question marks over the use of plastic in its design.











Our verdict:This is the perfect beginner to intermediate DJ controller. Now shipping with a choice of software, it is better than ever. Sure it’s plastic, but the jogs are excellent, control from them is tight with Virtual DJ and Serato Intro (not so good with Traktor LE. which is a fault of the software), and more than that, all the controls you need for DJing are there, sensibly laid out. This controller has proved immensely popular, and with DJs far above where you might expect (we know of many mobile and semi-pro DJs who swear by it), and with Serato Intro now as a second software choice, there’s nothing to match it at this price.

More info:http://djtips.co/numark-mixtrack-pro



http://djtips.co/numark-mixtrack-pro

http://djtips.co/numark-mixtrack-pro









Numark Stealth ControlUS$149 / £190 / €238

Rugged build quality that can stand abuse

A dated controller; poor jogwheels; no audio interface

Product summaryA well-made (metal construction) DJ controller. It ships with Traktor LE and provides basic DJing functions, although having no audio interface, you’ll have to sort yourself out for headphones cueing using an external audio interface or other solution. Basic controls, with old-fashioned jogwheels. Addition of panning and gain controls on the mixer are unusual at this price point.











Our verdict: Good in its day, but now too dated to recommend. It’s well built (although plastic knobs cheapen it a little), but those old-fashioned jogs let it down in looks, function and performance. It has less buttons and knobs than many controllers, and particularly considering how capable software is getting nowadays, that means less control. It ships with Traktor LE, but you’ll want to upgrade, and when you do so, you’ll miss the ability to control some of those great new features. Even Numark itself has better controllers for your money nowadays – although it hasn’t replaced this with a well-built (ie: metal) controller for the price, which is probably why the Stealth limps on in the company’s range. The Omni Control (in the next price category) is the same, but with an audio interface.

More info:http://djtips.co/numark-stealth-control



http://djtips.co/numark-stealth-control

http://djtips.co/numark-stealth-control









Numark Total ControlUS$174 / £159 / €189

Covers the DJ basics

Truly dated controller with little to recommend it nowadays

Product summary:Numark’s first entry-level DJ controller, released back in the days when you could count on one hand the number of such units on the market. Basic controls are all there, and comes with Traktor LE for two-deck DJing. No audio interface. Plastic build. Nowadays, superseded in every way by the company’s own Mixtrack.











Pic courtesy of Skratchworx

Our verdict:Still shockingly on sale at full price in some outlets, this isn’t worth the money nowadays. Simply a victim of the moving market, it is now dated in every way; even Numark’s own Mixtrack blows it out of the water, and for less money, too. If you want to mess around with digital DJing and can get one for pennies, it may just be worth it, but even then you’ll probably want something newer right away. You’ll need an audio interface too, and the jogs are basically just nudge wheels. Avoid.

More info:http://djtips.co/numark-total-control



http://djtips.co/numark-total-control

http://djtips.co/numark-total-control









Reloop Mixage CE LTD£150 / €169

Well-built, compact, basic controller

No sound card, no centre-click on EQs

Product summary: Traditionally laid out, basic DJ Midi controller with high-quality, multi-function jogs, simple control of all important areas of software (it comes with Traktor LE), and a good, metal construction. Four big transport buttons and a lockable shift mode give options for controllerists. VU meters plus an unusual addition: LED dimming via a small control on the back to set the brightness to the level that suits your venue. USB powered, but an outlet adaptor is included as an extra option. No audio interface on this model.











Our verdict:Basic but thoughtfully specified, this is one of our favourite small controllers. The styling might not be for everyone in this colour scheme, and the fact that there’s no audio interface means you may immediately prefer the standard model which does include one, but if you’re looking for a simple, well-built, compact DJ controller that ticks all the basic boxes but is built better than most others at the lower end of the market, this could be the one for you. Our only real gripe is the lack of a centre click on the EQs, and the fact that you need to resort to the keyboard to delete hot cues. The main difference between this and the bigger Digital Jockey 2 range is the number of knobs and buttons – there are fewer available on this model.

More info:http://djtips.co/reloop-mixage-ce-ltd



http://djtips.co/reloop-mixage-ce-ltd

http://djtips.co/reloop-mixage-ce-ltd









Controllers from US$200 to US$500











American Audio VersadeckUS$499 / £380 / €433

A lot for your money; will appeal to mobile DJs and ex-CD DJs

So-so effects; not the best choice for “pure” digital DJing

Product summary:A budget two-channel solution for the working DJ requiring access to MP3s on USB or hard drive as well as traditional laptop DJing, with the possibility to add extra sources too (CDs or vinyl). Good, CDJ-style jogs with long-throw faders and LED readouts for track information are both features borrowed from CDJ DJing. Basic effects are on-board, independent from any software (Virtual DJ LE is provided), as is a sampler. There are two mic inputs with tone control and talkover, and booth and master outs including XLRs.











Our verdict:Will appeal to mobile DJs, and those switching to digital from CDJs (or even who still have CDJs and want a unit that can handle both digital and analogue). While it’s not the most refined of controllers (the effects, especially, are not particularly good), it is flexible: You can happily use external sources, DJ from USB sticks or hard drives (thanks to the clear displays of metadata and the ability to navigate folders, this is easy), or use the supplied Virtual DJ LE for fully digital DJing – the choice is yours. Pro XLR outputs, talkover and tone on the two mic inputs and fader start mean that for wedding-style DJs, this unit could have all you want at a pretty good price. For 100% digital DJs, though, it does a lot of things reasonably well but you may want a controller that does less, but better. Sturdy and well-built.

More info:http://djtips.co/american-audio-versadeck



http://djtips.co/american-audio-versadeck

http://djtips.co/american-audio-versadeck









American Audio VMS2US$341 / £253 / €289

Compact, rugged and flexible two-channel multi-source controller

Not much cheaper than its better-featured bigger brother, the VMS4

Product summary:Compact yet ruggedly built in metal with big rubber feet and thus heavy, the Virtual DJ LE-powered VMS2 is the smaller brother to the all-singing, all-dancing VMS4. This version offers two channels, which can be switched between software channels and external sources such as CDs and record decks, so the unit acts in those instances just like a standalone mixer. There is a microphone input with a tone control, proper XLR (and RCA) master outs as well as a booth out, replaceable crossfader, and reasonable jogs, although they’re not the best in this class. Control over loops and effects is possible although with fewer knobs and buttons than its bigger brother, these things are more convoluted on the VMS2. You may need to jump through some hoops to get it all working how you wish.











Our verdict:Designed primarily for use in real gigs rather than just as a bedroom controller, the VMS2 is flexible and solidly built, even though some of the components aren’t the best quality. For DJs who want the ability to add record decks and/or CD players to their basic set-up, and need to use the microphone, plus who need professional and booth outputs, but who don’t need the complications of the bigger VMS4, the VMS2 could be just the ticket. Thing is though, the price difference isn’t so great, and you do get a lot more for your money with the VMS4.

More info:http://djtips.co/american-audio-vms2



http://djtips.co/american-audio-vms2










American Audio VMS4US$355 / £321 / €366

Good value for a controller that packs in this many features

Some cheap components despite rugged housing; not the best jogs

Product summary:A heavy, metal-cased, rubber-cornered unit, the VMS4 for Virtual DJ (there is a long-awaited VMS4T for Traktor also due) has more knobs, buttons and faders than most DJ controllers, with a wide range of inputs and outputs to boot. You can run four channels on it, each of which can be software, CD or phono (it is a standalone mixer too). It comes with Virtual DJ LE that lets you control four decks out of the box. There are two pro microphone inputs, each with full three-band EQ, and both booth and master outputs, the latter having balanced XLR and RCA options. There are lots of assignable buttons, a replaceable crossfader, direct effect, hot cues (eight) and sample control from the unit, and Midi learn so you can create your own mapping. It is nothing if not flexible.











Our verdict:You get a lot for your money here. Mobile DJs looking for this kind of flexibility on a budget really need look no further, for instance. Where the controller falls down is in the quality of some of the components used (there are reports of things breaking before they should), and in the ease of use – setting it up to work with the supplied Virtual DJ LE software can be tricky, and so expect to spend time online and digging round forums to get everything working as you should. If you’re prepared to jump through a few hoops though, and possibly invest in full-strength DJ software (and a flight case to protect your investment), you can get yourself a truly flexible DJ set-up for relatively low outlay with the VMS4.

More info:http://djtips.co/american-audio-vms4













DJ-Tech 4Mix Due soon

An lot of DJ controller for the money; dares to be different

Cheap EQ knobs; no effects controls apart from filters

Product summary:About the same size as the Novation Twitch (although heavier), the DJ-Tech 4Mix is a compact four-channel DJ controller with a built-in audio interface, which comes with Virtual DJ LE for four-deck control out-of-the-box. It has 12 large, lit pads for each the the two switchable decks, to control looping, hot cues and transport. The mixer section is dominated by four big filter knobs, one for each channel, and the jogs are pushed up the unit and shrunk, being of a similar style to those preferred by Allen & Heath for their Xone DJ controllers. There are both master and booth outputs, and also direct hardware control over four sample decks, with four play buttons and volume controls. There’s a microphone input with a tone control, and the headphones monitor has a cue mix. Finally, there’s a crossfader curve adjuster for the nice, loose crossfader.











Our verdict:This is an awful lot of DJ controller for the money, and “dares to be different”, bringing the controllerism style of layout and DJing that the Novation Twitch and Kontrol S4 promote to a price point where the masses can dip their toes in the water without too much outlay. The controller is reasonably well built with a metal top plate, although the silver EQ knobs are cheap plastic. It’s pleasingly compact. There is no way to control any effects apart from the filters from the hardware, though, but there’s a nice big “shift” pad on each deck, that could be used for you to start adding your own mappings – it is a controller that’s definitely made for customised mappings. There’s nothing else quite like this on the market and for that reason alone, it deserves to do well.

More info:http://djtips.co/dj-tech-4mix



http://djtips.co/dj-tech-4mix

http://djtips.co/dj-tech-4mix









DJ-Tech i-Mix MkIIUS$250 / £150 / €170

Packs in quite a lot of features, including two CD/phono sources

Cheap knobs; cramped; needs software upgrade to use CD/phonos

Product summary:Small DJ controller that comes with Deckadance LE software (although there is a Traktor Pro mapping available on the DJ-Tech website). Built-in audio interface accepts two CD/phono inputs which are routable through the software, so it’s not a true standalone mixer. (Also, you need to upgrade the supplied Deckadance software to the Club edition in order to be able to do this.) There’s control over loops, samples and hot cues, although the controller’s layout is non-standard. There’s a microphone input with volume and tone control, although output is limited to just a master through two RCAs. There’s also an adjustable crossfader curve.











Our verdict:This two-channel, two-deck controller may look like a plastic toy, especially with those small, old-style jogwheels and cheaply finished EQ knobs, but its feature set is pretty good (we like the fact that EQs all have kills, for example) and the jogs actually perform quite well for basic use. It is possible to use external CDs or record decks but they need routing through the software which needs upgrading in order for you to be able to do so. If you can put up with the toy-like appearance and need something compact like this it may interest you, but we think there are better controllers for the price, especially as you’ll probably want to switch from Deckadance to one of the bigger programs at some point.

More info:http://djtips.co/dj-tech-imix-mkii



http://djtips.co/dj-tech-imix-mkii

http://djtips.co/dj-tech-imix-mkii









DJ-Tech i-Mix Reload MkIIUS$270 / £236 / €270

Lots of knobs, buttons and faders for the price; touch-sensitive jogs

Need to upgrade supplied software to use CDs/record decks

Product summary:The same as the company’s i-Mix Reload controller only this time with an audio interface built-in, this compact but well-specified DJ controller has two external inputs for CDs/record decks (although you’ll have to upgrade the Deckadance LE software that comes with it to the Club version in order to use them), adjustable touch-sensitive jogwheels, on-board sampler control, kill buttons and a microphone input. Output is via RCAs only, but overall it’s got a lot of functions for the money.











Our verdict:Lots of functions, build quality is OK although knobs are cheap, and overall price isn’t bad for a controller with built-in audio and this number of controls. Deckadance LE needs upgrading to use the external inputs though, and compared to the Mixtrack Pro with Serato Intro, this doesn’t look such good value, even though it does have more controls, because we suspect most DJs will want to use one of the better known software packages eventually.

More info:http://djtips.co/dj-tech-reload-mkii



http://djtips.co/dj-tech-reload-mkii

http://djtips.co/dj-tech-reload-mkii









DJ-Tech ReloadedDue soon

Best build quality yet from DJ-Tech; six decks is a unique feature

You need to upgrade the software for six decks and external inputs

Product summary:A deluxe version of the company’s i-Mix Reload MkII, with a few tweaks. It is better built (aluminium top plate, rubberised features), and offers “six deck control” (although the supplied Virtual DJ LE software only has four decks; you’d need to buy the full version to activate all six decks that this unit promises). The six decks are controlled by pressing deck select buttons down the middle of the mixer, which replace the EQ kills. There is software control over two external inputs too, although again it requires an upgrade.











Our verdict:Most of our readers are happy with two decks, so six is going to appeal to only a minority of people! Those buttons would frankly have been best left as EQ kills. Nonetheless, everything’s mappable, and this is the kind of controller that people will probably buy in order to customise, as it does have a lot of scope for mapping. Hardware control over four of Virtual DJ’s sample slots is nice, the jogs are good, and overall it’s a well made, attractive little controller, albeit that you’ll need to upgrade the software to unlock some important features.

More info:http://djtips.co/dj-tech-reloaded



http://djtips.co/dj-tech-reloaded

http://djtips.co/dj-tech-reloaded









Faderfox Micromodul DJ3 £217 / €249

Great design; excellent mappings; truly portable

No built-in audio interface; expensive

Product summary:A USB DJ controller optimised for general use of Traktor Pro’s most important features, it contains volume faders, EQ controls, FX knobs and transport controls. Everything is user-assignable, and LED feedback makes it a cinch to use in clubs. It happily controls four decks and four effects slots, and the knobs are all rubberised. As it’s one of a family of such devices, it is possible to plug more than one in at a time – for instance, adding extra control over loops or effects with another unit from the range.











Our verdict:A tiny marvel of engineering from German, the Micromodul DJ3 packs complete control of Traktor into something no bigger than a city guide. The mappings are fiendishly clever, and for something to throw into your weekend bag on the way out of the door that you can also perform completely credible DJ sets on, it’s unsurpassed. Decent rubber feet keep it steady when you’re DJing, and all the components are top quality. Meanwhile, intuitive LED feedback keeps you informed as to what’s going on. It’s excellently made, and the only thing that would make it perfect would be a built-in audio interface.

More info:http://djtips.co/faderfox-micromodul-dj3



http://djtips.co/faderfox-micromodul-dj3

http://djtips.co/faderfox-micromodul-dj3









Faderfox Micromodul FT3 £217 / €249

Great design; excellent mappings; truly portable

No built-in audio interface; expensive

Product summary:Optimised for DJing with Traktor Pro using four decks, this unit ditches some of the flexibility of its brother the DJ3 in order to achieve that, instead squeezing four deck line faders in. Nonetheless, there’s transport, EQ and effects all present and correct, and everything doubles up with the use of the sync button (the red button in the picture). Furthermore, all controls are freely assignable, although you’ll probably be more than happy to use the included mapping.











Our verdict:For four-deck demons who want something serious, portable and powerful to control Traktor with, this stripped-down German marvel is unsurpassed. The mappings are well thought through, the LED feedback is excellent, and the design and construction quality – from the rubberised knobs to the sturdy, stable feet to the angle of elevation – are all just-so. No built-in audio interface is a shame, and you are going to have to really want one of these as they’re not cheap, but you’re getting a unique design and something that with the right amount of practice you can truly get great results from... anywhere.

More info:http://djtips.co/faderfox-micromodul-ft3



http://djtips.co/faderfox-micromodul-ft3

http://djtips.co/faderfox-micromodul-ft3









Gemini CNTRL-7 US$249 / £244 / €278

Nice size; standalone mixer; good sample controls

Cheap faders; weird headphone monitoring solution

Product summary:A replacement for last year’s CTRL-SIX, the CNTRL-7 is basically the same but is completely Midi-mappable so you can use it with any software, not just the supplied Virtual DJ LE. It has looping, sampler control, FX control, a pro microphone input, adjustable crossfader curve, dual-action jogwheels and XLR outs as well as RCAs, plus a booth monitor output with its own volume. There are also two CD/line/phono inputs, which mean the unit can also be used as a standalone mixer, without the laptop if you switch to outlet power.











Our verdict:There’s a lot going for this little controller. While build isn’t perfect, it’s good enough, and the addition of standalone mixer functionality is smart, as are the range of other inputs and outputs. Some of the controls are frustrating – the looping doesn’t work well in Virtual DJ as supplied, and to remap this you’d have to buy the full version of the program. Also, the headphone cueing is plain bizarre, being on a knob not buttons! The jogs are good, though, and if you can put up with its foibles, the CNTRL-7 packs a lot in for the price.

More info:http://djtips.co/gemini-cntrl-7













Hercules DJ 4Set US$211 / £202 / €231

Four-deck DJing; great jogwheels; good size

Rest of controls are pretty limited; needs a hardware keylock button

Product summary: With the same form factor as Hercules’s other “bigger” controllers, the 4Set also offers the same jogwheels as the company’s more modern efforts, a vast improvement on their previous efforts. There’s a microphone input with talkover, simple switching to control all four decks, and Virtual DJ LE complete with four decks in the box, so you can get going without any software upgrades. Built-in sound (with 1/4in and 1/8in headphone sockets) again make DJing easy.











Our verdict:The same size as the company’s better built and more expensive controllers, the plasticky 4Set covers the important stuff. It has built-in sound. It has true four-deck DJing with the provided software, right out of the box. And those jogwheels – of a design that is part mechanical, part electrical – are great fun to use, and unique to Hercules products. Where the controller falls down is in the number of controls past the basics that are on offer – effects, cueing and looping are severely restricted on this unit. And there should be a keylock button on there – locking the keys of your four decks as you create on-the-fly mashups is part of multi-deck DJing, and as it is you need to revert to using the computer’s trackpad to click the keylock button onscreen. But nonetheless, for basic four-deck DJing, this delivers.

More info:http://djtips.co/hercules-dj-4set



http://djtips.co/hercules-dj-4set

http://djtips.co/hercules-dj-4set









Hercules DJ Console 4-Mx US$349 / £301 / €344

Well built; great jogs; true four-deck DJing out of the box

Clunky buttons; cheap knobs and faders; clumsy mapping

Product summary:This is a medium-sized DJ controller, cased in metal, with large, touch-sensitive jogwheels. There are two external phono/line inputs, and the ability to mix from four software sources. Virtual DJ LE four-deck software is included, as are RCA and balanced TRS outputs. A ground loop switch helps with any electrical buzzes, and there’s a microphone input. There’s reasonable control over Virtual DJ’s looping and (rudimentary) effects.











Our verdict: A curious mix of expensive and cheap (it’s well built, but the knobs and faders are nonetheless plasticky), this controller will last and last if its predecessor that it borrows its design heavily from (the DJ Console RMX) is anything to go by. Not the most refined of controllers (buttons are clunky, mapping is a bit weird in places), it improves over its predecessor where it matters the most: The jogs. These are distinctively designed and excellent.

More info:http://djtips.co/hercules-dj-console-4-mx



http://djtips.co/hercules-dj-console-4-mx

http://djtips.co/hercules-dj-console-4-mx









Hercules DJ Console RMX US$247 / £191 / €219

Well built, a proven workhorse

Poor jogwheels; two decks only; new DJ Console 4-Mx is better

Product summary: Sturdy, metal-cased two-deck DJ controller with microphone input, inputs for two line/phono sources, and two sets of outputs in both TRS (balanced) and RCA. Comes with Virtual DJ LE, and offers control over loops, effects and cues.











Our verdict: Was good in its day, but the jogwheels are poor by today’s standards, and the rest of the controls are either clunky or feel cheap. If you can get a bargain and don’t really care for jogwheels, it may be worth considering, but there are better controllers, not least Hercules’ own DJ Console 4-Mx, a direct replacement for this popular but dated model.

More info:http://djtips.co/hercules-dj-console-rmx



http://djtips.co/hercules-dj-console-rmx

http://djtips.co/hercules-dj-console-rmx









Hercules DJ Control Steel US$229 / £121 / €139

Well built, a proven workhorse

Poor jogwheels; two decks only; no audio interface

Product summary: Sturdy, metal-cased two-deck DJ controller that comes with Virtual DJ LE and offers comprehensive if clunky control over most of the software’s features. Similar to the DJ Console RMX, except it has no audio interface built-in. On-board control over hot cues, loops and effects.











Our verdict: It’s well made and will last the test of time, but the jogwheels are poor by today’s standards, and rest of controls are either clunky or feel cheap. If you can get a bargain and don’t really care for jogwheels, it may be worth considering, but there are better controllers nowadays. If you already have a sound card and are looking for a simple control surface it may be worth considering, but only if you can find it at a bargain price.

More info:http://djtips.co/hercules-dj-control-steel



http://djtips.co/hercules-dj-control-steel

http://djtips.co/hercules-dj-control-steel









M-Audio Torq XponentUS$299 / £283 / €325

A mature, powerful alternative software/hardware solution

Hardware getting old now

Product overview:Semi-pro two-channel, four-deck DJ control surface with built-in sound card and supplied full-strength Torq software, software that’s recently been upgraded to 2.0 and offers a number of innovative features including crossfader effects, 16-cell tempo-synced sampler, VST effects and ReWire capability. Controller has built-in X/Y pad and boasts booth monitor output, although there are no external inputs, and outputs are RCA only.











Our verdict:Good alternative solution for those who choose to look beyond the mainstream, with VST/ReWire capability and innovative effects/sampler functions being the chief rewards on offer. Good value especially considering you get the full version of the software, but the controller itself is many years old now and could do with an update. Many will find it plasticky and even a bit garish.

More info:http://djtips.co/m-audio-torq-xponent



http://djtips.co/m-audio-torq-xponent

http://djtips.co/m-audio-torq-xponent









MixVibes U-Mix Control Pro US$287 / £249 / €289

Practical size, well-made, great value complete system

Poor effects, no balanced outputs

Product overview:Two-channel controller with inputs for two extra phono/CD sources and a microphone with talkover. Comes complete with the full-strength version of the company’s own Cross 1.6 DJ software, which offers tight iTunes integration and a generally good user experience that’s easy to set up and well mapped, although the effects are sub-standard. Hi-res pitch controls and decent jogs give a good user experience. Outputs are RCA only.











Our verdict: The unit is compact, attractive and pleasingly heavy; it’s obviously a well built, rugged controller and feels much better than many controllers in its class. It’s also a good size, being solid yet portable. The software integration is good meaning it’s easy to set up and use, and having external inputs gives flexibility. No balanced outs, and the effects are poor, but overall this is a great value semi-pro system.

More info:http://djtips.co/mixvibes-u-mix-control-pro



http://djtips.co/mixvibes-u-mix-control-pro

http://djtips.co/mixvibes-u-mix-control-pro









Novation TwitchUS$484 / £399 / €468

Innovative, original, compact, lightweight, great fun

If only they’d made it control ITCH 2.0’s sample decks too

Product summary:A jogwheel-less DJ controller for Serato ITCH, this two-deck, compact unit has big pads to allow easy access to eight hot cues and saves loops, as well as loop roll and “slicer” functions (slicer being an innovative way to chop up beatmatched segments of tunes either looping or ongoing). There are three FX engines, one master and one switchable into each line fader; touchstrips to replace the jogwheels; an emergency aux through; a microphone input; and booth and master outputs including balanced TRS 1/4in outs.











Our verdict:One of the most innovative DJ controller in years, and at a great price including world-class software. It’s small, lightweight, high quality, it hasn’t dropped any balls for live performance (eg it’s got real emergency through for the auxiliary input, there are booth and master outs), and it’s great fun to use. We especially like the effects wired to the line faders and the plethora of looping and hot cue options, which are fun to use on those pads. Our only criticism (apart form the fact that it came out too early to be mapped for the SP-6 sample decks in ITCH 2.0) is that the lighting is dim in daylight.

More info:http://djtips.co/novation-twitch



http://djtips.co/novation-twitch

http://djtips.co/novation-twitch









Numark N4US$499 / £350 / €399

A multi-capable grown-up brother for the successful Mixtrack Pro

Consumer quality, and so more to go wrong at this price point

Product summary:Four decks controllable through software with the supplied Virtual DJ LE. Ability to plug two external sources (CDs/phonos) in as well and mix with those on two channels while using software on the other two simultaneously. Also works as a standalone DJ mixer, allowing you to mix two CDs/lines/phonos and two microphone inputs. Comes with Serato Intro too, although that software only allows two-deck digital control. Pro outputs, although no booth output.











Our verdict:For home, hobbyist and party DJs who want a system that can be the heart of a truly flexible set-up, this could be the answer. A choice of software in the box, compatibility with your existing gear, a better range of inputs and outputs (it has professional XLR outs as well, for instance) – all the kind of features that are missing from its smaller brother, the Mixtrack Pro. The build quality is similar to that device – ie, it’s consumer, not pro standard – but crucially, the jogwheels are excellent, and that also makes it fun to use. If you want a true pro unit of this type, Numark already has the NS6, but for everyone else? This is a bargain.

More info:http://djtips.co/numark-n4



http://djtips.co/numark-n4

http://djtips.co/numark-n4









Numark Omni Control £153 / €175

Rugged build quality that can stand abuse

Dated, poor jogwheels; better products at the price nowadays

Product summary: The same basic Midi controller as the Numark Stealth, but with the addition of a built-in audio interface. Ships with Traktor LE. Has a microphone input, and has outputs for master and cue (RCAs) and headphones cue. Basic control over looping and effects, but no hot cues. Small jogwheels offer limited control compared to modern controllers. Unusual addition of pans for both channels. Roughly equivalent in its day to the (now also superseded) Hercules DJ Console RMX.











Our verdict:DJ controllers have moved on since this was launched, especially in the jogwheel department, but also in their integration with more modern software. You’d want to upgrade Traktor LE as supplied, for instance, and at that point would probably wish your controller was modern enough to use some of Traktor Pro 2’s new features. This was a serious attempt at a semi-pro controller in its time, but things move fast (not least within Numark’s own range) and it’s now dated. Unless you can find a great deal and can live with its limitations, not recommended.

More info:http://djtips.co/numark-omni-control



http://djtips.co/numark-omni-control

http://djtips.co/numark-omni-control









Reloop Digital Jockey 2 CE £173 / €199

OK if you can find one cheap and don’t need an audio interface

Discontinued, so potential issues with support

Product summary: The Midi-only (ie no audio interface) version of Reloop’s Digital Jockey 2 range (now discontinued as controllers move towards all having integrated audio interfaces). Designed to use with Traktor Pro (it comes with LE), this aluminium-cased two-deck device is a button and knob-fest, meaning lots of custom mapping potential. Jogs are decent sized and high quality, and mapped so they can be used for library browsing too.











Our verdict:A solid DJ controller, especially if you can find a discounted one now that they’re discontinued. You still probably want a decent DJ software package (eg upgrading to Traktor Pro 2) at which point its two-deck design and lack of sample deck mappings might irk you, but if you want a nicely made box with enough buttons and knobs on it to customise to work how you want, this might appeal to you – as we say, especially if you can find a cheap one. Can work with four decks using shift functionality.

More info:http://djtips.co/reloop-digital-jockey-2-ce



http://djtips.co/reloop-digital-jockey-2-ce

http://djtips.co/reloop-digital-jockey-2-ce









Reloop Digital Jockey 2 IE US$399 / £297 / €289

Well-built, well-featured, professional-looking DJ controller

Only one external input that needs a software upgrade to work fully

Product summary: Same basic build as the controller edition, this adds an audio interface (hence the name). You get a microphone input and also a single phono/line input, the “line” part of which can be routed straight to the master or through software (assuming you have a pro version of the software that allows input routing; the provided software is Traktor LE and doesn’t allow you to do this). Output is limited to 2 x RCAs and master only (ie no booth). Plug and play ready for Virtual DJ as well. Can work with four decks using shift functionality.











Our verdict: A professional-feeling, competent controller. Good build quality, decent jogs and when you pair it with Traktor Pro rather than the supplied LE version, you have the option of running the (rather stingy) one external line input through software as well as an emergency backup straight to the master out. Only having one pair of RCAs as an output means you have no booth option, but that’s a minor failing. Not much cheaper than the better featured Master Edition, though.

More info:http://djtips.co/reloop-digital-jockey-2-ie



http://djtips.co/reloop-digital-jockey-2-ie

http://djtips.co/reloop-digital-jockey-2-ie









Reloop Digital Jockey 2 ME US$467 / £347 / €369

Good value, well-featured pro-quality DJ controller/standalone mixer

External inputs need full software version to be routed via software

Product summary:Building on the other models below it in the Digital Jockey 2 range, the Digital Jockey 2 Master Edition adds in a raft of pro features: Now there are two line/phono inputs, switchable through software (pro upgrade of software required though) or through the unit as a completely standalone mixer – no laptop required. Same goes for the microphone input. A booth output has been added, and there are now 1/4in balanced TRS outputs as well as standard RCAs, for plugging directly into a PA system.











Our verdict:A nice all-rounder, this is professionally built, has the most flexible external inputs at this price range out of any controllers, and has lots of buttons and knobs for customising the mappings if you wish. You’ll need pro software to use it to its full potential, so budget for that. With booth and balanced outs, and a software routable microphone input (meaning you can add reverb or other vocal effects), you’ve got a good controller for a decent price.

More info:http://djtips.co/reloop-digital-jockey-2-me



http://djtips.co/reloop-digital-jockey-2-me

http://djtips.co/reloop-digital-jockey-2-me









Reloop Mixage IE US$249 / £217 / €189

Well-built, compact, basic controller at a good price

No centre-click on EQs

Product summary: Traditionally laid out, basic DJ Midi controller with high-quality multi-function jogs, simply control of all important areas of software (it comes with Traktor LE), and a good, metal construction. Four big transport buttons and a lockable shift mode give options for controllerists. There are VU meters, plus an unusual addition: LED dimming via a small control on the back to set the brightness to the level that suits your venue. USB powered, but a mains adaptor is included as an extra option. There’s a microphone input, and output is master-only via RCAs.











Our verdict:Basic but thoughtfully specified, this is one of our favourite small controllers. If you’re looking for a simple, well-built, compact DJ controller with a built in audio interface that ticks all the basic boxes but is built better than most at this price, this could be the one for you. Our only real gripe is the lack of a centre click on the EQs, and the fact that you need to use the mouse/keyboard to erase hot cues. The main difference between this and the bigger Digital Jockey 2 range is the number of knobs and buttons – there are fewer available on this model.

More info:http://djtips.co/reloop-mixage-ie



http://djtips.co/reloop-mixage-ie

http://djtips.co/reloop-mixage-ie









Stanton SC System 3 US$299 / £261 / €299

Innovative, professional, compact control system

No sound interface; fiddly to set up; workflow isn’t for everyone

Product summary: Actually three individual units held together by magnets and connected internally into a USB hub in the mixer unit, once set up this system offers at least the same number of controls as other units, but with no protruding knobs or mechanical jogs – nothing mechanical at all in fact, apart from the four buttons for play, cue, sync and tap. The “jogs” have innovative LED feedback and can be used for a range of functions. It is easily possible to control four decks on Traktor, and to map this in far more innovative ways than most controllers, with multitouch allowing fast transitions – for instance, stutter-type kills and effect control. It is only a Midi controller, so you’ll need an audio interface, and it requires outlet power to function. It comes with Traktor LE.











Our verdict:This clever controller has a small but committed fan base, offering as it does a truly compact, durable control surface that with practise and personalisation can offer something unique to the committed DJ. However, straightforward it isn’t, and it has a couple of flaws: Firstly, for a system that sells itself on being compact, it should work from USB power, and secondly, no audio interface is a mistake; again, solving that adds to the clutter and fuss in setting up, which when taken with the internal wiring and magnetic assembly system, actually makes it all quite fiddly. Nonetheless, it is undeniably innovative, and in the right hands can make noises other controllers can’t. It comes with Traktor LE; you’ll want the Pro upgrade for sure.

More info:http://djtips.co/stanton-sc-system-3



http://djtips.co/stanton-sc-system-3

http://djtips.co/stanton-sc-system-3









Stanton SCS.4DJ US$499 / £437 / €499

Highly innovative true all-in-one controller that breaks new ground

Crawls when analysing music, harder to use than a laptop system

Product summary:True “all-in-one” DJ controller, that includes a computer so there’s no need to plug a laptop into it in order to use it. The software includes waveforms and BPM analysis and so it’s possible to DJ properly using the same beatmatching techniques and “waveriding” beloved of laptop software DJs. No hot cues, but there are basic effects and loops, again beatmatched. Touch-sensitive jogwheels allow for scratching and nudging. Music is added via USB stick, portable hard drive or iPod/iPhone/other smartphone via USB. The unit allows you to make playlists and recognises what music is available to it. It still has to analyse music like normal DJ software does. Consumer-quality (ie reams of plastic, lightweight).











Our verdict:Bold and well priced, this consumer DJ system deserves some success. On the plus side, it is the very first such system that is passable. The colour screen is bright (but not touch sensitive, and rather small). The waveforms are good, scratch performance is good if not perfect, the jogs are excellent, the library function is clever, the fact that it can use music from your iPhone/Android phone is plain awesome - and the BPM engine, looping and effects are all good too. On the minus side, it takes ages to analyse music, and despite the laudable efforts of Stanton, it’s still not as straightforward to use as laptop-powered controllers. Would make a good second system, but we wouldn’t like to have it as our only DJ set-up.

More info:http://djtips.co/stanton-scs4dj



http://djtips.co/stanton-scs4dj

http://djtips.co/stanton-scs4dj









Vestax Spin US$279 / £194 / €222

Simple, well-realised consumer DJ controller, now with iPad option

Only for Mac and iPad; iPad use requires extra gear

Product summary:All in one bundle with Algoriddim’s djay software (full version), the controller and a microphone, for Mac only (or iPad with extra accessories). The styling matches MacBooks, and it has built-in audio for cueing etc, which combined with the custom nature of the set-up makes everything “just work” out of the box. Has all the main features of a basic DJ controller, with unusual sliders for EQ rather than knobs. There’s automix for really lazy DJs, one-touch record, and even microphone effects, which all make this a fun albeit not altogether “serious” package.











Our verdict:The well-established Vestax Spin for Mac aims to make beginning DJing simple, coming with Algoriddim’s easy-to-use djay software that integrates tightly with your existing iTunes music, and needing no upgrades or special configurations to just “work”. It’s a fun, competent if unashamedly consumer two-deck controller, with good jogs and sound built right in – it even comes with a (toy-like) microphone. Still, it’s good value and a very easy way for Mac owners to start, although over time you may outgrow the software. The iPad option is new; it requires extra gear though, in the form of the Apple camera adaptor and a power supply for the spin (which is usually USB powered).

More info:http://djtips.co/vestax-spin



http://djtips.co/vestax-spin

http://djtips.co/vestax-spin









Vestax Typhoon US$265 / £179 / €205

Simple, consumer-aimed Traktor/Serato Intro controller; good jogs

Love/hate styling and controls; not best value in class

Product summary:Good dual-function jogwheels are the highlight of this rather basic controller, that you’ll either love or hate in its distinctive black and red colour scheme and with its non-standard faders for EQs. A microphone input and simple RCA master outs plus of course a headphones socket are the extent of its ins/outs, and it’s all about being small, lightweight (read: plastic) and convenient for wannabe and curious new DJs to get their teeth into. Now comes with Serato’s new Intro software as well as Traktor LE.











Our verdict:Now that this controller ships with Serato Intro as well as Traktor LE, it’s a better buy. Serato Intro offers the kind of plug-and-play convenience that Mac users enjoy with the Spin and djay, which is a better user experience than battling to get Traktor LE up and running and configured. Now you have the choice, which is even better – you can get going with Serato Intro, then at your own pace explore Traktor LE to see if Traktor may be for you. Hardware-wise, it’s a consumer controller through-and-through – the jogs are nice, but everything else is pretty basic. Using the jog as a filter control with Traktor is a nice addition, though, and overall it’s a good – if not outstanding – controller.

More info:http://djtips.co/vestax-typhoon



http://djtips.co/vestax-typhoon

http://djtips.co/vestax-typhoon









Vestax VCI-100 US$299 / £310 / €333

Great build quality, iconic device, lots of mappings and support

Now discontinued and ageing; no audio interface built-in; pricey

Product summary:Quality professional Midi interface with good components in a metal case. Designed to control Traktor LE which is in the box, although to take proper advantage of all of Traktor’s features and especially to do what everyone does, which is hack and map this thing to do what you want it to, you’ll need Traktor Pro. Slightly fussy asymmetrical button layout nevertheless affords good control. No audio interface. Now discontinued.











Our verdict:Arguably the controller that started it all, this was famously hacked by DJ Tech Tools’s Ean Golden who added arcade buttons to make it into controllerist’s dream. Lots of buttons, high quality metal construction, good jogwheels (although modern jogs outperform them), and a thriving and dedicated user community means that for the serious button-bandit, it’s still a desirable device. But it’s discontinued, there’s no audio interface built in, and you can get more for your money and better performance from today’s controllers.

More info:http://djtips.co/vestax-vci-100



http://djtips.co/vestax-vci-100










Vestax VCM-100 £156 / €179

Well built; minimal and portable design

Under-featured and dated; discontinued

Product summary:Basic Traktor Midi controller and audio interface, designed to sit in front of a laptop (there’s an optional stand available) and offer control over the main functions of the software. Well made in metal and with high quality components, it lacks jogwheels but features external inputs (two pairs), and booth and master outs. It comes with Traktor 3 LE.











Our verdict:Sure it’s a unique design that has old house-style rotary volumes, long throw tempo controls for precise manual mixing, a built-in sound card with booth out, external inputs... but that’s about it. Effects, looping and cues are practically non-existent, and so for anything other than really basic mixing, it doesn’t pass go. Its feature set may have added up on its release which was, in DJ controllers, an age ago, but now? It falls short. It comes with Traktor LE, presumably still Traktor 3 LE. It’s a well realised but fundamentally lacking design for 2012, and is thus hard to recommend.

More info:http://djtips.co/vestax-vcm-100



http://djtips.co/vestax-vcm-100

http://djtips.co/vestax-vcm-100









Controllers from US$500 upwards











Allen & Heath Xone:DX US$499 / £497 / €699

Professional build quality; first class components; great mixer

Can’t control all features of ITCH 2.0, old-fashioned jogwheels

Product summary:A professional Midi controller and mixer, which while sold to be used with Serato ITCH, is fully Midi-mappable to anything you want. It has four channels that can be used with software or with external sources (although you’ll need to have Serato running for this to work – it’s not a true “standalone” mixer). There’s a pro microphone input with two-band EQ, true Midi in/outs (like the Traktor Kontrol S4), a full range of RCA outputs (master, record, booth and cue) plus master XLRs too. There are individual VU meters for each channel as well as master VUs. You can adjust beatgrids from the hardware, and there’s full and easy access to cue points, effects and loops.











Our verdict:Professional build quality, great components, a wonderful mixer section, excellent VUs, decent control over all of Serato’s features (with the notable exception of the new SP-6 sample player in ITCH 2.0), one of the best range of inputs and outputs of any DJ controller...there’s a lot to like about the Xone:DX. It’s a shame the jogs are not good enough to scratch on and not as much fun to use as those of practically all the other controllers is this category; but if jogs are really not a big part of your DJing, you’ll probably see this is a designed-in feature, not a flaw. Would be good if it were a “real” standalone mixer too. Apart from those gripes, though, it’s a winner.

More info:http://djtips.co/allen-heath-xone-dx



http://djtips.co/allen-heath-xone-dx

http://djtips.co/allen-heath-xone-dx









Allen & Heath Xone:4D US$2200 / £1027 / €1199

Completely professional; highly flexible; fully featured

Big, heavy, would be overkill for many DJs; getting old

Product summary:Designed for pro DJs who have the expertise and the requirement for such a unit, the Xone:4D is a completely configurable Midi controller and 10-in, 10-out audio interface. Each “deck” has a huge number of buttons, faders and knobs for everything from effects and loops to control over multiple channels in software like Ableton Live, and the mixer section has built-in filters, BPM counter, true standalone capacity for four analogue sources, a BPM counter, and the highest quality metering you could imagine.











Our verdict:It’s big, heavy, expensive... and for the creative, pro DJ looking for a unit to sit at the heart of a multi-channel, multi-source, even multi-software set-up for use on the road or in the studio, it’s one of a kind. Complete overkill for the majority of digital DJs and with a considerable lead-in time for anyone who wants to set this up properly, this nonetheless could be the ultimate controller for Ableton Live, Traktor Pro, Pro Tools or any other production or DJing software that’s Midi mappable. It’s getting old though, because the new Allen & Heath mixers (the Xone:DB4 and Xone:DB2) combined with their Xone:K2 (or indeed the older Xone:1D or 2D decks) gives you more firepower for less outlay.

More info:http://djtips.co/allen-heath-xone-4d



http://djtips.co/allen-heath-xone-4d

http://djtips.co/allen-heath-xone-4d









Denon DN-MC6000 US$689 / £640 / €699

Versatile, well built, professional controller

Cramped design; not natively optimised for Traktor Pro 2

Product summary:Four channel, eight-input controller with a wealth of pro features complementing its steel construction: Optional 19” rack mount (mountings supplied); three-band EQ, ducking and echo for microphones; true standalone mixer capability across all four channels; four-channel digital mixing with Traktor Pro 2 or any other software (Traktor LE is supplied in Europe and Asia, Virtual DJ LE in North/South American and Canada), with hardware switchable between two decks each; a mass of software controls directly mapped to its surface; and excellent dual-action jogwheels.











Our verdict: A high quality controller that’s quietly done well for Denon, and rightfully so. It is particularly suited to mobile DJs because of its great microphone support and pro outputs (there are master and booth with XLRs for the former), but in truth it is also a great controller for the digital DJ wanting to harness all four decks of Traktor Pro (or the video capabilities of Virtual DJ – it has an audio/video assignable crossfader), while having the option of true standalone mixer functionality too. The only gripe would be the cramped layout and the pitch controls being tucked in among all the other knobs and buttons – those with clumsy fingers may want to try before they buy.

More info:http://djtips.co/denon-dn-mc6000



http://djtips.co/denon-dn-mc6000

http://djtips.co/denon-dn-mc6000









Faderfox 4midiloop £1397 / €1599

High quality build, insane amount of control over Traktor Pro

No audio interface; expensive

Product overview:Designed for simultaneous four-deck control of Traktor Pro, something no other controller offers, this has a huge number of controls, especially as there’s shift functionality too. Faders and knobs are top notch quality-wise, and all are of course user mappable, something you’d want to do to make it control Traktor Pro 2’s sample decks, for instance, as it wasn’t designed to do that out of the box. It’s a boutique controller with a price that goes with that. It’s strictly a Midi controller – there is no audio interface built in.











Our verdict:Amazing build quality, complete control over Traktor in four-deck mode – this is probably the perfect DJ controller for those who don’t see the point in jogwheels (which means loop-loving electronic dance music DJs, basically). No other controller lets you control four decks of Traktor and four effects units at once, which makes the 4midiloop unique. However it’s specialised, and thus limited in its appeal – and it’s pricey - although it is hand-made from the best components so that’s never going to come cheap.

More info:http://djtips.co/faderfox-4midiloop



http://djtips.co/faderfox-4midiloop

http://djtips.co/faderfox-4midiloop









Native Instruments Traktor Kontrol S2 US$599 / £506 / €577

Good control over Traktor, more portable than the Kontrol S4

No loop recorder; limited control over sample decks

Product summary: A cut-down version of the highly popular Traktor Kontrol S4, this delivers two mixer channels instead of four, and two-deck control over Traktor Pro 2, the other “two” decks being given over to a cut-down version of the sample decks. There are no external inputs unlike the S4, but Native has listened and taken the opportunity to add a booth out.











Our verdict: For may this will be their dream Traktor controller. The S4 is unnecessarily big, and the space saved by having two mixer channels here could make all the difference to portability-conscious DJs. It has “just enough” control over effects and samples to be innovative, and while it’s lost dedicated filters and the loop recorder, it still offers pretty advanced control over Traktor but at a lower price and smaller footprint than the Kontrol S4. Omitting any kind of emergency through was silly, though – all pro DJs need backup in case the software crashes or there’s some other fail that means they need to kick in a backup source.

More info:http://djtips.co/traktor-kontrol-s2



http://djtips.co/traktor-kontrol-s2










Native Instruments Traktor Kontrol S4 US$899 / £760 / €866

Groundbreaking unit, offering complete control over Traktor

Big; not the best jogs; no booth out; not a standalone mixer

Product summary:Built from the ground up to integrate with Traktor Kontrol Pro 2, this controller has two decks that can control four software decks, or two powerful software decks and Traktor Pro 2’s sample decks. There’s a loop recorder too, two effects units (fully assignable), a microphone input, intuitive looping, big front-of-house hot cue buttons, and an innovative design that pushes the hi-res jogs back and brings controllerist features front-of-house. External inputs for two decks or CDs and native DVS control of Traktor Scratch Pro











Our verdict:Despite its shortcomings, this is one of the most groundbreaking DJ controllers ever released. Sure, the jogs are not very good for scratching (they don’t feel anything like vinyl), there’s no booth out (something Native Instruments corrected on the S2), and it’s really big (so no taking it in hand luggage on the plane), and it is also annoying that it can’t act as an analogue mixer without the software up and running... but if you can live with these things, there a hell of a lot to commend here. Mainly, it shines because it offers near complete control over Traktor – and that’s a lot of power in the right hands. The effects are completely unlocked, the sample decks and loop recorder are simple to manipulate, the looping feedback is best-of-class, and of course the sound quality is perfect. You can even add DVS support for full four-deck DJing, two with control vinyl and two on-board jogs (or sample decks). If you want the ultimate mainstream Traktor controller, this is it.

More info:http://djtips.co/traktor-kontrol-s4













Numark NS6 US$856 / £799 / €977

Solid, well built, great jogwheels, a professional unit

Big, heavy, can’t control the software’s sample decks

Product summaryA big, heavy, pro-quality DJ controller/standalone mixer hybrid. See it as the pro version of the new Numark N4. Optimised to work with Serato ITCH (supplied), but also works with Traktor Pro. Has four stereo line inputs, two with phono; master and booth outputs (the former with XLRs); high-resolution jogwheels; advanced control over the software including cue points, effects and loops; touchstrips for easy track scrubbing. A behemoth of a controller.











Our verdictThe ultimate plug-and-play four-deck DJ controller? Quite possibly. A joy to look at and touch, this is professional gear through and through. Only the plastic-edged jogwheels feel anything other than built to last forever. All controls are pro-standard, and its all-metal chassis and construction scream quality. Performance is equally impressive, at least with the preferred Serato ITCH software, although there is no provision to control the software’s new SP-6 sample decks, which is a shame. The ability to use the unit as a true standalone mixer as well as as a software mixer gives flexibility, meaning at the heart of a complex DJ set-up it would feel completely at home. Our only real gripe is that it’s big and heavy – DJ controllers don’t have to be this big (the Twitch is a pro, high-quality unit but is small and light), and you need a car to move it around rather than a backpack. If that doesn’t bother you though, this is a seriously desirable piece of kit.

More info:http://djtips.co/numark-ns6



http://djtips.co/numark-ns6

http://djtips.co/numark-ns6









Numark NS7FX US$1167 / £1150 / €1444

The closest you’ll get to vinyl with digital; already a classic

Can only control two software decks; vinyl is only 7”

Product summary:Professionally constructed, large and heavy, the Numark NS7FX is unique. (The “FX” stands for “effects”, which is that detachable strip of controls you can see across the top of the controller in the picture above, and which you definitely should buy the controller with; the NS7 is the same controller minus that effects section.): It’s an all-in-one digital DJ controller with two real vinyl, motorised platters that feel as close to true vinyl DJing as digital is ever likely to get. Comes with Serato ITCH, which it offers nearly full control over, although you can’t control the sample decks in ITCH 2,0, the latest version, which this controller pre-dates considerably. Pro outputs, one aux/mic input with full EQ, fader start and decent VU metering complete the package.











Our verdict:This is the purest “two decks and a mixer” Djing experience there is, and while it adds extras like hot cues, looping and track reverse (plus of course the effects) they don’t detract from the simplicity of it all, a fact reinforced by the choice of Serato ITCH for software, which again majors on simplicity. DJing always used to be about two decks and a mixer; for many DJs, who want the convenience of digital but are quite happy with retaining that basic workflow (a great two-channel mixer and two high-torque spinning things), this is the only controller on their radar and rightfully so – what is does, it does great. If you want a portable, all-singing, all-dancing controllerist set-up, it is simply not for you. But for classic vinyl-style DJing? Even though the record decks are only 7”, it does it pretty much perfectly.

More info:http://djtips.co/numark-ns7fx



http://djtips.co/numark-ns7fx

http://djtips.co/numark-ns7fx









Pioneer DDJ-ERGO-V US$599 / £418 / €477

Bold attempt to break a new market; good jogwheels

Garish flashing lights; expensive for an “entry level” controller

Product summary:Bundled with Virtual DJ LE software, this is Pioneer’s take on an entry-level DJ controller. There are various flashing light modes for the jogwheels, to indicate how well beatmatched the tracks are, how loud they are, and to give a visual indiction of the selected effects. It has control over Virtual DJ LE’s sampler, effects, hot cues and looping, and offers an extra through channel for microphone and aux (switchable).











Our verdict:Good jogs, good size (maybe too big), and good ergonomics. But it’s expensive considering you don’t get a full software package, and those flashing lights, which supposedly are meant to be there to help rookie DJs, strike us as unnecessarily garish and a lesson in style over substance. It’s squarely a consumer controller, as it would look seriously out of place in any pro DJ box, and so maybe it should be judged as such. In which case it’s got good sound, good jogs, and all the functions a consumer might want, and it’s bundled with a cut-down version of the easiest software package for beginners to get to grips with. Pioneer is banking that this is something a lot of people are looking for. They could well be right. Still expensive, though.

More info:http://djtips.co/pioneer-ddj-ergo-v



http://djtips.co/pioneer-ddj-ergo-v

http://djtips.co/pioneer-ddj-ergo-v









Pioneer DDJ-S1 US$879 / £811 / €925

Good size for DJing on; great jogs; familiarity for Pioneer users

Plastic faceplate; only two decks

Product overview: This is a two-deck DJ controller for Serato ITCH 2.0 software. It offers easy control over all of Serato’s features with the notable omission of the SP-6 sample decks. No booth out, although there is an aux input that can be used as an emergency through. It offers XLR and RCA outs. there are two microphone inputs with talkover. Touchstrips allow for easy track scrubbing.











Our verdict:Good sized controller that looks the part and allows for easy, intuitive control over the basic two-deck version of Serato ITCH 2.0. Plainly aimed at mobile/wedding DJs, with its two microphone channels, but there’s no booth out, which is a curious. The feature set feels limited for such an expensive controller, because it really does little that cheaper controllers do, other than feeling good thanks to the excellent Pioneer jogwheels and its overall size. (There are touchstrips for easy scrubbing through tracks, to be fair, which are good). There’s space underneath the controller to slip a laptop underneath to bring the screen closer to the controller, which means however that you can’t use its keyboard (for searching, or instance). Even so, it is made with reams of plastic which again seems a little stingy for the price (a price that, despite a recent drop, is still high).

More info:http://djtips.co/pioneer-ddj-s1



http://djtips.co/pioneer-ddj-s1

http://djtips.co/pioneer-ddj-s1









Pioneer DDJ-T1 US$879 / £721 / €822

Good size for DJing on; great jogs; familiarity for Pioneer users

Plastic faceplate; cut-down software

Product overview:Four-channel controller for Traktor, supplied with a Pioneer version of the software that’s somewhere between Traktor Pro LE and the full-strength version. There’s one auxiliary input, and the controller has RCA and TRS outputs for master, but no booth out. It has one microphone input. There’s space underneath the controller to slip a laptop underneath to bring the screen closer to the controller, which means however that you can’t use its keyboard (for searching, or instance). It offers easy control over Traktor’s effects and loops, although no control over sample decks. There are touchstrips for easy scrubbing through tracks.











Our verdict: Some will love this controller because it feels like using two entry-level Pioneer CDJs and a mixer – which is because that’s pretty much what it is, with the innards ripped out. It’s big and built to last, without being particularly expensively made, and provides basic but reliable and predictable control over the cut-down version of Traktor Pro 2 that’s provided. All fine, except there’s no booth out, limiting its suitability for professional use (by mobile DJs, for instance). Our biggest issue with it is the price, which is still too high despite a recent drop. We’d expect at least the full version of the software when shelling out this much money. On the plus side, it’s fun to use once you’re all set up (as big controllers feel better generally in use) and the jogwheels are brilliant – the best we’ve used on a Traktor controller.

More info:http://djtips.co/pioneer-ddj-t1



http://djtips.co/pioneer-ddj-t1

http://djtips.co/pioneer-ddj-t1









Reloop Jockey 3 ME (Master Edition) US$656 / £642 / €499

True Traktor Pro 2 sample deck mappings; great build and jogs

You’ll need to buy Traktor Pro 2 separately

Product summary:High-end Traktor Pro 2 controller, built to the highest of standards in gun metal. Great range of inputs and outputs, including full standalone functionality and pro balanced outs as well as a separate booth out. It offers proper control of Traktor Pro 2’s sample decks. The advanced mixer includes ability to route analogue sources through software or hardware. Audio controls include filters for each deck separate from the effects, plus pan controls for each channel. Great jogs with adjustable tension. There’s full, easy control over looping, effects and beatgridding. There’s a microphone input, again routable through hardware or software.











Our verdict: This is one of our favourite controllers. Wonderfully built, it is also properly specified for control of Traktor Pro 2. It has everything you might want on board, and apart from having four physical channels (which many don’t want) there’s really little missing. Traktor 2.1 should allow the tightening up of a small mapping anomaly on the jogwheels that we spotted on our pre-release unit, which would make it just about perfect. Check its spec against the Kontrol S4 if you’re looking for a high-end Traktor Pro 2 controller; it’s heavier and doesn’t have four physical channels, but it has many of the things the Kontrol S4 is often criticised for not having, and it’s excellent value too.

More info:http://djtips.co/reloop-jockey-3-me



http://djtips.co/reloop-jockey-3-me

http://djtips.co/reloop-jockey-3-me









Vestax VCI-100 MkII US$579 / £389 / €479

Updated, lighter, four-deck version of the iconic classic, the VCI-100

Under-specified compared to similar controllers; overpriced

Product summary: Similar in size and looks to the iconic VCI-100, the VCI-100 Mk II adds an audio interface, clearer button and knob layout, four-deck support, and a well-built but lighter, more slimline design and look. It has no microphone input though, only one external input (designed to be used as an emergency through), and only RCA outs – no booth, no balanced TRS. Comes with Traktor LE and now, Serato Intro, although the latter only allows the use of two channels.











Our verdict:Looking pretty underpowered compared to its immediate competition, and overpriced too. Lack of inputs and outputs disables it somewhat, and despite being well made, it’s not as well made as its predecessor, the VCI-100, through dropping the plainly high quality all-metal construction of its predecessor for a more modern (read: plastic) approach. Aesthetically you’ll either love or hate the go-faster blue under-lighting. You’ll want to upgrade to Traktor Pro to make use of the buttons that you can map yourself. It will find its fans but hardly a groundbreaking follow up to the runaway success of the VCI-100, and needs another price drop.

More info:http://djtips.co/vestax-vci-100-mkii



http://djtips.co/vestax-vci-100-mkii

http://djtips.co/vestax-vci-100-mkii









Vestax VCI-300 MkII US$678 / £508 / €579

Very close to vinyl DJing, high quality jogs and build

No effects control at all, only two-deck, overpriced

Product summary:Professionally built but simple DJ controller for Serato ITCH 2.0. It controls two decks, with easy-to-use hot cues (three), simple looping, excellent touch-sensitive and has adjustable jogwheels offering tight vinyl-like control, plus hi-res pitch faders for easy manual beatmatching. There is an emergency through with volume, and a microphone input too. Outputs are RCA and balanced TRS, although there’s no booth out. The MkII boosted the output volume slightly but little else changed from the original model.











Our verdict: In its time the VCI-300 then the VCI-300 MkII were groundbreaking controllers, with the best jogwheel performance (which indeed has never been bettered) and simple workflow for two-deck DJing. They’re well made and stand up to pro use. However, the lack of any effects whatsoever is now a gaping omission (you can buy the VFX-1 effects unit to add effects, but for the sake of a coupe of knobs it and a few buttons it should all have be onboard), and the unit is now looking overpriced against the more modern competition. If you want the easiest to use, portable two-deck controller DJing there is, though, and the best performing jogs in the business, it’s still a player.

More info:http://djtips.co/vestax-vci300-mkii



http://djtips.co/vestax-vci300-mkii

http://djtips.co/vestax-vci300-mkii









Vestax VCI-400 US$999 / £698 / €799

Well built, looks great, lots of buttons & knobs mean it’s very flexible

Not a standalone mixer; no booth output

Product summary: A pro-built (metal chassis, top quality components) DJ controller with top quality four-in, four-out sound card, four-channel mixer, huge metal filter knobs for each channel, two microphone inputs, balanced XLR outs... It also has more knobs and buttons than practically any other DJ controller, many unlabelled so clearly aimed at the controllerist/self-mapping DJ, a fact underlined by the choice of software supplied (Virtual DJ LE and Serato Intro) and by Vestax’s promise to supply mappings for other software on its site.











Our verdict: It looks the part, it is built to last, it will allow you to map it how the hell you want for any software (even combinations of software, hell, even your Midi lighting rig). It’s probably the fullest featured, best built four-channel Midi controller there is, and all packed into a box slightly smaller than the Traktor Kontrol S4. We particularly love the VU meters built right into the channel faders, and the huge metal filter knobs. But that’s not to say its without its faults – no booth output (what were they thinking?) and no analogue mixer function: the external inputs can either be routed to the output with control over volume only, or through the software, but not through the full mixer as analogue sources. You’ll want to buy full-strength software too (probably Traktor Pro 2), as the supplied Virtual DJ is only LE, and Serato Intro can’t even offer four software decks.

More info:http://djtips.co/vestax-vci-400













PART 4: COMPARISON TABLES











Controllers up to US$200

Supplied software Audio interface

Software decks

Power Line/phono inputs

Mic Balanced outputs

Booth outs

Record outs

Size Weight

DJ-Tech DJ For All

DJ-Tech i-Mix

DJ-Tech i-Mix Reload

DJ-Tech myScratch

DJ-Tech Poket DJ

DJ-Tech Poket DJ Duo

Gemini CNTRL-2

Gemini FirstMix

Hercules DJ Console Mk4

Hercules DJ Control MP3 e2

iON Audio iCUE-3 Discover

Kam Digi Mini 3

M-Audio X-Session Pro

Numark DJ2GO

Numark iDJ Live

Numark Mixtrack

Numark Mixtrack Pro

Numark Stealth Control

Numark Total Control

Reloop Mixage CE LTD

Deckadance LE (PC/Mac) no (splitter provided)

2 USB/ext - - - - - 17x6.9x2.4” (434x170x61mm)

2.7lb (1.2kg)

MixVibes 3DEX, Traktor 3 LE (PC/Mac)

no 2 USB/ext - - - - - 14.1x10x2.6” (360x255x65mm)

not known

Deckadance LE (PC/Mac) no 2 USB/ext - - - - - 14.1x10x2.6” (360x255x65mm)

3.1lb (1.4kg)

Virtual DJ LE (PC/Mac) no 2 USB/ext - - - - - not known not known

Deckadance LE (PC/Mac) no 2 USB - - - - - 10.2x4.3x1.3” (260x110x32mm)

not known

Deckadance LE (PC/Mac) yes 2 USB no no no no no 10.2x4.3x1.3” (260x110x32mm)

0.9lb (0.4kg)

Virtual DJ LE (PC/Mac) no 2 USB/ext - - - - - 14.2x10.2x1.8” (360x260x45 mm)

4lb (1.8kg)

MixVibes Cross LE (PC/Mac)

no 2 USB - - - - - 14x5.3x1.8” (360x133x45 mm)

1.6lb (0.7kg)

Virtual DJ LE (PC/Mac) yes 2 USB 2 1 (TRS ) no no 10.5x7.3x2.5 (267x185x63mm)

2.6lb (1.2kg)

Virtual DJ LE (PC/Mac) no 2 USB - - - - - 10.5x7.3x2.5 (267x185x63mm)

not known

MixVibes Cross LE (PC/Mac)

no 2 USB - - - - - 19.1x8.5x1.7” (485x215x40mm)

2.6lb (1.2kg)

Virtual DJ LE (PC/Mac) yes 2 USB no no no no no 310x205x38mm 1.1lb (0.5kg)

Torq LE no 2 USB - - - - - not known not known

Virtual DJ LE (PC/Mac) no 2 USB - - - - - 12x3.1x1.1” (305x80x28mm)

0.8lb (0.36kg)

djay (iPad/iPhone/iPod Touch)

no 2 From iOS device

- - - - - 19.1x8.5x1.7” (485x215x40mm)

2.6lb (1.2kg)

Virtual DJ LE (US) Traktor LE (Eur) – PC/Mac

no 2 USB - - - - - 18.8x11.1x1.6” (478x282x40mm)

3.2lb (1.45kg)

Virtual DJ LE (US) Traktor LE (Eur) – PC/Mac

yes 2 USB no 1 (TRS) no no no 18.8x11.1x1.6” (478x282x40mm)

5.1lb (2.3kg)

Traktor LE no 2 USB/ext - - - - - 12.3x10.9x2.5" (312x277x63mm)

6.8lb (3.1kg)

Traktor LE no 2 USB/ext - - - - - 17x15x5.9" (43.2x38.1x15.2cm)

7.5lb (3.4kg)

Traktor LE no 2 USB/ext - - - - 14.6x10.2x1.7" (370x258x44mm)

4.2lb (1.9 kg)











Controllers from US$200 to US$500

American Audio Versadeck

American Audio VMS2

American Audio VMS4

DJ-Tech 4Mix

DJ-Tech i-Mix MkII

DJ-Tech i-Mix Reload MkII

DJ-Tech Reloaded

Faderfox Micromodul DJ3

Faderfox Micromodul FT3

Gemini CNTRL-7

Hercules DJ 4Set

Hercules DJ Console 4-Mx

Hercules DJ Console RMX

Hercules DJ Control Steel

M-Audio Torq Xponent

MixVibes U-Mix Control Pro

Novation Twitch

Numark N4

Numark Omni Control

Reloop Digital Jockey 2 CE

Reloop Digital Jockey 2 IE

Reloop Digital Jockey 2 ME

Reloop Mixage IE

Stanton SC System 3

Stanton SCS.4DJ

Vestax Spin

Vestax Typhoon

Vestax VCI-100

Vestax VCM-100


Software decks



Booth outs

Record outs

Size Weight

Virtual DJ LE (PC/Mac) yes 2 external 2 2 (XLR & TRS)

yes (XLR) yes no 16.5x11.8x3.5” (420x299x89 mm)

10lb (4.4 kg)

Virtual DJ LE (PC/Mac) yes 2 USB/ext 2 1 (XLR & TRS)

yes (XLR) yes no 15.7x12x1.5″ (399x300x40mm)

10.9lb (4.9kg)

Virtual DJ LE (PC/Mac) yes 4 USB/ext 4 (4 line or 2 line/2 ph)

2 (XLR & TRS)

yes (XLR) yes no 19.1x12.6x2.7" (487x320x70mm)

13lb (6kg)

Virtual DJ LE (PC/Mac) yes 4 USB/ext no 1 (TRS) no yes no 14x10x2.6” (360x256x65mm)

4.9lb (2.2kg)

Deckadance LE (PC/Mac) yes 2 USB/ext 2 (needs upgrade)

1 (TRS) no no no not known not known

Deckadance LE (PC/Mac) yes 2 USB/ext 2 1 (TRS) no no no not known not known

Virtual DJ LE (PC/Mac) yes 4 (6 with upgrade)

USB/ external

2 1 (TRS) no no no not known not known

- no 4 USB - - - - - 7x4.1x2.8″ (180x105x70 mm)

0.8lb (0.35kg)

- no 4 USB - - - - - 7x4.1x2.8″ (180x105x70 mm)

0.8lb (0.35kg)

Virtual DJ LE (PC/Mac) yes 2 USB/ext 2 1 (XLR & TRS)

yes (XLR) yes no 15x10.2x1.7″ (360x260x45mm)

3.9lb (1.8kg)

Virtual DJ LE (PC/Mac) yes 4 USB/ext no 1 (TRS) no no no 13.7x9.8x2.3” (350x250x57mm)

4.4lb (2kg)

Virtual DJ LE (PC/Mac) yes 4 USB/ext 2 1 (TRS) yes (TRS) no no 15x9.8x2.6" (381x249x63mm)

10lb (4.5kg)

Virtual DJ LE (PC/Mac) yes 2 USB/ext 2 1 (TRS) yes (TRS) no no 15x9.8x2.6" (381x249x63mm)

10lb (4.5kg)

Virtual DJ LE (PC/Mac) no 2 USB/ext - - - - - 15x9.8x2.6" (381x249x63mm)

10lb (4.5kg)

Torq 2.0 yes 4 USB/ext no no no yes no 18x12x2.6" (458x306x65mm)

8.2lb (3.7kg)

MixVibes Cross DJ 1.6 (PC/Mac)

yes 2 USB/ext 2 1 (TRS) no no no 14.7x7.6x1.7″ (375x193x43mm)

4lb (1.8kg)

Serato ITCH 2.0 yes 2 USB/ext 1 (line only) 1 (TRS) yes (TRS) yes no 13.8x10.8x2.6″ (350x275x65mm)

4lb (1.8kg)

Virtual DJ LE & Serato Intro (PC/Mac)

yes 4 external 2 1 (TRS) yes (XLR) yes no not known not known

Traktor LE yes 2 USB/ext no 1 (TRS) no no no 12.3x10.9x2.5" (312x277x63mm)

6.8lb (3.1kg)

Traktor LE no 2 USB/ext - - - - - 13x11.6x1.5" (370x38x295mm)

5.5lb (2.5kg)

Traktor LE yes 2 USB/ext 1 1 (TRS) no no no 13x11.6x1.5" (370x38x295mm)

6lb (2.7kg)

Traktor LE yes 2 USB/ext 2 1 (TRS) yes (TRS) yes no 13x11.6x1.5" (370x38x295mm)

6lb (2.7kg)

Traktor LE yes 2 USB/ext no 1 (TRS) no no no 14.6x10.2x1.7" (370x258x44mm)

4.2lb (1.9 kg)

Traktor LE no (splitter provided)

2 (4 with upgrade)

external - - - - - 14.2x8.5x1.4” (360x216x35mm)

3.5lb (1.6kg)

- yes 2 external no 1 (TRS) yes (TRS) no no 17.4x11.4x2.9 “ (442x291x73mm)

5lb (2.3kg)

djay yes 2 USB/ext no 1 (TRS) – supplied

no no no 14x9.5x1.5" (356x241x38mm)

3.3lb (1.5kg)

Traktor LE yes 2 USB/ext no 1 (TRS) no no no 14x9.5x1.5" (356x241x38mm)

3.3lb (1.5kg)

Traktor LE no 2 USB/ext - - - - - 14.1x9.9x1.4” (360

× 252 × 35mm)

5.7lb (2.6kg)

Traktor LE yes 2 USB/ext 2 (line only) no no yes no 13.8x5x1.6" (350x126x40mm)

4lb (1.8kg)











Controllers above US$500

Allen & Heath Xone:DX

Allen & Heath Xone:4D

Denon DN-MC6000

Faderfox 4midiloop

NI Traktor Kontrol S2

NI Traktor Kontrol S4

Numark NS6

Numark NS7/NS7FX

Pioneer DDJ-ERGO-V

Pioneer DDJ-S1

Pioneer DDJ-T1

Reloop Jockey 3 ME

Vestax VCI-100 MkII

Vestax VCI-300 MkII

Vestax VCI-400


Software decks



Booth outs

Record outs

Size Weight

Serato ITCH 2.0 (PC/Mac) yes 4 external 4 (3 line/ph, 1 line)

1 (XLR) yes (XLR) yes yes 15x14x2" (381x356x51mm)

12lb (5.5kg)

Traktor LE (PC/Mac) yes 4 external 4 (3 phono) 1, XLR XLR yes yes 17x14x3.5″ (431x356x89mm)

11lb (5kg)

Traktor LE (UK/Eur) Virtual DJ (US/Ca), PC/Mac

yes 4 (2 with Traktor LE)

external 4 2 (XLR & TRS)

yes (TRS) yes yes 18.1x10x2" (460x254x51mm)

10.3lbs (4.7kg)

- no 4 USB - - - - - 11.4x2.4x17.7” (290x60x450mm)

7.9lb (3.6kg)

Traktor Pro 2 (PC/Mac) yes 2 USB/ext no 1 (TRS) yes (TRS) yes no 17.2x11.5x1.7" (438x292x44mm)

5.9lb (2.7kg)

Traktor Pro 2 (PC/Mac) yes 4 USB/ext 2 1 (TRS) yes (TRS) no no 19.7x12.7x2" (500x322x52mm)

7.5lb (3.4kg)

Serato ITCH 2.0 (PC/Mac) yes 4 external 4 (4 line/2 mic/2 ph.)

2 (TRS) yes (XLR) yes no 24x13.5x2.5″ (600x340x65mm)

14lb (6.3kg)

Serato ITCH 2.0 (PC/Mac) yes 2 external 1 (line only) 1 (TRS) yes (XLR) yes no 30x16x4" (762x403x98 mm)

35.5 lb (16.1 kg)

Virtual DJ LE (PC/Mac) yes 4 USB/ext 1 (line only) 1 (TRS) yes (TRS) no no 21.8x11x4.1” (555x280x103mm)

6.4lb (2.9kg)

Serato ITCH 2.0 (PC/Mac) yes 2 external 1 (line only) 2 (1xXLR, 1xTRS)

yes (XLR) no no 26.7x12.5x3.7″ (680x318x95mm)

11lb (5kg)

Traktor LE (PC/Mac) yes 4 external 1 (line only) 1 (TRS) yes (TRS) no no 26.7x12.5x3.7″ (680x318x95mm)

12lb (5.5kg)

Traktor LE (PC/Mac) yes 4 (2 with Traktor LE)

USB/ext 2 1 (TRS) yes (TRS) yes no 16.5x11.8x1.7″ (420x300x45mm)

11lb (5kg)

Traktor LE (PC/Mac) yes 4 (2 with Traktor LE)

USB/ext 1 (line only) no no no no 14.5x10.6x1.5” ((368x270x38mm)

4.4lb (2kg)

Serato ITCH 2.0 (PC/Mac) yes 2 USB/ext 1 (line only) 1 (TRS) – supplied

yes (TRS) no no 14.1x9.9x1.4” (410x272x40mm)

7.1lb (3.2kg)

Virtual DJ LE (PC/Mac) / Serato Intro (PC/Mac)

yes 4 (2 with Serato)

external 2 (line only) 2 (XLR & TRS)

yes (XLR & TRS)

no no 18x12.9x2.4” (457x328x61mm)

9.9lb (4.5kg)











We hope you’ve found this guide useful. Remember that for news, reviews, hardware, software, tutorials, community and training, Digital DJ Tips has the lot. If you’re a digital DJ

whether in clubs, bars, lounges, mobile, on the radio, online, or just in your bedroom, we’ve got you covered. Visit us at www.digitaldjtips.com today.













dj controllers 2012

Documents