distributed objectivites of imagining: the generative scholarship driving "networked"
TRANSCRIPT
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DISTRIBUTED OBJECTIVITES OF IMAGINING:The generative scholarship driving Networked
TARA ZEPELUniversity of California, San Diego
Networked Humanities: Art History in the WebESF Research Conference9-14 October 2010
ART FUTURE
NOW
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Art history in the web
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Fertile ground for aesthetic practice
Benefit from digital tools
+ Relationship between
thinking/making/doing
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http://networkedbook.org
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distinctly networked…
increasingly mobile…
reputably collaborative…
TODAY’S TECHNO-CULTURAL LANDSCAPE IS:
Innovative + Dynamic
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generative
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“…authorship, publication, refereeing, collaboration, participation, customizing, interdisciplinary, credentialing, expertise, norms, training, mastery, hierarchy, taxonomy, professionalism, rigor, excellence, standards, and status.”
- Davidson, “Humanities 2.0” (2008)
WEB 2.0 SCHOLARSHIP is GENERATIVE SCHOLARSHIP
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Are we entering an age in which data can write scholarship?
WEB 2.0 SCHOLARSHIP is GENERATIVE SCHOLARSHIP
How do answers reshape cultures of scholarship and creation?
What does this mean for the role of the researcher? The scholar?
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“A networked book is an open book designed to be written, edited, and read in a networked environment. It is also a platform for social exchange, and is potentially linked to other books and other discussions.”
- Wikipedia, “Networked Book” (as of Oct 2010)
NETWORKED: a (networked_book) about (networked_art)
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Remix and the Rouelles of Media ProductionDeseriis › No End In SightUlmer › The Learning ScreenVarnelis › The Immediated NowHelmond › LifetracingFreeman › Storage in Collaborative Networked ArtMunster › Data UnderminingLichty › Art in the Age of DataFlow
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Remix and the Rouelles of Media ProductionDeseriis › No End In SightUlmer › The Learning ScreenVarnelis › The Immediated NowHelmond › LifetracingFreeman › Storage in Collaborative Networked ArtMunster › Data UnderminingLichty › Art in the Age of DataFlow
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Remix and the Rouelles of Media ProductionDeseriis › No End In SightUlmer › The Learning ScreenVarnelis › The Immediated NowHelmond › LifetracingFreeman › Storage in Collaborative Networked ArtMunster › Data UnderminingLichty › Art in the Age of DataFlow
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Remix and the Rouelles of Media ProductionDeseriis › No End In SightUlmer › The Learning ScreenVarnelis › The Immediated NowHelmond › LifetracingFreeman › Storage in Collaborative Networked ArtMunster › Data UnderminingLichty › Art in the Age of DataFlow
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NETWORKED IN THE NETWORK (AS PLATFORM)
1. Real-time asynchronous collaborative creation
2. Subversive questioning of existing expectations
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NETWORKED: a unique advantage
“Networked proposes that a history or critique of interactive and/or participatory art must itself be interactive and/or participatory; that the technologies used to create a work suggest new forms a ‘text’ might take.”
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THESIS 1:
Collaborating in the Network (as Platform) is a form of
Aesthetic Expression
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Aesthetic experience changes what you know and how you know (or
see) it.
THESIS 1: Aesthetic Expression
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users add value (in data)
THESIS 1: Aesthetic Expression
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THESIS 2:
Collaborating in the Network (as Platform) requires
Aesthetic | Cognitive Extension
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COMMENTS
TEXT
EDITS
SOCIAL NETWORK
FACEBOOKGROUP
CLOUD
USERS ADD VALUE(IN DATA)
SERVER
WIKI
RSS/WEBSITES
COMMENTPRESS
SOFTWARE
GROUPS
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COMMENTS
TEXT
EDITS
SOCIAL NETWORK
FACEBOOKGROUP
CLOUD
USERS ADD VALUE(IN DATA)
SERVER
WIKI
RSS/WEBSITES
COMMENTPRESS
SOFTWARE
GROUPS
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meaning in (or in-between) the data
THESIS 2: Aesthetic | Cognitive Extension
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THESIS 3:
The Value of Pattern over Prediction: Playing with networked-data is an
Aesthetic Experience
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THESIS 4:
Collaborating in the Network (as Platform) is a form of
Aesthetic Reflection
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Contact Information:
TARA ZEPELUniversity of California, San DiegoPhD Student, Art History, Theory & Criticism
[email protected]://artfuturenow.com
ART FUTURE
NOW
THANK YOU