Book by

JUSTIN SEPPLE

LIBRETTO / VOCAL BOOK

Josef Weinberger Limited 12 - 14 Mortimer Street

London W1T 3JJ

Tel: +44 (0)20-7580 2827 Fax: +44 (0)20-7436 9616 www.josef-weinberger.com

Book © Copyright 2004 by JUSTIN SEPPLE

All Rights Reserved

PHOTOCOPYING THIS COPYRIGHT MATERIAL IS ILLEGAL

Musical Arrangements by BRETT FOSTER & JIM COYLE

Applications to perform this musical must be made, BEFORE REHEARSALS COMMENCE, to:

JOSEF WEINBERGER LIMITED

(on behalf of David Spicer Productions) 12 - 14 Mortimer Street

London W1T 3JJ United Kingdom

Tel: +44 (0)20 7580 2827 Fax: +44 (0)20 7436 9616 www.josef-weinberger.com

July 2005

1

DISCO INFERNO THE NEW 70’S MUSICAL

‘Disco Inferno’ was first performed by Stage One Theatre Company in 1999, This new script was first performed in July 2004 at the Harlow Playhouse, Harlow, Essex with the following cast: JACK Justin Sepple JANE Jude Stoughton TOM Richard Stoughton MAGGIE Sasha Martin HEATHCLIFFE Nick Lupton KATHY Katie Bass LADY MARMALADE Harri Shelton DUKE Steve Taylor NICK DIABLO David Adams LILY Jamie Riley ‘TOP OF THE POPS’ PRESENTER Dave Roberts BBC PRODUCER Michael Fall AGENTHA, from ‘ABBA’ Harri Shelton ANNI-FRID, from ‘ABBA’ David Adams BENNY, from ‘ABBA’ Jamie Riley BJORN, from ‘ABBA’ Ben Horsburgh MEMBERS OF THE COMPANY Ben Horsburgh

Jamie Riley Michael Fall Dave Roberts Lisa Short April Lee Sian Douglas Amber Cleaver Charlotte Taylor Natalie Pester Christie Lester

WRITTEN AND DIRECTED by Justin Sepple ORIGINAL CHOREOGRAPHY by Harri Shelton

For more information visit www.discoinfernothemusical.com

2

DISCO INFERNO ABRIDGED EDITION

CHARACTERS

PRINCIPLE ROLES JACK, a young and impressionable wannabe ‘superstar’ JANE, his devoted girlfriend / fiancé TOM, Jack’s lifelong, but somewhat nerdish best friend MAGGIE, Tom’s girlfriend and female equivalent HEATHCLIFFE, egotistical, malevolent singer in ‘Disco Inferno’ KATHY, Heathcliffe’s long-suffering girlfriend TERRY, Jack and Tom’s friend. Smooth talking DJ DUKE (The Devil), ageing rocker, owner of the nightclub LADY MARMALADE, a femme-fatale - the Devil’s right-hand lady

NICK DIABLO, eccentric London style consultant and acolyte of the Devil LILY, a ‘camp’ barman

SPEAKING ROLES JIMMY SAVILLE

BBC PRODUCER AGENTHA, from ‘ABBA’ ANNI-FRID, from ‘ABBA’ BENNY, from ‘ABBA’ BJORN, from ‘ABBA’ COMPARE, of The Roundhouse GIRL IN CINEMA

A PRIEST A PHOTOGRAPHER VARIOUS VOICE OVERS

Members of the company play ‘Disco Inferno’ Dancers, Screaming Fans, ‘Top of the Pops’ Audience Members, Secretaries, Devil’s Acolytes, Kids in the Cinema, Executives & P.A’s, Press / Photographers etc..

THE SETTING Various. London, United Kingdom

THE TIME The 1970’s (from 1970 – 1979)

3

DISCO INFERNO ABRIDGED EDITION

MUSICAL NUMBERS (ACT ONE) 1 Overture / Disco Inferno (Instrumental)................................................................................5 Scene 1 Inside ‘Disco Inferno’, July 1976 2 Celebration / A Night To Remember (Full Company) ..........................................................5 3 If You Leave Me Now (Heathcliffe, Kathy, Jack & Jane)....................................................10 4 Crocodile Rock (Duke & Male Company) ..........................................................................13 Scene 2 Outside the Rialto Cinema, December 1970 Scene 3 Inside the Rialto Cinema 5 Kissing In The Back Row of the Movies (Tom & Company)...............................................18 Scene 4 Back Inside ‘Disco Inferno’, July 1976 6 Hot Stuff (Lady Marmalade & Girls) ...................................................................................20 Scene 5 Toilets in ‘Disco Inferno’, the following evening 7 Some Girls (Tom, Jack & Male Company).........................................................................26 8 You To Me Are Everything (Jack, Jane & Company).........................................................26 Scene 6 Back inside ‘Disco Inferno’ Scene 7 In an alleyway behind ‘Disco Inferno’ 9 Streetlife (Kathy) ................................................................................................................30 Scene 8 Outside ‘Disco Inferno’, the following Friday Scene 9 Fancy Dress Night inside ‘Disco Inferno’ 10 Village People Medley (In The Navy/Go West/YMCA) (Guys) ................................................32 11 Could It Be Magic (Jack & Company) ................................................................................33 12 Leader of the Gang (Heathcliffe)........................................................................................35 Scene 10 ‘Diablo Records’, Carnaby Street, the next morning 13 Pop Muzik (Nick Diablo & Company) .................................................................................37 Scene 11 Dressing Room, backstage at the Roundhouse Scene 12 On stage at the Roundhouse 14 Boogie Nights (Jack & Company) ......................................................................................41

4

DISCO INFERNO ABRIDGED EDITION

MUSICAL NUMBERS (ACT TWO) 15 Entr’acte / Radio Montage (Instrumental) ..........................................................................43 Scene 1 ‘Top of the Pops Studio’, October 1976 16 TV Theme – (band improvises 10 second intro / sting)......................................................44 17 Starman (Jack & Company)...............................................................................................44 18 Figaro (Jane & Company)..................................................................................................46 Scene 2 Inside ‘Disco Inferno’, two weeks later 19 I Love To Love (Maggie & Company) ................................................................................47 20 Groove Medley (Let’s Groove/Boogie Wonderland/Blame It On The Boogie) (Jack & Company) ..........49 Scene 3 Inside ‘Disco Inferno’, later that evening 21 I Will Survive (Jane) ...........................................................................................................54 Scene 4 Inside Jane’s House, late that evening 22 Sorry Seems To Be The Hardest Word (Jack & Company) ...............................................56 Scene 5 Outside ‘Disco Inferno’, August 1977 Scene 6 Outside ‘Disco Inferno’ four weeks later 23 Don’t Give Up On Us Baby (Jack & Jane) .........................................................................58 Scene 7 Inside Jack’s flat, that night Scene 8 Hell 24 Fire (Duke & Company) .....................................................................................................62 Scene 9 A Churchyard, a few weeks later 25 Spirit In The Sky (Jack & Company) ..................................................................................65 Scene 10 An alleyway beside ‘Disco Inferno’, that evening 26 Saturday Night’s Alright For Fighting (Heathcliffe & Lady Marmalade) ..............................66 Scene 11 Inside ‘Disco Inferno’, moments later Scene 12 Inside ‘Disco Inferno’, July 1976 27 Play That Funky Music White Boy (Jack & Company) .......................................................71 28 Disco Inferno (Full Company) ............................................................................................71

5

DISCO INFERNO ABRIDGED EDITION

ACT ONE

(As the audience enter the auditorium, TERRY ad-libs from the stage, offering members of the audience key rings and t-shirts, as prizes for correctly identifying the names and artists of songs that are played. DUKE stands by the entrance to the auditorium, checking their tickets and greeting the audience as they take their seats. When the audience is ready Duke gives Terry a signal and the ‘Overture’ begins)

TRACK 1 OVERTURE / DISCO INFERNO (Instrumental)……………………………………………… SCENE 1 INSIDE ‘DISCO INFERNO’, JULY 1976 Terry: (During above number) Tonight’s the night and we’re on a roll. Whatever you’ve been

holding back, let it go. Whatever you’ve been saving up, spend it! That’s right. We’re going all the way and there ‘ain’t no stopping us now’. Ladies and Gentlemen, it is with the greatest of pleasure that we invite you to dust down those platforms, catch some of that Saturday night fever and burn, baby, burn in... Disco Inferno.

(The COMPANY scream with excitement and dance the following routine) TRACK 2 CELEBRATION / A NIGHT TO REMEMBER (Heathcliffe & Company)…………………… Company: Whoa! Oh

Whoa! Oh It’s a celebration Whoa! Oh Whoa! Oh It’s a celebration Celebrate good times, come on (It’s a celebration)

Celebrate good times, come on (Come on, let’s celebrate) Heathcliffe: There’s a party going on right here

6

A celebration to last throughout the years So bring your good times and your laughter to We’re gonna celebrate, we’re gonna party with you Come on now Company: Celebration Heathcliffe: Let’s all celebrate and have a good time Company: Celebration Heathcliffe: We’re gonna celebrate and have a good time (spoken) Come on gang!

It’s time to come together It’s up to you, so what’s your pleasure? Company Everyone around the world, come on

Whoa! Oh Whoa! Oh Whoa! Oh Whoa! Oh

INSTRUMENTAL Get ready, tonight... we’re gonna make this a night to remember Get ready, tonight... we’re gonna make this a night to remember Heathcliffe When you love someone it’s natural not demanding And that’s one thing I’m proud to say I found in you I’m so glad we reached an understanding Now I know my heart is safe with you. So now my love to you, baby, I surrender Company Get ready, tonight... we’re gonna make this a night to remember Get ready, tonight... we’re gonna make this a night to remember

Celebration Heathcliffe Let’s all celebrate and have a good time Company Celebration Heathcliffe We’re gonna celebrate and have a good time Company It’s time to come together It’s up to you, so what’s your pleasure?

Everyone around the world, come on Boys It’s a celebration All Celebrate good times come on Celebrate good times come on

7

(in counterpoint) Group 1 We’re gonna have a good time tonight Let’s celebrate, it’s all right (rpt) Group 2 Get ready, tonight... we’re gonna make this a night to remember (rpt) Group 3 Get ready tonight… let’s celebrate… it’s all right (rpt) Group 4 Celebration…. It’s all right (rpt) Company It’s time to come together It’s up to you, so what’s your pleasure?

Everyone around the world, come on

(During the number. MAGGIE, TOM and TERRY walk over to JANE and the company go back to what they were doing before the previous number)

Jane: (To Maggie) Has anybody seen Jack? Maggie: He’s probably just late again. Jane: I can see that. (We hear the sound of a motorcycle pulling up outside) Jane: He’s gonna lose this job if he’s not careful. Tom: That sounds like him now. Hurry up an’ get in here!

(After the number, DUKE walks over to JACK with an open notepad in his hand. The others look on)

Jack: All right, Duke? Duke: An’ just what time do you call this? Jack: (Trying to think of a clever answer) Closing time? Duke: Very funny. Jack: Look, I’ve got a really good excuse this time. Duke: Oh, yeah. What? Like all the others? Jack: What’s that supposed to mean? Duke: (Looking through his notebook) ‘The dog ate my bus pass’ (He looks at JACK) Migraine,

German Measles, Whooping Cough... P.M.T? (He stares blankly at JACK) Jack: Not mine… Jane’s! Duke: Your birthday… your grandmother’s birthday… the Queen Mother’s birthday... Jack: Nothing wrong with being patriotic is there? Duke: You had your appendix taken out! Jack: What’s wrong with that? Duke: Three times? What do you take me for? Look, a little birdie tells me you’ve just come from another one of those auditions of yours.

8

Jack: An’ which little birdie would that be? (Looking back at LILY who mouths ‘Sorry!’) Duke: Now you listen to me and you listen carefully. There’s nothing wrong with chasing this

dream of yours, but do it in your own time… Got it? Jack: Yeah, but... Duke: No buts. (DUKE throws JACK a cloth and the company freeze, except JACK) Jack: (Aside to audience) Welcome to our club, Disco Inferno. Now, the story I’m gonna tell you

tonight is probably the weirdest you’ve ever heard. It was the summer of 1976, and it was as hot outside as the hits and the fashions were in - hottest summer ever recorded apparently. Do you know they even started rationing the water? It was Friday night and my 21st birthday. Not that anyone had remembered and if that weren’t bad enough, Duke, the boss, had just told me I had to make up the time I’d missed this week after hours. I’d been working here for quite some time, cleaning tables and stuff but I just knew that I was destined for bigger and better things… but at least I had a job, good mates and a sweet and understanding girlfriend...

Jane: (JANE walks over to JACK obviously quite irate) Where have you been? Jack: (To audience) Well, two out of three ain’t bad. (Sarcastically, imitating Jane) Happy

birthday, Jack... How did the audition go? Jane: Your birthday? I forgot. I’m so sorry. Jack: Just forget it. Jane: Well? Come on then. How did you get on at the audition? Jack: I never even got a chance to sing. I weren’t what they were looking for apparently. Jane: Oh, I’m sorry. Jack: It’s all right... I’m used to it. Jane: At least you’ve got me. I can’t believe I forgot your birthday. (Suggestively) Maybe I could make it up to you after work. Jack: I can’t. Dukes told me I’ve got to stay behind and make up the hours I’ve missed this

week. Jane: Not on your birthday? (TERRY walks over) Jack: I suppose you’ve forgotten as well? Terry: Forgotten what? Maggie: (Arguing with TOM) I don’t believe you.

(MAGGIE and TOM have been arguing. MAGGIE storms off crying. JANE sees this and follows her. TOM walks over to JACK and TERRY - he is wearing a new suit. HEATHCLIFFE makes an entrance with his girlfriend, KATHY. KATHY is wearing dark glasses. She takes a seat. HEATHCLIFFE walks over to the stage and then to the bar where he is immediately surrounded by the female members of the company)

Tom: Women? Lily: (Walking passed) Don’t look at me, love. Not my department.

9

Jack: (To TOM, referring to his new suit) Well, well, well. Look at you! Tom: Ten quid this cost me. Well it’s a special occasion, isn’t it? Jack: At last. (To TERRY) At least someone’s remembered. Tom: Remembered what? I’ve just been to pick up me new car (Tossing car keys in the air) Terry: What’s up with Maggie? How’ are things going between you an’ her? Tom: Absolutely nowhere, not so much as a peck on the cheek. Terry: (To Tom) How long have you been with her now? Tom: (Under his breath) Six years. Terry: Six years? (Laughs) Tom: Well... well...you can’t rush these things. Look, maybe I don’t want to settle down with just

one bird at the moment. Jack: Tom, women are hardly falling’ over themselves, mate! Tom: I can take my pick. Terry: All right. (Pointing to KATHY) What about her then? Jack: Come on, Tel. Give him a fighting chance. Tom: No, no, no. It’s all right. You just stand back an’ watch a ‘master’ at work.

(TOM ‘dances’ across the floor, towards KATHY. As he reaches her and is about to utter his first word, she grabs her drink and throws it over him. HEATHCLIFFE glances over)

Kathy: Get lost!

(Rejected, TOM ‘slides’ back again. Members of the company laugh and JACK hands him a cloth to dry himself with)

Terry: Well, master? Tom: (After hesitation and humiliation) Not my type.

(HEATHCLIFFE, having seen the ‘attempt’ on his girlfriend walks over to TOM. He grabs TOM by the lapels. TERRY goes back his booth)

Tom: (Smiling nervously) All right? I was… I didn’t… I just… erm... just... (Waving the

cloth as a ‘peace’ flag as HEATHCLIFFE raises his fist) Please, don’t hit my face.

(JACK thinks and acts quickly and grabbing the nearest drink from the hand of one of the girls, throws it over TOM)

Jack: Tom, wake up! Tom: What did you do that for? Jack: You were sleepwalking again. Tom: Was I? Terry: (A la DJ) Hope that you’re all having a great time - things have been really hotting up in

here tonight but they’re about to get a whole lot hotter as we welcome back on to the stage for the last time this evening, Heathcliffe and the Fallen Angels.

Heathcliffe: (To Tom) You’re bloody lucky! Tom: I’m bloody soaking!

10

Terry: (During instrumental, a la DJ) Well, it’s that time again. Time to say goodnight from me, the fabulous Terry D. But for now, guys grab yourself a girl - Girls grab yourself a guy and hop aboard that ‘lurve’ train - it’s smooch time.

TRACK 3 IF YOU LEAVE ME NOW (Heathcliffe, Kathy, Jack & Jane)……………………………….. H’cliffe/Kathy: If you leave me now, you’ll take away the biggest part of me Oh no, baby, please don’t go An’ if you leave me now, you’ll take away the very heart of me Oh no, baby, please don’t go Oh no, girl / boy, I just want you to stay H’cliffe/Jack A love like ours is love that’s hard to find All How could we let it slip away? Kathy/Jane We’ve come to far to leave it all behind All How could we end it all this way? All When tomorrow comes then we’ll both regret The things we’ve said today…. INSTRUMENTAL

(A few couples dance, notably JACK and JANE who take centre stage. During the number most of the company say goodnight and exit until all that remains are JACK, JANE, TOM, MAGGIE, TERRY and LILY, who has started cleaning away glasses etc.)

Maggie: (To JANE) I wish I had someone that could dance with me like that. Terry: (Walking out of the club) I’ll see you guys tomorrow! All: Bye... Take it easy... Later... etc. Maggie: (Upset, to TOM) How comes you never dance with me? Tom: ‘Cos I don’t want to people to see me… it’s embarrassing (a beat) So, how comes you

never want to kiss me? Maggie: Ditto.

(Maggie storms out of the club) Tom: (Following her) Mags. Hold on. (He follows) Jane: (To JACK) I better try and catch her up! I’ll pop back in half an hour and you can walk me

home. Jack: See you later. (They kiss and JANE exits) (HEATHCLIFFE enters as JACK starts putting chairs up on the tables)

11

Heathcliffe: (Holding up a guitar) Will you just look at the flame on that. (He ‘strikes a chord’) Will you just listen to that sustain. Well, it would obviously sound better if it was plugged in.

(KATHY enters having got her coat from the cloakroom, and assumes that HEATHCLIFFE is talking about her)

Heathcliffe: (To JACK) There’s nothing quite like the feeling of running your hands down that neck and

kissing that perfectly curved body. She’s a beauty all right. (Turning to see KATHY) Oh, all right, love? I didn’t see you there.

Kathy: (Getting annoyed) You love that guitar more than you love me. Heathcliffe: That’s not true… I love you both as much. (KATHY storms out) Heathcliffe: What did I say? (To JACK) So Jack, I hear you failed another audition today (He laughs) Jack: (Defensively) I just wasn’t what they were looking for, that’s all. Heathcliffe: You know what your problem is? You got no appeal. Style. That’s what counts. Jack: I got style! Heathcliffe: (Laughing to himself) You really think you’ve got what it takes to wear this coat, do you?

All right, look. Here’s what I’ll do. I need someone to set up the gear for me, do a bit of running around. Then maybe, just maybe we’ll see about letting you get up and get down with the ‘Angels’. What do you say?

(JACK doesn’t reply. TOM enters) Heathcliffe: I’m giving you a chance to break into showbiz. Listen, a wise old man once said to me,

‘Young man, there’s no need to feel down. Young man, pick yourself off the ground...’ - or was that the Village People? I’m not sure, anyway, it’s good advice, that is.

Jack: Meaning? Heathcliffe: Meaning, if you two want to get where I got, you’re gonna need to pick yourself up - take

risks Live a little. Chill! Tom: (Aside, to JACK) Chill? I’m bloody freezing. Heathcliffe: Here. (He throws his sunglasses to TOM) See what the world looks like through those.

They belonged to Jim Morrison you know. There now, you know what I’m saying (He laughs)

(TOM and HEATHCLIFFE burst out in hysterical laughter. After a while TOM stops and looks at HEATHCLIFFE blankly)

Tom: No! (TOM has placed the sunglasses on but they sit on his face slanted, as he hasn’t put

them on properly) Here, who’s this? (No response) Van Gogh on holiday! Heathcliffe: I jammed with the man, you know? Tom: Who? Van Gogh? Heathcliffe: No, Jim Morrison. Tom: You never. Heathcliffe: Yeah, me and Jim were close, man. We were even born on the same day - Tuesday.

12

Tom: What a coincidence, me too. Heathcliffe: Yeah well, listen – I’ve got to get going. (He exits taking his sunglasses back) Tom: (Calling O/S) Give my regards to Jim. Jack: (To TOM) Where did you get to? Tom: I was gonna walk Maggie home. Jack: What happened? Tom: I couldn’t keep up with the bus... so I thought I’d pop back and give you a hand. Jack: Cheers, mate!

(TOM and JACK start to clear the club, putting chairs on tables etc. TOM starts singing) Tom: (singing) I love you Maggie, I do. I love you Maggie, I do I love you Maggie, I do But you won’t kiss me, will you? Jack: Just give her time. Tom: But six years, Jack! You know there’s a lot of love in me just waiting to burst out... I just

want her to know that I love her. Jack: Have you told her? Tom: ‘Course. Jack: Well that’s where you went wrong. Tom: Is it? You mean you’ve never told your Jane? Jack: Well... yeah... no! Not exactly. I mean I wanna tell her and I know it would mean the world

to her but I just can’t get the words out. Tom: You know, I think you’re right. I told Maggie and you know what she did? She laughed at

me. Jack: Treat them mean and keep them keen. Tom: Yeah, so I’ve heard. Look, maybe I should just find someone else. Couldn’t you set me up

with someone? Jack: (Thinking) What about Debs? No, that’d never work. Tom: Why? Jack: She knows you. Maybe I could fix you up with a blind date. Tom: A blind date? I’m not sure. Jack: What’s wrong with that? Tom: Wouldn’t the white stick and the Labrador get in the way? Jack: Eh? Tom: Listen, I better get off home. My mum’ll be waiting up for me. Are you coming? Jack: No, I have stay here and finish off. Jane’s popping back in a while. Tom: I only wanna kiss. Not much to want out of life, is it?

(TOM exits singing his ‘Maggie’ song. JACK addresses the audience unaware that DUKE has just walked in behind him)

Jack: (To audience) All I ever wanted out of life was to stand up in front of a packed audience at

the Hackney Empire or The Roundhouse. It was a bit of a family tradition - headlining at the Roundhouse. All my family were in ‘the business’. Even our sewing machine was a

13

singer. I often wished that someone would come down and wave a magic wand, but I’ll tell you something my old mum used to say to me... She used to say ‘Son, be careful of what you wish for because one day that wish might just come true’. It didn’t make much sense to me either... at the time.

(JACK yawns and closes his eyes as if to sleep, head propped on the broom) Duke: Aren’t you finished yet? Jack: (With a start) You made me jump. I thought you’d gone home. Duke: I want a quiet word with you. Jack: Look, if it’s about me being late then I... Duke: Look. I couldn’t help but overhear you just now. Are you sure that’s really the path you

want to take? I mean, just look at Heathcliffe. What’s he really got? Jack: Money. Nice car. His own flat! Duke: All of it... superficial! Jack: Popularity? Duke: That’s only because of the money! Listen, son – do you mind if I call you son? Jack: Why not. My dad does! Duke: Son, you’ve got what most people only dream of. You’ve got a future and you’ve got Jane

– someone who loves you for who you are and not what you can give them. Jack: Heathcliffe’s got Kathy. Duke: She doesn’t love him. She’s only with him for what she can get out of him. Birds like that

are ten to the penny. Your Jane ‘aint like that. She reminds me of a bird I used to knock about with (Thinking to himself) Now, what was her name?

Jack: Yeah, well I better... Duke: Susie! That was it... (Reminiscing) Oh, Susie. Now those were the days. When music was

music. None of this thud, thud, thud. (Smiling to himself) The things we used to get up to? I’ll tell you something for nothing, I could have taught you youngsters a thing or two. The twist... the boogaloo... the mashed potato...

(Members of the company enter to join in the routine) TRACK 4 CROCODILE ROCK (Duke & Male Company)………………………………………………… Duke I remember when rock was young Me and Suzie had so much fun Holding hands and skimming stones Had an old gold Chevy and a place of my own But the biggest kick I ever got Was doing the thing called the crocodile rock While the other kids were rocking round the clock We were hopping and bopping to the crocodile rock Well, Crocodile Rockin’ is something shocking When your feet just can‘t keep still

14

I never knew me a better time and I guess I never will Oh Lawdy mama those Friday nights When Suzie wore her dresses tight The Crocodile Rockin’ was out of the sight La, la, la, la, la, la etc... But the years went by and the rock just died Suzie went and left me for some foreign guy Long nights crying by the record machine Dreaming of my Chevy and my old blue jeans But they‘ll never kill the thrills we´ve got Burning up to the Crocodile Rock Learning fast as the weeks went past We really thought the Crocodile Rock would last All Well, Crocodile Rockin’ is something shocking When your feet just can‘t keep still Duke I never knew me a better time and I guess I never will All Oh Lawdy mama those Friday nights When Suzie wore her dresses tight The Crocodile Rockin’ was out of the sight La, la, la, la, la, la etc... All I remember when rock was young Me and Suzie had so much fun Holding hands and skimming stones Had an old gold Chevy and a place of my own But the biggest kick I ever got Was doing the thing called the crocodile rock While the other kids were rocking round the clock We were hopping and bopping to the crocodile rock Well, Crocodile Rockin’ is something shocking When your feet just can‘t keep still I never knew me a better time and I guess I never will Oh Lawdy mama those Friday nights When Suzie wore her dresses tight The Crocodile Rockin’ was out of the sight La, la, la, la, la, la etc... Duke: Yeah, those were the days all right. Jack: (Thoroughly uninterested) Very interesting. Duke: How long you been with your Jane now?

15

Jack: Six years. (To audience) We met back in December 1970. I remember it clearly because it was the same day The Fab Four split up. Everywhere you looked, girls crying over the news. Mind you, it didn’t stop me being my usual charming self.

SCENE 2 OUTSIDE THE RIALTO CINEMA, DECEMBER 1970

(A queue has formed outside the cinema. The girls in the cue are very upset about the split of The Beatles. Some of the girls are carrying records and other memorabilia. JANE stands near the front of the queue and TERRY is at the back of it, looking at his watch. JACK and TOM enter on the back of TOM’s ‘Chopper’. Some of the cast wear school uniforms, wigs, glasses etc.)

Tom: (Shouting) Terry! Terry: Where have you two been? I’ve been waiting here like a melon for half an hour. Jack: Yeah, sorry we’re late. Tom got a flat on his chopper. Tom: (To one of the girls in the queue) I’ve got a flat chopper. (Girl reacts in disgust) Jack: What’s up with everyone? Terry: Haven’t you heard? (Looking around) They split this morning. Jack: What you talking about? Terry: (Whispering) The Beatles? Tom: Eh? Terry: (A little louder) The Beatles? Tom: The who? Terry: (Shouting) Not ‘The Who’, The Beatles! (As soon as TERRY says ‘Beatles’, the girls start to sob louder) Tom: (To JACK, referring to JANE) Crickey. Have you seen that bird down there? Terry: Tom, forget it. She’s way out of our league. Jack: A quid says you’re wrong. Terry: (They shake hands) All right, you’re on. Jack: Tom, follow me. Tom: Righti-ho!

(JACK and TOM perform an elaborate series of moves, checking breath, hair etc. As they turn in time, Tom trips over. They make their way to the front of the queue. DUKE appears in the kiosk and the company pay him, collect their tickets and exit off stage)

Jack: (To TOM) Leave this one to me... I know exactly what to say... (To JANE) Hello. Jane: (Briefly turning to JACK) Hello! Tom: Poetry. Pure poetry. Jack: (To TOM) Shut up. (To JANE) So... erm... what’s your name? Tom: Tom! Jack: Not you, you berk.

16

Jane: I’m sorry, were you talking to me? Jack: (Offering his hand) I’m Jack. Jane: (Without taking it) That’s nice. Jack: (JACK tries in desperation) I don’t think I’ve seen you here before. I’m sure I’d remember

a smile like yours anywhere.

(JANE looks around at JACK, certainly not smiling. TOM produces a small notebook and starts to write down every word JACK is saying)

Tom: (To himself) ‘..here before’. ‘..Smile like yours’. Pure dynamite. Jack: (Knocking the pad from TOM’s hands. To JANE) So... erm... are you here with anyone? (MAGGIE enters and walks over to JANE) Maggie: I’ve got some more tissues. (During the next few lines, it is made obvious that TOM fancies MAGGIE) Jane: Me and Maggie are going to see ‘Love Story’. Jack: (‘Sliding’ in between the two girls and putting his arm over their shoulders) ‘Love story’? Maggie: That Ryan O’Neal - he’s gorgeous. (JANE and MAGGIE sigh, dreamily) Tom: Ryan who? Jack: Trying’ to take your minds of The Beatles? (MAGGIE bursts into tears) Jane: She’s taking it badly so try not to mention them. Maggie: I’m sorry. I’m just a little emotional at the moment. Jack: Well, well, well... ‘Love Story’? Well that’s a coincidence because so were we. (To TOM)

Weren’t we, Tom? Tom: I thought we were going to see.... (JACK treads on TOM’s foot. TOM yelps and leaps about in pain) Maggie: Are you all right? Tom: (Still hopping) ‘I feel fine’. (MAGGIE bursts into tears) What? Maggie: (Barely comprehensible) ‘I Feel Fine’... number one for The Beatles in December 1964. Tom: (To MAGGIE, sincerely) What’s wrong? Here you go, you can borrow my hanky.... ‘From

me To You’. (MAGGIE cries louder still. TOM takes her hand, which she promptly pulls away) ‘I Wanna Hold Your Hand’. Oh, please stop crying. Whatever it is, ‘We Can Work It Out’ (MAGGIE howls again)

Jack: You’re upsetting her mate. ‘Let It Be’ (MAGGIE cries) Tom: What did I do? (Taking a step away) Jack: Where do you think you’re going? Tom: ‘Nowhere Man’. (MAGGIE cries even louder than before) Jack: (To JANE) Well, do you fancy some company?

17

Jane: (Consoling MAGGIE) I don’t think so.

(JANE and MAGGIE walk toward the kiosk as they queue has now completely gone. JACK looks back at TERRY, who has been watching JACK and TOM’s feeble attempt and gestures that he has won their bet)

Duke: Can I help you? Jane: (Handing over money) Two for ‘Love Story’, please. Jack: Wait. I didn’t catch your name? Jane: I didn’t give it to you. Goodbye. Jack: Why d’you say goodbye when I said hello? Tom: Hello? Jane: Hello? Tom: I don’t why she said goodbye when you said hello. Maggie: (Almost in tears once more) Not again!

(The lights fade as JANE and MAGGIE walk into the cinema, closely followed by JACK. JACK gestures back to TERRY that he will win the bet. TOM stands for a moment with his arm out. Lily walks up and takes it, leading Tom over to Duke)

Lily: Two tickets for ‘Love Story’. SCENE 3 INSIDE THE RIALTO CINEMA

(Inside the cinema, we hear ‘Love Story’ playing. JACK, JANE and MAGGIE are sitting (in this order) MAGGIE and JANE are sitting, crying as they might during a first-class weepy. DUKE is now the usher, who stands at the back with a torch. TOM is sitting behind them next to LILY, who is crying on TOM’s shoulder. After a moment, TOM excuses himself, and JACK and TOM shuffle over to where the JANE and MAGGIE are sitting)

Tom: (To MAGGIE) Popcorn? Company: Shhh. Tom: Sorry. (They sit with the girls) Jack: (To JANE) Nothing like a good weepy is there? Tom: A ‘good weepy’? There’s no such thing. Girl: Will you keep quiet! (The guys are visibly bored and the girls are visibly moved) Jack: (After a pause. Quietly, to TOM) Tom, put your arm around her. (TOM puts his arm around JANE) Jack: No, not her!

18

(TOM slowly puts his arm around MAGGIE. She let’s out a scream. The company turn and ‘tut’ or comment. JACK stretches, and puts his arm around JANE. After a while JANE and JACK kiss. TOM sees this and ‘prepares’ to go in for a kiss from MAGGIE. MAGGIE turns around and catches him)

Maggie: Don’t even think about it. Tom: (Nudging Jack) It’s not fair. How comes I can never find anyone to snog? TRACK 5 KISSING IN THE BACK ROW (Tom & Company)…………………………………………. Tom Your momma says that all through the week You can’t go out with me But when the weekend comes along I know where I wanna be All Kissin’ in the back row of the movies on a Saturday night with you Holding hands together, you and I Holding hands together, oh yeah Smoochin’ in the back row of the movies on a Saturday night with you We could stay forever, you and I We could stay forever, you and I Huggin’ and a-kissin’ in the back row of the movies. Tom Ev’ry night I’d pick you up from school You’d be my steady date But from Monday through to Friday night I’ll leave you at the gate, yeah You know we can’t have too much fun ‘till all your homework’s done But when the weekend comes They know just where we’ll be. Yeah. All Kissin’ in the back row of the movies on a Saturday night with you Holding hands together, you and I Holding hands together, oh yeah Smoochin’ in the back row of the movies on a Saturday night with you We could stay forever, you and I We could stay forever, you and I Huggin’ and a-kissin’ in the back row of the movies. (I said) Huggin’ and a-kissin’ in the back row of the movies. (We’ll be) huggin’ and a-kissin’ in the back row of the movies. INSTRUMENTAL All You know you can’t have too much fun

19

‘till all your homework’s done But when the weekend’s come You know just where we’ll be. Yeah. Kissin’ in the back row of the movies on a Saturday night with you Holding hands together, you and I Holding hands together, oh yeah Smoochin’ in the back row of the movies on a Saturday night with you We could stay forever, you and I We could stay forever, you and I Huggin’ and a-kissin’ in the back row of the movies. (I said) Huggin’ and a-kissin’ in the back row of the movies. (We’ll be) huggin’ and a-kissin’ in the back row of the movies. (At the end of the number, TOM holds MAGGIE) Company: Shhh. Tom: (Dropping MAGGIE onto the floor) Sorry! SCENE 4 BACK INSIDE THE ‘DISCO INFERNO’, JULY 1976 Jack: Heaven knows how they ever got together after that. Duke: But, you and Jane always made a great couple. And you’d be willing to throw all that away

on a dream? Jack. It’s all about taking control of your destiny; not leaving it to chance but making sure you know exactly what you’re doing, who to and who for. The Beatles. Look at them. Once the greatest band that ever lived... they split and then what happened? John went to bed, Paul did a spot of farming, George went off to save Bangladesh and Ringo, bless him, just sat on a platform and waited for Thomas The Tank engine to pull in.

(SFX. Thunder) Duke: Sounds like we’re in for a nasty spell. I’ll leave you to lock up. Remember what we’ve

talked about tonight. Jack! As I’ve said before, there’s nothing wrong with following a dream, son, just as long as you know what you could be letting yourself in for. And make sure this place is spotless before you leave. (Exits)

(JACK walks over to the DJ booth and sticks on a record. Grabbing a broom he half-heartedly sweeps the floor putting the chairs up on the tables and taking empty bottles and glasses over the bar. SFX. Thunder. At that moment, LADY MARMALADE enters. LADY MARMALADE is an attractive, well-spoken woman in her early 30’s. She is soaked from the rain)

Lady: Excuse me. Jack: Oh, look… I’m sorry but the bar’s closed.

20

Lady: I don’t want a drink. I saw the light on and just wanted to get out of the rain. You don’t mind do you?

Jack: I guess not. Lady: (Trying to get out of her wet coat) You couldn’t give me a hand, could you? (JACK reluctantly helps her with her coat) Lady: You wouldn’t believe the night I’ve had. So many men and not one of them interested in

what I had to offer. Could you ever imagine someone like me finding it hard to get a man? I mean, what’s wrong with me? (Moving in close to JACK) Are you not attracted to me?

Jack: No! I mean yeah! You’re... you’re nice.

(LADY MARMALADE walks seductively towards him as the music starts. Female members of the company enter to join in the routine)

Lady: Nice? Jack: Very nice! TRACK 7 HOT STUFF (Lady Marmalade & Girls)………………………………………………………… Lady Sitting here eating my heart out waiting Waiting for some lover to call Dialled about a thousand numbers lately Almost rang the phone off the wall Looking for some... (Hot Stuff) baby, this evening I need some (Hot Stuff), baby, tonight I want some (Hot Stuff) baby, this evening Got to have some Hot Stuff Got to have some love tonight (Hot stuff) I need (Hot Stuff) I want some (Hot Stuff) I need (Hot Stuff...) Looking for a lover who needs another Don’t want another night on my own Wanna share my love with a warm-blooded lover Wanna bring a wild man back home Gotta have some... (Hot love) baby, this evening I need some (Hot Stuff), baby, tonight

21

I need some (Hot Stuff) baby, this evening Got to have some Hot Stuff Got to have love tonight (Hot stuff) I need (Hot Stuff) I want some (Hot Stuff) I need (Hot Stuff…) INSTRUMENTAL All Hot, Hot, Hot, Hot Stuff Hot, Hot, Hot Hot, Hot, Hot, Hot Stuff Hot, Hot, Hot Lady How’s about some... (Hot love) baby, this evening I need some (Hot Stuff) baby, tonight I need some (Hot Stuff) baby, this evening I need (Hot Stuff) baby, tonight Yeah, yeah, yeah, yeah, yeah (Hot stuff) baby, tonight I need some (Hot Stuff) baby, this evening I need some… All … Hot Stuff baby, tonight (By the end of the number, JACK is leaning against a table, shaking) Lady: (To the girls as they exit) Thank you girls Jack: It’s a nice offer... but... I’m... I’m seeing someone... I.... Lady: (Interrupting) Relax. Why so nervous, Jack? Jack: How do you know my name?

(LADY MARMALADE points to the name badge JACK is wearing) Jack: Who are you? Lady: Who I am is of little importance. Who I work for, now there is a question. But you’ll have to

promise not to tell a soul. Cross you heart and hope to die? I work for the Devil. The Horned One. Beelzebub, Lucifer - the Prince of Darkness himself. Here’s my card.

(LADY MARMALADE hands JACK a business card)

Jack: (Reading from the card. Sarcastically) Oh, yeah ‘The Devil’. Obviously! Lady: Well, one of his minion anyway... at your service.

22

Jack: I’m not being rude but won’t the men in the white coats be looking for you? Look, I’ll call you a cab. Mind you, I’m going to have trouble finding one that will go to Hades this time of night. (Weak, nervous laugh)

Lady: What a delightful wit. Maybe you should consider a career in stand-up instead of longing for one in the music industry.

Jack: How do you know that? Lady: I know everything about you. Why is it so hard to believe? Jack: All right, let’s say I believe you. Why me? Lady: I just want you to be happy. Jack: I am! Lady: Oh, please. I know every thought in your tiny little mind. I know that every night you go

home, strip down to your y-fronts, switch on your record player and sing along to your Barry Manilow vinyl’s in front of the mirror.

Jack: That isn’t true! (LADY MARMALADE glares at him) Not every night. Lady: Then you slide under your covers and wonder why you can’t be the one on that stage,

adored by women, stacks of cash, a flashy convertible... What would you think if I told you I had the power to give you all of this and much, much more? I’m talking about you taking control of your destiny. You really don’t believe me do you?

Jack: No. You don’t look anything like a devil. The horns, the little pointed tail... Lady: Please, it’s so ‘trick or treat’. (Producing a ‘contract’ from her bag. SFX Thunder) Jack: What’s that? Lady: (Handing JACK a huge contract) Just sign it, Jack. Jack: All right. Look, if I promise to look it over will you promise to go home, get some sleep and

in the morning get some help? (JACK starts looking through the contract) Lady: I wouldn’t worry about reading it. It does get very complex in places. Jack: (Reading the first page) The signer of this contract, herein referred to as ‘the damned’... Lady: (Turning the contract to the last page) You see, legal jargon. There’s nothing sinister to it -

it’s all standard stuff. It states that the devil will give you one wish to use as you see fit. Jack: All right, let’s just suppose I believe you about this whole ‘devil’ thing. What would you

want from me? Lady: Something you probably don’t even realise you have... your soul. Jack: But.. I... I’m not going to give you my soul. Lady: Who do you think you are? James Brown? Do you actually know what your soul does? Or

even what it looks like? Jack: Well, yeah... it’s a... it’s one of those... it’s kind of... well, you know... Lady: You see! You haven’t got a clue. No one has. That’s because they have no function at all -

they’re totally expendable. Jack: If it’s that useless, what do you want it for? Lady: Some collect stamps or postcards... even magazines? (Producing a magazine from her

bag)

(JACK catches sight of his photo and the headline on the front of the magazine)

23

Lady: That caught your attention didn’t it? Jack: Hey, it’s me. Lady: Not yet! It’s your destiny Jack... well one possibly destiny anyway. Jack: (Starting to think about the proposal) But it’s my soul? Lady: A small price to pay. Jack: But if you took it out wouldn’t it hurt? Lady: It’s a painless operation and after it... you won’t feel a thing! Besides, you don’t have to

pay for the wish until you’ve shuffled off this mortal coil. Then it’s no good to you anyway. (Seductively) Just sign the contract and everything you’ve ever wanted will be yours.

(After a pause, JACK signs the contract. SFX Thunder and LADY MARMALADE quickly puts it back into her bag)

Lady: Now, can you hurry it along. Jack: What? You want me to make my wish now? Lady: If you don’t mind. I’ve got places to go... people to condemn... Jack: (Thinking) Okay... erm... well I want to be famous... Lady: Always a fashionable choice. Jack: Popular and rich. How does that sound? Lady: Sounds groovy, baby. Enjoy. (LADY MARMALADE blows JACK a kiss and exits. JACK looks around. B/O) SCENE 5 TOILETS IN THE ‘DISCO INFERNO’, THE FOLLOWING EVENING

(TOM, JACK and TERRY are standing in the toilet preening themselves in an ‘imaginary’ mirror)

Jack: So that’s what happened. She walked in, I signed the contract and made a wish (They

look at JACK blankly) What? Terry: No, no, I believe you. A beautiful woman walks into the club and promises to give you

everything you ask for. Tom: That’s funny because last night, I got home and Elvis popped round for a game of

Monopoly. Jack: I’m serious. Terry: You really should start getting more sleep. So you really believe this woman do you? (TOM and TERRY laugh at JACK’s expense) Jack: We’ll just have to see won’t we? Just think of the money, the glamour. Just think of the

girls. Tom, your love life could do with a bit of a kick start. Tom: What’s that supposed to mean? I get my share. Terry: Like when? Tom: Just a few nights ago, actually.

24

Terry: (Laughing) What? With your Maggie? But, I thought you said... Tom: No, no, no. I decided to take Jack’s advice and got myself a date with the lovely Debbie. Jack: You are joking’. You and Debs? Tom: No. It’s true. It’s the car. Girls love the car. Park up. Back seat. Know what I mean? A non-

stop snogging frenzy. Jack: The only action you’ve ever seen in that car is when you got stopped for running through a

red light. Tom: A simple mistake. Jack: The red light was on the back of some poor bloke’s bike. Tom: All right. All right. So I made that bit up about me and Debs. ‘She’ asked ‘me’ out but I

turned her down flat. Jack: Give over. No girl in her right mind would get in a car with you behind the wheel. Tom: I’m a very good driver. Only last week somebody commented on my driving. They left a

little note on the windscreen that said ‘Parking Fine’. So that was nice. Jack: Look you two, I got something to talk to you about. (Producing a ring) Terry: Ah, it’s a lovely offer, mate but you’re not my type. Jack: It’s for Jane. I’m going to ask her to marry me. Terry: When? Jack: Tonight, in here. Tom: What in the bogs? Jack: No, not in the bogs! Well it’s about time isn’t it? We’ve been together six years (The guys

look amazed) Aren’t you going to wish me good luck? Tom: (Concerned) But what about your freedom? Jack: I’m going to ask her to marry me, not chain me to a rock and dump me in the Thames. Tom: But I thought you said... Jack: Never mind what I said... Terry: I’m really pleased for you mate. Look, I’ve got to get back behind the decks or Duke’s

going to go mad. (TERRY exits)

(The lights cross fade to the other side of the stage and the girls toilets. JANE and MAGGIE are preparing themselves in the mirror)

Jane: So, have you and Tom... you know? Maggie: (Butting in) We’ve talked about it. Jane: (In disbelief) Talked about it? Maggie: I just don’t want things to happen too fast. Jane: Too fast? You’ve been with for six years and you haven’t even kissed him yet. Maggie: When it happens I want it to be special. How about Jack? Has he...? Jane: No, he still hasn’t told me he loves me... Everytime, the subject comes up I think he tries

to but he just can’t get the words out. He twists and turns his face like he’s in agony, stammers for a few seconds and then quickly changes the subject. I know he loves me.. it would just be nice to hear him say it.

(The lights cross fade to the guys toilets once more. LILY enters)

25

Tom: How come all the birds fancy you? It’s always been the same, ever since we were younger. Come on, how about some tips. Tips on how to pull the birds.

Jack: You don’t need my help. I’ve seen the way girls look at you. Tom: Like who? Jack: (Looking out to the audience) There you are. How about her? Tom: (Turning to look at the audience) Who? (Quickly turning away embarrassed) She’s looking

at me! Jack: There you go you see. Now say something... romantic. Tom: (turning slowly and meaningfully, a la Barry White or The Big Bopper) Hello, baby.

(Realising) Ah, sorry mate! The lights are a bit bright. (Seeing the woman and trying again) Hello, baby. (To JACK) Here, what’s she doing in the bloke’s bogs? Jack, she’s laughing at me.

Jack: She’s laughing ‘with’ you. Tom: I’m not laughing! Jack: Must be something to do with the fact that your flies are still undone then. Tom: So how do the birds look at me? Jack: Sort of... like... (Pulling a ‘strained’ face) I’m only kidding’. Tom: It’s because I’m ugly, isn’t it? Jack: You’re not ugly. Lily: (To TOM) Don’t you worry, sweetheart. I was never a good looking kid. In fact, one might

have considered me to be an ugly duckling. And just look at what I grew into. Tom: An ugly duck. Jack: An ugly ducky. Lily: Charming! (He exits) Tom: I don’t know what it is about you. It can’t be the money, because you haven’t got any. Jack: All right, Tom. Tom: And it can’t be the car because you haven’t got one of those either. Jack: Thanks for reminding me. Tom: Sorry! Jack: Listen, mate, the best thing to do is be honest with her. You need to set the mood. A

romantic dinner for two, candlelight... that kind of thing. Tom: She’s just not that sort of girl... Jack: They’re all that sort of girl when you get them in the right mood. Tom: No, Maggie’s different... (A number of guys enter the toilet during the previous dialogue and join in with number) TRACK 7 SOME GIRLS (Tom, Jack & Male Company)…………………………………………………. Tom / Guys Some girls will (Ooh….) Some girls won’t (Wee, ooh…) Some girls need a lot of lovin’ an’ (Wee, ooh…) Some girls don’t (Wee, ooh…) Well I know I’ve got the feelin’ (Ah… ah… ah…) But I don’t know why (Ah…) Some say they will an’ some girls lie (Ah... Ah...)

26

Tom And then I stand in front of you Not really knowin’ what to do My heart is feeling something new Nervously I turn away from you I see the looks you’re sending me Is this the way it’s meant to be? It’s something we should talk about Just give me time to work it out Tom / Guys Some girls will (Ooh….) Some girls won’t (Wee, ooh…) Some girls need a lot of lovin’ an’ (Wee, ooh…) Some girls don’t (Wee, ooh…) Well I know I’ve got the feelin’ (Ah… ah… ah…) But I don’t know why (Ah…) Some say they will an’ some girls lie (Ah... Ah...) INSTRUMENTAL / VOCAL BREAK Tom I don’t know what I’m gonna do INSTRUMENTAL / VOCAL BREAK cont... Tom / Guys Some girls will (Ooh….) Some girls won’t (Wee, ooh…) Some girls need a lot of lovin’ an’ (Wee, ooh…) Some girls don’t (Wee, ooh…) Well I know I’ve got the feelin’ (Ah… ah… ah…) But I don’t know why (Ah…) Some say they will an’ some girls lie (Ah... Ah...) Some say they will an’ some girls lie (Ah… Ah…) Some say they will an’ some girls lie (Ah… Ah…) Tom: (Turning to exit) I’ll see you outside.

(TOM exits and JACK looks at the ring he is holding. At the appropriate point in the following number the lights come up in the girls toilets and JANE joins in the song)

TRACK 8 YOU TO ME ARE EVERYTHING (Jack, Jane & Company)…………………………………. Jack I would take the stars out of the sky for you Stop the rain from falling if you asked me to I’d do anything for you, your wish is my command

27

I could move a mountain when your hand is in my hand Jane Oh, words could not express how much you mean to me There must be some other way to make you see If it takes my heart and soul you know I’d pay the price Everything that I possess I’d gladly sacrifice Both Oh, you to me are everything The sweetest song that I could sing Oh baby, oh baby To you I guess I’m just a clown who picks you up each time you’re down Oh baby, oh baby Jane You give me just a taste of love to build my hopes upon Jack You know you’ve got the power girl, to keep me holding on Both So, now you’ve got the best of me Come on and take the rest of me Oh baby, oh baby. Jack When you’re close to me we seem so far apart Maybe given time you’ll have a change of heart Jane If it takes forever boy, then I’m prepared to wait The day you say you love me won’t be a day too late

CHORUS Company Oh, you to me are everything The sweetest song that I could sing Oh baby, oh baby Oh, you to me are everything The sweetest song that I could sing Oh baby, oh baby Jack/Jane You to me are everything!

(As the song progresses, the toilets move out and JACK, on bended knee proposes to JANE)

SCENE 6 BACK INSIDE ‘DISCO INFERNO’

(LADY MARMALADE enters and walks over to DUKE, who is sitting at the bar. They shake hands and are seen to be discussing something. Occasionally DUKE looks over to JACK)

28

Jack: Jane, will you marry me? Jane: (Very happy) I don’t know what to say. Jack: Say ‘yes’ Jane: Yes. Jack: I’m going to make it one day, you know that, don’t you? Jane: I love you, Jack. Jack: Yeah, yeah... I... li....li....(He can’t get the words out) like you too... a lot.

(JACK and JANE kiss and the company react. DUKE leaves LADY MARMALADE and walks over)

Duke: Well, well, well... I guess ‘congratulations’ are in order. The drinks’ on me (Handing TOM a

drink) Here you go... pass it around. Jack, I’ve just been speaking to your manager. Jack: My what? Jane: Manager? You didn’t tell me. Duke: She seems convinced that you could be the next David Cassidy. She reckons I should

give you a chance to prove yourself. Tom: (Impressed) David Cassidy! Duke: So I thought, I’d throw caution to the wind and give you a shot. Singing, in here this Friday.

It’s Fancy Dress. Should be a good night. Tom: (Still impressed) David Cassidy, eh? Jack: What about Heathcliffe? Duke: What about him? (Changing the subject) You’ve got to start thinking about your future,

Jack. Surely it’s got to be better than cleaning tables all night? Tom: Who’s the hell’s David Cassidy? Duke: Could be just the break you’ve been looking for (to TOM) You’re mum tells me you just got

a new job and a new car... Tom: It’s a Capri! (Shakes his car keys) Duke: (to JACK) See, even a useless plank like him can make something of himself. Now do you

want the gig or don’t you? Jack: Well... yeah... yeah, of course I do. Duke: I thought as much. (Walks over to HEATHCLIFFE) Jane: (Excited) Oh, Jack.

(LADY MARMALADE walks over as DUKE approaches HEATHCLIFFE. DUKE and HEATHCLIFFE are clearly discussing something)

Lady: Well aren’t you going to introduce me? Jack: Jane, Tom, Maggie... this is my... erm... Lady: Lady Marmalade - Jack’s manager. I’ve been following Jack’s career for some time now.

Let’s just say that I’m someone very much into ‘soul’ and Jack’s got exactly what I’m looking for. (To JACK) So many auditions and so many knock backs. Everyone deserves a break.

Jack: But how did you get Duke to....

29

Lady: (Interrupting) I can be ‘very’ persuasive. Well I have to get going. My boss will be expecting me back and he’s got one hell of a temper... such a hot head. Anyway, it’s been a pleasure. I dare say I’ll see you all here next Friday for Jack’s debut performance. Ciao.

Tom: (Mesmerised) Ciao. (LADY MARMALADE kisses JACK and exits. MAGGIE slaps TOM out of his trance) Heathcliffe: (Shouting) You what? (The music stops and the company freeze all looking towards HEATHCLIFFE) Duke: It’s just for one night. Heathcliffe: Now you listen to me... Duke: No, you listen to me. (B/O) SCENE 7 IN AN ALLEY BEHIND ‘DISCO INFERNO’ (HEATHCLIFFE paces backwards and forwards with KATHY standing close behind) Heathcliffe: Who does he think is? Whose face appears on that billboard? Kathy: (Clearly uninterested) Yours! Heathcliffe: That’s right. Mine! My face... not the face of some jumped up glass cleaner. What does

Duke think he’s playing at? (No reply) What’s he got that I haven’t? Kathy: Hair? Heathcliffe: You what? Don’t you joke about my hair. Kathy: I don’t know why you’re so bothered about this place. You should be setting your sights

higher. Heathcliffe: I am. But you’ve got to have something to fall back on. This is my steady until I hit the big

time. Look, we get by just fine. Kathy: I don’t want to just ‘get by’. I want to be showered in jewels and wrapped in silks and satin.

These days I’m lucky if I’m wrapped in polyester. Heathcliffe: It’s not all about the money. Kathy: I’m only saying that it’d be nice if you treated me once in a while. Heathcliffe: Took you out for dinner the other night, didn’t I? Kathy: The Mermaid? Heathcliffe: It’s a very respectable chip shop, that is! Kathy: (Sarcastically) How romantic! Heathcliffe: That’s all you ever go on about... money. If you’re that bothered about it, why don’t you get

out there and earn some of your own? What am I thinking? You can’t do anything, can you?

Kathy: (Upset) Heathcliffe, please. Heathcliffe: You just remember who was that found you on the seats and pulled you out of the gutter. I

could quite easily throw you back in it again (He exits)

30

TRACK 9 STREETLIFE (Kathy)……………………………………………………………………………… Kathy I play the... Street life, because there’s no place I can go Street life, it’s the only life I know Street life, there’s a thousand parts to play Street life, until you play your life away You let the people see, just who you wanna be An’ ev’ry night you shine just like a superstar That’s how life is played, a ten cent masquerade You dress, you walk, you talk, you’re who you think you are Street life, you can run away from time Street life, for a nickel or a dime Street life, but you better not get old Street life, or you’re gonna feel the cold There’s always love for sale, a grown-up fairy tale Prince Charming always smiles behind a silver spoon And if you keep it young, your song is always sung Your love will pay your way beneath the silver moon Street life, street life Street life, oh, street life I play the street life because there’s no place I can go Oh, oh... I play the Streetlife. Heathcliffe: (O/S) Are you coming or what? SCENE 8 OUTSIDE ‘DISCO INFERNO’, THE FOLLOWING FRIDAY

(Outside the club, JANE is waiting for JACK, in fancy dress. Members of the company, also in fancy dress, walk passed and into the club. DUKE is collecting tickets and looking on)

Jack: (Kissing JANE) You all right? Sorry I haven’t been about much this week. I’ve been so

busy. Lady Marmalade’s got me rehearsing all hours of the day. She’s persuaded the manager of The Roundhouse to come along to the gig tonight. Just think of all the greats that have performed at The Roundhouse... T-Rex, the Rolling Stones Farewell Tour, March 14th ‘71... Pete Townsend April 12th ‘74, Led Zeppelin...

Jane: Everything seems to be working out for you at last.

31

Jack: For us. Jane: You did remember that we’re going out with my parents tonight, after the gig! Jack: Oh no, I can’t tonight. I promised I’d grab something to eat with Lady Marmalade, she’s

got some plans that she wanted to run past me. Jane: But the tables’ been booked for months. Jack: You can’t expect someone like her to make plans a month in advance. We can have

dinner with your parents another night. Jane: Another night? Jack, you promised. Jack: Look, I’ve been waiting for this chance all my life. I’d expect you of all people to be a little

bit more understanding. You coming inside? (He exits and she follows slightly behind) SCENE 9 FANCY DRESS NIGHT INSIDE ‘DISCO INFERNO’ (The club is in full swing and the company dance to the music played) Terry: (A la DJ) Yes, it’s me, the fabulous, phenomenal Terry D. It’s Friday night and fancy dress

at Disco Inferno. The joint’s already jumping’ here tonight and it looks like it’s going to be a night to remember.

(JACK is being pampered by LADY MARMALADE. HEATHCLIFFE is sitting at the bar, glass in hand)

Lady: Right. This is your big night. Are you all right? Jack: (unconvincingly) I’m fine. Lady: This is what you wanted. What you’ve dreamed about your whole life. You’ll be fine. Heathcliffe: (To JACK) I want a word with you. Don’t get any ideas, right? Just you remember whose

name appears on that billboard outside. Do you understand me? Duke: Now you better put on a good show tonight. I’m counting on you. Heathcliffe: (Sarcastically, to JACK) I can hardly wait! (TOM, JANE and MAGGIE enter) Tom: Jack? You all right? Jack: Maybe I should just tell Duke that I’m not up for it. Lady: Come on, what’s wrong? This is the break you’ve been waiting for. Jack: Ever since I could remember, my dad’s always wanted me to make a go of it, but.. Tom: (Interrupting) That’s funny because my dad had my career picked out for me too…

(TOM starts the next number but it is stopped by the guys who realise that they are one short. A member from the audience is invited up on stage, at the discretion of the director, given a costume and encouraged to join in the routine)

32

TRACK 10 VILLAGE PEOPLE MEDLEY (Male Company)………………………………………………... Tom (In the navy) Yes, you can sail the seven seas (In the navy) Yes you can put your mind at ease (In the navy) Come on and join your fellow man (In the navy) Come on, now people… make a stand Guys In the navy, in the navy, In the navy Tom Where can you find pleasure? Search the world for treasure? Learn science, technology? Where can you begin to make your dreams all come true? On the land or on the sea? Where can you learn to fly, playing sports or skin-dive? Study oceanography? Sign up for the big band or sit in the grandstand When your team and others meet? Tom (In the navy) Yes, you can sail the seven seas (In the navy) Yes you can put your mind at ease (In the navy) Come on and join your fellow man (In the navy) Come on, now people… make a stand Guys In the navy, in the navy, In the navy INSTRUMENTAL We want you, we want you, we want you as a new recruit We want you, we want you, we want you as a new recruit Terry (Together) We will go our way (Together) We will leave someday (Together) Your hand in my hand (Together) We will make the plans (I love you) I know you love me (I want you) Happy and carefree (So that’s why) I have no protest (When you said) You want to ‘go west’ (Go west) Life is peaceful there (Go west) Lots of open air (Go west) To begin life new (Go west) This is what we’ll do. DRUM BREAK

33

Jack (Young man) There’s no need to feel down I said (Young man) Pick yourself off the ground I said (Young man) ‘Cos you’re in new town (There’s no need to be unhappy) (Young man) there’s a place you can go I said (Young man) When you’re short on your dough You can (stay there) an’ I’m sure you will find Many (ways to have a good time) Its fun to stay at the (YMCA)(x2) They have everything for young men to enjoy You can hang out with all the boys Its fun to stay at the (YMCA)(x2) You can get yourself clean You can have a good meal You can do whatever you feel Its fun to stay at the (YMCA)(x2) Young man, young man, there’s no need to feel down Young man, young man, pick yourself off the ground YMCA.... yeah! Duke: When you lot have finished mincing around... (To member of the audience as they are

shown to their seat) And you should know better at your age! (To JACK) Don’t let me down.

Jane: (To JACK) Good luck. (Kissing JACK) Terry: (A la DJ) It’s a very special evening this evening, ladies and gentlemen. Tonight, we have

a young man and a very good friend of mine, making his debut performance at ‘Disco Inferno’. So Jack ... (Cheers from the company) ... don’t forget who your friends are when you’re rich and famous. Ladies and Gentlemen, remember where you saw him first as we welcome onto the stage Jack and the Fallen Angels...

(The company applauds and JACK nervously makes his way onto the stage. HEATHCLIFFE claps sarcastically. During the following number it is clear the JACK is nervous but after a verse or two the nerves are soon gone and JACK is a huge success)

TRACK 11 COULD IT BE MAGIC (Jack & Company)……………………………………………………... Jack Spirits move me, ev’ry time I’m near you Whirling like a cyclone in my mind You’re my lifeline, angel of a lifetime

34

Answer to all answers I can find Baby, I want you All Come, come, come into my arms Let me know the wonder of all of you Could it be magic? Now, now, now an’ hold on fast Could this be the magic at last? Jack Baby, take me high up on a hillside High up where the stallion meets the sun I could love you, build my world around you Never leave you ‘til my life is done Baby, I love you All Come, come, come into my arms Let me know the wonder of all of you Could it be magic? Now, now, now an’ hold on fast Could this be the magic at last? INSTRUMENTAL / VOCAL BREAK Baby, I love you Come, come, come into my arms Let me know the wonder of all of you Could it be magic? Now, now, now and hold on fast Could this be the magic at last? Could it be magic? Could it be magic? Could it be magic? Now

(The company cheer. One of the girls leaps forward, throws her arm around JACK’s neck and kisses him)

Tom: So that’s how you pull the birds.

(MAGGIE and JANE take it in turns to slap TOM. JACK is a success. Encouraged by LADY MARMALADE and other members of the company, the audience start chanting for ‘Jack’. This annoys HEATHCLIFFE. He knocks his chair over to the floor and storms over to JACK, grabbing the microphone from him and advances menacingly on the audience)

35

TRACK 12 LEADER OF THE GANG (Heathcliffe)………………………………………………………….. Heathcliffe Come on, come on. Come on, come on Come on, come on, come on (x2) I said... Come on, come on. Come on, come on Come on, come on, come on (x2) D’you wanna be in my gang, my gang, my gang D’you wanna be in my gang, oh yeah. D’you wanna by in my gang, my gang, my gang D’you wanna by in my gang I’m the leader, I’m the leader, I’m the leader of the gang, I am I’m the leader, I’m the leader, and there’s no one like the man I am I can take you high as a kite, ev’ry single night I can make you sell me your soul, for rock ‘n roll You’ll never believe it (Come on, come on) You’ll never believe it (Come on, come on) You’ll never believe it (Come on, come on) D’you wanna be in my gang, my gang, my gang D’you wanna be in my gang, oh yeah.(x3) D’you wanna by in my gang, my gang, my gang D’you wanna by in my gang... my gang! Heathcliffe: (Advancing toward JACK) So, you’re the proper little superstar now aren’t you? Well we’ll

see how much they like you when I’ve rearranged your face.

(HEATHCLIFFE is about to hit JACK as DUKE walks in. The company react)

Duke: All right, that’s enough. I’ll have no fighting in my club. Heathcliffe: (To JACK) Believe me, you haven’t heard the last of this. (He exits) Kathy! (She follows) Duke: You did well tonight. After what I’ve just seen, I might consider looking for a new act, to

replace Heathcliffe - a more permanent position - if you’re interested. Give it some thought. (Turning to go) Oh, I almost forgot. The manager of The Roundhouse... fortunately for you, had to shoot off. I’m not sure he’d have been as impressed if he’d have seen that little escapade. Anyway, he left this for you.

(DUKE hands JACK a piece of paper)

36

Jane: Well? What does it say? Tom: Come on, mate. Jack: (Excitedly reading) Apparently tomorrow nights act have pulled out and they need

someone to step in. They want to know if I’d be interested...

(JACK is extremely happy. He passes JANE, much to her upset and throws his arms around LADY MARMALADE)

Lady: You see, the big guy upstairs is not the only one that can perform miracles. Jane: Jack… ? Jack: I’m going to be singing at The Roundhouse, tomorrow night. Lady: And we’ve got a lot to do before then. We really must do something about your image. Jack: What’s wrong with it? Lady: Nothing that a good friend of mine can’t put right... I’ve already got us an appointment in

the morning. Jane: Jack, please. It’s really important. Lady: (To JANE) And it will have to wait. Jack doesn’t need any distractions right now. Jane: But I... (LADY MARMALADE hurries JACK off stage) I love you. (B/O) SCENE 10 DIABLO RECORDS, CARNABY STREET, THE NEXT MORNING

(JACK is ushered by LADY MARMALADE into a swanky office. An over-the-top, camp and overtly glamorous, record exec, NICK DIABLO, is ordering his various secretary’s, P.A.’s and junior executives to do various things whilst on two telephones)

Nick: (Seeing LADY MARMALADE) Lady, sweetie, darling. (Kissing her on both cheeks) Lady: Nicky baby, there’s someone I want you to meet.

(LADY MARMALADE ushers JACK forward. He holds out his hand to NICK, who doesn’t take it but looks him up and down)

Nick: We meet at last, Jack. Lady Marmalade’s told me so much about you. She tells me that

you have raw talent. Play your cards right and we could be talking photo shoots with Time, Lunch with glamour girls. Take any amount of money you’ve ever earned and add four zero’s. (Walking JACK over to a wall of photographs) Look at these photo’s Jack, all individual stars in their own right, the Bay City Rollers, David Bowie, Alice Cooper, David Soul... a stage name I’m particularly proud of.

Jack: (Pointing to a picture) Isn’t that Rolf Harris? Nick: Well, everyone’s entitled to make one mistake, dear. So, you’re playing at the

Roundhouse this evening are you? Yes, of course you are. Lady: What do you think? Nick: A bit rough around the edges. Jack: What’s that supposed to mean? Nick: But I’m sure he’ll scrub up nicely. There’s nothing like a blank canvass to work on.

37

Jack: (Defensively) Watch it. Lady: Look, Jack, when it comes to the music business, style and image are everything. You

won’t find a better person to ask for advice. Nick: It’s true. I put the ‘pop’ in pop music, baby!

(During the following number, JACK is redressed and restyled by the execs, hairdressers, tailors etc. under the supervision of NICK and LADY MARMALADE)

TRACK 13 POP MUZIK (Nick & Company)…………………………………………………………………. Nick (answering telephone) Nick Diablo speaking Company Pop, pop, pop music Pop, pop, pop music (x2) Nick Radio, video Boogie with a suitcase You’re livin’ in a disco Forget about the rat race Let’s do the milkshake, sellin’ like a hotcake Try some, buy some, fee-fi-fo-fum Talk about (Pop, pop, pop music) Talk about (Pop, pop, pop music) Company Shoo-bee doo-bee, do wop Nick I wanna dedicate it Company Bop, bop, shoo-wop Nick Everybody made it Company Shoo-bee doo-bee, do wop Nick Infiltrate it Company Bop, bop, shoo-wop Nick Activate it New York, London, Paris, Munich Everybody talk about pop music Talk about (Pop, pop, pop music) Talk about (Pop, pop, pop music) Company Pop, pop, pop music Pop, pop, pop music Nick Singing in the subway Shuffle with a shoeshine Fix me a molotov I’m on the headline Don’t wanna be a gun slinger, wanna be a rock singer Eeny meeny miney moe

38

Which a-way you wanna go Talk about (Pop music) Talk about (Pop music) Company Shoo-bee doo-bee, do wop Nick Lying in a tree Company Bop, bop, shoo-wop Nick Eeney, meeny Company Shoo-bee doo-bee, do wop Nick Bird in the tree Company Bop, bop, shoo-wop Nick You know what I mean? Hit it. (Talk about) Talk about (Pop music) (Talk about) Talk about (Pop music) (Pop, pop) Pop music (Pop, pop) Pop music Nick All around the world (Pop, pop, pop music) Wherever you are (Pop, pop, pop music) Dance in the street (Pop, pop, pop music) Anything you like (Pop, pop, pop music) Do it in the car in the middle of the night (Pop, pop, pop music) La, la, la, la, la, la, la, la, la (Pop, pop, pop music) La, la, la, la, la, la, la (x2) (Pop, pop, pop music) Dance in the Supermarket Dig it in the fast lane Listen to the countdown They’re playing our song again I can’t get jumpin’ jack (talking into telephone) I wanna hold, get back Moonlight, muzak, knick knack paddy-whack

(Talk about) Talk about (Pop music) (Talk about) Talk about (Pop music) Company Shoo-bee doo-bee, do wop Nick It’s all around you Company Bop, bop, shoo-wop Nick Gonna surround you Company Shoo-bee doo-bee, do wop Nick It’s all around you Hit it.

39

New York, London, Paris, Munich Everybody talk about Pop Music

(Talk about) Talk about (Pop music) (Talk about) Talk about (Pop music) (Pop, pop) Pop music (Pop, pop) Pop music

(Talk about) Talk about (Pop music) (Talk about) Talk about (Pop music) (Pop, pop) Pop music (Pop, pop) Pop music

Nick: Now, let’s get a photo of you for the papers. (Into the intercom) Pandora, send in my photographer. (To JACK) Time is money. Let’s get the world talking about, the one and only... Jack.... (Awaiting a response)....Jack.... We need a stage name.

(The PHOTOGRAPHER enters) Photographer: Ready for your close up, Mr Diablo? Nick: (Posing for a photograph with JACK) Something that simply dazzles, darling. (The PHOTOGRAPHER takes the photograph) Nick: That’s it! Jack: That’s what? Nick: Flash Jack! (One of the executives whispers in his ear) Better still... I’m a genius (On the

intercom) Pandora, darling. Alert the media. I want the world to say hello to the new star... Jumping Jack Flash.

SCENE 11 DRESSING ROOM AT THE ROUNDHOUSE, later that evening

(As the lights come up, JACK is standing in his dressing room, signing autographs for other girls in the company. KATHY enters DS and watches for a while. KATHY gestures to girls to leave them alone and they exit)

Jack: Kathy? What are you doing back here? Kathy: (Seductively) I just came to wish you good. Jack: That’s sweet. Kathy: Heathcliffe’s worried, you know? Jack: Look, I really have to finish getting ready. Kathy: I just wanted to warn you. Jack: Warn me?

40

Kathy: About Heathcliffe. You don’t know him as well as I do. He’s got a temper and right now, he’s not very happy. You’ve stolen his limelight, his gig. But then let’s face it, you’ve got something he hasn’t got.

Jack: What’s that? Kathy: Me! (JACK stands up and pulls away) Jack: I don’t think this is such a good idea. Kathy: You need someone who understands the needs of a star and that’s where I come in. (KATHY goes in for the kiss) Jack: (Jumping to his feet) No, really I... I’m expecting Jane any moment now. Kathy: Relax, I’ve already seen her sitting in the front row with the others. You must know that I

don’t come on to just anyone. I’ve been waiting my whole life for the right guy to come along.

Jack: And I’m the right guy? Kathy: No, I’m just sick of waiting. (JACK doesn’t look impressed) That was a joke. Just relax. (KATHY moves in much closer still when they hear an intercom announcement) Announcer: (O/S) Jack Flash to the stage, please. Jack Flash to the stage. Jack: I’ve got to go! (Stands promptly and runs to the exit) Kathy: Good luck. I’ll be right here waiting for you. (Blows him a kiss. B/O) SCENE 12 ON STAGE AT THE ROUNDHOUSE

(During the B/O the curtain is dropped and the following dialogue takes place in front of it) Compare: (A la compare, to audience) Well, hello there. How’s everyone doing this evening? Are

you all having’ a good time? (Await audience response) Oh come on. Are you all having a good time? (Await audience response) That’s a little more like it. Good. And have we got a great show for you tonight, a monster show. That’s right. So ladies and gentlemen, guys and girls, please put your hands together and give a nice warm, Roundhouse welcome to the rockin’ rebel himself, the one, the only Jack Flash.

(The curtain rises and JACK stands on stage in all his splendour. Seeing the audience for the first time, he panics and goes to run off stage. He is pushed back on by the compare. Music starts)

41

TRACK 14 BOOGIE NIGHTS / DISCO INFERNO (Jack & Company)…………………………………… Company Boogie nights, whoah, oh… oh…

Boogie nights, whoah, oh… oh… Boogie nights... Boogie nights... Boogie nights

Jack Ain't no doubt we are here to party Company Boogie nights Jack Come on now got to get it started Dance with the boogie get down Company Dance with the boogie get down Jack 'Cause boogie nights are... Company ... always the best in town

Got to keep on dancing Keep on dancing Got to keep on dancing Keep on dancing

Boogie nights

Jack Get that groove, let it take you higher Company Boogie nights Jack Make it move, set this place on fire Dance with the boogie get down Company Dance with the boogie get down Jack 'Cause boogie nights are... Company ... always the best in town

INSTRUMENTAL Party night

Jack Can you show that you know how to do it Company ...Boogie Nights Jack Do it, do it Company Party night Jack Get on down with the sound of the music Company …Boogie Nights Jack Music, music Company Boogie nights Jack It’s all right, when you’ve got the feeling Company Boogie Nights Company Hold it tight, got to keep on dealing

Dance with the boogie get down

42

Company Dance with the boogie get down Jack 'Cause boogie nights are... Company ... always the best in town Boogie nights! INSTRUMENTAL ‘DISCO INFERNO’ (B/O)

END OF ACT ONE

43

DISCO INFERNO ABRIDGED EDITION

ACT TWO

TRACK 15 ENTR’ACTE / RADIO MONTAGE (Instrumental)……………………………………………...

(During the entr’acte, we hear several o/s announcements and reviews reporting on the success of the new pop sensation. These could be tailored at the discretion of the director, adding more local references)

Announcer 1: (A la Tony Blackburn) So mark that date, Saturday November 5th. Just look for the BBC

Radio 1 hit caravan and me. I got an exciting guest on my show today. Recently released his first album on the Diablo label and currently leaping up the UK chart. Of course I’m talking about the new and ever popular pop sensation, Jumping’ Jack Flash.

Announcer 2: .. and the award for Best Newcomer this year goes to a man, just twenty-one and so much

talent, a legend in his own lifetime... This years New Musical Express poll winner is Jumping’ Jack Flash (SFX Applause)

Announcer 3: You’re listening to Radio 1’s Friday Rock Show with me, Tommy Vance spinning all those

tunes you wanna hear. We’ll kick off this evening with this weeks most requested track from the new singing sensation that is... Jack Flash.

Announcer 4: (A la Noel Edmonds in ‘Juke Box Jury’) And that’s... (SFX Two bells rings) ... a hit for

newcomer Jack Flash. Announcer 5: (a la Kermit the Frog) It’s the Muppet Show, with out very special guest star, Jack Flash. SCENE 1 TOP OF THE POPS STUDIO, OCTOBER 1976

(As the lights come up we find ourselves in the Top of the Pops studio in October 1976, a scene complete with cameras, lights, screaming teens, Pan’s People and a presenter who bares a remarkable resemblance to Jimmy Saville, who is having his face powdered by a glamorous studio employee. There is much excitement. JACK is standing beside LADY MARMALADE with TOM standing beside in awe)

Producer: We have clearance. Going live in five... four... three... (He mime’s ‘two and one’)

44

TRACK 16 TV THEME (Instrumental)…………………………………...

(As the music starts the teens scream. Two or three of them smiling at the camera standing around the PRESENTER)

Jimmy: Now then, now then... what have we got here? Welcome to another Top of The Pops. And

what a special show we have lined up for you tonight with none other, none other than The Rubettes (Teens cheer), Leo Sayer (Teens cheer) The Brotherhood of Man (Teens cheer) Jack Flash... (Teens cheer louder than ever) and our special guests - two years on from winning the Eurovision Song Contest - the glittering Swedish sensation, Abba.

(The teens cheer as ‘ABBA’ enter and stand behind JACK and TOM) Tom: (very excited) And there they are… (tugging on Jacks sleeve) There they are Jack: What? Tom: Abba… look. I can’t believe it. Abba… did you know that that’s a palindrome, that is. Jack: What are you on about? Tom: I’ve got to say hello. I know a bit of Swedish. (Turning to ABBA and in a very bad Swedish

accent) Hello, how are you?

(Without hesitation, one of the guys from ABBA hits TOM. NB Tom now wears a plaster on his nose until Scene 9 Act 2. ABBA exit)

Tom: (Holding his nose) Ouch! I think he broke my nose. Jack: Don’t worry, Jim’ll fix it! (JACK and LADY MARMALADE laugh) Jimmy: Now then, now then. Have we got a treat to kick off tonight’s show? Lady: (To Jack) Knock ‘em dead. Jimmy: Ladies and Gentlemen, boys and girls. A star that shines brighter than my jewellery...

jingle, jangle.. Jewellery, jewellery... Yes, that’s right... Jumping’ Jack Flash. (Teens cheer) (JACK runs up onto the stage and the teens go wild) TRACK 17 STARMAN (Jack & Company)…… …………………… Jack Didn't know what time it was the lights were low

I leaned back on my radio Some cat was layin' down some rock 'n' roll 'lotta soul, he said Then the loud sound did seem to fade Came back like a slow voice on a wave of phase That weren't no D.J. that was hazy cosmic jive There's a starman waiting in the sky He'd like to come and meet us But he thinks he'd blow our minds

45

There's a starman waiting in the sky He's told us not to blow it Cause he knows it's all worthwhile He told me Let the children lose it Let the children use it Let all the children boogie I had to phone someone so I picked on you Hey, that's far out so you heard him too Switch on the T.V. we may pick him up on channel two Look out your window I can see his light If we can sparkle he may land tonight Don't tell your pappa or he'll get us locked up in fright There's a starman waiting in the sky He'd like to come and meet us But he thinks he'd blow our minds There's a starman waiting in the sky He's told us not to blow it Cause he knows it's all worthwhile He told me Let the children lose it Let the children use it Let all the children boogie Starman waiting in the sky He'd like to come and meet us But he thinks he'd blow our minds There's a starman waiting in the sky He's told us not to blow it Cause he knows it's all worthwhile He told me Let the children lose it Let the children use it Let all the children boogie La, la, la, la, la, la, la, la etc.

(The song finishes and the crowd surrounds JACK. JANE walks on DSR. The stage lights change. The crowds are wearing ‘Jack Flash’ T-shirts, carrying records, banners, photographs etc. Two security guards usher JACK off stage with the crowd following close behind. One of the girls from the crowd grabs JACK and kisses him. JANE tries to call to him but can’t be heard over the crowd. JANE is left alone on stage. She walks over and picks up a T-shirt left on the floor and holds it up to her chest almost in tears)

46

TRACK 18 FIGARO (Jane & Company)……………………………………………………………………… Jane Ev’ry morning when sun is dawning You’ll see him down on the beach Look out girl, beware, better take good care Keep yourself out of reach He’s out to make a killing girl He’s out to make a score And maybe If you’re willing girl He’s gonna ask for more Company Oh, oh Figaro - he’s got magico, oh Oh, oh Figaro - he’s a Romeo, oh See him down on the beach He’ll be looking for someone new Searching down on the beach Figaro, Figaro. Jane When he plays guitar at the disco-bar He’s the star of the show As the girls go by he just winks an eye See the pretty girls glow He’s out to make a killing girl When dancing on the floor And maybe If you’re willing girl He’s gonna ask for more Company Oh, oh Figaro he’s got magico, oh Oh, oh Figaro he’s a Romeo, oh See him down on the beach He’ll be looking for someone new Searching down on the beach Figaro, Figaro. Oh, oh Figaro he’s got magico, oh Oh, oh Figaro he’s got magico, oh Oh, oh Figaro he’s got magico, oh

(At the end of the number TERRY walks on stage, closely followed by LADY MARMALADE, but unobserved by JANE)

47

Lady: She looks really nice tonight, doesn’t she? Terry: (Taken by surprise) Oh! Hi... erm... yeah, yeah she does. (B/O) SCENE 2 INSIDE ‘DISCO INFERNO’, TWO WEEKS LATER

(The club is once again in full swing. HEATHCLIFFE is now cleaning the floors. DUKE is standing around impatiently looking at his watch and many members of the company stand around waiting for JACK. After a while they start chanting, ‘Jack. Jack’)

Duke: Where is he? Jane: I wish I knew. I’ve hardly seen him in two weeks. Duke: He promised me he’d be here to judge the Dance Competition tonight. I’ve got the press

over there waiting and everything. If he doesn’t turn up how’s that going to make me look? (TOM enters dancing, trying to count his steps) Jane: (To DUKE) Maybe Tom’s seen him. (To TOM) Tom? Tom: Don’t talk, don’t talk. I’m counting. (Losing his count) Practising. Duke: Practising what? Tom: Dancing. Maggie’s been on at me for ages about how much she wants to dance with me...

so I decided to pop down to the library and get myself a book out. (He does a ‘move’) What do you think? Self taught... not a single lesson. You know, I think we’ve got a pretty good chance of winning tonight.

(DUKE laughs to himself and exits) Jane: You seen Jack? Tom: Not for a while. Still, you know how busy he’s been. (MAGGIE enters) Tom: Hello, Mags. (Suavely) So do you fancy entering the competition? Maggie: With who? Tom: With me. I’ve been practising (He ‘struts his stuff’ across the floor) This is it. I was born to

boogie. Maggie: Typical. Lost in music! TRACK 19 I LOVE TO LOVE (Maggie & Company)……………………………………………………….. Maggie Oh, I love to love, but my baby just loves to dance He wants to dance, he loves to dance, he’s got to dance Oh (I love to love), but my baby just loves to dance Oh, (I love to love), but there’s no time for our romance

48

No, no, no, no Oh (I love to love), but my baby just loves to dance The minute (Minute) the band begins to swing it (Swing it) He’s on his feet to dig it (dig it) And dance the night away. Stop! (Stop, stop) I’m spinnin’ like a top (Top, top) We’ll dance until we drop (Drop, drop) But if I have my way Oh, I love to love, but my baby just loves to dance He wants to dance, he loves to dance, he’s got to dance Oh (I love to love), but my baby just loves to dance Oh, I love to love, but there’s no time for our romance No, no, no, no Oh (I love to love), but my baby just loves to dance Stop! (Stop, stop) I’m spinnin’ like a top (Top, top) We’ll dance until we drop (Drop, drop) But if I have my way (Sun down) instead of going (downtown) We’ll stay at home and (get down) To what I’m trying to say I love to love, but my baby, he loves to dance Yes, he does (x2) I love to love, but my baby, he… Company …loves to dance

(At the end of the number there is huge excitement as JACK walks in. The girls in the club surround him, trying to get his autograph and possibly even a photograph of them with him as they once did with HEATHCLIFFE. HEATHCLIFFE looks on)

Jack: Excuse me girls (They walk away. Calling to TOM) Tom! Tom: Where have you been? Jack: Look, mate. I’ve got a problem. Tom: You’re going to have if you don’t get over there and talk to Jane. Jack: It’s Kathy! (Handing him a piece of paper) Tom: You’ve called a piece of paper Kathy? You really ‘do’ have a problem, mate. Jack: No it’s a letter from Kathy, you idiot! Tom: Oh. (Reading aloud) Dear Jack, I haven’t stopped thinking about you since last week... Jack: What am I going to do? Tom: I take it we are talking about Heathcliffe’s girlfriend, Kathy? Jack: Yes, Heathcliffe’s girlfriend, Kathy. Tom: You lucky bugger?

49

Jack: Tom! Tom: Look, I’d get rid of that letter if I were you. If Heathcliffe finds out you’ve been seeing his

girlfriend... Jack: (Interrupting) I am not seeing his girlfriend. Tom: I’d keep your voice down if I was you and make another one of those wishes of yours (JANE and MAGGIE walk over. JANE doesn’t look very impressed) Jane: Where have you been? Maggie: Yeah, where have you been? Jack: Well, I’ve been working haven’t I? Jane: Why didn’t you call? Maggie: You could have called. Jane: (To MAGGIE) Do you mind? (DUKE walks over to MAGGIE and TOM and signs them into the competition) Jack: You know how busy I’ve been. Jane: Too busy to pick up the phone? (Before JACK can stop her, JANE takes the letter from his hand and reads it) Jack: Jane, it isn’t how it looks. Jane: Now I know why you’ve been so ‘busy’ Jack: Jane, listen.... Jane: It’s no wonder you never could tell me that you loved me... is it?

(JANE screws up the letter and throws it at JACK. She runs off stage. JACK goes to follow but is stopped by DUKE)

Duke: (To Jack) You took your time didn’t you? Terry: (A la DJ) It’s that time again, Saturday night at Disco Inferno... put on those flares and sort

out your pairs. Grab your favourite girl and get down. Maggie: Jack, where did Jane go? Terry: (A la DJ) The Disco Fever at the club’s contagious tonight... it’s the Disco Inferno Dance

Competition and a chance tonight of walking away with some great prizes. Tom: Tonight’s the night, baby. Are you ready? Terry: (A la DJ) So, come on. Get ready to hit that floor and burn, baby, burn ‘cos we all love to

boogie. But Jack, be careful. You can’t boogie if your legs are broken. Here’s a reminder to keep those feet moving or else someone will pinch your shoes.

TRACK 20 GROOVE MEDLEY (Jack & Company)………………………………………………………… Company Sunshine… moonlight… good times… boogie Sunshine… moonlight… good times… boogie

50

Jack My baby’s always dancin’ an’ it wouldn’t be a bad thing But I don’t get no lovin’ and… Company …that’s no lie Jack We spent the night in Frisco at ev’ry kind of disco From that night I kissed our love goodbye Don’t blame it on the… Company …sunshine Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times Blame it on the boogie Jack Don’t blame it on the… Company …sunshine Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times Blame it on the boogie Jack The nasty boogie bugs me But somehow it has drugged me Spellbound rhythm gets me on my feet I’ve changed my life completely I’ve seen the lightning leave me My baby just can’t take her eyes off me Don’t blame it on the… Company …sunshine Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times Blame it on the boogie Jack Don’t blame it on the… Company …sunshine Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times Blame it on the boogie INSTRUMENTAL

51

Company Let’s groove tonight Share the spice of life Baby, slice it right We’re gonna groove tonight Jack Let this groove, get you to move, it’s alright Company Alright, alright Jack Let this groove, set in your shoes, so stand up Company Stand up, alright Jack Let this groove, get you to move, it’s alright Company Alright, alright Jack Let this groove, set in your shoes, so stand up Company Stand up, alright INSTRUMENTAL Dance, boogie wonderland Dance, boogie wonderland Jack Midnight creeps so slowly into hearts Of men who need more than they get Daylight deals a bad hand To a woman that has laid to many bets The mirror stares you in the face and says “Baby, uh hu it don’t work” Company You say your prayers through you don’t care Jack You dance and shake the hurt Jack Sounds fly through the night (Dance) I chase my vinyl dreams to Boogie Wonderland (Boogie wonderland) I find romance when I start to dance in Boogie Wonderland Company I find romance when I start to dance in Boogie Wonderland All the love in the world can’t be gone Oh the need to be loved can’t be wrong All the records are playing And my heart keeps saying Boogie wonderland, wonderland Dance, boogie wonderland Dance, boogie wonderland Dance, boogie wonderland Dance, boogie wonderland INSTRUMENTAL

52

Sunshine… Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times Blame it on the boogie Jack Don’t blame it on the… Company …sunshine Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times Blame it on the boogie Jack I just can’t, I just can’t, I just can’t control my feet I just can’t, I just can’t, I just can’t control my feet Company I just can’t, I just can’t, I just can’t control my feet I just can’t, I just can’t, I just can’t control my feet (x3) INSTRUMENTAL Sunshine… Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times Blame it on the boogie Jack Don’t blame it on the… Company …sunshine Jack Don’t blame it on the… Company …moonlight Jack Don’t blame it on the… Company …good times

Blame it on the boogie… yeah

(Towards the end of the number, TOM and MAGGIE start accidentally injuring the other competitors; TOM treads on the foot of one, MAGGIE swings her arm out and takes out another etc. until all that remain are TOM and MAGGIE)

Duke: (DUKE looks confused as he sees there are no other competitors left on stage but holds

TOM’s arm in the air) Tom and Maggie?

53

(As the lights fade, TOM leans in to kiss MAGGIE but unknowingly, she raises the trophy which TOM kisses instead. B/O)

SCENE 3 INSIDE ‘DISCO INFERNO’, LATER THAT EVENING (JACK is alone packing up his equipment as KATHY enters.) Kathy: You don’t look too happy. Jack: (With a start) Oh, Kathy! It’s you. Kathy: You sound tense. Why don’t you come over here and sit down. (He does so) I heard what

happened tonight. I feel so bad.... Jack: Good news really travels fast. Kathy: ...and I’m sorry. Jack: Don’t worry about it. Kathy: I never meant for that to happen. Jack: It’s not your fault. Kathy: I do like you, you know. Jack: Yeah, yeah. I like you too. Kathy: I could be good for you... help you take your mind off Jane. You know that from the first

moment I saw you I’ve thought about nothing else. (JACK and KATHY embrace but after a moment JACK pulls away) Jack: I can’t. You’re a great girl but I’m engaged to Jane - at least I think I still am - and you’re

with Heathcliffe. If he finds us here there’s no telling what he’s going to do. Kathy: I don’t care. Jack: You might not... Kathy: I’ve led a terrible life and when I met Heathcliffe I thought it was all going to change. I

should’ve known better. He’s just like every other man I’d ever met until now. Jack: Why don’t you just talk to him. Kathy: What’s the use? Jack: Tell him how you feel. Kathy: Last time I tried it wasn’t just my heart he broke.

(KATHY cries and JACK puts his arms around her just as JANE walks in) Jack: (Seeing JANE) Jane? Jane: I just come to apologise about running off the way I did. Tom told me there was nothing

going on between you two and like an idiot I believed him. Jack: There isn’t. I mean, there wasn’t... I... Kathy: I really should go. (She exits passed JANE, who stands in the doorway) Jane: (Crying) I knew this would happen. Now I know why I haven’t seen you for weeks. Jack: She was just upset.

54

Jane: And you happened to be there to console her? Do you think I was born yesterday? What’s happened to you? What has happened to us, Jack? (She turns to go) Jack: You’ve got it all wrong. Jane: The only thing I ever got wrong was agreeing to marry you (taking off the ring and

throwing it at JACK) I’m sure it’d fit better on Kathy’s finger. TRACK 21 I WILL SURVIVE (Jane)…………………………………………………………………………… Jane At first I was afraid, I was petrified; Kept thinking’ I could never live without you by my side. But then, I spent so many nights thinking how you did me wrong And I grew strong... And I learned how to get along And so you’re back from outer space I just walked in to find you here with that sad look upon your face I should have changed that stupid lock, I should have made you leave your key If I’d have known for just one second you’d be back to bother me Go on now go, walk out the door, Just turn around now, ‘cause you’re not welcome any more. Weren’t you the one who tried to hurt me with goodbye? Did I crumble, did you think I’d lay down & die Oh no, not I, I will survive For as long as I know how to love, I know I’ll stay alive I’ve got all my life to live, I’ve got all my love to give And I’ll survive, I will survive… hey, hey INSTRUMENTAL It took all the strength I had not to fall apart Kept tryin’ hard to mend the pieces of my broken heart And I spent, oh, so many nights just feelin’ sorry for myself I used to cry, but now I hold my head up high And you see me, somebody new I’m not that chained up little person still in love with you And so you felt like droppin’ in and just expect me to be free Well now, I’m savin’ all my lovin’ for someone who’s lovin’ me Go on now go, walk out the door Just turn around now, ‘cause you’re not welcome anymore Weren’t you the one who tried to hurt me with goodbye? Did I crumble, did you think I’d lay down & die Oh no, not I, I will survive For as long as I know how to love, I know I’ll stay alive I’ve got all my life to live, I’ve got all my love to give

55

And I’ll survive, I will survive I will survive SCENE 4 INSIDE JANE’S HOUSE, LATER THAT EVENING

(JANE is sitting on the sofa still crying. TOM, MAGGIE and TERRY are sitting with her) Maggie: You sit there and I’ll make us all a cup of tea. Tom: I’ll give you a hand. (TERRY moves in next to JANE) Jane: What went wrong, Tel? We used to be so happy (She cries) All I ever wanted was to settle

and maybe have a family one day. Terry: And you will... you’re going to meet someone else - someone who cares a lot more about

you than Jack. I know this is hard but you’re not alone. We’re all here for you. (He takes her hand)

(SFX Knock at the door) Jack: (O/S) Jane! Jane! We need to talk. Jane: (To Terry) I don’t want to see him. Terry: Don’t worry, I’ll get rid of him. Jack: (O/S) What are you doing here? Look, get out of my way. I want to talk to her.

(JANE is getting upset by the offstage argument and covers her ears. JACK enters followed by TERRY)

Jack: Jane, we’ve got to talk. Jane: Leave me alone, Jack. (TOM and MAGGIE enter) Jane: (Angry and upset) Please go, Jack. Jack: At least give me a chance to explain. Terry: Leave it, mate! Jack: This has got nothing to do with you... mate. I just want a moment alone with Jane. Maggie: Jane? Jane: Don’t go anywhere. Jack: (Calmly and meaningfully) Jane.... I love you. I’ve always loved you. Just took my time

saying it that’s all. Jane: (After deliberate hesitation) It’s too late, Jack. It’s too late. You been so preoccupied with

everything else... Jack: You know just how hard I’ve been working - for our future - together.

56

Jane: Is that what you were doing with Kathy? Well that certainly clears that up. Jack: It wasn’t like that and you know it? Jane: I know what I saw. Jack: I’m always the one in the wrong, aren’t I? Jane: Oh, so it’s my fault now is it? I can’t believe I’m hearing this. I’m not the one who played

around. It wouldn’t be so bad if... just for once... you could admit that you made a mistake. But, oh no, not you!

Jack: It’s not my fault. Jane: It never is. Just, leave me alone. Jack: We can’t just throw away the past six years. You said we’d always be together. Jane: That was before. Jack please go. You’re only making things worse. Jack: (Shouting) Making things worse? How could they possibly get any worse? Jane: (Calmly) Just listen to me. It’s over. Now, please, just go away.

(Dejected, JACK steps forward into a spot)

TRACK 22 SORRY SEEMS TO BE THE HARDEST WORD (Jack & Company)………………………. Jack What have I got to do to make you love me? What have gotta do to make you care? What do I do when lightnin’ strikes me An’ I wake to find you’re not there? What have I gotta do to make you want me? What have I gotta do to be heard? What do I say now it’s all over? An’ sorry seems to be the hardest word It’s sad (so sad) so sad It’s a sad, sad situation And it’s getting more and more absurd It’s sad (so sad) so sad Why can’t we talk it over? Always seems to me that sorry seems to be the hardest word INSTRUMENTAL It’s sad (so sad) so sad It’s a sad, sad situation And it’s getting more and more absurd It’s sad (so sad) so sad Why can’t we talk it over? Always seems to me that sorry seems to be the hardest word What have I got to do to make you love me? What have gotta do to make you care?

57

What do I do when lightnin’ strikes me What have I gotta do? What have I gotta do? Sorry seems to be the hardest word

(At the end of the number, TOM walks over to JACK and puts his hand on JACK’s shoulder. B/O)

SCENE 5 OUTSIDE ‘DISCO INFERNO’, AUGUST 1977

(KATHY is standing outside the club. After a moment, HEATHCLIFFE carries a bin liner out and places it in the metal trash can. They catch sight of each other and stare for a while)

Heathcliffe: What’s this I’ve been hearing about you and Jack? Kathy: It doesn’t matter Heathcliffe: (Getting annoyed) Doesn’t matter? Do you know how stupid you’ve made me look? Kathy: No more than usual. Heathcliffe: Don’t push your luck. Kathy: It’s over between us Heathcliffe. Heathcliffe: (Calming) Look, I understand why you went to Jack. I mean, I know why you did it. I’ve

said and done some pretty bad things to you but I can change. Everyone deserves a second chance.

Kathy: As if I haven’t heard that before. Heathcliffe: I mean it this time. Kathy: Just look at you. Heathcliffe: Come on. I’ll get another singing job. It’ll be just like the old days. You and me against the

world. Kathy: Goodbye Heathcliffe. Heathcliffe: Kathy, you’re nothing without me. I made you what you are. Kathy: Depressed, lonely.... Heathcliffe: Then why did you hang around so long? Kathy: I loved you. Or at least I thought I did. That was until I found out what you really are. Heathcliffe: And what would that be? What’s the point? I try and welcome you back with open arms... Kathy: Surely a clenched fist is more your style. I don’t need you. I never did. Jack was right

about you. Heathcliffe: Jack! That’s all I ever hear now... ‘Jack’ this and ‘Jack’ that.... Kathy: He’s more of a man that you’ll ever be. Heathcliffe: You’re not worth it. I’ve got bigger fish to fry; or should I say batter (He exits. B/O)

58

SCENE 6 OUTSIDE DISCO INFERNO, FOUR WEEKS LATER

(JACK walks on stage and straight over to the trash can. He is carrying a small transistor radio)

Jack: (To audience) Almost four weeks had passed. Despite the success I was so miserable. I

just couldn’t stop thinking about Jane. It was true. I really did love her. I tried everything. I phoned her. Sent her flowers, chocolates... you know all the romantic stuff... don’t tell anyone but I even serenaded her outside her window. She could have just thrown the water... but no, down came the whole kettle. Then I wrote in to one of those romantic radio shows... well desperate times call for desperate measures (Turns on the radio)

Radio: (O/S) You’re tuned in to Radio 1’s Daryl Horner and ‘Troubles From the Heart’. We’re going to kick off the programme tonight with a letter from a young man, hopelessly in love with a girl, let’s call her Jane.

Jack: (Aside) Well that’s her name, isn’t it? Radio: A whirlwind romance that started almost seven years ago when the couple met outside

the Rialto Cinema. Now, like most good things, that romance has sadly, come to an end, but not for Jack. Jack still thinks about Jane all the time and it sounds to me like he’s sorry, sorry for being an egotistical, self-centred, arrogant loser.

Jack: (Aside) I never bloody wrote that! Radio: So, Jane, if you’re listening, pick up the phone and give him a call but not until we play this

dedication to you. Unfortunately, something’s been spilt on the letter and the bottom part is hard to read, but I think I can just make this out. So, here, Jane especially from Jack to you, The Wurzles and ‘I’ve Got a Brand New Combine Harvester’

(We hear the beginning of ‘Combine Harvester’. After a moment, JANE walks on from the opposite side of the stage)

Jane: Jack! Jack: How have you been? Jane: Fine, I guess. Jack: You didn’t return any of my calls. Jane: Did you honestly expect me too? Jack: Don’t be like that. Look, we had something special. We had some good times, didn’t we? Jane: Until you started putting everything and everyone before me. (Almost in tears) You

ignored me Jack. Jack: I can make it up to you, I promise. TRACK 23 DON’T GIVE UP ON US BABY (Jack & Jane)………………………………………………… Jack Don’t give up on us, baby Don’t make the wrong seem right The future isn’t just one night It’s written in the moonlight An’ painted on the stars

59

We can’t change ours Don’t give up on us, baby We’re still worth one more try I know we’ve put a last one by Just for a rainy evening When maybe stars are few Don’t give up on us, I know We can still come through Jane You know you broke my heart in two Jack You’ve got the right to stop believing But I’m sure there’s a little love left, even so Both Don’t give up on us baby Jane Lord knows we came this far Jack So, can’t we stay the way that we are? The angel an’ the dreamer Jane Who sometimes plays the fool Both Don’t give up on us maybe We could still come through Both Don’t give up on us baby Jane We’ve had our ups and downs Jack But we’ve a love that knows no bounds Jane A feeling deep inside of me Jack: A love you know is true Both Don’t give up on us maybe We could still come through INSTRUMENTAL

(JANE and JACK seem as though they are going to get back together, almost kissing at the last note. JANE pulls away)

Jane: (Spoken, during instrumental) It’s too late. Jack: It’s never too late. (TERRY walks in and kisses JANE) Terry: Jack? Jane: I didn’t want you to find out like this. Jack: Oh, no. But... but... you’re supposed to my mate. Jane: Jack, we’re happy. Look, you were going to find out sooner or later - Terry and me are

engaged. Jack: You didn’t waste anytime, did you?

60

Jane: It’s not like that. I want you to be happy for us, Jack. Jack: (Unconvincingly) Ecstatic... now leave me alone.

(TERRY and JANE walk off hand in hand, leaving JACK in the street to finish the number alone)

Jack (Singing) Don’t give up on us baby We’ve had our ups and downs But we’ve a love that knew no bounds A feeling deep inside of me A love I know is true Don’t give up on us, maybe We could still come through Don’t give up on us, baby (spoken) Jane, I still love you (LADY MARMALADE enters with NICK DIABLO) Jack: (Aggressively) What do you want? Nick: Now that’s no way to talk to a Lady. Jack: This is all your fault. Lady: My fault? Now let’s get one thing straight here, who was it that made the wish? All I did

was give you one wish in return for your soul. I’m only doing my job. For once in your pathetic little life, I gave you the chance to control your own destiny. You had the chance to choose between good and bad... and this is what ‘you’ made of it - not me.

Jack: That’s not fair. Lady: Fair? You do remember who I work for, don’t you? Jack: The deal is off. Lady: I’m afraid that’s not up to you. I’m sorry but there’s no way out of this - you should have

read the contract. Jack: I tried but...Look I just want to go back to the way things used to be. All my life I’ve wished

to be successful, rich...and I always thought, wouldn’t it be great if someone could come along and wave a magic wand and make all that happen. But, I’ve realised now it doesn’t work by magic and all I ever wanted I had already.

Lady: How inspiring. Look, you can go easy or you can go hard, but one way or another I will have your soul! (Exits)

Jack: (To audience) Well, did I promise you a happy ending? (B/O) SCENE 7 INSIDE JACK’S FLAT, THAT NIGHT (TOM and JACK are sitting in Jack’s flat. JACK is clearly very upset)

61

Tom: Look, cheer up, mate - it could be worse. Jack: How’s that then? Tom: Well, at least she’s going out with one of your best mates and not a complete stranger. Jack: Shut up Tom. Tom: Jack, you’ve been sitting in this flat for four days. It can’t be doing you any good. Why

don’t you come down the club tonight... help you take your mind off things. Jack: I don’t fancy it. Tom: Well, if you change your mind, you know where I’ll be. (Trying to lighten the mood) Here,

Maggie wants to talk to me about something special. We’ve booked a table in a posh restaurant and everything. With a bit of luck I might even get a chance to kiss her! (No reply) What do you think about that?

Jack: Is that all you care about? Tom: Eh? Jack: Here I am, in the depths of despair and you’re more interested in kissing some bird. Some

mate. Tom: Jack. Jack: Should I really have expected anything more? I’ve been stabbed in the back by everyone

else, why not by you too? (No reply. After a moments hesitation) Oh, I’m sorry, mate. It’s just that I miss Jane that’s all.

Tom: I know you do, mate. Jack: If I could just talk to her - tell her everything is going to be okay. Tom: Maybe one day... Jack: Tom, are you going to pick Maggie up? Tom: Yep. Jack: You couldn’t do me a favour and drop me off at Jane’s on the way, could you? Tom: I don’t think it’s a good idea, mate. Maybe you should just leave it a while. You don’t really

want to turn up at Jane’s and end up saying something you’ll regret., do you? Jack: You reckon? Tom: Definitely. Why don’t you get some rest and I’ll pop back in the morning (Taking keys out

of pocket) Jack: Thanks, Tom. Tom: That’s all right. What are mates for? I told you I’d always be here for you, didn’t I? Friends

until the end? Jack: The very end. You have a good night tonight and good luck with your Maggie. Have you

done the usual checks? (TOM goes through the same routine as in Act 1 Scene 2, checking breath, hair etc. As he

checks his breath he screw up his face) Tom: Must have been the cheese and onion crisps I had at lunch. What am I going to do?

Tonight of all nights. Here, you haven’t got any mouth wash or breath freshener, have you?

Jack: (Pointing off stage) Bathroom cabinet.

(TOM passes the keys to JACK and exits. JACK looks at the keys for a moment and runs off-stage. TOM comes back, SFX Car door closes and the engine starts)

62

Tom: Oh, no! (Calling O/S) Jack. Wait for me... hang on.

(B/O. SFX A car pulls away quickly and after a moment we hear a loud screech as the Capri crashes. There is moments silence and we hear the following announcement)

News Reporter: (Off stage) … and now for a newsflash – up and coming rock ‘n’ roll sensation, Jack Flash

has been injured in a freak car accident that has shocked the nation. Eyewitness reports have confirmed that the red ’76 Ford Capri, driven by Flash, was travelling at incredibly high speeds when it seemingly lost control at a roundabout. The vehicle, belonging to the singer’s lifelong friend, Tom Evans who was also travelling in the car, then careered headlong into a tree. Both men have been rushed to a local hospital and their injuries, at this time, are unknown. We’ll bring you more news on this tragic incident as the story develops (changing his tone) And here’s a great track for all of you out there enjoying this hot summer’s evening – the devil’s lose and stalking this town – it’s the crazy, Crazy World of Arthur Brown.

SCENE 8 HELL

(There is a loud explosion of sound / light and JACK finds himself in the middle of ‘hell’. Flames lick against the walls and a figure (DUKE) sits in a throne. Standing next to him we see LADY MARMALADE and NICK DIABLO, who turn around and smile at JACK. Members of the company, dressed in suitable red attire also surround DUKE and join in the number)

TRACK 24 FIRE (Duke & Company)////////////////////////////////////////////////////////////////////////////////////////////////////// Duke (spoken) I am the god of hell fire, and I bring you… Fire, I’ll take you to burn Fire, I’ll take you to learn I’ll see you burn You fought hard and you saved and earned But all of it’s going to burn And your mind, your tiny mind You know you’ve really been so blind Now ‘s your time, burn your mind You’re falling far too far behind Oh no, oh no, oh no, you’re gonna burn INSTRUMENTAL Fire, to destroy all you’ve done Fire, to end all you’ve become I’ll feel you burn

63

You’ve been living like a little girl In the middle of your little world And your mind, your tiny mind You know you’ve really been so blind Now ‘s your time, burn your mind You’re falling far too far behind Ohhh INSTRUMENTAL Fire, I’ll take you to burn Fire, I’ll take you to learn I’ll see you burn I’ll see you burn I’ll see you burn SCENE 9 A CHURCHYARD, A FEW DAYS LATER

(Dim lights come up on a graveyard and JANE, TERRY, MAGGIE and members of the company are standing around a grave. A PRIEST stands at the head of the crowd. Church music begins)

Priest We have entrusted the soul of our brother, to God’s merciful keeping and we now commit his body to the ground, earth to earth, ashes to ashes, dust to dust, in sure and certain hope of the resurrection to eternal life through our Lord Jesus Christ. Amen. (JACK enters from behind with his arm in a sling as members of the company leave) Terry: (Seeing JACK) What are you doing here? Jane: (Holding TERRY back) Terry, not here. Not now. Terry: Only friends and family are welcome here and you don’t fall under either category. Jack: He’s my best mate. Jane: ‘Was’, Jack. ‘Was’ your best mate! Jack: It’s not my fault. Jane: You really are unbelievable! You still can’t admit when you’re wrong, can you? Not even

now.

(MAGGIE runs off crying and JANE follows. The company start walking off, leaving TERRY and JACK on stage)

Terry: We’re all going back to the club. Do us all a favour will you and don’t show your face in there... again (He exits) (JACK waits a moment and walks over to the gravestone)

64

Jack: Why didn’t I listen to you mate? You were right all along and I just didn’t listen! This is all because of that bloody contract! If I hadn’t signed it you’d still be alive, Jane would still be with me. If only there was a way I could take it all back (Throughout the above there is the sound of tapping) Who’s there?

Tom: (Appearing from behind a headstone with hammer and chisel) Only me! Just making an adjustment to my headstone.

Jack: Adjustment? Tom: They spelt my name wrong. Jack: Well, can you keep it down mate, I’m trying to pay my last respects? Tom: Righti-ho! (Disappears behind headstone) Jack: (Double-take) Tom? Tom: (Reappearing) Yes? Jack: You’re alive! Tom: Not quite. Jack: You’re a ghost? Tom: Kind of! Scary, huh? (He makes a ghostly noise) I just came to warn you that you will be

visited by three ghosts! No, I’m only kiddin’. Jack: My life just gets weirder by the second. Tom: (Trying to lighten the mood) You think yours is weird? Last night Elvis really did stop by for

a game of monopoly (Failing) So, how’s Maggie doing? Jack: She hasn’t stopped crying all week. She misses you... we all do. Tom: See, I knew she loved me. Jack: (Regretfully) Tom, I don’t know what to say. I never meant for this to happen. Tom: I know mate but we all make mistakes. What’s important is that we own up to them and

learn from ‘em. You know, it’ ain’t ever too late to say you’re sorry... never too late to make amends.

Jack: But I signed the contract. There’s no getting out of it now... damned forever. Tom, I’m sorry. You know I am.

Tom: Hey, I know. Look, it’s no so bad up here... d’ya know ... (No response) You can’t leave things like this. You need to talk to Jane...

Jack: I’ve been trying to.... Tom: ...and Terry’s not a bad bloke. There’s no reason why you two couldn’t patch things up.

After all. you’re gonna need a new best mate now. Jack: I could never replace you. You’re always there for me. Tom: Not anymore, mate. All I can do now is watch from afar. Ah, well, I’d best be getting back.

It’s time for me to drive the celestial Capri down that pearly motorway. Oh, I almost forgot... I’ve got a message for you, from a very beautiful and wise woman. ‘Be careful what you wish for because one day that wish might just come true’.

Jack: Mum? Tom: She sends her love. She watches you all the time, mate. Make her proud! Make us both

proud. (They hug)

Jack: See you later, Tom. Tom: Goodbye Jack. I’m gonna miss ya (He exits)

65

TRACK 25 SPIRIT IN THE SKY (Jack & Company)……………………………………………………… Jack / Co (A capella) When I die and they lay me to rest Gonna go to the place that’s best When they lay me down to die Goin’ on up to the Spirit in the sky BREAK / INTRODUCTION Jack Prepare yourself, you know it’s a must All Gotta have a friend in Jesus Jack So you know that when you die He’s gonna recommend you to the Spirit in the Sky Gonna recommend you to the Spirit in the Sky (In the sky) That’s where you’re gonna go when you die (When you die) Company When you die and they lay you to rest Jack Gonna go to the place that’s the best INSTRUMENTAL I used to be a sinner, I used to sin Company Now, he’s found a friend in Jesus Jack An’ now I know that when I die He’s gonna send me up to the Spirit in the Sky Oh, send me up to the Spirit in the Sky (In the sky) That’s where I’m gonna go when I die (When you die) Company When I / you die and they lay me / you to rest Jack I’m gonna… Company …go to the place that’s the best Go to the place that’s the best Go to the place that’s the best (As JACK sings, the company gradually come on and join in the number. B/O) SCENE 10 AN ALLEYWAY BESIDE ‘DISCO INFERNO’, THAT EVENING

(HEATHCLIFFE is sitting DS, playing his guitar. He looks very upset and worse for wear. LADY MARMALADE appears behind him, causing him to jump with a start)

66

Lady: Just the person I’ve been looking for. Heathcliffe: What do you want? Look, if you’ve come to tell me to lay off Jack. Then you can save your

breath - I’m over it. Lady: Really? Heathcliffe: Just leave me alone, will you? Lady: When did the happy fairy last slap you in the face. Heathcliffe: What have I got to be happy about? Thanks to you and your protégé, I lost everything. My

job... money... Kathy! I can’t see that there’s anything worth smiling about. Lady: You’re hurting, right? I can tell. Heathcliffe: There’s no getting anything passed you, is there? Lady: You know that there’s only one way to deal with this don’t you? Wrath... my favourite sin.

Here, this’ll help. (Handing HEATHCLIFFE a gun) Heathcliffe: A gun? Lady: Well done, Einstein. Heathcliffe: What am I supposed to do with this? And what’s the Beatles’ manager got to do with

anything? Lady: Just think - with Jack out of the way, everything will come back. Do you know what the

others are doing now? They’re laughing at you. They’re laughing at the man who was the King and you’re just going to sit back and let them? Come on Heathcliffe. This is not like you. Just one simple flick of the trigger - that’s all it will take.

TRACK 26 SATURDAY NIGHT’S ALRIGHT FOR FIGHTING (Heathcliffe & Lady Marmalade)…….. Heathcliffe It’s getting late an’ I just can’t wait Just tell me when the boy get’s here It’s seven o’clock an’ I’m gonna rock Wanna get a belly full of beer My old man’s drunker than a barrel full of monkeys An’ my old lady, she don’t care My sister looks cute in her braces and boots A handful of grease in her hair Both Oh, don’t give us none of your aggravation I’ve had it with your discipline Saturday night’s alright for fighting Get a little action in Get about as oiled as a diesel train Gonna set this dance alight ‘Cos Saturday night’s the night I like Saturday night’s alright Alright, alright Oooh, ooh, ooh, oooh

67

Heathcliffe Well, they’re packed pretty tight in here tonight I’m looking for a dolly who’ll see me right I may use a little muscle to get what I need Sink a little drink and shout out, “she’s with me” Lady A couple of the sounds that I really like Are sounds of a switchblade and a motorbike Heathcliffe I’m a juvenile product of the working class Who’s best friend floats in the bottom of the glass Both Oh, don’t give us none of your aggravation I’ve had it with your discipline Saturday night’s alright for fighting Get a little action in Get about as oiled as a diesel train Gonna set this dance alight ‘Cause Saturday night’s the night I like Saturday night’s alright Alright, alright Oooh, ooh, ooh, oooh INSTRUMENTAL Saturday, Saturday, Saturday Saturday, Saturday, Saturday Saturday, Saturday, Saturday night’s alright Saturday, Saturday, Saturday Saturday, Saturday, Saturday Saturday, Saturday, Saturday night’s alright

(During the instrumental, JACK rushes passed and straight into the club. HEATHCLIFFE and LADY MARMALADE hide out of sight)

SCENE 11 INSIDE DISCO INFERNO, AN HOUR LATER

(The lights come up in the club. The company are standing around looking sombre. MAGGIE is clutching the dance trophy. JACK enters)

Terry: I thought I told you... Jack: (Interrupting) Just let me say my peace and I’ll be out of here. Jane: There’s nothing at all you can say that we want to hear. Jack: Just the same, I want to say it anyway. I’m sorry to all of you - sorry for everything. Jane I

know I wasn’t here when you needed me and I made a pretty bad boyfriend. (JANE tries

68

to speak) No, no, no... I know that and I accept it. (To TERRY) I said some pretty bad things about you too mate, but you two deserve each other and I am happy for both of you. I mean it.

Maggie: (In tears) Sorry’s not going to bring Tom back though, is it? Jack: I made a mistake.... Terry: You can say that again. Jack: ...a stupid mistake that I’m going to have to live with for the rest of my life.

(SFX Thunder. At this point, HEATHCLIFFE bursts in brandishing the gun. Everything runs in slow motion as HEATHCLIFFE shoots JACK, possibly with strobe lighting. He falls to the floor. There is a weird crescendo of voices. Music. B/O. When the lights come up, JACK is propped up against his broom as he was during his speech to the audience on page 11)

SCENE 12 INSIDE ‘DISCO INFERNO’, JULY 1976

(The lights come back up in the club. TOM enters. He no longer wears the plaster on his nose)

Tom: (As if nothing has happened) Forgot my coat. Jack: You’re nose! Tom: (Panicking) What about it? Jack: I can see your nose! Tom: Very impressive mate. Are you all right? Jack: I’m better than all right. I’m alive! I’m alive! And you’re alive too! (Prodding TOM in the

ribs) Tom: Ouch. (Confused) Yes mate.. we’re both alive. Jack: And you’re all right? Tom: (Nursing bruised ribs) Not now, my ribs hurt. You’re scaring me, mate. Jack: Tom! Tom: Jack? Jack: What day is it? Tom: Your birthday! Are you all right? Jack: And the contract, the devils... your funeral.... Tom: You’re definitely scaring me now

(There is a knock at the door. Slowly JACK goes over to the door and opens it)

Jane: I was getting worried about you. I’ve been knocking for ages. Jack: Jane? What are you doing here? Jane: I said I’d pop back to see if you’d finished cleaning up. You were going to walk me home, remember? Jack: (Excitedly) Walk you home? Oh, yeah... of course I remember. Jane: Are you all right?

69

Jack: (Still excited) I love you! Jane: (Confused and taken aback) I... I... love you too. Jack: What about Terry? Jane: Terry? Are you okay? You look a bit pale. Jack: It’s just been one of those nights. (They embrace) Come on, we’d better lock up and get

off home. Jane: I thought we could stay here and have a quick drink first. It ‘is’ your birthday.

(Suddenly the whole cast jumps onto the stage, ‘Surprise’. JACK is so shocked that he trips over his own feet. The company are wearing party hats and carrying drinks, balloons, presents etc.)

Duke: What are you doing down there? Jack, there’s a few friends of mine I want you to meet. Jack: You! But you’re, you’re... Duke: (Patronisingly) Duke? (DUKE calls LADY MARMALADE and NICK DIABLO over. JACK reacts in terror) Duke: Jack, meet Lady Marmalade, top club acts promoter and good friend of mine and Mr Nick

Diablo, publicist to the stars. Lady: Duke tells me that you’re looking for a career in showbiz and ’we’re here to offer you that

opportunity. Nick: We’re looking for a dynamic front man - someone with talent, style, charm - you’ve come

highly recommended so we thought we’d pop down with the contract and.... (LADY MARMALADE produces the contract and places it down on the bar) Jack: (Bluntly) I’m not interested! Jane: Jack? I think he’s just been working too hard. Duke: If only! Lady: I don’t think you understand what I’m offering here. Jack: I think I’ve got a pretty good idea. Thanks, but no thanks. I’ve got everything I need right

here. Heathcliffe: Here, what about me? If you’re looking for someone with talent, style, charm... (He

belches) .... then look no further. Lady: Well, if you’re sure, Jack. (Looking HEATHCLIFFE up and down) I guess you’ll do.

(Handing him a pen) If I can just have your signature down here then we can get started, we’ve got a busy schedule ahead.

Heathcliffe: (Signing the contract) Look at this - signing autographs already. Jack: I’d read that through carefully if I were you. Heathcliffe: Well, unfortunately for you - you’re not. So pipe down. Jack: Don’t say I didn’t warn you.

(LADY MARMALADE takes the contract and she and NICK DIABLO walk over to the door, HEATHCLIFFE follows)

70

Lady: (To HEATHCLIFFE) Just a minute. (LADY MARMALADE and NICK DIABLO walk back to JACK and takes him aside) Lady: You look confused. Nick: Paragraph 3, Section 1.4. Clause 7. ‘If the damned realises the error of his/her ways then

this contract will be deemed null and void’. Lady: You apologised, Jack. Repented. You said you were sorry. That’s just like a ‘get out of jail

free card’. Simple wasn’t it? It’s a shame really. You spend fifty or sixty years working on a client; making them vain, greedy, lustful... , then just when he’s breathing his last breath he repents. I knew you were a clever one.

Nick: (Looking to HEATHCLIFFE) I’m not sure there’s much hope for him though. Lady: Do me a favour and keep this between us... our little secret. If word gets out then we’re

ruined. Goodbye, Jack. (She winks and they walk back to HEATHCLIFFE) We may have to see what we can do about the look. A change of hairstyle perhaps?

Heathcliffe: Well, that’s it. Sorry to break up the party but I’ve got a date with an angel. (KATHY follows him towards the door) Sorry, babe but you’re excess baggage, if you know what I mean. (To everyone) See you around.

Jack: Not for quite some time. Heathcliffe: (To LADY MARMALDE) Hold on. I forgot my coat. Lady: Oh, I don’t think you’ll be needing that where you’re going.

(KATHY looks upset by HEATHCLIFFE’s rejection. TERRY puts his arm around her and she smiles at him)

Duke: Look at you all... this is supposed to be a birthday party isn’t it? So Jack, how do fancy a

job here? Jack: I’ve got a job here. Duke: On the stage I mean. It looks like I’m going to need a new act to replace Heathcliffe, if

you’re interested. To be honest, I never liked the guy anyway. Jack: Well... Duke: Don’t look to enthusiastic. Jane: Of course he’s interested. Duke: I thought so. Kathy: (Handing JACK Heathcliffe’s coat) This will look better on you. Jack: (Putting on the coat) Well, what do you think? Duke: (Up on stage) Ladies and Gentlemen, will you welcome for the last time tonight. The best

thing that’s happened to dancing since feet - the Serif of Soul - Jumping Jack Flash! Tom: (Music starts) The stage is all yours! Jane: Burn, baby, burn! Jack: I’d rather you didn’t say that. (They kiss. Music starts)

71

TRACK 27 PLAY THAT FUNKY MUSIC WHITE BOY (Jack & Company)……………………………… Jack Once there was a funky singer, playin’ in a rock & roll band Never had no problems, yeah, burnin’ down one night stands An’ everything around me, yeah, got to stop to feelin’ so low An’ I decided quickly - Yes, I did - gonna disco down and check out the show And they was dancin’ and singin’ and movin’ to the groovin’ And just when it hit me somebody turned around and shouted Company Play that funky music white boy Play that funky music right Play that funky music white boy Lay down that boogie and play that funky music till you die Jack Till you die, oh till you die INSTRUMENTAL Company And they was dancin’ and singin’ and movin’ to the groovin’ And just when it hit me somebody turned around and shouted Jack Play that funky music white boy Company Play that funky music right Jack Play that funky music white boy Company Lay down that boogie and play that funky music till you die Jack Till you die, oh till you die Company Play that funky music white boy Play that funky music right Play that funky music white boy Lay down that boogie and play that funky music till you die

(At the end of the number, the characters are with their respective partners centre stage. MAGGIE pulls TOM towards her and they kiss, the others smile. JACK walks forward into a spot)

Jack: (to audience) Well, that’s my story. I told you it was weird, in fact, I’m not sure that I

believe it myself, but that’s the gospel truth. We never did see Heathcliffe after that. Be careful what you wish for because one day that wish might just come true. There’s probably a lesson there somewhere for all of us. Anyway, I better get back - I’m missing my own party. Later!

TRACK 28 DISCO INFERNO / CURTAIN CALL (Company)………………………………………………. Company Burn Baby Burn, Burn Baby Burn

72

Burn Baby Burn, Burn Baby Burn.. burnin’ Jack To my surprise, one hundred stories high People getting loose, y’all, they’re gettin down on the roof The folks are screamin’ out of control It was so entertainin’ when the boogie starts to explode I heard somebody say… Company Burn Baby Burn (Disco Inferno) Burn Baby Burn (Burn that mother down) Burn Baby Burn (Disco Inferno) Burn Baby Burn (Burn the mother down) Burnin’ All around my head I hear music in the air (I hear music) That makes me know there’s a party somewhere Jane Satisfaction (Oh, oh, oh) came in a chain reaction (Burnin’) I couldn’t get enough (Oh, oh) so I had to self destruct (Oh, oh, oh) The heat was on, (Risin’) to the top Everybody goin’ strong (Oh, oh, oh), that was when my spark got hot I heard somebody say… Company Burn Baby Burn (Disco Inferno) Burn Baby Burn (Burn that mother down) Burn Baby Burn (Disco Inferno) Burn Baby Burn (Burn the mother down) Burnin’ INSTRUMENTAL Company I just can’t stop when the sparks get hot I just can’t stop when the sparks get hot I heard somebody say… Burn Baby Burn (Disco Inferno) Burn Baby Burn (Burn that mother down) Burn Baby Burn (Disco Inferno) Burn Baby Burn I heard somebody say…

Burn Baby Burn (Disco Inferno) Burn Baby Burn (Burn that mother down) Burn Baby Burn (Disco Inferno) Burn Baby Burn I heard somebody say…

Burn Baby Burn (Disco Inferno)

73

Burn Baby Burn (Burn that mother down) Burn Baby Burn Baby burn

(In the orchestration, an optional ‘Disco Inferno’ Megamix has been included for the Curtain Call. Previous productions have repeated one of the medleys as an Encore, usually encouraged by the audience and persuading them to stand, sing and dance; the ‘Village People Medley’ is always a popular choice. This decision, however may be left to the discretion of the director and musical director. Enjoy!)

THE END

Book by

JUSTIN SEPPLE

VOCAL BOOK

Josef Weinberger Limited 12 - 14 Mortimer Street

London W1T 3JJ

Tel: +44 (0)20-7580 2827 Fax: +44 (0)20-7436 9616 www.josef-weinberger.com

DISCO INFERNO ABRIDGED EDITION

VOCAL BOOK

MUSICAL NUMBERS (ACT ONE) 1 Overture / Disco Inferno (Instrumental)................................................................................1 Scene 1 Inside ‘Disco Inferno’, July 1976 2 Celebration / A Night To Remember (Full Company) ..........................................................2 3 If You Leave Me Now (Heathcliffe, Kathy, Jack & Jane)....................................................10 4 Crocodile Rock (Duke & Male Company) ..........................................................................12 Scene 2 Outside the Rialto Cinema, December 1970 Scene 3 Inside the Rialto Cinema 5 Kissing In The Back Row of the Movies (Tom & Company)...............................................18 Scene 4 Back Inside ‘Disco Inferno’, July 1976 6 Hot Stuff (Lady Marmalade & Girls) ...................................................................................27 Scene 5 Toilets in ‘Disco Inferno’, the following evening 7 Some Girls (Tom, Jack & Male Company).........................................................................31 8 You To Me Are Everything (Jack, Jane & Company).........................................................39 Scene 6 Back inside ‘Disco Inferno’ Scene 7 In an alleyway behind ‘Disco Inferno’ 9 Streetlife (Kathy) ................................................................................................................43 Scene 8 Outside ‘Disco Inferno’, the following Friday Scene 9 Fancy Dress Night inside ‘Disco Inferno’ 10 Village People Medley (In The Navy/Go West/YMCA) (Guys) ................................................45 11 Could It Be Magic (Jack & Company) ................................................................................51 12 Leader of the Gang (Heathcliffe)........................................................................................59 Scene 10 ‘Diablo Records’, Carnaby Street, the next morning 13 Pop Muzik (Nick Diablo & Company) .................................................................................61

Scene 11 Dressing Room, backstage at the Roundhouse Scene 12 On stage at the Roundhouse 14 Boogie Nights (Jack & Company) ......................................................................................68

MUSICAL NUMBERS (ACT TWO) 15 Entr’acte / Radio Montage (Instrumental) ..........................................................................73 Scene 1 ‘Top of the Pops Studio’, October 1976 16 TV Theme – (band improvises 10 second intro / sting)......................................................74 17 Starman (Jack & Company)...............................................................................................75 18 Figaro (Jane & Company)..................................................................................................78 Scene 2 Inside ‘Disco Inferno’, two weeks later 19 I Love To Love (Maggie & Company) ................................................................................81 20 Groove Medley (Let’s Groove/Boogie Wonderland/Blame It On The Boogie) (Jack & Company) ..........86 Scene 3 Inside ‘Disco Inferno’, later that evening 21 I Will Survive (Jane) ...........................................................................................................98 Scene 4 Inside Jane’s House, late that evening 22 Sorry Seems To Be The Hardest Word (Jack & Company) .............................................101 Scene 5 Outside ‘Disco Inferno’, August 1977 Scene 6 Outside ‘Disco Inferno’ four weeks later 23 Don’t Give Up On Us Baby (Jack & Jane) .......................................................................104 Scene 7 Inside Jack’s flat, that night Scene 8 Hell 24 Fire (Duke & Company) ...................................................................................................107 Scene 9 A Churchyard, a few weeks later 25 Spirit In The Sky (Jack & Company) ................................................................................109 Scene 10 An alleyway beside ‘Disco Inferno’, that evening 26 Saturday Night’s Alright For Fighting (Heathcliffe & Lady Marmalade) ............................112 Scene 11 Inside ‘Disco Inferno’, moments later Scene 12 Inside ‘Disco Inferno’, July 1976 27 Play That Funky Music White Boy (Jack & Company) .....................................................117 28 Disco Inferno (Full Company) ..........................................................................................119

1. Disco Inferno Overture

Voices: TACET

Page 1 of 125

Bright Disco q=123

2. Celebration / Night To RememberBy Bell, Brow, Mickens, Smith, Taylor,

Thomas, Toone and DeodaArranged by Brett FosterA

Heathcliffe

Girls Ensemble

Guys Ensemble

Optional Falsetto

Optional Falsetto

Whoa!

Whoa!

Oh!

Whoa!

Optional Falsetto

Optional Falsetto

7

Heath.

Girls

Guys.

Oh!

Optional Falsetto

Whoa!

Oh!

Oh!

Whoa!

Oh!

It's a cel

e- brate

- tion!-

Optional Falsetto

12 BHeath.

Girls

Guys.

Ce

le

- brate

- good

times

come on!

Ce

le

- brate

- good

times

come on!

It's a cel

e- brate

- tion!-

Page 2 of 125

17 CHeath.

Girls

Guys.

Ce

le

- brate

- good

times

come on!

There's a par

ty- go

ing- on

right

Ce

le

- brate

- good

times

come on!

22

Heath. here,

a ce

le- bra

tion-

to last

through out

- the

years.

So bring

your

25

Heath. good times,

and your laugh

ter-

too,

were gon

na- ce

le- brate

- your

28 DHeath.

Girls

Guys.

par ty- with

you.

Come on

now,

Let's all

ce le- brate

an

Ce

le

- bra

- tion!-

32

Heath.

Girls

Guys.

have a good

time.

we gon

na- ce

le- brate

and

Ce

le

- bra

- tion!-

2. Celebration / Night To Remember - Vocals2

Page 3 of 125

36 EHeath.

have a good

time.

It's time

to come

to geth

er-

it's up

to you,

so

40

FHeath.

Girls

Guys.

what's your

plea sure?

- Ev

'ry

- one

- a

round

- the

world,

come on.

Optional Falsetto

Whoa!

Ev

'ry

- one

- a

round

- the

world,

come on.

Whoa!

Ev

'ry

- one

- a

round

- the

world,

come on.

Optional Falsetto

45 1.

2.

Heath.

Girls

Guys.

Oh!

Optional Falsetto

Whoa!

Oh!

Oh!

Whoa!

Oh!

Optional Falsetto

G52

Heath.

H60

Heath.

Girls

Guys.

Get

Get

Get

2. Celebration / Night To Remember - Vocals 3

Page 4 of 125

I68

Heath.

Girls

Guys.

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

Get

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

GetGet

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

GetGet

72

Heath.

Girls

Guys.

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

When

you

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

rea dy-

to night,

gon na- make

Gm7

this a night

C7

to

re mem

- ber.

J76

Heath. love some one

- it's nat

ural- not

de mand-

- ing

and that's

one thing

I'm proud

to say

I've

79

Heath. found

in you.

I'msoglad

for rea

son- un

der stand

ing,-

now

I know

myheart

is safe

with

83

Heath.

Girls

Guys.

you.

So now

my love

to you ba

by- I

sur ren

- der.

-

Get

Get

Get

2. Celebration / Night To Remember - Vocals4

Page 5 of 125

K87

Heath.

Girls

Guys.

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

Get

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

Get

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

Get

91

Heath.

Girls

Guys.

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

rea dy-

to night,

gon na- make

this a night

to

re mem

- ber.

L95

Heath.

Girls

Guys.

Let's all

ce le- brate

an have

agood

time.

Ce

le

- bra

- tion!-

101

Heath.

Girls

Guys.

we gon

na- ce

le- brate

and have

a good

time.

Ce

le

- bra

- tion!-

2. Celebration / Night To Remember - Vocals 5

Page 6 of 125

M105Heath.

Girls

Guys.

It's time

to come

to geth

er-

it's up

to you,

so what's

your

plea sure?

-

It's time

to come

to geth

er-

it's up

to you,

so what's

your

plea sure?

-

It's time

to come

to geth

er-

it's up

to you,

so what's

your

plea sure?

-

109 NHeath.

Girls

Guys.

Ev

'ry

- one

- a

round

- the

world,

come on.

Ce

le

- -

Ev

'ry

- one

- a

round

- the

world,

come on.

Ce

le

- -

Ev

'ry

- one

- a

round

- the

world,

come on.

It's

a cel

e- brate

- tion!-

114

Heath.

Girls

Guys.

brate

good

times

come on!

Ce

le

- brate

- good

times

come on!

brate

good

times

come on!

Ce

le

- brate

- good

times

come on!

120 OHeath.

We're

+ Other Leads

gon na- have

good

time to night!-

Let's cel

le- brate,-

it's al

right.-

2. Celebration / Night To Remember - Vocals6

Page 7 of 125

124 PHeath.

Girls

Guys.

We're gon na- have

good

time to night!-

Let's cel

le- brate,-

Get rea

dy-

to night,-

gon na-

Get rea

dy-

to night,-

Div.

Let's ce

le- brate,-

127

QHeath.

Girls

Guys.

it's al

right.-

We're

+ Other Leads

gon na- have

good

time to night!-

make

this a night

to

re mem

- ber.

Divide Chorusinto mixed groups

Ce

Group 1SSA(Tenos & Basses Actual Pitch)

le

- - -

it's al

right.-

Get

Group 2

rea

dy-

130

Heath.

Girls

Guys.

Let's cel

le- brate,-

it's al

right.-

bra

tion!-

it's al

right.-

to night,

Gon na- make

this night

to

re mem

- ber.-

Get

Group 2

133

Heath.

Girls

Guys.

We're

+ Other Leads

gon na- have

good

time to night!-

Let's cel

le- brate,-

it's al

right.-

Ce

Group 1

(Tenos & Basses Actual Pitch)

SSA

le

- - bra

- tion!-

it's al

right.-

rea dy-

to night,

Gon na- make

this night

to

re

-

2. Celebration / Night To Remember - Vocals 7

Page 8 of 125

1.

136 R2.

Heath.

Girls

Guys.

It's time

to come

to geth

er-

Ensemble Back To Respective Parts

It's time

to come

to geth

er-

mem ber.

Get mem

ber.

It's time

to come

to geth

er-

140

Heath.

Girls

Guys.

it's up

to you,

so what's

your

plea sure?

- Ev

'ry

- one

- a

round

- the

world,

Shouted

come on.

it's up

to you,

so what's

your

plea sure?

- Ev

'ry

- one

- a

round

- the

world,

Shouted

come on.

it's up

to you,

so what's

your

plea sure?

- Ev

'ry

- one

- a

round

- the

world,

come on.

2. Celebration / Night To Remember - Vocals8

Page 9 of 125

3. If You Leave Me NowWords & Music by Peter Cetera.

Arranged by Brett Foster

AKathy &

Jane

Heathcliffe & Jack

If you leave

me

now

you'll

If you leave

me

now

you'll

6

Kath.

Heath.

take a way

- the big

gest- part

of me.

Ooh,

no

ba by

- please

take a way

- the big

gest- part

of me.

Opt. Falsetto Ooh,

no

ba by

- please

10

BKath.

Heath.

don't

go.

Andif

you leave

me

now,

you'll take

a way

- thever

y- heart

don't

go.

Andif

you leave

me

now,

you'll take

a way

- thever

y- heart

15

Kath.

Heath.

of me.

Ooh,

no

ba by

- please

don't

go.

Ooh,

of me.

Ooh,

no

ba by

- please

don't

go.

Ooh,

20

CKath.

Heath.

boy,

I

just

3

want you to

say.

girl,

I

just

3

want you to

say.

Heathcliffe & Jack

A love

Page 10 of 125

25

Kath.

Heath.

Kathy & Jane

How could we

let

like

ours

is love

that's hard

to find

Heathcliffe & Jack

How could we

let

29 DKath.

Heath.

it slip

a way?

Kathy & Jane

We've come

to

far

to leave

it slip

a way?

HeathcliffeWe've come

to

far

to leave

34

Kath.

Heath.

it all

be hind

How

Kathy & Jane

could we

end

it all

this way?

it all

be hind

How

Heathcliffe & Jack

could we

end

it all

this way?

38

Kath.

Heath.

When to

mor

row

- comes

then we'll

both

re

gret-

the things

we said

to

day-

When to

mor

row

- comes

then we'll

both

re

gret-

the things

we said

to

day-

42 E Frall.

Opt. Repeat back to F if needed

Kath.

Heath.

3. If You Leave Me Now - Vocals2

Page 11 of 125

Light Hearted Rockq=154

4. Crocodile RockWord & Music by

Elton John & Bernie TaupinArranged By Brett FosterA

Duke

Male Ensemble

I re

mem-

ber- when

rock was

young

12

Duke

Meand

Su

siehad

- somuch

fun

Hold ing

- hands

and

skim ming

- stones

16 BDuke

Had an

old

gold

Chev

y- and

a place

of my

own,

but the

big

est- kick

I ev

er

- got

20

Duke

was do

in'- a thing

called the croc

a- dile

- rock

while the

oth

-

23

Duke

er- kids

wererock

in'- round

the clock

Wewere

hop

pin'- and

bop

pin'- to

the croc

a- dile

- rock,

Well

C27

Duke

Croc o- dile- rock

in'-

is some

thing- shock

in'- when

your feet

just

can't

keep

still.

31

Duke

I nev

er- knew

me a bet

ter

- time

and I

guess

I

nev

ver- will

Oh,

Page 12 of 125

35

Duke

Lawd y- ma

ma-

those Fri

day- nights

when Su

sie- wore

here

dres ses

- tight

and

39 DDuke

Male Ens.

the croc

o- dile

rock

in'- was

out

of sight

La,

Falsetto Style

44

Male Ens.

la, la, la,

la, la.

La, la,

la, la,

la, la.

La, la,

la, la,

la la.

50 EDuke

Male Ens.

But the

years

went

by

and

rock just

died,

Su

sie- went

and left

me for

some

54

Duke

for eign

- guy.

Long

nights

cry in'- by

the rec

cord

ma

chine

- dream

in'- of

myChev

y- and

my

58 FDuke

old blue

jeans

butthey'll

nev

er- kill

the thrills

we've

got

burn

ing- up

to thecroc

o- dile

-

62

Duke

rock

learn ing

- fast

till

theweeks

went

past

Wereal

ly- thought

the

croc

o- dile

-

4. Crocodile Rock - Vocals2

Page 13 of 125

66 GDuke

Male Ens.

rock would

last,

Well

Croc o- dile- rock

in'-

is some

thing- shock

in'- when

your feet

just

can't

keep

Croc o- dile- rock

in'-

is some

thing- shock

in'- when

your

just

can't

keep

70

Duke

Male Ens.

still.

I nev

er- knew

me a bet

ter

- time

and I

guess

I

nev

ver- will

still.

74

Duke

Male Ens.

Oh,

Lawd y- ma

ma-

those Fri

day- nights

when Su

sie- wore

here

Oh,

Lawd y- ma

ma-

those Fri

day- nights

78

Duke

Male Ens.

dres ses

- tight

and

the croc

o- dile

- rock

in'- was

out

of sight

dres ses

- tight

and

the croc

o- dile

- rock

in'- was

out

of sight

82 HDuke

Male Ens.

La,

Falsetto la, la, la,

la, la.

La, la,

la, la,

la, la.

4. Crocodile Rock - Vocals 3

Page 14 of 125

88 IDuke

Male Ens.

I re

mem

ber- when

rockwas

young

Meand

Su

La, la,

la, la,

la la.

I re

mem

ber- when

rockwas

young

Meand

Su

93

Duke

Male Ens.

sie- had

somuch

fun

Hold ing

- hands

and

skim ming

- stones

Had an

old

sie- had

somuch

fun

Hold ing

- hands

and

skim ming

- stones

Had an

old

97 JDuke

Male Ens.

gold

Chev

y- and

a place

of my

own,

but the

big

est- kick

I ev

er

- got

wasdo

in'- a

gold

Chev

y- and

a place

of my

own,

but the

big

est- kick

I ev

er

- got

wasdo

in'- a

101

Duke

Male Ens.

thing

called the croc

o- dile

- rock

while the

oth

er- kids

were rock

in'- round

the

thing

called the croc

o- dile

- rock

while the

oth

er- kids

were rock

in'- round

the

104 KDuke

Male Ens.

clock

We were

hop

pin'- and

bop

pin'- to

the croc

a- dile

- rock,

Well

Croc o- dile- rock

in'-

is

clock

We were

hop

pin'- and

bop

pin'- to

the croc

a- dile

- rock,

Well

Croc o- dile- rock

in'-

is

4. Crocodile Rock - Vocals4

Page 15 of 125

108

Duke

Male Ens.

some

thing- shock

in'- when

your feet

just

can't

keep

still.

I nev

er- knew

me a

some

thing- shock

in'- when

your

just

can't

keep

still.

I nev

er- knew

me a

112

Duke

Male Ens.

bet ter

- time

and I

guess

I

nev

ver- will

Oh,

Lawd y- ma

ma-

those

bet ter

- time

and I

guess

I

nev

ver- will

Oh,

Lawd y- ma

ma-

those

116

Duke

Male Ens.

Fri

day- nights

when Su

sie- wore

here

dres ses

- tight

and

the croc

o- dile

rock

in'-

Fri

day- nights

dres ses

- tight

and

the croc

o- dile

rock

in'-

120 LDuke

Male Ens.

was

out

of sight

Opt Falsetto

La,

la, la, la,

la, la.

was

out

of sight

La,

la, la, la,

la, la.

126 MDuke

Male Ens.

La, la,

la, la,

la, la.

La, la,

la, la,

la la.

La,

la, la, la,

la,

La, la,

la, la,

la, la.

La, la,

la, la,

la la.

La,

la, la, la,

la,

4. Crocodile Rock - Vocals 5

Page 16 of 125

133

Duke

Male Ens.

la.

La, la,

la, la,

la, la.

La, la,

la, la,

la la.

la.

La, la,

la, la,

la, la.

La, la,

la, la,

la la.

4. Crocodile Rock - Vocals6

Page 17 of 125

q = 129

Freely

5. Kissin' In The Back Row

colla voce

By MacCauley & Greenway.Arranged by Brett Foster

Tom

GirlsEnsemble

GuysEnsemble

Your mo

mma

- says

that all

through the

week,

you

6

Tom can't

go out

with me.

But when

the week

end

- comes

a long

- I

10 ATom

Girls

Guys

know

where I

wan na

- be.

Kis sin'- in

the back

row

of the

mov

-

Kis sin'- in

the back

row

of the

mov

-

14

Tom

Girls

Guys

vies

-on

a Sat

ur- day

- night

with you,

Hold ing- hands

to ge

- ther,

- you and

I,

vies- on

a Sat

ur- day

- night

with you,

Hold ing- hands

to ge

- ther,

- you and

I,

Page 18 of 125

18 BTom

Girls

Guys

Hold ing- hands

to ge

- ther,

- Oh

yeah!

Smoo chin'- in

the back

row

of the

mov

-

Hold ing- hands

to ge

- ther,

- Oh

yeah!

Smoo chin'- in

the back

row

of the

mov

-

22

Tom

Girls

Guys

vies

-on

a Sat

tur- day

- night

with you.

We could stay

for ev

- er,

- you and

I.

vies- on

a Sat

tur- day

- night

with you.

We could stay

for ev

- er,

- you and

I.

26

Tom

Girls

Guys

We could stay

for ev

- er,

Opt. Falsetto

-

you and

I

Hug ging- and

a kiss

- in'- in

the

We could stay

for ev

- er,

-

you and

I

Hug ging- and

a kiss

- in'- in

the

5. Kissin' In The Back Row2

Page 19 of 125

30 CTom

Girls

Guys

back

row

of the

mo

vies.-

Ev ry- night

I'd pick

you up

from

school

back

row

Mo

vies.-

34

Tom You'd be

my stead

y

- date,

But from Mon

day- through

to Fri

day

- night,

38 DTom

I'll leave

you at

the

gate,

yeah

You know

we can't

have

to much

fun

42

Tom 'till all

your

home work's

- done

but when

the week

end

comes

they

46 ETom

Girls

Guys

know

just

where we'll

be.

Yeah.

Kiss in'- in

the back

row

of the

mov

-

Kiss in'- in

the back

row

of the

mov

-

5. Kissin' In The Back Row 3

Page 20 of 125

50

Tom

Girls

Guys

ies- on

a Sat

ur- day

- night

with you.

Hold ing- hands

to ge

- ther

- you and

I,

ies- on

a Sat

ur- day

- night

with you.

Hold ing- hands

to ge

- ther

- you and

I,

54 FTom

Girls

Guys

Hold ing- hands

to ge

- ther,

-

oh

yeah

Smoo chin'- in

the back

row

of the

mo

-

Hold ing- hands

to ge

- ther,

-

oh

yeah

Smoo chin'- in

the back

row

of the

mo

-

58

Tom

Girls

Guys

vies- on

a Sat

ur- day

- night

with you.

We could stay

for ev

- er

- you and

I,

vies- on

a Sat

ur- day

- night

with you.

We could stay

for ev

- er

- you and

I,

5. Kissin' In The Back Row4

Page 21 of 125

62

Tom

Girls

Guys

we could stay

for ev

- er

-

you and

I

Hugg in'- and

a kiss

- in'- in

the

we could stay

for ev

- er,

-

you and

I

Hugg in'- and

a kiss

- in'- in

the

66

Tom

Girls

Guys

back

row

of the

mo

vies.

I said Hugg

in'- and

a kiss

- in'- in

the

back

row

Mo

vies- -

I said Hugg

in'- and

a kiss

- in'- in

the

70

Tom

Girls

Guys

back

row

of the

mo

vies.

We'llbe Hugg

in'- and

a kiss

- in'- in

the

back

row

Mo

vies-

We'llbe Hugg

in'- and

a kiss

- in'- in

the

5. Kissin' In The Back Row 5

Page 22 of 125

74 G HTom

Girls

Guys

back

row

of the

mo

vies.

Instrumental

back

row

Mo

vies- -

88 ITom

Girls

Guys

You know

you can't

have

to much

fun

'till all

your

home work's

- done

You know

you can't

have

to much

fun

'till all

your

home work's

- done

92

Tom

Girls

Guys

but when

the week

end's

- come

you know

just

where we'll

be.

Yeah.

but when

the week

end's

- come

you know

just

where we'll

be.

5. Kissin' In The Back Row6

Page 23 of 125

96 JTom

Girls

Guys

Kiss in'- in

the back

row

of the

mov

ies- on

a Sat

ur- day

- night

with you.

Kiss in'- in

the back

row

of the

mov

ies- on

a Sat

ur- day

- night

with you.

100

Tom

Girls

Guys

Hold ing- hands

to ge

- ther

- you and

I,

Hold ing- hands

to ge

- ther,

-

oh

yeah

Hold ing- hands

to ge

- ther

- you and

I,

Hold ing- hands

to ge

- ther,

-

oh

yeah

104

Tom

Girls

Guys

Smoo chin'- in

the back

row

of the

mo

vies- on

a Sat

ur- day

- night

with you.

Smoo chin'- in

the back

row

of the

mo

vies- on

a Sat

ur- day

- night

with you.

5. Kissin' In The Back Row 7

Page 24 of 125

108

Tom

Girls

Guys

We could stay

for ev

- er

- you and

I,

we could stay

for ev

- er

-

you and

I

We could stay

for ev

- er

- you and

I,

we could stay

for ev

- er,

-

you and

I

112

Tom

Girls

Guys

Hugg in'- and

a kiss

- in'- in

the back

row

of the

mo

vies.

Hugg in'- and

a kiss

- in'- in

the back

row

Mo

vies.- -

116

Tom

Girls

Guys

I

Acapella

said Hugg

in'- and

a kiss

- in'- in

the back

row

of the

mo

vies.

I said Hugg

in'- and

a kiss

- in'- in

the back

row

Mo

vies.-

5. Kissin' In The Back Row8

Page 25 of 125

120 rall.

Tom

Girls

Guys

We'll be Hugg

in'- and

a kiss

- in'- in

the back

row

of the

mo

123 A tempo Directed

Tom

Girls

Guys

vies.

Mo

vies.- - - -

5. Kissin' In The Back Row 9

Page 26 of 125

q=120

Word & Music byP. Bellotte, H. Faltermeyer & K Forsey

Arranged by Brett Foster

6. Hot Stuff

A BLady Marmalade

Backing Girls

Sit ting- here,

eat ing- my

heart

-

19

LadyM.

out,

- wait

ting,

- wait ing- for

some lov

er- to

call.

Dailled a bout

- a thou

sand- num

-

23 CLady

M.

B.V

bers

- late

ly,

- al most- rang

thephone

off the

wall.

Look ing- for

some hot

stuff,

ba by,- this

eve

hot

stuff,

27

LadyM.

B.V

ning?

-

I need

some hot

stuff,

ba by,- to

night.

I need

some hot

stuff

ba by,- this

eve

-

hot

stuff,

hot

stuff,

31

LadyM.

B.V

ning.-

Got

ta have

some hot

stuff,

got

ta- have

some love

to night.

hot

stuff,

Page 27 of 125

35

LadyM.

B.V

I need

hot

stuff.

I want

some hot

stuff.

I need

hot

stuff,

hot

stuff,

40 D ELady

M.

B.V

hot

stuff.

Look ing- for

a lov

er- who

needs

an

oth-

er,

- don't

hot

stuff,

52

LadyM.

wantan oth

- er- night

onmy

own.

Wan na- share

mylove

witha

warm

blood- ed

- love

er,

-

56

LadyM.

B.V

wan na- bring

a wild

man back

home.

Got ta- have

some hot

love,

ba by,- this

eve

-

hot

love,

59

LadyM.

B.V

ning?

-

I need

some hot

stuff,

ba by,- to

night.

I need

some hot

stuff

ba by,- this

eve

-

hot

stuff,

hot

stuff,

6. Hot Stuff - Vocals2

Page 28 of 125

63

LadyM.

B.V

ning.-

Got

ta have

some hot

stuff,

got

ta- have

some love

to night.

hot

stuff,

67

LadyM.

B.V

I need

hot

stuff.

I want

some hot

stuff.

I need

hot

stuff,

hot

stuff,

72 F GLady

M.

B.V

hot

stuff.

Hot,

hot,

hot

hot

stuff.

hot

stuff,

Hot,

hot,

hot,

hot

stuff.

92

LadyM.

B.V

Hot,

hot,

hot.

Hot,

hot,

hot

hot

stuff.

Hot,

hot,

hot.

Hot,

hot

hot.

Hot,

hot,

hot,

hot

stuff.

Hot,

hot

hot.

6. Hot Stuff - Vocals3

Page 29 of 125

97 HLady

M.

B.V

How's a bout

- some hot

love,

ba by,- this

eve

ning?

-

I need

some hot

stuff,

ba by,- to

night.

hot

love,

hot

stuff,

101

LadyM.

B.V

I need

some hot

stuff

ba by,- this

eve

ning.-

I need

hot stuff,

ba by,- to

night.

hot

stuff,

hot

stuff,

105

LadyM.

B.V

Yeah,

yeah,

yeah, yeah,

yeah.

hot

stuff,

ba by,- to

night.

hot

love,

hot

stuff,

109

LadyM.

B.V

I need

some hot

stuff

ba by,- this

eve

ning.-

I need

hot stuff,

ba by,- to

night.

hot

stuff,

hot

stuff,

ba by,- to

night.

6. Hot Stuff - Vocals4

Page 30 of 125

q=180

q=180

7. Some Girls Word & Music by Chapman & ChinnArranged Brett Foster

Tom

Guys(Tenors)

Guys(Basses)

Cast Clapping

A

A

6 B

B

Tom

Guys 1

Guys 2

Claps

Some

girls

will,

Ooh

Falsetto

Some

girls

will,

Page 31 of 125

11

Tom

Guys 1

Guys 2

Claps

some

girls

won't!

Some

girls

need

we

ooh

we

ooh,

some

girls

won't!

Some

girls

need

15

Tom

Guys 1

Guys 2

Claps

a lot

of lov

in'- an'

some

girls

don't.

Well

I

know

I've

we

ooh.

Ah,

ah

aah

a lot

of lov

in'- an'

some

girls

don't.

Well

I

know

I've

7. Some Girls - Vocals2

Page 32 of 125

19

Tom

Guys 1

Guys 2

Claps

got

the feel

ing but,

I

don't know

why?

Some

say

they will

aah

aah

got

the feel

ing but

don't know

why?

Some

say

they will

23 C

C

Tom

Guys 1

Guys 2

Claps

an' some

girls

lie!

And

then

I

stand

in front

of you

aah.

and some

girls

lie!

28

Tom

not

real

ly

- know

in'- what

to do.

My

heart

is

feel

ing- some

thing- new

nerv

ous

- ly

- I

33

Tom

turn

a way-

from you.

I

see

the

looks

you're send

ing- me,

is

this

the

7. Some Girls - Vocals 3

Page 33 of 125

37

Tom

way

it's meant

to be?

It's

some

thing

- we

shouldtalk

a bout,

-

Just

give

me

time

to work

it out.

D

D

42

Tom

Guys 1

Guys 2

Claps

Some

girls

will,

some

girls

won't!

Some

girls

need

Ooh

Falsetto we

ooh

we

ooh,

Some

girls

will,

some

girls

won't!

Some

Falsetto -Uppergirls

need

47

Tom

Guys 1

Guys 2

Claps

a lot

of lov

in'- an'

some

girls

don't.

Well

I

know

I've

we

ooh.

Ah,

ah

aah

a lot

of lov

in'- an'

some

girls

don't.

Well

I

know

I've

7. Some Girls - Vocals4

Page 34 of 125

51

Tom

Guys 1

Guys 2

Claps

got

the feel

ing but

I

don't know

why?

Some

say

they will

aah

aah

got

the feel

ing but

don't know

why?

Some

say

they will

55 E

E

Tom

Guys 1

Guys 2

Claps

and some

girls

lie!

aah.

Ah,

Ah,

and some

girls

lie!

Ah

Ah

Ah,

Ah,

61

Tom

Guys 1

Guys 2

Ah,

Ah,

Ah,

Ah,

I

don't

know

what

I'm go

nna do!

Ah

Ah

I

don't

know

what

I'm go

nna do!

Ah

Ah

7. Some Girls - Vocals 5

Page 35 of 125

67

Guys 1

Guys 2

Ah,

Ah,

Ah,

Ah,

Ah,

Ah,

Ah,

Ah,

Ah

Ah

F

F

74

Tom

Guys 1

Guys 2

Claps

Some

girls

will,

some

girls

won't!

Some

girls

need

Ooh

Falsetto we

ooh

we

ooh,

Some

girls

will,

some

girls

won't!

Some

girls

need

79

Tom

Guys 1

Guys 2

Claps

a lot

of lov

in'- an'

some

girls

don't.

Well I

know

I've

we

ooh.

Ah,

ah

aah

a lot

of lov

in'- an'

some

girls

don't.

Well I

know

I've

7. Some Girls - Vocals6

Page 36 of 125

83

Tom

Guys 1

Guys 2

Claps

got

the feel

ing but

don't know

why?

Some

say

they will

aah

aah

got

the feel

ing but

don't know

why?

Some

say

they will

87 G

G

Tom

Guys 1

Guys 2

Claps

and some

girls

lie!

Some

say

theywill

and some

girls

lie!

aah.

aah

and some

girls

lie!

Some

say

theywill

and some

girls

lie!

92

Tom

Guys 1

Guys 2

Claps

Some

say

they will

aah.

aah

Some

say

they will

7. Some Girls - Vocals 7

Page 37 of 125

95

Tom

Guys 1

Guys 2

Claps

and some

girls

lie!

aah.

and some

girls

lie!

7. Some Girls - Vocals8

Page 38 of 125

q=100

8. You To Me Are EverythingWords & Music by Golde & Denne

Arranged by Brett Foster AJane

(& Girls)

Jack(& Boys)

I would take

the stars

out of

the sky

for you,

12

Jack stop the rain

form fall

ing- if

you asked

me to.

I'd do an

y- thing

for you,

your

15

Jane

Jack

Oh,

wish is my

com mand.

I could move

a moun

tain- when

your hand

is in

my hand.

B18

Jane words could not

ex press

how much

you mean

to me,

There must be

some oth-

er- way

to

21

Jane make you see.

The day you

say you

love me

won't be

a bit

to late

24 CJane

Jack

Ever y- thing

- that I

poss ess-

I'd glad

ly- sac

ri- fice.

You to me

are eve

ry- thing,

the

You to me

are eve

ry- thing,

the

Page 39 of 125

27

Jane

Jack

sweet est- song

that I

can see,

oh ba

by.-

oh ba

by.-

To you

I guess

I'mjust

a clown

who

sweet est- song

that I

can see,

oh ba

by,-

oh ba

by-

To you

I guess

I'mjust

a clown

who

31 DJane

Jack

picks you up

each time

your down,

oh ba

by,-

oh ba

by-

You give

mesuch

a taste

of love

to

picks you up

each time

your down,

oh ba

by,-

oh ba

by-

35

Jane

Jack

build my hopes

u pon.

So,

You know

you've got

the pow

er- girl,

to keep

me hold

ing- on.

So,

38 EJane

Jack

now you've got

the best

of me,

come on

and take

the rest

of me,

oh ba

by.-

now you've got

the best

of me,

come on

and take

the rest

of me,

oh ba

by.-

F44

Jack Whenyou're close

to me

we seem

so far

a part.

May be- giv

en- time

you'll have

a change

of heart.

48

Jane If it takes

for ev-

er- boy,

then I'm

pre pared

- to wait,

The day

we are

a fam

i- ly-

won't

8. You To Me Are Everything - Vocals

2

Page 40 of 125

51 GJane

Jack

be a day

to late.

You to me

areeve

ry- thing,

the sweet

est- song

that I

can see,

oh ba

by.-

oh

You to me

areeve

ry- thing,

the sweet

est- song

that I

can see,

oh ba

by,-

oh

55

Jane

Jack

ba by.

To you

I guess

I'mjust

a clown

who picks

youup

eachtime

yourdown,

oh ba

by,

oh

ba by-

To you

I guess

I'mjust

a clown

who picks

youup

eachtime

yourdown,

oh ba

by,

oh

59

Jane

Jack

ba by-

You give

me such

a taste

of love

to build

my hopes

u pon.-

ba by-

You

62

Jane

Jack

So, now

you've got

the best

of me,

come

know you've got

the pow

er- girl,

to keep

me hold

ing- on.

So, now

you've got

the best

of me,

come

65 HJane

Jack

onandtake

the rest

of me,

oh ba

by.-

You

Plus Girls

to me

areeve

ry- thing,

the

onandtake

the rest

of me,

oh ba

by.-

You

Plus Guys

to me

areeve

ry- thing,

the

8. You To Me Are Everything - Vocals

3

Page 41 of 125

71

Jane

Jack

sweet

Plus Girls

est- song

that I

can see,

oh ba

by.-

oh ba

by.-

Oh, you

to me

are ev

ry thing

the

sweetPlus Guys

est- song

that I

can see,

oh ba

by,-

oh ba

by-

Oh, you

to me

are ev

ry- thing

the

75

Jane

Jack

sweet est- song

that I

can sing

oh ba

by,-

oh ba

by-

You to me

are eve

ry- thing,

sweet est- song

that I

can sing

oh ba

by,-

oh ba

by-

You to me

are eve

ry- thing,

8. You To Me Are Everything - Vocals

4

Page 42 of 125

q = 110

9. Street LifeMusic By J. Santana

Lyrics by W. JenningsArr. by Brett Foster A

Kathy

I play

the street

life

be cause

- there's no

8

Kathy place I

can go.

Street

life,

it's the on

ly- life

I know

11

Kathy Street life,

and there's

a thou

sand- parts

to play.

Street

life

un til

- youplay

14 BKathy

your life

a way.

You let

the peo

ple- see

just who

you want

to be

and

17

Kathy ev ery- night

you shine

just like

a sup

er- star

That's how

the life

is played,

a

3

20

Kathy ten centmas

quer ade.-

You dress

and walk

and talk,

your who

you think

you are.

C23

Kathy Streetlife.

Youcan run

a way

fromtime.

Street

life,

for a nick

el- or

a dime.

27

Kathy Street life,

Butyou'd bet

ter- not

get old.

Street

life.

Or you'regon

-

Page 43 of 125

30 DKathy

na- feel

the cold.

There's al

way- love

for sale,

a grown

up fai

ry- tale.

Prince

33 EKathy

Charm ing- al

ways- smiles

be hind

- a sil

ver- spoon.

And if

you keep

it young,

you

36

Kathy song is al

ways- sung,

your love

will pay

yourway

be neath

- the sil

ver- moon.

F39

Kathy Street life.

Street life.

Street life.

44

Kathy Oh,

Street

life.

I play

the

G50

Kathy street life

be cause

- there's no

place I

can go.

52

Kathy Ooh,

Ooh

I play

the street

life!

09. Streetlife - Vocals2

Page 44 of 125

Moderately Fast Discoq=127

Words & Music byJ.Morali, H. Belolo & V. Willis

Arr. By Brett Foster

10. Village People Medley(Y.M.C.A, In The Navy, Go West)

AMale Leads

(Tom, Terry, Jack)

MaleEnsemble

In the Na

vy

- yes you

can

In the na

vy

- yes, you

can

12

Leads

MaleEns.

sail the sev

en- seas

In the Na

vy

- yes,you

can put

your mind

at ease.

In the Na

vy

- come on

and

sail the sev

en- seas,

In the na

vy

- yes,you

can put

your mind

at ease.

In the na

vy

- come on

and

16

Leads

MaleEns.

joinyourfel

low- man.

In the Na

vy

- comeon

peo ple

- andmake

a stand

In thena

vy,- in

the

joinyourfel

low- man.

In the na

vy,

-

InIn the na

vy

-

In the

20 BLeads

MaleEns.

na

vy.

-

Where can you

find plea

sure,- search

the world

for trea

sure,

-

na

vy

-

23

Leads learnscience

tech no

- lo- gy

wherecanyou

be gin

- to make

yourdreams

allcome

true?

Page 45 of 125

27

Leads On the land

or on

the sea?

Where canyou

learn to

fly,play

ing- sports

or skin

dive

-

31

Leads stu dy- oc

ean- og

- raph- y?-

Sign up for

the big

band or

sit in

the grand

stand

-

35 CLeads

MaleEns.

whenyourteam

andoth

ers- meet.

fIn the

Na

vy

- yes,you

can sail

thesev

en- seas

In the

f In the

na

vy

- yes,you

can sail

thesev

en- seas,

In the

39

Leads

MaleEns.

Na

vy

- yes,you

can put

your mind

at ease.

In the Na

vy

- come on

and join

your fel

low- man.

In the

na

vy

- yes,you

can put

your mind

at ease.

In the na

vy

- come on

and join

your fel

low- man.

In the

43

Leads

MaleEns.

Na

vy

- come on

peo ple

- and make

a stand

In the na

vy,- in

the na

vy.

-

na

vy,

-

InIn the na

vy

-

In the na

vy

-

10. Village People Medley - Vocals2

Page 46 of 125

D47

Leads

MaleEns.

Perc.

They want you,

they want you,

they want you

as a new

re cruit!

-

They want you,

they want you,

They want you,

they want you,

they want you

as a new

re cruit!

-

They want you,

they want you,

Cast Clap

1.

50 2.E

Leads

MaleEns.

Perc.

they want you

as a new

re cruit!

-

they want you

as a new

re cruit!

-

Jack To

geth

- er!-

We will

they want you

as a new

re cruit!

-

they want you

as a new

re cruit!

-

To

geth

- er!-

53

Leads

MaleEns.

go

our way

To geth

- er!-

We

will

3

leave

some day,

To geth

- er!-

You hand

To geth

- er!-

To geth

- er!-

57 FLeads

MaleEns.

in

my hand,

To geth

- er!-

We will make

the plans.

I love

you!

I know

To geth

- er!-

I love

you!

10. Village People Medley - Vocals 3

Page 47 of 125

61

Leads

MaleEns.

you

love me,

I want

you,

Hap

py

3

- and

care free,-

so that's

why,

I have

I want

you,

so that's

why,

65 GLeads

MaleEns.

no

pro test,

When you

said

You want to

"go west"

Life

is

When you

said

Go

west!

69

Leads

MaleEns.

peace

ful- there,

Lots

of

3

o

pen- air.

To

be

3

gin

- life new!

Go

west!

Go

west!

Go

74 H I JLeads

MaleEns.

That

is what

were go

na- do!

Young

Jack

man,

there's no

west!

Young man.

93

Leads

MaleEns.

need to feel

down.

I said

young man,

pick your self

- of the

ground.

I said

Young man.

10. Village People Medley - Vocals4

Page 48 of 125

96

Leads

MaleEns.

young man

'cause your in

a new

town

there's no

need

to

be

un

hap

- py.

-

Young man.

there's no

need

to

be

un

hap

- py.

-

K100

Leads

MaleEns.

Young man

there's a place

you can

go.

I said

young man,

when your

Young man.

Young man.

103

Leads

MaleEns.

short on your

dough

you can

stay there,

and I'm sure

you will

find

man y

- ways

to

have

stay there.

man y

- ways

to

have

107 LLeads

MaleEns.

a

good

time.

It's fun

to stay

at the

Y.

M.

C. A.

it's fun

to stay

at the

a

good

time.

Y.

M.

C. A.

it's fun

to stay

at the

112

Leads

MaleEns.

Y.

M.

C. A.

They have ev

ery

- thing

for young men

to en

joy,-

you can

Y.

M.

C. A.

They have ev

ery

- thing

for young men

to en

joy,-

10. Village People Medley - Vocals 5

Page 49 of 125

116

Leads

MaleEns.

hang out with

all

the

boys.

It's fun

to stay

at the

Y.

M.

C. A.

Its fun

to stay

at the

It's fun

to stay

at the

Y.

M.

C. A.

Its fun

to stay

at the

120

Leads

MaleEns.

Y.

M.

C. A

You can get

your self

- clean,

you can have

a good

meal,

you can

Y.

M.

C. A

You can get

your self

- clean,

you can have

a good

meal,

you can

124 MLeads

MaleEns.

do what ev

- er-

you

feel.

It's fun

to stay

at the

Y.

M.

C. A.

it's fun

to stay

at the

do what ev

- er-

you

feel.

It's fun

to stay

at the

Y.

M.

C. A.

it'sit's fun

to stay

at the

128

Leads

MaleEns.

Y.

M.

C. A.

Young man,

young man,

there's no need

to feel

down,

Y.

M.

C. A.

Young man,

young man,

there's no need

to feel

down,

132

Leads

MaleEns.

Young man,

young man,

get your self

- off

the

3

ground.

Y.

M.

C. A.

Young

C11man,

young man,

get your self

- off

the

3

ground.

Y.

M.

C. A.

10. Village People Medley - Vocals6

Page 50 of 125

q=128Ly

Music By B. ManilowArranged By Brett Foster

Lyrics by A. Anderson

11. Could It Be MagicInspired By "Prelude in C Minor" by F. Chopin

Jack

Opt. GirlsBacking

Vocals

Opt. GuysBacking

Vocals

Sun

Sun

A9

Jack

Spir it

- move

me

ev

'ry- time

I'm

near

you,

whirl

ing like

a

cy

-

14

Jack

GirlsB.V

GuysB.V

clone

- in

my

mind

Your my

life

line,

-

Time

Woh,

woh,

Time

Woh,

woh,

Page 51 of 125

19

Jack

GirlsB.V

GuysB.V

an

gel- of

a

life

time

-

ans

wer to

all

ans

wers

- I

can

find

woh.

woh.

24 BJack

GirlsB.V

GuysB.V

Ba by,- I

want

you.

Come,

come,

come

in to-

my

arms.

Ba by,- I

want

you.

Come,

Come,

come

in to-

my

arms.

Ba by,- I

want

you.

Come,

Come,

come

in to-

my

arms.

29

Jack

GirlsB.V

GuysB.V

Let

me

know

the won

der-

of all of

you.

Couldit be

ma

gic.

- Now,

Let

me

know

the won

der-

of all of

you.

Couldit be

ma

gic.

- Now,

Let

me

know

the won

der-

of all of

you.

Couldit be

ma

gic.

- Now,

11. Could It Be Magic - Vocals

2

Page 52 of 125

34

Jack

GirlsB.V

GuysB.V

now,

now

an' hold

on

fast.

Could

this

be

the ma

-

now,

now

an' hold

on

fast

Could

this

be

the ma

-

now,

now

an; hold

on

fast,

could

this

be

the ma

-

38

Jack

GirlsB.V

GuysB.V

gic-

at last?

Sun

gic-

atat last?

gic-

atat last?

43

Jack

Sun

Sun

Sun

11. Could It Be Magic - Vocals

3

Page 53 of 125

C49

Jack

GirlsB.V

GuysB.V

Ba by

- take

me

high

up on

a

hill

side,

-

high

up where

the

stal

Take

me,

Take

me,

54

Jack

GirlsB.V

GuysB.V

lion

- meets

the

sun.

I could

love

you,

Love

you,

Ooh,

Love

you,

Ooh,

59

Jack

GirlsB.V

GuysB.V

build

my world

a

round-

you,

nev

er- leave

you

'til

my

life

is

done.

build

my world

a

round-

nev

er- leave

you

'til

my

life

is

done.

build

my world

a

round-

you,

nev

er- leave

you

'til

my

life

is

done.

11. Could It Be Magic - Vocals

4

Page 54 of 125

64

Jack

GirlsB.V

GuysB.V

Ba by,- I

love

you.

Come,

come,

come

in to-

my

arms.

Ba by,- I

love

you.

Come,

Come,

come

in to-

my

arms.

Bab by,- I

love

you.

Come,

Come,

come

in to-

my

arms.

69

Jack

GirlsB.V

GuysB.V

Let

me

know

the won

der-

of all of

you.

Couldit be

ma

gic.

- Now,

Let

me

know

the won

der-

of all of

you.

Couldit be

ma

gic.

- Now,

Let

me

know

the won

der-

of all of

you.

Couldit be

ma

gic.

- Now,

74

Jack

GirlsB.V

GuysB.V

now,

now

an' hold

on

fast.

Could

this

be

the ma

-

now,

now

an' hold

on

fast

Could

this

be

the ma

-

now,

now

an; hold

on

fast,

could

this

be

the ma

-

11. Could It Be Magic - Vocals

5

Page 55 of 125

78 DJack

GirlsB.V

GuysB.V

gic-

at last?

Woh,

woh,

woh.

gic-

atat last?

Woh,

time

gic-

atat last?

Woh,Woh,

time

83

Jack

GirlsB.V

GuysB.V

Woh,

woh,

woh.

Woh,

woh,

woh.

Woh,

Woh,

Take

me.

Woh,

time

Woh,

Take

me.

Woh,Woh,

time

88 EJack

GirlsB.V

GuysB.V

Ba by,- I

love

you.

Come,

come,

come

in to-

my

arms.

Ba by,- I

love

you..

Come,

Come,

come

in to-

my

arms.

Ba by,- II

love

you.

Come,

Come,

come

in to-

my

arms.

11. Could It Be Magic - Vocals

6

Page 56 of 125

93

Jack

GirlsB.V

GuysB.V

Let

me

know

the won

der-

of all of

you.

Could it be

ma

gic.

- Now,

Let

me

know

the won

der-

of all of

you.

Could it be

ma

gic.

- Now,

Let

me

know

the won

der-

of all of

you.

Could it be

ma

gic.

- Now,

98

Jack

GirlsB.V

GuysB.V

now,

now

an' hold

on

fast.

Could

this

be

the ma

gic-

at last?

now,

now

an' hold

on

fast

Could

this

be

the ma

gic-

atat last?

now,

now

an; hold

on

fast,

could

this

be

the ma

gic-

atat last?

103

Jack

GirlsB.V

GuysB.V

Could it be

ma

gic.

-

Could it be

ma

gic.

-

Could it be

ma

gic.

-

11. Could It Be Magic - Vocals

7

Page 57 of 125

105

Jack

GirlsB.V

GuysB.V

Could it be

ma

gic.

-

Could it be

ma

gic,

-

now!

Could it be

ma

gic.

-

Could it be

ma

gic,

-

now!

Could it be

ma

gic.

-

Could it be

ma

gic,

-

now!

11. Could It Be Magic - Vocals

8

Page 58 of 125

q=75

12. Leader Of The GangWords & Music by Leander & Glitter

Arranged by Brett Foster accel.

Heathcliffe Come

on,

come

on.

Come on,

come

on

Come on,

come

on,

come

6

Heath. on

Come

on,

come

on.

Come on,

come

on

Come on,

come

on,

come

on

I

said...

Come

11Tempoq=15611

Heath. on,

come

on.

Come on,

come

on

Come on,

come

on,

come

on

Come

on,

come

on.

Come

16 19Heath. on,

come

on

Come on,

come

on,

come

on

D’you wan

na- be

in my

gang,

20

Heath. my gang,

my gang

D’you wan

na- be

in my

gang,

oh

yeah.

D’you wan

na- be

in my

gang,

24

Heath. my gang,

my gang

D’you wan

na- be

in my

gang,

I’m the

lea

der,-

I’m the

lea

-

28

Heath. der- of

the gang,

I’m the

lea

der- of

the gang,

I’m the

lea

der- of

the gang,

I

am

31

Heath. der,

I’m the

lea

der,-

and there’s

no

one like

the man

I

am

Page 59 of 125

35

Heath. I

can

take

you

high

as a kite,

ev'

ry- sin

gle- night

I

can

make

you

sell

41

Heath. meyour

soul,

for rock

‘n

roll

You’ll ne

ver- bel

ieve

it

You’ll ne

ver- bel

ieve

it

46

Heath. You’ll ne

ver- bel

ieve

it

D’you wan

na- be

in my

gang,

50

Heath. my gang,

my gang

D’you wan

na- be

in my

gang,

oh

yeah.

D’you wan

na- be

in my

gang,

54

Heath. my gang,

my gang

D’you wan

na- be

in my

gang,

oh

yeah.

D’you wan

na- be

in my

gang,

58

Heath. my gang,

my gang

D’you wan

na- be

in my

gang,

oh

yeah.

D’you

61

Heath. wan na- be

in my

gang,

my gang,

my gang

D’you wan

na- be

in my

gang,

Oh

Opt Falsettoor Shouted

yeah

12. Leader Of The Gang - Vocals2

Page 60 of 125

q=100

13. Pop MuzikMusic & Lyrics by Scott, Linial, Cordes & Cordes

Arranged by Brett Foster q=115

Nick

GirlsEnsemble

Guys Ensemble

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

7

Girls

Guys

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

A12

Nick Ra di- o,- vi

de- o,-

boo gie- with a suit

case.

You're liv

in'- in a dis

co.-

For

-

15

Nick get a bout- the rat

race.

Let's do the milk

shake,- sell

in'- like a hot

cake.-

17

Nick Try some, buy

some, fee

fi- fo

fum.- Talk

a- bout,-

Pop mus

ic,- talk

a bout-

pop mus

ic.-

Page 61 of 125

B20

Nick

Girls

Guys

I wan

na- ded i- cate

- it.

Eve ry- bod- y- made

it.

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

22

Nick

Girls

Guys

In fil- trate

- it.

Act i- vate

- it.

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

24

Nick

Girls

Guys

New York,Lon

don,- Par

is,- Mun

ich,- ever

ry- bod ytalk

a bout

popmus

ic.- Talk

a bout,-

Popmus

ic,-

Popmus

ic,-

Popmus

ic,-

27

Nick

Girls

Guys

talk a bout-

pop mus

ic.-

pop mus

ic.-

pop mus

ic.-

Pop mus

ic,-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop mus

ic,-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

13. Pop Muzik - Vocals2

Page 62 of 125

C30

Nick Sing ing- in the sub

way,

shuf fle- with a shoe

shine.

Fix me a mol

ot- ov.-

33

Nick

Girls

Guys

I'm on the head

line.-

I wan

na- be a gun

sling- er,- don't

be a rock

song er,-

Ah

ah,

ah.

Ah

ah,

ah.

35

Nick

Girls

Guys

Ee ny- mee ny- mi

ney- moe, which

a way- you wan

na- go? Talk

a- bout,-

Pop mus

ic,-

Pop mus

ic,-

Pop mus

ic,-

37

Nick

Girls

Guys

talk a bout-

pop mus

ic.-

Ly ing- in a tree

Pop mus

ic,- Shoo

bee- do bee- do

whop.-

Pop mus

ic,- Shoo

bee- do bee- do

whop.-

13. Pop Muzik - Vocals 3

Page 63 of 125

39

Nick

Girls

Guys

Een ey- mee

ny,-

bird in a tree

Bop, bop, shoo

wop.-

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

Shoo bee- do bee- do

whop.-

41

Nick

Girls

Guys

You know what I mean.

Hit it!

Bop, bop, shoo

wop.-

Bop, bop, shoo

wop.-

D44

Nick

Girls

Guys

Talk a bout,-

Pop mus

ic,-

Talk a bout,-

pop mus

ic.-

pop mus

ic.-

TalkTalk a bout,-

Pop mus

ic,- TalkTalkTalk

a bout,-

Pop mus

ic,-

Pop,

pop,

pop mus

ic.-

TalkTalk a bout,-

Pop mus

ic,- TalkTalkTalk

a bout,-

Pop mus

ic,-

Pop,

pop,

pop mus

ic.-

47

Nick

Girls

Guys

pop mus

ic.- All

a round- the world,

Where ev

- er- you are,

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

13. Pop Muzik - Vocals4

Page 64 of 125

50

Nick

Girls

Guys

Dance in the street,

an y- thing- you like.

Do it in the car

in the mid

dle- of the night!

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

55 ENick

Girls

Guys

La,la, la,

la, la,

la, la,

la, la,

la, la, la,

la, la,

la, lah.

La,la, la,

la, la,

la, la,

la, la,

la,la,

Pop,

pop,

popmus

ic.-

Pop,

pop,

popmus

ic.-

Pop,

pop,

popmus

ic.-

Pop,

pop,

popmus

ic.-

Pop,

pop,

popmus

ic.-

Pop,

pop,

popmus

ic.-

59

Nick

Girls

Guys

la, la, la,

la, lah.

Dance in the sup

er- mart.

Dig it in the fast

lane.

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.-

62

Nick Lis ten- to the count

down-

their play

ing- our song

a gain.-

I

64

Nick can't get Jump

ing- Jack, I

wan na- hold,

get back. Moon

light- muz

ak,- knick

knack- pad

dy- whack.

13. Pop Muzik - Vocals 5

Page 65 of 125

66

Nick

Girls

Guys

Talk a- bout,-

Pop mus

ic,-

Talk a- bout,-

pop mus

ic.-

TalkTalk a-- bout,-

Pop mus

ic,- TalkTalkTalk

a--- bout,-

Pop mus

ic,-

TalkTalk a-- bout,-

Pop mus

ic,- TalkTalkTalk

a--- bout,-

Pop mus

ic,-

68

Nick

Girls

Guys

Its all a round

- you,

Gon na- sur round- you,

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

70

Nick

Girls

Guys

Its all a round

- you.

Hit it!

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

Shoo bee- do bee- do

whop.-

Bop, bop, shoo

wop.-

72

Nick New York, Lon

don,- Par

is,- Mun

ich,- eve

ry- bod- y- talk

a bout,

pop mus

ic-

13. Pop Muzik - Vocals6

Page 66 of 125

74

Nick

Girls

Guys

Talk a bout,-

Popmus

ic,-

Talk a bout,-

pop mus

ic.-

pop mus

ic.-

TalkTalk a bout,-

Popmus

ic,- TalkTalkTalk

a bout,-

Popmus

ic,-

Pop,

pop,

pop mus

ic.-

TalkTalk a bout,-

Popmus

ic,- TalkTalkTalk

a bout,-

Popmus

ic,-

Pop,

pop,

pop mus

ic.-

77

Nick

Girls

Guys

pop mus

ic.-

Talk a bout,-

Popmus

ic,-

Talk a bout,-

pop mus

ic.-

Pop,

pop,

pop mus

ic.- TalkTalk

a bout,-

Popmus

ic,- TalkTalkTalk

a bout,-

Popmus

ic,-

Pop,

pop,

pop mus

ic.- TalkTalk

a bout,-

Popmus

ic,- TalkTalkTalk

a bout,-

Popmus

ic,-

80

Nick

Girls

Guys

pop mus

ic.-

pop mus

ic.- Pop!

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.- Pop!

Pop,

pop,

pop mus

ic.-

Pop,

pop,

pop mus

ic.- Pop!

13. Pop Muzik - Vocals 7

Page 67 of 125

Fast Jazz Feel q=116

14. Boogie Nights(& Disco Inferno Playout) Words & Music by Rod Temperton.

Arranged by Brett Foster

Optional Repeat 1.

2.

Jack

GirlsEnsemble

GuysEnsemble

Boo

ff

gie-

nights

Whoa,

whoa.

whoa.

Booff

gie-

nights

Whoa,

whoa.

whoa.

10

A Disco (Mod. Fast)

Girls

Guys

Boo gie- nights!

Boo gie- nights!

Boo gie- nights!

Boo gie- nights!

B15

Jack

Girls

Guys

fAin'tnodoubt

wearehere

to par

ty.

-

Comeonnow

got to get

it start

ed.

-

Boo gie- nights!

Boo gie- nights!

Boo gie- nights!

Boo gie- nights!

Page 68 of 125

19

Jack

Girls

Guys

Dance

with the boo

gie,- get

down,

'cause boo

gie

- nights

are

Dance

with the boo

gie- get

down,

Dance

with the boo

gie- get

down,

22 CJack

Girls

Guys

al

ways- the best

in town.

al

ways- the best

in town.

Got to keep

on danc

ing,-

keep on danc

ing,-

Got to keep

on danc

ing,-

al

ways- the best

in town.

Got to keep

on danc

ing,-

keep on danc

ing,-

Got to keep

on danc

ing,-

26 DJack

Girls

Guys

Get that groove;

let it take

you high

er.

-

keep on danc

ing,-

Boo gie- nights!

keep on danc

ing,-

Boo gie- nights!

14. Boogie Nights - Vocal(& Disco Inferno Playout)

2

Page 69 of 125

29

Jack

Girls

Guys

Make it move;

set the place

on fire.

Dance

with the boo

gie,- get

down,

Boo gie- nights!

Boo gie- nights!

32 E Instrumental

Jack

Girls

Guys

'cause boo

gie

- nights

are

al

ways- the best

in town.

Dance

with the boo

gie- get

down,

al

ways- the best

in town.

Dance

with the boo

gie- get

down,

al

ways- the best

in town.

F43

Jack

Girls

Guys

Can you show

that you know

how

to do

it,

do

it,

do

it?

Par

ty

- night.

Boo

gie

- night.

Par

ty

- night.

Boo

gie

- night.

14. Boogie Nights - Vocal(& Disco Inferno Playout)

3

Page 70 of 125

47

Jack

Girls

Guys

Get on down

with the sound

of

the mu

sic,-

mu

sic,

- mu

sic.-

Par

ty

- night.

Boo

gie

- night.

Par

ty

- night.

Boo

gie

- night.

G51

Jack

Girls

Guys

It's all right

when you've got

the feel

ing.

-

Hold it tight;

Boo gie- nights!

Boo gie- nights!

Boo gie- nights!

Boo gie- nights!

54

Jack

Girls

Guys

got to keep

on deal

ing.

- Dance

with the boo

gie,- get

down,

'cause

Dance

with the boo

gie- get

down,

Dance

with the boo

gie- get

down,

14. Boogie Nights - Vocal(& Disco Inferno Playout)

4

Page 71 of 125

57q=130

Playout - Instrumental

Jack

Girls

Guys

boo

gie

- nights

are

al

ways- the best

in town.

Boo gie- nights!

al

ways- the best

in town.

Boo gie- nights!

al

ways- the best

in town.

Boo gie- nights!

14. Boogie Nights - Vocal(& Disco Inferno Playout)

5

Page 72 of 125

15. Entr’acte

Voices: TACET

Page 73 of 125

16. “TV Theme” (Band improvises 10-second introduction or sting)

Voices: TACET

Page 74 of 125

17.Starman Word & Music by D. BowieArranged by Brett Foster

AJack

Opt. Male DuoBacking Vocal

Did n't- know

what time

it was,

and the lights

were

low

ow

ow-

11

Jack I leaned

back

on my ra

di- o-

o

o-

Some cat

was lay

in'- down

some

14 BJack

rock

n'- roll,

"lot

Spoken

ta- soul"

he said.

Then the loud

sound

did seem

to fa

a

- ade-

18

Jack came back

like a slow

voice on

a wave

of pha

aa

- ase-

That weren't

no D.

J. that

was

21 CJack

ha

zy- cos

mic- jive.

There's a

Star

man

- wait ing- in

the sky,

he'd

26

Jack like to come

andmeet

us,

buthe thinks

he'dblow

our minds,

There'sa Star

man

- wait ing- in

the sky,

he's

30

Jack told us not

to blow

it, 'cause

he knows

it's all

worth while;

- he told

me

let the child

ren- lose

it,

33 DJack

let the child

ren- use

it,

let all

the child

ren- boog

ie.-

Page 75 of 125

E42

Jack I had

tophone

some one,

- so I picked

on

you

oo

oo-

Hey,that's

far out,

soyou heard

himtoo

oo

oo-

46 FJack

B.V

Switch on

the T.

V.,we

may pick

him up

on

chan nel

- two.

Look out

your win

dow,- I

can

One B.V OnlyLook out

your win

dow,- I

can

50

Jack

B.V

see

his ligh

igh

ight,

if we

can spark

le- he

may land

to nigh

igh

ight,

Don't tell

you pop

pa- or

he'll

see

his ligh

igh

ight,

if we

can spark

le- he

may land

to nigh

igh

ight,

Don't tell

you pop

pa- or

he'll

54 GJack

B.V

get us locked

up

in fright.

There's a

Star

man

- wait ing- in

the sky,

he'd

get us locked

up

in fright.

Both B.Vocalists There's a

Star

man

- wait ing- in

the sky,

he'd

59

Jack

B.V

like to come

andmeet

us,

buthe thinks

he'dblow

our minds,

There'sa Star

man

- wait ing- in

the sky,

he's

like to come

andmeet

us,

buthe thinks

he'dblow

our minds,

There'sa Star

man

- wait ing- in

the sky,

he's

63

Jack

B.V

told us not

to blow

it, 'cause

he knows

it's all

worth while;

- he told

me

let the child

ren- lose

it,

told us not

to blow

it, 'cause

he knows

it's all

worth while;

- he told

me

let the child

ren- lose

it,

17. Starman - Vocals2

Page 76 of 125

66

HJack

B.V

let the child

ren- use

it,

let all

the child

ren- boog

ie.-

let the child

ren- use

it,

let all

the child

ren- boog

ie.-

72

Jack

B.V

La

la

la

la la

la

la

la la

la

la

la la.

La

la

la

la la

la

la

la la

la

la

la la.

17. Starman - Vocals3

Page 77 of 125

q=125

18.FigaroWords & Music by T. Hillier, L Sheridan & M. Lee

Arranged by Brett Foster AJane

Chorus

Ev’ ry

mor

ning- when

sun is

daw

ning- You’ll

seehim

down

onthe

13

Jane beach

Look out

girl,

be ware,

- bet ter

- take

good care

Keep your

self-

out of

17 BJane

reach

He’s

out

to make

a kil

ling

- girl

He’s

out

to make

a score

22

Jane And

may

be- If

you’re wil

ling

- girl

He’s gon

na- ask

for

more

C27

Chorus Oh,oh

fi

ga- ro

- he’s got

ma

gic- o,

- oh

Oh,oh

fi

ga- ro

-

32 DChorus

he’s a

rom

e- o,

- oh

See him down

on the

beach

Page 78 of 125

36

Chorus He’ll

(tenors)

be loo

king- for

some

one

- new

Sear ching- down

on the

beach

40 EJane

Chorus

When he

plays

gui tar

- at the

dis

co- bar

-

Fi

(tenors)

ga- ro,

- Fi ga

- ro.

45

Jane He’sthe

star

of the

show

Asthe

girls

go by

hejust

winks

aneye

Seethe

prêt

ty- girls

50 FJane

glow

He’s

out

to make

a kil

ling

- girl

He’s

out

to make

a score

55

Jane And

may

be- If

you’re wil

ling

- girl

He’s gon

na- ask

for

more

G60

Chorus Oh,oh

fi

ga- ro

- he’s got

ma

gic- o,

- oh

Oh,oh

fi

ga- ro

-

18. Figaro - Vocals2

Page 79 of 125

65

Chorus he’s a

rom

e- o,

- oh

See him down

on the

beach

69

Chorus He’ll

(tenors)

be loo

king- for

some

one

- new

Sear ching- down

on the

beach

73 HChorus

Fi

(tenors)

ga- ro,

- Fi ga

- ro.-

Oh,oh

fi

ga- ro

- he’s got

ma

gic- o,

- oh

78

Chorus Oh, oh

fi

ga- ro

- he’s got

ma

gic- o,

- oh

82

Chorus Oh oh

fi

ga- ro

- he’s got

ma

gic- o,

- oh!

18. Figaro - Vocals 3

Page 80 of 125

q=103

Words & Music by J Robinson & J . BoldenArranged by Brett Foster

19. I Love To Love

AMaggy

Female Ensemble

Male Ensemble

Oh,

I

love to love,

but

my ba

by-

just

7 BMaggy

Girls

Guys

loves to dance

He wants

to dance,

he loves

to dance,

he’s got

to dance

Oh I

love to love,

I

love to love,

I

love to love,

10

Maggy

Girls

Guys

but

my ba

by-

just loves

to dance

Oh, I

love to love,

but there’s

no time

for our

ro

-

I

love to love,

I

love to love,

Page 81 of 125

14

Maggy

Girls

Guys

mance

No, no, no

no,

Oh I

love to love,

but

myba

by-

just loves

to dance

The

I

love to love,

I

love to love,

C19

Maggy

Girls

Guys

mi nute-

the band

be gins

to swing

it

He’s on

his feet

to dig

mi nute-

swing it

mi nute-

swing it

21

Maggy

Girls

Guys

it

And dance

the night

a way.

Stop!

I’m spin

nin’- like

a

mi nute-

Stop, stop!

mi nute-

Stop, stop!

19. I Love To Love - Vocals2

Page 82 of 125

24 DMaggy

Girls

Guys

top

We’ll dance

un til-

we drop

But if

I have

my way

oh, I

love to love,

top,top

drop,drop

top,top

drop,drop

28

Maggy but

my ba

by-

just loves

to dance

He wants

to dance,

he loves

to dance,

he’s got

to dance

Oh

E31

Maggy

Girls

Guys

I

love to love,

but

my ba

by-

just loves

to dance

Oh, I

love to love,

I

love to love,

I

love to love,

I

love to love,

I

love to love,

35 FMaggy

Girls

Guys

but there’s

no time

for our

ro mance

-

No, no, no

no,

Oh I

love to love,

I

love to love,

I

love to love,

19. I Love To Love - Vocals 3

Page 83 of 125

39 GCHORUS 2

Maggy

Girls

Guys

but

my ba

by-

just loves

to dance

The Stop!

I’m spin

nin’- like

a top

Stop, stop!

Stop, stop!

42

Maggy

Girls

Guys

We’ll dance

un til-

we drop

But if

I have

my way

top, top

drop, drop

top, top

drop, drop

45

Maggy

Girls

Guys

Sun down-

in stead

- of go

ing- down

town-

We’ll stay

at home

and

Sun down-

down town-

19. I Love To Love - Vocals4

Page 84 of 125

47 H OUTRO

Maggy

Girls

Guys

get down

To what

I’m try

ing- to

I love

to love

but

my ba

by-

he

get down

51

Maggy lovesto dance

yes

he does

I love

to love

but

myba

by-

he loves

to dance

yes

he

56

Maggy

Girls

Guys

does

I love

to love

but

my ba

by-

he loves

to dance

loves to dance

loves to dance

19. I Love To Love - Vocals 5

Page 85 of 125

q=120

20. Groove Medley(Blame It On The Boogie, Grove Thing, Boogie Wonderland)

Various Writers (See footnotes)Arranged by Brett Foster 10

Jack

Girls Ensemble

GuysEnsemble

Sun shine-

moon light

good times

13 14Jack

Girls

Guys

My

boo gie

Sun shine-

moon light

goodtimes

boo gie

1818

Jack

ba by's- al

ways- dan

cin'

- Anditwould

n't- be

a bad

thing

But I

don't get

no lov

ing

- and

21

Jack

Girls

Guys

that's no

lie

We spent

the night

in Fris

co

-

At ev'

ry kind

of dis

co

-

that's no

lie

Page 86 of 125

24 26Jack

Girls

Guys

Fromthatnight

I kissed

Ourlove

good bye

Don'tblame

itonthe sun

shine-

Don'tblame

itonthe

Sun shine-

27

Jack

Girls

Guys

moon light

Don't blame

it on the good

times

Blame it on the boo

gie

Don't blame

it on the

moon light

good times

Blame it on the boo

gie

3030

Jack

Girls

Guys

sun shine-

Don't blame

it on the moon

light

Don't blame

it on the good

times

Blame it on the

Sun shine-

moon light

good times

Blame it on the

20. Groove Medley - Vocals2

Page 87 of 125

33 34Jack

Girls

Guys

booboo gie--

The nas

ty- boo

gie- bugs

me

But some

how- it

has drugged

me

boo gie-

36

Jack

Girls

Guys

Spell bound- rhy

thm- gets

me

On my

feet

I'vechanged

my life

com plete

ly

-

I've

39

Jack

seen the light

ning- leave

me

My ba

by- just

can't take

Her eyes

off me

Don't blame

it on the

4242

Jack

Girls

Guys

sun shine-

Don't blame

it on the moon

light,

Don't blame

it on the good

times,

Blame it on the

Sun shine-

moon light,

good times,

Blame it on the

20. Groove Medley - Vocals 3

Page 88 of 125

45 46Jack

Girls

Guys

boo gie

Don't blame

it on the sun

shine-

Don't blame

it on the moon

light

Don't blame

it on the

boo gie

Sun shine-

moon light

48 49 57Jack

Girls

Guys

good times

Blameitonthe

boo

gie

good times

Blameitonthe

boo

gie

Let's

groove

to night-

58

Girls

Guys

share the spice

of life

ba by- slice

it right

we're gon

na-

63 65Jack

Girls

Guys

Let this groove,

get you to

move,

it's al

right,

-

groove

to night-

al

right

-

20. Groove Medley - Vocals4

Page 89 of 125

68

Jack

Girls

Guys

al

right-

letthis groove,

set inyour

shoes,

youstand

up,

al

right-

al

right-

stand

up

al

right-

7373

Jack

Girls

Guys

Let this groove,

get you to

move,

it's al

right,

-

al

right-

al

right

-

al

right-

77

81Jack

Girls

Guys

let this groove,

set in your

shoes,

youstand

up,

al

right-

stand

up

al

right-

82 90Girls

Guys

Dance,

boo gie- won

der- land

Dance,

20. Groove Medley - Vocals 5

Page 90 of 125

95 98Jack

Girls

Guys

Mid night-

creeps

so

slow

ly-

in

to-

hearts

Boo gie- won

der- land

100

Jack

of

men

who

need

more

than

they get

Day light-

deals

a

bad

hand

To

a

wo

104

Jack

man-

that

has

laid

too

ma

ny- bets

The

mir

ror

- stares

you

in

the

face

108

Jack

Girls

Guys

and

says

“Ba by,

- uh

uh

it

don’t work”

You

say

your

prayers

through

you

don’t

care

20. Groove Medley - Vocals6

Page 91 of 125

112 114Jack

Girls

Guys

You

dance

and

shake the

hurt

Sounds fly

through

the

night

I

chase

my

vi

-

Dance,

boo gie- won

der-

116

Jack

Girls

Guys

nyl-

dreams

to

Boo

gie-

Won

der- land

-

Day light-

deals

a

bad

land

Dance,

119

Jack

Girls

Guys

hand

To

a

wo

man-

that

has

laid

too

ma

ny- bets

The

mir

ror

- stares

boo gie- won

der- land

Dance,

20. Groove Medley - Vocals 7

Page 92 of 125

123

Jack

Girls

Guys

you

in

the

face

and

says

“Ba by,

- uh

uh

it

don’t work”

boo gie- won

der- land.

126

Jack

Girls

Guys

You

dance

and

shake the

hurt

You

say

your

prayers

through

you

don’t

care

130130

Girls

Guys

Dance,

boo gie- won

der- land

-

Dance,

boo gie- won

der-

136 138Girls

Guys

land

Dance,

boo gie- won

der- land

-

Dance,

20. Groove Medley - Vocals8

Page 93 of 125

143 146 150Jack

Girls

Guys

Sun shine,-

don't blame

it on the

boo gie- won

der- pland

-

Sun shine-

151

Jack

Girls

Guys

moon light.

Don't blame

it on the good

times,

blameblame it on the booboo

gie

Don't blame

it on the

moon light

good times

blame it on the booboo

gie

blame it on the boo

gie

154154

Jack

Girls

Guys

sun shine,-

don't blame

it on the moon

light,

don't blame

it on the good

times,

blame it on the

Sun shine-

moon light

good times

blame it on the

blame it on the

20. Groove Medley - Vocals 9

Page 94 of 125

157 158Jack

Girls

Guys

boo gie

Ijustcan't

Ijustcan't

Ijustcan't

con trol

my feet

Ijustcan't

Ijustcan't

boo gie

boo gie

161

Jack

Girls

Guys

I just can't

con trol

my feet

I just can't

I just can't

I just can't

con trol-

my feet

I just can't

I just can't

I just can't

con trol-

my feet

164

Jack

Girls

Guys

I just can't

I just can't

I just can't

con trol

my feet

I just can't

I just can't

I just can't

I just can't

I just can't

con trol

my feet

I just can't

I just can't

20. Groove Medley - Vocals10

Page 95 of 125

167

Jack

Girls

Guys

I just can't

con trol

my feet

I just can't

I just can't

I just can't

con trol

my feet

I just can't

con trol

my feet

I just can't

I just can't

I just can't

con trol

my feet

170

Jack

Girls

Guys

I just can't

I just can't

I just can't

con trol-

my feet

I just can't

I just can't

I just can't

I just can't

I just can't

con trol

my feet

I just can't

I just can't

173 174 182Jack

Girls

Guys

I just can't

con trol-

my feet

Sun shine-

Don't blame

it on the

I just can't

con trol-

my feet

Sun shine-

20. Groove Medley - Vocals 11

Page 96 of 125

183

Jack

Girls

Guys

moon light

Don't blame

it on the good

times

Blame it on the boo

gie

Don't blame

it on the

moon light

good times

Blame it on the boo

gie

Blame it on the boo

gie

186186

Jack

Girls

Guys

sun shine-

Don't blame

it on the moon

light-

Don't blame

it on the

Sun shine-

moon light-

188

Jack

Girls

Guys

good times

Blame it on the boo

gie-

ow!

good times

Blame it on the booboo

gie--

ow!

20. Groove Medley - Vocals12

Page 97 of 125

rubato

21. I Will Survive Words & Music by Fekaris & Perren.Arranged by Brett Foster

Aq=122

a tempo

Jane At first

I was

a fraid,-

I was pet

ri- fied;

- Kept thin

kin’-

4

Jane I could ne

ver- live

with out

- you by

my side.

But then,

I spent

so ma

ny- nights

thin kin’-

7

Jane how you did

me wrong

And I

grew strong

And I

learned how

to get

a long-

And so

you’re

B10

Jane back

from ou

ter- space

I just

walked in

to find

you here

with that

sad look

13

Jane u pon

your face

I should

have changed

that stu

pid- lock,

I should

havemade

you leave

yourkey

If I’d

have

16 CJane

known for just

one se

cond- you’d

be back

to bo

ther- me

Go on

now go,

walk out

the door,

19

Jane Just turn

a round

now,

‘cause you’re

not wel

come- an

y- more.

Page 98 of 125

22

Jane Weren’t you

the one

who tried

to hurt

me with

good bye?

Did

I crum

ble,

-

did you

think I'd

25 DJane

lay down

& die

Oh no,

not I,

I will

sur vive

For as long

as I

knowhow

to love,

I

29

Jane know I’ll stay

a live-

I’ve got all

my life

to live,

I’ve got all

my love

to give

And I’ll

sur

-

32 E INSTRUMENTAL

Jane vive,

I will

sur vive

Hey

hey.

It took

F42

Jane all the strength

I had

not to fall

a part

- Kept try

in’- hard

to mend

the piec

es- of

my

45

Jane bro ken- heart

And I

spent, oh,

so ma

ny- nights

just feel

in’- sor

ry- for

my self

- I used

to cry,

48 GJane

butnow

I hold

myhead

uphigh

Andyou

see me,

some bo

- dy- new

I’mnot

that chained

21. I Will Survive - Vocals2

Page 99 of 125

52

Jane up lit

tle- per

son- still

in love

with you

And so

you felt

like drop

pin’- in

and just

ex

-

55

Jane pect me to

be free

Well now,

I’m sav

in’- all

my lov

in’- for

some one

- who’s lov

in’- me

Go on

now

CHORUS 258

Jane go,

walk out

the door,

Just turn

a round

now,

‘cause you’re

not

61

Jane wel come- an

y- more.

Weren’t you

the one

who tried

to hurt

me with

good bye?

Did

I

64 HJane

crum ble,

-

didyouthink

I’d lay

down

& die

Oh no,

not I,

I will

sur vive

For as long

68

Jane as I

know how

to love,

I know

I’ll stay

a live-

I’ve got all

my life

to live,

I’ve got

71 vocal flourish - tempo ad lib

Jane all my love

to give

And I’ll

sur vive,

-

I will

sur vive

I

will

sur

vive

-

21. I Will Survive - Vocals 3

Page 100 of 125

q=68

22. Sorry Seems To Be The Hardest WordBy E. John & B. Taupin

Arranged by Brett Foster A

Jack

Chorus

What have I got to do

to make

you love

me?

3

7

Jack What haveIgot ta- do

to make

you care?

What do I do

when light

nin’- strikes

3

10

Jack me

An’ I wake

to find

that you’re

not there?

B13

Jack What haveI got ta- do

to make

you want

me?

What have I got

ta- do

to

be heard?

3

3

16

Jack Whatdo I say

nowit’s

all ov

er?

-

Sor ry-

seemsto be

thehard

est- word

Page 101 of 125

20 CJack

Ch

It’s sad,

it’s so sad

It’s a sad,

sad, sit

u- a-

tion-

it's so sad

23

Jack

Ch

And it’s get ting- more

and more

ab surd,-

It’s sad,

it’s so sad

it's so sad

26

Jack Why can’t

we talk

it ov

er?- Al

ways- seems

to me

that sor

ry- seems

to be

the hard

est-

D INSTRUMENTAL29 E

Jack

Ch

word

It’s sad,

it’s so sad

it's a sad

sad sit

u- a-

tion-

it's so sad

22. Sorry Seems To Be The Hardest Word - Vocals2

Page 102 of 125

39

Jack

Ch

And it’s get ting- more

and more

ab surd,-

It’s sad,

it’s so sad

it's so sad

42

Jack Why can’t

we talk

it ov

er?-

Always seems

to me

that sor

ry- seems

to be

the hard

est-

F45

Jack word.

What haveIgot todo

to make

youlove

me?

What haveIgot ta- do

tomake

youcare?

3 3

48

Jack What do I do

when light'

nig- stikes

me

What have I got

ta- do

52 rall.

Jack WhathaveI got

ta- do

sor

ry-

seemsto be

thehard

est- word

22. Sorry Seems To Be The Hardest Word - Vocals 3

Page 103 of 125

q=85

23. Don't Give Up On Us BabyWords & Music by D. Hayman

Arranged by Brett Foster AJack

Jane

Don’tgive up

on us,

ba

by

-

Don’t

make

the

wrong

seem

10

Jack

right

The fu

ture- is

n’t- just

one

night

It’swrit

ten- in

the moon

light

-

15 BJack

An’pain

ted- on

the stars

We can’t

change

ours

Don’t give up

on us,

ba

by

-

20

Jack

We’re

still

worth

one

more

try

I know

we’ve put

a last

one

by

25

Jack

Just for

a rai

ny- eve

ning-

Whenmay

be- stars

are

few

Don’tgive up

on us,

I

know

30 CJack

Jane

Wecanstill

come

through

You’vegot

the

You know

yourbroke

myheart

in

two

35

Jack

right

to stop

be lie- ving

-

ButI’m sure

there’s a lit

tle

- love

left,

ev en- so

Page 104 of 125

40 DJack

Jane

Don’t give up

on us,

ba

by

-

So,

Don’t give up

on us,

ba

by

-

Lord

knows

we

came

this

far

45

Jack

can’t we stay

the way

that we

are?

The an

gel- an’

the drea

mer-

49

Jack

Jane

Whosome

times- plays

the

fool

Don’tgive up

on us

may

be

-

Wecould still

come

through

Don’tgive up

on us

may

be

-

Wecould still

come

through

54 EJack

Jane

Don’t give up

on us,

ba

by

-

But

Don’t give up

on us,

ba

by

-

we've

had

our

ups

and

downs

59

Jack

Jane

we’ve a love

that knows

no

bounds

A feel

ing- deep

in side

me

23. Don't Give Up On Us Baby - Vocals2

Page 105 of 125

63

Jack

Jane

A love

you know

is

true

Don’t give up

on us

may

be

-

We could still

come

through

Don’t give up

on us

may

be

-

We could still

come

through

68 F UNDERSCORE GJack

Don’tgive

up

on us

ba

by

-

We’ve

had

our

ups

and

86

Jack

down

But we’ve

alove

thatknows

no

bounds

Afeel

ing- deep

in side

me

91

Jack

A love

you know

is

true

Don’t give up

on us

may

be

-

We could still

come

95

Jack

through

Don’t give up

on us

ba

by

-

23. Don't Give Up On Us Baby - Vocals 3

Page 106 of 125

q=140

24. FireWords & Music By The Crazy World Of Arthur Brown

Arranged by Brett Foster

Duke Fi re,

I’lltake

you

to

3

burn

Fi re,

I’lltake

you

to

3

7

Duke learn

I’ll

see

you burn

You

fought

1313

Duke hard and

you saved

and

earned

But all

of it’s

goingto

burn

17

Duke Andyour mind,

yourti

ny- mind

You know

you’vereal

ly- been

soblind

Now'syour time,

burnyourmind

You’re

20 21 rit. 39 Slower 49 a tempo

Duke fal ling- far

too far

be hind

-

(spoken)Oh no, oh no, oh no, you’re gon-na burn

5959 72 76Duke

Fi re,

-

to des troy

all

you’ve

3

done

80

Duke Fi re,

toendall

you’ve

be

3

come

-

I’ll

feel

youburn

87 88Duke

You’ve

been

li ving- like

a lit

tle

- girl

In the mid

dle- of

your lit

tle

- world

Page 107 of 125

91

Duke And your mind,

your ti

ny- mind

You know

you’ve real

ly- been

so blind

94 96 104Duke

Now'syour time,

burnyourmind

You’re fal

ling- far

toofar

be hind

- Oh

Fi re,

105

Duke I’ll take

you

to

3

burn

Fi re,

-

I’ll take

you

to

3

110 112Duke

learn

I’ll

see

you burn

I'll see

you burn

I'll

see

you burn

24. Fire - Vocals2

Page 108 of 125

q=120 Rock Gospel SwingWords & Music by N. Greenbaum.

Arranged by Brett Foster

25. Spirit in the Sky

Jack

GirlsEnsemble

GuysEnsemble

When I die

and they lay

me to rest

Gon na- go

to the place

that’s

the best

When I die

and they lay

me to rest

Gon

div alto

na- go

to the place

that’s

the best

5 AJack

Girls

Guys

When they lay

me

down

to die

Go in'- up

to the Spi

rit- in the sky.

3

When they lay

me

down

to die

Go in'- up

in the sky

div bass

10 BJack

Girls

Guys

Pre pare- your self,

- you know

it’s a must

Got ta- have a friend

in

Je sus

Got ta- have a friend

in

Je sus

21

Jack

Soyouknow

that

when

youdie

He’sgon

na- re com- mend

- you to the Spi

rit- in theSky

Gon

3

Page 109 of 125

C25

Jack

Girls

Guys

na- re com- mend

- you to the Spi

rit- in the Sky

That’s where you’re gon

na- go

3

in the sky sky

28

Jack

Girls

Guys

when you

die

When you die

and they lay

you to rest

You’re gon na-

when you die

When you die

and they lay

you to rest

31 DINSTRUMENTAL EJack

go to the place

that’s

the best

I used

to be a sin

ner,

-

42

Jack

I used to sin

Now, I’ve

found

a friend

in

Je sus

-

An’nowI

know that when

3

46 FJack

I die

He’s gon

na- send me up

to the Spi

rit- in the Sky

Oh, send

me

up

to the

25. Spirit in the Sky - Vocals2

Page 110 of 125

50

Jack

Girls

Guys

Sp irit- in the Sky

That’s where I’m gon

na- go

when I

die

3

in the sky sky

when you die

53

Jack

Girls

Guys

When I die

and they lay

me to rest

I’m gon na- go

to the place

that’s

the

When you die

and they lay

you to rest

go to the place

that’s

the

56 GJack

Girls

Guys

best

go to the place

that’s

the best

go to the place

that’s

the best

best

go to the place

that’s

the best

go to the place

that’s

the best

25. Spirit in the Sky - Vocals 3

Page 111 of 125

q=148 Driving Rock

Words & Music byElton John & Bernie Taupin.

Arranged by Brett Foster & Jim Coyle

26. Saturday Night's Alright for Fighting

ALady

Marmalade

Heathcliffe

It's get

ting

- late

an' I just

can't

wait

just

12

Heath. tell me when

the boy

get's

here.

It's sev

en- o'

clock

and I'm gon

na- rock,

Wan na

- get

16

Heath. a bell

y- full

of

beer.

My

old man's

drunk

er- than

a

19

Heath. bar rel- full

of mon

keys- and

my old

la

dy- she

don't

care

My sis

ter- looks

cute

in her

23

Lady.M

Heath.

So

bra ces- and

boot,

a hand

ful- of

grease

in her

hair

So

B28Lady.M

Heath.

don't give

us none

of your

ag

gra- va-

tion,

- I''ve had

it with

your dis

ci-

pline,-

oh

don't give

us none

of your

ag

gra- va-

tion,

- I''ve had

it with

your dis

ci-

pline,-

oh

Page 112 of 125

32

Lady.M

Heath.

Sat ur- day

- night's

al

right-

for

fight

in'

- get

a lit

tle- act

ion-

in.

Get

Sat ur- day

- night's

al

right-

for

fight

in'

- get

a lit

tle- act

ion-

in.

Get

C36Lady.M

Heath.

a bout

- as oiled

as

a dies

el

- train.

Gon

na- set

this dance

a

light.

'cause

a bout

- as oiled

as

a dies

el

- train.

Gon

na- set

this dance

a

light.

'cause

40

Lady.M

Heath.

Sat ur- day

- night's

the

night

I

like

Sat ur

- day- night's

al

right-

al

right-

al

right.-

Sat ur- day

- night's

the

night

I

like

Sat ur

- day- night's

al

right-

al

right-

al

Falsetto

right.-

D44Lady.M

Heath.

Ooh

Ooh

Well,

they're

E52Heath. packed

pret ty- tight

in here

to

night-

I'm look

ing- for

a dol

ly- to

see

me right

I may

26. Saturday Night's Alright For Fighting - Vocals2

Page 113 of 125

56

Heath. use a lit

tle- mus

cle- to get

what I

need,

I may

sink

a lit

tle- drink

and shout

out

59

Lady.M

Heath.

A coup

le- of

sounds

that

I real

ly

- like

are the

she's with me

62

Lady.M

Heath.

sound of

a switch

blade- and

a mo

tor

- bike

I'm a ju

ven- ile

- prod uct- of

the

65

Lady.M

Heath.

Ooh

So

work

ing class

whose best

friend floats

in the

bot

tom- of

a glass,

ooh

So

F70

Lady.M

Heath.

don't give

us none

of your

ag

gra- va-

tion,

- we've had

it with

your dis

ci-

pline,-

oh

don't give

us none

of your

ag

gra- va-

tion,

- we've had

it with

your dis

ci-

pline,-

oh

26. Saturday Night's Alright For Fighting - Vocals 3

Page 114 of 125

74

Lady.M

Heath.

Sat ur- day

- night's

al

right-

for

fight

in'

- get

a lit

tle- act

ion

in.

Get

Sat ur- day

- night's

al

right-

for

fight

in'

- get

a lit

tle- act

ion

in.

Get

78

Lady.M

Heath.

a bout

- as oiled

as

a dies

el

- train.

Gon

na- set

this dance

a

light.

'cause

a bout

- as oiled

as

a dies

el

- train.

Gon

na- set

this dance

a

light.

'cause

82

Lady.M

Heath.

Sat ur- day

- night's

the

night

I

like

Sat ur

- day- night's

al

right-

al

right-

al

right.-

Sat ur- day

- night's

the

night

I

like

Sat ur

- day- night's

al

right-

al

right-

al

right.-

86

GLady.M

Heath.

Ooh

ff Sat ur- day,

-

Sat ur-

-

Ooh

ff Sat ur- day,

-

Sat ur-

-

91

Lady.M

Heath.

day,

Sat

ur- day,

- Sat ur- day,

-

Sat ur- day,

-

Sat

ur- day,

- Sat ur- day,

-

Sat ur-

-

day,

Sat

ur- day,

- Sat ur- day,

-

Sat ur- day,

-

Sat

ur- day,

- Sat ur- day,

-

Sat ur-

-

26. Saturday Night's Alright For Fighting - Vocals4

Page 115 of 125

95 1.2.

3.

Lady.M

Heath.

day,

Sat ur- day

- nights

al

right.-

nights

al

right.

-

day,

Sat ur- day

- nights

al

right.-

nights

al

right.

-

26. Saturday Night's Alright For Fighting - Vocals 5

Page 116 of 125

q=110

27. Play that Funky MusicWords & Music by R. Parissi

Arrranged by Brett Foster

Jack All right

1

2

1 2 3

Go ‘Yo!

Go

6 AJack ‘yeah!’

Some

bo

- dy

3

- scream

Once there was

a fun

ky- sin

ger,

-

11

Jack pla yin’- in

a rock

& roll

band

Ne verhad

no prob

lems,- yeah,

15 BJack bur nin’- down

one night

stands

An’ e

very- thing

- a round

- me, yeah,

19

Jack got to stop

to fee

lin’- so

low

An’ I

de ci-

ded- quick

ly

-

gon na-

23 C BRIDGE 1

Jack dis co- down

and check

out the

show

And they

was dan

cin’-

and sing

in’-

an'

26

Jack mov in’- to

the groov

in’-

And just

when

it hit

me

some bo

- dy- turned

a round

and shout

ed-

D29

Jack Play that fun

ky- mu

sic- white

boy

Play that fun

ky- mu

sic- right

33 TAG 1

Jack Play that fun

ky- mu

sic- white

boy

Lay

down that boo

gie- and play

that fun

ky- mu

sic- till

you

Page 117 of 125

E37 FJack die

And they

was dan

cin’-

and sing

in’-

an'

46

Jack mov in’- to

the groov

in’-

And just

when

it hit

me

some bo

- dy- turned

a round

and shout

ed-

G49

Jack Play that fun

ky- mu

sic- white

boy

Play that fun

ky- mu

sic- right

53 TAG 2

Jack Play that fun

ky- mu

sic- white

boy

Lay

down that boo

gie- and play

that fun

ky- mu

sic- till

you

H57 IJack die

Play that fun

ky- mu

sic- white

boy

Play that fun

ky- mu

sic- right

64

Jack

Play that fun

ky- mu

sic- white

boy

TAG OUT67

Jack Lay

down that boo

gie- and play

that fun

ky- mu

sic- till

you die

27. Play That Funky Music - Vocals2

Page 118 of 125

q=130

28. Disco InfernoWords & Music By

Lery Green & Ron KerseyArranged by Brett Foster

A BSolists

GirlsEnsemble

GuysEnsemble

Burn,

ba by- burn!

Burn,

ba by- burn!

13

Girls

Guys

Burn,

ba by- burn!

Burn,

ba by- burn!

Burn

Burn,

ba by- burn!

Burn,

ba by- burn!

Burn

18 CSoloists

Girls

Guys

To

Soloist 1

my sur

prise,-

one

ba by- burn!

Burn in'-

ba by- burn!

Burn in'-

22

Soloists hun dred

- sto

ries

- high,

peo ple

- get tin'

- loose,

y'all.

They're get

tin'-

26

Soloists down

on

the roof

here.

Thefolks

arescream

in',

-

outofcon

trol.

31

Soloists It was

so

en ter

- tain-

in'

-

when the boo

gie-

start to ex

plode.

Page 119 of 125

35

Soloists

Girls

Guys

I heard

some bod

- y- say,

Dis co- in

fer-

no!-

Burn,

ba by- burn!

Burn,

Burn,

ba by- burn!

Burn,

38

Soloists

Girls

Guys

Burn that mo

ther- down!

Dis co- in

fer

no!-

ba by- burn!

Burn,

ba by- burn!

Burn

ba by- burn!

Burn,

ba by- burn!

Burn

42 DSoloists

Girls

Guys

Burn that mo

ther- down!

ba by- burn!

Burn in'-

All a round

- my

head,

I

hear

ba by- burn!

Burn in'-

All a round

- my

head,

I

hear

46

Girls

Guys

mu sic- in

the air

that

makes

me

know

there's

a

par ty- some

where.

mus ic- in

the air

that

makes

me

know

there's

a

par ty- some

where.

28. Disco Inferno - Vocals2

Page 120 of 125

52 ESoloists

Girls

Guys

Sat

Soloist 2

tis

- fac-

tion

-

came in

a chain

re ac-

-

Ooh, ooh,

ooh!

Ooh, ooh,

ooh!

56

Soloists

Girls

Guys

tion.

-

I could

n't- get

e

nough

till I had

to self

de struct.

Burn

in'!

Ooh, ooh,

ooh!

Burn

in'!

Ooh, ooh,

ooh!

60 FSoloists

Girls

Guys

The heat

was on,

ris

ing- to

the

top.

Ev 'ry

- bod

-

ris

ing-

ris

ing-

65

Soloists

Girls

Guys

y- go

in'

- strong.

That is when

my spark

got

hot.

Ooh, ooh,

ooh!

Ooh, ooh,

ooh!

28. Disco Inferno - Vocals3

Page 121 of 125

68 GSoloists

Girls

Guys

I heard

some bod

- y- say,

Dis co- in

fer-

no!-

Burn,

ba by- burn!

Burn,

Burn,

ba by- burn!

Burn,

71

Soloists

Girls

Guys

Burn that mo

ther- down!

Dis co- in

fer

no!-

ba by- burn!

Burn,

ba by- burn!

Burn

ba by- burn!

Burn,

ba by- burn!

Burn

75 HInstrumental ISoloists

Girls

Guys

Burn that mo

ther- down!

I just

can't

stop,

ba by- burn!

Burn in'-

I just

can't

stop,

ba by- burn!

Burn in'-

I just

can't

stop,

86

Soloists

Girls

Guys

whenthesparks

get hot!

I just

can't

stop,

whenthesparks

get hot!

I just

can't

stop,

whenthesparks

get hot!

I just

can't

stop,

28. Disco Inferno - Vocals4

Page 122 of 125

91 JSoloists

Girls

Guys

when the sparks

get hot!

I heard

some bod

- y- say,

when the sparks

get hot!

I heard

some bod

- y- say,

Burn,

ba by- burn!

when the sparks

get hot!

I heard

some bod

- y- say,

Burn,

ba by- burn!

94

Soloists

Girls

Guys

Dis co- in

fer

no!-

Burn that mo

ther- down!

Burn,

ba by- burn!

Burn,

ba by- burn!

Burn,

ba by- burn!

Burn,

ba by- burn!

98 KSoloists

Girls

Guys

Dis co- in

fer

no!-

Iheard

some bod

- y say,

Burn

ba by- burn!

Iheard

some bod

- y say,

Burn,

ba by- burn!

Burn

ba by- burn!

Iheard

some bod

- y say,

Burn,

ba by- burn!

102

Soloists

Girls

Guys

Dis co- in

fer

no!-

Burn that mo

ther- down!

Burn,

ba by- burn!

Burn,

ba by- burn!

Burn,

ba by- burn!

Burn,

ba by- burn!

28. Disco Inferno - Vocals5

Page 123 of 125

106 LSoloists

Girls

Guys

Dis co- in

fer

no!-

Iheard

some bod

- y say,

Burn,

ba by- burn!

Burn

ba by- burn!

Iheard

some bod

- y say,

Burn,

ba by- burn!

Burn

ba by- burn!

Iheard

some bod

- y say,

Burn,

ba by- burn!

110

Soloists

Girls

Guys

Dis co- in

fer-

no!-

Burn that mo

ther- down!

Burn,

ba by- burn!

Burn,

Burn,

ba by- burn!

Burn,

113

Soloists

Girls

Guys

Ba by- burn!

ba by- burn!

Ba by- burn!

ba by- burn!

Ba by- burn!

28. Disco Inferno - Vocals6

Page 124 of 125

29. Megamix

Voices: TACET

Page 125 of 125