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Diploma Lecture Series 2011 Art and Australia ll: European Preludes and Parallels Degenerates and perverts: the legendary 1939 Herald exhibition of modern masters Steven Miller 23 / 24 March 2011 Lecture summary: In 1939 an exhibition of art came to Australia which became legendary. The 1939 Herald Exhibition of French and British Contemporary Art has been called the single most enlivening event in Australia's modern cultural development. Opening when Australia was undergoing profound change, not only in art but also socially, this exhibition became the focus for the opposing forces of cultural conservatism and innovation which marked the time. This lecture will examine the many and competing claims made for this exhibition. It will examine how the show was organised and selected, where and how it was displayed in Australia and what reception it received. Finally, it will attempt to evaluate its impact upon Australian art and society, at a time when conservatives were accused of perverting progress and progressives were accused of degeneracy. Slide list: 1. Title slide, showing people looking at works from the Herald exhibition. 2. Catalogue and works from Melbourne’s ‘9 x 5 Impression Exhibition’ in 1889. 3. Roy De Maistre’s colour wheel and a work recalling the 1919 Colour in art exhibition. 4. Cover of catalogues to the exhibition, as printed in Adelaide, Melbourne and Sydney. 5. Keith Murdoch, who secured the financial support of the Herald chain of newspapers for the exhibition. 6. Two pencil sketches of Basil Burdett, curator of the Herald exhibition. 7. Works being unpacked in Australia for the Herald exhibition. 8. Works by Australians and New Zealanders in the exhibition: Derwent Lees Banyuls 1913 (Southampton City Art Gallery) & Frances Hodgkins Pastorale 1929/30 (Auckland City Art Gallery). 9. Works being unpacked in Australia for the Herald exhibition. 10. Cezanne Interior of a forest (Sous-Bois) c.1885 (Art Gallery of Ontario). 11. Cezanne Cour d’une ferme c.1879 (Musée D’Orsay, Paris). 12. Cezanne’s Portrait of Madame Cézanne 1888-90 (Houston Museum of Fine Arts). 13. Gauguin Petit Breton à l’oie 1889 and Willow by the Aven 1888. (Private collection) 14. Gauguin The moon and the earth (Hina Tefatou) 1893 (MOMA, New York). 15. Van Gogh Portrait of art dealer Alexander Reid 1887 (Glasgow Art Gallery). 16. Basket with apples 1887/88 (Saint Louis Art Museum). 17. Three paintings by Matisse in the Herald exhibition. 18. Picasso Trois femmes [version rythmée] 1908 (Sammlung Sprengel, Hannover). 19. Picasso Cartes à jouer, bouteille, verre 1914 (Private collection).

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Page 1: Diploma Lecture Series 2011 Art and Australia ll: European ... · Diploma Lecture Series 2011 Art and Australia ll: European Preludes and Parallels Degenerates and perverts: the legendary

Diploma Lecture Series 2011 Art and Australia ll: European Preludes and Parallels

Degenerates and perverts: the legendary 1939 Herald exhibition of modern masters

Steven Miller

23 / 24 March 2011

Lecture summary:

In 1939 an exhibition of art came to Australia which became legendary. The 1939 Herald Exhibition of French and British Contemporary Art has been called the single most enlivening event in Australia's modern cultural development. Opening when Australia was undergoing profound change, not only in art but also socially, this exhibition became the focus for the opposing forces of cultural conservatism and innovation which marked the time.

This lecture will examine the many and competing claims made for this exhibition. It will examine how the show was organised and selected, where and how it was displayed in Australia and what reception it received. Finally, it will attempt to evaluate its impact upon Australian art and society, at a time when conservatives were accused of perverting progress and progressives were accused of degeneracy.

Slide list:

1. Title slide, showing people looking at works from the Herald exhibition.

2. Catalogue and works from Melbourne’s ‘9 x 5 Impression Exhibition’ in 1889.

3. Roy De Maistre’s colour wheel and a work recalling the 1919 Colour in art exhibition.

4. Cover of catalogues to the exhibition, as printed in Adelaide, Melbourne and Sydney.

5. Keith Murdoch, who secured the financial support of the Herald chain of newspapers for the exhibition.

6. Two pencil sketches of Basil Burdett, curator of the Herald exhibition.

7. Works being unpacked in Australia for the Herald exhibition.

8. Works by Australians and New Zealanders in the exhibition: Derwent Lees Banyuls 1913 (Southampton City Art Gallery) & Frances Hodgkins Pastorale 1929/30 (Auckland City Art Gallery).

9. Works being unpacked in Australia for the Herald exhibition.

10. Cezanne Interior of a forest (Sous-Bois) c.1885 (Art Gallery of Ontario).

11. Cezanne Cour d’une ferme c.1879 (Musée D’Orsay, Paris).

12. Cezanne’s Portrait of Madame Cézanne 1888-90 (Houston Museum of Fine Arts).

13. Gauguin Petit Breton à l’oie 1889 and Willow by the Aven 1888. (Private collection)

14. Gauguin The moon and the earth (Hina Tefatou) 1893 (MOMA, New York).

15. Van Gogh Portrait of art dealer Alexander Reid 1887 (Glasgow Art Gallery).

16. Basket with apples 1887/88 (Saint Louis Art Museum).

17. Three paintings by Matisse in the Herald exhibition.

18. Picasso Trois femmes [version rythmée] 1908 (Sammlung Sprengel, Hannover).

19. Picasso Cartes à jouer, bouteille, verre 1914 (Private collection).

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20. Braque Compotier à l’as de trèfle 1912-1913 (Musée National d’Art Moderne, Paris).

21. ‘Going all modern’: George Finey cartoon of visitors to the Herald exhibition.

22. Contemporary advertisements showing the influence of Cubism.

23. Leger Femme au chat 1921 (Kunsthalle, Hamburg).

24. Max Ernst Le paysage au germe de blé 1934 (Galerie Ernst Beyerl, Basel).

25. Bernard Smith Pompeii 1940 (National Gallery of Victoria, Melbourne).

26. Surrealist inspired cover the magazine Pandemonium.

* 27. Salvador Dalí The memory of the child-woman 1932, oil on canvas, collection of the Salvador Dalí Museum, Florida. This was the most ‘controversial’ painting in the Herald exhibition

28. Cartoon by Bernard Hesling based on the Dalí painting.

29. Paul Nash The nest of the siren 1930 (Government Art Collection, UK)

30. Edward Wadsworth The English Channel 1934 (Private collection, UK)

31. Wadsworth with John Wardell Power A wreck on the shore and Donald Friend Mr Smythe’s Carriage

32. Giorgio di Chirico Scuola di gladiatori 1927 & Jeffrey Smart Strange street 1955

33. Georges Seurat Study for “Chahut” 1889 (Albright-Knox Art Gallery, Buffalo, New York)

34. Chaïm Soutine Portrait of Madeleine Castaing c.1929 (Metropolitan Museum of Art, New York)

35. Amedeo Modigliani Female nude c.1916 (Courtauld Institute, London) & Portrait of Morgan Russell 1919 (Private collection)

36. People viewing the exhibition in Melbourne

37. Richard Sickert The new home 1908 (Private collection, London) & The Cigarette (Jeanne Daurmont) 1906 (Metropolitan Museum of Art, New York)

38. Ben Nicholson 1933 (composition in black and white) (Swindon Museum and Art Gallery, Bath, UK)

39. Stanley Spencer Going to bed 1936 (Private collection, Switzerland) & View from tennis court, Cookham Dean 1938 (Private collection, UK)

40. Christopher Wood Tréboul, the blue sea 1930 (Private collection, UK)

41. Jacob Epstein Peggy Jean Epstein (twelfth portrait; the sick child) 1928 Bronze (Whitworth Art Gallery, University of Manchester) & Rabindranath Tagore 1926 Bronze (Private collection)

42. Visitors to the Herald exhibition in Melbourne

43. Claims made for the Herald exhibition

44. & 45. Installation shots of the exhibition at the Art Gallery of South Australia

46. Morland Lewis Ferryside, South Wales c.1930 (Art Gallery of South Australia)

47. Stanley Spencer Garden view, Cookham Dean 1938 (Art Gallery of South Australia)

48. Henry Tonks Preparing for the Christening c.1910 (Art Gallery of South Australia)

49. Charles Despiau Madame Paul-Louis Weiller called ‘The Greek’ 1935 Terra-cotta (Art Gallery of South Australia)

50. The exhibition on display in Melbourne

51. & 52. Holman Hunt’s Light of the World on display in Sydney

53. Hugh Ramsay portrait of James Stuart MacDonald, Director of the National Gallery of Victoria in 1939

* 54. Vincent van Gogh Portrait of a man 1886/7, oil on canvas on panel, NGV, purchased from the Herald exhibition for £2,196

55. Felix Vallotton Le Point du Jour 1901 (National Gallery of Victoria)

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56. Derain Roses dans un pot c.1931-1932 (National Gallery of Victoria, Melbourne, selected by a committee of artists from the Contemporary Art Society)

57. Stanley Spencer Parents resurrecting 1933 (National Gallery of Victoria)

58. Herbert Vere Evatt with the portrait of Morgan Russell by Modigliani which he and his wife, Mary Alice Evatt, purchased from the exhibition

* 59. Fernand Leger La bicyclette 1930, oil on canvas, AGNSW, presented by Mary Alice Evatt in 1966 in memory of her husband, the late Dr. H. V. Evatt

60. Cartoon of the exhibition at the AGNSW

* 61. Charles Camoin The tavern keeper 1899, oil on canvas, AGNSW, purchased from the Herald exhibition by the AGNSW for over £2000 as a Gauguin and later discovered to be by Charles Camoin.

* 62. Albert Marquet The Pont Neuf bridge under snow late 1920s, oil on canvas, AGNSW, purchased from the Herald exhibition

63. Henry Tonks The pearl necklace 1909 (AGNSW)

64. Wilson Steer Knaresborough 1900 (AGNSW)

65. Leslie Hunter Blue houseboat, Loch Lomond (AGNSW)

66. Derain Paysage aux rochers c.1928-1930 (AGNSW)

67. & 69 & 73 Claims made for the Herald exhibition

68. Selection of Herald works on display at the AGNSW during 1942

70. Works by Juan Gris, Picasso and Braque in the Herald exhibition

71. Photograph of Clarice Zander with Jacob Epstein and a view of her 1933 exhibition of Contemporary British Art

72. Cover of the catalogues to Zander’s 1933 exhibition and Penleigh Boyd’s 1923 European Art Exhibition for Australia

74. Duncan Grant The dancers c.1910-11 (Tate Gallery, London)

75. Raoul Dufy Le manoir du Vallon 1934 (Private collection)

76. Elaine Haxton Elizabeth Bay House 1940 (Private collection)

77. Joy Hester Nude 1939 & Modigliani Nude c.1916

78. Georges Braque Woman before her easel 1936 & Jean Appleton Woman at Easel 1939

* 79. Cezanne’s Portrait of Madame Cézanne 1888-90 Oil on canvas. Now in the Houston Museum of Fine Arts, with a study of the painting made by Australian artist Joshua Smith

80. Van Gogh Wheat field 1889 & Arthur Boyd Rosebud landscape 1939

81. Peploe Still life 1913 & Margaret Preston Thea Proctor’s Tea Party 1924

82. Photograph of a meeting of the AGNSW Board in 1938

83. Photographs of Mary Alice Evatt with Picasso and at George Bell’s studio

Bibliography:

Blainey, Geoffrey

The tyranny of distance: how distance shaped Australia’s history, Melbourne: St. Martin’s Press, 1968.

Buckley, Ken and Barbara Dale and Wayne Reynolds

Doc Evatt: patriot, internationalist, fighter and scholar, Melbourne: Longman Cheshire, 1994.

Campbell, Jean

Early Sydney moderns: John Young and the Macquarie Galleries 1916-1946, Sydney: Craftsman House, 1988.

Duggan, Laurie

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Ghost nation: imagined space and Australian visual culture 1901-1939, Brisbane: Queensland University Press, 2001.

Dutton, Geoffrey

The innovators: the Sydney alternatives in the rise of modern art, literature and ideas, Melbourne: Macmillan, 1986.

Eagle, Mary

Australian modern paintings between the wars 1914 - 1939, Sydney: Bay Books, [1990].

Farrell, Frank

Themes in Australian history. Questions, issues and interpretation in an evolving historiography, Sydney: New South Wales University Press, 1990.

Haese, Richard

Rebels and precursors: the revolutionary years of Australian art, Ringwood, Vic.: Allen Lane, c.1981.

Hetherington, John

Australians. Nine profiles, Melbourne: Cheschire, 1960.

Hughes, Robert

The art of australia, rev.ed. Harmondsworth: Penguin, 1970.

Johnson, Heather

The Sydney art patronage system 1890-1940, Sydney: Bungoona Books, 1997.

Lindsay, Lionel

Addled art, Sydney: Angus and Robertson, 1942

McCulloch, Alan and Susan McCulloch

The encyclopedia of Australian art, revised edition, Sydney: Allen & Unwin, 1994.

Missingham, Hal

They kill you in the end, Sydney: Angus and Robertson, 1973.

Moore, William

The story of Australian art from the earliest known art of the continent to the art of today, Sydney: Angus & Robertson, 1934.

Penton, Brian

Advance Australia-Where?, London: Casssell and Company, 1943.

Think - or be damned, Sydney: Angus and Robertson, 1945.

Rees, Lloyd

The small treasures of a lifetime, Sydney: Collins Australia, 1988.

Smith, Bernard

Documents of art and taste in Australia 1770-1914, Melbourne: Oxford University Press, 1975.

The boy Adeodatus, Melbourne: Allen Lane, 1984.

Modernism’s history, Sydney: University of New South Wales Press, 1998.

A pavane for another year, Melbourne: Macmillan, 2002.

Williams, J. F.

Quarantined culture: Australian reactions to modernism 1913-1939,

Cambridge: Cambridge University Press, 1995.

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Salvador Dalí, The memory of the child-woman 1932, oil on canvas, collection of the Salvador Dalí Museum, Florida. This was the most ‘controversial’ painting in the Herald exhibition

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Vincent van Gogh, Portrait of a man 1886/7, oil on canvas on panel, NGV, purchased from the Herald exhibition for £2,196

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Fernand Léger, La bicyclette 1930, oil on canvas, AGNSW, presented by Mary Alice Evatt in 1966 in memory of her husband, the late Dr. H. V. Evatt

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Charles Camoin, The tavern keeper 1899, oil on canvas, AGNSW, purchased from the Herald exhibition by the AGNSW for over £2000 as a Gauguin and later discovered to be by Charles Camoin.

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Albert Marquet The Pont Neuf bridge under snow late 1920s, oil on canvas, AGNSW, purchased from the Herald exhibition

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Cezanne’s Portrait of Madame Cézanne 1888-90 Oil on canvas. Now in the Houston Museum of Fine Arts, with a study of the painting made by Australian artist Joshua Smith