digital photography - doug hitchcock - 2006 all rights reserved photos from pixels...

51
Digital Photography - Doug Hitchcock - 2006 All rights reserved Photos from Pixels [email protected]

Post on 22-Dec-2015

217 views

Category:

Documents


3 download

TRANSCRIPT

Page 1: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Photos from Pixels

[email protected]

Page 2: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

A Bit about Me • Avid Photographer– Travel, boating– Family– Eastman House lectures

• 4th Digital camera– 2004 will be 100%

• Video Editing on PC– Dad’s Movie-making

• Marketing Mgr.

• No relation to Alfred

Page 3: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

What You’ll Learn:• What is a digital photograph?• How does a digital camera work?• How good are digital cameras?• What features should I look for?• What accessories do I need?• How do I get the pictures out of the camera?• How do I edit and print the photos?• What else can I do with digital?

Page 4: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Tell me about Yourself:

• Current type of Camera

• Uses

• Type of computer

• Type of Internet connection

• Type of home printer

Page 5: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

FIRST things first• www.dpreview.com• www.shortcourses.com• www.google.com (Picasa)• www.microsoft.com (Picture Resizer)• www.imagerescue.com (photo media recovery)

• Online archival & storage? (too many to mention)– http://rollingthunder.smugmug.com (multiple sizes & video)

• Online sites for prints:– www.ofoto.com, snapfish, photoworks, etc– www.clubphoto.com (photo items)– www.mypublisher.com (photo books)

Page 6: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Photo “Workflow”: Three EASY steps

Input

Optimize

Output

Page 7: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

If the World was:Black & White: 0 and 1

Pixels not Pixies!

Two shades of Gray: 00, 01, 10, 11

The eye can “see” 256 shades of a color256 shades in digital is “8 bits”00000000 up to 11111111

All 65 million colors can be made from shades of Red, Green, Blue

Page 8: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

What makes digital “film”?

Page 9: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

What makes digital “film”?

Page 10: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Types of Digital CamerasPoint & Shoot (no zoom)

Megapixel with Zoom

Professional (Dedicated & 35mm adaptable)

Digital Video Cameras

•“Big Box” Retailers•Camera Stores•Online Merchants•E-Bay

Page 11: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Digital “Film”• Older Styles:

– Compact Flash– Smart Media

• Newer Styles:– XD Media– Optical (CD/R & DVD)

• Sony-unique:– Memory Stick

SanDisk T-flash (for cell phones)

Page 12: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Batteries & Charging

Ni-MH

Page 13: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Typical Viewfinder

Flash mode

Macro mode

PicturesRemaining

ZoomLevel

ImageQuality

Page 14: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

ViewFinders & MenusUse TV cable at home to

“play” with menus

Page 15: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Digital Camera has TWO zooms• Digital Cameras have:

– Optical Zoom– Digital Zoom

• Optical uses the camera’s LENS• Digital zoom uses only a portion of the

camera’s megapixels

(extrapolated means GRAINY!)

W

T

Page 16: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Effects of Digital Zoom

Page 17: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Setting the Aperture

Low F-stop3.2

High F-stop16

Short

LongDepth-of-Field

Page 18: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Good use of Depth of Field

Page 19: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Shutter Speed1/1000 sec.

1/2 sec.

4 sec.

Page 20: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Flash Pictures

Wall Shadow

Red Eye

Fill-in

Page 21: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Uploading Images from Camera• Cable to PC

• Card Reader

• Docking Station

Page 22: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Digital Camera WorkflowCamera PC

USBport

CameraControlSoftware

Photo EditingSoftware

InternetBrowser

CD/RBurner

Homeprinter

USBMemorydevice

USBport

Memorycard

DockingStation

KioskInput Photo

printer

InkjetOr Thermal

WebSite Other

Media

Page 23: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Photo “Workflow”

Input

Optimize

Output

Page 24: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

10 Tips BEFORE you edit1. Get Closer

Look through the viewfinder! Professionals typically use long lenses (85-105mm) Most point and shoot cameras have 35mm lenses.

2. Include People in your Shots Add atmosphere and context. Makes the subject easier to relate toGives a sense of scale

3. Capture Action Keep the people movingTry to 'catch the moment'

Page 25: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

10 Tips BEFORE editing (page 2)4. Simplify the Composition

Uncluttered backgrounds offer less distraction Focus on the subject material

5. Put the Subject Off-Centered Place the main subject off the centerProfessionals use a 'rule-of-thirds'

6. Vary the Angle Can add humor and dramaThere are many other possibilities

Page 26: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

10 Tips BEFORE editing (page 3)7. Put Foreground in Scenes

Gives depth to the shot and adds interest and contextUsed to frame the subject.

8. Pay attention to Lighting Where is the sun? Light alone can 'make the shot'.

9. Use Flash Flash can be used even outdoors on dull daysEffective range is very limitedAdd additional natural light to a room

10. Hold Still Brace against objectsFlash can help to freeze the action.

Page 27: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

The Rule of Thirds• Eyes at 2/3 line• Leave “walking & Talking” room

Page 28: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Basics of Cropping• “Casually” crop in the camera’s viewfinder• Plan to “tighten-up” later on• Cutting-off heads is quite acceptable

Page 29: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Photo Formats

Portrait

Landscape

Page 30: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Camera comes with Software

Installer• Drivers• Editing s/w

Thumbnails• Viewing• Sorting• Printing

Page 31: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Picasa (by google.com)• Free

Built-in Archival Tools

Page 32: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

3rd-party Photo Editing Software• Adobe Photoshop Elements

• Jasc Paint Shop Pro 7

• Microsoft Picture It!

• Ulead PhotoImpact 8

Page 33: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Microsoft’s Digital Suite

Page 34: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Microsoft’s Digital Suite

Can OUTPUT “Photo Story Lite” to CD

Page 35: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Microsoft’s Smart Erase• No need to “paintbrush” the artifact

Page 36: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Red Eye removalWhere does the red come from?Light from the flash passing through the pupil and being reflected on the blood-rich retina

How it happens:•Flash (built-in) is close to the lens•More pronounced with a telephoto lens•Getting close to the subject•More common in dark rooms or in the dark

Effect is less dramatic when a person's reactions are impaired, e.g. during a night on the town

But…Don’t shoot and drive!

Page 37: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Converting Format• Don’t do this in the camera; use your PC

– Black & White– Sepia Tone– Fine Art Effects

Page 38: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Only what the lens could seePrint to 4”x10” frames

Special Effects: Panoramas

A A B B

PIC0001 PIC0002 PIC0003

PAN0001.JPG(2-3X size)

Page 39: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Making a “work of Art”

Page 40: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Making a “work of Art”

www.kodak.com

My Comix Book

Lorum ipsum jib jabBlah, blah, blah

Hi there

Page 41: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Everybody wants to SEE them now...

Input

Optimize

Output

Page 42: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

• At home

• Corner Store

• Photo Lab store

• Online (Internet)

• Not at all (video & LCD display)

Printing Digital Pics

Bypass your PC

Page 43: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Digital Format Differences• Film format & size is “slightly different”

than digital

• Digital is 4:3

• So…….– 4”x6” print is

• 4”x5.33”

– Crop lines automatic

Page 44: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Carry-in Kiosk Printing• Take your media card (digital “film”) into the store:

– Grocery store– Photo store

• Edit on-site (touch screen)• Prints ready shortly

Page 45: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Online Print Stores

Page 46: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Other Things to Make!

Page 47: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Too many pictures?PhotoMontage software

Page 48: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

“Soft” Pictures from Camera

Video Slide Shows

“Ken Burns” Effects

Movie file (mpeg)

Page 49: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Keep your Pictures with You• LCD Jewelry• USB Memory Watches• FIRST on a “stick” for patrons

Page 50: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Novel Uses for Digital Camera• Home inventory

• Remembering something before taking it apart

• Legal proof and claim

Page 51: Digital Photography - Doug Hitchcock - 2006  All rights reserved Photos from Pixels dhitchco@rochester.rr.com

Digital Photography - Doug Hitchcock - 2006All rights reserved

Thank You• Please feel free to follow-up

with me

• Doug Hitchcock– [email protected]