digital photography: basics. materials camera and memory card(s) usb cable for camera or card reader...
TRANSCRIPT
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Digital Photography:
BASICS
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Materials
• Camera and memory card(s)
• USB cable for camera or card reader
• Blank CD’s, DVD’s or external hard drive / jump drive
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PHOTOGRAPHY
• Foton=light• Graphos=to write or draw• Photography=DRAWING WITH LIGHT• Light is the key tool of photography
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Light Meter• The light meter is a light sensitive cell that
tells the camera which settings to use in order to obtain a perfectly balanced exposure
• In photography, exposure is the total amount of light allowed to fall on the photographic medium (photographic film or image sensor) during the process of taking a photograph
• The light meter reads an average of light and dark tones (18% gray)
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Light Meter Types andShooting Modes
• Automatic• Semi-automatic with aperture
priority• Semi-automatic with shutter
priority• Manual
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Camera Controls
• All analog and digital point and shoot and SLR cameras cameras have 2 main parts that control the exposure:
– Shutter– Aperture
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Shutter
• The camera’s shutter allows light to pass through the lens and onto the film or digital sensor
• The shutter is a curtain-like apparatus made of metal, plastic or cloth, situated behind the lens but before the film or sensor in the body of the camera
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Shutter
• The shutter’s movement is expressed in seconds or fractions of seconds
• Shutter speeds range anywhere from 60 seconds to 1/8000 second
• This speed represents the amount of time the shutter is open, allowing light to pass through
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Shutter
• The camera’s shutter also controls how movement is captured
• Examples:– 30 sec shutter speed = slow shutter
speed• Movement will come out blurry
– 1/8000 sec shutter speed = fast shutter speed• Movement tends to come out frozen or sharp
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Aperture
• The aperture (opening) of the camera’s diaphragm allows light to pass through the lens and onto the film or digital sensor
• The diaphragm is a mechanism similar to the iris of the eye and is located in the lens in front of the shutter
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Aperture
• The aperture size is expressed in f stops
• F stops range anywhere from f/1.4 to f/32
• F stops represent the length of one side of the diaphragm (from the edge to the aperture) in millimeters
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Aperture
• The camera’s aperture also controls depth of field
• Depth of field: the distance in front of and behind the point of focus in which the scene remains in focus
• Examples:– F/1.4 = wide aperture
• Only 1 plain is in focus
– F/32 = small aperture• Almost all plains are in focus
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How It All Works Together
• Once we have decided on what our subject matter will be, the camera sets the shutter speed and aperture in the correct combination to give us a perfect light exposure (not too light, not too dark)
• At the same moment we press the shutter release button, the shutter opens for the designated period of time and image is registered on the film or sensor.
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Histograms
• A histogram is a graph of shadows, highlights and mid tones
• The histogram tells us how these tones are dispersed throughout the image
• A visual representation of our exposure
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Under Exposure
• Underexposure is when the image is given less than the normal exposure
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• Overexposure is when the image is given more than the normal exposure
Over Exposure
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ISO/ASA• The ISO (sometimes called ASA)
represents the sensitivity of the film or sensor to light
• ISO presets in modern cameras can range from 100 to 3200
• ISO, along with aperture and shutter speed, is also very important in obtaining the proper exposure
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ISO
• Lower ISO numbers = less sensitivity to light, slower shutter speeds, less pixelation or “noise”, better image quality– Better for high light situations
• Higher ISO numbers = more sensitivity to light, faster shutter speeds, more pixelation or “noise”, lower image quality– Better for low light situations
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The 5 Important Photographic Elements:
• Composition• Color/tone• Contrast• Content• Concept
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• Composition: the way the photographer places or composes the subjects/objects in an image
• Composition can be controlled by the position of the photographer: different angles, heights or distances
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• Color/Tone is a design element that can elicit immediate responses and create moods
• We tend to respond differently to certain colors and color combinations
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• Contrast: the range of tones across an image from the bright highlights to the dark shadows
• Images can have low, mid-range or high contrast
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• Content: the subjects or objects that appear in the image
• Certain subjects and objects can have certain implications and can transmit different messages to the viewer
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• Concept: what your art means to you. The concept can also be the reason behind the work.
• The concept must be understood by both the artist and the viewer
• Concepts can emerge before, during or after creating the work
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Inside Your Digital Camera
• Instead of film, we now have a digital sensor, a processor, a memory card and an LCD screen
• Our images are now in different digital formats and different qualities according to the camera’s sensor capacity (megapixels)
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Megapixels• A pixel is the smallest unit of a
digital image. Pixels are square dots that make up an image. Each pixel carries a specific tone and color.
• Pixel stands for PICture ELement• 1 megapixel = 1 million pixels• More pixels = greater detail• Also important are the camera’s
processor and the quality of the lens
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• Cameras with more megapixels usually have higher quality processors, produce better color and create less “noise”
• Noise: any undesirable flecks of random color in a portion of an image that should consist of smooth color. It is somewhat similar to the "snowy" appearance of a bad TV signal. Digital images shot in low light or with a high ISO setting often exhibit this undesirable noise.
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File Formats
• JPEG (Joint Photographic Experts Group): this is the most common file format, which uses algorithms to compress digital information and reduce the size of files
• Compression requires that some image information be thrown out
• If you have to shoot in jpg, shoot in the highest quality jpg (large)
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JPEG Warning
• Every time you open, change and re-save a JPG, you recompress data.
• By recompressing data, you lose more image information, resulting in a lower quality image
• To avoid this, save jpgs in Photoshop as TIF’s or PSD’s
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File Formats
• TIFF (Tagged Image File Format): a universal image format that is compatible with most image editing and viewing programs. It can be compressed in a lossless way.
• TIFF is widely used as a final format in the printing and publishing industry.
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File Formats
• PSD (Photoshop Document): you cannot actually photograph in this file format, but you can save your image manipulations in Photoshop in this format.
• PSD format allows you to save your image with layers so that you can go back to it later
• PSD´s are typically larger files
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File Formats
• RAW: this is the original file format of your camera (not all cameras have RAW format)
• Examples of raw formats are NEF (Nikon) and CR2 (Canon)
• RAW format contains all of the original information and this is the ideal format to shoot and edit with
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Focal Length
• This is the actual measurement in millimeters between the lens optics and the focal plane
• The lens optics are the main pieces of glass in the lens
• The focal plane is the location of the digital sensor
• For example, the focal distance of my lens is 75mm
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Optical Zoom vs. Digital Zoom
• The optical zoom of a camera is the variance of focal distance in the lens
• This allows you to take full advantage of your camera’s megapixels
• Digital zoom is not produced in the lens, rather in the processor. The camera crops a portion of the image and then enlarges it.
• Optical zoom is always better quality
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White Balance• White balance (WB) is the process of
removing unrealistic color casts so that objects which appear white in person are rendered white in your photo.
• Proper camera white balance has to take into account the "color temperature" of a light source, which refers to the relative warmth or coolness of white light.
• Our eyes are very good at judging what is white under different light sources, however digital cameras often have great difficulty with auto white balance (AWB).
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White Balance• An incorrect WB can create unsightly
blue, orange, or even green color casts, which are unrealistic and particularly damaging to portraits.
• Many times it is best to use Auto White Balance, but experimenting with different settings is recommended
• White balance can be easily fixed in Camera Raw in Adobe Photoshop if you are shooting in RAW format
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How the Digital Sensor Works
• The sensor is composed of light-sensitive cells (photoreceptors) and circuitry on a microchip that react to light intensity
• An average 11 megapixel sensor contains about 700 feet of circuitry
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• The photo receptors on the sensor contain photodiodes which convert the photons of light striking it to a charge
• The more light, the higher the charge
• The charge is then processed and each signal from each photodiode becomes the light and color value for one pixel
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Workflow
• After shooting:– 1) transfer images right away to your
computer– 2) organize your images in folders
according to date and subject– 3) make a back up
• CD or DVD• External hard drive
– 4) browse images and add metadata in Adobe Bridge CS3 or Adobe Lightroom
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Digital Photo Terms
http://www.dpreview.com/learn/?/Glossary/
http://www.nikonians.org/html/resources/photography-glossary.html
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Online Tutorials
http://www.cambridgeincolour.com/tutorials.htm
http://www.russellbrown.com/tips_tech.html
http://www.lynda.com/
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Text Recommendations
• The Digital SLR Handbook by Michael Freeman
• Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC by Martin Evening
• George DeWolfe's Digital Photography Fine Print Workshop by George DeWolfe
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Digitally Manipulated Images
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David Field
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Loretta Lux
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Dominic Rouse
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Julie Blackmon
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Dan Saelinger
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Michelle Repici
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Anthony W. Grigas
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In Class Exercise
• Shoot in jpg file format, highest quality• Set ISO• Set WB• Shoot portrait or self-portrait with natural
light• Shoot a portrait/self-portrait with fill flash• Shoot a portrait/self-portrait with a slow
exposure so that the image captures motion