Dictionary of the Theatre: Terms, Concepts, and Analysis, 1998, 469 pages, PatricePavis, 0802081630, 9780802081636, University of Toronto Press, 1998

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Patrice Pavis is one of France's most brilliant academics and a leading expert internationally in thetheory of theatre. Dictionary of the Theatre is an English translation of Pavis's acclaimedDictionnaire du théâtre, now in its second printing in France. This encyclopedic dictionaryincludes theoretical, technical, and semiotic terms and concepts. Alphabetical entries range from'absurd' to 'word scenery' and treat the reader to a vast panoply of theatre and theory. Theextended discussions are supported by useful examples drawn from the international repertoire ofplays and playwrights, both classic and contemporary. The Foreword is by Marvin Carlson. Thisdictionary is remarkably well integrated, partly because of its excellent system of cross-referencing,but also because it represents the vision and scholarship of a single, recognized authority. There isno other source like it available and it will be warmly welcomed by the English-language theatreworld.

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Approaching Theatre , AndrГ© Helbo, Jan 1, 1991, Art, 223 pages. .

Theatre at the Crossroads of Culture , Patrice Pavis, 1992, Performing Arts, 219 pages. Westernculture has a long and fraught history of cultural appropriation, a history that has particularresonance within performance practice. Patrice Pavis asks what is at.

Essays on German Theater: Lessing, Brecht, Durrenmatt, and Others , Margaret Herzfeld-Sander,Nov 1, 1985, Performing Arts, 354 pages. It is against this background of the theater's highprestige as a forum for ideas, as the summit of the literary arts, as the place where all the artscoalesce in a Wagnerian.

La Mise en Scene Contemporaine Staging Theatre Today, Patrice Pavis, May 7, 2013, PerformingArts, 384 pages. вЂWe have good reason to be wary of mise en scГЁne, but that is all the morereason to question this wariness it seems that images from a performance come back to haunt us.

The Performance Studies Reader , Henry Bial, 2004, Performing Arts, 329 pages. The PerformanceStudies Reader is a lively and much-needed anthology of critical writings on the burgeoningdiscipline of performance studies. It provides an overview of the.

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History of the Theatre , Oscar Gross Brockett, Franklin Joseph Hildy, 2006, Performing Arts, 596pages. This is a brief edition of the most successful theatre history book on the market todayproviding a trimmer, less expensive, and more accessible paperback version. History of.

Analyzing Performance Theater, Dance, and Film, Patrice Pavis, 2003, Literary Criticism, 362pages. An indispensable guide for the study of performance, by France's leading theater critic, now

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Languages of the stage essays in the semiology of the theatre, Patrice Pavis, 1982, LiteraryCriticism, 206 pages. "This volume should be read by those interested in both theatre andinterpretive strategies, semiological and otherwise." -- "Modern Language Notes"In "Languages ofthe Stage.

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