design in healthcare
DESCRIPTION
Developing Methods of Communication & LearningTRANSCRIPT
Published by
211 South Broad Street, 5th FloorPhiladelphia, PA 19102
Copyright © 2012
Dominic PrestifilippoMatthew Van Der TuynSara HallWan Ting Chang
Alexandra ViscontiBen HillsonDaeun Song
Design in HealthcareDeveloping Methods of Communication & Learning
Special thanks to: Jonas Milder, Kerry Polite, Lauren Johnson
Copyright © 2012 by Alexandra Visconti, Ben Hillson, Daeun Song, Dominic Prestifilippo, Matthew Van Der Tuyn, Sara Hall, Wan Ting Chang
Illustrations copyright © 2012 by Alexandra Visconti, Ben Hillson, Daeun Song, Dominic Prestifilippo, Matthew Van Der Tuyn, Sara Hall, Wan Ting Chang
Photography credits:Pages 1- 110, © 2012 Alexandra Visconti, Ben Hillson, Daeun Song, Dominic Prestifilippo, Matthew Van Der Tuyn, Sara Hall, Wan Ting Chang;
All rights reserved. No portion of this book may be reproduced–mechanically, electroni-cally, or by any other means, including photocopying–without written permission of the publisher.
Book design by Alexandra Visconti, Ben Hillson, Daeun Song
Masters of Industrial Design at The University of the Arts212 South Broad Street, 5th FloorPhiladelphia, PA 19102
First printing April 2012
p.5 Overview of the Process Research Synthesis Prototype + Test Iteration
p.23 Stories Interviews Probes Quote Cards Profiles Developing the Workshop Implementing the Workshop Reflection
p.99 Summary Presentations + Recommendations
p.105 Appendix The Design Team Glossary Reference
Table of Contents
2
Major healthcare organizations have recently been departing from traditional, Six Sigma methodology to Human-Centered Design thinking. Organizations like Kaiser Permanente and the Mayo clinic are recognizing the value of employing human-centered problem solving to the world of healthcare. Adopting these methodologies can help ease the pains associated with wicked problems within the healthcare environment. Designers specialize in understanding people, examining their behavior, and being conscious of their needs. Some traditional methods of problem solving specialize in maximizing production, improving the bottom-line and increasing volume. Research, synthesis, prototyping, and iteration are used to identify the root causes of problems, understand culture and behavior, sort through complex information, develop concepts to solve problems, and refine concepts along the way.
As design thinking is implemented, these healthcare organizations are seeing exponential improvements in the quality of care they deliver. Not only are design methodologies improving healthcare services from a patient’s perspective, but they are also improving the complex work environment in which the employees exist.
The University of Pennsylvania Hospital System worked with our team of designers to address specific digital tools used for communication and learning. One of the tools was a newly developed digital platform called The Square. This was created to allow employees to engage with each other in a digital space to get feedback and co-develop ideas for improvement. The second tool is a digital platform called the Learning Management System. This is a platform that contains learning information, allowing employees to receive important documents as well as discover and schedule classes for professional training.
While the design team originally aimed at improving these digital tools, the research revealed that the issues revolving around communication and learning extended far beyond these two digital platforms. UPHS is doing its best to address topics of innovation and collaboration within the scope of the daily functions of the healthcare system. This digital tool was a step toward empowering employees and ideas addressed. The healthcare system puts a lot of emphasis on rolling out these initiatives with great attention to detail, but sometimes has a difficult time prototyping on a smaller scale and testing an idea before it gets released system wide. The resulting work developed a concept addressing the issues around
communication and learning but also challenged the organization to address these issues at the root level beyond their digital tools.
This documentation shows how a team of designers integrated human-centered design to the University of Pennsylvania Hospital System, empowered them to implement and see the value that design can have in the healthcare they provide.
Design in Healthcare
INTRODUCTION
3
10.16 to 10.22 10.23 to 10.29 10.30 to 11.5 11.6 to 11.12 11.13 to 11.19 11.20 to 11. 26 11.27 to 12.3 12.4 to 12.10
Research
Interviews
Implementation of Workshop
Synthesis
Prototype Workshop
Testing & Iteration of Workshop
MiD & Penn Med / Semester Timeline
WEEK 1 WEEK 2 WEEK 3 WEEK 4 WEEK 5 WEEK 6
We Are Here
WEEK 7 WEEK 8
5
Research
Synthesis
Portotype + Test
Iteration
OVERVIEW OF THEPROCESS
6
RESEARCH SYNTHESIS PROTOTYPE ITERATE
7
This process is organic. The outline provided above is our take on how this process generally plays out, though we often visit and revisit the different facets of the process as needed. Standardized processes often produce predictable results and leave little room for experimentation. However the organic process we use allows for creativity to be leveraged to produce unpredictable results. The design process utilizes this organic process to develop a broad set of opportunities to build on, while cross-referencing these opportunities against research for a true understanding of relevance and effectiveness.
How Why
How Why
How Why
Revisiting previously synthesized information and considering feedback to develop and refine new prototype versions.Considering new research regarding discoveries.
To create a method of agile development and allow continuous improvement so that as our economy, health care policy, and culture change, Penn can continue to offer a better, more engaging method of innovation and knowledge exchange.
Prototypes validate or challenge new directions. Prototypes also give form to our insights, which enables conversations to continue with depth and clarity regarding the development of these tools.
Contextual Interviews with individuals in their own space, will provide us with rich information about how knowledge and ideas are currently trans-ferred. We will leave behind tools that will help us understand personal experiences.
To ensure both the new LMS and The Square are implemented and engaged as seamlessly as pos-sible. Through understanding the context of cur-rent learning we will be able to understand how the purposed tools would be integrated.
Revisiting previously synthesized information and considering feedback to develop and refine new prototype versions. Considering new research regarding discoveries.
Synthesis is important because it allows us to make informed decisions on how to move forward with the development of prototypes that are relevant and engaging. It also shows us interesting connections that will help us position these new tools in a way that makes them relatable.
Employing all subsequent information we will quickly develop and test small scale concepts that directly address the content, access and delivery in the LMS and create value in the Square.
How Why
DESIGN PROCESS
UArts MiD Project Work Statement
8
RESEARCHGathering qualitative data with a human-centered
approach by considering ethnography and outliers.
The design team used design research tools of
cultural probes, contextual interviews, drawing the
experience, guided tours, and secondary research at
Penn Medicine to collect qualitative data about the
culture of learning and communication within the
healthcare system.
9
10
R
Cultural probes are information gathering packages based around the principle of user participation via self-documentation that reveal perceptions and behaviors within or across cultures. The team designed a skin for a disposable camera and a small work book to use as a lens into the daily lives of employees. The employees were given a list of instructions of photos to take on the back of the camera.
Cultural Probes
Draw the experience
Asking participants to visualize an experience through drawing and diagramming can debunk assumptions and reveal how people conceive of and order their experiences or activities. The work book portion of the cultural probe asked employees to draw aspects of their days that gave the team key insights into the way they see themselves in relation to others in the hospital system.
RESEARCH TOOLS
11
Guided Tours
Contectual Interview
Secondary Research
By asking participants to lead a guided tour of the project-relevant spaces and activities the experience helps them recall their intentions and values. The team followed their contact on a tour of the Penn Medicine Center for Innovation and Learning to get a better feel for the office space in which the contacts operate.
The interviews are conducted in the environment, or context, in which the service process occurs allowing interviewer to both observe and probe the behavior they are interested in. The team conducted over 40 employee interviews in which valuable qualitative research was recorded. This research included employees explaining various procedures and systems they use on a daily basis.
Supportive information including published articles, papers and other pertinent documents help to develop an informed point of view on design issues. The team explored secondary research in the area of what is currently being innovated in health care, and what research has already been done at Penn Medicine.
www.hbr.org
Kaiser Permanente’s Innovation on the Front Lines
by Lew McCreary
Included with this full-text
Harvard Business Review
article:
Idea in Brief—the core idea
1
Article Summary
2
Kaiser Permanente’s Innovation on the Front Lines
Simply stepping back to observe how you work can yield game-changing insights.
Reprint R1009H
12
SYNTHESISMaking a sentence of the qualitative research
gathering through abductive thinking, visualizing
information, and sorting data. This process allows
for producing generative thinking. The design team
synthesized information many times throughout
their work. Synthesis occured at broad and granular
levels. Various artifacts were created to help aid the
process of sorting out information.
13
14
Card Sort
Card sorting asks people to organize cards spatially, in ways that make sense to them, revealing expectations and priorities about intended functions. The design team used a card sort to organize and group different types of quotes that were collected through the interviews and printed onto cards.
Affi nity Diagram
Affi nity diagramming is a method of data organization that is intended to defi ne categories based on likeness of information. The team used affi nity diagramming to group and organize various levels of information that was gained from the card sorting.
SYNTHESIS TOOLS
15
Concept Map
A graphical method for organizing and representing knowledge supporting meaningful learning through associative and hierarchical connection forming. Concept mapping was used to help understand the varying levels of information regarding the topics of focus.
Profile
A document that contains different categories to present information to be compared across different interviewees. Profiles were created for every individual that was interviewed. Once all of the interviews were complete, the group collectively examined each profile document.
16
PROTOTYPE + TESTPrototyping is developing concepts that are informed from synthesized research. These prototypes are concepts that is able to be tested for observation. The research led the design group to develop a workshop as their prototype. During its testing and implementation, we observe the successes and failures. This informed recommendations for future workshops.
17
18
Scenarios
These illustrate a story line describing the context of use for a product or service. Scenarios were drawn out during the development of the workshop. This helped spell out how different parts of the workshop would be facilitated.
Experience Prototype
Simulation of the experience using the product revealing unanticipated issues or needs. While refi ning the workshop, the design team did several simulations where team members practiced executing the workshop. This tool helped refi ne how the workshop would be facilitated and what materials would be needed.
PROTOTYPE TOOLS
Sort, Sythesize,Make Sense Prioritize
1
2
3{ {
Prioritize
1
2
3Brainstorm
Ideas
Implement Prototype
DevelopPrototype
{
{
RevisePrototype
AnalyzeFindings
19
Role Playing
Identify the stakeholders involved in the design problem and assign those roles to members of the team for them to enact activities within a real or imagined context. The design team played the role of participants while practicing how the workshop would run.
Storyboarding
A series of drawings or pictures that visualize a particular sequence of events. Storyboarding was used when planning out how the workshop would run. This helped visualize each step of the workshop and spell out each step of the process.
Co-creation
Engaging people with different backgrounds and roles to work collaboratively as part of the same team, in order to examine and innovate a given experience. The workshop was designed to engage people from different backgrounds and allow them to design a resolution to an issue. This allows for many different perspectives to be considered during the development of a concept.
20
Implement Prototype
{{
RevisePrototype
AnalyzeFindings
Revise Prototype
ImplementPrototype
AnalyzeFindings
ITERATIONObservations from testing a prototype inform the development of new versions of the concept. This redevelopment process is called iteration. Iteration can also lead back to any point of the design process. The execution of a prototype could reveal there is missing information from the initial research or that the research needs to be revisited and re-synthesized. Iteration can also occur at any point during the design process. A method of research may prove to be unsuccessful in collecting adequate data, revealing a new method for research must be created. A design concept can also be iterated upon as many times necessary to resolve an issue.
21
23
STORIES
Interviews
Cultural Probes
Quote Cards
Profiles
Developing the Workshop
Implementing the workshop
Reflection
24
INTERVIEWS
26
27
We used the tool of contextual interviews as the basis for our research.
The team interviewed the primary contacts in the health system to gain a
better understanding for framing the employee interview questions.
Interview questions were developed for the employees around the
ideas of communication and learning within the system. The
team was presented with a list of potential interviewees. The team considered two
options for exploring those topics. One option was to contain the interviews within
one department, and the second was to select employees from different
departments and entities. After consulting with the client, the team
decided on maintaining a diverse interview pool, pulling employees
from all different departments. The team worked with the client to select 50
interviewees and set up a schedule for the following six weeks. Then the
design team began interviewing the employees.
28
The interviews conducted at Penn Medicine gave the design team contextual research and data to build a case for the employee experience within the organization. After interviewing over 30 employees from all aspects of the health care system (different hospital entities, the University of Penn School of Medicine and corporate offices), we gained a better understanding of what employee life is actually like.
The contextual interviews were the capstone of the design team’s involvement at Penn. They allowed for direct qualitative research within the employee system. The contextual interviews are an important tool for discovering new possibilities within the confines of the culture in an organization through the employee voice. The interviews that were conducted explored the underlying issues of each of the digital systems the team was asked to examine.
Why contextual interviews
STORIES INTERVIEWS
29
Before the designers could begin to interview the employees at Penn Medicine, the team first had to show the value of the research to be conducted versus the research that had already been done. This was a tough process for the team because it was hard to stop the momentum of the project to explain a way in which a process is important, when that process seems inherent and necessary for the greater good. This aspect of explaining the process helped the designers to slow down and maintain transparency about what
Pre-interview process
was going on. Transparency is a significant concept when trying to communicate the value of our work to a larger established entity. After recognizing this, tensions eased and we were able to pursue our greater goals at Penn. One way the team helped ease that anxiety was by trying to describe the process with a series of maps, info graphics and text based documents that conveyed the same information in different contexts to see which one was easiest for the client to understand.
30
The interviews were conducted by 2-3 members of the design team at the location of the employee’s position (ie. the hospital, office or other work space). Interviewing the employee in their space not only put them at ease, giving the team the most honest information possible, but also allowed the team to literally see what the layout of their spaces were like and how the office dynamics played out. This information was invaluable.
In each interview, one designer led the discussion while the other one or two were responsible for notes, photographing, voice recording and interjecting when he/she saw fit. These pieces are essential in conducting the interviews because it is nearly impossible for one person to retain all the information relayed. These elements, especially the voice recording, were a necessity for the synthesis process because they allowed for the accurate recall of information and the ability for closer examination of the data. The photos helped us to keep the face to the name of the employees the team connected with.
How we excuted it
STORIES INTERVIEWS
31
Stages of interviewing
Stages of Interviewing
1
2
3
?
Pre Interview Preparation
Organize Information
Interview
Stages of Interviewing
1
2
3
?
Pre Interview Preparation
Organize Information
Interview
Stages of Interviewing
1
2
3
?
Pre Interview Preparation
Organize Information
Interview
Stages of Interviewing
1
2
3
?
Pre Interview Preparation
Organize Information
Interview
Stages of Interviewing
1
2
3
?
Pre Interview Preparation
Organize Information
Interview
Stages of Interviewing
1
2
3
?
Pre Interview Preparation
Organize Information
Interview
32
STORIES INTERVIEWS
33
On more than one occasion employees may not have had an experience himself or herself, but called on a colleague to enter the discussion. Being in the employee space also allowed the employee to show, not just tell, what they were talking about. Often it is hard to explain a computer system or piece of equipment without being able to see it. Being in the employees space gave them the opportunity to show the interviewer exactly what they were trying to verbally explain.
This interview style allows for a more conversational atmosphere. Instead of relying on the questions we developed, the interviewers were able to flow with the discussion instead of strictly adhering to the outlines questions. This ability to divert from the standard format allowed for insights that would not have come up if the interviewer had been more rigid. This speaks to the designer’s ability to “go with the flow” and gain valuable information from it.
Why the interview was important / valuable
34
CULTURAL PROBES
36
37
The time constraints of the interviews were realized. Research was done to discover
methods of extracting information. The team decided that
leaving behind a cultural probe was the best way to extract information from
employees once the interview was over. The cultural probe was comprised of a camera
and a workbook. The camera acted as a lens into the visual world of employees
while the workbook encouraged employees to think of their experiences using their
right brain through visualizing answers with drawings and
creative storytelling. The probes were delivered with a preaddressed
stamped envelope to be returned within a week. When the team received the probes,
the photos and responses were compared and grouped to discover common
themes and patterns.
38
The cultural probes were developed out of a tool used in This is Service Design Thinking by Stickdorn/Schneider. They consisted of a disposable camera and a small six-page workbook. Each of these designs was refined and iterated many times, through quick tests and prototypes. The employees were given the camera, booklet and a self addressed and stamped padded envelope so they could easily be returned upon completion.
All of the cultural probes were kept anonymous when presented to the client. Anonymity was stressed in the interviews and with the collection of the probes, which helped put the employees at ease while sharing sensitive information. This gained initial trust with the employees, giving the team a much more accurate look at employee life at Penn, which was crucial.
What is a cultural probe
STORIES CULTURAL PROBES
39
The camera was a standard disposable camera. The design team removed the paper labeling from the camera and designed a new one to replace it. The new label had instructions on how to use the camera and brief descriptions of specific items the design team was asking the individuals to capture with photographs. Blank spaces were placed next to each of the items the individuals were asked to photograph to allow them to document which number exposure went with which item they were asked to photograph. In addition to suggested topics, there were also extra exposures for employees to photograph other things they felt they needed to share with room on the cover to explain what they photographed.
The camera was developed to give the design team a visual look into the lives of the employees and their insights. It also gave the employees a second chance to relay any visual information they did not feel comfortable revealing in the interview or thought of after the interview was over.
The camera
40
The workbooks were six page booklets where the participants were asked to draw various parts of their days, fi ll in a “mad lib” type story, and there was also additional room for any comments. The team also included their contact information on a perforated card that the participants would tear out of the book and keep.
These cultural probes were important to give the designers a visual look into the lives of employees while introducing an element of play. Most people know how to work a disposable camera and have some strong memories associated with it. The probes also gave the employees permission to think in a different way. It pulled them out of the charts and spreadsheets (a typical left brain way of working) and into the world of drawing and creativity (a more right-brain way of working). Some people were uncomfortable with this new way of thinking, and some were delighted in a world of medical professionals at a top hospital.
The signifi cance of this right-brain thinking was discovered in the comments afterward. Many people expressed that they felt as though their voices were heard and they were appreciative of this new perspective on their current positions.
The workbook
Play
What is the most satisfying part of your day?Please draw your idea below.
Share with us | We are a team of designers who work to improve the daily lives of individuals and systems through listening, understanding, and implementing action. This toolkit was designed to give you a voice in the larger system in which you work. Please share your voice with us.
Caption:
STORIES CULTURAL PROBES
41
Many of the employees had concerns about being able to finish the interviews or even having the time to devote fully to the camera or workbook. This fact reinforced what the team had been hearing throughout interviews; employees don’t have any extra time. This realization became important in the synthesis of our research because it allowed unintended connections between what the employees expressed in interviews and the completion of the cultural probes.
Time stress
42
STORIES CULTURAL PROBES
43
Upon return of the cultural probes, the team got the fi lm developed and synthesized the booklets by pinning each of the same pages up to a board for better comparison and manipulation. This qualitative data revealed some shocking information. One employee mentioned that she would be leaving Penn Medicine because she felt as though there were no opportunities for professional development in her current position, a fact she did not reveal during the contextual interview. It is through looking at these outlier comments that value can be found. This one page in one booklet reinforced the evidence that was gathered during the interviews; that employees had concerns regarding professional development.
Summary
44
QUOTE CARDS
46
47
Quote cards were created as another method of externalizing the employee interviews.
The cards had two levels of categorizing information. The top
of the card contained five categorizes that would relate to the content
of the quote. These categories included learning, the LMS, the Square,
collaboration and communication. The left side of the card was reserved for indicating
the framing of the quote through three categories; obstacles, opportunity, needs/
ideas. The audio recordings during the interviews helped ensure accuracy
of the quotes. The cards were used for physical synthesis through
sorting to help create themes. The team invited the contacts to the studio to help
with this process. The end result of this sorting was visualized in four webs containing
various degrees of depth.
48
The design team developed the quote cards as a method of manipulating the qualitative data that was collected from the contextual interviews. The cards allowed for the interview information to be organized in ways that can be easily dissected.
As the team came back to the studio and re-listened to the recorded interviews, they found that a lot of what they heard was very quotable and needed to find a physical form to collect and view their findings. The words and language that the employees used was direct and distinct. These direct quotes would make our case stronger for what the employees needed. The power of those words was communicated to the client through the direct voice of the employee. These are irrefutable because the team did not interpret the information at all; it was exactly as the employee said it. The team honored their confidentiality agreements with the employees and did not attach a name, position or place of work to the cards, so when viewed by the client, they would not be able to figure out who exactly said what.
Creating the cards
STORIES QUOTE CARDS
49
What the cards allowed the team to do was to see the connections between employees’ quotes and topics that were most pertinent to the employee experience and frustrations, or areas for improvement. By having a physical representation of these abstract words, it was easier to see these connections because the quotes could be moved into physical proximity with each other. This visual format allowed for a quick read to understand how many employees agreed with each sentiment, where the
Working with the materials
patters would emerge and when they were most important.
The cards were small enough that they could be printed, cut, rounded and moved around. They were pinned up, placed on tables and manipulated into forms and ways of seeing that would have otherwise been impossible, especially in a digital format. They also allowed for the engagement of all the team members at once. As the process unfolded, team members were able to explain to each other why they moved certain
quotes or what the interviewee actually meant in the context in which the quote sat. This discourse and discussion proved to be useful to the process of synthesis. A necessary part of synthesis is being able to defend or frame pieces of evidence in a different light.
50
The quote cards are organized in two ways. Across the left side there are one of three categories in different colors: Obstacles (red), Opportunities (blue), and Needs/Ideas (yellow). These categories spoke to the nature of the quote and what it said about something in the work experience. The quotes that were pulled fit into one of these categories and was appropriately assigned the color. The text of the quote is in the middle of the card and is grey, except for the most important bit of information; a couple of words that summed up the entire quote were highlighted in the corresponding color. Along the top of the card there were 5 categories revolving around the topic of the quote; learning, collaboration, culture, LMS, and the Square. These topics were then highlighted on the card indicating which of the topics related to the quote. These topics were what were targeted in the interviews and allowed for a second, more detailed level or organization.
Organizing the cards
STORIES QUOTE CARDS
51
Position | Entity | Interview 00
OP
PO
RT
UN
ITY
learning
LMSthe square
collaborationculture“Place quotes here...”
Position | Entity | Interview 00
OB
ST
AC
LE
S
“Place quotes here...”
learning LMS the squarecollaboration culture
Position | Entity | Interview 00
Position | Entity | Interview 00
NE
ED
S/
I DE
AS
“Place quotes here...”learning
LMSthe square
collaborationculture
OPPO
RTUNIT
Y
“the square would help as a forum and exchange of ideas”
learning LMS the squarecollaboration culture
OBSTACLES
“when you have to get collaboration externally...
thats the challenge”
learning LMS the squarecollaboration culture
NEEDS/ID
EAS
learning LMS the squarecollaboration culture
“if they offered certain degree tracks or programs for employees,
that are geared to our needs”
52
STORIES QUOTE CARDS
53
Because there were so many ways to organize the information, the team was able to keep shifting the cards around until they formed a visible pattern. Sorting began with a few members doing the initial sort where a matrix was formed and grouped by quotes of the same nature as well as the same topic. Next the deck was shuffled and examined by the whole group, which came up with larger, big picture topics that the quotes were expressing. At the end of the quote card sort, the team was able to take these larger themes and synthesize them further. By breaking down the larger, lengthier interviews into smaller more granular pieces, the team was able to take large ideas and make them manageable. After those pieces were re-grouped and ordered, new larger themes emerged from the raw qualitative data.
Different methods of sorting
54
PROFILES
56
57
The team reviewed pre-existing persona documents that
attempted to identify different types of employees. The team decided to create a
document from scratch that would be informed by the qualitative data
gathered from the employees. This allowed the document to be shaped
by the information instead of forcing information into a pre-existing
layout. The profiles were created as a database to house and easily compare
employee information. Externalizing this information allowed the entire
team to understand each of the employees without attending the interview. This
physical artifact allowed for a more easily comparable document that revealed
trends and patterns between different employees. When sharing this
information with the client the team amended the documents to be anonymous.
58
The design team developed a profile method to synthesize the information extracted from the interviews. This was based off of a document that Penn Med originally supplied them with called a personas document. The purpose of the profile documents is to be able to identify characteristics that employees share to inform categories to record information. This would make comparison between employees much easier to understand.
Gathering information
STORIES PROFILES
59
The original personas documents were created by UPHS to understand employee’s wants and needs through the creation of eight personas. These personas identified eight different fictional employees in real positions within UPHS. The information within the persona documents covered different aspects of the employees work experience. This included a daily schedule and how each persona fit into UPHS and what level of autonomy each individual had.
Original material
60
The design team initially made a new persona document modeled after Penn Medicine’s. Once the design team discovered the information from the original personas documents were not specific to one employee. They developed different profiles, which would be used throughout the synthesis process. These profiles were developed to gain a deep understanding of the experiences employees face within their current environment.
These new profile documents were based off of the questions and content of the interviews. Instead of trying to generate a way of absorbing the information, the designers allowed the information gathered from the interviews to inform the design of the profile documents. This allowed a more natural recording of the data into a concise form. Space was designated to record data about experience with LMS and the Square.
These profile documents allow for the same information to be compared across all of the employees. This would naturally create statistics that the design team could refer to when developing a prototype. Placing information into these documents allowing the information to be broken down to a granular level. A picture of the interviewees was placed into the profile documents to help the designers connect the information to the people in a visual way.
Creating a new format
STORIES PROFILES
61
Computer Access
Full
Moderate
Minimum
94%3% 3%
Knowledge LinkExperience
Positive
Neutral
Negative
18% 26% 57%
Learning Style
Hands On
Example
Self Teach
Other
42% 42% 13%3%Social Media Use
YesNo
65% 35%
Collaborationin Department
Always
Sometimes
Never
50% 39% 6%
Analysis of all profile documents
62
STORIES PROFILES
63
After each interview, one of the interviewers would return to the studio with the audio recording from the interview, and dissect the information. As the interviewer reviewed the responses from the employees, they would plug the information into the appropriate field on the profile document. Once the interview was reviewed and all of the fields within the profile document were filled, the profile document was then printed and pinned onto a wall.
Pinning up the profiles created a unique work environment in which the team became immersed in the data. This externalization encouraged conversation about the work. These profile documents also helped those team members who were not present at each interview understand what the interview was like. Sharing each other’s experiences in the interviews helped keep everyone on the same page. Once all of the person documents were completed, the team presented each employee to the team. Reviewing all of the documents in one session revealed trends and commonalities between employees at UPHS.
As the design team revealed their process to UPHS, names and pictures were removed from the documents to maintain anonymity. Sharing the profile documents with UPHS helped them understand the design process that was being used.
Utilizing the material
64
THE WORKSHOPDEVELOPING
66
67
The research informed that employees desired a method of learning that included
collaboration and experiential learning. The best way
for the team to address these issues, was through a workshop. The workshop
allowed the team to teach a different method of addressing
problems and communicating. The content and focus of the
workshop was derived from the direct quotes and synthesis
of the interviews. The team decided to hold two workshops that would allow
each to address one of the original topics of focus regarding learning and
communication. A number of tools were designed to help facilitate the
workshop, such as facilitation cards, an agenda, a process map, and brainstorming
and externalization methods. Once the concept was developed, the team refined
the prototype by practicing the workshop in the studio prior to implementation.
68
The team reviewed the synthesis from their research and brainstormed ideas for a prototype. The client wanted to learn more about what employees desired for professional development but also wanted to generate material to put on the Square. The approach was to achieve these goals while considering the employees preferred learning methods, their desire to be heard, and feel a sense of autonomy.
The team’s research revealed most employees preferred learning by engaging with hands-on activities.
Workshop as a prototype
Learning Style
Hands On
Example
Self Teach
Other
42% 42% 13%3%
Collaborationin Department
Always
Sometimes
Never
50% 39% 6%
STORIES DEVELOPING THE WORKSHOP
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The workshop included teaching a new approach to problem solving, offering an opportunity to generate new ideas for professional development, and also generate content that would be housed and continued on the Square. The workshop addressed autonomy, by allowing participants to decide their own direction.
This also included learning from seeing someone perform an example. The design team concluded that a workshop would offer an opportunity to engage employees while teaching a new problem solving process. This new process needed to offer employees a new way to approach problem solving that incorporated what UPHS already does and a new way of approaching problems.
Each member of the design team was tasked with generating his or her own concept for a workshop. The concepts were then shared with the rest of the team. This allowed for each concept to be studied and dissected. Then, pulling good attributes from different concepts, a single workshop was developed. This workshop was our prototype.
The concept of the workshop
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Openness to criticism
Culture
Authority distribution
Power structure
AutonomyPower in numbers
Buy in
Who you know
Lack of feedback
More collaboration
Address anxiety
Openness to criticism
Who controls it?
Individual / unappealing gain
Political influence
Political connections
Where’s the money?
TeamworkPast experience
Under utilization of skills
Fear
No recognition of there role in the large system
No meeting structure to address problems
Need process
Planning actions Taking responsibilities
Lack of support for new ideas
Resistance to change
Process
Ambiguous
Lots of monkey wrenches (Bureaucracy)
No structure
No transparency
Transparency
Clash of priorities
Penn-wide
Entity specific
Progress status
Feedback
No resources
Cultural divides
Judgement
Criticism
Physical divide
Hierarchy
More custom solutions
Feeling inferior
Time
Lack of time for learning Accessible classes
ScheduleAccommodating
Too much time scheduling(Not enough time doing)
Condensed content
Lack of meeting structure
Too much time planning(Not enough time doing)
Time consuming
Scheduling
Location
STORIES DEVELOPING THE WORKSHOP
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Communication
Synchronous communication
Too many e-mails
Appropriate methods
More personal contact Face to face
Cross department collaboration
Silos
Networking
Resources
Logistical challenge
Variety
Under-utilization
Too many passwords
Paper and then re-entry
Redundant
Lower power + credibility
Information systems
Learning culture + Support
Supportive of individual
Unsupportive of group advancement
Closed system (siloed)
Learning by doingAutonomy
No formal training
Lack of professional development
Interactive demonstration
No interactivity
Aesthetically unappealing Growth plan
Needs
Strengths
Goals
Outside leaning opportunities
Outside resources
Interhospital collaboration
Interdepartment
UPenn
External to Penn
Visual engagement (Non-KL)
Hands on training
Unengaging (KL)
Learning
Customized classes
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The structure of the workshop would begin by revealing the four themes of issues, which were discovered in our research (Learning, Time, Communication, and Culture). The participants would then collectively decide which theme they would focus on for the workshop. Once the group decided on a theme, a designer facilitating the workshop would reveal prompts. These prompts would be specifi c issues within a theme, informed by fi ndings from the research. The group then voted on which prompt they would like to address.
The prompts would be printed on cards, allowing the participants to physically engage with them. This would encourage prioritizing through a physical format. The physical interaction allows for more vibrant conversation instead of just revealing the prompts verbally. Physical and visual engagement would further be reinforced by the voting method for the prompts.
Structuring the workshop
Voting
Stories Developing the Workshop
Each participant would be given two post-it notes one would be blue and one would be yellow. The blue post-it notes are worth two votes while the yellow post-it notes are worth only one vote. This visual voting would not only reveal which prompt received the most votes, but also what other topics participants feel important. This could lead to later discussion about other shared issues.
STORIES DEVELOPING THE WORKSHOP
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Brainstorming
Next, the participants would brainstorm ideas. The workshop was designed to have time allotted to generate both conventional and “blue-sky” ideas. The “blue sky” ideas would provide participants an opportunity to generate ideas that were idealistic and had no limitations. There would also be emphasis on generating a lot of ideas in a short period of time regardless of whether or not they were plausible. Emphasizing quantity, not quality, would be an important part of this step. The participants would then post their ideas on the wall to share what they came up with.
The next step in the workshop would allow the participants to group ideas. Here ideas would be physically moved around, grouped, and re-grouped. Both “blue-sky” and conventional ideas could be mixed together during this process. Once the group clustered their ideas into groups themes began to emerge. The participants would then decide which cluster they would prefer to focus on. This is where there would be a break. This point in the workshop is a good point for a break because it would allow participants to think about the cluster they are going to focus on for the remainder of the workshop.
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Prototype
Once the participants get back from their break, the facilitator would explain the prototyping process. This is the part of the process where the participants would generate a concept to address the issue defined by the prompt they previously selected. The facilitator would share different methods of generating prototypes to help the participants become familiar with the process. The group would then develop a concept based on the ideas from the cluster, through discussion. Here, the participants are creating ownership of the concept from its inception. This would encourage adoption and implementation of the prototype. The facilitator would only be there to guide the group but would not be an influential part of the creative process.
The members of the group would then create a plan for how the idea would be implemented. The participants are the best resources for this process because not only did they generate the concept but they also understand how the UPHS environment works. The employees are the experts. Once a plan was laid out, the participants would divide responsibilities to fulfill once they left the workshop. Allowing the completion of the work to extend beyond the workshop would encourage the participants to experience this type of work outside of an organized, formal setting. They would be encouraged to maintain contact and chart progress using the Square.
STORIES DEVELOPING THE WORKSHOP
Prioritize
1
2
3
Implement Prototype
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RevisePrototype
AnalyzeFindings
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BrainstormIdeas
Sort, Synthesize,Make Sense
Prioritize
1
2
3{ {
DevelopPrototype
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At the end of the workshop the participants would share their ideas and prototypes. They would look at the process they used to handle the work and how it was implemented. A connection could be made between their personal experiences in the workshop to the different parts of the process they had just experienced. This prototype would serve as a reference as they continue professionally and solve problems within their work environments. The participants would be able to continue the conversation using digital tools, and the new knowledge of a design process.
STORIES DEVELOPING THE WORKSHOP
Wrapping up
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Before the prototype could be implemented, the team needed to practice implementing it. This practice would reveal weakness in the design of the workshop. It also would allow them to get familiar with the process of implementing a workshop. It is important that the facilitators must have a complete understanding of the structure of the workshop. When the facilitator of the workshop has a complete understanding of the task at hand, they will direct the workshop with clarity. This will allow the participants, who are completely alien to
the feel comfortable sharing ideas. This will yield valuable discussions because the participants can trust that the facilitators can help lead the group.
Testing with the team
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STORIES DEVELOPING THE WORKSHOP
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The team practiced the workshop three times. This repetition allowed for greater refinement of the workshop. During these practices, the design team had several realizations. There was a big difference between having one facilitator or two co-facilitators. One facilitator kept the focus of the participants on one person. However this required one person to take on the responsibility of directing the entire workshop. Having two people facilitate the workshop allowed a shared responsibility of leading the workshop but there was an occasional miscommunication between the two facilitators, which leads to a break in continuity. The team decided to use both methods of facilitating according to what was comfortable for them. This flexibility is important because it allows the workshop to change with what the facilitator finds comfortable, leading to a more synchronous flow of accomplishing the work task, regardless of how it is lead.
The concept of the workshop
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THE WORKSHOPIMPLEMENTING
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The workshop was held at the client’s space. Each workshop was held in a separate
room and had three team members to co-facilitate, while another team member was
focused on photographing both workshops. The workshops followed a developed
agenda with specific time constraints for each activity. The participants were
walked through the design process to address a specific problem
in their workplace. These problems were identified through
previous synthesis by the team of the interviews. The workshop gave the
participants an opportunity to design a prototype of a concept that
could be further developed as a potential solution. The end of the workshop allowed
time for each of the groups to share the concepts that were generated.
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Stories Implementing the Workshop
Introduction
Two rooms at Penn’s Center for Innovation & Learning were used for hosting the workshops. The workshops began by having all of the participants and facilitators meet in one of the rooms. As participants arrived, a designer handed out nametags for the participants to wear. This was a way of checking attendance and would also help participants engage in conversation throughout the day using each other’s names. Addressing people by name leads to a more valuable and personable discussion.
Once all of the participants arrived, the design team gave a brief presentation on the research they had done thus far and the process they used to get there. The presentation also explained how the research informed the workshop the participants were about to go into. It also showed an agenda for the day to give the participants an idea of what they were going to do. At the end of the presentation, the participants were split into two groups and one group was sent to another room.
STORIES IMPLEMENTING THE WORKSHOP
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The groups were divided to create two types of experiences. The two groups experienced small differences in context. One team focused on addressing issues regarding the Learning Management System and professional development. The other group did not have a singular focus but had the opportunity to discuss different types of issues regarding their personal experiences at UPHS. Creating these different types of groups and putting them in a workshop that has the same format helped determine if there was a preferred method for future iterations of the workshop.
Dividing into groups
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Once the participants were in their respective rooms, they were introduced to four themes (Communication, Learning, Time, and Culture) that were synthesized from the research. A facilitator explained that it was up to the participants which theme they would focus on for the day. To help the participants understand what the themes represented, the facilitator gave a brief explanation of each one. The group then discussed the themes and voted on which one they wanted to address.
Both groups decided to focus on communication. The communication card was posted on the wall to visually show the focus for discussion. The facilitator then revealed the prompts specific to the communication theme. The participants then read and reviewed the prompts. They discussed how each prompt related to their personal experiences at work and which prompts resonated the most for each participant. Next the individuals voted using the supplied post-its, casting two votes on their first choice and one vote on their second choice.
Theme introduction
STORIES IMPLEMENTING THE WORKSHOP
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The group focusing on the learning management system decided that they wanted to develop their own prompt by merging two prompts. The facilitators encouraged this for a number of reasons. Most importantly, allowing the participants to create their own prompt develops very strong ownership and involvement within the workshop. This helped keep the participants engaged and ensures the content of the workshop is relevant.
Being flexible
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The groups then moved on to the brainstorming phase of the workshop. Each member received a stack of post-it notes. The facilitators gave five minutes for generating as many conventional, feasible ideas as possible. Once time ran out, the participants then were given 5 minutes to generate “blue-sky” ideas. This was an opportunity to generate ideas regardless of how absurd they seemed. Generating “blue-sky” ideas encouraged the participants to write down anything they could imagine that would address their prompt. The perception of blue sky was dependent on the participant.
Brainstorming
STORIES IMPLEMENTING THE WORKSHOP
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After the participants generated their ideas, they then grouped the ideas into clusters. Here the participants physically engaged with the ideas. They got out of their chairs, posted ideas on the wall, mixed “blue-sky” and conventional ideas, and labeled the clusters of post-its.
The participants then voted on which cluster of ideas they would focus on. Time was allotted for discussion and voting. The favored cluster would inform and act as a foundation for the prototyping phase. At this point the participants were then given a break. The workshop was designed with a break to help the participants absorb what they accomplished so far. This point of the workshop was used for a break because they just finished defining a thought.
Clustering
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When the participants returned from the break, they were tasked with developing the prototype. Here the facilitator the intro-duced different forms of prototypes. Using a prototype bank helped the participants to visualize what a prototype could be.
The participants reviewed the cluster they selected to inform their focus for their prototype. They began developing a prototype through discussion. Here the facilitator’s role was only to help visually record the group’s progress. The facilitator also kept the group on. Also it is important to recognize that while the designers have a great understanding of the process, they do not have an understanding or experience like the participants of the workshop. There-fore the facilitators do not have as much potential to develop an immediately relevant concept as the participants who are from within the system. Their role became that of a guide; taking the participants ideas and helping them make the prototype clearer.
Focusing
Implement Prototype
DevelopPrototype
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RevisePrototype
AnalyzeFindings
STORIES IMPLEMENTING THE WORKSHOP
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The facilitator began by encouraging the participants to visualize the prototype on their own, but their discomfort with drawings inhibited their experience. At this point the facilitator took the role of visualizing the group’s conversation. The facilitator’s flexibility was beneficial to the group because it took away some of the anxiety associated with drawing/visualizing. The facilitators later discussed ways of easing the anxiety of drawing. Upon reflection, they decided that a simple warm up exercise in drawing might help in the future.
Visualizing
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STORIES IMPLEMENTING THE WORKSHOP
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As the workshop came to an end the two teams were brought back together. Lunch was offered and as the participants ate, they discussed what they accomplished that day and how the experience went. Each team explained to the other what prototype they came up with and what the next steps in implementing that prototype were.
Review
The designers then explained that while the workshop ended, there work did not end. It was up to the participants to develop the prototypes further. Everyone was introduced to the Square and all participants were given access so they could continue discussion there. This would allow them to stay in contact with each other even if they did not work in the same part of the UPHS system.
Continuing on
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REFLECTION
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STORIES REFLECTION
The semester’s work with University of Pennsylvania Hospital System was encouraging and rigorous. Our initial point of entry was through addressing current digital systems. Our research revealed that employees are already overwhelmed with the digital systems they currently have access to and value learning and communication with their peers and co-workers. The digital tools would serve as a nice complement to the face-to-face interactions and hand on learning.
Clearly communicating our understanding and research extended and led to possibilities beyond the original task. We gathered information to reinforce this change in direction from different areas and in different formats. It was important for us to show where the idea of departing from the original task came from. The research had broadened the scope of the project and being transparent about this change in direction was important to the team.
As the design team discovered the four themes of time, communication, learning, and culture, they had to learn how to navigate and manage obstacles of their own regarding these themes. Employees shared how their workloads made their days hectic and they had a desire to be able to devote more time to each of their responsibilities. The culture of this prestigious work environment allowed for egos to develop and inhibit the productivity of the workplace while at the same time fostering a top tier health care system. This culture had a negative effect on employee’s ability and willingness to communicate.
The client recognized the need for change. The final workshop revealed that employees were very responsive to the opportunity to openly communicate. They were also excited about being involved with something that offered a physical space to interact. This sentiment was captured on feedback forms and delivered to the client along with a presentation of findings and recommendations for the future. As a result of this work, UPHS has continued its relationship with UArts and continue to employ design to address other internal issues.
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SUMMARY
Presentation + Recommendation
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+RECOMMENDATIONS
PRESENTATIONS
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Over the course of the semester, the design team presented a number of times for the client, but the two most notable presentations happened at the end of the semester. The first presentation took place at University of the Arts. All of the direct contacts were invited, as well as the VP of human resources and other people involved in the semester’s work. The team covered the walls with the quote cards and employee profiles. This set the stage for sharing the scope of the research that was done.
The team presented all of the research that was performed including the background paper research, orientation experience, contextual interviews, probes and the process of synthesizing the quote cards and probes. This presentation laid the framework for the workshop prototype. It was very well received by the client and gave an understanding of the value of the design process utilized by the team.
The final presentation took place at the Penn Medicine Center for Innovation and Learning. All of the same people were invited with the addition of a few senior leaders. The presentation was a follow up to the workshops and a presentation of recommendations for future steps. The team recommended certain actions that were derived from the outcomes of the workshops and the synthesis of the research. These recommendations were well received and the MID program continues its relationship with Penn Medicine.
SUMMARY PRESENTATIONS AND RECOMMENDATIONS
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APPENDIX
The Design Team
Glossary
References
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Dominic Prestifilippo2nd year [email protected]
Wan Ting Chang2nd year [email protected]
Matthew Van Der Tuyn2nd year [email protected]
Sara Hall2nd year [email protected]
APPENDIX THE DESIGN TEAM
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Alexandra Visconti1st year [email protected]
Ben Hillson1st year [email protected]
Daeun Song1st year [email protected]
211 South Broad Street, 5th Floor, Philadelphia, PA 19102
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Cultural ProbesInformation gathering packages based around the principle of user participation via self-documentation that reveal perceptions and behaviors within or across cultures.
Draw the experienceAsking participants to visualize an experience through drawing and diagramming which can debunk assumptions and reveal how people conceive of and order their experiences or activities.
ShadowingInvolves researchers immersing themselves in the lives of people in order to observe day-to-day routines, interactions and contexts.
Guided ToursAsking participants to lead a guided tour of the project-relevant spaces and activities they experience to help them recall their intentions and values.
Cognitive Task AnalysisList and summarize all of a user’s sensory inputs, decision points and actions to identify potential bottlenecks where errors may occur.
Time Lapsed VideoRecording movements in a space over an extended period of time to be later viewed at an increased speed. This provides an objective, longitudinal view of activity within a context.
EthnographyA form of qualitative research that requires immersion in the natural contexts upon which work, play or culture are experienced.
Contextual InterviewConducted in the environment, or context, in which the service process occurs allowing interviewer to both observe and probe the behavior they are interested in.
Extreme User InterviewIdentify individuals who are extremely familiar or completely unfamiliar with the product or system and ask them to evaluate their experience with it.
Secondary ResearchSupportive information including published articles, papers and other pertinent documents to develop an informed point of view on design issues.
Activity AnalysisStudying in detail all tasks, actions, objects, performers and interactions involved in a process.
Personal InventoryDocument the things that people identify as important to them to catalog evidence of their lifestyles.
Unfocus GroupAssemble a diverse group of individuals to encourage rich, creative, and divergent .
Empathy ToolsCreate tools that alter your experience to understand the abilities of different users.
Research
APPENDIX GLOSSARY
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PersonasFictional profiles developed as a way of representing a particular group based on their shared interests.
Card SortAsking people to organize cards spatially, in ways that make sense to them, revealing expectations and priorities about intended functions.
Flow DiagrammingVisually representing the flow of information or activity through all phases of a system or process.
Social Network MappingDiscovering different kinds of social relationships within a user group and map the network of their interactions.
Affinity DiagramA method of data organization intended to define categories based on likeness of information.
Concept MapGraphical method for organizing and representing knowledge supporting meaningful learning through associative and hierarchical connection forming.
Mental modelA cognitive representation and simplification of a complex system.
Zoom OutA method for understanding and visualizing the larger system of people, products, services and environments within which a particular design exists.
Customer Journey MapA structured visualization of a users experience with a system.
Stakeholder MapA visual or physical representation of the various groups involved with a particular service.
ScenariosIllustrate a story line describing the context of use for a product or service.
Experience PrototypeSimulation of the experience using the product revealing unanticipated issues or needs.
Role PlayingIdentify the stakeholders involved in the design problem and assign those roles to members of the team for them to enact activities within a real or imagined context.
StorytellingA method for sharing insights and new concepts through the use of compelling narratives.
StoryboardingA series of drawing or pictures that visualize a particular sequence of events.
Co-creationEngaging people with different backgrounds and roles to work collaboratively as part of the same team, in order to examine and innovate a given experience.
Synthesis Prototype + Test
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APPENDIX REFERENCES
Gladwell, Malcolm. “Annals of Innovation.” The New Yorker 4 Oct. 2010. Print.
Mayo Clinic. From Foamcore to Function. Rep. Mayo Clinic. Web. 8 Sept. 2011.
Ruef, Martin. “Strong Ties, Weak Ties and Islands.” Industrial and Corporate Change11.3: 427-49. Web. Sept. 2011.
Easley, David, and Jon Kleinberg. Networks, Crowds, and Markets: Reasoning about a Highly Connected World. New York: Cambridge UP, 2010. Print.
McCreary, Lew. “Kaiser Permanente’s Innovation on the Front Lines.” Harvard Business Review Sept. 2010. Web.