deregowski (1972) pictorial perception and culture

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Deregowski (1972) Pictorial perception and culture.

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Page 1: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture.

Deregowski (1972) Pictorial perception and culture.

Page 2: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Page 3: Deregowski (1972) Pictorial perception and culture

Old woman or young woman?Old woman or young woman?

Page 4: Deregowski (1972) Pictorial perception and culture

Look at this picture for 3 secondsthen draw it from memory

Look at this picture for 3 secondsthen draw it from memory

Page 5: Deregowski (1972) Pictorial perception and culture

A vase or two faces?A vase or two faces?

Page 6: Deregowski (1972) Pictorial perception and culture

Visual PerceptionVisual Perception

• The question

• Is the world OUT THERE to be seen? Bottom Up perception (Gibson)

• If perception is innate Then we draw the world as it is

Page 7: Deregowski (1972) Pictorial perception and culture

Visual PerceptionVisual Perception

• Do we construct the world that we see?

• Top Down perception (Gregory)

• If perception is learned Then we draw what we THINK we see and what we think we see has been learned

Page 8: Deregowski (1972) Pictorial perception and culture

Top Down visual perception?Top Down visual perception?

• The ‘switch’ you see is evidence for GREGORY

Page 9: Deregowski (1972) Pictorial perception and culture

IS the left vertical really shorter? IS the left vertical really shorter?

Page 10: Deregowski (1972) Pictorial perception and culture

And what on earth is this? And what on earth is this?

Page 11: Deregowski (1972) Pictorial perception and culture

And think about this…….And think about this…….

The red squares ARE the same colour and size

So why do they look different?

Page 12: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• The question

• Does culture affect the way we SEE pictures (nurture)

• Cross cultural studies can help to answer this question

Page 13: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• The method

• DEREGOWSKI performed a review of a series of

CROSS CULTURAL STUDIES

Page 14: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (1) late 19th century

• Robert Laws & Mrs Donald Frazer– they were missionaries

• showed Africans ‘European style’ Pictures (e.g. of elephants)

Page 15: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

The Africans were afraid of them….. they thought they were real elephants

Page 16: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (2) William Hudson

• “the key to understanding pictures lies in depth cues”

• WE LEARN three rules

Page 17: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• DEPTH CUES - Rule ONE• larger objects are perceived as nearer

Page 18: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• DEPTH CUES - Rule TWO• overlap - obscured objects seen as

further away

Page 19: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• DEPTH CUES - Rule THREE• perspective - lines converge as they

get further away (railway lines)

Page 20: Deregowski (1972) Pictorial perception and culture

William Hudson’s famous pictureSpearing the antelope or the elephant?

Page 21: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Showed this picture to Africans • when asked “what is the man doing”

participants could not say which animal was ‘being speared’

• (did not seem to use depth cues)

• classed as two dimensional viewers

Page 22: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (3) William Hudson

• Zambian children - shown picture of two squares connected by a ‘rod’

Page 23: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (3) William Hudson

• Given sticks and modelling clay to ‘build a model’ of what they saw

Page 24: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (3) William Hudson

• 2-D viewers built two dimensional models

British primary British primary school children school children usually try to build usually try to build 3 dimensional 3 dimensional models (boxes)models (boxes)

Page 25: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (4) The impossible trident

• Zambian primary school children asked to draw this figure

• 2-D viewers found it easiest!

Page 26: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (4) The impossible trident

• 3-D viewers found it harder - they spent longer looking at it (Why?)

Are you a 2-D or a 3-D viewer Are you a 2-D or a 3-D viewer

Page 27: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (5) Richard GREGORY

• asked unskilled African viewers to

adjust a spot of light so that it lay at the same depth as an object in the

• ‘spearing the antelope picture’

Page 28: Deregowski (1972) Pictorial perception and culture
Page 29: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (5) example - try this out

Where will the Where will the pointer be if it pointer be if it is on the is on the nearest object?nearest object?

2-D viewers 2-D viewers cannot do thiscannot do this

Page 30: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Study (6) split style drawing

African children African children prefer the split style prefer the split style

Page 31: Deregowski (1972) Pictorial perception and culture
Page 32: Deregowski (1972) Pictorial perception and culture
Page 33: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• The cross cultural studies

• What can we conclude?• If different cultures use different rules to

construct their pictures it follows that one culture may not be able to interpret the drawings of another culture

Page 34: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Do YOU understand these symbols?

what do they mean?Would they be universally understood?

(by all cultures)

Page 35: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

What do you see? Duck or rabbit?What do you see? Duck or rabbit?

Evidence for Gregory or Gibson?Evidence for Gregory or Gibson?

Page 36: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• Remember the question !!

• Is the world OUT THERE to be seen? Bottom Up perception

• (Gibson=nature)• Do we construct the world that we see? Top

Down perception • (Gregory=nurture)

Page 37: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

• As you view this is your brain testing a hypothesis?

Page 38: Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

Deregowski (1972) Pictorial perception and culture

The end