deborah tranter

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Plenary: Build it… reconceptualising museum and gallery spaces Hall A, MECC Chair: John Walsh Deborah Tranter Director Cobb+Co Museum and Regional Services, Queensland Museum Museums and Communities: Changing Dynamics: An analysis of the Cobb+Co Museum in Toowoomba

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2011 M&GSQ State Conference Presentation by Deborah Tranter, Cobb+Co Museum in August 2011

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Page 1: Deborah Tranter

Plenary: Build it… reconceptualising museum and gallery spacesHall A, MECCChair: John Walsh

Deborah TranterDirector Cobb+Co Museum and Regional Services, Queensland Museum

Museums and Communities: Changing Dynamics: An analysis of the Cobb+Co Museum in Toowoomba

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Museums and Communities: Changing Dynamics

Case study Cobb+Co Museum

Deborah Tranter

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Reconceptualising the Cobb+Co Museum as a pivotal agent

in its community’s social, cultural and economic

development

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• Stage 1 1987-2001 traditional museum model

• Stage 2 2001-2010 social enterprise model

• Stage 3 2010- creative-cultural industry model

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Stage 1 1987-2001

Traditional museum model

• internal collection-focused institution• horse-drawn vehicles• curriculum learning programs• shared site with TAFE college

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Stage 2 2001-2010

Social enterprise model

• community resource centre • dedicated to lifelong learning and

inclusivity• broader exhibition themes and associated public programs.

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National Carriage Factory project

• History is in Your Hands • Community leadership• Inreach not outreach• Gave the community permission to

speak on behalf of the Museum• $2million commitment

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Walkway of Honour

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Stage 3 2010 -

Creative-cultural industry model

• safeguarding heritage trades• innovation, creativity and design• hub for Hand Made in Country• social, cultural and economic benefits for the community

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Binangar Centre

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Little Cobbers

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Reminiscence Program - Volunteer

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Cobbs Coffee Shop

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Dinner Function

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Uses capital heritage assets -natural, built, moveable and intangible to foster

• economic prosperity, • social cohesion, • sustainable practices and • function as important patterns and

symbols promoting a distinctive community identity

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For a tree to grow well, the seed can be international

but the soil must be local

Su Donghai, Professor National Museum of China

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International models

• Creative Industry network model• Convention for Safeguarding Intangible

Heritage (UNESCO)• Ecomuseum• Economuseum• HandMade in America

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National Carriage Factory

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Heritage Trade Workshops

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Daily Have A Go

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Thomas Weir – Heritage Trade Apprentice

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Artisans

• earning a living from involvement in education and training

• production and promotion of quality hand-made merchandise

• participation in tourism trails and significant events

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Handmade items

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From the last stop before the dump to a place marker

immersed in its community through shared values

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Museums and Communities: Changing Dynamics

Case study Cobb+Co Museum

Deborah Tranter