dcw03 09 photoshop tips

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  • 8/6/2019 DCW03 09 Photoshop Tips

    1/5

    PHOTOSHOP

    This model was shot for amagazine cover. We needed tomake her more obviously blonde,adjust her eye colour to fit with theother cover colours, and brightenup her lips. We did this veryquickly, using the techniquesdescribed opposite

  • 8/6/2019 DCW03 09 Photoshop Tips

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    DIGITAL CAMERAMAGAZINE 063

    Practise with the Pen tool much of the time it's quicker to

    cut out by hand and then smudge a mask than it is to use the

    Extract or Colour Range tools

    ONECLICKFIX

    PAINT THE HAIRDouble-click the Quick Mask icon and set it to

    the selected area at 100 per cent. Choose Quick

    Mask (Q), a black brush (D) and start to paint over the hair

    with the brush. Use a white brush to make a hole in the

    mask on the forehead (see red circle).

    01 APPLY COLOUR CURVE LAYERCome out of Quick mask (Q) and you willnotice that the mask has become a selection.

    Choose Window8Layers and from the bottom of the layers

    palette curves. A mask will be created automatically from

    the selection. Select Channel8RGB8Red.

    02 CHANGE THE COLOURWith only the red channel selected, click themiddle of the curve and a point will appear.

    Type 55 into Input and 39 into the Output field. Click on

    Channel8Red and change to blue. Click again and enter

    Input 50, Output 59, then OK.

    03

    SELECT THE EYESGo into Quick mask (Q) and select one

    eye using the Elliptical Marquee tool.

    Drag to fit the eye and hit D to default the swatch

    to black and white.

    01 REFINE THE MASKUse Alt Delete to fill. Repeat with the other eye,then deselect the selection using Command D.

    Remove excess Mask using the white brush. Press the X

    key to flip the brush from black to white.

    02 ADD COLOURCome out of Quick mask and, from the Layerspalette, select Hue/Saturation. Click Colorise

    and set Hue to 202 and Saturation to 56 per cent. You

    may want to experiment with other colours, too.

    03

    DRAW A PATHCheck the Path and not the shape layer is

    active in the top tool bar. Go to Window,

    select Paths. Select the Path tool and draw a path around

    the mouth. Check the path is active in the top tool bar.

    01 MAKE IT A SELECTIONClick in the path and click on the first pointmade to make one sealed shape. From the

    Paths palette (with the path still selected), click the Load

    path as selection icon from the bottom of the palette.

    02 COLOUR THE LIPSFrom the Layers palette, choose Colour Balance.Drag the magenta green slider down to -50

    and the yellow blue to +10 and press OK. Try playing

    around with your own settings to colour this image.

    03

    *

    CONTACT US!

    [email protected]

    HAIR

    APPLYA COLOURCURVEHere we paint over the hair

    and apply a colour curve togive our model a new look

    QUICK MASKSWith the clever use of a

    Quick mask we can change

    the colour of the eyes, too

    2

    EYES 2

    LIPS

    DRAWINGPATHSBy drawing a path around

    the mouth its then a simple

    step to play with the colour

    2

    Fast facial retouchingNEW SERIES! Each issue, Chris Stocker reveals quick ways you can improve any digital image inPhotoshop. This month: faces

    mailto:[email protected]:[email protected]
  • 8/6/2019 DCW03 09 Photoshop Tips

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    nspired by my three-year-old niece and her

    vivid imagination, I set out to create a

    picture book for her. In this book she is the

    central character, meeting magical creatures along the

    way. I asked my family to pose in costumes and, using

    my digital camera and a bit of Photoshop magic, I

    conjured up a world of pixies, giants and wizards.Once Id decided on the theme, I started to collect

    macro shots from nature. Most digital cameras have a

    good close-focusing capability that enables you to fill

    the frame with leaves, toadstools, butterflies and so on.

    Tools of the tradeBack at home, I put together the image. A favourite

    tool for this kind of project is the Free Transform tool in

    Photoshop. This enables you to adjust the size of

    subjects so that they fit in their new macro setting. By

    shrinking your subject or making it giant size, you can

    create your own, fantasy world: put wings on tinyhorses, make houses nestled in trees and have fairies

    flying on leaves.

    For this image, I duplicated the pixie, attached

    wings, then brought the picture alive with movement

    using Motion Blur settings and added masses of

    autumnal-colour leaves with the Paint Brush tool.

    Now its your turnThis project was great fun to create, and has become a

    real family treasure. Its easy to copy the images are

    on this months coverdisc. Once youve completed this

    pixie image, why not develop your own, originalfantasy image using the skills and techniques that

    youve learnt?

    From pixels to pixiesWith Photoshop and a digital camera, Karen Spychalski shows you how to conjure up a magicalworld of dancing pixies!

    064 DIGITAL CAMERAMAGAZINE

    I

    EXPERT TIP0KAREN SPYCHALSKISCLEANING TIP

    DANCING PIXIES

    KEY DETAILS

    SKILLLEVEL

    TIMETO COMPLETEMINSPERIMAGE

    3

    2

    2

    90

    CONTACT US!

    KARENSPYCHALSKIwww.dcmag.co.uk

    PHOTOSHOP DANCING PIXIES

    How to mimic Photoshop plug-ins worth 100s for free!

    NEXT MONTH

    Sky.psd, PixieWings.psd,Pixies.psd

    FILES ONCD

    [1] COLOURFUL SKYThe sky is a genuine photograph,tweaked to boost the colours.

    [2] MOTIONBLURPhotoshops Blur tool enables you to add

    fake motion effects to static images.

    [3] PIXIE WINGSThese pixie wings are based on a

    photograph of a normal leaf.

    [4] A MASS OF LEAVESThe twirling leaves on the ground are

    created with a Photoshop brush.

    IN DETAIL

    1

    2

    3

    4

    MAGNIFIER TOOLWhen working with Layers, theMagnifier tool is a real asset.

    There can be rough edges orspots not visible when working inthe regular screen mode. Theseflaws will show up when youprint your work, though. To keep

    your work clean, choose the

    Magnifier tool, then take a lookat every inch of your work.

    http://www.dcmag.co.uk/http://www.dcmag.co.uk/
  • 8/6/2019 DCW03 09 Photoshop Tips

    4/5DIGITAL CAMERAMAGAZINE 065

    STAGE1

    OPEN THE SKY.PSD FILEOpen the Sky.psd background Layer and then

    the Pixies.psd. Using the Move tool, drag PixieOne onto the sky background. This is the first pixie in the

    dance sequence all the other pixies will be layered on

    top of Pixie One. Apply Motion Blur as below.

    USE MOTION BLURYou can find the Motion Blur tool by going to

    Filter8Blur8Motion Blur. Set it to 47. Drag PixieTwo onto the background and position her in front and to

    the right of Pixie One. Repeat the Motion Blur technique

    from step one.

    02 PIXIE THREEDrag Pixie One from Pixie.psd onto thebackground and rename it Pixie Three.

    Place her in front and to the right of Pixie Two. Using the

    Lasso tool, select her head and right arm, Motion Blur to

    95, Deselect, Lasso her extended arm and dress, set

    Motion blur to 18 and Deselect.

    0301

    PIXIE FIVEDrag Pixie One onto background and rename it

    Pixie Five. Position this Layer on top and to the

    right of Pixie Four. Using the Lasso tool, select the full bodyand head leaving the extended arm free. Motion blur (67),

    Deselect, Lasso the arm and Motion blur (32).

    05

    PIXIE SIXApply Motion Blur to the dress (32). Use the

    Blur tool to clean up any rough edges. You can

    set the Blur tool to 100% and go over each Layer where

    the Lasso might have left a distinctive line.

    06

    MAKING THE MOSTOF THE MOTIONBLUR TOOLThe Motion Blur tool enables

    you to make a static image

    come alive with movement.

    It can be used on the entire

    image or just on selected

    aspects of it.

    2

    EXPERT TIP0

    BRUSH SELECTIONPhotoshop is a wonderland of

    opportunity. Its fun to explore its

    various tools and brushes(available in the Tool Options bar).

    Its worth spending some time

    working with all the individual

    brushes. Play around with different

    sizes, shapes and opacity.

    KAREN SPYCHALSKISBRUSHWORK

    New in Photoshop 7, the Healing brush allowssmoother blending, matching the texture andtone of a correct area to the area to be fixed

    There are many options when creating a dropshadow (opacity, width, position, colour). Experimentwith the choices to create the most realistic effect

    ONECLICKFIXES*

    04 INFOCUS THE ILLUSION OF MOVEMENT

    Pixie Four

    UNSUNG HERO

    In order to get the right composition, you often

    need to reposition different Layers. The Move tool

    is an indispensable tool and will help you organise

    your image.

    CREATING MOVEMENT

    By selecting separate parts of the pixie and

    applying different Motion Blur settings, you

    can make a static group of images come alive

    with movement.

    Drag Pixie Two from Pixie.psd onto background and rename it Pixie Four. Position this new Layer on top of Pixie Three.

    Using the Motion Blur tool, blur the whole body (39). With the Lasso tool, select just the dress, set the Motion Blur to

    92 and Deselect

  • 8/6/2019 DCW03 09 Photoshop Tips

    5/5066 DIGITAL CAMERAMAGAZINE

    EXPLAINED0BLUR TOOLUse the Blur tool to soften roughedges or specific parts of a photo.

    This tool, like most Photoshoptools, can be set to different

    levels of pressure from the

    Tool Options bar. Also from thesame palette as the Blur tool is

    the smudge tool. This is useful

    when you want to smear one

    colour into another. The amount

    of surface you can smudgedepends on the size and softness

    of the brush.

    PHOTOSHOP DANCING PIXIES

    STAGE2

    TAKE FLIGHTNow its time to learn how tochange an everyday leaf into

    magical pixie wings.

    2

    OPEN PIXIEWINGS.PSD

    There are just a few steps to colour yourimage, and once youve mastered the

    technique you can experiment with different colours of

    your own. To begin colouring the wings, Invert the

    image (Image8Adjustment8Invert.), then Equalize it

    (Image8Adjustment8Equalize).

    CHANNEL MIXER

    Next, go to Image8

    Adjustment8

    ChannelMixer. Here you can adjust the three (red,

    green, blue) different Source Channels and the three (red,

    green, blue) Output Channels. Using the Mixer gives you a

    wide range of colour options.

    08 SET THE LEAF COLOURSSet the leaf to red (Ctrl+1). Set the slides to+200 (red), +104 (green), -154 (blue). Use the

    pull-down menu to change the Output Channel to green

    (Ctrl+2). Adjust the slide to -164 (red), +96 (green), -30

    (blue). Change the Output Channel to blue (Ctrl+3). Adjust

    slide to +30 (red), 0 (green), +100 (blue).

    0907

    DUPLICATE THE WINGSWhen youre happy with the colour, change

    the opacity of leaf to 68% and drag it onto

    the sky background. Use the Free Transform to sizethe wings. Duplicate this Layer until you have all the

    wings you need.

    10

    LAYER THE WINGSLayer the wings in among pixie Layers 1, 2, 3, 4

    and 5. Make use of Skew, Distort, Rotate and

    Flip Horizontal when youre working with individual

    wings. Apply Motion Blur to some of the wings. Note: the

    object here is to create a sense of movement.

    11

    www.digitalphotocontest.comThis contest site features ten dailywinners in different categories (one digital art). Let this site and

    its photographers be an inspiration for you

    FURTHERINFORMATION*

    12 INFOCUS FINISHING TOUCHES

    Blowing leaves

    PAINT ANYWHERE

    It doesnt take a steady hand the brush blows

    leaves in a random pattern when you drag the

    mouse and release. Try half circles with the

    mouse and continue painting until it looks alive

    with leaves.

    Select the Paint Brush tool. On the Tool Options bar, pull down the brush choices. Youll see brushes in various sizes and

    shapes. Choose the brush that looks like a maple leaf. Set the brush size to 45 with 100% opacity

    AUTUMN COLOURS

    You can pick any colour for your leaves. Weve

    chosen to use an autumn palette. Choose a

    dark orange colour for the foreground and a

    light orange for the background colour.

    http://www.digitalphotocontest.com/http://www.digitalphotocontest.com/